#but in context HE was the champion so it comes off as almost self-deprecating

[purenguyening]

In my opinion, the funniest line in all of Emerald.

[rumblelibrary]

The Diary of Doctor Laszlo Kreizler

Chapter 1  -  Chapter 2

Synopsis: Alienist’s notes are private, sometimes gruesome, secrets of others and of himself.Those pages belongs to secrecy and decadence, have a glimpse to this world made of drafts, notes, accidents and reflections. Or maybe it is you the only person that should ever reach for it.

While you read this imagine Laszlo mostly at the end of his day, scraping the ideas and the thoughts, adjusting previous notes with additions, closing the day behind himself with a couple of sentences while sitting in his evening robe, a good glass of whiskey and his glasses bridged almost at the tip of his nose. Or maybe imagine yourself, you sneaky thing, reach for it from a far shelf.

Word count: 3.5k

Warnings: listen, this is the set of ideas and confessions of a man living in the 1890’s. Most of them will be outdated, rough, even deprecating in some analysis of the roles of men, women and social status, religion, etc.So be prepared, my point is to make Laszlo reflect upon those topics, but to be as faithful as I can to his time. Mention of death, mutilation, self harm and sex. Psychologically troubled young children ahead! Author’s note: The story is placed between season 1 and season 2. Thank you for everyone that encouraged me to keep going. I have to wait for my local drop of serotonin to get fully Laszloed to go through this.

Lyra’s Contellation, Illustration taken from Uranographia by Johann Bode

Routine. Routine is comfort. Habit stabilises the character.

If you follow a routine, you won’t ever be victim of imprudence, of evil jokes of fate. The stability earned through calculated and repeated actions brings a sense of fulfilment that forbids other thoughts to come bashing in, breaking rules, breaking hopes that a solid scheduled routine forbids to have. I take my time to begin this week, I planned the things to do, the next steps for the case, the people to meet, the resources I am allowed to contemplate. I feel good, I feel back to myself and the events of the weekend seem far from me and my own perception. I probably got ahead of myself, carried by some instinctual though and random rush of emotion, to be always in contact with the same people and mostly kids probably doesn’t help my stance in the presence of other adults. I feel silly now reading back the last page, I felt tempted to tear it off, but to keep it there should be a small memento of not losing my temper so easily. I read it over and over and I know I am not as charmed as I thought I was. I am just lonely. I have always been and it is normal to face ups and downs even for a man of my age who is more accustomed to it.  To desire a partner is a natural instinct, to find somebody attractive is meant by nature, it is the body calling for the natural fulfilment of the reason we are put on this very Earth.  But even in a state of nature my own condition would be forbidding me to be part of the natural process of growing my own kind. I am the type of male that would be excluded because of his impossibility to give the protection to the pack, therefore it is just more reasonable to me to adapt to my condition. No matter what my Potentia generandi might be (the ability to procreate).

With all the smugness that characterises him, Niki showed off that he passed my challenge. But to be really of an help to his antics I didn’t show any kind of surprise. I treated him like he did the bare minimum, like he didn’t prove me any kind of superiority. He has a natural attitude toward challenging the figure of power, he is trying to overpower me, but I won’t satisfy his need. I have noticed he has a very technical brain, he finds ways to solve problems in ingenious way and not by throwing himself into the task. I proceeded giving him to work on a clock, an old broken one we had in the institute, one of the kids hit it with a ball years ago and nobody ever worked on repairing it. I gave him the clock, a couple of screwdrivers and a book. He called me a number of German names I won’t transcribe, but it gave me a certain amount of satisfaction. If my intuitions are right, I am sure the clock will be repaired by next week.

Analysis of the victim’s body through John’s eyes. The drawings and sketches are as detailed as I requested, all of this thanks to you joining him. I deal with art critic section, I am used to notice these things. You assure me, you play yourself low and I wonder why, nevertheless you did notice things neither John or I did, which pleased me. It fooled me, distracted me from my purpose to not give in to your witchery, as I leaned closer watching your pale hand move across the pages tracing this or that line, showing how this must be done with the killer on this side and not that side, with words so deliciously elaborate, your way of composing your speech is compelling, you could sell the drawing of a kid like it was a Botticelli. I noticed the shape of your hands, the way you move them, I wonder if you play an instrument, or played, some habits just stick with you through life. I focused on taking notes, your ideas and instructions giving me a new point of view, a new stimulus. What if that is the only way the killer can communicate? Or what if this is the communication that works for him? Could our killer be mute or deaf? Or that’s how society made him feel? This man, or woman, needs a listener and I am afraid that now, since he got our attention and the public’s, he won’t stop. Another killing could be just as close.

