#but in the end I fully disagree

[trappedinafantasy37]

The last DeVir and the forgotten Baenre. Two noble drow forever exiled from their homes and abandoned by Lolth.

[aspiringnexu]

Yes the ending to Arcane isn't going to satisfy everyone. Some will hate it. Others will love it. Some won't know what to feel.

And that's okay. Seriously. It's fine. I just want to ask that everyone take a minute or two to breathe. Drink some water. Hug your pets or a pillow or someone you love.

And remember that this is the end of the Arcane story but it is NOT the end of those characters. There are more shows coming. There are twists and turns no one can foresee. There are hints that Jinx is alive, that Jayce and Viktor are alive. We will see Mel in Noxus as the head of the Medarda clan, fighting against the Black Rose. We will see more of Ekko and his Z-drive. We will see more of Caitlyn and Vi. Maybe not in the next show, maybe not for a while, but I have a feeling they'll be brought back.

And even if most of them don't, that's what we have fanfiction for. And fandom spaces. And fanart and edits and stories.

[brucewaynehater101]

"Through the Valley" by Shawn James.

I know I've talked about it and Jason Todd twice already.

HOWEVER, it's my favorite characterization of Jason (and I know the song wasn't written with Jason in mind. Hear me out).

Okay... So most of the song fits. There are three verses that I feel really hit it home:

"And my mind and my gun they comfort me because I know I'll kill my enemies when they come."

"But I can't walk on the path of the right because I'm wrong."

"But I know when I die, my soul is damned."

Jason Todd was murdered and this affects his outlook on death. He is constantly haunted by the memories of Joker and can't be reassured with the fact that Joker will never harm him again. Joker is still alive, so he can and will hurt Jason (physically, emotionally, or mentally).

For whatever reason, he doesn't kill Joker. His other enemies he can permanently neutralize so they won't hurt anybody again, but Joker is still alive.

The fandom likes to characterize Jason's murders as those of particular crimes (SA, abuse, trafficking, etc). With this in mind, Jason becomes a paradigm of what he wishes for as a victim of murder. He desires the peace of mind that his murderer is dead. He assumes this role for other victims (not all victims want the same resolution. Some shit could be said about Jason taking the control away from the survivors about their own situation, but that's another analysis).

With his actions, he's not deluding himself into believing he's a hero. He doesn't see himself as righteous. He sees himself as necessary. What he's doing may be wrong, he may be condemning himself to hell, but it's what's needed.

[Bottom line, I like characterizations where Jason chooses his path while viewing himself as the "bad guy." He's not choosing the road his mentor paved of the moral high ground, but he's walking the way he needs to. Fuck what it does to him. Mentally, he's basically thinking: "I'm not a good person, but I can live with that."

This mindset of his would occur way after UtRH after he's had time to process his relationship with Bruce and their differences regarding "justice."]

[aingeal98]

Having Bruce and Cass and the Robins thoughts and they're a bit messy and jumbled so bear with me.

Idk how to explain why the Bruce and Cass messed up but loving dynamic is so much more appealing to me than his toxic relationship with his other kids but I guess it's because the entirety of Batgirl 2000 understands that Bruce is not a perfect parent. His flaws and virtues are both deliberately and carefully written and his relationship with Cass is so layered and it makes it so that I can both laugh and cringe, appreciate the sweet moments and rage at some of his more shitty moves. It's not perfect but overall the writing is just GOOD, and there's enough material to form a solid core of understanding even when their dynamic grows past Cass's solo run. This is Cass and Bruce and this is how they tick and no writer has been able to thoroughly screw that up no matter how hard some of them were pushed to by editorial.

Compare that to how he's written with his other kids, where every writer has their own version and some have him be a perfect dad and others have him be shitty and frame it as "He's got this darkness in him" while another group of writers have him absolutely brutalise his kids or neglect them or gaslight them for angst all while knowing the kids will never receive any sort of narrative justice for this because he's Batman and he's the big flagship hero. There is no single run you can point to and say yes this here showcases the heart of the dynamic between him and Tim or him and Damian, no single run so good that all other comics about their dynamic use it as their basis for this bond between father and child. There is no consistency and no communication or understanding between writers or even an attempt to pick up what the other puts down. Batman comics will have him be a good parent or a bad parent but either way it will be all about Him. Batfamily comics tend to have him just be absolutely awful and then a few months later they have to pretend it never happened because the main bat books want to make him a good parent again.

It's all shock value that rarely lasts past the arc and writer. When Tom Taylor has Dick hug Bruce and call him dad I'm remembering that time Bruce beat him into a bloody pulp or backhanded him across the face and Dick never got to call him out on it. But we're not meant to be thinking about that in Taylor's run because this is a Good Dad Bruce comic. Taylor's Bruce and Dick dynamic is completely different to the New 52 dynamic the same way that dynamic is different to Wolfman's which is different to the original Batman and Robin. And that variety can be a great thing when it comes to comics but the downside here is that you can pick Bruce's "good dad" comics or you can pick his abusive asshole comics but you cannot find the middle ground that Batgirl 2000 hit because (controversial opinion I guess) it doesn't exist for the batboys and no writer has successfully managed to pull all the different comics together and create one.

Fans have tried. Fans have pieced together a decent narrative from the mess of inconsistencies, taking the moments of almost cartoonish abuse and the moments where Bruce is shown to care, and forming the image of a complicated and nuanced abusive parent from it all. But the great thing about Batgirl 2000 is you don't have to do all that effort of trying to make the happy fluffy hero batman and the edgy punches his sons Batman fit into one character. The writing does it and does it in a more realistic fashion too, which is saying something considering the big Bruce and Cass emotional fight is solved by Bruce letting them both get drugged and fight bloodlusted. I do think there are moments when it hypes Bruce's bad parenting up a tiny bit but compared to the absolute mess that is the writing of say, Bruce and Jason? It's just so much easier to actually engage with. Being on the same page as a narrative instead of chafing against it is just a much better way for me to read comics.

