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icanbehardcore · 5 years ago

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Top 10 WORST Powerpuff Girls Episodes

For a long time, I have been wanting to make a project resembling a countdown list, being inspired by the likes of @umbramagna777, @phantomstrider and even the Nostalgia Critic. After some considerate years, I have finally decided to make a list based on my all time favorite show The Powerpuff Girls.

Cartoon Network's breakaway hit of the late 90s and early to mid 00s starring three adorable, precocious little kindergartners with superpowers was a cultural phenomenon. Spawning hundreds and thousands of merchandise, a theatrical film, several TV specials, an anime and a reboot, it's unbelievable that a cartoon with an all female lead would become an icon in the cartoon industry.

Created by Craig McCracken fresh off two pilots in the "What A Cartoon" shorts and evolving from the earliest incarnation "Whoopass Stew", The Powerpuff Girls became the highest rated cartoon debut at the time. Critics praised this show for being so unique, entertaining, epic, action packed and nothing like anything else at the time, but most of all, this show was very, very funny.

But that doesn't mean this show gets all the glory and praise 100% per episode, like every television show, there will always be flaws and bad episodes and, the Powerpuff Girls is no exception when it comes to rotten entries in the line-up.

Whether you like these episodes or not, remember to respect each other's opinions, including mine. If you like these episodes, that's great, you're more than welcome to have your say, but be nice.

I am only counting down episodes from the ORIGINAL series, this won't include the movie, the anime, the Dance Pansted special, The tenth anniversary special, the christmas special or especially the reboot.

Mixing either of these up would be one big mess and would derail my points of view. With that being said, let's begin.

NOTE: Spoiler alert ahead.

10. Keen on Keane This episode was a new era for the original show, it had a new art style which was first introduced in the movie. So if you hadn't seen it, you would have had to get use to this new art style before getting puzzled or confused.

Unfortunately, these episodes were somewhat mediocre and after 2002, show creator Craig McCracken left the show to Chris Savino, so he could work on Foster's Home for Imaginery Friends. Usually when this happens, that's a sign of a show losing it's...err...Mojo. No pun intended. For a first of this newly animated version of the show, this episode is just ...well...sappy.

So what's the story: It's Valentines Day...oh boy, what a way to start the new era of an already great show. I am NOT a fan of this holiday whether I'm taken or not. I prefer to keep romance and affection personal.

While receiving various little Valentines from her beloved students, Ms. Keane gets the one simple innocent question asked by the girls: "Where are you going out tonight?" and "Who's your sweetheart?" (don't you just love precocious little questions coming from kindergartners). Ms. Keane explains to the girls that she doesn't have time for going out on dates and is too busy for that sort of thing, this leaves the girls slightly worried, knowing she may be lonely and in need of a significant other half.

Later that evening, the girls are all at dinner with the Professor whose attention prompts the innocent, curious little question from an inquisitive Blossom "Why aren't you going out, tonight?".

Personally, if he WAS going out, he may need to hire a babysitter for the girls and knowing the Professor, he may end up calling someone but being delayed or on hold due to everybody with their arms round each other, making googoo eyes and lip wrestling all evening as they bask into their romance.

Anyway, the Professor tells the girls that HE doesn't have time for dates or going out, nor does he have a sweetheart...(hope he hasn't forgotten the events a long time ago when meeting Ima Goodlady who turned out to be using him and was revealed to be Sedusa).

On hearing this, the girls trade rather sly and calculating looks to each other, a plan has hit them. If their father isn't going out and doesn't have a sweetheart and Ms Keane doesn't have a sweetheart, why not get them together for date?

At Ms. Keane's place, she is busy grading homework. On hearing the doorbell ring, she goes to answer the door only to recieve a love letter from a secret admirer and a rose. Oh bittersweet cliches...

Round the same time, the Professor too recieves an identical love letter from a secret admirer (by the way, I do love how he recieves a red rose and Ms Keane recieves a pink rose). The two admirers meet at "Petes-A Pizza", an obvious parody to Chuck E Cheese, you can just feel how out of place these two are.

Not to hurt each others feelings, the two adults try to strike a conversation, but seem to show no interest in each other, all they can do is slap on a plastic smile each.

As they try to communicate and interact more and order, Ms. Keane suddenly forces a hearty little smile, stunning and questioning the Professor. As she tells him to look behind him, he sees that his own daughters are hiding in the large ball tank, this catches on as both Ms Keane and Professor Utonium have realized that they had been set up.

Unfortunately, the evening was unsuccessful and the Professor offers his date a ride home with three dejected little girls in the back. Their high hopes sunk to the bottom, gone down like a ship, but the Professor tells them if they did end up going out, then he wouldn't have enough time to spend with his own daughters. As he walks her to her door, Ms. Keane trips on a crack, the Professor immediately dashes forward to catch her. After bewilderment and indecision on what to do next, Ms Keane and the Professor's hearts become intertwine. As they stand up straight, they both share a nervous laugh while blushing (by the way, I find this scene amazingly cute, I mean...the Professor here is just...OMG, how can you not just want to reach out and dive into his arms...ahem...). Finally, they hold hands and are somehow...in love. Also note this is the only time in the episode where they see each other face to face. Feeling accomplished, the girls smile knowing that their mission is complete . The following morning, the girls notice that not everything is all hunky-dory! Now having a significant other half, the Professor neglects his family duties and lab work and Ms Keane neglecting her school duties and even forgetting to feed her cat. Why? Because the two most important role models in the girls' lives are now sickeningly sweethearts talking to each other endlessly on the phone together, complete with EVERY single sentence ending with a mushy pet name. And you know what? It's really degrading! Also that phonebill must be really expensive by now,

Because of the neglection, the girls don't know what crimes are being caused....seriously, not even watching the news? Also, doesn't Ms Bellum have a light for a signal? Why couldn't she just set that up in the sky for them?

But no! Instead, Sara Bellum gets kidnapped while the conversation continues until the Mayor sneezes, causing the couple to realize that they were holding up phoneline and neglecting their duties, including feeding the cat. This upsets the Professor and complains about the past event where a cat made him jump off a building which somehow, Ms Keane doesn't believe and causes them both to suddenly break up. Hmm...like every other couple today right? Okay that was bad.

Overall, this was a weak episode with no crime fighting at all and for a new start of upgraded animation, this was pretty bad. Especially being a Valentines themed episode.

9. City of Clipsville I ought to let you know that seasons five and six sucked. Big time and this episode is no exception. I am not much of a fan of clip shows and this one was really weak, lame and the repetitive dialogue is as entertaining as a stale book made for toddlers. "Remember when Mojo Jojo turned us into dogs?"...umm...yeah? There's like two episodes with pretty much the same chunks of animation of it and it doesn't help that they referenced BOTH episodes! Also, did we really want to be reminded of some of the more mediocre episodes?

Mind you, most of these little trips down memory lane never happened. These include The Professor marrying Ms Bellum...for some reason, the girls losing their superpowers without realizing until they fall off a building...the Professor turning the girls AND all of Townsville's citizens into helpless infants...(no, seriously...make way for cliche'd moments whenever a baby is in a cartoon, which I'll get to later), complete with Blossom spitting up over the Professor's shoulder.

BUT the most most shameful fan-service cringe-worthy moment would have to be a quote on quote flashback of when the girls sped up time and became teenagers. Oh my god! Just...yeah. Complete with their midriff showing, slender figures, skinny jeans and stereotypical valley girl accents and mannerisms such as blowing bubble gum talking on their cellphones and ...discovering boys, teenage boys...in this case, the Rowdyruff Boys.

Yeah...remember when I said that the whole counterpart thing is a drag, well they do it here too. But this time, they are somewhat getting along, yet the girls are ditzier. I do love some of the hidden innuendos snuck in this scene visually and audibly.

