#but it's a REALLY interesting source of first person accounts

[contact-guy]

I'm reading a bunch of self-reported case studies of queer people in the 19th century (Psychopathia Sexualis by Krafft-Ebing, for those who are curious) and I REALLY love that the impulse to immediately share life stories when you meet another gay person is timeless and universal

[boy-gender]

How do you deal with guilt around being a man, and like generally feeling like you're "betraying women" or choosing to be something bad by transitioning? It's something I've really been struggling with..

I sort of have two answers for you.

The first is a bit glib, but I think you've got some bioessentialism to unlearn, anon. I know that it's probably not a belief you arrived at yourself- rather, a bunch of hateful radfem douschebags have so often repeatedly said shit like that, that you're a traitor, you're failing feminism, youre just trying to escape the patriarchy, you're mocking what women are, men are evil and youll become evil especially with testosterone. That kind of crap.

Genuinely I do not give it any thought. It's ridiculous on the surface, so I write it off as misguided and inane. There is no logical way to justify grouping an entire half of the population together, deciding that the one thing they have in common (being men) is somehow the defining trait about them (because nothing else is being taken into account, like their sexuality, ethnicity, trans or intersex status, poverty level, where they live, whatever) and then also deciding that one common trait is the root of all evil. I've personally had a lot of experience with people doing this with certain mental illnesses- particularly cluster B personality disorders- and deciding like "yes this one thing about you makes you evil. You have Evil Person Disorder," and seeing how stupid that was, I just applied it elsewhere. Humans are far too diverse, nuanced, and contradictory for any flat rule like "all X people are bad" to ever be accurate. If it's not accurate, it's not useful, so I don't judge myself by it. I literally just block the people spewing that shit and let it slide off like water on a duck. I have enough warped internalized beliefs from my upbringing- I'm not adding more when I can immediately and obviously see their flaws.

So my advice is to block anyone you see saying that shit. You might be beginning to internalize it because of just how often you see it- so you need to cut that off at the source. Radfems are not and never will be allies; they do not have "some good points." Their movement was specifically designed by conservatives to uphold white supremacist capitalism, and nothing that comes from that is ethically correct. I'd suggest picking up Mothers of Conservatism by Michelle Nickerson. A lot about the origins of the radfem/female separatism movements are detailed there, created by fundamentally conservative women. With this new 4B movement shit on the rise, it's helpful to understand how fucked up and wrong they've always been from the beginning. My second answer to you is to look at what manhood means to you. If you don't think you can be objective about this, ask a friend to help. List the traits you associate with what *you* personally want to be as a man, what you hope you transition towards. Do you want to be a financial provider? Do you want to defend your community? Do you want to be generous? Brave? Do you want to be an expert in a special interest? Do you want to make lots of friends?

Make a list of those traits. Then look at them, divorced from the idea of gender. Is being a financial provider "bad?" Is being generous bad? Or brave? Or having lots of friends? Are any of these things bad in isolation, or does your guilt about them come from their association with manhood? Is that /your/ association, or did other people cause you to think there is an association?

For me, I had two formative male relationships as a child. My father, and my maternal grandfather. My father was an abusive piece of shit who liked to pick me up by the throat and slam me into walls, threaten our pet cats, scream at me until I dissociated, called me slurs, hated my opinions on anything, belittled me, believed only in capitalism, is a social darwinist capitalist schill, hates my mom, treated me like a servant and punching bag, and is a miserable fuck with no friends.

My grandpa was an old man who loved scotland and tartan and scottish terriers even though he never had one, loved each of his cats which he had all the time. He collected coins and read about history, he made model planes. He watched judge judy with me and talked about the cases and if we agreed with her rulings; he watched the news from multiple different outlets a day and taught me to weigh them against one another. He loved sitting on the porch and watching neighborhood kids play, and he drank a lot of lemonade. He was a brilliant chemist, provider, raised 4 kids in near poverty, then raised 8 grandkids after that. He would sneak me chocolate malt balls as a "vitamin" and he would tease my grandma by pretending to pick up and lick his plate after dinner. He taught my uncle to garden who then taught my cousin, so all my life gardening has been "mens work" to me. He was soft spoken, curious, patient, and mischevious. He loved my grandma for 60 years until he died.

These men have nothing in common except that they were men. Being a man didnt make my grandpa evil because he chose not to be. Being a man didnt make my dad evil either; he's an evil fuck because he made that choice. They are both sentient beings, who can use logic and emotions alike. One chose poorly. It never made sense to me as a child to assume all men would be like my dad or like my grandpa, because they were both men and they weren't at all like each other. Some categories are just so broadly diverse that they aren't really helpful- if I ask you to picture a mammal, do I mean a monkey or a mouse? Does "sea creature" mean a giant ass blue whale or a tiny piece of plankton? "Man" as a category is too broad to make assumptions about. I know it sounds circular and reductive, but the only thing that makes someone a man is...being a man. Nothing else.

I find it helps to look at a diverse array of men, to see all that men can be, especially men not like myself or the men I know. What does it mean to be a man in rural Yunnan farm country? What did it mean to be a man in medieval europe? What is it like being a gay black man from california, or a hunter living off the grid in appalachia? What does it mean to be a man in a culture where long hair is masculine, or where harvesting plants is masculine, where being a doctor is masculine? What about cultures where adornment is masculine? Hell, what about animals? What's it like to be a male lion vs a male house cat? What do I think about male cardinals, who are the bright lovely red ones, whose color is meant to draw a predators eye to them and away from the female cardinals and their nests?

To me, gender is an all you can eat buffet. It's customizeable. You can pick up or ignore or throw away any traits you want or don't want. Grab things that are feminine in your culture and incorporate them into your manhood in a subversive, gender nonconforming way. Take things that are masculine that make you happy, that you're reclaiming in a way because you may not have been allowed to do/be them before. Fill your gender with the ideals and aesthetics you like. You are fundamentally changing manhood by being a man, by being a different kind of man than any other man. If there are 4 billion men on the planet, there are 4 billion different 'microgenders' of man.

Seems silly to write off an entire 4 billion people as inherently evil and incapable of either goodness or change. It's just illogical. For me, that's enough to discard the idea wholecloth. If it doesn't make sense, I'm not wasting my time with it. That's not an ability everyone else has easily though, so you take the time you need. Try to look at yourself as objectively as possible, as an outsider. As you transition, have your actions become more evil? Are you committing sexist acts? Have you literally betrayed all the women you know somehow? Do you feel yourself becoming less kind, less patient, less interested in equality or the preservation of life? I'm betting, since you're nervous about it enough to ask, that none of those things are happening to you. Do not let yourself be gaslit into believing you are becoming something you're not. Look at your actions, your words. Look at your values and how you live up to them. If you don't see any sudden discrepancy, then you know anyone who tells you you're becoming evil by becoming a man is straight up lying to you. They're projecting an idea onto you that doesnt fit reality; trying to put a round peg in the square hole. Be curious, be objective. Do not be misled, and for those who try to mislead you, hit them with a chunky block button.

[nutklcker]

Context: this is an info post for a different post I made, you can find it here :3

So if this somehow gets out to people that don't know this blog, hi, we're a system and I (Host) am here to explain what this is.

About six-eight months ago iirc I had the flu and got a fever dream about LC where I was a different person who had been turned into a coilhead and was working with a scrap collecting team for fun. This whole experience of being sick and having nightmares for like two weeks made us split a new alter (March) and a few weeks later we split another alter (Rend) due to an incredibly stressful and traumatizing near-death experience. The two of them bonded and turned the fever dream into a little story they liked to work on together. At first Rend was SUPER delusional about it but he got better <3 so this animatic, drawn originally by him, was supposed to be about how the two reunited (cuz in the story Rend was the captain of March's ship before they both were killed and became monsters) in their little story they were making

The rest of the animatic would show the human (named Xenon) running from Rend before being cut off by March, who would then chase Rend away before he recognized him. Rend, not being able to see still coil-heads wouldn't recognize March yet and would eventually be cornered where Xenon would return, having realized Rend wasn't dangerous and could be a deceased employee like March. And that's where the animatic would've ended :3

In their little story there's other characters, like a lot of other characters, but Rend, March, and Anno are the only ones who have a place in the story as of now. They might put Friend in but honestly I'm not sure how they would cuz Friend is just like An Actual Jester it's not a person that got killed like those three are. OOH and also they put my LC OC, Pace, in too! Hes a bracking <3

[maxtermind]

SCENE 1 :: YOU TORE ME RIGHT APART ↳ you were never not mine — carlos sainz ༉‧₊˚✧

★ : pairing :: carlos sainz x reader ★ : genre :: angst; fluff separated by a hidden emotional turmoil, carlos and y/n navigate the complexities of co-parenting their twins amidst the high-stakes f1 world. amidst paddock visits and personal healing, will they go further apart or find their way back to each other? ★ : a/n :: oh fuck okay here we go! let me know what you guys think so far <3 what are the theories!! ahhhhhh this is more introductory? but lots of drama nevertheless <3 please don't mention the diff twin pics, i'll start crying!

( series masterlist \ main masterlist \ drop a request )

yn.user 41 mins ago

yn.user boys are here to support their papa!

username OMG THE IT BABIES ARE BACK ON TRACK charlesleclerc I know they were rooting for me in red🏎 I loved the bracelet btw❤️‍🩹 ⤷ carlossainz dress up leo in red and leave my kids alone username I WOULD KILL TO HAVE Y/N AND CARLOS AS MY PARENTS carlossainz papa won this for his family👍 ⤷ username it's so cute that even though they are separated, carlos never leaves out y/n ⤷ username I think it's his loss, he wants them back so he's playing a persona w words like 'family' lol ⤷ username please get a life, touch some grass🙏 username THE BABIES MADE A BRACELET FOR CARLOS ⤷ landonorris I got one toooooo

carlos is typing... (y/n's pov)

instagram stories

lily is typing... (y/n's pov)

twitter

carlossainz 20 mins ago

carlossainz who said weekends with papa are a bore?

landonorris whoring on main papa sainz? ⤷ carlossainz please unfollow❤️ username DILFFFFF username carlos can I also be your baby mama???? y/n.user MUMMA MISSES HER BABIES ⤷ carlossainz we miss you too ⤷ username pretty sure she was talking about the kids carlos lmao username it's so strange that now we get the updates from separate accounts I miss the og paddock fam ⤷ username well people move on so🤷‍♀️ ⤷ username only the real ones rmb the sainz x y/n post spams lmao

yn.user just now

yn.user stole my tortured heart💫

username who plays cards alone on a beach? 👀 username y/n’s cryptic post has me guessing mhmmm a new love interest maybe?! ⤷ username cards on the beach when alone? definitely not alone. who’s the mystery company hehe carlossainz looks like a peaceful day. glad you're finding time for yourself! ⤷ yn.user hope the boys are still up! returning the call soon🥰 lilymhe finally enjoying some well-deserved relaxation💖 ⤷ yn.user love youuu username i see cards but no players. who's with you y/n username we need more context omg is this a date ⤷ username probably with lily lol username at first i thought you were with carlos but he's in the comments soooo does that mean a new romance

carlos is typing... (y/n's pov)

f1.wags 2 mins ago

f1.wags Our sources have spotted Y/N, ex-partner of F1 driver Carlos Sainz, enjoying a cozy dinner with an unidentified man. The two were seen sharing intimate moments, sparking rumors of a new romance. Could this be the start of a new chapter for Y/N? Stay tuned for more updates as we dig deeper into this developing story.

username wow, moving on already? poor carlos username she couldn't wait a little longer before flaunting her new man username guess she never really loved carlos. just saying ⤷ username carlos deserves better than someone who moves on so fast ⤷ username its been almost half a year? username poor kids. this is why you should never have kids out of wedlock ⤷ username hey good morning, i think you time traveled to 200 years forward. please go back username she’s just trying to make carlos jealous. grow up, y/n username so much for being a loving mother? priorities lol ⤷ username boys were with carlos for one weekend and this is how she spends it ⤷ username from a perfect family to this? disappointing username carlos is better off without her. clearly, she didn’t care about him ⤷ username fr y/n's true colors are showing now. carlos dodged a bullet

carlos is typing... (y/n's pov)

©maxtermind // do not copy, rewrite or translate any of my work on any platforms.

