#but im liking the different approach to this kind of drawing from my usual and its also faster than my usual

[magic-is-something-we-create]

weekend hiatus sets in soon but i wanted to leave y'all with a preview from page 2 of the lost because ill be working on *gasp* page three for both the patreon and twitch streams this weekend :D

[mariasont]

hi!!!!

I'm soooo in love your work. bimbo!assistantreader wil always have a special place in my heart!!!

Now i have this of idea that i think can work for either aaron or spencer, but basically bau!reader who kind of always wears the same type of outfit in the field that's always really modest. Buttttt when they kind of like "know" it's just going to be a paperwork day she likes to were skirts... short skirts and Aaron/Spencer are just feral for them...

Can either be fluff of smut... I trust you indefinitely xxx

Short Skirt, Long Day - A.H

a/n: hi hi hi hiiiiiii!!! ugh thank u sm i kinda took this an interesting route so let me know what you think!!!! im also heavily thinking about writing a smutty pt 2 for this but id love to hear everyone’s opinions

masterlist

pairings: perv!aaronhotchner x bau!reader

warnings: 18+ MDNI, suggestive content, aaron being a straight PERV!!! (im into idk man), aaron imagining scenarios he didn’t shouldn’t at work, idk this is quite different from my usual postings but i kinda fuck with it

wc: 1.4k

Aaron Hotchner loved paperwork day.

Days like these meant the frenetic energy of ringing phones and rapid footsteps is replaced by the soft drone of air conditioning and the occasional rustle of files being shifted. It’s the kind of morning he appreciated—time to breathe, to recalibrate without the air of an active case breathing down his neck.

But that's not why his pulse is thrumming more than steadily beneath his skin.

Hotch glances at the clock on his desk. It's early—too early for most of the team to be here yet, save for a couple agents whose faces barely register in his peripheral vision. His focus is elsewhere, fixed on a singular thought. Or, rather, on a singular person.

You.

Hotch leans back in his chair, exhaling slowly as a shameful type of heat rises to his face. It's a little pathetic, he thinks, how predictable he's become—it's not the work that makes these mornings bearable anymore. It's the anticipation.

The knowledge that, any minute now, the elevator doors will part, and you'll step out, wearing something that will completely dismantle his carefully constructed composure.

Hotch had noticed a pattern (of course he did, that was his instinct honed to a razor's edge). In the field, your outfits are a study in practicality: slacks, fitted jackets, muted tones--professional to a T. Nothing flashy, nothing that would draw undue attention. 

But in the office, when the cases are shelved, and the team is left to wade through stacks of paperwork... it's different.

And it drives him insane.

The image takes root before he can stop it: the curve of your thighs, tantalizingly framed by a skirt that seemed designed to test his limits. The way the fabric molds to you when you move, clinging in places that his eyes are all too quick to follow.

Hotch exhales sharply, clearing his throat as if that could somehow clear his mind. It's unprofessional--he knows this, knows better than to let his thoughts stray so far from where they belong but yet…

The ding of the elevator pulls his attention like a magnet, and there you are. His grip on the pen tightens instinctively, the knuckles blanching as his gaze locks on you.

You're wearing that skirt today--black, fitted, and infuriatingly short, hugging your hips in a way that leaves nothing to the imagination.

He tells himself to look away, and for a second, he manages it--his eyes dropping back to his desk, his breath coming out slow and measured. But that reprieve is fleeting. His gaze flicks back before he can stop it, drawn helplessly to the curve of your waist as you laugh at something one of the other agents say.

You're too good. Too sweet. Too damn oblivious to realize what you're doing to him.

And he knows it's wrong—knows he's toeing a line he has no business approaching. But the way his body reacts to you, the pull you have on him, is beyond reason. It's instinctual, raw, and completely out of his control.

He calls out your name. "Could you come in here for a moment?"

You turn, blinking at him with wide, curious eyes. "Yes, sir?"

"I need you to grab something for me," he replies, his voice level, though every syllable felt like a tightly coiled spring. He motions towards the cabinet near the corner of the room. "The Marcus file. Bottom shelf."

He was a terrible terrible man.

Without hesitation, you step toward the cabinet, crouching slightly as you begin to sift through the lower shelf. The moment your body lowers, his eyes start trailing down where the hem of your skirt lifts, just barely revealing the soft curve of where your thighs meet your ass. Then, as you bend further, shifting your weight slightly to reach deeper on the shelf, the fabric stretches taut, clinging to your ass in a way that sends a jolt straight through him.

Hotch's throat feels tight, his breathing shallow as he drinks in the sight before him. You're so close, just feet away, and the angle offers him an unobstructed view. The shape of you, the smooth expanse of skin that's always just out of reach in the field, is right there--so achingly close he feels like his chest might explode.

He knows if you dipped any further, your panties would be on display and he couldn’t help but wonder what color you had on.

You’ve always had a meticulous attention to detail, choices leaning towards deliberate but understated at the same time. In the field, you favored muted tones—greys, blacks, navies. But here in the relative safety of the office you allow a little more personality, more femininity.

His mind turns to your preferences—pink, maybe.

Hotch swallows hard, pulse roaring in his ears. The thought gnaws at him, insistent and unrelenting—he needs to know.

“Careful,” he says, feigning concern. “You might need to check further back on the shelf. Sometimes the files get pushed out of sight.”

You glance over your shoulder at him and he swears he could combust. “Further back?”

He nods, leaning back in his chair to appear casual, though his grip on the armrests were anything but. “Yes.”

You turn back to the cabinet, shifting your weight again as you crouch lower, leaning further to search the back of the shelf. The motion sends the bottom of your skirt riding higher, and for a brief, heart stopping moment, the lace of your panties is on full display.

It was a pink barely there strip of fabric.

His mind betrays him, conjuring images he knows he shouldn't entertain. He imagines his hands on you, running over the curve of his hips, gripping your thighs, sliding that damn skirt higher until there's nothing left to hide. The thought of you like this, pliant and completely unaware of the effect you're having on him, makes his pulse pound in his ears. He wonders what you would do if he were to push those panties to the side and slide a finger in you.

You shift again, leaning deeper into the cabinet as your voice drifts back to him, murmuring something about not seeing it. His jaw locks, teeth pressing together as he fights to maintain control. His fingers dig into the armrests of his chair, the leather creaking faintly beneath the strain. It's a futile effort, though; the pressure building in his chest, his body, is relentless.

The heat pools low in his abdomen, simmering and insistent, a sharp pulse of arousal tightening every muscle in his body. He's painfully hard now, the evidence uncomfortably against his slacks, but he doesn't dare move. His mind a blur of want--what he wants to do to you, what he knows he shouldn't do, and the precarious line he's treading just watching you like this.

The tension in his body seems unbearable, and for a fleeting second, he considers how easy it would be to walk over, to let his hand graze your hip, to tilt your chin up so you'd look at him and see the wreckage you've left in your wake. 

But he doesn't. He can't.

Instead, he forces himself to remain still, staying rooted, the self-restraint biting and bitter. 

"Are you sure it's under here? I still don't see it."

Hotch's lips twitch, the smallest shadow of a smirk threatening to break free on his face. He leans forward, feigning surprise as he picks up the file from the corner of his desk.

"Ah," he says, waving the file. "Looks like it's been right here the whole time."

You straighten abruptly, brushing your hands down your skirt and turning towards him with a soft laugh. "Hotch! So I was practically upside down in that cabinet for nothing!"

He shakes his head, giving a small chuckle to match yours. Not for nothing. The satisfaction still simmers low in his chest, a private indulgence he knows you'll never suspect--the movement was far from wasted.

"My mistake."

"Well, I guess we all have our moments. Let me know if there's anything else you need, okay?"

When the door finally closes behind you, he exhales shakily, the breath spilling out like a confession. Leaning back in his chair, he presses his fingers to his temples, his entire body tense with the effort of restraint. He feels unmoored, like a man balancing on the edge of a precipice, one misstep away from losing everything he’s worked so hard to keep under control.

But for now, he’ll settle for watching, for imagining, for wishing—knowing full well that nothing could ever come of it. And yet, as he glances at the door where you’d just been, a part of him wonders how much longer he can hold out.

It’s going to be an impossibly long day—but the most troubling part of all is how much he’s starting to enjoy the torment.