That's not to say there isn't any kind of narrative and canon dynamic for Bruce and the Robins. Tim's Robin run, Dick's various runs, UTRH, Batman and Robin etc. Just that for me none of them hit that balance Cass and Bruce's dynamic succeeded in hitting during Batgirl 2000. And to be fair it's harder to hit that balance when you're working with characters who have been through the hands of so many different authors before landing on your doorstop. UTRH probably comes closest but unfortunately everything that came after that did manage to shake the emotional foundation utrh set up to the point you can look back on it and wonder if Bruce cared about Jason much at all, despite the writer clearly not wanting it to be seen that way.

Not sure how much sense this makes but to me it's the difference between a bad parent Bruce I am actually interested in engaging with and a bad parent Bruce where I just want the kids to team up and knock his teeth out.

[rainbowtvz]

*grits teeth*

i do not want to discourse here or anywhere anymore but it does kind of affect me as a transmasc bi person when i see shit that indirectly misgenders me and implies that bisexuality is an icky no good word and identity and you have to be bi and gay and bi and lesbian and bi and straight at the same time or support them or you're an evil stinky stinky terf like... hello where am, i

[heartyearning]

@the3gracesshownattheirbath (don't think it's letting me tag you properly, soz!) basically what i use now is just a simple moleskine notebook in which i write down the title, author and date i finished the book, then a short summary in my own words (sometimes i forego this esp if it's a re-read) and jot down my thoughts on it, any quotes i liked from the book, whatever the lead-up to my reading it may have been etc. i also use it sometimes when i'm reading a play or smth for school, not always but on occasion just to make notes as i'm going through the text. i also compile little poems i like in there but i haven't done much of that this year!

it's taken on different forms since i've been doing this though, in my first official reading journal i also noted down DNF's or book acquisitions and sometimes made notes on audiobooks i was listening to, but i've found none of that really interests me so i ended up just simplifying it down to this which works lovely for me :)

[drainbangle]

wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”

Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.

Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.

To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.

Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.

I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.

(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)

(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)

I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.

Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.

These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed. 

We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.

However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?

Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?

Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.

And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with. 

It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.

So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.

[smile-files]

this might be a hot take... but if you care about disavowing media made by bad people out of fear of looking like a bad person yourself more than you care about actually doing good things... you might have your priorities (and your morals) screwed up a bit :/

(see my tags for more of my thoughts on this topic! please try to avoid making make bad-faith assumptions about what i mean!)

[virtualcarrot]

Terribly frustrated with the way we use social justice language to justify our simple likes and dislikes in fandom, giving the impression of Deep and Serious Action when it's just... not. It's never that important.

Like, I personally think X character should take it up the ass, not because in the grand scheme of things it's gonna Change Society but because I wanna see them get wrecked. Like of course, I can insert character exploration in that, and I can even put some considerations about power dynamics and expectations and stuff like that. Because that's what writing's for.

But, idk, it's not Dismantling Gender Roles to have character Y take it up the ass instead of X. It can be a way of re-balancing a biased fandom, of exploring a path less trodden, of making the kind of content you'd like to see (always a great thing!). But for the love of god don't imply that it's the Righteous thing?

(especially since the problem isn't one or the other taking it up the ass, it's how being penetrated often goes along with a specific, very gendered sort of characterization. And in that, if I really wanted to be snide, I'd say a greater Dismantling of Gender Roles is actually doing justice to a character that enjoys bottoming, rather than to... simply make them a top)

((except it's not. dismantling anything, I mean. It's just... another flavor of the character. In the midst of a sea of Top/Bottom Discourse. Old as balls. And just as itchy. The most annoying nonsense, honestly))

In short: just say you like what you like, even explain why you like it--it can even be for higher-minded reasons!--but don't make it The Right Thing To Do. Be honest.

[sttoru]

#𝐒𝐀𝐓𝐎𝐑𝐔: “show me you’re shameless, write it on my neck, why don’t ya?”

cw. married!gojo satoru x female reader. smut, angst to comfort. cheating/infidelity. unprotected. crēampie. bréeding themes. soft angsty-ish sèx. petnames ‘baby, sweetheart, wifey’ not proofread !

satoru has never loved the woman he married. he’s never felt an ounce of attraction or affection towards her. it’s hard to be around someone who he’s supposed to love and cherish, when all he can think about is you.

it’s you he was supposed to end up with if it wasn’t for his damned clan. setting up an arranged marriage behind his back and only telling him last minute of their plans— a bunch of assholes they are.

satoru could’ve declined, disagreed, ran away. he had all the power to, but he had fully convinced himself that his actual soulmate - you - would never return his love, which is why he settled.

. . . he was proven wrong after it was already too late.

“i love you s’much,” satoru grits his teeth as he nuzzles his face into the crook of your neck, his sweat trickling down his forehead. his hips move in a gentle rhythm, as tender as his arms are holding you. he never treated you roughly.

satoru wouldn’t do that to the love of his life. the one who he’s supposed to call his wife, his beloved. he’ll find a way to achieve his dreams. he’ll do anything to end up with you and escape this messed up arrangement.

but for now, he’ll love you like this. every day, behind the other woman’s back, for as long as he can.

“i love you too, ‘toru,” you sigh, tilting your head to give the white-haired man access to your neck. his tongue wets your sensitive skin before sucking on it. he’s claiming you as his— like he usually does whenever he manages to get ahold of you.

“say that again,” satoru whimpers against your throat whilst leaving soft kisses all over. the sounds of your bodies meeting bounces off the walls, the lewd noise of flesh hitting flesh is a melody that you both enjoy behind closed doors.

“please,” satoru pleads. you’re surprised by the vulnerability in his tone. he holds onto you - ruts into you - like he’s never experienced this before. his cock twitches and throbs within you, desperate to reach that aching release.

you swallow the lump in your throat. you feel bad doing this right on the bed that satoru shares with his wife, but you also couldn’t care less. “i love you, satoru, i really do,” you moan near his ear.

the sorcerer shivers at your pretty voice uttering those three words to him. his big hands hold onto your waist, fingers digging into your skin, leaving small dents. his breath hitches, “oh, fuck. y’do, huh?”

satoru curses as he lifts his head from your neck. the view of you beneath him while you take his dick all the way inside your sopping cunt is addicting. it’s also way too slippery because of the mixture of cum on your lower body and the sheets.