[mdzsartreblogs]

Recognizing AI Generated Images, Danmei Edition

Heyo, @unforth here! I run some danmei art blogs (@mdzsartreblogs, @tgcfartreblogs, @svsssartreblogs, @zhenhunartreblogs, @erhaartreblogs, @dmbjartreblogs, @tykartreblogs, and @cnovelartreblogs) which means I see a LOT of danmei art, and I go through the main fandom tags more-or-less every day.

Today, for the first time, I spotted someone posting AI-generated images (I refuse to call them AI "art" - and to be clear, that's correct of me, because at least in the US it literally LEGALLY isn't art) without any label indicating they were AI generated. I am not necessarily against the existence of AI-generated images (though really...considering all the legal issues and the risks of misuse, I'm basically against them); I think they potentially have uses in certain contexts (such as for making references) and I also think that regardless of our opinions, we're stuck with them, but they're also clearly not art and I don't reblog them to the art side blogs.

The images I spotted today had multiple "tells," but they were still accumulating notes, and I thought it might be a good moment to step back and point out some of the more obvious tells because my sense is that a LOT of people are against AI-generated images being treated as art, and that these people wouldn't want to support an AI-generator user who tried to foist off their work as actual artwork, but that people don't actually necessarily know how to IDENTIFY those works and therefore can inadvertently reblog works that they'd never support if they were correctly identified. (Similar to how the person who reposts and says "credit to the artist" is an asshole but they're not the same as someone who reposts without any credit at all and goes out of their way to make it look like they ARE the artist when they're not).

Toward that end, I've downloaded all the images I spotted on this person's account and I'm going to use them to highlight the things that led me to think they were AI art - they posted a total of 5 images to a few major danmei tags the last couple days, and several other images not to specific fandoms (I examined 8 images total). The first couple I was suspicious, but it wasn't til this morning that I spotted one so obvious that it couldn't be anything BUT AI art. I am NOT going to name the person who did this. The purpose of this post is purely educational. I have no interest whatsoever in bullying one rando. Please don't try to identify them; who they are is genuinely irrelevant, what matters is learning how to recognize AI art in general and not spreading it around, just like the goal of education about reposting is to help make sure that people who repost don't get notes on their theft, to help people recognize the signs so that the incentive to be dishonest about this stuff is removed.

But first: Why is treating AI-generated images as art bad?

I'm no expert and this won't be exhaustive, but I do think it's important to first discuss why this matters.

On the surface, it's PERHAPS harmless for someone to post AI-generated images provided that the image is clearly labeled as AI-generated. I say "perhaps" because in the end, as far as I'm aware, there isn't a single AI-generation engine that's built on legally-sourced artwork. Every AI (again, to the best of my knowledge) has been trained using copyrighted images usually without the permission of the artists. Indeed, this is the source of multiple current lawsuits. (and another)

But putting that aside (as if it can be put aside that AI image generators are literally unethically built), it's still problematic to support the images being treated as art. Artists spend thousands of hours learning their craft, honing it, sharing their creations, building their audiences. This is what they sell when they offer commissions, prints, etc. This can never be replicated by a computer, and to treat an AI-generated image as in any way equivalent is honestly rude, inappropriate, disgusting imo. This isn't "harmless"; supporting AI image creation engines is damaging to real people and their actual livelihoods. Like, the images might be beautiful, but they're not art. I'm honestly dreading someone managing to convince fandom that their AI-generated works are actual art, and then cashing in on commissions, prints, etc., because people can't be fussed to learn the difference. We really can't let this happen, guys. Fanartists are one of the most vibrant, important, prominent groups in all our fandoms, and we have to support them and do our part to protect them.

As if those two points aren't enough, there's already growing evidence that AI-generated works are being used to further propagandists. There are false images circulating of violence at protests, deep-fakes of various kinds that are helping the worst elements of society to push their horrid agendas. As long as that's a facet of AI-generated works, they'll always be dangerous.

I could go on, but really this isn't the main point of my post and I don't want to get bogged down. Other people have said more eloquently than I why AI-generated images are bad. Read those. (I tried to find a good one to link but sadly failed; if anyone knows a good post, feel free to send it and I'll add the link to the post).

Basically: I think a legally trained AI-image generator that had built-in clear watermarks could be a fun toy for people who want reference images or just to play with making pseudo-art. But...that's not what we have, and what we do have is built on theft and supports dystopia so, uh. Yeah fuck AI-generated images.

How to recognize AI-Generated Images Made in an Eastern Danmei Art Style

NOTE: I LEARNED ALL THE BASIC ON SPOTTING AI-GENERATED IMAGES FROM THIS POST. I'll own I still kinda had the wool over my eyes until I read that post - I knew AI stuff was out there but I hadn't really looked closely enough to have my eyes open for specific signs. Reading that entire post taught me a lot, and what I learned is the foundation of this post.

This post shouldn't be treated as a universal guide. I'm specifically looking at the tells on the kind of art that people in danmei fandoms often see coming from Weibo and other Chinese, Japanese, and Korean platforms, works made by real artists. For example, the work of Foxking (狐狸大王a), kokirapsd, and Changyang (who is an official artist for MDZS, TGCF, and other danmei works). This work shares a smooth use of color, an aim toward a certain flavor of realism, an ethereal quality to the lighting, and many other features. (Disclaimer: I am not an artist. Putting things in arty terms is really not my forte. Sorry.)

So, that's what these AI-generated images are emulating. And on the surface, they look good! Like...

...that's uncontestably a pretty picture (the white box is covering the "artist's" watermark.) And on a glance, it doesn't necessarily scream "AI generated"! But the devil is in the details, and the details are what this post is about. And that picture? Is definitely AI generated.

This post is based on 8 works I grabbed from a single person's account, all posted as their own work and watermarked as such. Some of the things that are giveaways only really show when looking at multiple pieces. I'm gonna start with those, and then I'll highlight some of the specifics I spotted that caused me to go from "suspicious" to "oh yeah no these are definitely not art."

Sign 1: all the images are the exact same size. I mean, to the pixel: 512 x 682 pixels (or 682 x 512, depending on landscape or portrait orientation). This makes zero sense. Why would an artist trim all their pieces to that size? It's not the ideal Tumblr display size (that's 500 x 750 pixels). If you check any actual artist's page and look at the full-size of several of their images, they'll all be different sizes as they trimmed, refined, and otherwise targeted around their original canvas size to get the results they wanted.

Sign 2: pixelated. At the shrunken size displayed on, say, a mobile Tumblr feed, the image looks fine, but even just opening the full size upload, the whole thing is pixelated. Now, this is probably the least useful sign; a lot of artists reduce the resolution/dpi/etc. on their uploaded works so that people don't steal them. But, taken in conjunction with everything else, it's definitely a sign.

Those are the two most obvious overall things - the things I didn't notice until I looked at all the uploads. The specifics are really what tells, though. Which leads to...

Sign 3: the overall work appears to have a very high degree of polish, as if it were made by an artist who really really knows what they're doing, but on inspection - sometimes even on really, REALLY cursory inspect - the details make zero sense and reflect the kinds of mistakes that a real artist would never make.

So, here's the image that I saw that "gave it away" to me, and caused me to re-examine the images that had first struck me as off but that I hadn't been able to immediately put my finger on the problem. I've circled some of the spots that are flagrant.

Do you see yet? Yes? Awesome, you're getting it. No? Okay, let's go point by point, with close ups.

Sign 4: HANDS. Hands are currently AI's biggest weakness, though they've been getting better quickly and honestly that's terrifying. But whatever AI generated this picture clearly doesn't get hands yet, because that hand is truly an eldritch horror. Look at this thing:

It has two palms. It has seven fingers. It's basically two hands overlaid over each other, except one of those hands only has four fingers and the other has three. Seeing this hand was how I went from "umm...maybe they're fake? Maybe they're not???" to "oh god why is ANYONE reblogging this when it's this obvious?" WATCH THE HANDS. (Go back up to that first one posted and look at the hand, you'll see. Or just look right below at this crop.) Here's some other hands:

Sign 5: Hair and shadows. Once I started inspecting these images, the shadows of the hair on the face was one of the things that was most consistently fucked up across all the uploaded pictures. Take a look:

There's shadows of tendrils on the forehead, but there's no corresponding hair that could possibly have made those shadows. Likewise there's a whole bunch of shadows on the cheeks. Where are those coming from? There's no possible source in the rest of the image. Here's some other hair with unrelated wonky shadows:

Sign 6: Decorative motifs that are really just meaningless squiggles. Like, artists, especially those who make fanart, put actual thought into what the small motifs are on their works. Like, in TGCF, an artist will often use a butterfly motif or a flower petal motif to reflect things about the characters. An AI, though, can only approximate a pattern and it can't imbue those with meanings. So you end up with this:

What is that? It's nothing, that's what. It's a bunch of squiggles. Here's some other meaningless squiggle motifs (and a more zoomed-in version of the one just above):

Sign 7: closely related to meaningless squiggle motifs is motifs that DO look like something, but aren't followed through in any way that makes sense. For example, an outer garment where the motifs on the left and the right shoulder/chest are completely different, or a piece of cloth that's supposed to be all one piece but that that has different patterns on different sections of it. Both of these happen in the example piece, see?

The first images on the top left is the left and right shoulder side by side. The right side has a scalloped edge; the left doesn't. Likewise, in the right top picture, you can see the two under-robe lapels; one has a gold decoration and the other doesn't. And then the third/bottom image shows three sections of the veil. One (on the left) has that kind of blue arcy decoration, which doesn't follow the folds of the cloth very well and looks weird and appears at one point to be OVER the hair instead of behind it. The second, on top of the bottom images, shows a similar motif, except now it's gold, and it looks more like a hair decoration than like part of the veil. The third is also part of the same veil but it has no decorations at all. Nothing about this makes any sense whatsoever. Why would any artist intentionally do it that way? Or, more specifically, why would any artist who has this apparent level of technical skill ever make a mistake like this?

They wouldn't.

Some more nonsensical patterns, bad mirrors, etc. (I often put left/right shoulders side by side so that it'd be clearer, sorry if it's weird):

Sign 8: bizarre architecture, weird furniture, etc. Most of the images I'm examining for this post have only partial backgrounds, so it's hard to really focus on this, but it's something that the post I linked (this one) talks about a lot. So, like, an artist will put actual thought into how their construction works, but an AI won't because an AI can't. There's no background in my main example image, but take a look at this from another of my images:

On a glance it's beautiful. On a few seconds actually staring it's just fucking bizarre. The part of the ceiling on the right appears to be domed maybe? But then there's a hard angle, then another. The windows on the right have lots of panes, but then the one on the middle-left is just a single panel, and the ones on the far left have a complete different pane model. Meanwhile, also on the left side at the middle, there's that dark gray...something...with an arch that mimics the background arches except it goes no where, connects to nothing, and has no apparent relationship to anything else going on architecturally. And, while the ceiling curves, the back wall is straight AND shows more arches in the background even though the ceiling looks to end. And yes, some of this is possible architecture, but taken as a whole, it's just gibberish. Why would anyone who paints THAT WELL paint a building to look like THAT? They wouldn't. It's nonsense. It's the art equivalent of word salad. When we look at a sentence and it's like "dog makes a rhythmical salad to betray on the frame time plot" it almost resembles something that might mean something but it's clearly nonsense. This background is that sentence, as art.

