#but it's a fundamental part of my lore

[artheresy]

My dynamic for Dan Feng & Yingxing

Hi hello, I said I would finally post this after long debating over if I show it here first or in my fic first, but fuck it. That’s a long ways away and I need to rant about them because they take up too much space in my brain.

So this post, isn’t me claiming that this is the canon dynamic between Dan Feng and Yingxing or that this is the only right one or whatever. This is purely my own view of what I think their dynamic would be based upon how I see their individual characters with the little bits and crumbs we’ve been given so far in HSR. I can’t go over every single aspect of them here because I just purely can’t think of every single thing so this is primarily going to be talking about the fundamental key parts of my interpretation of their dynamic! If that makes sense, I’ll hop right in

Be warned, this is pretty fucking long, I think so much about them it actually hurts me physically, like it’s painful. This is me just letting my autism run while talking about two of my favorites, so be cautious… sorry in advance if some areas turn into tangents, again I think about them so much its actually too much I think about them too much

AGAIN, THIS IS MY VIEW OF THEM!! Based on the characterization we have so far which isn’t a whole bunch, this is my interpretation of their relationship based on how I view the bits of characterization we have and what we know about them

—

Okay so one of the biggest and most fundamental parts that influences how I view their dynamic and the course of their relationship is looking at how exactly and why exactly I think they became close. Jingliu in her companion quest says:

I think this statement she makes “to see someone so arrogant get along with someone so proud” is actually the foundation of why they get close and their dynamic works rather than an obstacle that they somehow overcome. Specifically, I think that it was Yingxing’s arrogance (partially genuine and partially a habit born for the sake of his own survival) that allowed the two of them to get close. When we see lines from Yingxing via Dan Heng’s memories or via the Mirage Echo, though he uses Dan Feng’s proper title, he seems to talk rather casually to him. Even in a tense situation as secretly being in Scalegorge Waterscape for research would seem, Yingxing still is very lighthearted and in some languages, even laughs a little as he banters with Dan Feng. I have my own headcanons for why he has this casualness to him, but either way it’s a genuine part of him and a part of his canon characterization. I think that casualness, a product of his confidence/arrogance and maybe a little of his obliviousness as well, allows for them to get close. It evens the playing field, Yingxing sees Dan Feng as his equal, as a person, as Dan Feng rather than as his position of Imbibitor Lunae High Elder of the Vidyadhara. I could speculate all day whether or not other people had treated him similarly before and he shot it down (there’s a lot of the actual evolution of the dynamic that I will write I swear), but I think there was something very unique in that casualness that Dan Feng might not have experienced before, not from anyone else, not from the other members of the HCQ he had met before. Perhaps even Yingxing’s background would play a part in how shocked by his behavior DF is. Either way, it is that casualness, that equalness unlike he had ever experienced before, mixed with all of Yingxing’s other characteristics such as his cheeky nature that manages to quickly break down Dan Feng’s walls and make him feel compelled to grow closer to YX. Whether their first meeting was via Baiheng and Jingliu or a chance encounter before they eventually join the HCQ, Dan Feng is coming away from that shell shocked by the sheer audacity of this short life species, feelings he first interprets as offense before he realizes he’s actually amused/interest in him, and Yingxing walking away like “Huh? That was the High Elder I guess. Seems nice, a bit stiff tho!” There is no worship of Dan Feng from his side for any reason, not for his skills, not for his position, not even as an unattainable ethereal beauty situation. He views him as just another person, an equal, and no part of him views DF in this cocky “he’s not unattainable bc I already have him” kind of way because…

—

Another fundamental in my personal interpretation of their relationship is that Yingxing doesn’t truly seek anything from Dan Feng nor does he ever necessarily try to pursue him. And all of this isn’t in an insecure “We’d never work” kind of product of overthinking way of choosing not to pursue him. Rather, it’s primarily because Yingxing doesn’t feel the need to. He doesn’t need his romantic feelinhs to be satisfied or fulfilled especially with the difference in their lifespans. As long as he can be by his side and stay close with him until his time comes to an end, Yingxing is truly perfectly content with that. A lot of this additionally stems from a certain place. That being that after he gets to know Dan Feng better and learns of the sheer pressure he endures due to his position, the choices he feels he’s forced into, the level of restriction, even with all of the influence Dan Feng still has, he doesn’t want to be an added source of pressuring or discomfort. To sum it up, Yingxing leaves the ball in Dan Feng’s court so he can act as he sees fit when he feels like it. There’s an added layer to this also of Yingxing not wanting to ruin the current state of their dynamic (a topic I’ll get into more). In the end, this is just yet another part of Yingxing that utterly pulls Dan Feng in. He is very used to being distrusting of others and refusing to get close to many people, primarily out of wariness of the potential ulterior motives people may have when befriending him. Contrastly, Yingxing doesn’t expect or even want anything from Dan Feng even the closer they get. Dan Feng can see that, and it makes him trust in Yingxing. Makes him trust to the point that he feels comfortable enough to make attempts pursuing Yingxing himself rather than meeting at a stalemate, refusing to go after a man Dan Feng knows won’t chase him as to not risk pressuring him and bc he’s fine with how things are. That isn’t to say though that Yingxing won’t respond to any attempts Dan Feng makes first though, because he absolutely will. Well… that is if he can recognize any attempts from Dan Feng at all because he can be rather oblivious in the face of people making advances at him-

An added part to all of this is that Yingxing with the way he acts, both in general and in this specific regard, ends up being part of what helps influence and encourage Dan Feng to do more to take what he wants, actually follow his desires in certain aspects rather than keeping up his stiff outer image and denying himself of everything for that sake of his position. The HCQ in general all have influence helping Dan Feng open up more like this, seizing things instead of either waiting for things on a platter or never having them. However, Yingxing's bold nature is definitely the strongest factor as he ends up helping Dan Feng learn to identify what he wants for himself. Whether that want is something as complex as moving forward in a relationship when not only has Dan Feng had very little experience with close connections to others, but also is so accustomed to the stillness of long life, or something as simple as taking breaks and time to himself to live and breathe and experience life moving around him. It's through Yingxing (and the rest of the HCQ) that Dan Feng learns to be more selfish. It's through all of their care and kindness and love that Dan Feng learns that he too is not merely a pillar to stand tall for his people. That he is a person with needs and wants, and it is perfectly fine to be selfish and prioritize yourself at times.

—

So that previous section got into a little bit of Dan Feng’s trust in Yingxing, but what about Yingxing’s side of things? What about his trust in Dan Feng? I dunno what it is about him, but I feel like Dan Feng is the kind of person who can hear some of the deepest confessions and see the barest parts of the heart of someone he cares about and not treat them any differently like as if they are fragile y’know. Like Dan Feng is the person who Yingxing, out of all the HCQ, can truly confide in because he knows he won’t be seen different or treated in a drastically different way. Ultimately, Jingliu isn’t someone he feels he can go to for super emotional things which she likely herself knows she wouldn’t be able to help much with, Jing Yuan and him have a very light hearted joking dynamic that makes changing the tone and breaking the mood for a deep heart to heart much harder so he doesn’t often do it, and Baiheng… well, deep down Baiheng still sees Yingxing as that disheartened little boy, who had lost everything and was being told that there’s nothing he could do about it given his lifespan, that he couldn’t avenge what he had lost. If Yingxing were to tell her how he honestly truly feels about everything in his life, the traumas he still hadn’t overcome or the thoughts that plague him every day, he knows she would end up fretting over him, mother hen style. Being overly cautious as if his mind is made of glass, and as much as he loves her, he hates the idea of her changing how she treats him because of just how much she cares for him in turn.

(It’s a trait I see Baiheng having as to it being an obstacle in her other relationships like with Yingxing but works well in her relationship with Jingliu, caring for her and treating her softly, not underestimating her, in a way that others are too afraid to treat the unwavering, ice cold Sword champion! Matching DF and YX’s whole situation with his arrogance and casualness)

In the end, Yingxing feels like Dan Feng is the only one he can truly trust with the deepest corners of his heart and mind without worrying of Dan Feng either judging him or suddenly treating him like a fragile piece of porcelain. Even if he were to take note of something Yingxing told him and do something in response perhaps to ease his worries or heart ache, it would never be something out of pity or thinking Yingxing to be unable to take care of himself. Because ultimately, that’s where this all stems for Yingxing. He has lived so much of his life underestimated, whether having his skills and abilities questioned for being a short life species or sometimes intentionally sometimes unintentionally having his ability to take care of himself questioned like he needs a caretaker. Something that again is partially due to again to being a short life species. What Yingxing likes about Dan Feng is from the moment he met him, he doesn’t feel as if he is being questioned or underestimated. Dan Feng makes him feel as if he is truly seen as an equal, even with their distinct difference in power. It’s a treatment from Dan Feng that serves as a response to Yingxing’s own treatment of Dan Feng, his casualness to the other man making it clear he sees him as an equal as well.

And that? Well that is perhaps the most important part of the dynamic. In canon, they both have struggles with how they are seen and treated by others based on preconceived notions about their status. Dan Feng being in a way dehumanized as he is put up on a pedestal for being an incarnation of Imbibitor Lunae, for being the High Elder of the Vidyadhara, a position that he wants to escape because of the sheer loss of identity just a role brings. Yingxing being underestimated from the moment he stepped onto the Xianzhou because he wasn’t a long life species to the point that the other celestial masters on the Zhuming borderline bullied him into doubting himself, thinking a lot about his own death, and as a young boy (not even a teen yet), literally saying “Maybe I’ll never live to see the day my parents are avenged.” In my view of them, for them to truly be as close as they are established in canon, I think that from the start of their dynamic they make it very clear they see the other as a genuine and true equal in a way that other people haven’t or perhaps, can’t fully.