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[forecast0ctopus]

Any advice on drawing McCoy? I’m not used to drawing ancient wrinkley bastards (affectionate) and it’s surprisingly tough v-v

FOR SURE lmao i made. a diagram. just a warning that i am going to be irritating and long winded because u just hit a topic i really like sorry lmao

so first off i did some traces just to show whats there vs redraws to show my interpretation

ive said this on other asks but again jsyk, tracing isnt bad!! its a tool. theres some stuff with intellectual property and whatnot but using tracing to study shapes and forms is a really valuable practice.

also just taking some time to learn facial structures and anatomy is super useful, reading what bones and muscles are where and how they interact with one another. taking this info and staring in the mirror and moving your face around and thinking about it. just really furthers understanding of how the face works. trying to sound normal about this but i love anatomy and motion and physics and whatever

anyways im going to go through all the numbered points so there's no confusion. 1. forehead lines - self explanatory. more prominent when brows are raised 2. crows feet - at the outer corners of the eyes, more prominent when smiling or squinting 3. nasolabial folds - the folds that go from the corners of the nose to the corners of the mouth. more prominent when the mouth is wide, like smiling 4. brow furrow - self explanatory, most prominent when brows are furrowed. mccoy tends to have two right next to his eyebrows, kirk has one in the middle. everyones face works different lmao 5. chin crease - caused by how the chin and lower lip interact. 6. nasojugal groove - start from the inner corners of the eye and can extent over the cheeks. everyone has these and idk why people dont like them i think theyre really cool!!!! but Society. i guess. :/ 7. eye bags - caused by the skin sagging beneath the eyes. mccoy isnt even that old in tos i think hes meant to be mid 40s by the end of the 5 year mission, hes just got really prominent eye bags lmao 8. idk what the name is for these, but when the mouth is wide and pushes the skin to the sides, these folds sometimes form outside of the nasolabial folds 9. philtrum - the groove above the upper lip. i dont usually draw this but mccoy's struck me as prominent enough that i usually draw it on him 10. masseter - the muscle that moves the jaw up and down. its a pretty rugged muscle and while i wouldnt say mccoy's is especially prominent, it kind of extends that nasojugal groove from certain angles/positions 11. orbicularis oris - mouth muscle, usually easier to see when lips are pursed or frowns are pulled. mccoy's is pretty prominent from 3/4ths or side, his mouth tends to protrude in profile 12. this isnt a muscle but more of a line defining the planes of the face, but since i drew it i felt i should explain lmao

a few points:

im an animator i tend to exaggerate and emphasize certain things so i usually make him more square.

i like to combine eyebags and crows feet for brevity/flow, same with nasojugal grooves, eyebags, and masseter lines. my approach is always subject to change based on pose, expression, reference image, etc.

i take out details that i deem redundant or cluttering and keep what details i need to make things feel Right

all this info is applicable to any character of any age, its just in how you apply it and facial proportions that willl change how old a character is perceived to be

there's a lot more with drawing a Character rather than an Actor, just because the features are there doesnt necessarily mean things will feel correct? its very much in the mannerisms and poses and expressions

i only went over my approach to his likeness but not really body type or posing or anything idk if u want that i could always try to answer that later haha

_______________

anyways all that info kind of exists nebulously in my brain while i draw its not like im sitting there thinking Must Draw. Nasolabial Fold...... i jsut do what feels right with the visual info i have. also i love specificity in faces.... i dont like to be a hater but when every character is drawn the same it pisses me off a little lmao. so

also dont take my word as The Only Way to do anything i just draw how i like to draw and no one should feel like these are things that Must be done to be a good artist or anything do whatever the hell u wanna do

[decafbat]

i really like how much depth your art has, do you think you could show how you break down bodies when sketching if that makes sense? it’s something i struggle with a lot in my art! ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

ok apologies in advance, this is probably going to be a really long and tangential rant about art that may or may not actually help you in learning how to construct bodies. im just gonna put it under a cut to save everyone from seeing this huge text wall.

i dont think its gonna be possible for you to replicate my methods here, because theyre mostly just really specific shortcuts for finding certain proportions and reference points for anatomy, which i'm fairly versed in, but not as much as i'd like to be. the shortcuts you'll need will be different from mine. im glad you think my art has depth, that is something i am trying to seek very intentionally right now, and i dont think im even close to the depth of form i am actually aiming for. so like. this makes making a tutorial kind of inherently hard. nevertheless, i threw this quick sketch together after like 3 failed attempts. (i was doing those attempts digitally, ended up giving up on that and going back to traditional because its what im most comfortable with rn)

i didnt get all the steps i took to get here because scanning that much would be cumbersome but ill try to explain how i got here. i start with the head almost every time.

i use a lot of symbolic/graphic shapes when drawing heads and dont stick to using forms very often besides the circle at the center of the head, which i use as the base to form these graphic shapes around. think of it like "wrapping" the ball in various textures and masses. the eyes are usually "textured" onto the head, notice how the her left eye looks narrower then her right. of course i try to make sure her bangs sit along the curve of the sphere and her ears look like they sit on opposite sides of the head. its easy to forget that part, making the head look unsymmetrical. the particular masses of leica's head would be her snout, which is just a curve extended slightly outside the diameter of the ball, and her hair, which are two strange organic shapes that are quite hard to draw, two hair sprig anime antennae things (forgive me, i forgot the word for them,) and the back of the head, which i usually need to extend slightly. its a little too extended here, needs more on the top, i fix this in the final pass. this was a quick sketch, so i didnt focus too hard on the forms of the head beyond the most essential ones for her design, but i sometimes highlight the form of cheeks with curved hatching, or try to make the eyes appear more sunken-in as they are on human faces. i dont know how to proportion the neck and torso correctly until i draw the head, so i always do it first. next, i did the torso.

so heres why i said that you probably wont be able to replicate this approach. you do kind of just have to practice anatomy, i cant just make it make sense because im not very good at explaining this stuff, but ill try to go through what i did here. so, i generally use simplified bone shapes to find proportions and reference points, as well as more complicated shapes like those of elbows and knees. i try to study fairly often because im not satisfied with here im at with this stuff yet. of course, i dont think i'll ever be. so i'll usually start with the ribcage, add a shoulderblade out the back to find the shoulder, the armbones come out of that, the bone in the upper arm connects to the ulna with a sort of three-pronged attachment, one big knurl in the middle, which forms the thrust of the elbow, two little ones on the side. i think those are part of the ulna but i dont remember. see, you dont really have to know what exactly they do as long as you know what they look like. the ulna does some goofy rotation shit i dont understand, connects to the wrist, and then we have a hand, which, i mean, im not good enough at hands to even be telling you how to do it, but i just have a big squarish mass and some little hotdog fingers coming out of that. you can see on her left hand that ill have a big circle forming the the area on the hand where the thumb attaches... theres more depth to the hands, i think you can easily find better tutorials then i could offer. anyway, under the ribcage theres the pelvis, represented with a box. ill get into that when i talk about the legs. i wanna briefly talk about the way i add the flesh and fat to the bones.

so, i really can't give a comprehensive crash course on anatomy, but i can point you towards the morpho series, which is where i get most of this stuff from. you can get very far with the volumes Simplified Forms, Fat and Skin, and Skeleton and Bone Reference Points. moving on, i just kind of have a feel for where the masses attach by now. the important thing to remember when drawing fat characters like this is that the fat should "hang" from the bones and flesh, drooping down slightly. leicas fat hangs substantially, so she's not very wide despite her weight. this is important to her character design i feel. i almost always draw characters naked first when doing serious drawings because it will come in handy knowing where the forms of the body are when i add the clothing. by focusing on the way her body looks naked, i can modify the impression of those forms when adding clothes, and when i add them later on in this drawing, leica will take on the distinctive boxy look i try to draw her with.

if you look at the arm, youll see that the place the line of bone sits is very high compared to the whole mass of the arm, the flesh and fat of the arm "hang" from the bone, and then the upper arm squishes against the bent forearm too. even if the anatomy in the arm is indistinct, it can still look convincing when the forms act realistically against one another. the elbow has much less fat connected to it, so its more bony then the rest. this isnt actually consistent on all people so like, think about that kind of thing when designing characters, like i was talking about before, fat can sit in infinite different ways. maybe if i was doing a more objective anatomy lesson i'd draw cath, because i do have a sort of vague understanding of muscle placement that doesnt come through here, but probably would if i was drawing a scrawnier character. let me know if you want that.

a word on the breasts too: they hang a bit lower then you'd expect, keep that in mind. the attachment point is also angled, as the line shows. the line starts roughly in the middle of the torso and ends around the armpit, but the form of the breast can go underneath the armpit or even connect around the fold of fat in the back. many things to think about. i love boob shapes. ok lets finally get on with it and talk about the legs.

so, the really specific shape of the pelvis doesnt matter that much unless youre drawing a really thin character, so its just a box here. out from the sides of the pelvis, extending out more then you'd expect, is the femur, which ends in a similar joint to the arm. this shape helps me figure out the form of the knee. two masses on each side with a bunch of complex and weirdly shaped bones forming the kneecap, which i have omitted because i dont yet know shit enough to include them. i am learning though. so, obviously the feet are just scribbles here because im just gonna put her feet in socks anyway. you really dont have to do more then you have to. a few tips i can offer here, the butt should hang a bit too when drawing fat characters, i think the butt is supposed to start just below the pelvis if i remember, but take that with a grain of salt. i also didnt really do that here but its hard to tell because she's facing mostly forward. again, i dont think i can really communicate what's going on here. morpho has a lot of great drawings explaining the shapes and muscles of the legs, all things i might focus on more when drawing a scrawnier character. for this case, i regrettably don't go too hard on the legs. also i should note that legs would usually be much longer, leica is really short so ive exaggerated the proportions to communicate that. i may change my mind on that front in the future and give her more grounded proportions. the important thing to remember with legs is just getting a nice hierarchy of forms going. bigger thigh going into smaller calf going into smaller foot. it mostly comes automatically now.

i added the clothing, shaped up her head a bit, added a bit of fur. i put her in her classic outfit, just a sweater and jeans. i enjoy the big thick folds that come out of these clothes, and big areas of white space too. its nice. i try my best to form all the folds around the forms of the body i drew earlier. thats one case where i really really have no idea what im doing and could never explain it in words. its just some fun intuitive play with loops and lines. this is at around the stage for a sketch where i'd do inks, or if it was going to be a finished pencil drawing i'd erase out parts piece by piece and replace them with nicer and more defined lines and tones.

i guess that's all i can offer , i hope that halped.