“ah,” you look down at the place your bodies meet the second you feel his cock slip out of your pussy. you reach a hand down and guide his tip back to your folds without much thought.

it’s a sight that makes satoru nearly bust a nut right then and there. “missin’ me already?” he tilts his head, that boyish smile on his lips reappearing again. his soaked, white bangs cover his ethereal eyes a little, yet you can still notice the playfulness in them.

“yeah, i do,” you sigh, whining a little as his cock slowly fills you up all the way again, “i always miss you, ‘toru.” you never fail to feel so full whenever you’re intimate with him— he’s big and knows just how to use that to his advantage.

satoru pouts at your words. he knows what you’re indirectly referring to amidst all the physical pleasure. he tries to make as much time for you as he can, without raising suspicion. though sometimes he fails to see you for days. balancing his work schedule, along with his many other duties and his private life was a hassle.

it’s frustrating when satoru is leading a double life, for both you and him. there’s nothing more in this world that he wants than to have you beside him forever. as his wife, not his secret lover.

one day, soon— he promises silently to himself and to you with a kiss.

“i’m sorry,” he breathes out, his thrusts resuming. two of his rough fingers roll your nipple between them, his tongue following to circle the sensitive bud while he drives his dick in and out of you repeatedly. “but i’m all yours tonight, yeah? only yours.”

you nod mindlessly. you trust satoru, he’ll figure this all out. for now, you’ll enjoy every single second you’re able to spend with him.

“mhm,” you hum before your eyes focus on his neck. you know he’s told you not to leave any marks on him, but tonight, you’re feeling shameless. your hand on the back of his head pushes him down until your lips touch his neck.

satoru’s eyes widen at your unexpected action. he can’t deny you anything, even if this is a risky thing to do. he moans when you suck and bite on his skin. you’re leaving hickeys he will have to hide from his wife.

“naughty fuckin’ girl,” he tries to groan, though it comes out as a choked up whimper instead. he bites his lip and his eyes nearly roll back when your legs wrap around his waist, all whilst you’re leaving those dark marks on his neck.

you softly giggle at your own bold move. satoru however, seems to enjoy this more than he thought he would. he allows you access to his neck while he focuses on his set pace.

“y’ just want me to get caught, hm?” the white-haired man clicks his tongue, his balls slapping against your ass, your juices sticking to his skin which makes the sounds of his thrusts even louder. lewder. satoru huffs, “want that woman to know jus’ how well i fuck you, sweetheart?”

you feel your body heat up, the knot in your lower tummy tightening. his increased dirty talk only could mean one thing; he’s close. and so are you. the pleasure of having satoru inches deep in your cunt after not seeing him for two whole days, is driving you insane.

“yes, fuck— yes,” you hiccup, feeling absolutely no shame at this moment. you don’t care how loud you’re getting, if satoru’s neighbours were to hear him have sex with a woman that’s not his wife.

the man himself doesn’t even seem to mind it either. not when he’s this close. he pants before pressing soft kisses against your forehead. the lingering feeling of your lips against his neck remind him of the hickeys you’ve left.

satoru moans against your hot skin. his dick twitches, his balls tighten and his arms wrap around you to cradle you against his bare chest. he’s going to fill you with his hot cum like you deserve. you deserve every single drop and he wouldn’t give it to anyone else but you.

“shit, g’nna cum,” satoru warns after a small whine leaves his throat, “take it, baby. don’t waste a drop, wanna breed you full.” his thrusts turn a bit erratic, body pinning yours to the mattress so you have nowhere to run. all you can do is lay there and take it— take his cum while you reach your own climax.

white dots appear in his vision as satoru releases rope after rope of hot, sticky cum inside of you. his hips are pressed tightly against yours— leaving no chance for his seed to trickle out of you.

the satisfaction that fills satoru’s chest is like no other. a small grin tugs at the corners of his lips as he leans his body weight on top of you slightly, catching his breath. your trembling frame rests beneath him while you’re trying to regain composure as well.

“there y’ go, atta girl,” satoru coos and kisses your forehead. he treats you so well, even after sex. he treats you like you’re his true wife. which you should be.

he rubs your sides with his hands to calm you down. his own breath is still shake as he looks down at you with a grin. a wicked idea pops up in his head once he sees the thick trail of cum that’s left on your slit after he pulls out.

“y’know how i told ya that i’ll make y’ my wife one day?” satoru hums, eyes focused on both your face and cum-covered pussy. he has told you before that he will find a way to officially make you his.

and he finally just realised the perfect way to do it.

“mhm,” you nod with a dazed look in your eyes. you wrap your arms around satoru’s shoulders and hug him, nuzzling your face into the crook of his neck. you can practically feel the smirk on his lips as his breath ghosts over your ear.

his hand travels down to your tummy, fingers splayed over the soft flesh; “good, ‘cause y’re gonna need to play the part for me already. gonna fill you up ‘til you’re nice and swollen with my kids, wifey.”

[yzzart]

౨ৎ⊹. BOYFRIEND!KENJI HEADCANONS!

── content warnings: F!reader, mention of Emiko, Emi and Mina, Ultraman form, Kenji being a little needy (once again), fluff, a little something to warm our hearts and minds so dreamy.

── word count: 683!

⭑.ᐟ Underneath, and sometimes over, tight-fitting t-shirts and extremely expensive fabrics, wear a necklace; however, there is something special there. — His promise ring hangs on the gold chain; like a talisman, something that surrounds he with luck and passion. — Staying attached and close to you, even with a small object.

⤷ If he needs to think or try to decide something dramatically important and you're not around, Sato will take his fingers to the necklace and hold the ring; looking for guidance. — Oh, and waking up, before him, and contemplating that shiny and significant piece, which rests on his broad chest, is angelic.

⭑.ᐟ It's not uncommon to feel, in the middle of the night, Kenji's face trying, persistently, on your neck; readily, wanting to harness the huge and strong body between your. — He doesn't care about the grotesque difference in size, just at that moment, and he doesn't give up.

“Kenji, be careful…!” — Your voice, fully, drunk with sleep and maintaining stillness, murmured between the boy's black and shiny locks; who only responded with a snore, more like a purr and clinging even tighter to you.