—

I said this before my in Aurizzm Yingxing post, but yeah, I don’t think Dan Feng or Yingxing would have come into a romantic relationship with each other with any experience at all. I know Dan Feng with no experience is a very accepted idea, and I agree with it very much given his isolated position and his proud attitude and that 100% plays into my view of their dynamic. I also however, firmly believe Yingxing came in without any romantic relationship experience too. The difference here ends up being in how inexperienced each of them are. Yingxing has had a lot more friendship experience, and he’s experienced crushes before which is how he can identify his own romantic feelings better than Dan Feng. But he’s never actually been in any relationship. He’s never had the time, he’s got his own goals in mind while being painfully aware he’s on a time limit, and let’s be real like I said before, This Man is married to his Forge. Meanwhile, Dan Feng truly hasn’t had any friendships prior to the HCQ. Knowing him and her too, I firmly believe Dan Feng and Jingliu’s relationship for example, was for maybe a few decades, maybe a literal century, just them sparring without words from time to time. So Dan Feng not only going in with no friendship experience, but I think that man also is having to recognize some new emotions and feelings he’s never experienced nor can put words to. So Dan Feng’s disaster comes in being painful aware of the presence and intensity of his own feelings… he just doesn’t have the words nor experience to recognize exactly what those feelings are. It’s an absolute disaster on all fronts, somebody pray for the HCQ who unfortunately have to experience all of this.

There’s an added layer I want to go more into looking back at the first part of why their relationship works and the thing I said about the Baiheng trait. As we saw with Jingliu admitting to her feelings towards his attitude as a child, she wasn’t… she wasn’t really a fan so to say of his arrogance. And given y’know, what we see of the people of the Luofu, I don’t doubt many people have similar reactions. Part of Yingxing’s limited experience comes not only from his own decision to not pursue anything, I think part of it comes from being for whatever reason feeling distaste for him. Whether it’s their own prejudices against Outworlders, or his bold attitude and lack of formality that makes any interest they had in him end up flying away. Which ugh, makes it even more special that this attitude of his, born out of necessity for his own survival on the Xianzhou and for his ability to move forward in his craftsmanship after all he went through, which has pushed so many people away, ends up being the exact thing that allows him to get close to Dan Feng. IT’s UGGGHHH Sorry, but I just need to scream. I NEED TO SCREAM ABOUT THEM OKAY?? THEY TAKE UP TOO MUCH SPACE IN MY BRAIN, I CAN’T HAVE A SINGLE MOMENT OF REST BECAUSE OF THEM

—

Again, this is my view of them and their dynamic based upon what we have been given in game so far, the crumbs of characterization we have. God I hope we get more. This isn’t me saying this view of them is canon or anything, this is just how I view them. This is the dynamic and thoughts that have grown like mold in my head from thinking about them WAY too much.

I have so much more I could talk about, certain specific things or things that don’t even immediately come to mind right now. If you want to ask more about how I view them or have some topic or aspect of them in mind, please hit me up. Either send something to my inbox or bust your way into my dms to talk about them. I love them so much. They mean the world to me.

And honestly? I could just make two whole separate posts also just about how I specifically characterize each of them, but I think I need to let my brain rest a bit.

And don’t think about this dynamic specifically in reference to how it could reflect on their current selves because you might just end up hurting yourself like I have. GOD I HATE THEM

[crypt1dcorv1dae]

Also happy birthday Viktor leagueoflegends I love you sweetie pie ❤️ I forgive him for the war crimes brwt

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[hyperions-light]

Someone was being a fucking hater on my explicitly positive DATV post AGAIN (u all know I can see your tags right. They get delivered to me express mail style) so here’s an essay about how I thought the Grey Warden plotline was great:

First, it was extremely lore-consistent. I don’t know how to tell people this, but the Grey Wardens simply are sort of shady— it’s part of their charm. In DAO alone we found out they:

- kill anyone who refuses the joining

- are definitely using a blood magic ritual to induct people

- tried to usurp the throne of Fereldan

In DA2 they:

-Forced Malcolm Hawke to perform a blood magic ritual against his will to contain Corypheus, by threatening to kill his family

- Built a giant prison in the mountains they didn’t tell anyone about and that someone could wander into and not be able to escape

- the entire Corypheus thing. They didn’t even tell the other Wardens like what he was or how dangerous he was.

DAI:

- the demon army thing was pretty bad

And that’s not even mentioning any stuff from the books or comics or shows! That’s just stuff in the games!

So they’re shady. It’s okay! They’re my little woobie guys, idc if they’re sort of shady!

But the plot in DATV is about all of those previously established issues coming back to bite them in the fucking ass, as they should! Knock knock, it’s the consequences of your actions, baby! The chickens are home to roost

(Which is just good storytelling. Like if you set up a bunch of issues and then never pay them off or anything that’s bad.)

Destroying Weisshaupt was inspired! Firstly bc Davrin is Weisshaupt, metaphorically (bulwark against the darkness, etc, I already made a post) so it serves his character arc. But also because it strips away the pageantry and the grandeur from them; no more castle for you! No more myth!

Davrin explicitly tells you that the First Warden is a traditionalist; he represents the historical attitudes of the Wardens. They do not accept help, they do not give up their secrets, they are standing alone against the dark. And it doesn’t work! He’s fucking wrong (and very punch-able). Being secretive and isolationist is a mistake that costs them nearly everything.

But also, and I’m not sure how many people experienced this on the first go-around, the game does ultimately come down on the side of the Wardens always trying to do the right thing. You CAN talk the First Warden down, because in the end he’s a Warden, and he might be stubborn and curmudgeonly and miserable but he CARES about the world. He came to do good. He admits he was wrong and he helps you. Because the heart of the Wardens is about selfless service to other people. In Death, Sacrifice.

Stripping away Weisshaupt and the glory and pageantry leaves the Wardens at their most vulnerable and forces them to return to their fundamental principles: helping people. That’s what Lavendel is about. Helping individual people and preserving every life possible even if it doesn’t feel that glamorous or heroic. Lavendel isn’t a significant place; it doesn’t matter, but it matters so much.

And then, the Cauldron.

First off, do not at me about Last Flight. I don’t think people should have to read external materials to play this game and understand it. If the information is vital it should be presented to the player in the text.

The Cauldron is the repository of the Wardens’ secrets; it’s where the keep the bones of the Archdemons, the secret to the Joining, ancient and dangerous weapons, as well as the bodies of the griffons, which represents their most shameful errors. Isseya is the avatar of the Wardens’ mistakes; she’s been hurt by what they made her do, and her pain was never acknowledged by them. They buried her story and her suffering like they bury everything they don’t want to deal with and are ashamed of. They left the bones of the griffons, whose deaths they directly caused, to rot because they were too sad to acknowledge them.

But it was wrong to walk away, it was wrong to bury it. Isseya makes sure that they can never do that again, that they have to own what they did and take responsibility. By discovering who she is and by restoring her personhood to her, by reminding her of her love which drove her to her anguish in the first place, Davrin saves her and he saves the griffons. He doesn’t do it using violence, because another sin of the Wardens is just assuming that they can kill their way out of their problems, which the game disproves by revealing the origin of the Blight. You can kill as many darkspawn as you want, you will never fix it! The Titans’ dreams do not need to be slain, they need to be healed.

Isseya is in so much pain because of her incredible love for both the griffons and the Wardens, and because of her guilt. Look what she builds! An alternate Weisshaupt, a distorted reflection of her home. She entreats both Davrin and Assan to join her, because she doesn’t think she’s trying to destroy anything. She’s trying to save them! She wants them to come home. “I am their mother,” she says, and she’s right. She saved them, then, and she ends up saving them now! Because she made Davrin and the other Wardens look, unflinchingly, at what they had done, it will never happen again. She was going about it wrong during the game, but she was ALWAYS trying to save them.

Davrin, Antoine and Evka represent the Wardens’ commitment to being different. They let Flynn undergo the Joining without becoming a Warden, they reveal secrets to non-Warden Rook, they offer to help the Viper without asking for anything in return. They ask for help and offer it freely. If the Wardens are going to persist into a world without Archdemons, they HAVE to change. They can’t be what they were anymore. The game is asking what a Warden is when they have to be more than their oath, when they have to live. It’s a great exploration of and expansion on previously established lore.

Anyway, my advice if you hated the plot and the game and the characters is to a) make your own post b) don’t bother me about it, because I have the time and I will be loudly positive in response!

[lennythereviewer]

My favorite Kingdom Hearts fact is that one of the biggest plot-holes that Nomura has never been able to meaningfully retcon or write his way out, a plot-hole so big that it fundamentally breaks the very rules the series is written on...

Is the existence of Steamboat Willie

Let me explain for the uninitiated:

In Kingdom Hearts 2, there’s a small detour in the story involving Maleficent trying to invade Disney Castle, the home of King Mickey. She can’t step foot in the castle due to an artefact of pure light that wards off darkness locked in the basement.