[kookienooki]

Melodies of Seduction | Ch. 4

❀ summary: With platinum albums and millions of adoring fans, Yeon-jin thought she knew exactly where her music career was headed. But when her manager drops an unexpected bombshell—BTS' golden maknae Jungkook wants to collaborate on an R&B album—her carefully planned world spins into beautiful chaos.

Between late-night recording sessions, stolen glances across the studio, and harmonies that seem to sync with more than just their voices, Yeon-jin finds herself composing a different kind of song altogether. One that could either launch her to new heights of stardom or leave her heart in free fall.

The question is: in an industry where every move is scrutinized and romance is taboo, can two of K-pop's brightest stars risk it all for a love that wasn't part of the production plan?

❀ pairing : idol!Jungkook x idol!oc

❀ genre: idol AU, romance, angst, fluff, eventual smut, im not sure what else

❀ rating: 18+

❀ word count: 2,314

Previous Chapter • Next Chapter

Chapter 4: Beneath the Surface

The morning sun painted Seoul's skyline in shades of amber and rose as Yeon-jin made her way to BigHit's headquarters. The familiar weight of her laptop bag and the thermal mug of green tea in her hand had become part of her daily ritual over the past few weeks. She found herself arriving earlier each day, anticipating the creative energy that seemed to fill the studio whenever she and Jungkook worked together.

They had developed a routine. Morning sessions at BigHit, afternoon sessions at her studio. The schedule hadn't been planned—it had evolved naturally, like everything else about their collaboration. The corporate polish of BigHit's facilities contrasted sharply with the lived-in comfort of her personal workspace, but somehow, they managed to draw inspiration from both environments.

Today, like every other morning, Jungkook was already there when she arrived. He sat cross-legged on the studio floor, acoustic guitar in his lap, humming softly as his fingers danced across the strings. His hair was slightly disheveled, as if he'd been running his hands through it while working out a particularly challenging progression. A half-empty americano sat forgotten beside him, probably cold by now.

Yeon-jin had discovered early on that Jungkook was a morning person, arriving with an energy that both impressed and exhausted her. The contrast between their natural rhythms had become something of an inside joke—she'd often tease him about being disgustingly cheerful before sunrise, while he'd mock-complain about her dependence on caffeine to function before noon.

"You're here early," she said, setting her things down and settling into her usual spot on the comfortable leather couch that occupied one corner of the studio.

He looked up, that characteristic bright smile lighting up his features. "Couldn't sleep. Had this melody stuck in my head." He played a few bars, a haunting progression that somehow managed to sound both melancholic and hopeful. "What do you think?"

Yeon-jin closed her eyes, letting the music wash over her. Already, her mind was filling in harmonies, layering possibilities. "Play it again," she requested, reaching for her notebook.

This was how their best work usually started—with these organic moments of inspiration that they'd build on together. Jungkook would bounce between instruments—guitar, piano, even the drums occasionally—humming new melodies and scribbling lyrics in his worn notebook. His creativity was infectious, pushing her to explore new vocal techniques she'd never considered before.

"Try it with more of that pansori technique," he'd suggest, eyes lighting up when she'd add traditional flourishes to modern R&B runs. "That's it! Now let me try to match that..." He'd immediately start adjusting his own vocal approach, finding ways to complement her style while maintaining his own distinctive sound.

The hours would slip by as they worked, their different approaches creating a dynamic that somehow just clicked. Yeon-jin was methodical, wanting to perfect each section before moving forward. She'd spend hours fine-tuning a single phrase, adjusting the melody until it felt exactly right. Jungkook, on the other hand, preferred to capture the raw emotion first, arguing that too much polish early on could strip away the authenticity of a piece.

"But don't you want it to be perfect?" she'd asked him once, after he'd insisted on keeping a slightly rough note in one of their recordings.

"Perfect isn't always better," he'd replied, rewinding the track to the moment in question. "Listen to that slight crack in your voice there—it tells a story. It makes the listener feel something. Sometimes the imperfections are what make a song real."

Their contrasting styles created a perfect balance, though it sometimes led to passionate debates. Today was one of those days. They'd been working on the bridge of their latest song for hours, and frustration was starting to creep in.

"The bridge needs something more," Jungkook insisted, running his hands through his hair in a gesture she'd come to recognize as a sign of his creative restlessness. He moved to the piano for what felt like the hundredth time that afternoon.

"It's already complex enough," Yeon-jin argued, massaging her temples. "Sometimes simple is better. We don't want to overwhelm the listener."

"But it doesn't feel complete." His fingers found the keys again, playing the section with subtle variations. "It needs... I don't know. Something that speaks to both our styles. Something that bridges the gap between traditional and modern, just like our voices do."

She watched him work through variations, struck by how different he was from his public image. Here, there was no perfectly polished idol, no carefully managed superstar. His designer clothes were replaced with comfortable hoodies and worn jeans, his carefully styled hair often messy from hours of concentrated work. Here, he was just an artist, vulnerable in his pursuit of perfection.

The sunlight streaming through the studio windows caught the dust motes dancing in the air, creating a ethereal atmosphere that matched the intimate nature of their work. Yeon-jin found herself studying his profile as he played, noting the intense concentration in his expression, the way his brow furrowed slightly when he hit a chord that didn't quite match his internal vision.

"What if..." she began, moving to sit beside him on the piano bench. Their shoulders brushed as she reached for the keys, playing a modified version of his progression. "What if we took that traditional element you mentioned earlier, but instead of making it obvious, we wove it through the background?"

Her fingers demonstrated what she meant, adding subtle flourishes that echoed traditional Korean music while maintaining the modern structure they'd established. Jungkook's eyes widened as he caught her vision, and soon his hands joined hers on the keys, building on her idea.

They worked like that for another hour, so absorbed in the music that they didn't notice the shadows lengthening across the studio floor. It was only when Jungkook's stomach growled loudly that they realized they'd worked through lunch again.

"We should probably take a break," Yeon-jin suggested, trying to ignore the way her skin tingled where their arms had been touching. "There's that new fusion place around the corner we've been talking about trying."

During their breaks, they talked. About everything and nothing. These conversations had become as important to their creative process as the actual music-making. He told her about his dreams beyond music—his interest in photography, his desire to direct someday. His eyes would light up when he talked about the music videos he wanted to create, the stories he wanted to tell through visual media.

"I've been taking classes online," he admitted as they settled into a corner booth at the restaurant. "Film theory, directing, that sort of thing. The members tease me about it, but..." He shrugged, a slightly self-conscious gesture that reminded Yeon-jin that despite his massive success, he was still young, still finding his way.

"That's amazing," she said sincerely, watching him relax at her words. "It takes courage to pursue new dreams when you're already successful in one area. People expect you to stay in your lane."

"Exactly!" His enthusiasm was infectious. "But why should we limit ourselves? Music, visual art, performance—it's all connected, isn't it? It's all about telling stories, making people feel something."

She shared stories about her early days in the industry, the struggles and triumphs that had shaped her. She told him about the tiny apartment she'd shared with three other trainees, about practicing in stairwells because they couldn't afford to rent proper rehearsal spaces.

"I actually saw you perform once," he admitted later that evening, back in her studio where they'd relocated for their afternoon session. "You were doing a university festival in Busan."

"Really?" Yeon-jin tried to remember that period of her career. It felt like a lifetime ago, when she was still trying to find her voice, still figuring out who she wanted to be as an artist. "That must have been... what, 2015?"

"2016. Spring." His memory was surprisingly specific. "You sang that ballad about the lighthouse. I was in the back of the crowd, but I remember thinking your voice was unlike anything I'd heard before. The way you mixed traditional techniques with contemporary pop... it was revolutionary."

The detail touched her unexpectedly. "That song almost didn't make it onto the album. The company thought it was too traditional-sounding." She smiled at the memory. "I had to fight for it."

"That's what made it special." He looked at her intently, and something in his gaze made her heart skip. "You've always pushed boundaries, even back then. You never let anyone put you in a box."

These moments of connection became more frequent as the weeks passed. They discovered they had the same favorite restaurant in Busan, a tiny place near Gwangalli Beach that served the best dwaeji gukbap in the city. They both loved horror movies but couldn't watch them alone. They shared the same peculiar habit of writing lyrics from bottom to top when stuck on a particular verse.

"We probably crossed paths a hundred times," he mused one evening, both of them sprawled on the studio floor, surrounded by crumpled paper and half-empty water bottles. The sun had set hours ago, painting the room in soft shadows. A demo of their latest song played softly through the speakers, their harmonized voices creating an intimate atmosphere.

"And now here we are," she replied, not quite meeting his eyes. The air felt charged somehow, heavy with unspoken words. She was acutely aware of how close they were sitting, how the late hour and the darkness seemed to create a world that existed only for them.

"Do you believe in fate?" he asked suddenly, turning to face her. His expression was unusually serious. "Like, all those near-misses over the years... were they leading to this moment?"

The question hung between them, weighted with possibility. Yeon-jin thought about all the choices that had brought them here—every decision, every setback, every triumph. She thought about the young boy who'd watched her perform in Busan, and the accomplished artist sitting beside her now. "I believe in music," she said finally. "It has its own way of bringing people together."