⭑.ᐟ Sato can't keep his hands off you, no matter what's going on, what you're doing or what simple task you're performing; hands on your waist, kisses on every exposed and revealed part of your body, thin and wide fingers catching on some part of your clothes. — Don't be upset with him, this poor man is in love with you.

⤷ One day, Mina compared him to a sloth and obviously got a frown of disapproval and the adorable Emi observes how her “father” remains so attached to her “mother”. — Even laughing and grunting when he saw a completely sleepy and desperate Ken crawling towards you.

⭑.ᐟ Please, we have, we need to talk about all the times Kenji and Emi train together, most of the time, being just leisure moments, you sit in the stands, virtually, scheduled and cheer for them; accompanied by Mina. — The feeling of nostalgia, remembering an incredible part of his life, is exposed in Ken's chest; remembering his mother.

⭑.ᐟ I can easily imagine Ken pressing his nose against your cheek or neck wanting your attention; also, when he wants to show you the way Emi is sleeping, enjoying the baby's sweetness. — And, together, pressing his forehead against yours during countless moments of the day and night, when you get home after confronting some creature and every time he want to say "i love you" to you.

⭑.ᐟ This man knows you like the back of his hand; no one can disagree or dispute this fact. — Kenji pays attention to your gestures, noticing your body language and, for a matter of seconds, he knows that something is bothering you; and, there he is, dedicating himself, with all his attention, to doing his girl well.

⭑.ᐟ Funny situations, for Ken, between you and his Ultraman form are included in your lives. — Once, while chasing Aboras, he ended up finding you on the street, wanting to go home, and clearly he was distracted by wanting to cause a provocation. — Mina gave the boy a long, and rightly so, scolding.

“Go back to the house, young lady.” — The robotic voice filled a part of the city's environment, wanting to convey an authoritarian image. — “You know…” — He pointed one of his gigantic fingers in your direction, then towards the place he was. — “The streets have been very dangerous lately.” — Oh, you stopped yourself from answering him like you really wanted to.

“Thank you, so much, for the advice, Ultraman.”

⭑.ᐟ There are nights — many, many nights — that Ken spends watching, contemplating you sleeping, peacefully; your face remained full, without signs of tiredness, exquisite and messy locks spread out, this was adored by the player's eyes. — Between seconds of fascination, Kenji longed, dreamed, deeply and painfully, of his mother meeting you; this way, she would have the chance to know the light that raised her dear son.

⤷ Kenji prospers, sometimes praying, that one day his mother will return, safe and sound, and be able to achieve what he wants so much in his life.

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

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The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

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Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

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Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

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Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

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Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

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Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

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Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

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Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[ghosts-and-blue-sweaters]

@yukeet INCREDIBLE ADDITION

It’s thanksgiving season in the US which means that, like every year, there’s a flood of articles encouraging you to fight and/or break ties with your family over political discussions. Bearing that in mind, I’d like to remind you that trying to isolate you from your existing support networks is one of the primary warning signs of a cult.

[itsallyscorner]

At Fault | MV1

pairing: Max Verstappen x reader

summary: Max invites his ex to a gp and upsets you. Soft and stubborn Max, but he’s a cutie. A mix between angst and fluff, but mostly fluff towards the end. Lots of reader just ranting. Plus a little cameo from the Ferrari WAGs <3.

warnings: Does Kelly count as a warning? Kinda of toxic, I’m not really sure? But who actually likes seeing their boyfriend’s ex girlfriend??

author’s note: Italics are flashbacks! This turned out longer than expected, but I hope you guys like it! It’s also been a while since I’ve written fics, so it there are any errors pls ignore them😭

The tension in the car was thick. So thick, Max believed he could cut it with a knife.

Your arms were crossed as you stared out the window while Max glanced at you wearily every other second. Thankfully, there were only three of you in the car. You and Max in the backseat, and the driver in front being separated by a divider. Though, Max was sure the driver was able to hear the current disagreement between you and him.

Max fidgeted with the lanyard of his paddock pass and stared at the side of your face. He knew he had upset you and honestly you had every right to be. You were biting the inside of your cheek in frustration trying to keep your emotions at bay. As much as you wanted to argue with Max about how you disagreed with his actions, he was due to race in a couple of hours and you didn’t want to add any more stress on his shoulders.

But Max wanted to talk about this now while you were both alone.

“Schatje, are you really mad?” Max asked quietly, leaning closer to you and trying to get you to face him. He truly didn’t mean to dampen your mood before the race. Most importantly, he didn’t like that he was the reason for you being upset. Your brows furrowed ever so slightly and a faint pout was on your lips, both indications that you were in fact not happy with him.

“Yes, Max, I am mad.” You answered, your voice trembling a bit. You had finally turned away from the window and were looking at him. Max felt a pang of guilt in his heart once he saw the look in your eyes. They weren’t glaring at him with the heat of anger, but they were soft and glossy, you were hurt—he hurt you.

Max cautiously reached out for your hand and tangled your fingers together, though your hand felt limp, like you didn’t want to hold his hand at all.

“I told you the truth.” Max said, leaning his head down trying to catch your eyes again. You took in a deep breath before turning to fully face him.

“Yes Max, you did and I absolutely appreciate it. I really do.” You began, grasping his hand between yours. “But that doesn’t make up for that fact that you’ve had this planned out for nearly a month and only told me thirty minutes ago!” You argued.

Thirty minutes ago, before your ride to the paddock can pick you guys up, Max had revealed that his ex-girlfriend, Kelly, and her daughter would be at the garage to watch the race. When you asked how they got passes to the garage, he shared that he had flown them out and provided them with passes for the weekend.

“So she’s been here all weekend?” You questioned him, arms crossed and a brow raised at him. The Italian heat felt even ten times worse as you grew frustrated with your boyfriend.

“Yeah, but they were at the Paddock Club, they’re going to watch the race from the garage though.” Max shrugged, as if it were not a big deal. He adjusted the bag on his shoulder and grasped your hand in his free one.