Besides this episode being a weak one, I do admit that I like how the girls looked as teenagers, a bit two fan-service material-esque but still cute. I love how Bubbles still kept her pigtails in, but are a little longer, Blossom's red hair still makes me jealous *seriously...) and Buttercup growing out that little bob, it suits her.

Of course, I can't mention this scene without the fact that it was a reference to Craig McCracken's fan mail he was receiving from fans about what would happen if the girls and boys were couples. He hated the idea so he decided to poke fun at this little trope.

Interestingly, there was going to be a scene that never made it, but there were storyboards lying around of the teenage girls becoming popstars...obviously a reference to the likes of Mandy Moore, Britney Spears and Christina Aguilera and other teen idols, maybe even the lesser known band that have since broke up, No Secrets.

The episode gets more stupid as everyone somehow ends up in the house until the episode ends which turns out to be filmed in front of a "live audience". Yeah, just...weak.

If you do like this episode, that's great, it does have a few funny moments but I still feel like it's just another cheap bland clip show.

8. Neighbor Hood Good god was this episode lame? The moral was a good one I will admit, but first, the story...Bubbles rushes home from school in time to watch her favorite show: The Wondrous World of Whimsical Willy. Mr. Willy being the host of the show (and an obvious parody of Mr, Rogers) greets his audience warmly, at first, he seems like the typical friendly, harmless, yet unsettling kind of person on a kid's show. He never snaps, he's calm and mellow. But when Daydream Lane loses all of the happiness and joy, Mr Willy asks his audience to hand over all of their cash to him so they don't lose hope.

Being naive and simple, not wanting the show to fall flat with misery, Bubbles somehow breaks into the town hall and takes off with the money in the Mayor's vault and hands it over to Mr Willy and the rest of the crew on set. By the way, the Mayor also donated...yeah, he's a man child. lol

Meanwhile, back at home, after getting a phone call from the Mayor, Buttercup and Blossom notice their sister live on TV with a huge bag of money, thanking Bubbles, Mr Willy and his gang celebrate until Bubbles' sisters barge in telling Mr Willy to literally drop his act.

Sweaty and nervous, Mr Willy finally snaps and reveals his true plan to steal all of the money of Townsville, showing his true colors at last. Bubbles demands an explanation and tells her sisters that Mr. Willy isn't a crook, he just needed the money to help save Daydream Lane. Blossom isn't buying it and tells Bubbles that none of this is real and that the whole set is just canvas painted with scenery and backgrounds and the crew are all crooks in costume.

Now shocked and realizing she had been conned along with the rest of the those who donated, Bubbles loses faith in Mr Willy and the show and even refuses to save his fall. In case you might guess, Mr Willy is arrested and thrown in prison and Bubbles apologizes for her foolish act and also that she shouldn't believe on what she sees on television. In a way, this is a great moral for kids, especially when the main cast are kindergartners, but come on, the girls are more precocious than this, they are better than this. This is basically a weaker version of Film Flam.

This episode is really unsettling for many reasons. Mr Willy asking for donations from little kids, isn't that a little creepy and somewhat makes him a pedophile? But to go as far as flying all the way to the set on your own and revealing the stolen cash is even more risky and dangerous.

I have read something interesting here from the PPG wikia, this episode was based real-life events in a 1965 New Year incident where Soupy Sales, miffed at having to work on the holiday, ended his live broadcast by encouraging his young viewers to tiptoe into their still-sleeping parents' bedrooms and remove those "funny green pieces of paper with pictures of U.S. Presidents" from their pants and pocketbooks. "Put them in an envelope and mail them to me," Soupy instructed the children. "And I'll send you a postcard from Puerto Rico!" He was then hit with a pie. He later admitted that he was joking and that the money would be donated to a charity, but Sales was negatively affected by the incident.

Also I learned that this episode was actually written back in 1999 as a season 2 episode, but was scrapped since the staff feared a lawsuit from PBS, so instead the story was given to DC Comics named Remote Controlled. The story was much better and less mediocre compared to this one. It's such a downfall when a great cartoon runs it's course and episodes that were originally written for the comics suddenly have elements thrown onto the screen and never live up to how they could have been.

There's something else I would like to point out here. I saw this comment on the PPG wikia by a user named Crossoverfan4ever and he pointed out that Bubbles commited a crime and got away with it, and did she get punished? Of course not, because she's, cute, innocent adorable, precious, sweet little Bubbles who can probably get away with murder if she tried.

So...in A Very Special Blossom, Blossom steals a rather valuable set of golf clubs and gets punished for it with 200 hours of community service, yet the Professor asks the cops to go easy on her and she's also sorry (seriously, you can feel her sorrow in her voice and that face just says it all).

In the fan-loathing controversial episode Moral Decay, Buttercup commits a crime by breaking into the local villains homes and steals their teeth for money from the "tooth fairy" after already beating up crooks for committing crimes. Her punishment: Ambushed by her worst enemies as her sisters sadistically watch her get beat up (note that Buttercup is a little girl, so can you imagine the pain inflicted on her?). Going back to Neighbor Hood, yeah, it's bad. One of season five's worst.

7. Crazy Mixed-Up Puffs

Season six was definitely the weakest link in the original show's run, so in a way, it's a breath of fresh air when McCracken and Savino declined a season seven from Cartoon Network (much to the disappointment to the fans).

CMUP just made way for some really weak points in writing and character development and derailment. Whichever one, even my feelings for this are mixed up...or mesed up. Whatever!

In this episode, Mojo Jojo is watching old clips of the past fights and battles he has had with the girls and soon stops for an ice cream break. Unforunately, a little girl is in front of him and he deters her. As Mojo orders his three scoops (which happen to resemble the signature colors of the Powerpuff Girls), the little girl throws her ball at him, causing him to drop the ice cream onto the floor. As it does, Mojo gets an idea.

Mojo then goes home to his lair and creates a dummy of a girl calling for help, attracting attention from the Powerpuff Girls, they fly over to save her and are immediately caught in his trap.

The machine swirls the girls together, fusing them all into one and because of this, the girls find it hard to fly, spin and even keep their own balance, not to mention worsening their arguments every single time. It's really unpleasant to watch.

From here, the girls now have to rely on each other with trust and work as a team to stop Mojo. After finally making their way to Mojo, they defeat him, destroying the fuse machine with a huge blast, but are still stuck together as one.

As they make their way back to the Mayor's office, they get Professor Utonium to try and seperate them. Feeling hopeless, the Professor breaks down into tears knowing that his daughters will never be the same, but they tell him that they don't mind being this close and reassure him that everything is going to be okay. The Mayor finds a thread from their fused dresses and pulls it which somehow...separates the girls restoring them to their glory. I do love when the Professor tells the girls that he loves them all, it's moments like this that always make the show great, it's too bad this episode suffered from mediocicy, unpleasant arguments and...this (Really? After all you've been through, you decide to add this in here?) NOTE: Never let Paul Stec or someone else write a Powerpuff Girls episode storyline which may result into tasteless immature fart jokes...speaking of which...

6. Reeking Havoc Season six...why? Why did you have to go with this crap? An entire episode about flatulence? Really? Okay, well silently but still visually. I for one don't care for this kind of humor, it's immature, lame, not funny, pointless and...just go watch South Park if you're into that stuff (by the way, I'm a huge fan of South Park, freakin' ironic I know! lol).

The Girls have just returned home from enjoying a beautiful sunny day in spring, admiring the fresh air until their noses are suddenly inflicted with the smell of something ...not so fresh, in this case, chili. Yep! Because how else are the writers going to come up with an episode which is ten minutes of fart jokes. Real mature. Not.