He smiled at that, a soft, genuine expression that made her heart skip. "That's a very songwriter answer."

"Well, I am a songwriter."

"You're more than that." His voice was quiet but intense. "You're... you're someone who understands. Not just music, but..." He trailed off, searching for words. "Sometimes I feel like I've known you for years, even though we've only been working together for a few months. Is that crazy?"

The honesty in his voice made her breath catch. "No," she said softly. "It's not crazy at all."

They sat in comfortable silence for a moment, letting their latest recording play through. The song they'd been working on all day was about missed connections and second chances, about two people who kept orbiting each other until the timing was finally right. Yeon-jin couldn't help but wonder if they'd been unconsciously writing their own story.

"We should probably call it a night," she said finally, her voice not quite steady. The intensity of the moment was becoming overwhelming, and she needed space to think, to process the emotions that were becoming increasingly difficult to ignore.

Jungkook nodded, but neither of them moved immediately. The last notes of their recording faded into silence, leaving only the soft hum of the studio equipment and the distant sounds of the city outside.

Finally, he stood, offering her his hand. The contact was brief but electric, sending tingles up her arm. "Same time tomorrow?"

"Same time tomorrow," she confirmed, trying to ignore the way her palm tingled where he'd touched it.

As she watched him leave, Yeon-jin realized something was shifting between them, something that couldn't be explained away by creative chemistry or professional collaboration. The music they were creating was starting to tell a story neither of them had planned—a story about two people who found each other across years and circumstances, brought together by melody and harmony.

That night, she wrote lyrics until dawn, words flowing faster than she could capture them. The verses spoke of fate and timing, of voices meant to find each other, of moments that seemed predestined yet somehow surprised you when they arrived. She wrote about the way certain harmonies felt like coming home, about the space between notes where truth lived, about the courage it takes to let music lead you somewhere unexpected.

When Na Ra arrived in the morning, she found Yeon-jin still at her desk, surrounded by pages of verses. Her friend took one look at her—tired eyes, messy hair, the kind of smile that couldn't be hidden—and raised an eyebrow.

"You want to talk about it?" Na Ra asked, setting down two cups of coffee.

Yeon-jin looked at the lyrics spread across her desk, at the melody notations in the margins, at the words that seemed to have poured straight from her heart onto the page. "I think," she said slowly, "I'm in trouble."

Na Ra picked up one of the pages, scanning the lyrics with knowing eyes. "Honey," she said gently, "I think you've been in trouble since the day he walked into your studio."

Yeon-jin couldn't argue with that. Instead, she reached for her phone to send their usual morning message—a simple "See you at 9?" that somehow felt weighted with new meaning.

His reply came almost instantly: "Already here. Brought breakfast. Think I figured out that bridge we were stuck on."

She smiled, gathering her things for another day at BigHit. Whatever was happening between them, whatever story they were writing together, the music would show them the way. It always did.

The morning sun was painting Seoul's skyline again as she stepped out into the day, her heart beating in time with a melody only she could hear. A melody that, somehow, sounded exactly like his voice harmonizing with hers.

❀。• *₊°。 ❀°。✯¸.•'*��'*•✿(◕‿◕)✿ •*'¨*'•.¸✯❀。• *₊°。 ❀° ❀

A/N: okayyyy im releasing this chapter a day early because i will be busy friday. I also want more time to edit chapter 5. 

I hope y’all are liking the book so far i’m really trying my best! 😖

Comment if you would like to be added to the taglist!

taglist: @jkxlvrr

[rosarrie]

rosarrie your drawing style is just...so cute...how did you develop it? how long have u been drawing for? i love your stuff!

hello!! THANK U SO MUCH aw im so glad u like my art!! its definitely gone through a lot of different phases LOL here's some stuff from 2018

I think..... honestly the two things that force me to develop my style the most is 1) absorbing a bunch of other artists works and seeing how they use colours/lines/shadows/etc etc etc,,, and 2) trying different approaches out myself, experimenting, making a lot of bad not-good art just to try it out.

I know that my favourite drawings always end up being the ones that i just randomly try new stuff with and end up liking, like this one!!!

i wanted to try a diff colour palette and a more softer painting style (something thats kind of out of my usual way of drawing) and I really loved it so decided to incorporate it more into newer works.

I HOPE THIS HELPS AND MAKES SENSE!!! LOL thank u for the question

[funkii-fox]

Diavolo + Doppio DID Hcs

I feel like we need more Doppio + Diavolo content focusing on the realistic aspects of DID. I feel like we don’t focus on it enough as a fandom because it’s more convenient.

I do not have DID, so im sorry if something is incorrect or offensive. Pls tell me if it is!

Appearance

They have the same face. What makes them “look different” is their resting face. Diavolo has a naturally angry face, and Doppio has a more neutral, but approachable resting face.

I think their face is long and thin in shape. White skin with freckles. Pointy nose with a bump. Thin top lip and moderately wide bottom lip. Their eyebrows are thick at the center of the face and thin out, both in thickness and density, towards the sides of their face. Dense lashes line their eyes. Their eye color is hazel, sometimes looking green but other times looking light brown due to lighting.

Their body is lean muscular. Diavolo works out a lot, but Doppio isn’t too interested in staying strong. And since Doppio is the main, they stay a thinner type of muscular. They are very tall though. Canonically 191 cm/6’3!!!!!!

Another main way they are different is that Doppio likes his hair in a low ponytail/braid, but Diavolo likes it down. Diavolo prefers it short and undyed (natural brown), but he lets Doppio do what he wants with it. It’s better to convince everyone, even Doppio, that Doppio is the only personality by making the body “his”

Dynamic + Personality

Diavolo is the “original” personality, but Doppio is the most active personality. “Doppio” means “double”, implying that he is the “other one”. And in general, the plotline is centered around Diavolo, not Doppio.

I like to think Diavolo’s obsession with erasing all the clues of his existence stems from his disorder. He knows a lot about himself, but not who he is, and feels that no one else should know who he is if he doesn’t know.

Doppio genuinely doesn’t know the things he picks up aren’t real phones. “Hm? This is a phone, silly. Now excuse me, please. I’m talking to my boss.” It pisses off Diavolo, but he can’t just say “that’s not a real phone” bc it would blow his cover + Doppio would ask a lot of questions. “Why can’t he just pick up his own damn phone in his pocket?! You’re getting whipped cream on our face!”

Doppio is convinced he has amnesia and narcolepsy, but it’s actually just Diavolo taking over. Diavolo is the one who planted this seed in his head. “You’re so forgetful.”

Most of the day, Doppio is in control. When he isn’t doing a job for the boss, he likes to do relaxing hobbies. Although he’s a beginner, he loves drawing animals- his favorite to draw are puppies. He reads books- any book lying around that doesn’t have heavy themes. If he’s not in the mood for either of those, he likes taking walks and socializing with people he meets along the way. He never makes real friends though.

Doppio’s social life is kind of sad. He doesn’t like to think that he’s lonely, but the only person consistently in his life is Diavolo. The people he meets never usually stick- many of them think he’s too odd. He also doesn’t put any effort to keep in touch; it could be dangerous for either of them. Some of Diavolo’s paranoia rubbed off on him.

Diavolo is rarely the one in control. It’s usually about once or twice a day, for only a few hours max each time. In these few times of control, he is busy doing mafia boss work. If he’s not busy with mafia work, he prefers to keep himself busy with other stuff like chores or exercise. To him, if he’s not working, he will get caught.

Sometimes during mundane tasks, Diavolo’s mind wanders. He worries about what would happen if he’s caught. He paces the room and sweats bullets while biting his nails. Doppio always wonders how his nails get so gross. Diavolo’s condition can spiral quick, and soon he’s having a panic attack while hiding in a crawlspace. “I’m still not safe here!” He has a panic/ anxiety disorder, but no self awareness to see anything wrong nor has any intention to address it.

Sometimes, as seen in canon, Diavolo takes over if he feels like Doppio isn’t handling a mission right. He’s a micromanager in that regard, the pure fear over getting caught pushing him to stress perfection. After Diavolo takes over, Doppio is often confused about where he is + how he got so fucked up. “Gosh, what happened to me?” To sweep everything under the rug, Diavolo explains that it was Doppio’s amnesia or narcolepsy, and that he had to step in. To make sure to tie all loose ends, Diavolo makes sure to stay on calls with Doppio whenever Doppio is doing a mission. “Stay on call. I want to make sure you’re okay.” “Makes sense! Thank you, boss!”

Diavolo has a lot of unhealthy habits. He smokes, he has bad posture, he stresses himself so hard his heart nearly pops, and he works/ exercises too much. All of this is a stark contrast to Doppio’s relatively healthy life style. Doppio wonders a lot “where did this come from?” “Why am I so sore?”, so Diavolo often makes sure to hide all the evidence. For example this could be hiding the cigarettes and lighter. Or he explains away the soreness as Doppio forgot he fell and hurt himself.

Diavolo predicted his fate. Maybe King Crimson’s ability is a reflection of Diavolo constantly worrying about the future. He must’ve known he had a fate worse than death coming his way, and did damn near anything to prevent it. It’s the classic “self fulfilling prophecy” trope, if you think about it. If Diavolo never did the most to prevent his fate, maybe Giorno and the others wouldn’t have been after him.