You couldn’t help the feeling of insecurity seeping into your bones. Kelly was rich and gorgeous, she was a model, and you weren’t. You had a normal job that offered you stability, paid you good money, and you knew how to clean up nice. However, you were no where near her level of anything or any of the other WAGs at that.

“You’ve known this whole time that she was here?” You asked quietly, your brows furrowed at him. You hated that you kept asking him questions, it was like you were interrogating him.

Max looked down at you, confusion etched on his face, “I did, schatje. I flew them out and got them some paddock passes.” You acted before you could speak, and shook your head at him, rolling your eyes in annoyance. Your boyfriend was one of the sweetest people you’ve ever met, however, many people took that as a sign to take advantage of him. While it took him longer to realize it, you noticed it instantly.

“I don’t understand why you’re so upset though, I told you the truth, it’s not like I’m doing anything with her.” Max defended himself, his hands wildly moving around. “She reached out telling me that P missed me and wanted to come to a race, it’s not for her, it’s for Penelope.”

“I understand that Max and as harsh as this sounds, Penelope isn’t your responsibility. I get that you helped raise her, but you guys broke up, you don’t need to provide for her anymore.” You threw a hand in the air, emphasizing your point. “Kelly’s fully capable of flying herself out and buying tickets to a race weekend.”

“I was just being nice.” Max raised his voice, also growing frustrated with the situation.

“And she’s still using you!” You fumed, tears welled in the corner of your eyes. “How many times does she have to use you for you to realize it? You guys broke up and she still manages to get what she wants out of you! Do you know how embarrassing it is to walk in and see her there?” You tried to reason with him. While many of his fans didn’t approve of Kelly, you knew Twitter would have a field day clowning you when they find out Kelly was present in the garage. Social media was never always a nice place and you’ve learned to ignore it, but that didn’t mean it stopped the hate from happening.

Max ran a hand through his hair and sighed.

“This is ridiculous.” He muttered under his breath, you scoffed and leaned back into your seat, staring at the window again.

“Do you not trust me?” Max asked forcibly, staring at the side of your head again. You let out a defeated sigh and turn your head to look at him, “I do trust you, Max.”

Max’s shoulders slouched as he leaned on the seat sideways, his body fully turned to you.

“Then why do you not trust me with this?” He pushed, nudging your knee with his, trying to get an answer out of you. He knew he was at fault and he just wanted to make it right.

“I don’t trust her.” You simply answered, feeling done with the conversation. The car turned, nearing the entrance of the paddock. You sniffled as you untucked your hair from behind your ears, removing your sunglasses from the top of your head.

“You don’t have to worry about her, schatje. I want you not her, there’s a reason why we broke up.” Max reassured, trying to ease the tension between the two of you.

The car came to a halt, a knock came from the driver, indicating that you guys arrived at the paddock. Before you could leave, you turned to Max and said, “Yet, she’s still here.”

ଓ⋆˙⟡₊ ⊹

Entering the paddock was always a frenzy. The moment you stepped out the car, fans were quick to recognize you, knowing that one of their favorite drivers were right behind you. You slid your sunglasses on and smoothed out the white maxi dress you wore. Max followed in suit and flashed a smile at the fans.

Shouldering his bag, he held his hand out to you, “I know you’re upset, but can I please hold your hand?”

You nodded and entangled your fingers with his. The two of you began your walk into the paddock hand in hand, as fans screamed and waved at Max. He gave your hand a squeeze before guiding you guys to some of the barricades and signing a few things for the fans.

After you guys scanned your passes, Max led you guys to the Red Bull garage. However, you came to a halt. Max was quick to look back at you, “You okay?”

“Yeah—I’m gonna meet up with Alex and Rebecca, if that’s okay? We were planning on seeing each other before the race.” You tell him. A small pout formed on Max’s lips, “Oh, okay, I’ll drop you off.” He offered, still holding your hand.

You and the girls decided to meet up at the Paddock Club. In front of the entrance, Max stood in front of you.

“You’ll come to the garage to watch, right? I need you there.” He asked quietly, so that people passing by cannot hear your conversation.

You nodded, “Yeah, I’ll be there before you’re in the car.”

Max mirrored your actions, “Okay, I love you.” He pulled you in by the waist and pressed a kiss onto your forehead. You squeezed his waist in response, “I love you too.”

Max watched as you entered the building, huffing to himself, while he watched you walk further and further into the building.

Placing your sunglasses above your head, you scan the room until you see one of the girls, Alex was the first to spot you, standing in her spot and waving at you to come over.

“Coucou mon amour!” She greeted you, (Hello, my love!) immediately wrapping you in a hug. You squeal as she squeezed you, “Helloo!” You giggled. You go to greet Rebecca, who is immediately giving you a knowing look. Being the older one amongst the three of you, she was often looked up to as the older sister.

She wrapped an arm around you and smoothed your back, “What’s wrong?” She asked while you got situated in the chair beside her.

You shook your head, “It’s just Max.”

Rebecca grabbed the bottle of champagne on the table and poured some into a flute glass. She offered you the glass, “Thank you, I needed this.”

She smiled watching you take a long sip from the glass, “Oh honey, I know.”

Alex pouted and nudged your foot with hers, “What happened with Max?”

“He invited Kelly to watch the race at the garage today.” You bluntly shared, slumping yourself in your chair.

Rebecca’s eyes widened, “Shut up.”

You raised a brow at her, “Oh, I didn’t even get to the kicker yet.”

Alex’s brows raised, “Which is?”

“He flew her out—he fucking flew her out and gave her tickets for the entire weekend.” You revealed through gritted teeth, still being aware of your surroundings. Rebecca cursed under her breath as Alex took your glass and refilled it with champagne.

Grabbing the glass, you continued, “She’s literally been here all weekend and he only told me this morning. I just don’t get it, they broke up, I don’t know why he’s still so concerned about her.” You took another long sip of champagne,

“What was the reason why?” Rebecca asked you.

“Apparently Penelope missed him—which I can believe, but did he really have to do all the providing when she can financially support herself? I get that he was trying to be nice, but still.” You grunt, fiddling with your glass.

Alex comfortingly rubbed your arm, “No, I get it, if Charles did the same thing with his ex, I’d also be upset.”