It turns out that the girls father Professor Utonium is cooking this...chili for the "2nd Annual Chili Cook-Off" in Townsville. The girls reluctantly try a sample, as expected by them and those watching, it doesn't go down well (we even see a shot of Buttercup losing it in the waste-bin). Worried that he may lose again, Blossom decides that they should tell the Professor, but her sisters object due to the year before, in which the Professor lost and broke down.

Later that night, the Professor still thinks his chili needs something extra...or should that be "x-tra"...with that, he adds a drop of Chemical X into the concoction. Sure, because somehow that works right? Also, maybe adding COFFEE into the chili is the reason it doesn't taste so good. Later on that night, the girls (one by one) also happen to put a drop of Chemical X in the chili.

The following morning during the annual chili contest, the judges (which happen to be Ms Keane, the Mayor and Sara Bellum) are trying out all the dishes that have been made for the event when soon, they try the Professor's chilli causing reactions that they never experienced before. With that, the Professor is declared the winner of the contest and is awarded the trophy and with that, the Mayor hands out free samples of the prize winning chilli.

What then follows is nothing but flatulent puns, visual and audible, one after the other while everyone's guts start growling and all that gas happens to escape and creates...a giant methane monster. No, seriously! A giant cloud made out of everyone's gas! What were the writers thinking, seriously? It's like they have watched Ren and Stimpy and got some ideas off there, no?

The following day, the methane monster soon causes chaos all over Townsville and his stench is so unbearable that it causes everyone to feel nauseous and complain. This then causes the Mayor to call the girls and...*sighs*...watching them trying to fight off a huge flatulent monster is just...well...yeah. Lame.

As if stinking up the city has already been done in season 2's Down and Dirty, but that as caused by Buttercup refusing to bathe, but nope, we get a full on episode with gastronomical proportions and bad jokes!

From here, we get some rather ridiculously stomach churning moments including the girls actually trying to suck the monster up...err...gross? So...after the mention of a "match", Blossom gets an idea and takes off and returns again in seconds with...a giant match...no seriously AND to make this episode even more cringy, she mentions that she got it from the same place where she got the giant jar in "episode two season one". Was that really necessary?

I don't wanna go on since its pretty cliche'd with the fact that entering a chili cook-off with an ingredient that happens to be linked to chaos, it's obvious what that equals.

This was a bad episode and I mean really really bad. GOLDEN RULE: Keep fart jokes off this show! Oh wait...the reboot pushed that further! *sighs*

5. Gettin' Twiggy With It Consider this the Pet Sitter Pat episode of The Powerpuff Girls. Nearly every character in this show is likable, funny, great, relatable and somehwhat a decent role model. All but one...that being a less major character: the girls class mate Mitch Mitchellson. A sadistic, nasty, evil, selfish, greedy, manipulative child who takes pleasure in bullying his fellow...ahem...classmates. Think of him as the Nelson Muntz of Townsville. Think of him as Ren Hoek off Ren Seeks Help in Ren and Stimpy Adult Party Cartoon, or maybe even Stewie Griffin. In this episode, it's Friday and that means one of the kids has the responsibility of taking the class hamster Twiggy home. The girls volunteer, but somehow Ms. Keane chooses Mitch to look after her.

This episode is legimately painful to watch in my opinion. As an animal lover (especially hamsters) who hates animal cruelty to a degree couldn't even watch this. It isn't funny, isn't a pleasure to watch, it's just sick, twisted and evil, I'm glad though that the episode itslef wasn't treated as comedic, that would make me up this episode straight to number one in my opinion. Mitch apparently says he never owned a pet before, yet you can clearly see that he has a snake in the background, what the hell?

I like how when Twiggy becomes a vicious monster, the girls do their part to save him, but still teach him a lesson in harming little Twiggy. It's rare for an episode to be played out seriously for the most part, yet this is just so difficult to watch. Especially all the ways Mitch tortures the hamster.

Gettin' Twiggy With It is just nasty and an unwatchable episode. It's unpleasant, demented and just uncomfortable to watch. For a better review on this episode, I suggest reading this: https://www.deviantart.com/regulas314/art/1001-Animations-Gettin-Twiggy-With-It-517452789. He does great reviews and provides decent detail.

Overall, Mitch Mitchellson is hands down my most despised character in The Powerpuff Girls, maybe even worse than Princess Morbucks. And that's saying a lot.

4. Girls Gone Mild I don't think there's one countdown of top ten worst PPG without this episode at least appearing on there. It's bad, the story, the premise, the fact that this episode was inspired by letters Craig McCracken received from parents thinking the violence was appropriate as a defence, pretty much the Three Girls and A Monster of the Chris Savino era. This episode is basically like a reminder that parents and legal guardians are the ones who should ultimately take responsibility for their children's actions instead of just blaming other people for it. But for what it is, it's not funny or entertaining and definitely one worth skipping. Need I point out that the two people of "P.A.P.P" (People Against Powerpuff Girls) were played by the same people behind the voices of Cosmo and Wanda from The Fairly Odd Parents?

But seriously, where do these two come from? Clearly not from Townsville otherwise they'd be more than happy to ask for the girls help, but no, instead they eat everything up with complaints and threaten to sue the Professor if the girls start using their superpowers again. I hate tropes like this, especially when we all know in the end, they go back to normal and do what they do best. Now if only they were kicking Stanley and Sandra Practice's butts instead.

3. Moral Decay *sighs* some of you have definitely seen this one coming but you can see why. It's one of the most unpleasant, mean spirited and degrading episodes of the Craig McCracken era. What were the writers actually thinking?

Buttercup's nothing but a straight up sadist in this episode, the moment those mouth muscles form a malicious slasher smirk, she has straight up changed in personality throughout the episode. After accidentally knocking one of Bubbles' teeth out, she learns of the "tooth fairy" bringing money in exchange for teeth under kid's pillows and what does she do? She constantly abuses Bubbles just to try and knock out her teeth.

First off, Buttercup may be tough, but she loves her sisters dearly and wouldn't think of abusing her own sisters for kicks. Sure she gets into scrapes now and then, argues and teases them, but she would never want to hurt them to this extent!

UmbraMagna's stated this before on YouTube but have they go something against Buttercup, did they hate her character? Why did she always get the rough stuff in punishment and treatment? Think about it? In Down and Dirty, she refuses to bathe and even gets kicked out the house until she gives in and is forcefully given a full scrub by her own sisters. In Cover Up, a whole opportunity is wasted on a story that could have had a heartwarming peptalk scene between Buttercup and the Professor, there, Buttercup feels vulnerable without her security blanket. You gotta remember that she is a little girl, it's normal for someone her age to have a baby blanket.

Going back to Moral Decay, it's a terrible episode that's just painful to watch and do NOT get me started on the ending. The Professor at his most non-caring right here, not to mention that close out ending scene. As punishment, the Professor pays covers Buttercup's dental bills with the money she "saved". By the way, I suggest you check out @UmbraMagna's extended review on this episode. Since mostly I'd be shadowing and echoing what she has said, along with A Very Special Blossom in her top 10 worst PPG eps countdown.

2. Sun Scream/The City Of Frownsville I put these two together because...well, they both aired together, simple as, bit cheap and not so well explained or thought but what else. These two episodes are just torture! Despite being on different topics.

First off, Sun Scream. This episode is just a chore to get though. The girls all catch the sun after refusing to put sunscreen lotion on while trying to stop a solar flare from plummeting to the earth. What do their fans and the rest of the citizens do? They laugh at them, instead of showing concern for three kids who have badly been sunburned. Just...what has happened to Townsville?

The rest of the episode is nothing but the girls struggling to get up out of bed and trying to answer the hotline, getting dressed to even struggling to attack some con artists. I won't spoil this episode but if you have made it through till the end then good luck, this one's just painful to watch.