Sign 9: all kinds of little things that make zero sense. In the example image, I circled where a section of the hair goes BELOW the inner robe. That's not impossible but it just makes zero sense. As with many of these, it's the kind of thing that taken alone, I'd probably just think "well, that was A Choice," but combined with all the other weird things it stands out as another sign that something here is really, really off. Here's a collection of similar "wtf?" moments I spotted across the images I looked at (I'm worried I'm gonna hit the Tumblr image cap, hence throwing these all in one, lol.)

You have to remember that an actual artist will do things for a reason. And we, as viewers, are so used to viewing art with that in mind that we often fill in reasons even when there aren't. Like, in the image just about this, I said, "what the heck are these flowers growing on?" And honestly, I COULD come up with explanations. But that doesn't mean it actually makes sense, and there's no REASON for it whatsoever. The theoretical same flowers are, in a different shot, growing unsupported! So...what gives??? The answer is nothing gives. Because these pieces are nothing. The AI has no reason, it's just tossing in random aesthetic pieces together in a mishmash, and the person who generated them is just re-generating and refining until they get something that looks "close enough" to what they wanted. It never was supposed to make sense, so of course it doesn't.

In conclusion...

After years of effort, artists have gotten across to most of fandom that reposts are bad, and helped us learn strategies for helping us recognize reposts, and given us an idea of what to do when we find one.

Fandom is just at the beginning of this process as it applies to AI-generated images. There's a LOT of education that has to be done - about why AI-generated images are bad (the unethical training using copyrighted images without permission is, imo, critical to understanding this), and about how to spot them, and then finally about what to do when you DO find them.

With reposts, we know "tell original artist, DCMA takedowns, etc." That's not the same with these AI-images. There's no original owner. There's no owner at all - in the US, at least, they literally cannot be copyrighted. Which is why I'm not even worrying about "credit" on this post - there's nothing stolen, cause there's nothing made. So what should you do?

Nothing. The answer is, just as the creator has essentially done nothing, you should also do nothing. Don't engage. Don't reblog. Don't commission the creator or buy their art prints. If they do it persistently and it bothers you, block them. If you see one you really like, and decide to reblog it, fine, go for it, but mark it clearly - put in the ACTUAL COMMENTS (not just in the tags!) that it's AI art, and that you thought it was pretty anyway. But honestly, it'd be better to not engage, especially since as this grows it's inevitable that some actual artists are going to start getting accused of posting AI-generated images by over-zealous people. Everyone who gets a shadow wrong isn't posting AI-generated images. A lot of these details are insanely difficult to get correct, and lots of even very skilled, accomplished artists, if you go over their work with a magnifying glass you're going to find at least some of these things, some weirdnesses that make no sense, some shadows that are off, some fingers that are just ugh (really, getting hands wrong is so relatable. hands are the fucking worst). It's not about "this is bad art/not art because the hand is wrong," it's specifically about the ways that it's wrong, the way a computer randomly throws pieces together versus how actual people make actual mistakes. It's all of the little signs taken as a whole to say "no one who could produce a piece that, on the surface, looks this nice, could possibly make THIS MANY small 'mistakes.'"

The absolute best thing you can do if you see AI-generated images being treated as real art is just nothing. Support actual artists you love, and don't spread the fakes.

Thanks for your time, everyone. Good luck avoiding AI-generated pieces in the future, please signal boost this, and feel free to get in touch if you think I can help you with anything related to this.

[prokopetz]

Hi, I can you shed some light into what happened with the third edition of nobilis and the DeviantArt art? I ask out of genuine curiosity and confusion, as my first impression with nobilis came through tvtropes and the vague posting happening inside the article talking about stolen art, and frankly I never heard a comprehensive anything, from any traceable source. Thanks.

Mm. The gory details aren't really my story to tell (and I'm given to understand that the game's author doesn't like to talk about it, so please don't go pestering her on my account!), but in the interest of heading off the rumour mill, the short version is as follows:

Nobilis 3rd Edition was originally funded via Kickstarter under the banner of Eos Press – who, to be clear, were merely the game's publisher, not its creator.

When the game's preview edition was released to Kickstarter backers, folks noticed that some of its illustrations looked awfully familiar. Several pieces were quickly identified as having been traced from Touhou fanart published on DeviantArt and elsewhere.

The preview edition was withdrawn, and new art obtained to replace the plagiarised pieces. Eos Press made no statement accepting responsibility for the fiasco, and some of the replacement art was apparently commissioned at the author's own expense, both of which are highly irregular; however, at the time, most people assumed it was just the usual small-press lack of professionalism at work.

Fast forward four years, and the owner of Eos Press gets caught red-handed misappropriating Kickstarter funds for personal use, albeit from a different project. In light of this, it's been speculated Eos Press' owner also pocketed the art budget for Nobilis 3rd Edition; that would explain both the low-effort plagiarism and the game's author having to pay for the replacement art out of pocket.

The author of Nobilis subsequently cut ties with Eos Press, recovered the game's publishing rights, and independently published her own version which replaces Eos' "contributions" with original material, produced at her own considerable effort and expense. This version of Nobilis 3rd Edition is the one that's currently for sale via DriveThruRPG and elsewhere.

Clear as mud?

[spitdrunken]

THIS IS INCREDIBLY SELF-INDULGENT BUT. MY BLOG!

notes: power imbalance, sexual harrassment, murder mentions.

rotating a thought in my head where 'you' are an increasingly popular erotica writer from the pride ring. with writing, you've hit a bit of a niche, as a lot of the big porn producers (VoxTech's subsidiaries) are not exactly known for their riveting dialogue or personalities. no one's there for anything more than that, but there are demons who do want a bit more 'meat', so to say, with nowhere else turn. that is where you come in!

it's not enough to make a steady living off of, not even when you start taking incredibly specific commissions, but it's never been more of a hobby anyway. you are completely anonymous online, keeping care to use throwaway emails and accounts for everything. still, voxtech's products are utterly inescapable: it's either using them, or using nothing at all. (and those rumours about their boss vox having complete control over his technology, even after selling, has to be a rumour... you hope.)

meanwhile, as your penname continues to grow more and more recognizable, it falls in the vees' meeting room. valentino's immediate suggestion is just to kill you. people in the comments keep comparing his dialogue to yours. what the fuck is that about? who the hell watches porn for the DIALOGUE in the first place?

velvette, while shrugging her shoulders, only adds that their new releases tend to go trending, prior to release. fucking far from the top of that list, but still. trending is trending.

vox, sighing internally, plasters a smile on his face. there's really no need to kill new up and coming talent, val. we should suggest them to work for us instead. and if they don't... we can simply prevent them from working. they'll make up their mind, then.

you return to your laptop to an utterly inescapable pop-up describing the opportunity of a lifetime: the chance to work at voxtech! it's a whole wall of text, describing your pay (higher than you would have expected), where you will be living (in one of the appartment buildings owned by voxtech), and when to head to their main office. there is no word on denying the contract, an utter impossibility, it seems. not that you'd dare. vox's and the radio demon's showdown was the talk of the ring for days, and apparantly, all that rancour was the source of alastor denying a contract of his own. that really is more shit than you can handle in your undead life now. so, you take the job.

as your stories are starting to get heavily promoted, velvette absolutely insists that you add in at least a couple of looong clothing descriptions, based on her tastes. she's such an overwhelming, pushy presence, that it's hard for you to say no. she goes on about how, if it gets popular enough, people might be interested in somewhat similar outfits. probably not, though, let's be honest with ourselves. she makes you model them, all the while telling you that you really wouldn't be allowed to breathe in the direction of her studio otherwise. when you ask her why you absolutely have the one modelling, she just rolls her eyes. you based large parts of their appearances after you, didn't you? might as well make you look the part.

valentino is one of the worst parts of the job. compared to everyone else, he hardly pesters you, but he's still a terrifying presence. he'll give you 'suggestions' and make you steer your work in certain directions, getting too close and blowing smoke into your face. he gives a graphic description of how he jacked off to one of your stories, just to see your response. (this is a lie: why would he jack off if he can just call some stupid whore over to do it for him? also, he doesn't read.)

if a part of one of your stories ever gets a 'porno adaptation', he's having you play the part of the director, and has you sit in during the entirety of the viewing. you can tell he takes great pleasure out of any of your discomfort, or any of your fumbling- until it's too sloppy, and then he gets mad, of course, and you end up leaving the room with shaky legs.

vox seems to be the nicest one out of the three of them. really, he's only ever been courteous to you. but you've seen him flip his lid during the aforementioned 'radio demon fiasco', which you have been wise enough to never mention, so you still walk on eggshells around him. he can also get pretty pushy about deadlines, so you're not taking any chances.

he insists on having semi-regular meetings with you about the sales figures of your most recent works, wherein you also have to describe your process on other projects and pitch new ideas. frankly, you wish these meetings could be an email! but even when you tried to broach the subject, telling him that, surely, the company leader's time is much more important than this?

he simply brushed you off, telling you that he can decide for himself who and what to spend his time on, thank you very much. now, please continue. he'll inform you of the latest kinks and dynamics that have been most popular, though with some peculiar additions as well. you swear that, sometimes, the main character really does seem to resemble yourself in those suggestions, and the love interest a member of the vees...? you're certain you're just imagining it.

[lgbtlunaverse]

heads- up: someone is taking jc-centric fics and turning them into jc-bashing wangxian fics

I don't usually like to bring twitter drama over to tumblr but since the perpetrator in this case explicitly said they do this ON TUMBLR I felt it was pertinent to do so.

Today user DyuaLan on twitter, aka @jiaoji on tumblr, publically bragged about finding chengxian, xicheng, and zhanzheng fics and changing the names to make them wangxian fics with jiang cheng bashing.

When authors (understandably) reacted to this by blocking them, they boasted about still having 15 stolen fics in their drafts on top of the ones they've already posted.

And that they do all of this stuff on tumblr anyway, not twitter

If you have written any kind of Jiang Cheng ships, or Jiang Cheng-centric fic in general, and are not a fan of your work being stolen, it's in your best interest to block them.

They also said that they block everyone they steal from. Though if you go to the blog now and are blocked, please don't panic, that might just be for fanwar reasons.

Here's proof that DyuaLan is in fact the same person as Jiaoji:

(@jiaoji and @jiaoji2 lead to the same blog, it was probably called this because they at some point lost access/moved from their previous blog @jiao-ji)

And here jiaoji is bragging on their tumblr about feeling too lazy to even rewrite someone else's work

Their ao3 is "Jiao_ji" where they have 16 works total, most of which are in portuguese, making it harder to verify which ones are stolen, as a lot of their "sources" are probably in english. (Most of the fics they have written on tumblr itself are also in english) They also have a wattpad account with the url "Dilf_ji"

As a bonus here they are 2 years ago whining about zhancheng authors blocking them because it means they can no longer steal their fics, this has been going on for a while.