“I literally told him that she’s using him once again.” You threw your hands up. “If he wants her to be there so much, he might as well just get back with her. Like—am I crazy for losing my mind at the fact they were in contact with each other, even if it wasn’t in a romantic sense?”

Rebecca shook her head, “No, your feelings are absolutely valid. You’re just concerned and it obviously caught you off guard. He shouldn’t have been texting his ex in the first place.”

You groaned and held your head in your hands, “I hate feeling like this, it makes me question if he actually wants to be with me or not.”

Rebecca held her finger up, “I’m gonna stop you right there.” Placing her hand on your shoulder she says, “Max might be acting very stupid right now, but one thing I know for sure is that Max loves you and absolutely adores you. Without a doubt.”

Alex nodded, agreeing with Rebecca, “Like have you seen the way he looks at you? He literally worships the ground you walk on. I’m sure he’s beating himself up right now for doing what he did.”

“He loves you, (y/n), everyone who’s seen you guys together knows it. I don’t think he’d put himself in this kind of position on purpose, you’ve got that man wrapped around your finger, babe.” Rebecca reassured you, throwing her arm around your shoulder and pulling you into another hug.

“Come on cheer up, who cares if she’s in the garage today? You’re the one he’s gonna be going home with tonight.” You laughed shaking your head at her teasing.

“Hey! Tonight and every single night!” Alex pointed out raising her glass at you.

ଓ⋆˙⟡₊ ⊹

Two hours. It’s been two hours since Max has dropped you off at the Paddock Club and he still hasn’t heard back from you. He’s been distracted all day. During a meeting with Christian and some of the engineers, he couldn’t help but constantly check for a text from you, earning himself a scolding from the team principal. Checo and a couple of people from the team tried talking to him, but he wasn’t paying attention. His eyes wandered wondering when you would enter the garage.

He did in fact see Kelly and P—obviously he was expecting to see them since he invited them, but all he felt while talking to them was guilt. Guilty because he remembered the look of hurt and betrayal in your eyes and how he was the reason behind it. He hated it, he felt grimy, and dirty for going behind your back and texting Kelly. Not even ten minutes into catching up with the mother and daughter, Max realized that you were in fact correct. Kelly had used him again, instantly making advances on him despite knowing he was happily taken. But for the sake of P, Max made sure to be friendly though kept his distance to not feed into her mother’s schemes.

It was nearing lights out and you were still not in the garage. He had gone through his warm ups with Bradley, had his fireproofs and suit on, and even laced up his shoes. Still, no sight of you whatsoever in the garage. He was beginning to worry about you, sending you a couple of messages to your phone.

The car was due to be on the grid and there was about half an hour left till lights out. Max looked around the bustling garage, checking to see if you had snuck in without him seeing, though to no avail, you still weren’t there.

“Max…Max…Max?” GP tried to get Max’s attention. Snapping a finger in front of the driver’s face, Max’s eyes flickered over to his race engineer.

“What do you want now?” Max groaned, throwing his head back. To onlookers, it looked like a typical interaction between Max and GP. Though, GP felt like he was babysitting a child whose attention span couldn’t focus on one thing for more than a few seconds.

“Mate, I’ve been talking to you for the past five minutes.” GP claimed. Choosing to ignore the information he had just “briefed” Max on, he decided to be a friend.

“Where’s your head at?” GP asked Max. The Dutch man sighed, leaning against one of the storage units in the garage.

“I messed up with (y/n). I did something and it was my fault, I know it was. But she’s not happy with me at the moment and I just want to make it right.” Max summarized, not sharing any more details to protect the privacy of your relationship.

GP motioned towards Kelly who was talking to one of the other influencers in the garage, “Does it have to deal with that?”

“Unfortunately.” Max mumbled, crossing his arms and choosing to stare at the floor.

GP took a minute to stare at his driver. Max was deflated, he wasn’t as hyped for the race or over explaining some random fact about god knows what. Instead, Max kept to himself, greeting people when he had to and communicating with his team prior to the race. Other than that, Max chose to stare at his phone and look longingly outside the garage.

“Listen, I don’t know what exactly went down. But I’ve seen you with (y/n) and she clearly makes you happy, we’ve all see how lively you are with her around. You’ve got a lot of groveling to do bud, but it’ll be worth it.” GP advised, clapping Max on the back to wake him up.

“She’ll always be worth it.” Max quietly said, taking another glimpse at his phone. Only to be met with his wallpaper of you and him, with no notifications.

ଓ⋆˙⟡₊ ⊹

Christian Horner stared at his monitor at the pit wall watching as drivers and their teams gathered on the grid. He saw Checo by his car, taking a few sips of water before the race. When the camera panned to Max’s Red Bull, the driver was no where to be seen. Sparing him a second of wondering where his driver was, the camera cut to the garage where Max stood, race suit at his waist, looking no where near ready to participate in the race.

“Why is Max not in the car?” He turned to GP, stress evident on his face. GP turned in his seat and looked back into the garage to see Max pacing. Cursing under his breath, he excused himself from Christian and rushed to Max.

“Max, the race is literally about to start!”

Max stops his pacing and places his hands at his hips, “I need my girlfriend.”

“What?” Bradley and GP both stuttered out. Max deadpanned at the two men in front of him.

“(Y/n), I need to see her before the race.” Max demanded. Bradley pinched the bridge of his nose, “Max, she’ll be here after the race, you’ll be fine.” He pushed the balaclava towards Max’s chest, who simply let the mask fall at his feet.

GP sighed at Max, before calling one of the Red Bull employees.

“Please send out a search for (y/n), Max is refusing to get in the car.” He whispered to the intern. The girl looked at him confusingly but nodded and set out the garage.

ଓ⋆˙⟡₊ ⊹

You rushed as best as you could in kitten heels towards the Red Bull garage. You were supposed to be at the garage at least half an hour ago. You and the girls got caught up catching up with each other’s lives that none of you realized it was getting close to lights out. It truly was a funny sight, the three of you rushing out of the Paddock Club and running through the paddock like a bunch of maniacs.

“(Y/n)!” You heard someone yell. You stopped in your steps and looked around, only to see a girl dressed in Red Bull uniform. You recognized her, you believed her name was Nicole and was an intern for the team this season.