Then we have The City of Frownsville. Although being dedicated to those who lost their lives during 9-11 (with all my respect, I pray now even). Despite this, this episode is nothing but everyone sobbing their eyes out for ten minutes. If you can't stand nails scratching on a chalkboard, then you will definitely not be able to make it through this episode.

All of Townsville's put under a spell by "Lou Gubrious" and his machine that causes everyone to cry uncontrollably, this then reverses his mood giving him the new name "Hal Larious" (please, seriously?), the rest...ugh.

Skip this one while you can guys.

Before I get to number one, I'd like to give out a few dishonorable mentions.

Cover Up - For shaming Buttercup being a softy. Also her sisters cruelly laughing at her. Twisted Sister - First off, I don't hate this episode as a whole, I don't like what they did with the new sister Bunny. She's unstable, but her slurred speech and lack of English, as well as dying in so called comedic fashion's a bit too much. Fallen Arches - Blossom's unbearable in this episode. Sure, we should respect the elderly but refusing to fight these crooks and throw'em in jail. Just...no. Sweet and Sour - Ugh, cutesey animals getting away with crime and the citizens are just as clueless because they are "TOO CUTE!". Come on! Pee Pee Gs - Unsettling and nothing but pee jokes. Umm...no, unfunny and a cringefest. Prime Mates - Mopey Popo's constant complaining and rambling in his Droopy-esque voice and the girls not having enough screen time make this a true downer. A Very Special Blossom - Ugh, one of the first of episodes where one of the girls does wrong and gets punished for it. In this case, Blossom's dark side shows when she steals a valuable set of golf clubs just to please the Professor for Father's Day. That's Not My Baby - Ah the baby cliche! Whether it's abandoned or just being looked after the whole package is there. The baby never stops crying, and when it eats, it's diaper needs to be changed yada yada yada, I'm sick of this cliche and this episode's no better. HOW did they not even notify the Professor even? I left it out of here because the ending was actually clever. Cop Out - Forgettable, bland and yeah. Unfunny, also that cop. Ugh. Custody Battle - Just doesn't feel like a PPG episode, but a Rowdyruff Boys spinoff. Also the whole two daddies thing...nah. Divide and Conquer - I know education and learning's important but an entire maths episode...nope. Save Mojo - I'm a bit of an animal activist, no lies but...a cartoon chimpanzee with constant diabolical plans to destroy the Powerpuff Girls and take over the world, that's different (plus a cartoon), and...yeah. Basically Girls Gone Mild with animal activists and protesters. Say Uncle - Absolutely forgettable and lame. Mizzen In Action - I love the Crack McCraigen pun name but over all, this swash buckling episode's one of the show's most forgettable episodes. Seed No Evil - Bland and boring and...seriously, what's this all about seeds in olden times? The City of Nutsville - Bubbles gets stung in the throat by a bee/wasp and her sisters actually laugh at her...messed up. Also, squirrel apocalypse. Insane. West in Pieces - Ugh...ancestors of the Powerpuff Girls? really? As if Seed No Evil was no better.

And the number one worst Powerpuff Girls episode is...

1. Toast Of The Town I HATE this episode! Talk about character derailment, especially when you're in the middle of season five. If you can get through this episode listening to the Mayor speak in the third person, good for you, because there's a lot of it and it's enough to make your eardrums split.

The Mayor has a huge craving for toast (say, at least SOMEONE now has a toaster unlike everybody in Too Pooped To Puff few seasons back) but his toaster is out of range, so he goes to the Professor to have it fixed. And with that, we get some of the most cringe inducing audio, lack lustered story writing and some of the most ANNOYING dialogue in any episode! The Mayor is basically nothing but...a child in a man's body here. The Professor won't fix his toaster because he's busy, but after more complaining from the Mayor, he gets on with the job and the Mayor is so impatient he asks in seconds if it's done yet...really? The Mayor is an idiot, that's for sure, but at least he means well and loves his city and job and looks out for the girls. BUT his stupidity here is both questionable, childish and dumbed down to a tee!

The Professor makes the Mayor wait somewhere in the lab which he does despite still dejected and impatient. What follows is...the Mayor curiously pressing buttons like a child and setting off an alarm and causing a huge explosion in the lab...err...is this Dexter's Lab or The Powerpuff Girls? Some weird pattern here! Anyway, the Professor then proceeds to let the Mayor stay put by putting him in a high chair...for...some reason...

Later on, the Mayor discovers a can of Chemical X and rubs some of it on his head thinking it's hair growth formula and...his entire body is now the size of King Kong, complete with a shameless parody to boot. I don't need to explain anymore of this.

Seriously? The Mayor's third person speech and childish behaviour here is some of the worst character derailment I've ever seen. As I said with Gettin' Twiggy With It, there's a more detailed review here by Regulas314: https://www.deviantart.com/regulas314/art/Animated-Atrocities-Toast-of-the-Town-475588395

There's no other way I can mention this episode without any...ahem spoilers, but I suggest avoiding it while you can. SERIOUSLY! This episode's unbearable!

Compare the Mayor in episodes like Uh Oh Dynamo, where he was against the girls having the city destroyed (even though it was the Professor making the girls use the Dynamo). Then compare him here...it's just painful. And with that, let me know what you think which episodes do you think are th eabsolute worst?

#Powerpuff Girls #Top 10 #countdown #worst episodes

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techouspeaks · 6 years ago

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Toon VS Toon: The Dragon Prince VS She-Ra and the Princesses of Power 2018

Both shows have a lot of promising diversity but which one does it better?

Alright, so you’re probably wondering why I compare these two shows together? A side from being both hosted on Netflix and showing a lot of diverse characters and story elements, along with taking place in a magical universe where war is raging on and the fate of good solely relies on our heroes saving the day. There’s not too much they have in common.

Well the thing is that’s what I’m going to discuss, how they handle diversity and which one does it better.

Now if you hadn’t read my She-Ra review, I basically think the show is okay. The concept and how the characters are drawn are nicely done and I like Adora, Mermista and Bow. Some of the concepts are very interesting. I just feel it lacks a little bit, especially in animation and character development. I feel like the story and character development is way rushed including the relationships between the characters including our leading female lead Adora and her rival villain Catra.

The Dragon Prince I recently started watching and it didn’t take me too long to get invested. I liked the settings, the animation is gorgeous and the characters are very likable, despite the dufus wimpy lead that even Hiccup from How to Train Your Dragon would call a dork. I kinda think that Callum was meant to be a copy of Hiccup a little bit.

The one thing these two shows do have in common is diversity as I said. The characters are all diverse. You have lesbians or hints of lesbian relationship, you have people of different cultures and different skin tones all in this world and it’s not a huge thing, but which one does it better? Which show handles the diversity much better and respectfully.

Let’s look at She-Ra. We have a lot of female leads that have different body shapes and skin tones and all that. There’s even a hint that during a dance with Adora and Catra that there might be some closer feelings. However, this is barely hinted at. There’s no real actual gay relationships as of now. It could be because the series has yet to have a season 2 and Dragon Prince has two seasons already, but still it lacks a bit.

As stated before Bow and Sea Hawk are kinda gay stereotypes. They’re obviously not gay because Sea Hawk does flirt with Mermista and has this huge infatuation with her and Glimmer kinda has a thing for Bow so it’s undecided if Bow is actually gay or not, but it’s obvious they’re stereotypes. At least Sea Hawk is and Bow is sorta that but not as bad. He’s very competent as a character and besides liking pretty things and the whole “Best Friend Squad”, he does act like a natural person would, but yeah his overall is still pretty much a dated stereotype of “Let’s put this kind of character in it because social justice is in right now!”

