wow you wouldn't expect someone with that background to be so well adjusted -> oh they're not
5 notes
·
View notes
...May I ask about your fursona ideas for the different beavis and butthead characters? 👀
HEHEH THANKS FOR AWAKENING MY MENTAL ILLNESS, ANON. I could talk about fursona headcanons (of anything) for HOURS.
I'll go through as many characters that I have ideas for. I definitely might miss some, but if you have a particular side-character I missed don't be afraid to ask. Again, I love thinking about this stuff : )
Beavis and Butt-Head: African wolf (Senegalese subspecies) and Spotted hyena, respectively. Hyena was too good an opportunity to pass up, but I felt Beavis needed to be a different animal. Hyenas are kind of "box-shaped" which lends itself well to how Butt-Head is designed, but Beavis is a lot more angular and "pointy" to me. I was considering a coyote, but it felt too basic. African wolf felt like a good median.
Also....consider...the size difference. Very silly.
Buzzcut: American Staffordshire Terrier
It just felt right.
Cassandra: Okapi
Just felt right (that might be my reasoning for a lot of these if they don't have extra commentary lol)
Daria: Water opossum or Yapok
Earl: Sumatran Rhino
Principal McVicker: Gulf coast toad
I did this based off of vibes/character design initially but, now that I am writing this, I am realizing there is a connection here between frog baseball and the mental abuse Beavis and Butt-Head put on that guy on a daily basis lmaooo.
Stewart: Syrian hamster
It is literally him. 'Nuff said.
Todd: Red fox
Basic "cool animal". Also I like the name pun (for those not in-the-know, Tod is a term for a male fox).
Tom Anderson: Texas pocket gopher
Van Driessen: Water deer
Gentle beast. Very befitting for him <3. I could also have him be a regular type of deer but I like the visual of their tusks.
Hoping to make more art of these interpretations, so keep an eye out : )
10 notes
·
View notes
No but even beyond the heathcliffean air of his story as a kid, Nelly scene and revenge fantasies included, and even beyond the identification of the self with the craft, the entire concept of Yingxing is so good.
The glimpse we get of the relationship he has with his master has so much potential. What it says about him, what it says about everyone around them, what it says about the kid.
The fact that already as a child Yingxing was vindictive, as he will be as Blade.
His self-consciousness about being a short life species, and how he is right to be self-conscious about it. How in such a short time, being so young, he's had to deal with enormous tragedy, so that he can even as a kid look the truth in the eye and admit it. Admit that he has to work harder, longer, more obsessively, and that still nonetheless there's little chance to get ever at the level of the long life species that look down on him and take him for granted. How he is able to overcome it.
It's incredible also in the context of Dan Feng. How both struggle with their identities and how they get new ones, but in totally opposite ways. Dan Feng is weighted down by what he is and what he can do, and wants to escape that fate, and dreams of a new life in which he can be something else; and Dan Heng is born. Yingxing takes pride in that which he can do, something he wasn't born into, something he had to work very hard to achieve, and that was the path to overcome the prejudices and undermining gazes he had to bear as a short life species. He crafts his place into the Xianzhou society and becomes the legendary Furnace Master. Even on a more personal level, one could argue this is his way of maneuvering his life, of expressing himself, this is how he deals with things; like his relationship with Jing Yuan having a turning point after giving him his weapon, or how he crafted that jade flask. And then he loses his ability to create and loses himself; he becomes Blade.
The fact that even as an adult, as an exceedingly arrogant craftsman, something of the shy self-conscious kid remains is both endearing and heartbreaking as well. In some ways we still see that in Blade.
We also see echoes of that personality in Mr. Xiao, who worked under him. And that alongside his craftsmanship, his ability to fix and create auromatons even though they are vanishing in the civilian landscape, live on through Mr. Xiao. And die alongside him, for Mr. Xiao too has become but a relic of another time.
The way the other stories of craftsmen enhance facets of Yingxing's is so good too. Mainly in the story of Master Ryan and Chengjie, with the insight we get of the struggles of short life species in the Xianzhou, especially those dedicated to a craft, and how hard it is for them to reach positions of prestige. It also poses the question of how we can transcend time, if it's possible at all, and how the sharing of knowledge, the passing down of skills, the shared loved, is one of the answers. This was all already significant before, but the information gains weight with the existence of Mr. Xiao. I'd argue there's echoes of Yingxing even in Master Gongshu. His love for his automatons, his sincere fondness for them, his pride on his job, his loyalty to his position and duties, the way he is both hard and stern as well as loving with his apprentices, and how he talks about short life species.
On a sort of ontological way, it's very interesting to see how Yingxing goes from craftsman to tool or weapon, from creator to creation, from subject to object. The potential in the context of Abundance/Destruction is also extremely intriguing, I think. He who created is unmade by a curse of Abundance. He who forged weapons now follows that path of destruction. There's so much going on with Yingxing conceptually around the cycles of death and rebirth, destruction and creation; it's so fitting that now Blade is stuck in such a cycle in the most literal way.
And it's so fitting too that, in all this context, given Yingxing's entire story, Blade's entire being, that which he made unmade him. That which he created and gave him so much pride was the weapon that killed him. And now he wields it himself, his tool of revenge while he follows the path to eternal and irrevocable death.
7 notes
·
View notes