Past

I like to think Diavolo killing his mom was because she failed to protect him. Everything he went through, all because she slept around. He choses to believe that she was making up crap to cover her ass. No chance his mom was pregnant for 2 years, and even if she was they would’ve known when she first went to prison. Everything he went through, all because she can’t obey the damn law. Was it really that hard to stay out of trouble, even for the love of your own son? “You’d think having a child would change a person!” He thought at the time, ironically. Everything he went through, it’s because of her. The common denominator is her. Now, it’s her turn to suffer.

His dream of becoming a sailor was because he hated the church. His only comfort from his life was the tranquil beach. He often sat on the sand, staring off into the ocean and dreaming of being a sailor. He dreamt of finally getting out of there, and never coming back.

Similarly, I think King Crimson’s ability is also a reflection of his past. How he was so desperate to get out of the moment, he just wished he could skip to the future. Maybe the future is better than the past and present.

I think its very interesting how DID developed this after getting out of the church. When i was researching, it seems that a common trigger is moving out of a traumatic environment, but not during the stressful time. It’s because Diavolo doesn’t want to remember the painful memories; it’s easier to remember it happening to someone else than happening to him.

The stem of their DID is long term physical, sexual, and emotional abuse by the church. The usual punishment for misbehavior was getting spanked, and by what depends on the severity of the crime. A hand, a paddle, cords, a cane, and even barbed wire. Poor boy left bleeding, bruised, sobbing, and shaking. I also find it hard to believe that he wasn’t sexually abused at least once. Even if we ignore the stereotype of Catholic priests molesting young boys, Diavolo was incredibly vulnerable. No mommy or daddy to run to, and not strong enough to fight anyone off. Can’t fight back at all or run away, because he lives with them. Is it better to submit and get molested, or to resist, get beaten black and blue, and then get molested? And I feel like Christianity as a whole is notorious for emotional abuse. There is an glorification of suffering and how it’s good to suffer because Jesus did on the cross. The notion that, “Everything happens for a reason. It’s God’s plan,” must’ve stung a lot. He was often told that “it was God’s plan” that he landed in the church. There’s also the idea that you must obey authority no matter what. It made him feel hopeless, like he can’t do anything about his life.

[sineala]

What do you think of Iron Man Volume 2? The Heroes Reborn stuff

When you asked this, I had not read any of v2 -- for any title -- beyond isolated panels, and I was fully prepared to tell you it was bad.

Then I thought, "No, I haven't actually read v2 properly, and I shouldn't just say that without having read it. I should form my own opinion. And IM v2 is only 13 issues." So I just read it.

It's still bad.

The sad thing is that it's not actually the worst comic I've read. It's bad, but it's only… medium bad? I have definitely read things that are worse than Iron Man v2. That doesn't mean it's in any way good. It's just not The Worst.

(It's The Crossing. The Crossing is worse than IM v2. If you have any other answer to "what is the worst comic book?" then I know that you have not read The Crossing because there is no other possible answer. Nothing is worse than The Crossing. Please do not take this paragraph as some kind of reverse-psychology encouragement to try to read The Crossing. It is so bad. It is bad in a way that no other comic can even approach. You will be sorry. I own it in hardcover.)

Insofar as anything would have been able to improve the IM v2 reading experience, it turns out that reading IM v2 in isolation doesn't do it a lot of favors. I didn't know this before I read any of it, but there are multiple issues that are crossovers with FF, Cap, and Avengers v2 -- and they're the kind of four-part crossover where each part is really in a different book, so it's hard to wing it. I knew that the #13 issues were Wildstorm crossovers, and in the case of IM v2 #13 specifically StormWatch (which I am familiar with in the sense that I've read The Authority so I know who Jenny Sparks is, but I don't know that I ever read the original StormWatch, because it's been a while). Anyway, it turns out that #6 and #12 are also the same kind of four-part crossover, so like a quarter of this comic is already incomprehensible crossovers! Great!

I do actually own the other three v2 series, and I could in fact have read them along with this, but I decided I had suffered enough.

The other thing I didn't realize is that these v2 series don't actually explain how everyone got back to 616. I thought they would! They did not! It turns out this is covered in Heroes Reborn: The Return, which is a separate miniseries taking place after v2 and is not the same thing as Heroes Return (either of them) which is obviously a different thing. Thanks, comics. I did go and skim that to get a general idea of the plot. It's not as bad as v2, possibly because Peter David was doing the writing, and the art is also less bad.

Because, yeah, the IM v2 art is horrendous. The best thing I can say about it is that it's not quite as bad as The Crossing and also that, luckily, IM v2 is not the v2 book Rob Liefeld was drawing, although everyone who was drawing these books appears to have wanted to be Rob Liefeld, in terms of style. But this doesn't mean you are free from horrors like this:

The IM v2 armor design is also bad. I say this as someone who does not normally care about armor in the sense that armor doesn't usually affect whether I like a run, as it does for some Iron Man fans. Is it nice if Tony has aesthetically-pleasing armor? Sure! Who doesn't want to look at nice things? But if a run has good writing, Tony could be wearing a cardboard box and I wouldn't care. In my favorite IM run, he literally lives in a cardboard box and later constructs a superhero outfit out of other superheroes' spare uniform bits!

However, the v2 armor sure got hit with the ugly stick:

So that's not… really helping.

The actual plot was-- I mean, yeah, no, it wasn't great, and it did start out with Tony being terrible and uncaring, and then approximately 50% of it was about the Hulk, who was not the character I'd come here to read about, and there were the aforementioned inexplicable crossovers.

What was left of the plot didn't make much sense, and I'm not sure if any of this was actually explained clearly in the other books, but as far as I can tell what was going on was that all the heroes here were dropped onto Counter-Earth here after fighting Onslaught, and given memories and backstories to suggest that they'd always been here, and a lot of their backstories weren't the same. In Tony's case, he wasn't the original Iron Man; this was Conner O'Reilly (Rebel), one of Tony's friends from college, who died being Iron Man. Tony then ends up being Iron Man but of course Rebel isn't really permanently dead and he comes back to fight Titanium Man with Tony. The series treats this information like you of course already knew it and it already happened, which, since comic books already do this while talking about things that did actually happen in previous comics, makes it even more incomprehensible. I spent like three issues wondering if I was actually supposed to know this character.

(Somehow Rebel shows up again in Fabian Nicieza's Thunderbolts run. IDK how, I haven't read it. I have, like, five T-Bolts books in my TBR pile. I do fully intend to read T-Bolts at some point. It just hasn't happened yet.)

I will say that the one interesting thing about reading IM v2 here was how much of it ended up in the MCU. I wasn't expecting that. I know people always say that about Ults, and I can definitely see where the MCU took some inspiration from Ults, but no one ever says that about v2. And I can see why they would do it, because both Ults and v2 are reimagined versions that are trying to tell a story that sort of evokes the feel of 616 without the reader actually needing to be familiar with decades of comics. Which is, you know, the thing the MCU wanted to do, so it makes sense. I just hadn't realized the MCU had borrowed any of this.

What did the MCU take from IM v2? Probably the most notable aspect is Tony being BFFs with Bruce Banner. Here in the v2 backstory, Tony, Bruce, Reed, Doom, and Hank all went to college together and became friends (or frenemies, in the case of Doom). Everyone on that list other than Bruce already had some kind of connection to Tony in 616. Mostly science friendship. Or, uh, science enmity, in the case of Doom. Bruce actually didn't have any connection to Tony, in 616. The Hulk leaves the Avengers in issue #3 and pretty much does not come back until after comics start getting MCU-ified. I think the Hulk being on Hickman's initial Avengers team and also Bendis' Avengers Assemble is when that started happening. So that's all starting in 2012, for sure.

Bruce does not play well with others in 616; the main team he's ever associated with is the Defenders, whose raison d'être is not playing well with others -- like, Namor's on the Defenders. 616 Tony and 616 Bruce were absolutely not BFFs and Hulk was never a regular Avenger; every so often, when they were building new teams, the Avengers called and asked him if he wanted to come back and he told them to fuck off. Tony's never, like, calling him up for advice. They're not friends. If you are here from MCU fandom, I really want to stress this. They're not friends. If Tony needs a science buddy, he probably calls Reed Richards. And yet, here, in v2, Bruce and Tony are lifelong BFFs! They were roommates in college! Tony cares deeply about him, to the point that half the plot of this series is actually about him trying to help the Hulk! I really wasn't expecting that.

The other thing in IM v2 that might look familiar to you, the MCU fan, is Tony/Pepper. They clearly have some UST all throughout v2 -- which, sure, is a thing they had in 616 -- but here, they actually sleep together, which they had never done in 616 at the time. (This actually happens in Heroes Reborn: The Return #4, if you've read IM v2 and are wondering how you missed it.) The only time Tony and Pepper sleep together in 616 is during World's Most Wanted, an arc that came out in 2009, which was clearly after IM1 and also clearly taking inspiration from IM1 because Tony gets a glowy light in his chest by the end of the arc after that one. So, yeah… it looks like MCU grabbed the canon Tony/Pepper too.

(Over in Cap v2, Steve is actually a robot fucker. He has also slept with robots on regular Earth-616. Come on, MCU! Why are you cowards?)

So, yeah. It's not by any means a great comic, but IM v2 is not the worst comic I have ever read, and it's actually kind of an interesting read from the perspective of seeing what they borrowed for MCU. I'm not saying you should run out and read this right now or anything, though. I personally took a bunch of plot notes while I was reading this just so I would never have to read it again.