All the other characters I’ve said before in my review just feel like well archetypes. You have the lack of emotion, bored tough chick whom I do like and is my favorite character but lets face it, she’s an archetype. I’m not going to deny that even if I do like her. The sweet sensitive type, the geeky nerd that is totally into tech more than people so much so she’s extremely socially awkward. Aside from Glimmer, Adora, maybe Catra and sometimes Bow, most just feel like archetypes and with how the characters are design and how this show tries to be in your face with “We have diverse bodies and we have diverse this and that!”, it comes across almost deceitful with it’s premise. Especially any male character remotely masculine is one of the bad guys and that’s a bad thing. Feminism isn’t about hating or showing masculinity as a bad thing but something as equal to it or just as needed and that the role of masculine and feminine can be reversed around.

The Dragon Prince has it’s stereotypes too. Like I said, Callum is pretty much your wimpy hero that wants to find his place in the world. However, most of the characters are pretty much realistic. What I enjoy about this series is that it does show diversity but in the right way. Not only because there’s more diverse characters ranging from not only on the main list such as sexuality, breaking gender roles and races but also in other factors such as a character that is deaf and mute, a character that is blind and even at one point, Rayla was experiencing what it’s like to lose a limb, which that happens to people too. However, it’s how these characters are represented that makes this show stand out nicely.

All the diversity is treated naturally, like it’s been there for years and everyone accepts that people no matter what they are or who they are can do anything. They don’t feel like they’re just put there for the sake of pleasing the audience with “Hey we got this type of character in it! So you have to like the show!”. The characters just fit in the role. The king just happens to be black, the general just happens to be deaf, the pirate just happens to be blind, the queens are lesbian, which I don’t understand how they have a kid together in a world where technology isn’t established. I guess maybe some sort of magic, maybe one of them is transgender but okay! It’s just well natural. It’s treated like a normal thing.

The only bias thing here is just magic folk, more specifically the elves and creatures that are connected to magic vs humans.

Most of the characters in the Dragon Prince feel real, like they are people you will meet, including the villain somewhat.

In fact, when you really think about it, the Dragon Prince does feel like an old 90s - early 00s show, because a lot of shows like Captain Planet, Avatar the Last Air Bender, Storm Hawks, among other kids action shows that did have diversity. The thing is we weren’t so into social justice stuff back then that maybe people just don’t realize it now. We had diversity in kids shows back then, with the exception of an open gay character, but I guess people just aren’t paying attention.

What I say about this show being close to say Avatar or early shows is a good thing. It makes it feel less dated. Like you could watch this show years from now and not go “On this was from the mid to late 10s”. In fact, characters don’t even rely on slogans like some of the characters will say in She-Ra or talk like again “Best Friend Squad”. Okay, that’s not really a huge slogan but you get what you mean.

Sometimes the Dragon Prince will get preachy like how Ezran will say all that is right about humans when Rayla does her human impression, but over all, it’s not in your face about the diversity.

The only thing people may complain about is the lack of “diverse bodies” aka having a fat or “curvy” characters in it. I think there is only one character that I would say is on the chubby side and that’s one of the kings that Viren meets at the meeting, which I say, you’re talking about a show where most of the characters including the queens fight and know how to fight. Even if a fat or somewhat chubby or curvy character fights, they ‘re gonna lose most of that because that’s how your body burns calories. There’s a reason why if you want to lose pounds you exercise. It’s science and this show at least has some science to it’s lore! Well except, again I dunno how two queens make a baby but again, maybe one of them is trans and with no kind of surgery for that kind of thing, they still have all the male parts. Hey it’s still showing a lesbian relationship. The man becomes a woman so...that’s something! It’s showing a trans and lesbian relationship. Or maybe the girl is actually adopted, I dunno. It’s still treated as a normal thing and at least we actually do see the queens kiss so there’s something!

Another thing that kinda makes She-Ra 2018 a bit dated is the use of colors and animation. It uses the same kind of flash animation and colors that a lot of shows like Steven Universe and other cartoon network and Disney channel shows tend to use. Not much of the animation makes it stand out or different from shows that use the same kind of style and pallets. That and there’s times where it’s clear the animation isn’t so good. The characters may not move as fluently as they need to move and some scenes look a bit incomplete.

Guys I know it’s hard to do animation but if a small team of animators making a youtube show, the Hazbin Hotel, can clean up on their animation and even without the clean up is still good, there’s no excuse. She-Ra’s animation crew work at Dreamworks, the same studio behind the How to Train Your Dragon series and Voltron! Shoot, the Dragon Prince isn’t even owned by a huge company and it still does better!

The Dragon Prince is set in a more mythological time period and the animation fits well into it. The use of lighting and colors as well as shading makes it feel like genuine. It still looks similar to shows say like Storm Hawks or other 3D action shows but it still has it’s own look and it’s a breath of fresh air to see a show have such beautiful colors and designs. The colors are can be light and pretty with shading to make it easier on your eyes as well as dark in grim when the scenes need to fit that tone.

So obviously, the Dragon Prince does win over She-Ra. If you disagree or think I’m a bit bias, okay. I grew up with wonderful animation such as Disney and Nickelodeon shows. I can’t help but like quality animated shows!

I also like to point out, though this isn’t a comparison, but since this is sort of my review of the show, I must say I really do like how smart the characters including the side characters are in the Dragon Prince. Most of the time in a story like this, the people will blindly follow the evil adviser, not realizing he did it, only to go against the villain at the end when the truth is found out. Here, that’s not the case. Even his own children start feeling odd about their father and most of the soldiers don’t like him nor want to do what he says. Many of the characters suspect Viren’s nature and even the kings and queens while at first want to go with Viren’s plan to group up for war, it’s only until the child queen (I sadly forgot her name) decides, even after the heartbreaking tale of how her parents died, feels that it’s pointless forcing her people to fight in a war where they are more likely to be killed, that the other royals follow beside her and go against the war. It’s done realistic. No one is just a plain idiot! People have their own thoughts and the series never fails to show how each individual feels.

In this day and age, we know that leaders are gonna have many followers and many enemies or people that don’t agree with them even under their reign. This makes sense and I like how this show handles that. Such a simple thing like that is what makes this show a breath of fresh air and why She-Ra doesn’t remotely hold a candle to it.

I may do a review of the show, a proper one and give it my full rating. So far, you I think highly of this show and as for She-Ra, I will continue to watch it as time goes on and when season 2 finally comes out, I’ll check it out. Maybe the later seasons will fix the problems I have or stay the same. It’s not a bad series but I’m gonna act like I don’t have problems with it. I’m not gonna pretend to like something more when the series that is obviously superior does better than it.

I will say this. How you relate to each one depends on you. Maybe you do find yourself relating to She-Ra’s characters and situations. If that’s true, more power to you. You may even say I’m wrong with how I explain things. I honestly, don’t care since most of the time I don’t read notes anyway but I’m not gonna tell you what to like or dislike. These are personal opinions. Nothing more, nothing less.

So that concludes that the Dragon Prince is the winner of Toon VS Toon Battle. Highly do recommend you check both series out as much as I think less of She-Ra, it’s good for at least one viewing so you can draw your own conclusions. Naturally, I highly recommend the Dragon Prince especially if you’re hugely into animated fantasy adventure series like Avatar the Last Air Bender, maybe Adventure Time, Storm Hawks and Legend of Korra.

I’m Tech! Seeya in the next review!