And talking a bit more about stealing from chengxian and zhancheng authors:

While I haven't written any jiang cheng ships, I am a fic writer, and I know the work that goes into it. I can work on a single oneshot for months on end. So this kind of attitude, where if you hate a ship the author's work is just free for the taking, is appaling to me. Inspiration is normal, fandom is inherently transformative. Hell, ao3 has a "works inspired by" function for exactly that. But wholesale lifting someone's else's writing, only changing the ship and adding salt about a character you hate? Yeah, no. "Character bashing" fics aren't my cup of tea in the first place, but if you're going to do it, at least have the decency to write the damn things yourself.

I don't like doing callouts, so while I know that I can't really control anyone else's actions, I want to say for my own peace of mind... please just block this person. I don't wanna cause even more discourse. Remember: you don't feed trolls. I posted this because i think writers deserve to be warned when someone is maliciously stealing and editing their work, not to instigate harassment.

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[colie-nne]

Hello dear writer 👋 there's this reader-insert prompt in my head that I couldn't just get it out of my head. I hope this prompt takes your interest. It's up to you how you will want this to go as whether it be an imagine, headcannon or etc. Thank you, much love 𔘓

Prompt:

Carlos Sainz Jr., the renowned Formula One driver, takes to his social media account and shares a cryptic message that hints about a special someone in his life. As fans eagerly await further details, it becomes apparent that Carlos' significant other is no ordinary person – but is a beauty queen in her country.

my queen

pairing: carlos sainz x beauty queen!reader | instagram au

requested: yes | no

a/n: Hi this is my first in au, hope I did your request justice. I also really really liked the prompt, thanks for the request!! (Requests are open)

+ Valiente will be updated tomorrow so hang tight.💌

carlossainz55

liked by charles_leclerc and 163,452 others

carlossainz55 On a trip with royalty❤️

view all 1,045 comments

user excuse me? Carlos?

charles_leclerc a trip with royalty indeed👑

user what's with all the royalty?

user 😍😍😍

user Carlos is entering his aesthetic era!!!

Daily WAG updates

liked by pierregasly and 217,951 others

Daily WAG updates Ferrari's very own Carlos Sainz is seen with a mystery woman on a beach trip to the Maldives. The source stated that the two have been cozy with each other the entire time. Are we seeing a new wag on the paddock this coming season?

view all 524 comments

user oh carlos has game all along

user lord, i see what you've done for others

user does this have something to do with the royalty thing?

user to be the girls these f1 men date !!!

user girl i don't think that's a mystery woman at all

user care to explain?🤨 user Carlos has been following Spain's winner for some universal pageant or whatever for about a long time now, even before her winning the crown. So I'm not going to be shocked if the mystery woman's her. user reallyy?? what's her @? user its yourusername

user Pierre wtf you doing here?!☠️

yourusername

liked by landonorris, charles_leclerc and 326,803 others

yourusername very late vacation dump 🌶️

user ahhh y/n!! i've missed you

user will you be coming to the show in Paris?

yourusername of course!! can't miss it😊 user oH MY GOD! she responded, Y/n i love you!!

user uhmm... looks like you didn't crop a pic properly🧐

liked by landonorris

user why is lando here😭

user omyy just came here from the wags update!!! the emoji and the cropping error just proved a lot of things

user wdym wag update? user just search it up you'll see the most recent one.

yourusername

liked by carlossainz55, vittoria and 771,218 others

yourusername are you happy to be in Paris? oui...it's good to be back

user the fact that a French designer invited Miss Universe-Spain to their show, shows how wanted the y/n l/n is in the fashion industry. this is coming from a french woman too

carlossainz oui🥐

charles_leclerc no, mate... no yourusername i wholeheartedly agree with you user f1 collab, when?

user CARLOS?! Is this a confirmation?

vittoria looking good 👑❤️

user there's the crown thing again. who is she anyways? user how the hell, don't you guys know who y/n is? she's the reigning miss universe and the most sought Spanish beauty queen after years. user ooh so she's from Spain too. I see now user ☠️

user why am I just realizing the meaning of the crown emoji...

Daily WAG updates

caption: ✈️ >> 👑🇫🇷

331,092 likes

Daily WAG updates Carlos is confirmed to go on his way to Y/n. The story was posted 5 hours ago. He might be in Paris now, update you guys soon.

user the fact that you've typed that so casually just tells me how much you've waited to have a Carlos girl on the paddock

user He be flying to his girl during his supposed time to rest... when will it be my time?

user the fact that we all know he'll be meeting y/n despite them not confirming it yet is so funny.

f1updates

742,663 likes

f1updates Carlos Sainz has landed this evening after being invited by a french-designer in Paris, France.

user ...i see it very clearly now

user the story caption and this just gave everything up. ya'll better confirm it asap

user carlos in a fashion show was not on my 2023 f1 bucket list

user if we see him and y/n together, let's just say that "i told you guys"

yourusername

liked by carlossainz55 and 931,438 others

yourusername Thank you for tonight, Paris (credits: 🌶️)

user the chili🫣

user y/n!! i love your dress so much, thank you for letting me take a picture with you

user saw her being called into the runway so suddenly, the crown fits her so much🫠

user oop y/n in her soft launching era. is it Carlos?? i hope so

carlossainz55 🤍

user it's confirmed guys... user cute🥲 kill me rn

Daily WAG updates

liked by charles_leclerc, pierregasly and 196,582 others

Daily WAG updates UPDATE!!! It is confirmed by multiple sources that the reigning Miss Universe Y/n L/n is indeed Carlos Sainz's mystery woman. Who would've thought that our newest WAG would be the queen of the universe herself, can't wait to see her in the paddock!!! 👑

yourusername

liked by carlossainz55, landonorris, danielricciardo and 907,531

yourusername bebé, hemos sido atrapados... anyways, these are some of the very flattering pictures of us from our trips during the past 3 months. Buena seurte en tu proxima carrera, mi amor!!

(Baby, we've been caught) - (Good luck on your next race, my love!!)

carlossainz55 mi amor, ¿por qué las fotos? (my love, why the pictures?)

yourusername because you look flattering in them🤩 landonorris flattering isn't what I'd call them

charles_leclerc you should have posted what you posted in the other one

user charles? qhat other one!! user this made me curious yourusername the internet might not handle it!

danielricciardo all hail the king and queen👑

user dannyy😭 yourusername says the man who's insisting Carlos isn't fit for a king danielricciardo why'd you have to do me like that carlossainz55 still has a ring in it, no? landonorris we'll have to see you in a dress before we can answer

[jjangwonie]

DOUBLE LIFE

DOUBLE LIFE MASTERLIST

𓂃⊹ ִֶָ summary: With your anonymous Twitter account, you've acquired a pretty good following and popularity, throughout your school as well. Jake, your long-time crush, is one of them, head over heels. Yet when you once confessed to him, he had rejected your confession, saying that he already has his eye on someone else. What happens when he finds out that his online crush is the person that he rejected? And... How are you going to deal with this?

𓂃⊹ ִֶָ word count: ~2k

jjangwonie note: first written ep!! I was a little busy the last days, so I wasn't updating as I was initially, but here it is! I decided to split this written ep in two, since it will be too long imo, but then it will be more to look out for, no? ;). I'd love to hear your opinions or speculations about the smau so far, I am having so much fun with this ^^

Important notice! for written eps, I will put the "previous|next" button on the bottom, so it's easier for you to reach 😁

ELEVEN - you look guilty as hell [written]

“Finally, you're out.” Riki's voice reaches your ears as if you couldn't hear his nags and whines through his text messages. “Yeah, yeah, whatever.” You roll your eyes, coming out of the girls bathroom.

You push through them and quickly empty your books into your locker, before swinging your bag over your shoulder and the four of you exit the main entrance of the building.

Sunoo huffs a breath out. "Imagine going in between the two buildings in one day." His eyes wander over the long pathway with many patches of nature between the two buildings. "I already am worn out from looking at it." His hands fly to his shaking head.

Jungwon chuckles. "It gets easier. And to be honest, it's a nice break from the cramped classes," he responds while putting his spectacles in its case.

"And an excuse for if you're late," you add with a hint of mischief. "Please. The amount of times I took my sweet ass time when I had Advanced Writing."

"Okay, nerd." Riki breathes out, earning a smack on the arm from you.

"Whatever." You stick your nose up.

"And while I was there, it gave me an excuse to search for my brother and ask for money. You know, the money that I used for your extra desserts?"

Your eyes land on Riki, who avoids your eyes purposefully. "What? Nah, don't know what you are talking about." Of course. Act all innocent all you want.

Sunoo locks your arms together. "Anyways. Excited for tonight? First time going out with the four of us like this, out and about and not getting tipsy in the park." He laughs. "The weather is pretty nice too."

And he is right. To be fair, the warmth of the descending sun touching your skin paired with the soft breeze is indeed nice and very calming.

Not for long, though.

That's when your brother calls out to you. You're met with Sunghoon waving you over, not very far from where you four are standing. But your eyes land on the figure beside him.

"No way," you mutter, eyes wide. And you're not the only one. Jake looks evenly surprised, lips seemingly still. Riki's eyes dart between you two sneakily while you approach. "Well, isn't this interesting?"

"Uhm. Excuse me... Jake?"

Though it is a quieter place, the music of the crowded school festival makes your voice barely heard. Jake turns around, before finding the source of the voice.

"Yeah? That's me."

His eyes looked so dreamy, and his pretty full lips were turned up in a friendly smile, making heat rise to your cheeks to the point of you wanting to run away right there and then.

"...Hi, I'm... well..." you fail to get out of your words.

"Yeah?"

No, you shouldn't leave now. Not when you already, finally, have his attention.

"Um, I have seen you during football practices, and around school."

That's a lie. It wasn't only those practices, and whenever you had to go over to the other building, at least, it didn't feel as casual to you as it might seem.

"I know this is really sudden, and you don't really know me, but... I think you're really cool and, I was wondering if you'd like to go out sometime."

You can't even look in his eyes the moment those words fall out of your mouth.

It felt like an eternity before he said something. "Oh! I... Wow, I'm flattered. Really! But..."

Oh.

"I kinda have my eyes on somebody else right now... I hope you understand."

Oh... yeah, of course.

Although the heat in your cheeks doesn't falter, your heart feels like it fell all the way into the ground. As if this isn't the most embarrassing thing that could happen.

"Oh gosh, of course. I am so sorry for bothering you. This was a mistake." You let out an embarrassed chuckle.

"No, no, you didn't bother me at all. It was brave of you to-"

But you're already backing away. "I should go. Please forget that this happened. Sorry again!" you manage to squeeze out, before turning around and disappearing in the crowd.

"Wait, I didn't catch your...." But you're already gone. "...name."

Well, shit.

Sunghoon, oblivious to the tension, grinned.

"Jake, this is my little sister, y/n, and her friends..."

'Does he know? Does Hoon know? Does he even remember? That is stupid, why would he even remember?'

"...you know Riki already. This is Jungwon, right? And that is Sunoo- y/n? You there?"

Sunghoon snaps his fingers in your face, finally making you lift your head to face Jake. He looks as shocked, maybe even more than you.

'No, he does remember, doesn't he?'

"Hi, nice to meet you, Jake." Which comes out as barely a whisper.

Jake is not doing all well either, his eyes darting between you and Sunghoon.

'That's that girl from the other day who asked me out. So her name is y/n... Wait no, she's Sunghoon's sister...'

'She is Sunghoon's little sister.'