Also, please enjoy this page from IM v2 #9 in which Tony brings Thor to Avengers Mansion to show him his hole.

Please note that Tony wishes that he had instead chosen to show his hole to Steve. This is all I am going to say about this.

[306saint]

I absolutely adore your trash tarot deck! What inspired you? How'd you begin? What materials do you use? I am so inspired to create my own. Is this alright??

thank you so much that means a lot!! it is absolutely ok for you to make your own tarot deck.

i'm not the first person to do this kind of thing -- i saw a couple of different versions of collage tarot decks which stuck with me and inspired me to make my own. there's these 2 tiktoks with people adhering more closely to the "trash tarot" theme: https://vt.tiktok.com/ZSN6Vt7GN/ and https://vt.tiktok.com/ZSN6VvwUC/ and also this deck by a collagist/multimedia artist: https://twitter.com/FrogboiArt/status/1681076700568756226

there are a bunch of decks out there which you can draw inspiration from. as for where i started, i kind of just had the idea for the six of pentacles (gum packet with pink labelling stickers) and went from there. just go where your ideas take u honestly.

more info under the cut

in terms of how i make them, i take some stock paper and use a tarot card to trace 2 tarot-card-rectangles on to it, next to each other with the long side connected. then i cut it out, fold it in half down the centre line and glue the sides together. i like to stick it under a stack of heavy book so it dries properly. then i round out the edges with scissors nd voila u have the base of a tarot card!!

i get the materials to make the collage from: old magazines, textbooks, artbooks, informative books with diagrams etc, labels, packaging, and receipts. certain things are printed out (disco elysium gunmen and eli sunday fanart lol). use whatever u want!

i tried a couple of approaches to pick the design of the cards. one was researching the meanings/histories of the card. i found out that when tarot cards had more explicitly christian imagery, judas was on the hanged man card, so i put him on the hanged man ((im not christian lol i just think its interesting))).

another was doing more satirical/subversive? designs of the cards. eg strength usually has a woman overpowering a lion and i saw the image for my strength card and thought it would be funny if it were the opposite way around. the emperor card is an image of someone giving a speech at the UN, which i found in a politics textbook, with the speaker coloured over.

another was just looking at what i had and trying to make something out of it. i was finding way more guns than swords or blades for my suit of swords, so i decided for my suit of swords to just be any weapons.

i wrote a lot . anyway i hope this helps sorry if it makes 0 sense

[hhellscreen]

hi!!! i really like your art but i kinda feel like im out of the loop with your art. can you pleaseee tell me about your utau lore. please. (esp the rei x momo drawing i really like it but i have No context on it)

i'd be really happy to explain! please don't worry, a lot of it is sort of just out of context thoughts on my part LOL i forget to explain quite a lot, but i'll set out some of my general ideas! if i leave anything out or if you wanna hear more for something, do let me know! if this comes out as word salad i'll try to re-explain

the synths to me are all robots scaling from biomechanical to purely mechanical. i'm irresponsible when it comes to lore so it's quite spotty, but the general idea is that they primarily live in a digital landscape where different software is a different agency. utau, my main focus, is akin to a no man's land and is EXTREMELY indie.

adachi rei (he/they) is a newcomer, and he's unique because he exists both digitally and in real life. he embodies endless possibilities and is literally made of love! the problem with this is that rei doesn't really know who he's meant to be. is he kind? is he cold? is he some sort of freak? rei has no idea, so he flips between all possibilities. he's out of touch with his emotions as a result and is very unpredictable. one trait of his that you'll see in my art is that rei is VERY reckless, often getting himself broken because he can always be put back together. they hate staying in place, as they'll lose sense of what they're really trying to fulfill.

momone momo is similar to her usual portrayal, a deeply compassionate robo-maid who would do anything for her friends. she is blessed by the robot god, though i've taken a horror approach on that fact. what IS a robot god truly like, really? momo seems to envision it as a wise old man, but someone like rei may view it as an incomprehensible wire mass. the other difference with my momo lore is that she is undergoing link death. with some of her voicebanks truly being lost media, momo is gradually fading and seems to be running short on time.

the artwork is meant to be momo introducing rei to heaven, or, the robot god. she sees it as harmless, but rei perceives it with some sort of fear. momo wants to show this to rei because she believes that he is full of potential. potential to spread love as she has, the potential to make every user happy as she has tried. they're different to other synths, and momo finds this quite amazing. she wants to guide rei down all sorts of paths they may take before all her links break for good. rei can be a divine symbol as well, she believes.

[turbulentscrawl]

OMG HI I'M SO SORRY.

I just added some things to the match up and so I'll just copy paste what I sent, along with the updated things. I'm so sorry if this is a bother.

I'm 5'3 with mid length brown hair and bangs. I'm an ENFP-T if that matters lol. I'm also bisexual! I don't really have a preference for gender, nor for hunter/survivors. My favorite colours are green and yellow. I'm a Taurus and my fashion sense sort of. Is like, star-core / star aesthetic if that makes sense? I feel like my love language is to (receive) words of affirmation (give) quality time

Oh gosh, where to start haha!

In general, I'm sort of energetic, friendly and bouncy. I don't find it hard to socialise with people 94% of the time. I am very. Very. Passionate about my autistic special interests (high school Musical, art and general creative acts and such). I'm always on the move and have been described as a manic pixie dream girl at times haha. Despite that, there is always that 6% of the time where I sort of slip up.

I am not a flawless social butterfly, I will admit to that lol. I sometimes grow awkward and quiet, usually because I'm surrounded by people who I don't really know how to talk to or I struggle to mesh well with. This tends to get me excluded from most friend groups because, like, most people don't like loud, awkward messes. On top of that, I'm actually extremely paranoid. I'm terrified of the dark because I'm convinced someone is out to get me, it's kinda funny :3. The paranoia does get really bad, that I struggle to leave my room because like. Again, worried someone is out to get me.

Anyways, that's only 6% of the time!!

I'm insanely creative. I've always been so. I love to read, and write, and draw and paint. It's my special way of expressing myself. I plan on being an author, something I've dreamt of since I was like.. 2? Or something ^w^

I've been told I'm a bit of a rambler, once I get started on something it's difficult for me to stop. Especially when it's something I find fascinating. I love to research topics I like. I have spent an embarrassing amount of time researching early childhood trauma and the way a stressful event can effect a developing mind.

I love being in the spotlight and used to take drama classes because I loved having people's eyes on me. I hope that's not a red flag haha, I just like having attention on me sometimes!

I also used to take horse riding lessons. I was a horse girl as a kid. I'm sorry.

I listen to all kinds of music. Country, rap, pop, jazz. I love experiencing all different kinds of sensations!

I am always somehow moving. Whether that's talking to someone, rocking myself back and forward, I'm always some how on the move.

One of my BIGGEST flaws though is that I'm pretty socially unaware as well. I can come off as rude and insulting without meaning it to be, and unless someone tells me that I'm being insulting, I'll probably double down until someone makes me actually think about what I'm saying.

I think my ultimate deal breaker I'd someone with overly unhealthy attitudes to approaching a relationship. I'm really big with communication so someone who struggles to talk to me if they're feeling upset, or someone who lashes out at me for things I've genuinely never done. If you can't be mature and speak to me like a grown up, I won't want to be with you.

Im sorry!!

sorry for the wait on this! Hope you like <3

I ship you with Demi Bourbon!

-Demi is also a social butterfly who can get along with all sorts of people. She’s highly adaptable, understanding, and friendly, almost to a fault. She’d be just as open and welcoming to you as she is anyone else, regardless of whether you’re in a peak social mood or feeling a little more awkward that day, so meeting and getting to know one another is easy.

-Demi is a very “go with the flow” type in regards to conversation, and she is a fortunate mixture of intuitive and forgiving that means she’s not likely to suddenly fly off the handle if you happen to say something insensitive or insulting (or for any other reason, really.) She prefers to get you alone if she can, quietly let you know that she doesn’t super appreciate whatever was just done or said, and then try to explain why. And if you apologize, she accepts, and what’s done is done.

-On that note, she struggles with deeper communication a little, only because she’s not the most eloquent speaker and sometimes struggles to verbalize her feelings effectively. In this sense, she’s also a bit of a rambler. But as long as you’re a patient and active listener, she’ll get her point across eventually.

-She also loves all kinds of music, and takes interest in other people’s hobbies. She’s not likely to hop up on a horse on her own any time soon, but she thinks it’s neat that you do! And you can talk to her about literally anything—for hours even, as long as she has a drink to keep her hands busy—and she’s completely enthralled the entire time. She remembers just about everything people tell her, and gives Words of Affirmation and Gifts as her love languages, referencing older conversations with those as much as possible.

-Demi isn’t afraid of the dark, but she thinks it’s kinda cute that you are. She wouldn’t make fun of you for it, but she does use it as an excuse to hold your hand and coddle you a bit. I have this cute image of you two settling down for the evening, and Demi holding your hand and charging down the hallway with you the second the light is flipped off. She’s giggling the whole time, and makes sure you get into the next room before her. She’ll be your shield from the monsters ;)

Runner Up: Lucky Guy

[diorgirl444]

Hii Flo! How are you doing? I was wondering if i could maybe have a marauders/or slytherin boys fanon relationship matchup?