#She-Ra #she ra netflix #she-ra and the princesses of power #the dragon prince #legend of korra

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xanderuwu · 6 years ago

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for whom it may concern; here’s a letter

i wrote this long fucking rant about voltron, enjoy (click here to view on google docs)

My name is Alexander, I’m 23, and here is my sob story. I’m a bisexual trans man who grew up in a tiny village where people believed that being LGBT+ was just as bad as being a child molester. I spent the first 20 years of my life hiding my truth because of the fear & shame that was ingrained in me as a child; I was disgusted by myself. I have never gone a week in my‬ ‪life without contemplating suicide - I’ve tried to kill myself 9 times, the first time was when I was 8.‬

‪One of the main things that kept me afloat during my childhood & teen years were stories in any medium; film, TV, books, I swallowed them whole & they kept me sane. But they never made me feel goof about myself or my life. I didn’t experience the impact of good representation until I saw the first season of Glee in 2009 when I was 14 (that show went downhill as it went on too, wow). One of the main characters on Glee was gay & had an arc in the first season where he came out to his father, & his father … embraced him.‬

‪… I remember crying in bed, watching the coming out scene over & over in shitty quality on the Youtube app on my old iPod. I had never seen anything like it. Sure, I’d seen LGBT+ people in media before, but they were always either stereotype-ridden jokes, or they led miserable lives & never got a happy ending. & in so so so many cases … they died. Or their partner died. Or they got AIDS. Or they were framed as disgusting degenerates.‬

‪I’d never seen a parent accept & embrace their gay child. I had never seen a gay character who “made it” with loving friends & family. It gave me courage, it made me hopeful.‬

‪Hope is the most powerful powerful tool we have when it comes to suicide prevention within the LGBT+ community. Every day, thousands of people toe the line between life & death, & THAT is why our representation is so important. Yes, it helps normalize LGBT+ people to the cisgender & heterosexual audiences, but you have no idea how much hope & joy can blossom in the hearts of vulnerable LGBT+ people from good representation that shows LGBT+ characters being embraced & loved, finding partners, falling in love, getting that happy gay ending we so rarely get to see in media. I’m certain that that gay kid from fucking Glee of all things, saved me from the brink a few times.‬

‪In December of 2014, when The Legend of Korra made Korra & Asami the romantic endgame, I cried. Cried for all the LGBT+ kids who would, perhaps for the first time, feel good about themselves. I also cried for the child in myself who still struggles with the shackles secured around his feet from a childhood of isolation & self-hatred, because he needed it too. & then we got record-breaking amounts of well-rounded LGBT+ representation on Steven Universe, a show that not only features same-gender romances, but also explores gender & challenges toxic masculinity. & last year, Disney Channel, the fucking DISNEY CHANNEL, had a character on Andi Mack come out as gay! Freakin’ DISNEY, man! & Korra was on Nickelodeon, Steven Universe is on Cartoon Network - those are all huge traditional television broadcasters where shows have to be assessed by a whole lot of boards in order to make sure they’re suitable to broadcast.‬

‪Netflix, on the other hand, has more freedom. Many of their live-action shows have had explicit LGBT+ representation. Watching as more & more mainstream TV shows & films with prominent LGBT+ characters get released makes me believe in the change, from when i was a kid in the early 00’s to now.‬

‪I first encountered Voltron: Legendary Defender in the form of gifs, fanart, & screencaps on Tumblr. The first thing that caught my attention was Allura’s design; she’s gorgeous & I’m weak. I found out that she was from the Voltron reboot which, not gonna lie, sounded kinda dumb to me at first. I watched Voltron: Defender of the Universe as a kid, not because i’m old enough to have been a child in the 80s, but because we were a family with six mouths to feed & no disposable income that could be spent on cable TV. So we got public service television, & they ran a lot of cartoons from the 80s because they were cheap to license I guess.

Anyways, I was obsessed with VDOTU (we’re using abbreviations now because this is getting stupidly long & typing is hard) as a wee lad, Allura was my favourite character because she had long hair & a pink uniform - as I said, I’m weak for pretty people. So in late June of 2016 I watched the first season of VLD & I was so pleasantly surprised. VLD is animated by Studio Mir; one of my favourite animation studios, & the show has writers & producers who have also worked on Korra, so that, in addition to the show being distributed by Netflix, made the possibility of clear-cut LGBT+ characters & storylines seem more plausible. ‬

‪I loved the first season of VLD. I very quickly latched onto Keith & Allura, but as I kept watching I found myself adoring the whole team. Having Pidge be a girl was cool, & I was so excited when I found out that she was voiced by a gay actress! & whoever came up with the idea of making Allura, Hunk, & Lance brown deserves a high-five. ‬

‪(We’re getting to the real meaty LGBT+ rep rant soon, just stick with me here because I wanna talk about some other gripes I have with this show first).‬

‪So, we had a show with a diverse main cast of characters, good writing & pacing, a good balance between character & plot, & gorgeous animation. I was excited to see the second season.‬

‪However, the second season was when some of the show’s main flaws popped up for the first time. That nice balance between character & plot from the first season seemed to have driven right off its tracks and straight into a bio-hazardous lake. In the first season, each character got a fair amount of attention, but in season two Hunk & Lance were just … barely there? Keith is my favourite character & I liked the Blade of Marmora stuff, but Keith’s amount of screentime came at the expense of other characters, especially Hunk & Lance. Having Keith’s entire arc in season two pretty much only involve himself & Shiro did every character a disservice. & the reveal that Keith was Galra was so underwhelming. We only saw two characters react to Keith’s alien heritage. The episode with Keith & Hunk in the Weblum was lovely, but we haven’t really gotten team bonding episodes like that since season three so :/ And oh God, the whole subplot of Allura, a black-coded character, being “racist” against the Galra is a WHOLE other mess that I don’t think I can adequately explain. Just, why. ‬

‪Season three was good, the balance between character & plot seemed to be getting back on track & the lion switch-up made for some good character development, especially for Lance & Allura. Episode four was a mess though like y'all could’ve been just a liiittle more sensitive with that kind of stuff. Also it is embarrassingly obvious that in the first two seasons, Allura was portrayed as being around Shiro’s age & the two of them shared moments that seemed to be hinting at a future romance - until, suddenly in season three Allura is at the same maturity level as the other paladins? What, is it because that was when you decided to have Shiro be gay because you weren’t allowed to kill him after season two, & so instead of doing Shiro/Allura you started pairing Allura with Lance? That’s just absolutely stellar mate.‬

‪Season four - character/plot balance swings off the rails once more & to this day it hasn’t been recovered. This was the season where y'all’s plot became way too fucking convoluted & too damn big! The plot takes so much room, OF COURSE character development suffers! Season five had the same problem, & whoops Allura has a new love interest! It’s Lotor, a grown-ass man! Great! Totes loved it!‬

‪Season six had some good moments but again, y'all’s plot left no fucking breathing room for the characters! Also, Lance’s crush on Allura is suddenly True Love now? At this point you need a fucking Excel sheet to keep track of the plot & subplots. Lotor was an asshole all along & betrayed Allura? BITCH WE BEEN KNEW! Lotor’s betrayal could be seen from miles away. Bad.‬

‪SEASON FUCKING SEVEN HERE WE GO.‬

‪You ruined Keith’s entire character. Plain and simple. Keith & Shiro’s backstory was the highlight of the entire season. And in those flashbacks we see Shiro’s BOYFRIEND! Shiro is GAY! Shiro being gay & having a partner was revealed at San Diego Comic Con in July, & fans were so fucking happy. Remember at the start of this monstrosity of a letter where I talked about LGBT+ representation in media igniting hope? That was what you saw from fans after SDCC; pure joy & hope. It was amazing, people cried because they were so happy! & the showrunners said we’d learn more about Adam & get to meet him, shit I was so hyped!

Was Shiro, the character who has struggled the most in the show, going to get a … happy ending? As a gay character? With his partner of the same gender?‬

‪…‬

‪Y'know,‬

‪There’s still probably hundreds of thousands of LGBT+ kids who are growing up in a similar environment to where I grew up. They feel the same way I felt. That … indescribable loneliness that pierces through your bones, the self-hatred & hopelessness that weighs too much, you are the deer and the headlights is every person whose approval & love you need most. ‬

‪& then you see someone like you in a story, & they are happy, they aren’t alone, because people like us aren’t destined to be tragedies.‬

‪It gives you hope.