Scheduled: meeting with the parents of Alex Garel for new admission, Monday next week at 11 am. Love at first is a fetish and like all fetishes it is based onto an object that hides a deeper meaning, like gloves mean hands, to love at first sight means to see somebody that you think, and think only, to have the chance to share not only a sensual kind of bond, but an intellectual. Love at first sight is based onto not knowing someone well enough, but having the time to idealise most of that someone. I can see why I feel this attraction, using a particular phrase that Sara often mutters when investigating: you tick all the boxes. I know you do, your beauty is everything but conventional, you’re the kind of face that painters would paint and musicians would write hymns about, but any animal on the street would never be allowed to see. You have the grace of the body and the fire in the eyes, and then you speak. When you speak, I realise, you could bring the world to its knees. Also, you never speak out of context, and if you do it is to ease somebody’s position. You do it often with John or with Stevie, you say something really silly in order to put them back to a place of comfort. Some women would call it self deprecating, but I see that you only pick wisely your fights and your wins. You don’t need to earn your peace and quiet by neglecting, but by lifting up the others. I wonder if you do it with me too, if your silences are just you allowing me to be in a better place while instead your judgment is tearing me apart. I shouldn’t care, but I keep wondering, sometimes I take my time to answer you, I analyse every shade, every peculiarity of your question, I am looking for sarcasm, for a condescending voice, for something to hang on and bare you open. To prove myself you’re not perfect. But deep down I know that you do, you judge me and you do well.

Mother never said so. That’s what one of the girls in my care said today. Ursula. She is tough. Skin as thick as an alligator and the tendency to pull her own hair at night or when under a massive amount of stress, enuresis alongside erratic episodes of mutism. I tried the soft approach, it didn’t work. She is too accustomed to be indulged. Therefore today I pushed her a bit overboard, I teased her over opinions on the female body, the female role, she is only 12, but she is soon to bleed, she knows, I can tell from the way she clenches to her skirts, from the way she looks at me as a threatening figure. I am the incarnation of danger to her. Under her steady silence, I pushed a bit more, asking how her mother taught her to be nice and submissive. Does her mother tells her she is going to be a good wife? The phrase, which I reported at the top of the page, surprised me.  What is her mother teaching to her then? What closed her so much, locked her soul away, making a small bird like this choose the silence and the retirement of self inflicted pain over, what? Mankind? Or just Men? Is that even a curse? Should I cure her from a truth that her own mother whispered to her ear one night before bed and made a child decide that the world wasn’t a place to share her time with? Am I the man supposed to teach her that men are worth of trust? In the eyes of modern society, who measures its own value over the modesty of the women, she would be a champion, but at what price? I can’t in any way let her parents bring her back home after our recent meetings. Nevertheless, I have to make up my own mind on how to give her troubled soul ease without making her believe in fables. I, as a man, regard myself not worth of any of the trust they expect me to teach her.

In all of my years practicing with people’s feelings and traumas, I challenged myself to find those same traumas within my own mind. It is a tricky game, terrible, anguishing at times. But it straightens me, the pain of others, the pain of kids mostly, so unadulterated and pure, breaks the curtain between me and the lies that I often surround myself with. Pain is made of method, you can open it up, you can scrutinise it, part it piece by piece dividing it in sectors and, partitions, centre part, side part, heart of the problem. Pain is reliable. Happiness is not. It is random, cruelly sudden, unexpected, it washes over you in such deflecting way only to leave you alone a moment after ashamed and alone. I saw you again today. You were in a table full of what I could only guess as your former university colleagues, I saw pain in you, not heavy but constant. Annoyance, a bit of sadness. Your head titling on side and your eyes drifting on the left, you’re imagining something away from them.  A place? An object? Or maybe someone? Your hands play circles at the bottom of the flute of your drink like kids do, your smile only one sided. I don’t see you speak at all, only listen.  What could keep your voice down? I almost gulped down my own breath as you looked up and I realised how I must have looked. I was having lunch on my own, in a very private table and even entertaining myself with a newspaper on the side. I wish you didn’t, but you came over, your eyes shining.  Did I save you? Or maybe I was just a good excuse to leave that painful meeting behind. Don’t be so nice to me, it is not healthy. Don’t look at me like you expect anything more from me than me listening. I won’t smile back at you, I won’t give you care, attentions or thought. I won’t lean for your perfume, I won’t obsess over that dress you wore, that pin that adorned your neckline keeping your undershirt in place, a silver robin, I remember. I won’t remember the number of the buttons on the side of your glove, three. I won’t observe the little moles just under your ear. A small constellation, I later realised, hidden between your ear and the beginning of your neck. I don’t need to check in my books. It is a constellation. It is Lyra. Why? Why you must be like this? Are you the Lyra? Are you the instrument of Orpheus come to me to drag me out of Hell? The Tartarus holds my soul and you should know already, I am not worth the quarter part of Eurydice to be saved and she never came back anyway. I won’t be now recollecting the way your teeth sunk in the inner side of your cheek when you apologised for the annoyance.  You apologised twice, I ignored you both times with a raised hand to request peace and silence. I am not letting you in.