'I rejected Sunghoon's little sister.'

'Oh, yeah I'm fucked.'

"Uh hi!" he sounds out hurriedly. "Yeah, nice to finally meet you in person, y/n. And nice to meet you all." Jake plays with the back of his hair. Your brain is setting off alarms, telling you to go away, to cancel this, before something embarrassing happens again. But you can't.

'This is going to be a disaster. How am I going to hang with him in this setting while he is talking real flirty with me on Twitter? What if he decides to text her? What do I do?'

"Earth to y/n," Sunghoon's voice cut through your thoughts. "You okay? You look like you've seen a ghost."

Riki snickers. "Maybe she's just starstruck meeting Jake," he teases, earning a sharp elbow from Jungwon.

You shake your head. "I am fine, Hoon. Let's go. Don't wanna be late." You take fast strides forward, dragging Sunoo along with you, the others falling into pace with you.

Even though the walk through the city was dead silent, it surprisingly, luckily, went by pretty fast.

As you step into the pub, the warm, lively atmosphere washes over you, a stark contrast to the tense silence of the walk. The air hummed with chatter and the clinking of glasses, while the scent of beer and pub food wafts around you.

You guys walk around and find Jay and Heeseung who were engrossed in their pre-performance rituals. Jay was hunched over his guitar, fingers dancing across the strings as he fine-tuned each note. Heeseung, meanwhile, was running through vocal exercises, his rich voice barely audible over the pub's ambient noise.

The moment Jay spotted you, his face lit up with a broad grin.

"y/n!" he exclaimed, enveloping you in a warm hug. "It's been too long!" As Jay releases you and moves to greet the others, Heeseung approaches, a charismatic smile on his face.

"Well, well," he says, his eyes twinkling as they meet yours. "If it isn't the lovely y/n. You're looking particularly pretty tonight. Did you dress up just for us?"

Before you could even process the compliment, let alone respond, Sunghoon is there, inserting himself between you with speed. "Hyung," Sunghoon warns. "What did I tell you about flirting with my sister?"

Heeseung raises his hands in mock surrender, but the mischievous glint never leaves his eyes. "Can't blame a guy for appreciating beauty when he sees it, can you?"

Sunghoon's eyes narrowed. "I can and I will. Keep it up, and you might find yourself singing soprano tonight." He takes a broad, but humouristic stance.

"Alright, alright," Jay intervenes, still chuckling. "How about we get you all a table? We've got about twenty minutes before we need to set up for real."

As you all settle at a table with a pretty good view of the stage, your murmuring with the three boys comes to a halt when you turn to your brother.

"No. I only said yes to boba," He says sternly. "Oh, come on!" you whine. "Please?" you ask sweetly. He knows he can't win, so he complies with a sigh. "Fine. Non-alcoholic drinks for the four of you," he states while he stands up. Simultaneously, Jake stands up as well. "I-I'll help to bring everything back with you."

When they reach the bar and order the drinks, Jake tries to sound casual, leaning his arms over the bar, mirroring Sunghoon. "So... That's your little sister, huh?"

"Yeah. Why?" Sunghoon's eyebrow raises while watching the bartender making the drinks. "Oh, nothing! Just never seen her around before." But he fails at sounding nonchalant. "You haven't?" Sunghoon asks.

Jake turns his head to face his good friend. "I mean, I've seen her, but I didn't know she was your sister," he downplays. Sunghoon narrows his eyes, but not facing him yet, his eyes stuck on the drinks getting mixed. "Uh-huh. And why are you so interested all of a sudden?"

"Interested? What, no! It's just... she seems nice. Haha..." Jake straightens his back. When the bartender puts the drinks on the bar, Sunghoon finally turns to face Jake. "You're acting weird. What's going on? Jake, have you been hitting on my sister?" he asks suspiciously.

Jake waves his hands frantically. "No! No way! I would never! I mean, not that she's not great, but—"

Sunghoon sighs. "Look, Jake, I know you. If you're thinking of pulling your usual flirty routine—"

"I'm not! Promise! Scout's honor!" He puts his hands up. Sunghoon throws a look at Jake. "You were never a scout."

No, but I did reject your sister once... "What was that?"

"Nothing! I said... uh... your sister seems really... nice!"

Sunghoon narrows his eyes again while handing half of the drinks to Jake. "Uh-huh. Well, keep it that way. Nice and distant. Got it?" Jake nods in response. "Oh, and Jake?" Sunghoon smirks. "Yeah?"

"Stop sweating. You look guilty as hell."

That went really smoothly. Not like it went any better on your end...

"I'm done for. What do I do?" you mutter from behind your hands.

"Quick! Fake your own death!" Sunoo lets out while scooting closer to your seat. Riki deadpans over. "Great idea. I'll start writing your eulogy."

"Can we please be serious for one second?" Jungwon sighs and pries your hands from your face, urging you to sit up. "Serious? How can I be serious when my crush slash real-life rejector is talking to my brother?!"

Sunoo gasps. "Ooh! I've got it! We'll create a distraction. Riki, how fast can you learn to juggle?"

"About as fast as y/n can grow a few inches." He leans back and rolls his eyes. A glare is quickly sent his way. "I will end you, Riki."

You take a big breath before sitting straight. "What if Jake tells Sunghoon he rejected me?" Riki sits up and leans over the table this time. "Didn't he get really concerned when you were moping around?"

That is true. You never told your brother, but it was easily noticeable you were out of it for some time.

"Okay, let's think. Would Jake hyung even remember that it was you he rejected?" Jungwon taps on the back of his hand. "But what if he does? Hoon will kill him." You say up front, before pointing at yourself. "And then me."

"Ooh, murder mystery. That's another great distraction, great idea." Sunoo lets out, stuck in his own thoughts. Riki pats Sunoo's head sarcastically. "Sure, because adding homicide to the mix will definitely improve the situation, hyung."

Jungwon sighs and faces you, trying to find your eyes.

"Look, y/n, even if he remembers, I doubt he'd bring it up to your brother. It would be awkward for him too. And he definitely doesn't know about your Twitter... situation."

You groan and you're back behind your hands. "I'm doomed."

"There, there. Look on the bright side." Jungwon chimes in again and pats your back. You peek from behind your fingers. "What bright side?"

"...I'll let you know when I think of one."

"They're coming back! Quick, assume casual positions!" Sunoo whispers loudly as he sees Sunghoon and Jake walking back with the drinks.

Riki leans back in his chair, acting all cool and nonchalant. "Oh yes, this is how I always sit when I'm not worried about potential fratricide."

"I hate you all so much right now." You hiss back. "Love you too, shorty," Riki grinned, ducking as you swat at him.

Jungwon pats your back again. "Now smile and try not to look like you're planning an escape route."

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[immaturityofthomasastruc]

Hope Morphin Q&A

About a few months ago, I got a message from a surprising source: @hmrphin/Hope Morphin.

In case you don't know, Hope Morphin is a model and makeup artist who the character of Marc was based on. I also made a post about how their friendship with Astruc had ended thanks to the Rising Sun Flag controversy, which they had actually read one day. We talked a little, and they told me to message them on their Instagram to confirm that this is the real Hope.

They said they'd be down to answer some questions, I came up with a few, and I got their permission to post this on my account. So, without further ado, as Sid the Science Kid once said, let's go get some answers.

Question: When did you and Thomas first get to know each other, and how?

Answer: It was years ago, when the series premiered on TFOU. There were a lot of people complaining on twitter that the characters of the show were in 3D instead of in 2D, and I answered one of Thomas' tweets saying that characters' butts looked better in 3D rather than in 2D (yeah, I had a terrible sense of humor back then, glad I don't do that anymore) and he answered "yeah we could say that lol". Then, it became a running gag between us on the web, and we met for the first time at a french convention called Japan Tours, the 2015 one. So yeah, I think it was when I was... 20/21 years old, something like that.

Question: It's okay. We've all been cringe at some point in their lives. Did you two meet up again after the convention?

Answer: Yup. In fact, after the convention, he sent me a friend request on Facebook. Then, we chatted for a bit and he asked me if I wanted to be a model for him, and I met him for the second time during that model session.

Question: How did Thomas approach you about creating a character in his show based on you?

Answer: So, it was after I modeled for him. It happened after S1 has ended, so when we were chatting, he asked me which one was my favorite character. I answered Nathaniel, because at this time I felt quite close to this one (we love the angsty artist boy lmao). He told me that he didn't understand people liking Nath because he found it was a very empty character aha, but then he told me that they were searching for inspiration to create a boyfriend for him. He told me he wanted the persons to be happy that he got a boyfriend and that they would “stop bothering him with Nathaniel”, and as he wanted to take inspiration on someone looking androgynous he thought I was a good inspiration, so I accepted.

Question: Interesting story. Didn't know Nathaniel was so popular before Season 2. Did you have any input in the creation of Marc in terms of stuff like his design or personality?

Answer: Yeah he rather was, I remember a lot of people wanted to see more of him ehe. Not at all, I even though that he was joking on the moment, then one day he sent me Marc's characters sheet. I had the same haircut back in the day. Also, I was always wearing armor rings and I was wearing those kind of rings when I had this conversation with him, and he told me that Marc was going to have one of those as his miraculous. I was also still writing a lot back in the days, so I guess he still did took some stuff there and there in my personality to create him.

Question: You mean this design?

Answer: Yup! I was wearing only black sooo yeah the red and rainbow wasn't in my wardrobe aha.

Question: Do you know why they made the design rainbow themed?

Answer: Nah, he didn't told me :/ My guess is to make him more LGBT+ themed...

Question: Okay, sorry. Next question: What are your thoughts on Marc as a character? What do you think of his relationship with Nathaniel and his respective villain and hero forms, Reverser and Rooster Bold?

Answer: To be honest, when he first appeared, I really liked him. I thought he had a lot of potential as a character, his villain form was really cool and I really liked the ideas behind him, and I liked the relationship that he got with Nathaniel, from enemies to associates ehe. But after that... meh. There wasn't nothing much on the LGBT+ relationship with Nathaniel (we had to wait until the end of season 5 to see them hold hands... wow), and I didn't really find myself anymore in his character. I liked the design of his hero form and I liked the concept of his power, but like the other heroes that appeared during this episode, we didn't see Rooster Bold that much and I think that doesn't really make him feel appealing. I have the feeling that Marc and many other side characters could be way more develop in very cool subthemes but this is never really done in the series. Instead, now, they are just the characters getting out a whiteboard and giving terrible ideas to Marinette for her to date Adrien =="

Question: Just for fun, do you have any personal headcanons for Marc?

Answer: Well of course ehe, I have ton of those :D

Mmmh... For example, I think he is a dog person, that he's also fond of fashion such as Marinette but that he just don't have the patience to learn how to draw and how to design clothes... Also have the headcanon that him and Nath often meet at one of their places to do some little workshops together to work on their series and on tons of other projects :D

Got also tons of headcanon for future!Marc, such as him being a model for lgbt+ brands and Nath designing his clothes, I would love to see this shy patootie being at the front of the spotlight ehe, full of confidence and all :D There's tons of ideas to have with this character, I remember when I saw lots of artists drawing him with alternate clothes back in the day, such as shishitsunari or hazy (will try to find them back but it's been a while lol). I wish those clothing styles would be canon, with Marc rocking those kind of genderless clothes.