“Hey! Is Max on the grid already?” You approached her, a little sad that you missed seeing him before the race.

“No, he’s actually waiting for you. They’re sending out a search for you because he’s refusing to get in the car.” Nicole explained, placing a gentle hand on your back and guiding you through the crowd of fans and towards the garage.

ଓ⋆˙⟡₊ ⊹

GP released a sigh of relief once he saw you enter the garage. He shoved Max’s shoulder to avert his attention to you.

“What—oh,” Max began, only to stop himself and rush towards you. You met him half way, placing a hand on his elbow.

“I’m so sorry, I didn’t meant to stay there for too long.” You quickly apologized. Max shook his head, “I don’t care, I’m just happy you’re here.”

Your brows furrowed at him, “Why are you here? Why aren’t you in the car yet?”

Max placed both his hands on your waist with a faint blush on his cheeks, “I need my goodluck kiss.”

You paused your actions, “You’re kidding me. Max, the race is about to start in five minutes!” You scolded your boyfriend.

“Please, schatje.” He pleaded, leaning closer towards you. Other team members and guests watched the both of you, the scene in front of them peaking their interests.

You gazed up at his stormy eyes, giving in because you knew he was stubborn and wouldn’t stop until he got his way. Plus, the team would hate you if you lowered their chances of scoring points this weekend.

“Just because I kiss you doesn’t mean I’m not mad at you anymore.” You clarified quietly. His forehead nodded against yours, “I know schatje. I promise to make it up to you, I really do.”

A small smile forms on your lips, “I know, Maxie.”

Max takes that as his sign to crash his lips onto yours. One of his hands support the back of your neck while the other rests on your lower back. You smile against his lips, pulling back and placing a peck right above the small mole on his upper lip.

“I love you.” You whispered to him.

“I love you too.” He whispered back. Before you can fully pull away from him he quickly adds, “I’m serious about my promise.”

“I know, baby.” You squeeze him comfortingly. “Now get out there and win the race. Stay safe.”

He pressed a kiss to your forehead as both you and GP ushered him towards his gear that’s been waiting to be put on.

ଓ⋆˙⟡₊ ⊹

A man of his word, Max won the race. With at least a five second gap between him and Lando, your boy was top step yet once again. As much as he won, the thrill of seeing him win and crossing the finish line never got old. You celebrated every win of his as if it were his first. You’d always be proud of him, whether he got pole or not.

Many of the engineers and members of the team began to rush towards the grid, eager to greet Max once he got out the car.

Looking around, you suddenly make eye contact with Kelly, who seemed to have been sizing you up. You weren’t really sure what look was on her face, but the hints of a snarl were on her lips. With her nose stuck up in the air, you watched as she carried her daughter and began to follow the rest of the team.

“Don’t mind her. You’re the one he wants to see when he gets out that car.” A voice said from beside you. You jumped, coming face to face with Christian. Your eyes widened at your boyfriend’s boss. Prior to the race, he was informed of the search party the entire team had for you to get Max in the car. While he was annoyed earlier, he thought it was rather cute that Max was so fond of you.

“You know, he’s never begged her for a good luck kiss.” Said Christian, a knowing look on his features. “You on the other hand—he can’t seem to function whenever you’re not around.”

“I’m sorry, I didn’t know he was gonna put that much of a fight earlier today.” You apologized, feeling a bit flustered. “He’s a bit stubborn sometimes.” You added, to which Christian chuckled at.

“Oh, I know. Max and I have worked together for years.” He stated. He glanced out the garage and motioned towards it, “C’mon now, I’m sure he’s already looking for you.”

ଓ⋆˙⟡₊ ⊹

You make your way through the crowd of Red Bull members, many of them recognizing you and helping you squeeze through till you were at the very front of the barricade.

Max was already out, helmet in his hand, while his other embraced GP and a couple other engineers. You watched as he high-fived Penelope, barely sparing a glance at her mother. A little burst of pride went off in your stomach, you couldn’t help it.

His blue orbs scanned the crowd of red and blue, looking for you. You yell his name, his eyes immediately finding yours. A smile breaks out on his face as he rushed over to you, dropping his helmet in the process. Despite the barricade between you two, he wraps both his arms tightly around you, lifting you off the ground.

“Max!” You squealed, your arms wrapping around his neck. His large hand found your cheek, slightly pulling you away from his neck so he can connect his lips with yours. Naturally, your lips moulded perfectly against his moving in synch. The team erupted in cheers around you.

“I’m so proud of you!” You tell him once your lips separate.

“I couldn’t have done it without you.” He grins, gently pinching your bottom lip between his pointer finger and thumb.

He couldn’t stay long, being told that he had to get to the podium for the trophy ceremony.

“I’ll see you after the podium, schatje!” He yelled with a wink over his shoulder, causing a blush to form on your cheeks.

ଓ⋆˙⟡₊ ⊹

The ceremony and the media tent took a while, you finally got to see Max an hour later. You were sitting in his driver’s room, when he bursted through the door already looking for you.

You stood up, smiling at him, “Hey.”

He mirrors your smile. Placing the trophy on the couch he opens his arms for you. You walk into the comfort of his hold, burying your head into the crook of his neck and wrapping your arms around his torso.

Finally it was just the two of you.

“I’m sorry.” You said, though it came out muffled against his skin. Max’s hands stopped the circular motions they were rubbing on your back.

“For what?”

You pulled back looking at him, “I overreacted about the whole Kelly thing. I should’ve taken your word for it.”

Max immediately shook his head, disagreeing with you. “No, you were absolutely right about her. I should’ve listened to you from the beginning. The moment I said hi to them she was already trying to come onto me—I avoided her by the way, I just entertained P.”

“I’m also sorry for what I said about P. I was in the wrong for that comment.” You said, a small grimace on your face when you remembered the off hand comment you made about the poor child.

Max chuckled, “Schatje, seriously, it’s okay.”

His calloused hands were rough against the soft skin of your face. He tucked a strand of hair behind your ear and cradled your jaw in his hand.