Reserved: Tickets for Wednesday’s evening Traviata by Giuseppe Verdi. The guest female lead promises a beautiful show.

Leonardo, as I am learning through Paul Valery essay, is who I would define as a figure of projective identification of the Subject or, to better explain it, of the knowledge of the Subject that formed and grew through the use of sketches in the experience of the Artist. I have always thought that the finest form of art was the representation of knowledge duly undressed by any personal identification. Leonardo, instead, proceeded to represent the figure through the essence of the artist, a representation technically unlimited on objects and symbols and that keep expressing the transformation and development of Leonardo’s own being.Some artists are testimony of the destruction of the world, of the loss of eternal beauty over decadence. And then you have Leonardo, who creates an art that is the gravity of the world’s system, of the nature, of thoughts and abstractions. I wonder if our killer does the same, if the way they presents the victim through their own personal view, if what we can read there it is their stories, their pains, their needs. Their happiness and troubles. What are they trying to tell me?  I need to know, I need to know to save a life, of course, but I also need to know to be able to sleep at night. Hair, hair are the epitome of femininity in any era. I keep studying Ursula and her habit to pull the. I took notes on it: she picks them by the bottom, slowly separates them until she gains an amount her mind defines satisfactory and then she rolls her finger and pulls, she does it until her finger is empty and there are no hair left. I find her process incredibly interesting. In men’s case the display of physical attributes is not as vital, a beard can be appreciated but does not modify the power of seduction of a grown man. On the contrary, for women hair are a vital part of their attractiveness toward the opposite sex, society sees the hair of a woman as part of their vital characteristics, also in ancient times for a woman to cut her hair or have her hair cut was a sign of deep separation from the society. Only heroines or whores wore that mark and the association of the two is so rooted into the way society always parted the role of a woman in two that it is nauseating to think of. I am still fearing to let Ursula go away, the repulsion that she is showing toward her own body makes it difficult even for me to crack her shell open as a man, but my deepest worry is when that hate will take a scarier and deeper tool on her. How a girl with such  a fear of what her body can do, like sex or pregnancy, can endure in the future to have an husband? Or even to be courted by anyone?

John is helpless and I admire him for that. He doesn’t hide it, he just is. He is vulnerable and exposed, he is an open well bursting with doubts and feelings and troubled waters. He is genuine in a way I could never be. Maybe that’s why I despise even more him talking about you, how he sees you every morning, how you greet everybody, how you behave even with interns, how you like your coffee.  Your talents, your wits, how you said this and acted like that and reasoned through him. How you forbid him to drink even when he felt tempted. How you stayed late over to help him collect all the informations I requested him to get. To him. Not to you. The evil demon of envy scratching in the back of my head screaming like a siren out in the sea, he demands to be heard, he demands to be allowed a part in this game. I won’t allow him that. I won’t allow myself any of that. This is a pure game of chess, if I give in a pawn now, I will lose my knight, and I know it. I advice him to not be so closed minded when he praises you, only to get surprised by the charms of a natural logical mind. I find a way to hurt him, he is an easy target, I look at him as his eyebrows twitch and he summons his patience on me. He lost the plot about you already, his bruised pride taking over. You won’t come into my life.