Links to fanart of Marc with different outfits: (https://www.deviantart.com/hazydayclouds/art/72918-756895643) and (https://ladyofacat.tumblr.com/post/176231424098/rises-from-the-underworld-marc-is-perfect-i-want)

Question: This one's a little tough, so if you don't want to answer, that's perfectly fine. What exactly went down before Thomas blocked you? Did you have any conversation online or in real life regarding the use of the Rising Sun Flag in "Ephemeral", or did Thomas just block you with no warning?

Answer: Honestly ? Blocked me without any warning. We were talking less and less, and, since I have affective dependancy, I had the feeling that I said / done something wrong. He was often answering only when I was defending him on social medias during these times. But we didn't have any harsh conversation from what I recall. So, I did the tweet about ephemeral, pointing out the use of the rising sun flag, and, well, maybe he had a plugin on twitter that blocked everyone using the term "flag", and maybe it blocked me automatically. The thing is : he has my number, he has my address (well, my old address now, lol). He had many ways to tell me this was a misunderstanding and that he didn't want to block me. He didn't call me, didn't send me any text after that to talk about it, so he clearly didn't want to make anything to sort out the problem. To this day, he still hasn't send me any message to talk about it. He commented on some of my facebook posts I did last year (I posted some makeups I did for my school) just saying it was cool, so... Yeah, not the type of friend I want to keep. I still have him as a friend on FB if I ever get the guts to try to send him a message to tell him everything that was wrong towards me and towards other people, but I clearly have other things to deal with lately.

Question: So he blocked you and didn't say anything else?

Answer: Yup, exactly, blocked me and didn't say anything else :/ After years of supporting him lmao.

Question: I'm really sorry to hear that. And you still haven't heard from him after all this time?

Answer: Well, apart from some comments he made on my facebook posts (I posted my makeup from my makeup school and he commented "very nice!") nothing at all. But honestly I'm not too bothered by that. I heard new stuff that he did prior and I really don't think it's a good idea that I interact with him again. I keep him in my facebook friends because maybe one day I'll send him a message to try to confront him, telling him that he had a very terrible behavior towards me and other people... But not today, I have other stuff to deal with.

Question: Despite everything that's happened between you and Thomas, do you still keep up with Miraculous Ladybug? If so, what do you think of it?

Answer:

Well, I've kept up with it because I still have lots of friends who are watching it (for example Octolady, Kogenta and Candy...), and they help me keep a little hype.

So I watched the episodes... There are some stuff that I like. There's good LGBT+ representation, and I like seeing an international known cartoon doing that (especially a french one since we have lots of far-right rising lately).

But honestly, I don't have the same hype as before. At the beginning, I was hyped because S1 looked awesome and had lots of cool fights, lots of wholesome characters and all, but the animation problems and differences are really making me bothered. Also, I have the feeling there's a lot of characters who could be more elaborated and who aren't, and... That's kinda sad, because there's a lot of topics that could be explored thanks to them and not just brushed off in one episode.

Plus, to be honest, I didn't really like the ending of S5. And I don't like the idea of it going on for seasons and seasons and seasons, milked until there's nothing more for it. The fewer the better in my mind...

I also seen the movie and didn't really liked it. Too much fanservice and didn't really made sense. The animation was nice, though.

Honestly, I love the writing team, they are wholesome people and they are doing their best for this show, but people like Thomas and Zag are the kind of people I don't want to support anymore. So yeah... To sum it up : still watching it from afar to see if nice stuff is happening, been pleased with some little stuff, displeased with a lot more, but I don't think I'll keep watching it both because I'm not that hyped up anymore and because I don't want to support anymore these 2 people. I supported Thomas too much before, was too attached to him and was a terrible person towards fans who didn't deserved it because I was too blind, so yeah, won't happen anymore.

Still, I'm glad there's still some people who are fans of Marc and who felt helped thanks to this character. I really hope he will have a better representation in the future (clear relationship with Nath, maybe even some trans / non-binary representation ?) in order to inspire young people.

----------------------------------------------------------

I'd like to personally thank Hope for being willing to answer my questions, and I highly reccommend giving their Instagram a follow.

[faeiri-tft]

PLEASE do the toontown online rant i want it so badly

this post kinda got away from me, and by "got away from me" i mean this 3000 word toontown rant is Part One. there will be a Part Two to this later in which i actually talk about the fanservers i wanted to talk about. anyway let's go

toontown online (tto) was a children's mostly-turn-based subscription MMO released in 2003. after a few years of obviously being on life support, disney gave a one-month notice that tto (and several other games) would be closing on september 19th, 2013. on the same day the game closed, the fan-run server toontown rewritten (ttr) was announced (with multiple other fanservers/fangames/reimaginings being established since), and is a few months away from outliving the original game

see, one thing about tto that allowed fanservers to crop up so quickly and easily was that it had, um, interesting choices. very interesting choices. like, "kids could use a code injector to turn their backyards into giant mashed-together nightmarescapes"-level choices

(loose video description: a rabbit toon running around a chaotic mismash of rooms, obstacles, and npcs that Should Not Be There. audio caption: Evanescence's "Bring Me To Life".)

but ok let's talk about the actual game first.

toontown online (tto)

the game starts with you creating your player character - you can pick from eventually-9 species, a couple body types, and 2 dozen preset colors. the gender code is a spaghetti nightmare but you won't learn this until the fanservers come about so don't worry about it. you're then taken to the Toontorial, which explains maybe 20% of the game's mechanics before setting you loose into the main game

the toontorial also gives you the basic "plot", such as it is: Toontown is suddenly* under attack by a bunch of boring businessrobots called the Cogs. their goal is to turn toontown into a dreary gray featureless corporate hell; their business activities are so boring that they're physically painful to be around. luckily, they can't take a joke, so the toons have figured out how to defeat them: by playing pranks on them until they laugh so hard they Explode

*originally, the game installer had a little animation giving a backstory for the Cogs' creation. this was never referenced in game, removed pretty quickly, and i think even the devs kinda forgot it existed

that's...pretty much the whole story! in that context, your toon progresses through all of toontown, helping some mostly-pretty-interchangeable shopkeepers, reclaiming buildings from the cogs, eating ice cream, etc. occasionally, the cogs would Come Up With New Tricks (read: major content update) and the toons would Find A Way To Fight Back (read: same major content update). that was the closest thing to Plot, unless you count "the devs scheduled a bunch of invasions of high-tier cogs right before the game's closure". but...i doubt most the kids really expected a Plot. mickey mouse was there

the gameplay:

the Free Account

there were two...pretty different approaches to playing toontown online. when the game launched, there was a 3-day free trial to the entire game, after which you got kicked entirely until you subscribed. at some point, this was changed so that the first area, Toontown Central (TTC), was Always Free - you could do all of that area's quests/"taskline" and limited activities, indefinitely, and in theory this would make you beg your parents for the rest of the game

i have no idea if this actually got more subscriptions or not. from what i can tell it just spawned more warrior cats

(source)

there were. a Lot of warrior cats. there were some other social activities, too, such as Fashion Shows (with your limited range of clothes) and Begging Subscribed Players To Summon Cog Buildings To TTC and Getting Chat Banned. ...however, as one of the subscription kids i didn't really interact with this side of the game, so i'm not the best person to talk about it

2. the Paid Account

mmm look at those crisp clear graphics. hell yes

a subscription account gave you access to this whole map, along with all these areas' tasklines. to progress through the game, you must complete a variety of "ToonTasks" for the Toon Resistance (it's called that. their catchphrase is "Toons of the World, Unite!". you were giving disney money for this). these reward you by increasing your max health (your "Laff Points"), slowly unlocking more combat options, and sending you to different, higher-difficulty areas of toontown

some of these tasks were...longer than others. generally, though, they all boiled down to: "just go fight some cogs"

combat:

(source)

toontown battles are turn-based: the players use their attacks ("gags") first, and then any surviving cogs attack you with, usually, office equipment and puns thereof (unless the cog is e.g. a Loan Shark, in which case they can just fucking bite you). if you defeat a cog, it explodes; if the cog defeats you, you "go sad" and are sent back to the safety of the playground, lose your gag inventory, and can't leave until you heal.

early on, most your battles are 1v1, but later on almost everything is a multiplayer 4-ish-v-4.

an...interesting feature here in the game's early days was that you could only Type Your Own Words to someone who shared their "friend code" with you IRL. otherwise, you had to use this thing:

(source)

you had a set list of phrases you could string together, which generally covered most the things you wanted to say. but it could get frustrating when you wanted to have a real conversation with your toontown friends! so...as the source above mentions, people obviously found ways around the system. turns out that if you let players move objects around their houses, they will use that to Draw Letters and pass their friend code along regardless

eventually - before the warrior cats, of course - disney presumably realized this system was pretty goofy (🥁) , so the game got a real chat, albeit one that functioned on a very strict whitelist. my favorite is that it didn't let you type numbers, however you could just say won too tree for hive etc. like. disney i really don't know what to tell you. anyway

(isn't he charming)

cogs come in levels 1-12, with levels displayed above their heads, and as you'd expect their damage output and HP increase with their level. however, the game doesn't...actually show you cog HP? instead they have a little colored light on their chest that fades from green to red until they explode. you see numbers on all the damage you do, and you see your own HP/laff, but never the cogs'. also lategame cogs are Too Tall For You To See Their Level once they line up for battle (which isn't actually that bad but it's funny). there's a formula for HP per level, but it's never mentioned in-game. i guess someone can teach it to you but then you have to watch them type "a level tin cog has won tree too health" and is that really worth it

(as you can tell i just…don't get this. "my kid is practicing arithmetic with toontown!" - marketing angle expressly denied by god. the stealth edutainment was right there)

anyway! in theory, you have seven base combat options ("gag tracks"), which combine in a variety of ways:

toon-up, which restores your teammates' health;

trap, which does guaranteed high damage but only if someone uses lure;

lure, which stuns the cogs for a few turns and is the only way to make trap work

sound, which does low damage to every cog;

throw, which does medium-high-ish damage to one cog; multiple throws combined give percentage combo damage, and hitting a lured cog will also add percentage "knockback damage";

squirt, which is exactly like throw but less damage;

and drop, which does high damage but cannot hit lured cogs, and has low accuracy unless you hit the cog with something else first

each gag track has 6 levels, which you unlock by using that gag track a bunch. you can't carry as many of the high levels with you - i mean, putting one piano in your backpack makes perfect sense, but two is just silly, right

a few years into the game's lifespan, level 7s were added - these were huge AOE that you could regain with every 500 track EXP. there was also something called "organic gags" to promote the please-log-in-every-day gardening system

every player starts with throw and squirt, and throughout the game you slowly unlock four more gag tracks. your choices are permanent: once you have your six tracks, you're locked out of the seventh forever.

in theory, all of this opens up a huge variety of combat options!

in practice, the battle strategy looks something like this:

use sound

as mentioned, almost all of lategame will be 4v4 battles, which means sound will almost always outdamage everything on earth. you don't even need four foghorns (the highest normal sound gag) to break 200 AOE damage, and the highest health a cog EVER has is 200*. and two of the boss battles can reward you with gag restocks and heals that you can use mid-battle with no consequences (other than having to grind for those rewards a bunch). and failing THAT, you can just...ration your foghorns and take 2 turns to clear a set of cogs, interspersed with healing.