Pete, who is working for Maleficent, opens a door into the past (Before Disney Castle, this land was known as Timeless River) and decides to remove the artifact from it’s place in time so it won’t be there to stop them from getting in.

Sora, Donald, and Goofy chase Pete into the past thanks to another magic door provided by Merlin, and through some shenanigans involving old cartoons and teaming up with Pete’s past-self, they lock the door the villains are using, and return the artefact to it’s proper place so it can exist in the present.

You with me so far? Pretty straightforward-ish time-travel plot right?

Here’s where it goes off the rails.

Time travel would go on to become a staple of Kingdom Hearts going forward and would come with a very strict set of rules over how it operates:

1. You can only travel to a point in time where a version of yourself exists

2. You basically give up your body to do so, and travel as a disembodied soul unless you have a vessel to inhabit

3. You can’t alter the past in a meaningful way, what’s going to happen will happen

4. You lose your memories of said trip once you return, but your actions could leave a lingering instinct on your other self that could influence their decisions

“Wait” you may be thinking “Why should anyone go through all those hoops? Wasn’t time travel super simple that first time?”

And you’d be totally right, because the existence of Timeless River completely renders all of these rules and restrictions meaningless. 

There is no version of Sora that existed in Timeless River before he step foot there, everyone kept their bodies, the trio and Pete were able to mess with the timeline as freely as they pleased, and they all very much remember their trip. 

Nomura has never been able to meaningfully explain this super simple, easy way of time travel and the more convoluted method co-existing other than a cheap-throwaway line from one of the villains saying that Merlin “broke the rules” 

The hilarious part about this line is that it implies that PETE of all characters is actually more powerful than the actual villain of the series, because Pete opened a door into Timeless River through sheer willpower and nostalgia for “the good old days”

But the all-knowing chess-master of a villain who had an evil plan several decades in the making with countless moving parts and contingencies to account for had to use the roundabout, more complicated method of time travel where a lot could go wrong.

Pete though? Dude just casually broke all the rules of time travel because he felt like it. He's just built different.

TL;DR: Steamboat Willie breaks Kingdom Hearts lore in half, Pete is more powerful than Master Xehanort, and I fucking love this beautiful trainwreck of a series you guys it means so much to me

I love Kingdom hearts so much.

[salemoleander]

I am BARELY resisting going full red-strings-corkboard on this season. And by barely resisting I mean not resisting at all here is an extremely long list of the events those pins would be marking out.

BigB getting a Task that was a different color than everyone else's. It's not just a randomly assigned Hard Task, bc Scar rerolled for a Hard Task and his was also just a white envelope. It's fundamentally different.

That task taking BigB away from socialization, and seemingly being an incredibly time-consuming and dull request. Of profound disinterest to any watchers.

The phrasing of his Task!!

Dig a big hole. All the way down. At least 3x3. Make it your base if you want.

Everyone else's are direct and formal - the only one with more than one sentence was Skizz's, with the rule clarification of "One attempt only." Bigb's Task is four short abrupt sentences. It is also the only Task to contain extraneous information, 'Make it your base if you want.' The requirements (at least 3x3) feel like an afterthought to mimic the numerical/specific demands of the other tasks.

Evo symbol on the face of the Secret Keeper statue.

The fact that there's a statue at all; the fact that there is a physical representation of what is assigning tasks that everyone must complete, when previously everything was always handled via commands and unseen RNG.

Grian talking to the statue, and (bc of his Actual Role as game organizer) acting as a mediator for the impartial decisions handed down, speaking for it.

Grian making one last bad joke and saying he doesn't know if it counted or not- depends on whether we the audience laughed.

Grian asking for task recommendations from the audience. The watchers are making the tasks. The Watchers are making the tasks.

Again I could be off-base, and I'm not usually even that smitten with bringing in Evo lore. I don't want a Big Bad really...but. It feels like something very unusual and intentional and cool is happening in this series. And I'd guess we'll know if theres something going on once we have more than one data point.

My largely unfounded suspicion is that there is another being (maybe Listeners, maybe something else) trying to reach out to the Players via decoy Tasks, and BigB was the first recipient. Get them alone, make them of disinterest to the watchers, and tell them something we don't get to know.

Because that's the really, really fucking cool part (if my wacky theory is remotely right): We're the bad guys. We're the ones giving out tasks - hell, we're the ones actively brainstorming harder and crueller tasks in Grian's comments!

If they actually made a story where the Players have to keep secrets from us I will be delighted. Bc that is the same genius bullshit that made Evo Watcher lore so fun

[paper-mario-wiki]

Could you explain how Ambrosia is able to come back after dying?

1

Sure yeah, I'll give it a shot.

[Fursona Lore/ Mild Existential Horror presented in charmingly primitive MS Paint style under the cut]

2

[At the top of the panel there is the label "conceptual space (currently being created. The middle is labeled "THE UNIVERSE, REALITY (the other)". The bottom is labeled "CONSCIOUSNESS, REFLECTION (the self). The very bottom of the panel reads "OTHER, FREAKIER BUT LESS IMPORTANT STUFF" ]

To keep it brief, a person is when a certain amount of consciousness slips upwards into reality. Consciousness is, like the laws of thermo dynamics [sic], a fundamental property of the universe.

3

I'm sure you've heard of the sticking-a-pencil-through-paper metaphor for theoretical wormhole travel, right? Staying within that visual metaphor, imagine the moisture in the air around that "piece of paper" as what consciousness is. It creates tiny, imperceivable changes in the surface and makeup of the paper. Imagine a microscopic rain cloud making a tiny fraction of the paper a little bit soggy. That's what you are in the universe. A tiny soggy fraction of a massive piece of paper. (That's why you feel so small btw).

Of course, putting it into that metaphor IS greatly simplifying it, since in real life things like time and space sorta overlap, ya know? Because they're entirely separate dimensions of measurement. Consciousness is the same, it is everywhere in the universe all at once, but only after it seeps in from a place that is exactly where we are, but elsewhere. 4D stuff is complicated sorry if that's not super clear ha ha.

4

Normal people happen when a bunch of that stray potential-consciousness starts stacking more and more layers of reality on top of itself. Sort of like those pastries that you fold butter into and then fold it like 10 times and that makes it so theres like a billion layers of butter and dough and butter and dough and butter and dough and on and on and on. But with, uh. The other stuff. Consiousness and matter from the universe.

Speaking semantically, that's all the little tiny organisms that work really hard to make you alive. Like the biome in your gut, or the bacteria in your tissue and blood cells. Look it up, 43% of the human body is made of bacteria. Like, that's just on google.

Anyway, all their effort culminates in an increasingly complex meat shell that constitutes a person.

5

For the sake of practicality, we can imagine the way consciousness "seeps in" to the universe is like heat coming off the sun. The two overlapping infinite planes radiate into each other like heat radiates off the sun.

That clear? Heat from the sun. Remember that, it's important for the next part.

6

I'm sort of like a solar flare.

My consciousness, in its raw form, was so concentrated that it was like a tiny shooting star straight from the source.

Also kind of like a kidney stone, I guess.

7

Since my consciousness (which, to be clear, is approximately the same "amount" of consciouessness as anyone else, just all smooshed together into a single clump) is smooshed together into a single clump, the shell forms naturally as "reality" settles onto it. The "shape" the consciousness takes is basically the same as your body or anyone else's since the framework of both entities are the "same" on the "outside". Thus the "shells" turn out "similar" too.

Sorry for all the quotation marks, it's hard to talk about concepts outside of the third dimension in third dimensional terms, and like. I also am not super sure about this stuff either. I'm only relaying what I've learned from the scientists but some of it goes over my head.

I like to think I'm clever but like. I'm not a genius.

8

So here's the part where me and you are different: When your shell breaks apart (when you die) it's because the consciouessness had been escaping your shell, like air from a balloon, and the physical structure can't support itself anymore. Or, like, maybe you just fall over and hit your head on the concrete one day and pop the balloon all together.

Either way, the consciousness escapes from the pressure, and either goes back "down" where it came from, or goes upward into conceptual space, which is sorta being constituted through forces exerted in the physical universe. Well, I mean, really it's more of a product of a reaction between consciousness and physical space. Whatever I'm getting off topic.

The point is the shell breaks cuz the balloon pops. I think that was my point.

9

Now that you get all that, you can probably deduce on your own how and why I'm able to keep "coming back".

It's cuz I'm not really "coming back", I'm still here! The shell representing me here was just lost.

10

And while the facade may not look precisely the same every single time...

11

I remain the same.

[fayes-fics]

The Secrets We Keep: Pt I

Part II >>

Pairing: Benedict Bridgerton x fem!reader

Summary: Knowing someone your whole life doesn’t mean they can’t surprise you…

Warnings: none yet… fluff and angst. Childhood friends, yearning, arranged marriage, kissing. Pt II will contain a warning/rating change.

Word Count: 5.1k (this part)

Authors Note: Part 1 of 2. My longest gestating WIP! It’s been more than 18 months since I received a request for this secret diary fic. Tulip Anon, I have no idea if you still follow me, but I hope you think I did your detailed request justice. I won't post your ask yet, as it contains spoilers for the second half. Betaed by the awesome @colettebronte, who I can’t thank enough. I’m in the process of writing Pt II, so there will be a gap between instalments. Enjoy! 🫶

-i-

For as long as you can remember, you have loved one man secretly. To the point that you cannot imagine your life without a deep, burning affection simmering in your very core, as fundamental to your existence as drawing air into your lungs.