“Un dì, felice, eterea, mi balenaste innante, e da quel dì tremante vissi d'ignoto amor.”  (“On a day, happy and ethereal, you appeared in front of me and from that day, trembling, I lived on an unknown love”)

The words of Alfredo in the first act of the Traviata keep running through me, a chant that won’t let me go, almost painful. The Opera House, that was my hiding place, a place where in plain sight I could let out myself, unleash. The catharsis of the characters involved running through me, I didn’t need anything but their voices and those musical instruments to let out my fears, doubts and anger. When Alfredo came to the scene tonight, the lights were strong and slightly pinkish, the performer bursting out of the seams with passion. My eyes diverted only to see you there. Alone. Those blinding lights gave you the the radiance of a vision singing the notes of greek myths and heroes, that dark blue evening clothing rang through my eyes like it was a bright yellow, the little shiny details that adorned you so clear against the heavy lighting to look like transparent pieces of water collected to adorn your beauty. I wasn’t me, but Alfredo, and I was helpless against you sitting so far and yet too close from me. I was naked in front of thousands. I am aware of the effect you have on me and our last conversation was barely regarded as one. This is infatuation, this is the pure work of a lonely mind and not something worth of any of all the words that I am dissipating here. Yet. I saw you cry at the climax of the opera, Violetta, the protagonist, heartbroken falling on stage consumed by pain and regret for her lost love and ultimate sacrifice. Your eyes shone as you tried to hide the tears and collect yourself. Through my binoculars, I saw your throat tremble and gulp down something more than just a sigh of pain. Your jaw clenched, your gloved hand moves to hide your shaking lips. I reckon, I have never seen such sad lips look more inviting. You look at the wall on your side breathing through your nose and not even that can save you by the strength of the voice of the soprano. You’re defeated and so you brought a fine silk handkerchief to your eyes, your shoulders bent inward in self defence.  The Opera won. It won you like it always wins me. I wonder if you felt like this because of a past lover, somebody that broke your heart and made you feel wrong in any way.  And because of that little wonder it is even more clear to me why I am a man worth of no trust. Because for a moment, I know, I wished to be the one that broke your heart. That gave you just the pain you’re inflicting on me so mercilessly by offering intoxicating kindness and beauty.  To own your thoughts, tears and shame. To be the one man you have to look away from. I want to own all of that and, maybe, I will be freed of you the day you’ll be just another human being that hates Dr Laszlo Kreizler.

Tagged @cazzyimagines​ @lieutenantn​ @handmaiden-of-mischief​ @thesunflowersutra​ @zemomybeloved​​ @fictionlandslanddreams​ @charistory​ @greeneyedblondie44​ @apparrio​ @hb8301​ @whatawildone​

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[thecomedybureau]

The 100 Best Things in Comedy We Were Witness to in No Particular Order of 2016

2016 is officially, finally, thankfully over (as long as you don’t think about time largely being a human construct, a new number of year doesn’t make things automatically better, and Trump becoming POTUS).

So, it’s time for our year end list, The 100 Best Things in Comedy We Were Witness to in No Particular Order of 2016.

For reference of how we do our year-end, best of lists, which is a far cry from most other comedy best of lists anywhere else, check out our lists from past years: 2011, 2012, 2013, 2014, and 2015.

Got it? Great.

Here’s 2016′s edition:

1. Jake Weisman's Send Up of Peter Travers Reviews-Rolling Stone has gone through so much recently, you might have forgot this amazing NSFW parody that Weisman made of Travers movie reviews.

2. Rory Scovel’s set on Conan Where He Went Into the Crowd-Rory Scovel pushes the envelope in stand-up in the best ways imaginable and this latest Conan set is evidence of his juggling of being fearless and silly at the same time.

3. Conan Without Borders-Conan O'Brien's trips overseas to Berlin and South Korea highlight every single comedy gear that Conan can shift into and proves that he can almost make any situation hilarious.

4. "Killer" by Matt Kazman-Kazman achieves one of the best comedic payoffs on screen in 2016, including film and TV, with this incredibly crafted short film.

5. The Jackie and Laurie Show-Jackie Kashian and Laurie Kilmartin found a way to make a podcast where comedians talk comedy and have it be original, damn funny, and crucial.

6  Hebecky Drysbell-Reigning all time UCB Cagematch champions Heather Anne Campbell and Rebecca Drysdale showcase such virtuosity as an improv duo that is as hilarious as it is, when we think about it, beautiful.

7. Chris Estrada-If you’re looking for diamonds in the rough right now, we’d say catch Estrada’s next set and you’ll see how great his jokes are drawing from his life growing up in LA. 