My name is Layla(pronounced leyla)and im 5'4

Appearance: my height is pretty average, hourglass figure sort of. Im quite pale and i have brown curly hair to a little lower then my collarbone. I have brown eyes, i have chubby cheeks which i love, my cheeka are usually slightly blushed necause i get cold alot. I wear mostly neutral colors such as black, grey, white and brown/beigh. I'm half swedish and half algerian. I have long eyelashes. I have a softer body type, such as a softer tummy snd all that, which again, i love

Hobbies: my biggest interested/hobby is definetly art. I absolutely love drawing and creating stuff. I usually draw stuff that ive seen irl or in my dreams because i have quite vivid dreams. I love music aswell, I've been singing my whole life and writing songs is something i love, the art is my main hobby though. I also like going for walks, i live in a small village so going out and sitting somewhere quiet whole drawing is amazing. I listen alot to arctic monkeys, david kushner, The Neighbourhood, the cramps, the Smiths, one direction. I gym alot, about 6 times a week.

Personality: i am an INTJ-T, i like being alone. I have a few close friend that i hang out with every now and then, i'ma decently closed off person, very few people know alot about me. I have anxiety and daddy issue(not trying to be quirky or sum shit i just have a shitty relationship w my dad) I'm usually very quiet. I'm a leo sun, scorpio rising and aquarous moon. It sounds weird but I'd consider myself quite a submissive person if that make sense? Im just natrually a quiter, nore submissive individual. I've never really been a person that does too well in school subjects such aas math, becahse logical subjects where theres only one answer, has never been my thing. I don't like admitting it but deep down im very self conscious, even though i kind of always seem like a confident person. I'm both introverted and extroverted, i can be very loud at times and i strugfkr with regulating the volume kf my voice because of my adhd. Id describe my humor as somewhat dark- my jokes are usually about myself and things that happend when i was younger which i find funny while others find concerninf- im quite sarcastic.

Things i like:

I love art, music, reading, writing, working out, fruit...fruit is my mains soruce of nutrition i love that shit so much i could write an essay on it man...i also love pasta, and chocolate. It makes me happy :')

I love rain, and my friend's and Going on walks, and going on walks in thr rain, and going on walks in the rain with my friends

Things i dislike:

Tomatos, math, ehen people think im stupid or unintelligent purely bc im bad at numbers-

Other informationsss:

My favorite colors are pink, beigh, grey and black. I've been told that im hard to approach? My love language is gift giving and physical touch. You cna almost always find me fidgeting eith the hen if my best friends shirtx or rubbing up and down her calf absentmindedlt while we sre talking(yes shes okay with this she koves it)i love getting hugged if its from someone im comfortble with, i love sitting in silence while drawing. I live analyzing different things, everything from art pieces to human behavior. I have an intrest for psychology, i'm studying law!

Oh and i speak swedish, English, german, romanian and french!

Andddd my aesthetic is so mixed- think like dark academis meets soft grunge mixed with coquette?

Soo, this is me, oh also im straight(but we support woman 110%)

So yea, thank you in advance!(if you domt have the time thats okay!)

hi thanks for waiting so long! i had to take a bit of a break with tumblr cause of gcses but i can’t wait to see what you think of your matchup <3

your perfect matchup is 𝐬𝐢𝐫𝐢𝐮𝐬 𝐛𝐥𝐚𝐜𝐤 💌

𝐢 𝐭𝐡𝐢𝐧𝐤 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐬𝐢𝐫𝐢𝐮𝐬 𝐚𝐫𝐞 𝐚 𝐦𝐚𝐭𝐜𝐡 𝐦𝐚𝐝𝐞 𝐢𝐧 𝐡𝐞𝐚𝐯𝐞𝐧 <3

𝐡𝐨𝐰 𝐢 𝐭𝐡𝐢𝐧𝐤 𝐲𝐨𝐮 𝟐 𝐰𝐨𝐮𝐥𝐝 𝐦𝐞𝐞𝐭 <3

okay so this took me an embarrassingly long time to decide between sirius and remus but ultimately sirius won out in the end because i am nothing if not an absolute sucker for a good opposites attract trope! 🎀

i think you two meet through mutual friends (remus and lily of course) at a weekend trip to hogsmede and just hit it off right away. it’s funny because you’ve heard so much about sirius, how he’s a relentless playboy, a troublemaker, a delinquent but to you he’s a perfect gentleman. which is confusing for everyone who witnesses it.

at first they all just think oh he’s immediately just decided that you’re only friend material because you’ve got so much in common but also different enough that that would work. so the two of you spend the whole day just hanging out and no one thinks much of it….

till sirius gets back to his dorm and tells remus ever so dramatically “i’m finished!” remus is obviously wtf???? and sirius rolls his eyes as if it’s the most obvious thing in the world and he’s all like “i’m finished with my hookups - i’m a changed man! there is one girl for me and i intend to be with her till the day i die” which is kinda like woah chill out! but also very cute :)

now i wouldn’t say you feel the same because you’re not insane but you are like “oh he was cute, hope i see more of him” kinda thing. anyways the point is you’re both into each other but of course don’t know that about one another because where’s the fun in that??? 😜

and sirius being sirius he doesn’t go about it in a normal way oh no he decides he’s gotta work out how to impress you first and you know what he’s gonna work that out as dog! such a sound plan!!! so whilst your sketching by the lake a large black dog potters over to you and lays at your feet. which obviously you think is adorable so you’re petting it and stroking it and just giving it sm attention (if only you knew it was sirius)

anyways it becomes like a habit for you and this dog. you go down to sketch and it joins you. you talk to it, sing, read and as you do all that sirius falls in love with you. meanwhile you to maintain a friendship as humans too but when sirius is in his animal form he sees a side to you in that time that no one else does. he falls so deeply and slowly like the way winter gently falls into spring. 🌷

he confesses in a similar way, you’re ranting to his dog form about how much you want sirius to ask you out. then suddenly you look up and there’s him boyishly grinning at you, dark hair flopping beautifully onto his forehead, he looks like a cursed prince of a forgotten land. when this happens your jaw literally drops and you’re throwing various explicates at him but he hushes you with five little words “may i please kiss you?” and forced into silence you nod cheeks burning.

he kisses you like you’re made of porcelain, a precious treasure which he cannot break, it’s prefect. when you two pull back to get your breath back you tell him teasingly “i still haven’t forgiven you for pretending to be a dog” and he says “will you forgive me if i ask if i can be your boyfriend?”you just laugh and kiss him again. sirius can’t remember a happier memory to that day. <3

𝐰𝐡𝐚𝐭 𝐢 𝐭𝐡𝐢𝐧𝐤 𝐲𝐨𝐮𝐫 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐨𝐮𝐥𝐝 𝐛𝐞 𝐥𝐢𝐤���� <3

very easy and comfortable very quickly, the two of you adjust naturally into a routine that’s right for the two of you. a very quiet sort of intimacy that tends to surprise onlookers - it’s not at all what people expect of sirius but that’s okay because you two just get it so why worry about anyone else?

sirius is very physically affectionate like literally super glued to your side for the rest of your life now so like enjoy that i guess… 🤨 okay jk it’s very endearing but also its perfectly okay to need breaks so don’t forget to remind him that you need your own space sometimes. i mean he’ll huff and he’ll puff but he’ll get it.

okay but do you know what his favourite thing in the world is? it’s when you play with his hair. picture this it’s a warm rainy summer evening he’s laying along the sofa in the common room, his mess of dark curls in your lap, your fingers toy and fiddle with them, absentmindedly humming along to the smiths vinyl which crackles in the background. it’s pure paradise for the both of you just cosy and warm and soft. god i’m so jealous of the two of you!

he’s always treating you to things! as heir to the black family fortune he’s got an insane amount of cash to splash and he’d much rather spend it on someone he actually cares about so he’s always buying you stuff. a top he thinks you’d look good in, a fancy hardback of your favourite book, or simply your favourite chocolate bar. doesn’t matter if it’s big or small, cheap or expensive, so long as you like it that’s all he cares about.

he thinks your sketches are the most beautiful things he’s ever seen. unfortunately i can’t promise that it’ll be easy for them to become more than sketches because god forbid your attention leaves him for half second. like you’ll be in the library sketching with him sat next to you and then suddenly your cheeks are being smothered with kisses and a hands trailing its way round your chair turning you to face him. what can he say he missed you? good thing he’s cute bcs he’s such a little shit you love that about him tho

it’s very, very rare that the two of you fight but he always apologises first! don’t get me wrong he sulks for a bit first because like he’s sirius black but then he catches your red rimmed eyes and all is forgiven. because he made you cry? yeah he sucks - he’s sorry pretty girl he’ll never to it again and he gives you full permission to kill him if he does.

also his friends love you! you’re exactly what sirius needs to balance him out. honestly they don’t know how you handle him but they’re not complaining! like please keep him for as long as you want him they’re all sick to death of him!

he proposes to you on the last day of school with his family signet ring. he knows he sounds crazy but he’s loved you from the minute he met you. he’ll give you a proper ring soon but for now he gives you his family ring because you’re his family now. you’re all the family he could ever want. his whole world <3

𝐰𝐡𝐚𝐭 𝐢 𝐭𝐡𝐢𝐧𝐤 𝐲𝐨𝐮𝐫 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐚𝐞𝐬𝐭𝐡𝐞𝐭𝐢𝐜 𝐰𝐨𝐮𝐥𝐝 𝐛𝐞 <3

hope you like it! xoxo, flo <3

[the1975attheirverybest]

Okay so i have a few thoughts sorry obviously you don't have to answer i just want to write them down and you seem like a really sweet person so i thought i'll send it and maybe you or someone can add something to it🤗

Firstly we know that the band didnt expect atvb to go viral on tiktok and the really big popularity on the internet and i think matty once said that the play doesnt work well like that bc you cant film a play and im sure they're gonna count on satvb going viral and im really interested what kind of changes that would mean (maybe know phones but i dont think they would do that especially since the team75live's thing is to go live every concert and we know matty talked to them personally). But on the other hand after this year it seems like they only go viral if matty does something particularly stupid and/or offensive (i really hope not) so idk if it could influence the show in any way or exactly how but obviously the goal is to entertain the audience there not the internet.