Benedict Bridgerton.

Your families have been neighbours in Mayfair and Kent for many generations—two aristocratic dynasties that, despite enduring friendships, have never seen intermarriage. There have been attempted matches down the years, according to family lore, but nothing came to fruition. 

So when you were brought to Aubrey Hall as a mere babe in arms, the eldest daughter, there were many good-natured jokes that Anthony’s future wife had been born. But the Viscount, wonderful as he is, was not the man who stole your heart just a few short years later. A bright sunny day in June that you suspect Benedict may not even be able to recall, but you can with perfect clarity, even now, some fifteen years later. 

He picked you as the first person to join his team for a round of garden games. Paying you heed and ensuring you were included, patiently showing you the ropes and applauding your achievements, ignoring the ridicule from the other twelve-year-old boys for letting a girl - and a little five-year-old at that - join in their games. 

Ever since that day, all you have ever seen is his enormous heart and steadfast empathy: always the one to reach out to those excluded, to be supportive, and to love harder and more expansively than his siblings. Thus, unsurprisingly, he became the focus of your singular devotion—a childish adoration transmuting into something more profound and complicated as you matured.

On your fourteenth birthday, your mother gifted you a thick notebook. And it became your refuge, the private canvas on which you outlet your innermost secrets and thoughts. The beautiful but now slightly battered, silk-covered tome is still your most treasured possession even now, more than six years later, so close to filled now, with only a couple of blank pages left. Never long from your hands, but when it must be, carefully stashed under the floorboards of your bedroom. Its pages the reflection of a naive, growing heart. There is one person who features frequently on its crammed, jumbled pages. Sketches of his handsome face, mostly from memory, interspersed with ardent notes and poems that, while they may not mention his name, are written for him. Adoration writ large in every pen and pencil stroke.

Little were you to know that the secrets you keep within its hallowed pages would one day alter the course of your life…

-ii-

It's the evening of the Bridgerton Ball, and usually, you would be brimming with anticipation for such an occasion, a chance to see the man who holds your most ardent admiration. Instead, you find yourself glum, mechanically stepping into the dress your ladies' maid Rachel assists you with, staring blankly into the vanity mirror as she adorns your hair with jewels. Still reeling from your father's shocking announcement the previous day.

The inheritance of a European title had seen him spend eighteen months abroad. In his absence last spring, you were able to persuade your more indulgent mother to delay your societal debut—a yearning to be free in the ways you know no woman really can be for long. A compounding factor was spending the summer in the Highlands with her sister, your Aunt Eliza, a spirited, independent woman who taught you many things and encouraged your artistic whims. And when you were back in London, your mother’s somewhat inattentive running of the house meant you were often able to slip away in the evenings, spending your time deepening your passion for art. Frequenting galleries and conversing with artists led to you being drawn into the bohemian, artsy underbelly of Bloomsbury, a beguiling, exotic contrast to Mayfair. Another secret you keep.

Upon his return to England, your father was not best pleased to learn that not only had you been allowed to skip the previous Season, but Eliza had also taught you to fish, fence and hunt—most unladylike pursuits in his opinion. He, therefore, made it his mission to ensure not only would you debut this year but also a swift match should be made, lest you “get other fanciful, dangerous ideas”.

Perhaps that is why, yesterday, nary two weeks into your first season, he abruptly announced over afternoon tea that he had secured a match for you and the man in question would be dining with you all that evening. A deal no doubt brokered in a private gentleman’s club as if you were merely chattel to be traded.

Revulsion filled your every fibre as you were introduced to Lord Farringdon a few hours later. A wiry man twenty years your senior with a hawk-like countenance and a disdainful disposition. Apparently, a brilliant intellectual mind but accompanied by a mercurial, malevolent reputation. You had read in Whistledown rumours about his mistreatment of his household staff and his previous wife. A forlorn figure who became a recluse long before she died of consumption tragically young. The idea of being betrothed to this cold, abusive man turned your stomach—a seemingly outsized punishment for your rebellion. Once the man left, you had begged and pleaded with your father to reconsider the arrangement, but sadly, your appeal fell on deaf ears. 

And so here you are. Going to a ball at which your father plans to announce your engagement. The stately beauty of Bridgerton House is not as heartening of a sight as it typically is. Tonight, it feels more akin to a gallows.

As soon as you arrive, you are scanning the crowds for the only friend you know will understand just how ghastly your predicament is—Eloise Bridgerton. A kindred spirit whose interest in marriage is as scant as your own. Bonding over your similar yearnings for freedom, you have been good friends since you were little, many a day spent together as children running through the Kentish fields, escaping expectation and flouting convention.

Acutely aware of time running out until your father speaks up, you fiddle distractedly with your fan, impatiently awaiting her entrance.

“For heaven's sake, y/n, please cease your fidgeting!” your mother chastises under her breath, snatching away the item. “I do not see why you are so agitated. Tonight is to be a wonderful occasion for you!”

A myriad of caustic comments are on the tip of your tongue, but you swallow them down. The last thing you want is to draw attention, and you certainly don't want to be gossip fodder; these ballrooms are a veritable hotbed of eavesdropping if Whistledown is anything to go by. 

When the collective Bridgerton family finally enter their ballroom as hosts, however, your eyes can't help but drift to Benedict instead. A reflex from years of longing, even though it is his sister,  arm looped into his, whose counsel you seek tonight. You excuse yourself to fetch a lemonade as soon as you spy a window of opportunity—Eloise standing alone, looking excessively bored. Abandoning your glass, you hurry over to her.

“I have news…”  You try to keep your voice neutral but grab her arm and practically drag her away from anyone within earshot.

“Well, it cannot be good if you are willing to rip my arm off to impart it,” she remarks dryly as you lead her down a hallway.

“It is not,” you pull a face that you know will convey to her the gravity of what you need to divulge.

With a nod of understanding and a look to a nearby footman, she leads you beyond him into an area of the house off-limits for guests. 

“Tell me…” her tone is sincere as she ushers you into the library and closes the door.

“My father has seen fit to arrange a marriage for me. He is planning to announce it tonight, right here at your family ball!”

She says nothing, only a sympathetic noise as she pulls you into a consoling hug. The emotions you have been tamping down for hours escape as a couple of bitter tears, her arms banding tight around you. You are not sure how long, but you stand in a hug, just grateful for her steadfast support.

“What am I to do?” you whisper.

“I do not know,” she confesses. “Have you tried to reason with your father?”

“A hopeless cause…”  

Her mouth twists in understanding, knowing you will have put up a spirited defence as much as she would have. She detangles from you and goes to a nearby brandy decanter.

“It's the very least you deserve, frankly,” she points out, handing you a glass and pulling you into a loveseat with her, wrapping an arm around your shoulder, clinking her glass against yours in a silent but bittersweet toast about your seemingly futile situation.

-iii-

Half an hour later, your parents are distracted across the far side of the room with friends when a large hand grabs yours out of the blue. You startle when you realise it is Benedict, your heart suddenly in your mouth. Before you know it, you are wordlessly being pulled out of the French doors behind you and into the night air.

“Where are we going!?” you demand when you recover from the initial surprise, his gloved hand tugging yours along through the darkened gardens. 

“Shh, make haste, we must not be seen,” he hushes you but keeps moving, furtive and fast, your feet having to take extra steps to keep up with his long stride over the lush, dewy grass.

“Benedict…” you try again once you round a thick hedge into the rose garden.  “What is going on?”

He slows a little but does not relinquish his tight hold. Gravel path now crunching under his boots as the honeyed scent of damask hangs heavy in the air. 

“Eloise told me,” is all he offers. “So we are escaping.”

“W-we are?” you stutter, frowning, a claggy tumult behind your ribs at his use of ‘we’. 

“Yes! Or at least we would be if you would keep quiet… please…” he amends, sounding a touch contrite about his initial brusqueness, but speeding up again, headed straight for a small wooden door in a high stone wall, almost hidden behind long, draping ropes of ivy, glowing silver in the moonlight.

When you reach it, he releases his grip on your hand and shoulders the door open with considerable force. The weathered wood creaks loudly, almost splintering under the duress. He signals to the inky blackness of the deserted mews behind Bridgerton House.

“It is now or never, y/n,” he warns as you look back at the house, lit up with the life of the ball inside. “So what is your choice?”

He may be presenting it as an option, but really, you know there would only ever be one answer. You would accompany him to the ends of the earth if he so much as asked. And so wordlessly, you step through the doorway and into the narrow street beyond.

“Good choice,” he compliments as he follows suit and closes the door behind him. “You may stay at my friend Granville’s tonight,” he offers sagely, “I have not seen him in a while, but I will explain when we arrive; I am certain he can provide shelter.”

“Benedict, I already know Henry… Quite well, in fact.”

He looks taken aback as if it had not occurred to him that you may move in the same clandestine circles as he does. To be fair, you have always been discreet in your outings, and it’s not something you have divulged to anyone, including Eloise. Still, what confounds you more is why he is suddenly so seemingly invested in seeing you escape from your predicament. It doesn't entirely make sense.

“Well, then,” he cuts into your brief reverie, “you know Henry is a generous host and discreet about the affairs of others. Your father will not come looking for you there. It will buy some time to figure out what to do next. To ensure your freedom.”