8. Cool Sh*t/Weird Sh*t's Neighborhood Walking Tour-the LA outfit of the experimental comedy show brilliantly took its audience, one night, around the block and staged such moments as a couple fake fighting in a real Food 4 Less, a woman crying trying to explain the plot of a movie in a Walgreens, and running into an adult orphan waiting to be adopted off the street.

9. Womanhood with Aparna Nancherla and Jo Firestone-Nancherla and Firestone compliment each other so well in being goofy on this show that goes through absurd explanations of  “womanhood” that it should be the next web series that gets made into a full fledged TV show. 

10. Fleabag-Phoebe Waller Bridge has the UK's fantastic, epic answer to You're The Worst.

11. Giulia Rozzi's True Love-Rozzi’s hour achieves what a good rom com achieves by skewering love and all of its faults as much as it celebrates it.

12. Mike Leffingwell's 12 Angry Men: The One Man Show-The concept of a single man doing a solo show adaptation of the classic courtroom drama 12 Angry Men is funny enough, but Mike Leffingwell then pulled off performing it perfectly.

13. Josh Sharp doing an hour while dipping in and out of singing D'Angelo's Untitled (How Does It Feel?) with a live band-Sharp's stories are wonderfully crafted and told, and then, accentuated by his lovely voice singing D'Angelo’s most well known song like there's no tomorrow.

14. Not Safe with Nikki Glaser's Remote Segments-Glaser fed porn stars lines for scenes, visited a foot fetish convention, and highlighted sex in such a fun way that wasn’t attempted by any other TV show.

15. Last Week Tonight with John Oliver's Make Donald Drumpf Again-Oliver and company's take down of Trump was one of the best researched, strategized, written, executed pieces on Trump during this whole election cycle.

16. Disengaged-Jen Tullock and Hannah Utt's web series following a lesbian couple rushing into marriage was one of the best pieces of romantic comedy we saw in 2016

17. [F*ck This] Late Night Show with David Brown-In a way, David Brown sees Eric Andre’s rebellion against the traditional late night format and raises it some more chaos. He has a separate creative team ruining his talk show as it happens via flashmobs, waterboarding, etc.

18. Baron Vaughn’s Blaxisential Crisis-Baron Vaughn’s latest album oscillates perfectly between deep and crucial issues of race, class, purpose and flights of imaginative fancy putting Vaughn almost in a class by himself.

19. Crabapples with Bobcat Goldthwait and Caitlin Gill-the odd couple pairing of Goldthwait and Gill is unlike anything comedy has seen before. Because it lives in truth (they really are roommates), it’s one of the best hosting duos in comedy today.

20. Megan Gailey-Gailey, with her stand-up, is simultaneously an undeniable delight and a force to be reckoned with, which only doubles up how delightful she is to watch.

21. Liartown USA-When it comes to parodying covers for books, magazines, Netflix menus, etc., Sean Tejaratchi might just do it better than anyone as you can see above.

22. This Bill Burr joke: “How many Toyota Camrys do you have to see before you realize most people’s dreams don’t come true?”-We usually refrain from transcribing jokes out of context and in print, but we haven’t stopped laughing at this searingly honest joke from Burr since we first saw him work on it several months ago and felt it imperative that it be on this list.

23. Sing Street-The 80s, Ireland, young love, and diegetic musicals get married perfectly in this film by John Carney that spent far too little time in theaters.

24. Derek Sheen's Tiny Idiot-This album made it clear that Sheen could be an heir apparent to Patton Oswalt, bu very clearly has his own, unique comedic take on the world today.

25. Stephen Colbert's Close to His Election 2016 Live Special-For once, the world got to see the real Stephen Colbert who is so intelligent, well spoken, caring, and one of the only people that could pull of dealing with immediate aftermath of an impending Trump win on TV.

26. Will Hines' A Soundly Defeated Man-Hines, in a series of sketch vignettes, takes the comedic self-deprecation to a new level of artistry by showing how defeated one man really can be.

27. The Lobster-Yorgos Lanthimos might have made the best dystopian rom com in recent memory and, possibly, for several years to come.

28. Jena Friedman's American C*nt-Friedman is unrelenting in her dismantling of the patriarchy amongst other several other controversial issues. She handily deals with them in this special, placing her in a very important position in comedy going forward in 2017. 

29. Jamie Loftus-Loftus is that amazing rare breed of comedian that blends dark, absurdist humor with genuine vulnerability and she can do so in her stand-up or through own self-styled animation (ex. doing her own animations for old tapes of how to tell children about someone dying). 