(*okay there was something called "v2.0 cogs" but they were...strange, and we just used sound anyway)

sure, once level 7s were added you could use those occasionally. and you could fall back on lure+throw if you didn't want to use your sound restocks. but even then, for most of tto's existence there was something called the "knockback bug" which. well. just look at it

(link for transcript. it's tvtropes sorry)

if you are a target-audience eight-year-old this translates to "lure + throw will only do enough damage if the cogs Feel like it." like it's really just insult to injury at this point. this was the result of One misplaced variable and was not fixed until the game closed

in the tto era, if you didn't have sound, you were kinda doomed to be kicked out of every fight forever

(bonus fun fact: there were Four entire battle themes and they were 40-second midi loops. let me out)

the bosses:

each of the four cog departments has a Boss Cog. to face off against them, you have to assemble a cog disguise and collect enough merits/stock options/whatever to be allowed into the boss's office.

(pictured: your convincing disguise)

when you enter, your disguise pops off due to Reasons, and you have to fight through...a bunch of waves of normal cogs. it's basically a really long normal battle. once the minions are dealt with, you have to, inexplicably, do a live-action battle against the boss themself:

(loose video description: four toons defeating the CFO by using magnet cranes to hit him in the face with safes for 32 seconds.)

the live-action rounds aren't supposed to go this quickly, but it's still...kinda strange? certain reoccurring game areas require Parkour, but there are no battles like this outside of the Four bosses. the CFO's room is the only place you see these cranes and they have A Lot Going On. the other 3 bosses have their own unique weird mechanics. before the first boss was added we neither had nor needed the ability to Jump. it's just weird

once you've defeated the boss, you're given a reward of varying usefulness (the best/most unbalanced reward type is Unites, which are a free heal or gag restock you can do inside or outside of battle. essentially lategame toons can simply choose not to die. riv2u etc.)

and, um. then you get some more merits/stock options/whatever and do it again. and again. and again. and again. and agai

the grind:

so the thing is that tto was a subscription mmo. every addition to the game had to be measured, above all, in terms of "how can we best get kids to beg their parents to give us money." this especially shows in the suit grind:

(source/source)

you have to defeat each boss 78 times in order to get all their laff points - and as you proceed, you have to defeat an increasing amount of cogs to even be allowed into the boss (although once you max you get in for free).

by far the easiest way is to run through the designated HQ facilities - basically, cog fights interspersed with some platforming or minigames. you only collect your merits/whatever at the Very End of the facility. the only way to increase what a facility gives you is if your last battle ends during an "invasion" - a timed period where One Specific Cog replaces all street cogs, usually summoned with boss rewards.

the sellbot HQ grind isn't so bad. bossbot HQ - the endest-game HQ - frequently requires you to do an hour-long facility and on six separate occasions you have to do seven of them. if the invasion ends before your final battle, you have to sit around until someone summons another. if you lose your internet connection because it's 2008, or if your parents make you come to dinner, or if hacking or the game's general bugginess cause a server reset because you're probably in the busiest district for the invasion bonus, you have spent that Entire Hour On Nothing. the CEO (bossbot cog boss) probably also takes an hour because you and your fellow players are 10

this shit, combined with laff points locked behind gardening (time-gated), racing and golfing (multiplayer minigames with absurd requirements), and fishing (RNG-based with some fish being absurdly rare. i watched my mom fish for one every day for a month), meant that maxing a toon took Years, if you managed it ever.

it wasn't, um. it wasn't good

ok so what else is wrong with this game:

i had "aged out of the game" (lol) by the early '10s, so i'm not the best person to do a writeup of the hacking/scripting situation of those days. that said, what i'm going to do is give you a few examples, and i want you to just...look at them

(source)

(source). early '10s youtube was funny i'm trying to decide if i miss it

(source). fun thing to note here is that other players had collision, so a swarm of t-posing toons could just barricade the gag shop if they wanted to

(video description: toon who has Replaced His Head Model With An Anime Logo throwing thousands of jellybeans at everyone) (cw mild flashing just in case? and also the feather headband accessory)

i should note that the Bring Me To Life vid i started with was client-side, meaning only the player could see their technicolor hellscape. this guy's face was server-side. i do Not Think you should be able to do that

(video description: a player demonstrating use of a bot to get into the nutty river district, followed by other players using it to go to different game areas)

the above video was posted on august 17th, 2013. if you don't want to watch an Unregistered Hypercam 3 recording at about 5 frames per second, what's going on here is:

the player goes to a specific location and says a specific speedchat phrase.

a bot toon teleports to their location and provides some prompts on how to use it

the player tells the bot, via speedchat, to teleport to the (currently closed from the outside) busiest district so the player can follow

these "taxi toons" were server-sided, persisted across server resets, were made by a future fanserver dev, had younger kids referring to them as a "glitch" as if this were something that could Accidentally Happen, and stayed functional until the game closed

like...a lot of the "hacking" was just baby's first script download. this one - afaict also created by the laughing man head guy - is like...the fact that after years of no substantial game updates, someone effectively programmed their own "QOL feature" (note: not actually good for the poor mid-00s server being turned into a clown car) into a silly disney MMO and it just fucking sat there for a year is just. it's just.

i don't know what this is. this is not Playing The Game Toontown Online. this is nothing. this is everything. there are comments from 2013 on some of these videos saying stuff like "hackers killed toontown", but your game cannot have this happen if it is not already dying

and, like...it was. i'm not sure how many moderators there were by this point, but at the very end of tto, the number of active devs was One. the original devteam recently brought this up at the 20th anniversary celebration: devs just...slowly started getting pulled from the game, one at a time. there were a few updates after bossbot HQ - Field Offices, which i've basically never heard anything good about in their tto form ever; the Silly Meter, a yearly event...thing whose main function was to add unskippable dancing-inanimate-object cutscenes to your street battles; Parties, which...yknow parties were okay actually. i accept parties. but they weren't exactly a Major Game Update like the ones that had come before. in 2011 we gained the ability to Wear Hats. in 2012 the test server got some actual QOL updates that never made it to the main game; the final test server update was some maintenance in february, and then nothing for 18 months. disney was not providing enough resources to address the scripting because disney was not providing enough resources to address toontown. imagine being the last dev standing on an MMO that was older than some of its players, was losing its business model to mobile gaming, and spent most of its life falling apart at the seams. just imagine it, for a second

it couldn't have kept going, not like this.

on august 20, 2013, the closing announcement came: we had a month left of toontown online. the test server shut immediately; subscription refunds went out, and the game became actually F2P for the month; the part of the announcement that went like "we're shifting our focus to other games!" made a bunch of twelve-year-olds hate club penguin as if club penguin wouldn't also close in a few years; all the holiday events went off at once; and...

there wasn't a "thanks for playing!" popup. everyone online just got kicked, all at once. it was finally over

hey wait.

[drdemonprince]

It wasn't the main topic of your most recent post on substack, so I'm sending this here. In passing you talk about left-leaning neurodivergent people on social media, and the guilt and fatigue that comes from the constant avalanche of causes and events being shared.

One thing that stands out to me is how much of what I see is people borrowing grief from the future. This is probably partially due to people wanting to show that they care about it. However I feel it's more than that, because underneath that there's something else. It feels very similar to the catastrophizing autistic people in particular can be prone to. You know, where you get so lost obsessing over a hypothetical possible outcome that you complete lose sight of all the things that have to happen for it to come to pass. Things that are often unlikely to begin with on their own, but combined even more so. And then this gets shared and fractally further catastrophized upon. All pulling grief from the future for things that may not even happen.

Seeing all that is so exhausting, as there's often little to no distinction between what's actually urgent in the here and now, and what's an emotional resonance cascade about what *might* happen (and any actual information to be able to judge it has been lost due to the game of Internet telephone, or was never there (ie. a twitter screengrab.) Sometimes disentangling that mess is possible, but it takes a lot of stress and energy, on top of the stress and energy seeing people upset about it in the first place.

My question is two-fold:

How do you (gently) tell people that what they're doing is counterproductive when just sharing anything without checking whether it's actually urgent, not misleading, not just spreading panic and needlessly borrowing grief from the future? Because with the exception of people you know *well* and even then, that feels like a fool's errand, even if you can avoid the toxic positivity vibes that people might get from you if you try.

Decide if social media is at all worth it. I personally don't follow "big" accounts, but even outside that it's all just so... the enjoyable and interesting parts where people talk about their stuff or share what they do or made feel like they're being snowed over by all the rest. I could quit it all, but that doesn't feel right. It's a tricky question because I feel the specter of the toxic positivity crowd sweeping anything difficult under the rug or disengaging to ~protect their mental~ looming over me. (Not to mention that all the IRL social events around me go through a dizzying array of social media sites, so complete disengagement isn't possible anyway.)

(Yes, I appreciate the irony of asking this on social media.) I'd appreciate any thoughts you might have on this.

Thanks for this all-too-relatable question, Anon! My thoughts:

How do you (gently) tell people that what they're doing is counterproductive when just sharing anything without checking whether it's actually urgent, not misleading, not just spreading panic and needlessly borrowing grief from the future? Because with the exception of people you know *well* and even then, that feels like a fool's errand, even if you can avoid the toxic positivity vibes that people might get from you if you try.

My answer is that you really don't. You can't convince someone to see the world your way or alter their behavior with your words. What you can do is take care of yourself and set an example with your behavior. By spending less time online digesting this bullshit, not involving yourself in petty,dissolve-on-your-tongue internet fights, not reacting when people send some dumb fuckshit to you, and surrounding yourself with more enriching sources of information and ways to connect, other people's online bullshit will bother you less, you'll see it less, and by virtue of contributing to it all less, you may slowly serve as a model for others who are looking to detach from it, too.

You can tell your close friends that you are spending less time online and trying to avoid alarmist bullshit, but not much good usually comes from engaging about it with anyone else. In fact, even posting a bad infographic in order to argue with it/disprove it only gives it more exposure, and some research on attitude change and persuasion finds that setting out to disprove a myth only leads to more people believing in it anyway. I did some laboratory studies on that back in the day. So I'd say it's usually better to just ignore/block/not read the BS.

2. (How do you) Decide if social media is at all worth it. I personally don't follow "big" accounts, but even outside that it's all just so… the enjoyable and interesting parts where people talk about their stuff or share what they do or made feel like they're being snowed over by all the rest. I could quit it all, but that doesn't feel right. It's a tricky question because I feel the specter of the toxic positivity crowd sweeping anything difficult under the rug or disengaging to ~protect their mental~ looming over me. (Not to mention that all the IRL social events around me go through a dizzying array of social media sites, so complete disengagement isn't possible anyway.)

I think my previous answer kind of alludes to the answer to this one. I find that I use social media less and less these days, because it does not help me professionally, socially, or emotionally very much at all. On the professional level, more social media usage does not translate to more readers or more interesting creative/collaborative opportunities. What does seem to pay off is speaking from true sincerity and passion, however often I am so moved, and then not engaging with bullshit in the aftermath of sharing it. So I post and ghost whenever I feel that I have something to say, never checking notifications/reactions/comments/etc for the most part.

Socially, social media use lately has been dismal for me. Seeing everyone's hot takes, bids for attention, trauma spirals, and petty fights makes me actively like humanity far less. And that's something I have already struggled with generally. I do not need to absorb every random person I've ever met's every random fleeting thought. It makes me socially anxious, far too worried about how people perceive me, and viciously judgement and hopeless myself. What social media IS useful for, socially, is finding events, as you've alluded to. So I do hop onto Instagram to check out my favorite party organizers, drag performers, mutual aid groups, trans beach day organizers, bars, etc to see what is going on. I don't do much beyond that these days.