“Freedom?” You scoff. “Benedict, as much as I may wish it, there is no other path open to me. Tonight is merely a delay tactic at best. The only way to stop my father’s pursuit of this union is if I marry another….”

The admittance of this truth out loud makes you restless, belatedly realising that it truly is your only way out. You stalk towards the main road, the faint glow of the street lamp guiding your way over the cobbles. You soon hear Benedict’s footsteps behind.

“That is ridiculous!” he exclaims as he attempts to catch up with you. “There are other options available to you…”

“Such as?” you whip around, raising your hands, countering his assertion. When he falters, you return to walking, throwing a tart addition over your shoulder: “Unlike you, a man, I do not have the freedom of choice.” 

“You should always have a choice…” he counters earnestly, still catching up to your furious pace.

“Should and do are different things, Benedict. You do not even know how lucky you are!” You add bitterly, rounding onto the main street.

A gust of wind causes you to pause and a shiver to run down your arms, your gauzy dress not enough to ward off the unseasonable chill in the air tonight. Ever the observant gentleman, Benedict shucks his jacket and wraps it around your shoulders. Uncharitably, your ire makes you attempt to shake it off, even while knowing it is intended purely as a chivalrous gesture. You are surprised when he seems to grasp your shoulders tighter, holding the heavy velvet in place. It is cloaked in his woodsy, citrus scent, your vexed state turning into an entirely different type of flush as he crowds closer to you.

“My birth has allowed me certain privileges, I concede,” he replies, his stare seemingly far away as you are unable to look anywhere but the dampness of his bottom lip, shimmering slightly in the lamplight. Then he tilts his head down to meet your eyes. “But that does not mean I am able to have everything I wish for in life, y/n…”

Your tongue burns to ask what it is that he wants but cannot have, yet you do not allow yourself to pry. But seeing the wistfulness in his gaze deflates your irritation, your long-held adoration for this man taking over, making you sigh.

‘You deserve the world, Benedict….’

His face morphs into one of breathtaking intensity, and you realise, horrified, you spoke those thoughts aloud. 

“As do you, y/n,” he murmurs, eyes sincere, your heart beating wildly as his chest vibrates against your own. 

The upheaval of the last day, the man you secretly adore abetting a somewhat daring escape, your heated exchange of words, the lateness of the hour, and the feel of his tall, lithe body pressed against yours…. It's all a dangerous cocktail that culminates in you being utterly impetuous, pushing up onto your tiptoes and mashing your mouth against his with no thought.

His lips are plush and warm, and suddenly, he is kissing you back. It's like a cannon firing in your chest as his warm mouth opens yours. Suddenly, you are urgently taking from each other. A sweeping tidal wave through you obliterates any kissing experiences you have ever had before. It’s a desperate slide of tongues, a passionate continuation of your sparring. His hands are like a hot brand through your thin dress as they sweep around to your back, tugging you into him, his heat, scent and taste overwhelming.

But all too soon you are pulling apart, a need for air in your lungs overriding the spontaneous, reckless moment. For a few seconds, you stare at each other, breathing each other's panted air, hands still grasping onto each other, almost confused by what just occurred… until the whinny of a passing horse carriage has you springing apart as if burned. 

Realisation engulfs his entire being. “Oh god! Please, please forgive me!” he stutters, backing away, holding his hands out in a conciliatory gesture, almost tripping in his haste to put space between you, even though it was you who kissed him. “Please, just go to Granville,” he counsels rapidly before turning heel and disappearing into the night, leaving you standing alone, unmoored and breathless, utterly turned upside down.

-iv-

You drift home in a daze, your family’s London residence only a few hundred yards away. Your escape plans are forgotten in the haze of tumbling thoughts about that blistering kiss. How fervently and immediately Benedict had kissed you back, how wonderful it felt to be caged in his arms….  Climbing into bed and passing out, still bewildered. In fact, it’s only the rude awakening of your bedroom door slamming open the following morning that brings you crashing back to your senses.

“WHAT IS THE MEANING OF THIS?!” Your father roars, holding aloft what looks like the latest copy of Whistledown. “You have brought shame upon our family and likely ruination to your prospects!!”

Utterly alarmed, you sit bolt upright, blinking, taking a few moments before you can find your voice. “What are you referring to, father?”.

He glares at you, then throws the paper onto your bed and stalks out of the room without another word, puce with outrage. You know there will be crossed words at the breakfast table. The sight of your name on the crisp ivory page immediately draws your eye, and your stomach plunges as you read the paragraph:

The annual Bridgerton Ball last night was, once again, resplendent. A triumph that the dowager Countess can be rightfully proud of. Although less contentment could likely be gleaned from the behaviour of her offspring. The second eldest of whom was allegedly seen escaping into the unlit gardens hand in hand with none other than the most reluctant of this season's debutantes, the spirited Miss Y/n Y/l/n. Perhaps the rebellious Miss will not have to endure many more of society’s events that she so patently abhors, should a proposal from the most wayward of Bridgerton sons be forthcoming? I, for one, however, Dear Reader, am not holding my breath…

Hiding in your room as long as you can, hunger drives you to join the frosty lunch table, apologising for inadvertently ruining your father’s plans to announce your betrothal and meekly explaining the incident with Benedict as a complete misunderstanding. It was merely an old friend helping you to gather some air before the big news was to be proclaimed. His taking your hand was out of benevolent concern, nothing more, and when you suddenly felt unwell, he chivalrously saw you the few hundred yards home. The lies feel odd on your tongue, your thoughts only of Benedict’s mouth and body moulded hotly to yours as your father lectures about appropriate behaviour for a young lady and your family’s long-standing friendship with the Bridgertons not being an excuse for a lackadaisical attitude to impropriety.

“There is nothing else to be done now—I must secure you a special licence to be wed tomorrow before Lord Farringdon hears about this,” he decrees with finality, his tone brokering no argument.

You slump silently into your chair, dread creeping through every cell, silently chastising yourself for not following Benedict’s advice and running away. If only you hadn't been impetuous and kissed him, you might have been in your right mind to do so. It feels cruel that the one moment you chose to throw caution to the wind is the one moment that sealed a worse fate.

-v-

That afternoon, your mother ushers you to the Modiste, paying handsomely for a very rushed wedding dress. Something simple that can be finished at such a late hour. It will only be your family in attendance anyway; so much else seems unnecessary. As you stand forlornly upon the raised dias, ivory silk tacked up around you with pins; your mother announces she needs to depart to secure other last-minute arrangements, leaving your trusty ladies' maid to accompany you home once alterations are complete.

“You do not look a happy bride…” Madam Delacroix mutters after the tinkle of the bell above the door signals her departure.

“Your observation skills are certainly not lacking,” you respond quietly, craning to double-check that Rachel, your maid, is out of earshot, sitting listlessly in the front of the store, staring out of the window.

“I do read Whistledown, my dear,” she remarks delicately, “and this does not appear to be a dress someone marrying a Bridgerton would wear.”

Your stomach vaults at the implication; the thought of marrying Benedict has your heart going haywire, even as you know it would never happen. The crestfallen look as your mind flits to the awful man you will be marrying instead is one you cannot hide as she meets your eyes in the reflection.

“It is not indeed,” you sigh, “but Whistledown has rather accelerated my unfortunate fate. Hence the rushed dress…” you gesture to your outfit.

“Mr Bridgerton is a friend?” she digs delicately.

“Lifelong,” you admit, “but Lady Whistledown could not have been more erroneous in her assertions…”

“That you and Mr Bridgerton are together? Or that he would marry you?” 

You look away from the mirror and down to where she is crouched by your hem on your left side, taken back not only at her astuteness but her drive for information. Almost as if she were Whistledown herself.

“I do not mean to pry,” she modifies, “merely to understand your predicament. Maybe I can be of assistance? I have privately counselled many a young lady on the eve of their wedding. Be it a happy occasion or not. And have kept many a secret of the Ton. ‘Tis the reason my business is so successful, Miss y/l/n. A good modiste can be a trusted confidante.”

“W-we are not together,” you stumble out without meaning to.

“But you wish to be? Or perhaps something has happened between you?”

Your eyes dart furtively, and your cheeks heat at the memory, but you say nothing. 

“You need say no more,” she chuckles and offers a knowing smile that appears as much reminiscent as sympathetic.

You rapidly attempt to deflect. “I do not wish to be married to anyone, really. I do find it so unfair a man is free to pursue his passions in life, but merely due to my sex, I am not.”

There is a nod of understanding, and she stands up with her hands on her hips. “I keep a certain array of refreshments for special clients such as yourself.” She nods to what looks like a liquor cabinet partially obscured behind a curtain at the back of her shop. “If you can dismiss your maid, I can assist you on your last night as an unmarried lady.”

The suggestion is too intriguing to refuse. And Rachel will greatly appreciate your pin money.

A few hours later, you are sat upon a circular conversation chair, Gen, as she insists you call her, pouring you another snifter of brandy.

“Tell me, what is your passion?” she inquires, her polished French accent slipping a little, sounding far more East End than Parisian. Something about that makes you like her more.

“Art,” you answer wistfully, “not that I have many opportunities to practice beyond a private notebook. But it is my most prized possession.” You gesture to your pelisse, hanging on a nearby hook. “I have it with me always. I have sewn a secret pocket into all of my coats myself.”