30. Chris Duffy's You Get a Spoon-Duffy’s NYC based, curated variety show is filled with so much positivity from celebrating the favorite things of his favorite performers that you almost can’t leave the show without a smile on your face (or winning a prize).

31. Bear Supply-The quick, music fueled scenes of Mike Castle, Shaun Boylan, Joey Greer, Jordan Bull, Morgan Christensen and James Heaney is impeccable improvisational comedy. 

32. The Cooties-Musical comedy is alive and well with the satirical power pop songs of The Cooties.

33. Aparna Nancherla’s Just Putting It Out There-Aparna’s album is proof positive that her wondrous version of self-deprecation can be ultimately uplifting. 

34. Hunt for the Wilderpeople-Taika Waititi continues his film streak with a charming-as-can-be film about a troubled youth surviving in the wilds of New Zealand.

35. Don't Think Twice-Mike Birbiglia gets really close to hitting too close to home for some people in comedy, but that draws out one of the best depictions of life in comedy (or attempting to do so) that has ever been put into a movie.

36. The Opening of The Pack Theater-The DIY, punk rock, spirit that runs in the veins of much of LA comedy got a new, wonderful outlet at The Pack Theater.

37. Jetzo-Chad Damiani and Juzo Yoshida mash-up improv, clowning, kimonos, dramatic live musical accompaniment, and breaking the fourth wall to make the marvelous whirlwind known as Jetzo.

38. DJ Real (Nick Stargu)-SF comedian Nick Stargu’s alias DJ Real mixes an uncanny command of musicianship with an über-clever style of comedy that dazzled and had us doubling over laughing at the same time.

39. Daniel Webb-Hailing from Austin, TX, stand-up comedian Daniel Webb is a splendid rush of charisma that probably has a better Obama story than almost anyone you know. 

40. Laurie Kilmartin's 45 Jokes About My Dead Dad-Kilmartin’s special, born out of jokes she tweeted while her dad was passing away, is so darkly funny and has an unmistakable humanity, which has us rethinking that maxim of comedy equals tragedy plus time. 

41. Kristin Rand-LA got a brief glimpse of the unstoppable charm of Rand when she moved here from Denver and was all the better for it.

42. James Fritz's Still Together-The way Fritz exquisitely channels rage and bleakness into this debut album is magnificent.

43. Roast Battle-What started as two open mic’ers fighting in a parking lot has now earned its way to a March Madness style tournament shown on Comedy Central and we’re betting that Roast Battle still has much more potential ahead of them.

44. Josh Fadem-Fadem made a return to performing more regularly in 2016 and his magnetic positivity and pure, unabashed goofiness (complete with impromptu costumes) definitely got us through the whole of last year.

45. Sam Jay-Jay moved to LA from Boston and took her insightful, brash, unfiltered comedy (that happens to come through the lens of being a newly married lesbian) and has become a the LA scene favorite almost instantly.

46. Dave Waite's Dead Waite-Dave Waite's latest hour takes being a goofball to new heights of brilliance.

47. Of Oz The Wizard by Matt Bucy-Absurdity doesn't get more pure than Bucy's re-editing the classic film version of The Wizard of Oz and alphabetizing the entire thing, start to finish.

48. This Friday Forty-Most other quiz shows can’t compare to Scott Gimple and Dave Holmes' This Friday Forty that not only has topical trivia, but fantastic sketch characters to introduce said trivia.

49. Jay Larson's Human Math-Few comedians so deftly explore the minutia of human nature like Larson does on this album.

50. Josh Gondelman's Physical Whisper-Gondelman's craftsmanship in observational humor is exceptional on this album and accentuated nicely by his sunny stage persona.

51. Kyle Mizono right after the election-There was a lot of raw nerves exposed in comedians right after Trump's win and few did it so purely and well as Mizono. For a whole set, she screamed her jokes with legitimate fury, but without being off-putting (well, if you’re not a Trump supporter that is). 

52. Lady Dynamite-Maria Bamford’s truth and Mitch Hurwitz’s wildly imaginative way of making episodic television combine for a comedy series that is blazing its own trail at a time where that gets harder and harder to do in a show about the life of a comedian.

53. Hail, Caesar!-The Coen Brothers’ latest comedy set in Hollywood’s Golden Age is one of their sharpest and most beautiful works that has plenty of scenes that could be amazing short films on their own.