Emotionally/psychologically, social media is stressful, alarmist, distracting, and occasionally informative and fun for me. Again your mileage may vary. My way of coping right now is to spend as little time on Instagram/Twitter/Facebook etc as possible, because very little of intellectual consequence happens there, and to selectively visit the specific tumblrs who put out posts that I like. I don't even scroll the feed. I have also replaced scrolling social media with reading Substacks and Medium articles and that has helped me a TON. I still get exposure to a wide array of humanity, including a lot of takes that I disagree with or find silly, but everything's a bit more measured and intentional and there's less fighting.

I do not know what will work for you, Anon, and I think for many of us this is an ongoing negotiation between competing needs. I consider saying fuck it and deleting everything pretty often. well, everything other than tumblr. I'm here to stay.

[izzyspussy]

and one more thing. i like thinking about what if mickey was - depending on your definition - a virgin before he was with ian. it's really not much of a stretch tbh.

he's 16(?) their first time together

he's DEEPLY closeted

he may or may not be in denial, i go back and forth on this (and yes i know that extra-canonical sources have said he is, i don't care about the council's decision whether it's a stupidass one or not)

so like my thought is. he's pretty young. i know shameless has literally everybody fucking casually by the time they're fourteen but that is absolutely one of the most unrealistic aspects of the show lmfao. so anyway, he's pretty young. so there's that.

if we say he's in denial, and we take into account that he later is shocked by and very against the idea of pegging, it's pretty unlikely that he would seek out or ask for penetration even from women. and even in denial, it's not unbelievable that he wouldn't try rounding bases with women more conventionally either, although of course some people do. it might just not occur to him, or it might be too off-putting to go through with when he isn't being forced.

+ i kind of think that if mickey is in denial by the time of canon, it's the "i have more important things to worry about than getting a girlfriend" flavor, rather than a more "i am definitely into women and i can prove it" flavor. just because like. he really does have more important things to worry about. his one parent seems to be in jail more often than not and his siblings don't seem to have a collaborative relationship like the gallaghers do. mickey must have to spend a lot of time and energy on getting his basic needs met. if he has no interest in women, there's a readily available reasoning that has no relation to his sexuality (meaning he never has to think about it at all).

if he isn't in denial, he still can't hook up with anyone in his neighborhood. ian does while still closeted himself, but he's not as paranoid about someone telling on him as mickey is - not to mention ian doesn't care if other gay people know he's gay, why would he? but mickey doesn't just not want to be out, he doesn't want to be gay. just as much if not more, he doesn't want to be vulnerable. so he's not about to tell some kid at school, even if he knows for sure that they're gay too. he needs everyone around him to only know things that make him intimidating. so first of all, he needs to be bullying that kid. more relevantly, he needs to be seen as untouchable, which by necessity means he needs to be untouched. or at the very least not touched in any kind of way that involves even the remotest genuine intimacy, and a shared secret certainly is that - not even getting into the intimacy of doing something you have some type of Feeling about that can only be done with another person.

so if he did want to hook up, he'd have to go Somewhere Else to do it. but now there are so many active steps he has to take, so many times he has to choose over and over again to go Be GayTM, some of which are already GayTM in themselves. he has to decide he wants it enough to do it. he has to decide how far away is far enough. he has to look up and find a gay bar. he has to figure out how to get there. he has to pick a date and time. he has to earn and save enough money for transportation and at least one drink. he has to make up an excuse to have ready if he gets questioned when he leaves or gets home. he has to actually fucking go to a gay bar. he has to actually go inside a gay bar when he gets there. he has to order a drink at a gay bar. he has to stay at a gay bar. he has to look at other men gayly. in person. on purpose. and be seen doing it. if no one picks him up first, he has to pick up another man. he has to communicate in some way to another man that he wants to have sex with him. he has to pick somewhere immediate to do it, because no way is he going to share enough time with this guy to get to a secondary location. and only after all of those steps, many of them likely to require several attempts, none of them easy, only THEN can he finally have the sex. AND!! even then, he still has to bring himself to Be GayTM enough to get involved with the guy's dick. it's easy enough to rationalize later that a mouth is a mouth and the gender of the person it's attached to doesn't really matter; it's much harder to say that about penetrative sex. less so if you top, but still.

so. in my professional opinion. it's very believable that before ian, the "furthest" mickey had gone was receiving a blowjob. and of course he would have skipped right over kissing. (like obviously it's also believable that he would go through all those steps; a teenager will go to the fucking moon if they're horny enough and ready + there's plenty of text to support mickey being the type of guy that if he's gonna do it he's gonna do it all. and it's also believable that he might have been sexually active or at least not completely inactive with women despite not being attracted to them, with textual support for that too. but that's not what we're talking about rn!)

so okay. sure, all that. but then why ian?

well. there's text to suggest mickey maybe had a little crush on ian already. constantly making a nuisance of himself at ian's workplace. staying long enough to put on a little (non-violent) show about it when ian's there, as compared to efficiently hitting and robbing kash when ian is absent. calling him an arguably flattering if crass (and it's mickey so flattering but crass is... just flattering) nickname that directly references his pubic hair - *katya voice* UN-PRO-VOKED!

ian is good looking, obviously. he's got the red hair, which is a preference i like to think mickey had before that being with ian just compounded. perhaps exponentially lmfao. ian also has a personality we can reasonably assume is attractive to mickey even before he knows him that well. he's assertive and brave enough to challenge mickey directly, and especially with kash to compare to ian is definitely a Big Tough Man (even if that's more in attitude than in body at that particular point). and the fact that he's not afraid and not overly aggressive either gives at least some measure of impression that he doesn't have much need or desire for the upper hand - nonthreatening without being weak, wimpy, or boring.

now. not all bottoms are subs. this is true. and not all subs like it rough, and some people who like it rough aren't subs even if they are bottoms. all true. i implore you to look at mickey. now look into your heart. now look at mickey. you know these disclaimers are, in this case, only disclaimers. as such, you KNOW that fight - and ian being the one to start it, even if he didn't win - got mickey so so fired up.

so. ian's hot. he's mickey's type. mickey is teenager horny generally, and now also horny situationally. they are in mickey's bed. mickey is in a mild state of undress. they are touching. ian is between mickey's legs. he's not taking advantage of mickey's hesitation - and he only threatened and then defended himself, never actually getting more aggressive than necessary, i.e. he won't hurt mickey if mickey gives him physical opportunity. the vibes say ian won't use knowledge of mickey's sexuality against him afterward. it's possible mickey already knows he's gay (he seems to, but i always took the potential indications as a continuity error since there's really no sub/textual reason why he would and there are many other such cases).

he's right there, right now, and mickey wants him, and he's safe. bada boom bada bang, baby.

and. one more thing. i like to think about. if mickey hadn't had sex before ian. and we accept that he was lying about having sex in juvie (which we do). and we accept that he was lying about having sex with angie (which we do). and we discount the 3.06 incident with svetlana, since it wasn't consensual (which we do). and we accept that the trucker lady he used to humiliate himself but didn't actually have sex with was the only sexual contact he had while ian was away because he was too miserable to want any, as seems pretty strongly implied (which we do). and if we accept that the show was tragically canceled in the s4 hiatus (which we do lol).

then. in that case. ian is not only mickey's First Time (depending on your definition) and First Kiss, but in fact his only "all the way" sexual partner and only kiss. (and also first and only given bj.)

like, don't get me wrong, i don't believe in or enjoy the First, Last, & Only thing in a purity or like one-true-love way, that shit sucks. however. in a possessive way? pretty sexy. and i know ian would agree. he told me so himself.

(i also just kind of like the idea for mickey specifically. like he fully believed that he would never ever in his whole life ever have the kind of intimacy he has with ian in the end. that it was straight up impossible and there wasn't any point in even so much as thinking about it. and then... he gets it anyway, on his very first try.) (disclaimer again: yes romantic and sexual relationships aren't the only intimate relationships, no monogamy and/or long term commitment aren't inherently more intimate than other dynamics nor are they mutually necessary, yes relationships that end have equal benefit and value to relationships that don't. post not intended to be representational or reflect a widely applicable worldview it's just about this one specific guy etc etc, brought to you by a polyamorous aromantic wejustdon'tknowsexual believe me i get it i know it i live it.)

[tomurakii]

My last post about bloodweave was pretty negative (though necessarily so imo) so I wanted to talk about the little things about the bloodweave dynamic that I DO like and want to see more of in fic (under the cut).

- the orb means Astarion can't start their relationship transactionally. Gale can't give Astarion blood, and also can't have sex with him (and presumably would refuse casual sex anyway). How would the relationship develop without Astarion being able to rely on the give-and-take, forced instead to just trust Gale will watch his back? Astarion isn't a plans guy, I imagine having to come up with something on the spot (considering none of the other companions are reeaaaally an option either) would lead to a lot more emotional vulnerability as he tries to take a route he has much less experience with. Not to mention that the flirty and standoffish front isn't exactly going to endear him to Gale, who approves of the capable, loyal, and righteous. How long can Astarion pretend to be invested in Gale's wellbeing before it becomes true?

- they both have bad ascension endings, but different natural outcomes. Gale is considered the more morally upstanding one, but in their solo states (without the player's influence) Gale will go through with ascension and Astarion won't. Would they goad each other on? Gale disapproves of Astarion's ascension, using arguments that could apply to himself about the personal sacrifice and loss of the soul. Would Astarion flip them around, become defensive? Their dynamic could mean the power hungry character ending up discouraging the pursuit of godhood, or the two of them hurtling over the edge together. Or, maybe, Astarion encouraging Gale to ascend and having to trust him to return.

- they're the party members with the most life experience, and they're also both pretty well-educated (even if Astarion's law qualifications may well have expired by the events of the game). He spent his time under Cazador sewing (like Gale in his Baldur's Gate epilogue) and learning languages (of which Gale knows four). They have enduring common interests beyond their circumstances. Gale can help Astarion rediscover the latent nerd potential he lost when he died, and lord knows he would love to pick his brain for a first hand account of the mid-to-late 12th century.

- Astarion recently regained hope for his future when the tadpole freed him, Gale recently lost all of it. While act 1 is a continuous series of positive discoveries for Astarion (tadpole frees him from cazador -> ceremorphosis is held off by the dream visitor -> tadpole can be controlled), Gale's life gets worse with time as his treatment stops working. It's a dynamic that could give Gale hope, force Astarion to practise empathy, or put them completely at odds.

- Astarion's all-encompassing desire to reclaim his life could be inspiring to Gale. Moreover, I imagine seeing just how passive Gale is about his death would infuriate him. To have so little regard for his real, mortal, free life? It's a great source of angst, and also a great starting point for Gale to start wanting to live again. Because after learning about Astarion's past he would agree, he'd recognise how much value a mortal life was supposed to have. He'd think himself ungrateful or impolite for entertaining the idea of throwing it away when Astarion would give anything to have what he had. This would lead to guilt, and potentially self-loathing, unless someone was there to help pick up the pieces.

- If Astarion meets Oblodra before Gale's act 2 romance scene, (or for a fanfic plot, just before Gale is confident enough to confess) they most likely won't have sex until the graveyard scene in late act 3 (or the post-ascension equivalent). It means that rather than the fuckfest we so often see from bloodweave fics, the relationship is almost entirely a slow-burning, emotionally intimate affair. I'd really love to see that play out, the progression from semi-horny yearning on both parts as the orb keeps them apart, to two love confessions that are followed by the both of them experiencing non-sexual intimacy for the first time in years. I doubt Mystra was one to hug her chosen, after all, or hold their hands.

I just love a bg3 ship that forces the characters to take different actions than they do in canon. It makes me feel like I'm developing a broader understanding of the characters, you know?