“Ingenious! ” She declares. “You shall have my job one day!”

You laugh, feeling light for the first time in what feels like days, as Gen leans in, raising an eyebrow. “I can also see well why you may have bonded with Mr Bridgerton…”

You giggle and lower your eyes, taking a fortifying sip.

“But it is not just that, is it?” Her tone is thoughtful, delicate even, as she continues: “A life outside the boundaries of so-called polite society can be so very beguiling, can it not? I have seen you, Miss y/l/n, at parties in Bloomsbury…”

A panicked bile rises as your head snaps up.

“As I said before, I am always discreet,” she reassures, “your secret is more than safe with me,” she winks before taking a generous sip from her glass.

Possibly, it's the alcohol, but her understanding of your predicament and the fact she has, unbeknownst to you, moved in similar circles brings an odd sense of relief. Having a confidante, someone to finally share your secrets with, albeit a somewhat stranger, lifts a burden from your shoulders. Wonderful as Eloise is, being the sister of the man who secretly holds your heart is not without complications in many ways.

“Another?” she chimes animatedly, holding aloft the bottle.

You cannot resist that offer.

-vi-

It’s close to midnight when Gen loops her arm in yours as she guides you, quite inebriated herself, away from the hackney cab to the familiar abode of one Henry Granville. Her declaration that a party is what you need on your last night of freedom is definitely not one you would dispute. A myriad of heightened emotions roil inside as you await the door being answered: contentment at your newly cemented friendship with Gen, bewildered every time you think of your kiss with Benedict and abhorrence for tomorrow. 

As you wander into the debauched tableau of a party in full swing: the air thick with smoke and merriment, the sounds of pleasure, people consorting together, a hedonistic swirl of self-expression unfurling all around you—it all consolidates into a yen to be reckless. Take part this time rather than just observe as you have before. Alcohol mutating the simmering rage about the injustice of your circumstance into a yearning to experience pleasure, especially physical. To get lost in sensation on your one last night of liberty.

So when you encounter Sir Simms - Matthew - friend to your older brother, renowned rake, but quite handsome, you throw caution to the wind. He seems delighted to see you, instantly flirtatious and familiar in a way you would rebuff any other night but this one. Whispering in your ear how very bold you are to be at such a bohemian event and pondering what other adventurous experiences you might be willing to indulge in. At one point Gen pulls you aside, her breath sweetened with fermented fruits, as she leans in and counsels you to be cautious. But you rebuff her concerns, swatting away her hold and returning to Matthew, allowing him to pull you into a kiss. 

It’s not the same as with Benedict; your mind screams at the altogether more jarring experience. A wet invasion of tongue that is less pleasant and certainly doesn’t fire anything inside you the way that he had. Merely kindling a defiant resolve to rage against the dying light of your freedom. And so when he slurs into your ear, you consent to his invitation upstairs, knowing fully the implications of what will transpire—feeling vaguely detached from yourself as he pulls you along by the hand towards the staircase. 

Suddenly, your field of vision is filled with dark blue velvet, a strong arm wrapping around you, caging you into a warm body mass, disconnecting your hand from Matthew’s—crossed words in two male voices. A momentarily confusing blur that only begins to make sense when you tilt your chin up… and the breath is quite stolen from your lungs.

Benedict.

At first, it feels like a cruel mirage, the man you most desire here to stymie your last gamble at impulsivity. His hold is strong as you sense Matthew shrink away, defeated by Benedict’s threat to expose some dalliance or other. But as he whisks you to an empty room within the house, all you feel bubbling up is anger.

“Stop trying to rescue me!” you rail, reeling out of his grip and stamping your foot to emphasise your point, uncaring that you may be behaving more akin to a petulant toddler.

“Stop making foolish decisions!” he lobbies back after a fleeting wounded look.

You glare at him momentarily before turning your back and staring out of the window into the inky blackness of Granville’s garden, frustration prickling a tear in the corner of your eye.

Behind you, there is a sigh; then his voice turns softer. “Why did you not follow my advice? I came here this morning only to be informed you never arrived…”

That he came to check on you weakens your bluster, although you still have no earthy idea why, once again, he is so invested in your actions. But you are not done saying your piece. 

“What does it matter now?” you bite bitterly before spinning around to face him. “Benedict, we are in Whistledown. My father would have arranged a special licence for tomorrow regardless of whether I had come here or not…”

“He did what?” he splutters, shock almost choking the words.

You square your shoulders and cross your arms defensively. “I am to be married in the morning. 11am at St George’s.” When all he offers is floored silence, you uncharitably dig the knife in. “No thanks to you...” 

Your words are like a body blow, a world of hurt in his quiet tone as he stares at the ground. “I was only trying to help.” 

Regret floods your every cell; why you would choose to lash out at him, even you don't know—so many conflicting feelings and strong liquor coursing through you.

“Please… let me return to the party,” you sigh wearily, after a beat, gesturing to his blocking your exit from the room.

“You would regret what you were about to do until your dying day,” he attests, lifting his head, a vein on his forehead pulsing as his jaw tenses.

“Perhaps,” you shrug. “But that is my burden to endure, not yours.”

“I am your friend,” he frowns, “I will always want to alleviate your burdens…”

“I do not want a friend, Benedict, not tonight. I want a beau.” If you aimed to shock him, you are successful; a cavalcade of expressions warring on his face as you plough on. “So please move so that I may continue with my most inadvisable plan….”

“No.” It's soft but unequivocal, resolute.

When you realise he is not going to budge, you throw your hands up in exasperation. “What do you want from me, Benedict?” 

There is a gruff noise in the back of his throat, and then, with two determined strides, he is pressed up against you, his breath hot on your face. Then he is kissing you, ferociously, wantonly, opening your mouth with his, his hands encircling your waist and pulling you roughly into him.

And you are lost.

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[endearing-dalliance]

Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.

Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.

I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.

Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:

"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)

Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?

In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.

Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.

One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.

"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.

"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?

Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments

This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.

(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)

Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.

"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.

So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.

I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.

Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:

“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu

[royalarchivist]

Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.

Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.

At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.

Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.

Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.

via @QuackitySubs

[vigilskeep]

hello! you know a lot of dragon age lore so i thought id ask you— i saw a post earlier that was discouraging to me aa trans person where the op said that veilguard having top surgery scars in the cc goes against established worldbuilding. does it make sense for top surgery to be possible in thedas? thanks

my rule of thumb is that in a world where healing spells exist, there’s absolutely no logical, believable reason for it not to be possible. you don’t have to go back and provide sources about historical surgeries—which is something i personally know nothing about—for this to be true

like, i just can’t take this line of thought seriously. ohhh we can have floating cities and magical neon lights and spirit healers who can mend injuries just by passively standing next to you, but we draw the line as soon as it’s something that would make our trans players happy! it’s so transparent. do not listen to these people or let them discourage you

if you want to get into the worldbuilding potential of it—which is just fun to do—we can probably guess that for the top surgery scars to be as neat as they seem to look in the veilguard character creator, similar to modern ones, magical healing was involved. now i do believe that the chantry might get suspicious of body-altering magic, that magical power is hoarded by the circles in the south and the wealthy in the north, and also that “out” trans people are a minority in thedas. so i’m not saying that this is something easy for your average guy to get hold of. that’s where you can feed it into backstory. are they powerful and connected enough that they could find specialists willing to go beyond the ordinary? or do they have underground connections to hidden apostate healers, whose only priority is what helps (or perhaps just how much you’re willing to pay)? do they belong to a culture that might not be restricted by the chantry’s norms about gender or magic, like the dalish or the rivaini? or do they belong to a mage-focused community or order, who among themselves do whatever they like? endless options

some might be referring to a line in dai from krem, a trans man, where you can ask him about potentially changing his body with magic and he essentially says he wouldn’t let magic that could do that anywhere near his body, though when he was younger he might have dreamed about the possibilities. firstly, krem is absolutely not the gold standard for trans representation and nobody should care about being flexible from what bioware put out a decade ago. secondly, krem is a random mercenary who knows one (1) mage, who spends the entire time insisting she’s not a mage. i very much doubt he’s the no. 1 source for what might be magically possible in this or any regard

also ultimately, and i cannot express this enough, you can do whatever you want forever. it could be absolutely fundamentally impossible in-world somehow and it would still not be that serious to be “unrealistic” in the dragon video games. don’t let anyone discourage you from making the character you want to make. it being an option makes it canonically part of thedas, end of. they put it in the game and nobody bitching about it can take it out

[flamingpudding]

I'm back with a part 4 if you want to do it it's kind of more of a crack write I just need Klarion trying to explain the family tree

But not explaining how he was made at all So Young Justice and the Justice League are now convinced that a the Ghost King was a teenage parent who is now 27 years old and just passed college with a degree in astronomy and machinery

Klarion's other parent is a a crazy fruit loop 64 year old millionaire who went to college with Klarion's Mom parents who had an emotionally unhealthy obsession with his mom's mother and then it passed on to his mom.