54. Moses Storm's Sweater-Moses Storm never ceases to amaze us as he, this time, wore a sweater that had several strings attached to it for audience members to grab so they could literally be connected to him while he's telling a story.

55. Full Frontal with Samantha Bee-Samantha Bee has cemented a legacy in her short time on the air with her take-no-prisoners-and-then-some style of satirical news coverage.

56. Gene Wilder and Fidel Castro's New Year's Rockin' Eve (in Limbo)-UCB’s Beth Appel and Rose Marziale put a hell of a show to end 2016 with as they used the whole of the UCB Sunset complex to have an immersive comedy show (a la Sleep No More) that included karaoke with dead celebrities, a fake newsroom, and the woods where Hillary Clinton is living. 

57. Morris From America-Chad Hartigan’s refreshing coming-of-age story following an American black kid trying to grow up in Germany with his single father hit a very sweet, feel-good note that everyone needs to see (especially since it had a short theatrical run). 

58. Britanick’s “The Foul Line”-Though BriTANick had gone a few years without a new video, this absurdist folly makes up for all that time lost.

59. 20th Century Women-Mike Mills' latest is a great follow up to Beginners and is an award worthy comedy that might actually be able to compete with heavily favored dramas this year.

60. Three Busy Debras-The comedy trio of Three Busy Debras got to play Carnegie Hall through this devilishly fun crowdfunding campaign. 

61. Paul F. Tompkins' on Political Correctness-One of comedy's best gave one of the best explanations of political correctness' necessary role in comedy.

62. The Dollop-Shining a light on the dark corners in American history is as important as it has ever been and Dave Anthony and Gareth Reynolds do so with a devilish laugh and their effortless riffing up comedy gold.

63. Floor Knobs-This AOK sketch from Heather Anne Campbell is one of our absolute favorites and, rather than spoiling anything, we'll just leave it at that.

64. David Gborie’s Late Night Stand Up Debut-Gborie takes an unexpected move in his opening to this performances that sets up a truly wonderful late night stand-up debut.

65. Cholofit-Frankie Quinones' cholo exercise guru is done so well that it leaves you wanting it to be a real exercise program.

66. Oh, Hello-John Mulaney and Nick Kroll took two characters from just being a small bit to the heights of Broadway. George St. Geegland and Gil Faizon are just so fully realized and funny that it doesn’t matter if you miss one of their references or not. 

67. Chris Garcia's Laughing and Crying at the Same Time-Garcia meshes deeply personal stories and utter silliness that do the album title justice.

68. Cole Escola-Escola’s solo show follows him playing several outrageous characters (switching wigs and costumes while on stage) allowing for another fun layer in between the cavalcade of delightful, short monologues.

69. Catastrophe season 2-Sharon Horgan and Rob Delaney have kept their devastatingly funny look into an unplanned family up to the very high standard they set in season 1.

70. Triumph the Insult Comic Dog's Election Watch 2016-Robert Smigel might have not known that having a dog puppet on his hand roasting people to their face for years would be the perfect preparation for covering the 2016 election (on both sides of the aisle), but, as the handful of Hulu specials prove, it really was.

71. Joel Kim Booster’s set on Conan-Just telling the story of being adopted by a Midwestern white family from Korea and being gay is fascinating enough, but Joel Kim Booster made that story blisteringly funny on late night.

72. Angie Tribeca-Physical comedy and sight gags would almost seem out-of-turn in comedy these days, but the proudly silly Angie Tribeca on TBS is thankfully changing all of that.

73. Trump vs. Bernie-While ‘Trump vs. Bernie’ will probably be a presidential candidate match-up that more people will long for than ever, Anthony Atamanuik and James Adomian's Trump vs. Bernie will go down as one of the best bits (that includes the live tour, the Fusion series, and album) of comedy to come out of one of the worst elections in U.S. history.

74. Joe Pera’s Set on Seth Meyers-Pera’s weirdness is one-of-a-kind in comedy as it’s very warm and inviting. He got to share that with the world with his set on Late Night with Seth Meyers.

75. Vice Prinicpals-When Danny McBride and Walton Goggins’ diabolical teachers one-up, in the best way, any other teachers in any other comedies that go off-the-deep-end in this HBO series.

76. Brad Neely's Harg Nallin' Sclopio Peepio-Neely's latest creations seems to offer up bits from the weirdest corners of Neely's mind and this animated sketch show is all the better for it.