‪VLD could’ve given that to people y'know? And maybe that’s the saddest part, that instead they chose to kill the man Shiro loved, & thus put their only remaining confirmed LGBT+ character through even more suffering. ‬

VLD killed 50% of their confirmed LGBT+ characters. ‬

‪Imagine if they’d killed 50% of their female characters.‬

They killed Adam to show the gravity of the situation, to show that with war comes death. But LGBT+ viewers don’t need that reminder. We die every day. We know war, we know that war walks hand in hand with death.‬

‪And we didn’t even really have any feelings about Adam aside from “Shiro’s boyfriend!!!” We only got a tiny snippet of his & Shiro’s relationship. From a basic storytelling standpoint, killing someone like Colleen or Sam Holt would have been so much more effective because we know a lot more about Pidge’s relationship with her parents than we know about Adam & Shiro.‬ Adam’s death fell flat because we never knew him or his & Shiro’s relationship.

‪So why did they decide that the gay characters had to lose? VLD could have made something beautiful, something that would help people. But you didn’t.‬

‪Why didn’t they?‬

‪And why, in the same season, did they suddenly make Allura show signs of returning Lance’s feelings, despite her having shown zero romantic interest in him for over a third of the series? Why did they push Keith & Acxa together, two characters who had never spoken before this season? ‬

‪They take away the prospect of a same-gender romance, & then shove some half-assed straight relationships in our faces? It’s as if they’re doing this to be intentionally cruel.

‪Even if Adam somehow returns, that doesn’t repair the anxiety & hurt they caused their LGBT+ fans. With this season, VLD gave us the same age-old tale we’ve been told since we could understand words.‬

‪Happy endings belong to straight people. Gay people are doomed to live through tragedy after tragedy until we die young.‬

‪I believed in this show. I honestly thought the slow-burn romance would be Keith & Lance. Already in season one they had the “bonding moment” that was a textbook example of how to convey romance through visual storytelling. In that scene, Lance said “We are a good team” to Keith, & that was supposedly just bros being bros? But in season six, Lance says the exact same phrase to Allura as a flirty line, so what’s the deal here?

Are Allura and Lance the slow burn? Allura had never shown interest in Lance before now, when she suddenly noticed that Lance is … nice? What … is this? Honest to God, what is happening? VLD really decided to do the guy-likes-girl-girl-doesn’t-reciprocate-but-if-guy-keeps-trying-she’ll-like-him-back-eventually thing? Ah yes, If you flirt with a girl & she ignores your advances, you shouldn’t stop & move on, you should keep pushing, that’s how VLD staff want people to treat women I guess.‬

‪Keith & Axca … looked at each other three times & now they’re in love. Very good slow burn, I cried, 11/10.‬

‪Had the straight romances at least been well-developed I might’ve been slightly less angry. But no, you killed the man Shiro loved & then presented us with some gourmet heterosexual nonsense - no really, where are your Michelin stars because this hetero bullshit is top notch, truly.‬

‪I’m not saying this as a bitter shipper. I’m saying this as someone who invested so much time into your show, only to be severely let down. VLD has had some incredible episodes, but season four & onward was a massive display of incompetent storytelling. It’s as if seasons one through three were created by a different team!

Not to mention the showrunners themselves, who have consistently been dismissive of valid concerns from fans, & when given chances to confirm that Keith & Lance’s relationship was strictly platonic, they instead remained vague, instilling hope in fans - giving people false hope to string them along so they’ll keep watching your show is cruel.‬

‪There are so many other things I could say here, but I’m running out of time.‬

‪Y'all could’ve done extraordinary things with this show & these characters. You could have made something amazing, your show could have been remembered as a trailblazer. But instead, it’ll only be remembered as a clusterfuck & as an example of what not to do, for future creators to learn from.‬

‪I don’t know how or why y'all ended up turning your show into a damn mess. I don’t really care. I just wish you hadn’t exploited the fragile hopes of LGBT+ people.‬

The only thing that can save y’all now is if season eight makes me physically shit hundred dollar bills so I can buy a fucking boat, sail to the middle of the ocean, and just scream for a good six years or so.

Thanks.‬

#xander.txt #queue #voltron

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xeford2020 · 5 years ago

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Star Trek and So Much More: The Breakout TV Season of 1966-67

“Batman Cartoon Kit” Colorforms, 1966-68. THF 6651

It was the 1960s—the golden age of television. Some 95% of American homes boasted at least one TV. These were primarily black and white sets, as color TV was still out of the reach of many families. It’s hard to imagine now but there were only three channels at the time. Every year, the three networks (CBS, NBC, and ABC) vied for viewer ratings, shifting and changing shows and showtimes at two pivotal times during the television season—Fall and Winter.

As the Fall 1966 season unfolded, it became evident to TV viewers that something extraordinary was happening. Sure, there were the usual long-running sitcoms, like Green Acres, Petticoat Junction, and The Beverly Hillbillies. But change was in the wind. A new crop of programs emerged—colorful, fast-paced, poking fun at things that were supposed to be serious and exploring contemporary social issues.

Why the difference all of a sudden? Many of these shows were aimed at the youth audience, considered by this time an influential group of TV watchers. Others purposefully took advantage of the new color televisions. Sometimes show producers and creators were simply tired of the old formulas and wanted to break out of the box.

Let’s take a look at a few highlights from the 1966-67 TV season—starting with the staid and true and working up to the wild and wacky—and see what all the hubbub was about!

Walt Disney’s Wonderful World of Color (Sunday, 7:30-8:30 p.m., NBC)

Snow Globe, “The Wonderful World of Disney,” 1969-79. THF174650

On Sunday nights since 1954, millions of Americans had tuned in to watch Walt Disney host his TV show, with a changing array of animated and live-action features, nature specials, movie reruns, travelogues, programs about science and outer space, and—best of all—updates on Walt Disney’s theme park, Disneyland. Since 1961, this show had been broadcast in color.

The 1966-67 season was particularly memorable because Walt Disney tragically passed away on December 15, 1966. But since the episodes had been pre-recorded, there was Walt still hosting them until April 1967. Viewers found this both comforting and disconcerting. Finally, after April, Walt was dropped as the host and, eventually, the show was retitled The Wonderful World of Disney. It ran with solid ratings until the mid-1970s.

Bonanza (Sunday, 9:00-10:00 p.m., NBC)

“Ponderosa Ranch” Mug, ca. 1970. THF174648

Viewership was high on NBC on Sunday nights at 9:00, as Bonanza was one of the most popular TV shows of all time. Running for 14 seasons and 430 episodes, this series about the trials and tribulations of widower Ben Cartwright and his three sons on the Ponderosa Ranch was an immediate breakout hit when it premiered in 1959, amidst a plethora of more run-of-the-mill prime-time westerns. Its popularity was primarily due to its quirky characters and unconventional stories—including early attempts to confront social issues. It was the first major western to be filmed in color and was the top-rated show on TV from 1964 to 1968. Bonanza ran until 1973.

The Man from U.N.C.L.E. (Friday, 8:30-9:30, NBC)

“The Man from U.N.C.L.E.” lunchbox and thermos, 1966. THF92303

Premiering in September 1964, The Man from U.N.C.L.E. took full advantage of the popularity of the spy genre launched by the James Bond film series. In fact, early concepts for it were conceptualized by Bond creator Ian Fleming. In this series, Napoleon Solo (originally conceived as the lone star) and Russian agent Ilya Kuryakin (added in response to popular demand) teamed up as part of a secret international counterespionage and law enforcement agency called U.N.C.L.E. (United Network Command for Law and Enforcement). Solo and Kuryakin banded together with a global organization of other agents to fight THRUSH, an international organization that aimed to conquer the world.