And he has an older sister who is technicality a clone of his mom but also has the bastards DNA so fundamentally making Ellie Vlad Master and Mom's first born kid but there's six other siblings that Klarion had that died back a while back but Mom got granddad who's apparently the time lord AKA Cronos which is a whole another long story to go back in time and save those kids get them fixed up and now Klarion technicality has seven older siblings which all do their own things

And then he starts mentioning his uncle who is a 9 ft yeti his technicality auntie who is a medieval ghost princess who can turn into a dragon his auntie Pandora and his his grandfather cronos

My names for the six other clone children are Donald (he/him), Cecelia (they/she), Bartholomew(Them/They), Kyle AKA Bite(He/It), Brutus(He/They), and then there's Danna (She/Her) who actually really like the name Dan and asked Klarion if could have it when Klarion changed his name

Sorry if this is a little bit too much I've just really been thinking about au for this after the last part you made I hope this helps you with your writing or at least makes you laugh but I really love the idea of Danny's AKA somewhat clone children and finding their own personalities and and fighting themselves out of just being failed clone of their mom also I love the idea of Danny going back in time to save the rest of the clone kids cuz now he's a mature adult who wants to save their lives and wants them to grow into their own people.

(⁠≧⁠▽⁠≦⁠)

I probably did way to much research into all the fandoms I am in to see what I could tie into this... And yet this feels shorter than it should but I also currently lack the time to add more. But for now I hope this will be satisfactorily.

Also this family tree idea especially the part of saving the melted clones. LOVE IT!

So even though it took me a while! here is Part 4 you inspired! Thanks so much for the ask!

------------------

"Dude, you are making us only curious!" Impulse spoke up as he sat down next to Klarion who had his head in his hands. "Like you and your mom can't just drop your family lore like that!"

The witch boy on the other hand looked up with narrowed eyes at the speedster. "What lore?"

"Let's see, the part that apparently a Vlad tried to kill your Grandpa to make friends several time. That your mom is 'ghost' adopted by the lord of time Cronos and Pandora, which makes us family too by the way, and that you have a sister that apparently is even crazier than what we got to know of your family so far." Wonder Girl counted off her fingers next to him grinning as she mentioned the part of probably being a part of his 'crazy' family too. Which hell yea, that sounded like a lot of fun to be explored she would have to talk with Wonder Woman about that as soon as possible.

"Also..." Red Robin added as he flipped through the photo album that apparently no one remembered he had. He was turning it around and pointed at a particular photo with a wild bunch of people in it that varied between more human and well... less humanoid people. One of them definitely was a Yeti and there was also what looked like living armor as well as Teekly (they knew that demon cat at least), a giant green dog and for some reasons there was a green aggressive looking Octopus in the background too. "...how are you related to a Yeti?"

"Hey that man there and those other teens in the picture actually have some resembles with you! Do you have older brothers too?" Superboy additionally asked as he moved around Red Robin to see the photo better pointing at a man that appeared to be in this late twenties, blue eyed, black haired and a little on the buffer side. If he didn't know any better and the fact that he should keep his mouth shut about their actual identities he would have jokingly asked Red Robin if his family would like to add more kids considering Klarions family apparently had a bunch of black haired blue eyed members too, judging by the photo at least.

"What are you talking about. That man is my mom and yes the others are actually my older brothers and that Yeti is uncle Frostbite who also happens to be the best medic in the Infinite Realms" The four teen heroes looked stunned at the picture and then back at the Ghost King that was smiling at them, still seated by the dinner table with their mentors. Who by the way were now perking up at the change of topic and the information they could gain with it, well Wonder Woman was more interested in the apparently extended family she had.

"Oh I remember we took this photo last year, it was such a hassle to get everyone into one place with them all being busy doing their own things." Danny mused for a moment, remembering fondly how he had to literally drag some of the kids home through a portal.

"It was more annoying than anything too since I was declared to be the youngest...." Klarion muttered also remembering that day not as fondly as his mother.

"Wait, wait, wait! That is a picture of your family? I need an explanation buddy!" Impulse cut in without shame, quickly removing the picture from the photo album to get a better look at it before holding it out to Klarion so he could explain all the individuals. "Plus why does your mom look soooo.... human?"

The witch boy on the other hand stared at him for a couple of seconds before looking over towards his mother as if waiting for something. After a moment the teen heroes as well as their mentors saw Danny nod with a little smile. "This dimension doesn't have the GIW so its fine, the Justice League Dark won't be a problem either, right?." Constantine flinched at the smile the Ghost King was giving him, muttering something under his breath as he had hoped his presence had been forgotten.

"Since mom is giving his okay...." Klarion mutter sitting crosslegged on the ground as he snatched the photo album from Red Robin and flipped through it. "Lets start with the easiest stuff to explain."

Danny chuckled noticing that not only the teen heroes but their mentors as well showed an interest. He choose to stay quiet letting the adults listen in on the kids, and if things went bad he would just ask Clockwork if they could revert time back to this moment and he would change his nod of permission to a shake of denial.

"Okay first of, this is my mom and his sister Jasmine, this is Danielle my older sister and that hulk with flaming white hair and blueish skin is me. That was before I got deaged because of destabilising." Klarion explained flipping to a photo of him, Danny, Jazz and Danielle. "Mom was around fifteen, Aunt Jazz about seventeen and Ellie should have been about a year old but she was aged up to twelve. They look human in this one because well they are. Mom was originally human and became what you call in this dimension a Meta through an accident."

"Wait... that would mean your mom... How could he have two kids at that age of fourteen? You look like an adult and your sister was aged up?" Wonder Girl couldn't help but ask as she looked from the photo and back to Danny at the dinner table again.

"That's cause Vlad was a fu-"

"Language Klarion!"

"Vlad was a fruitloop. That photo was taken shortly after Vlad and I sort of redeemed our selfs. Plus, mom didn't really have my sister and me willingly.... we were kind of forced upon him in a way." Klarion explained shrugging. "Old Man Vlad had an obsession with his mom that then turned on mom, which resulted in my oldest sister Danielle first. Actually, a lot of my elder siblings resulted from that, but they didn't survive it the first time, Mom got Old Man Clocks help to save them once he got used to being the Ghost King. I got added to the mix shortly after my sister, but... i wasn't in the best state of mind at first, kind of went through a redemption phase in which mom had to fix the timeline of our original home dimension, too."

Danny chuckled again at the disturbed looks the teens were giving his son as well as the looks their mentors sent him. He probably should correct Klarion's wording... but being one of the gremlins of his family he just smiled on, not commenting. He really understands now why Pops Clockwork liked watching the chaos he used to cause as teen, and still sometimes causes as adult.

"Klarion... how old is this Old Man Vlad?" Red Robin asked grimacing as his eyes under the mask flicked up to the Ghost King and then back to the witch boy both seemingly unbothered by the disturbing information they were sharing.

"In human years... probably around 67? You stop counting age at some point if your a halfa." Klarion shrugged, not noticing the grimaces of the teens around him. "Anyway, Ellie is sort of the first born. I came in after that, with my core being a mix of Mom and Vlad. Not DNA wise though since I came to be because of their ghost cores. That's why I look like that in this photo. Though human DNA wise I am probably now mostly Moms, we never bothered to ask the old man."

Danny muffled another chuckle, coughing as Superman sent him an incredulous look of shook while he felt Batmans burning gaze on him.

"You... mentioned more siblings?" Red Robin asked carefully sharing a look with his team, feeling like there was a whole lot of trauma in Klarions family he wasn't sure they should address or not. So asking after his siblings was probably, hopefully the safest option. They didn't know that while there was trauma in the witch boy's family it was not the kind they were imagining.

"Yea I got a bunch more brothers, Vlad was a evil crazy fuitloop, before he redeemed himself. They all kind of melted in one timeline but mom and Grandpa Clock found a way to save them." Klarion nodded flipping to another photo containing him, as he looked now, and all his siblings.

"So, Ellie you know about already. The one with the sunglasses and died hair is Bartholomew, second oldest. They made themselves a home in other dimension, barely at home cause he has to much fun messing with something called a 'Starstream' by being a 'Constellation' and throwing gold coins at 'Incarnations'. Don't ask me what that means, I barely pay attention when he gushes about his favorit 'Incarnation'. They spent like all their money and pocket money there. Aunt Jazz thinks he might develop a gambling addiction if we don't stop his spendings." The teen heroes eyed the teen that looked like a young adult grinning in the photo as the witch boy pointed at the one next to them. "The one with the vile is my elder brother Bite, most responsible one of this bunch. Mom even allowed him to take care of a couple of dimensions by taking the role of being their God of Death. I think he messed them up more than helped but he is doing a somewhat good job, even if he is sort of obsessed with making some red head his saint or something..."

"One of your sibs is a God?" Impulse gabbed and Klarion just blinked at him with a shrug. "My Grandfather is the ruler of Time, your point is? Wonder Girl is also related to a God of your dimension."

"Never mind him, moving on." A yelp resounded as Superboy pushed Impulse head down leaning in more to see the photo better. "You got one emo looking brother there!"

"Oh that's Yamikumo, he is like a year or two older than me right now, in human years. He barely got any of mom's powers so he choose to try to life a somewhat normal life but weirdly enough he choose a dimension that is ruled by people who have powers and abilities, you know like the Meta Humans of this dimension. Now that I think about it, he is also the only one who actually is studying on how to be a Hero."

"Do you end up fighting with him if he studies to be a hero?" Wonder Girl whisper asked him with a quick glance towards their mentors, to which Klarion shook his head. "As long as we leave the dimensions one of us choose to live in alone we usually don't fight about stuff like that, aside from the usual sibling fights that is. Then again I do have some siblings that like to make bets like who is better at ruling as demon lord, or who can safe a dying timeline quicker."