Secondly atvb was 26 songs plus 10 minutes consumption and satvb is 22 songs then that would leave like what 25-30 minutes and im really really curious what they will do but i know we wont know it until the 26th but thats interesting i think bc it seems like too much time for me.

Okay lastly it seems like after the vegas show that atpoaim isnt over and thats really great but then it wasn't just something in between atvb and satvb and it'll continue and i had a thought bc tobias ryder said that satvb will continue what atvb started which was the on and off stage playing a character and atpoaim could be like a fourth wall break but after the north american tour announcement it didnt seem like it will be that but i hope at least

Im sorry its a bit long and i know we dont have the answers to any one of these so thx if you read it and have a nice day❤️

Of course, babe 🥰 you can always send stuff in I LOVEEE reading what other people think and the predictions and everything.

So, in terms of Atpoaim, here’s what I think about it’s relationship to the shows and it’s span.

As for the show itself, I do think that it’s going to evolve the ideas that began with ATVB, but I’m not entirely sure what direction it’s going to take. I think you are right. One of the first and earliest signs of Matty’s desire for change was when he would say stuff like “this show wasn’t meant to go viral” and stuff like that. And, in a sense, I get that. He’s never had to think about this additional layer of engagement. Usually, his work is within the context of the fandom. I think maybe this time around he’ll have the scenes be related to as specific theme or idea, but not entirely identical every night. Like he might still have a message behind what he wants to do/say, but he might try to approach it from different angles.

Also, yesterday, he used the words “introspective,” “Kafka” “joy division,” “Freud.” So I’m trying to think about what each of these concepts might have in common with his project and make a few guesses.

I would say, I can kinda see the hot division element. They’re very punk inspired but rather dark. Their lyrics were inspired by a lot of dystopian commentary. Taking the personal and connecting with the social. In exactly the ways that Matty’s show started out being about himself and turned into a show about being a man and the state of masculinity. And Kafka? Well, he’s the king of irony and absurdity. So, my guess is, matty is going to stretch that persona to new heights. The Freud reference and the “introspection,” make me think he’s going to draw on his ugliest and most personal feelings / thoughts and try to dramatize them. But of course inferiority is impossible to share publicly, which I’m guessing is where the irony comes in. That paradox of like how do you make the personal public without losing the authenticity. Usually, his answer to that is to lean into how ridiculous the whole rockstar persona is, but the question is, what makes this time different? What’s the point? Is it gonna be like super dystopian and depressing? Is he going to gesture towards a better future? Are we just fucked? Where does he stand right now? How does he feel about it all and how is it influencing his work?

I feel like this is where it’s all headed but idkkkk. Haha I’m super pumped to find out.

[k00319461]

nicola hicks

nicola hicks is a british artist, who expresses a fascination with animal figures through her sculptures, although her interest doesnt lay in realism but capturing the animals essence and spirit, or sometimes she reinvents the animal in a more anthromorphic approach. Even in her sketches, you can see that shes interested in capturing the movement. Hicks prefers that her materials be adaptable, from plaster, straw and huge brown paper for her dynamic drawings. However, some of her sculptures do get cast in bronze due to the fragility of plaster and straw.

i specifically like the comparsion of her drawings to the sculptures, its interesting to see her initial study of the animal and then the execution. Its kind of similar to what ive been doing recently, where im remaking a drawing i made through sculpture. I do prefer the plaster straw sculptures before they are cast in the bronze, specifically due to its rigidness and the texture aswell the look of fragility seems symbolic too. i would like to focus less on the realism of my work too, something i feel like i may get caught up on sometimes. her reinvetion of the animal figure and meshing it with human parts reminded me of the bad taxidermy, which hasnt been done properly. it doesnt resemble much of the initial animal and usually looks like a different species, this is possibly something i could look more into.

[sithisreadingcorner]

Hi Sithi, how are you ? I'm Sab :) 🦆 You did a reading few years ago which was pretty accurate (omg time flies 😭😭) so I'm here today to ask you if I may have one please. My dob is still 11/10/1995. I don't have a particular question however I'm seeking a guidance regarding my upcoming year if you don't mind. Thank you for it and I do wish you a nice day 👀👁️

Hello Sab and welcome back! Thank you im good, I hope the same for you as well Time really flies huh?! Im so glad that the reading was helpful back then, I do remember it. One of the first ones on the blog. You know what is funny... I get lawyers, especially those who are just about to finish studies/start their career, literally all the time. An almost disproportionate amount. Maybe it's my fate to help budding lawyers along the way 😂

Although you technically sent this for September, since your birthday is coming up soon I thought I would make this more detailed than usual as an early gift 🥰

queen of swords. deconsecration wheel of fortune. death (sowing) XIII. DEATH "Death is the card of becoming. It signifies an imminent and difficult transition – the conclusion of one phase of life and the beginning of another. Inevitably, something gets lost during the transformation, but something else will rise and take its place." IDIOT: "Permanently reduce your intelligence by 1d4+1. You can draw one additional card beyond your declared draws." [Practice the art of persuasion. Enjoy rigorous intellectual discourse.] RHETORIC

Based on the cards, what I think is that you are kinda at a point in life right now where you are more or less satisfied with how things are going, or at least you are complacent about it. Not everything is going the best way it could, but your place either feels comfortable, or you feel like it would be too much work to get them in order, so you just kinda let them be as they are. You are in a maintenance mode, basically. And this is generally speaking completely okay, you don't have to do literally the most every day of every month. But it would be really good for you right now to "tighten the ship" so to speak.

There will be some really big changes coming into your future, that I interpret as immensely positive, but they are also quite drastic and you can only really take advantage of them if you are prepared for them beforehand. I think several areas of your life could benefit from a more organized approach, but that is probably a lot to change at once and it's my understanding that the area where this would benefit you the most is at work (though I'm not completely sure, so if you feel like this resonates differently you are probably right). Let me say an example. I don't know if THIS WILL happen but I feel like it's at least a realistic example of the kind of thing that MAY happen. Your boss is considering promoting someone at work to an extremely advantageous position, and they are thinking between you and another person, trying to decide. You would be the preferred candidate, and you WOULD be great for this position in theory, but your boss would like you to demonstrate that you have the organizational skills for such a leadership position as well. They dont tell you that though directly, they just kinda keep an eye on you, and you are just kinda coasting by at work at this moment, just straight up bing chilling. And to be honest, if you got the position today, you wouldn't be prepared for it either. So the other person gets promoted, and you will probably never even know that you were considered. But if you got your shit together a little, even if it's not perfect, your boss could see that you are trying and improving, and would eventually choose you.

Now, mind, I still want you to have a healthy relationship with your job situation, and get enough rest, and so on. What you need to do, is work smarter, not harder. Try to get your things in order, and make them more efficient. Change your routine today, and you will have plenty of time to get used to it and grow from it. The only thing that there is to it is that you gotta sow those seeds today so that you can enjoy the harvest at a later time. I don't think I can say anything more specific than that, but I will say one thing. The changes, though they will be drastic, what they will NOT be, is sudden. I think that the signs are gonna be there well beforehand, even if subtle. So keep your eyes peeled, pay attention to details, and especially to those things that people hint at but don't say. The information you gain will be quite helpful to you later. 👀

september readings (7 of 8)

tips? 💗

[lawboyao3]

11, 14, and 17!

oh thank you for asking!!!

11: Link your three favorite fics right now

oughgh umm. excluding adaotc bc its not done yet and causes me strife. maybe Flesh And Blood bc i liked the imagery, Home Video Of The Joestar Family Christmas bc i liked writing the character interactions, and At The End Of It All bc i thought i wrote it rly well

14: How do you write emotional scenes? Do you ever feel what the characters feel? Do you draw from personal experience?

i kind of just get in the character’s head and write whatever i think of. sometimes i have a vibe that kinda informs the imagery/descriptions in the scene, like in the scene with josuke on the roof i wanted it to feel light blue and vacant. i think i usually feel the same emotions as the characters but mainly just as like tension in my veins. i used personal experience for what emotions feel like physically, or what someonw might be thinking or doing in certain situations, but i think i usually write abt scenarios that arent based on my life

17: What do you do when writing becomes difficult? (maybe a lack of inspiration or writers block)

😔😔😔😔 well sometimes what works if im stuck rewriting a scene over and over, is i try to approach it from a very different angle. so i can do a fresh spin on it instead of spinning my tires. also sometimes a scene just needs to end earlier or have less stuff going on in it. besides that i dont have anything else ahsjjw