77. Hari Kondabolu's Mainstream American Comic-Much is deservingly said about Kondabolu’s expertise in talking politics, class, race, etc. in his comedy, but this album also shows that his comedy is stellar no matter where you fall on the political spectrum.

78. Jon Glaser Loves Gear-Glaser does meta comedy better than almost anybody else working right now and his new show on TruTV is proof of that.

79. How to Win at Feminism by Reductress-This whip-smart manifesto about feminism solidifies Reductress’ place in modern satire next to The Onion and Clickhole.

80. Great Minds with Dan Harmon-Harmon getting to spend time with some of history's most notable figures ended up being one of the best shows that the History Channel has done in years.

81. Derrick Brown-Very few poets can reach the point of being laugh out loud funny and still deeply emotive quite like Brown, both on stage and in his book, Uh-Oh.

82. Natalie Palamides' solo show Laid-Palamides makes a solo show that's so absurd and funny, it might almost be in a unique category of its own.

83. W. Kamau Bell’s Semi-Prominent Negro-Bell explores all of today’s hot button issues (racial inequality, transgender identity, gentrification, etc.) comedically, as he is very skilled at doing, but does it in such a jovial way that they don’t seem so controversial anymore. 

84. Other People-Chris Kelly’s hilarious and heartbreaking movie based on his own life in dealing with the passing of his mother from cancer is one of Kelly’s finest work, which is even more impressive as his first feature done while being an SNL writer. 

85. Emo Philips improvising with Jason Van Glass-Emo's comedic prowess is so great that he can improvise with Van Glass like they're a veteran improv duo.

86. Return of MST3K-Of the things from our childhoods that are being brought back, Mystery Science Theater 3000 returning with a sweeping mandate in the form of a record breaking Kickstarter campaign is one that deserves to be revived.

87. Wyatt Cenac’s An Angry Night in November-Cenac’s EP captures lightning in a bottle (it’s his set from his weekly Night Train show) of immediate post-election comedy that is pure, raw, and biting.

88. Justin Sayre’s Gay Agenda-Sayre makes a compilation of his “meetings” as ‘Chairman of the International Order of Sodomites’ that give a hysterical look into the many great, complex layers of LGBTQ life.

89. Ahamed Weinberg-Both as a stand-up and a filmmaker (watch Rasberries), Weinberg is on a path to being another great modern comedy multi-hyphenate. 

90. Jon Dore Gets a Bad Backstory-Dore once again shows how to toe the line when entering the darkest territories of comedic material and do so successfully while being utterly absurd. 

91. Ron Babcock videos-A dying reel and an ad for his old CRV really showcase the cleverness and ingenuity of comedy’s Ron Babcock.

92. Reggie Watts’ Spatial-Watts’ latest special is his best and most ambitious one yet as it includes his beatboxing, a faux sitcom, tap dancing, and way more.

93. Alex & Jude-Alex Hanpeter and Jude Tedmori have figured out how to give slapstick, physical comedy the proper twist for 2016 audiences, which includes a literal bit of audience participation of making Jude a target.

94. Conner O’Malley-O’Malley takes satirical field pieces to a whole new level as he plays and wholeheartedly commits to dark, fully realized characters inspired by vaping, Alex Jones, and Cubs fans. He interacts with real people at Trump rallies, vape conventions and outside of Wrigley Field and goes along with whatever happens.

95. Doug Stanhope’s No Place Like Home-Stanhope has an amazing take on mental illness in this special and opted to shoot it in his own hometown of Bisbee, AZ. Overall, No Place Like Home ranks high up in Stanhope’s extensive catalog of stand-up.

96. “Tond” by Kelly Hudson-Hudson’s short film is one of our favorite bits of existential absurdity of 2016, a year seemingly saturated in nothing but questioning ‘what it all means’. 

97. Brett Gelman's Dinner in America-Gelman's last special on Adult Swim is one to remember, especially for how searing the satirical commentary on race relations are in it.

98. Miguel Marquez-Marquez bridges a gap, almost literally, between art and comedy as his wry art installations are way funnier (intentionally that is) than nearly anything you’d see in an art museum.

99. Chris Fleming's Silver Lining-The week following the election seemed as hopeless can be if you voted for Hillary and Fleming offered up a powerful, albeit one with a bit of tomfoolery, message of hope.

100. Norm MacDonald on Conan-Not only is there the expected long, winding roads of Norm’s jokes and stories in this particular appearance, but Conan does an impression of Norm out of frustration that’s spot on.