“I may have a soft spot for P, but they’re in my past. You’re my future, (y/n). The future that I only want and see myself in.” Max admitted. Your eyes gleamed at him, “You’re the future I want too, Maxie.”

“Good because you’re not getting rid of me that easily. You’re stuck with me.” He joked, squeezing your cheeks.

“I love you. So much. I know it seemed like I didn’t trust you today, but I want you to know that I do. I fully trust you with my life and I mean it.” You said, your fingers playing with the ends of his hair at the nape of his neck.

Max nodded, “I believe you. I love you too.”

The two of you basked in the silence and comfort of being in each others arms. Max was the first one to break the silence, “You don’t have plans after this right?”

You hummed against his neck, “Besides celebrating your win, nothing. Why?”

“Because I’m taking you out on a date.” Max proudly announced, a goofy smile on his lips.

“Don’t you wanna celebrate with the team?” You asked him. Max shook his head, “Nope, the only person I want to celebrate with tonight is you.”

You giggled at Max’s antics, “Whatever you say, Champ.”

[arowitharrows]

I fully support Pluto as an aro symbol (x) but as a space scientist I cannot support any arguments that claim it's because Pluto should be a planet. The true reason Pluto is an aro symbol is precisely because people tie the amount of love and care this wonderful celestial body receives to which label it has. Just because a relationship with someone is not labeled as romantic should not mean that this relationship has to be treated as less worthy of time and care and effort. Just because Pluto is not labeled as a planet does not mean it is less worthy of our time and care and effort.

Here is another reason Pluto is aro: Pluto has a heart shaped region called the Tombaugh region:

[ID: an image of Pluto and it's heart shaped Tombaugh region, with the moon Charon in the background. End ID]

Now, Pluto and it's moon Charon are tidally locked, meaning they always face each other with the same hemisphere. Pluto's heart is always facing away from Charon. Some articles have phrased this as being tragically romantic, but I disagree! Here are two celestial objects orbiting each other for billions of years, and they are doing this while Pluto keeps it's heart hidden. Because in this case, love is not part of the equation that makes up their bond, romance does not play a part in their gravitational pull towards each other. That's aro as fuck, in my humble opinion.

[ursie]

Brennan’s statement on Palestine :

[ ID: Statement from Brennan Lee Mulligan, on Instagram. It consists of three black squares with plain white text. The text reads as follows:

"I'm calling on my government officials to immediately demand a ceasefire and de-escalation in Gaza.

I applaud anyone and everyone calling for peace, with the understanding that real peace only exists if it deeply and honestly accounts for and fully ends violence in all its forms. Real peace addresses and corrects wrong-doing in the past and guards against it in the future. It goes hand in hand with justice and requires truth, restoration, reconciliation, reparation.

Peace cannot co-exist with collective punishment, ethnic cleansing and forced displacement. It cannot co-exist with blockades, embargoes, or with 2.2 million people, half of which are children, trapped with no hope of escape or political recourse. it cannot co-exist with murdered journalists, bombed hospitals, or years of protesters being shot and killed at the border. it cannot co-exist with illegal settlements, segregated roads, and the silent, imperial chill that settles over the gaps in the violence - the unspoken geopolitical consensus that a group of people need to unflinchingly accept permanent subjugation and occupation.

My hear breaks for every Israeli person who lost loved ones during the attacks of October 7th. It breaks for every Ukrainian person who has lost their loved ones. It breaks for every Congolese person who has lost their loved ones. I do not speak on behalf of Palestinians now because some lives are worth more than others. I speak on their behalf because I, and all Americans, have a responsibility to pressure our government because we are responsible for this. Some have said that this situation is complicated. The Unites States government clearly disagrees. It has definitively, categorically, militarily chosen a side, and I do not agree with that decision.

In wiring this, I have been wrestling with what I am sure many people like me wrestle with: There is a powerful narrative surrounding violence in the Middle East that asserts and ever-moving goalpost of self-education and study in order to even be qualified to have an opinion. As someone with a love of research, I have at times in my life fallen into the trap that I am not educated enough clever enough, or aware enough to have a worthwhile perspective, and that three more articles and two more lectures and one more book will do the trick. Unfortunately, democracy doesn't work that way - we, the citizens of any democracy, cannot possibly be experts on every aspect of the policies of our governments, and yet if we do not constantly weigh in an make our voices heard, the entire experiment falls apart. Not only do people constantly doubt themselves and the things they can see with their own two eyes, but old shortcuts for political action can fall apart as well: This specific issue exists along a raw, charged and unique faultline in American Politics. Nobody I grew up with has ever challenged me on my support for abortion rights, LGBT rights, Black Lives Matter, anti-capitalism, anti-fascism, none of it. The people in my country who would despise me for those positions are, for all intents and purposes, strangers to me. But there are people who I've broken bread with and shared honest affection with who will see the words I've written here and incorrectly conclude that I do not wish for the security, dignity and happiness of them and their loved ones, and that breaks my fucking heart. Full-throatedly condemning the actions of the Israeli government while battling rampant anti-semitism at home is an urgent moral necessity, and doing so is made unnecessarily challenging for the average person to navigate by the pointed obfuscations of cynical opportunists, bigots, and demagogues on all sides of the political spectrum who see some advantage in sowing that incredibly dangerous confusion.

So, I'm calling my representatives. I'm having hard conversations with friends and family. I'm here, talking to you. I should have done it sooner. If you're Israeli and hurt by this statement, know that I want freedom, dignity, security and peace for you, and that every ounce of my political awareness believes whole-heartedly that the actions of your government are not only destroying innocent lives, but doing so to the detriment of you and your loved ones' safety. If you're American and feel lost and confused - I understand and empathize. This, the whole country, only works when we get involved. I am constantly haunted by the specter that maybe I missed some crucial piece of information on this, or any, important world event. I'll just have to make my peace with that self-doubt and trust my gut by going with Jewish Voice for Peace, Amnesty International, the Geneva Conventions, the United Nations, etc. And if you're Palestinian and reading this: I unreservedly support your right to life, to freedom, to happiness and human flourishing, to full enfranchisement and equal rights, to opportunity, prosperity and abundance, to the restoration of stolen property and land, and to a Free Palestine." End ID ]