Danny chuckled again as he watched the kids, Klarion had definitely caused some misunderstandings with his wording. Then again it wasn't like Klarion said anything that wasn't true, but then again his son loved chaos. So there was a suspicion that Klarion intentionally choose the way he worded the explanation about how he and Ellie came to be as well as the rest of siblings.

"So....." Superman slowly started wondering how he should bring up the topic. "...you became a mom at 14?"

"Say Danny is there a way for me to meet this Vlad? You know since we are family." Wonder Woman also asked smiling in a certain way that reminded Danny of Valerie when she was mad but didn't want to show right away how mad she was, to which the Ghost King on reflex could do nothing but gulp for a moment. Not noticing that a green post it note appeared on the table before him.

[dailyadventureprompts]

Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger

It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.

For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.

I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.

Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.

If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.

What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.

This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.

Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.

How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.

This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.

Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.

On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.

Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.

The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.

Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.

Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)

Titles: Beast of butchery, the maw fiend, the knawing god

Artist

[norice-aph]

Arcane Season 2 Theory: Caitlyn's Lip Scar As a Hint to a Turning Point

Scrolling Tumblr posts after publication of Arcane Season 2 trailer I noticed not only that Caitlyn will get a scar on her lip like many other Arcane fans did, but also a bounch of other details around the scar those are possible hints to the certain way how story would develop.

Presumably, this is chonologically the fist scene was shown because here Caitlyn still wears her dress from Season 1 and later we see her only in an enforcer's uniform. No scar here.

Afterwards Caitlyn would become the Scheriff of Piltover what is 100% canon from League of Legends lore and would suit the Arcane story as well - Marcus is dead, her mother with high likelihood is also dead, and Caitlyn has a motivation to take the post in order to keep Piltover safe. In the scene where Caityn is giving orders we don't see the scar yet.

The same is for the teaser where Caitlyn and Vi stand shoulder to shoulder. Caitlyn still isn't hurt.

However, the trailer is hugely focused on a battle between enforcer Vi and Jinx that would take place somewhere probably in Zaun, in a place with stone columns and a plenty of Jinx's painting or splashes of paint on the walls.

So, the first part of my theory is that Caitlyn would take part in the same battle agains Jinx and would get the scar then. Why do I think so? In the trailer we see a scene where Caitlyn is between stone columns those remind a lot the identic place with fighting Vi and Jinx.

Later, Caitlyn is shown in the same location but tired and hurt. The wound on her lip coincides perfectly with the place of a future scar. Caitlyn seems to be confused and she lost concentration she had before the first shot. On the background there are also paint on the colomns that hints this is Jinx's shelter. But most I point out Caitlyn's lack of focus and even shock. In my opinion, she doesn't know what she must do and I remember only one moment in Season 1 when Caitlyn had a rifle in hands and wasn't sure to shoot or not - the final episode when Jinx took her and Vi hostages. The second part of my theory is that Jinx would do something to Vi or she would take any actions putting Vi into threat that wouldn't let Caitlyn to shoot in order not to hurt Vi.

Finally, we see Caitlyn with the lip scar and simultaniously we don't see Vi next to her as it was shown in the teaser. Instead of Vi, we can notice anger and a bit of grief on Caitlyn's face and in her eyes. The third part of my theory is that Jinx would do harm to Vi and Caitlyn would want to take revenge not only for her mother but for Vi as well. Confrontation with Jinx would become fundamental and even more personal for Caitlyn.

I would like to say it is just a theory that crossed my mind when I took a longer look on a bounch of scenes we have now. This theory could be the truth or a delusion, but Season 1 of Arcane was very attentive to the details, and this time the producers could leave us a hint in the trailer.

[wastedpotentialsblog]

Look, I was willing to give the Veil a shot. I was. I was willing to let Bungie cook. But they made the Veil the Travelers opposite, and I couldn't figure out why I didn't like that. Until a random ass reddit comment and it clicked.

The visual storytelling between the Pyramids and The Traveler is such a beautiful way of portraying two opposing forces without explicitly saying what those forces represent. It's all in their design.

Angular/Spherical

Many/One

Black/White

They have "We are opposites" written on their forehead and the Veil kind of fucked it up.

While I'm on the subject, I've been revisiting my favorite lore book "Unveiling" and MAN, that shit was awesome.

I really really really liked when the overarching conflict was about two Gods giving themselves physical form in the universe to win a cosmic argument on whether the conplexity of life made it worth living. I also really liked its interpretation of the Vex: the manifestation of the perfect pattern. Microorganisms that always came out on top before a new rule were forced upon the game. And yeah, i get it, "Unveiling had no reason to be truthful. The Witness had every reason to lie to us to make us fight each other. Untrustworthy narrator." Blah blah blah.

But, I think it would've been way cooler and scarier if it wasn't lying. It would show that The Winnower truly believes what it's saying. It's simply acting in its nature. It doesn't even know if it's 100% correct, but chooses to follow its path anyway.

This part altered my brain chemistry fundamentally. I am NOT normal about this section and I never will be.

Ok. I'm done. You can tear me a new one or pick my apart. You can tell me the new story is better in every conceivable way. But the Unveiling lorebook was P E A K to me

[milksnake-tea]

Imagine Yaoshi x Reader x Nanook. With how they act in lores and how there is not much canon information about the personalities + encounters or interactions yet. My brain already has so much ideas about what's gonna happen if we put them both together :)

pairing: nanook x gn!reader x yaoshi (general relationship hcs)

word count: 785

warnings: possible spoilers for hsr !! involves xianzhou stuff iykyk

a/n: it's the way that i knew this would be a request- also this got long i apologize HAHSHSHH

First off, congrats. I have no idea how you managed to coerce these two into sharing because the last thing either wanted was to share something with the other.

Compromise is absolutely fundamental in this relationship. Yaoshi and Nanook are Aeons whose ideologies are in direct conflict, and you'll have to act as their middle ground. Arguments aren't common (they both believe that they're above such petty disputes), but in the beginning of the relationship, the tension was undeniable.

Nanook firmly believes that civilization was a mistake, and neither Yaoshi nor you can change that. Yaoshi can pout and give Nanook the look all they want, but nothing is stopping Nanook from bringing planet after planet down.

Likewise, Yaoshi's gifts of immortality, along with their side effects of mara, tend to irk Nanook, only furthering their belief that destruction was the only salvation left for the universe (Yaoshi would continue to assert that the mara wasn't their fault).

But when you come into the picture, you force them to put their differences aside - because if there's one thing that the two of them can agree on, it's you. If it's for you, they're willing to push aside their ongoing war with one another. If it's you, they'll ignore the fact that they openly hated the other.

Yaoshi thought that such a cold being as Nanook wasn't deserving of a partner such as you. Nanook didn't love or embrace you like Yaoshi did, didn't cradle and pamper you like the Abundance.

As a result, Yaoshi loved to remind them of their negligence, although now, it's more of a playful jest if anything. They'd whine about how Nanook was barely home, despite Yaoshi constantly being on the run themselves, and the fact that as Aeons, they don't have a set "home".

For the most part, Nanook was unbothered by Yaoshi's remarks, with the most coming out of them being a roll of the eyes. They didn't care how their affection may have come across, the only thing mattering to them was that you were safe and happy.

The two of them used to fight over you all the time - Nanook would often snatch you right off of Yaoshi's lap, and Yaoshi would refuse to hand you over. But soon, they learned to tolerate the other's existence, and eventually that tolerance would turn into a begrudging adoration.

In this relationship, Yaoshi is inertly more affectionate (and possessive) than Nanook is. Nanook isn't... They're not exactly in tune with desires of any kind, much less the kind that comes with a romantic relationship. Yaoshi, on the other hand, is an empathetic soul who loves and sympathizes with creatures from all walks of life.

Yaoshi coddles you, and makes sure that not only are you loved, but that you feel loved. They are gentle and tender with you, often playing with your hands or hair, and pressing kisses wherever they can. They sing you praises to their Disciples and the Denizens, who adore you just as much as their Aeon.

On the other hand, Nanook's "love", if you could even call it that, comes in the form of protection. The Antimatter Legion, when they're not wreaking havoc upon other planets, become your personal bodyguards. Yaoshi in particular takes advantage of this, often using the Legion to fend off any Xianzhou ships looking to hunt them down.

But this isn't to say that Nanook doesn't have their moments. When they manage to pry you away from Yaoshi's arms, Nanook likes to hold you as they go about their business. You'd be laying in their arms, pressed against their chest as you watch the destruction of a planet as you would a movie. Rarely are any words said in these moments, but they are just as intimate as Yaoshi's affections.

The universe knows you as the Mediator, the tamer of the two most hated Aeons in the universe. Being the significant other of not one, but two Aeons certainly comes with its benefits - and that being that practically nothing can touch you. There are some who feel pity for you, others who envy you.

But there are also those such as the Aeon Xipe who are grateful for your existence, for you are responsible for keeping Yaoshi and Nanook in check. In Xipe's eyes, if such opposing Aeons as Yaoshi and Nanook can work in tandem, then there is hope for a unified universe.

All in all, this relationship can only work if each member puts forth the effort to make it work. It's rocky in the beginning, even more so than others, and requires so much more patience. But if you can manage to pull through, the rewards are sweeter than any fruit.