During this, the Cold War era, it was groundbreaking for a show to portray a United States-Soviet Union pair of secret agents, as these two countries were ideologically at odds most of the time. The Man from U.N.C.L.E. was also known for its high-profile guest stars and—taking a cue from the Bond films—its clever gadgets. In 1966, this series won the Golden Globe for Best Television Program and, building upon its popularity, spun off into two related double-feature movies that year. Unfortunately, attempting to compete with lighter, campier programs of the era, the producers made a conscious effort to increase the level of humor—leading to a severe ratings drop. Although the serious plot lines were soon reinstated, the ratings never recovered. The Man from U.N.C.L.E. was canceled in January 1968.

I Spy (Wednesday 10:00-11:00, NBC)

TV Guide featuring “I Spy” characters Robert Culp and Bill Cosby on cover, March 25-31, 1967. THF275655

One series that never opted for campy was I Spy, which starred Bill Cosby and Robert Culp playing two U.S. intelligence agents traveling undercover as international “tennis bums.” This series, which premiered in 1965, was also inspired by the James Bond film series and remained a fixture in the secret agent/espionage genre until cancelled in April 1968. I Spy, additionally a leader in the buddy genre, broke new ground as the first American TV drama series to feature a black actor in a lead role. It was also unusual in its use of exotic locations—much like the James Bond films—when shows like The Man from U.N.C.L.E. were completely filmed on a studio backlot.

I Spy offered hip banter between the two stars and some humor, but it focused primarily on the grittier side of the espionage business, sometimes even ending on a somber note. The success of this series was attributed to the strong chemistry between Culp and Cosby. Cosby’s presence was never called out in the way that black stars and co-stars were made a big deal of on later TV programs like Julia (1968) and Room 222 (1969).

Get Smart (Saturday, 8:30-9:00 NBC)

“Get Smart” Lunchbox, 1966. THF92304

Premiering in September 1965, Get Smart was a comedy that satirized virtually everything considered serious and sacred in the James Bond films and such TV shows as I Spy and The Man from U.N.C.L.E. Created by comic writers Mel Brooks and Buck Henry as a response to the grim seriousness of the Cold War spy genre, it starred bumbling Secret Agent 86—otherwise known as Maxwell “Max” Smart, along with supporting characters, female Agent 99 and the Chief. These characters worked for CONTROL, a secret U.S. government counterintelligence agency, against KAOS, “an international organization of evil.” Brooks and Henry also poked fun at this genre’s use of high-tech spy gadgets (Max’s shoe phone perhaps being the most memorable), world takeover plots, and enemy agents. Somehow, despite serious mess-ups in every episode, Maxwell Smart always emerged victorious in the end.

Get Smart was considered groundbreaking for broadening the parameters of TV sitcoms but was especially known for catchphrases like “Would you believe…” and “Sorry about that, Chief.” Despite a declining interest in the secret-agent genre, Get Smart’s talented writers attempted to keep it fresh until it was finally cancelled in May 1970.

Batman (Wednesday and Thursday, 7:30-8:00, ABC)

Toy Batmobile, 1966-69. THF174647

Bursting onto the scene in January 1966, Batman became an instant hit and took the country by storm. Batmania was in full swing by the Fall 1966-67 TV season. The series, based upon the DC comic book of the same name, featured the Caped Crusader (millionaire Bruce Wayne in his alter-ego of Batman) and the Boy Wonder (his young ward Dick Grayson in his alter-ego of Robin). These two crime-fighting heroes defended Gotham City from a variety of evil villains. It aired twice weekly, with most stories leaving viewers hanging in suspense the first night until they tuned in the second night.

This show successfully captured the youth audience, with its campy style, upbeat theme music, and tongue-in-cheek humor. Despite the fact that it verged on being a sitcom, the producers wisely left out the laugh track, reinforcing the seriousness with which the characters seemed to take the often absurd and wildly improbable situations in which they found themselves. The filming simulated a surreal comic-book quality, with characters and situations shot at high and low angles, with bright splashy colors and with sound effects, like Pow, Bam, and Zonk, appearing as words splashed across the action sequences on screen. The series was also replete with numerous gadgets and over-the-top props, with the Batmobile undoubtedly most memorable. Batman ran until March 1968, experiencing a significant ratings drop after its initial novelty faded.

Lost in Space (Wednesday 7:30-8:30, CBS)

“Lost in Space” Lunchbox and Thermos, 1967. THF92298

Loosely based upon the story of the Swiss Family Robinson, this TV series depicted the adventures of the Robinson family, a pioneering family of space colonists who struggled to survive in the depths of space in the futuristic year of 1997—as the United States was gearing up to colonize space due to overpopulation. But the family’s mission was sabotaged, forcing the crew members to crash-land on a strange planet and leaving them lost in space.

The show had premiered in September 1965 as a serious science fiction series about space exploration and a family searching to find a new place for humans to dwell. But, in January 1966, pitted against Batman’s time slot, Lost in Space producers attempted to imitate Batman’s campiness with ever-more-outrageous villains, brightly colored outfits, and over-the-top action. The plots increasingly featured Robby the Robot and the evil Dr. Zachary Smith. Viewers and actors alike strongly disapproved of this shift. The show lingered on until March 1968.

The Monkees (Monday, 7:30-8:00, NBC)

“Monkees” Lunchbox and Thermos, 1967. THF92313

Where other shows might have been lighthearted, campy, or tongue-in-cheek, The Monkees at times verged on pure anarchy. This series, which premiered on September 12, 1966, led off NBC’s prime-time programming every Monday night. It lasted only two seasons but during that time, its star shone brightly. The Monkees followed the experiences of four young men trying to make a name for themselves as a rock ‘n’ roll band, often finding themselves in strange, even bizarre, circumstances while searching for their big break. Aimed directly at the youth audience, the band members were characterized as heroes down on their luck while the adults were consistently depicted as the “heavies.”

The Beatles’ films A Hard Day’s Night and Help! inspired producers Bob Rafelson and Bert Schneider to create not only a show about a rock ‘n’ roll band but also to adapt a loose narrative structure (each member of the Monkees was trained in improvisational acting techniques at the outset of the show) and the musical sequences or “romps” that appeared each week. The series built a reputation for its innovative use of avant-garde filming techniques like quick jump cuts and breaking the fourth wall (that is, having the characters directly address the TV viewers). A well-oiled marketing machine behind the show also ensured that strong tie-ins were maintained with teen magazines, merchandise, and live concerts.

The Monkees won the Emmy for best comedy series during its first, the 1966-67, season. However, backlash was inevitable among critics and older teenagers when the Monkees admitted that they did not play their own instruments—although they clearly played them in their live concerts and, in fact, eventually had a falling-out with network executives about this very issue. Though the show was cancelled in 1968, it experienced a huge revival among younger audiences through Saturday morning reruns and especially with the 1986 MTV Monkees Marathon. Remaining band members Micky Dolenz and Mike Nesmith still attract large audiences of intergenerational fans at their live concerts, while reruns of their TV shows continue to draw new audiences.

Star Trek (Thursday, 8:30-9:30 NBC)

“Star Trek” lunchbox, 1968. THF92299

When Star Trek premiered on September 8, 1966, science fiction shows were not very advanced—or even thought of very highly. Star Trek’s closest competitor, Lost in Space, offered only shallow plots, one-dimensional characters, and fake sets. No one could imagine at the time that this rather low-key show would become one of the biggest, longest-running, and highest-grossing media franchises of all time. This series traced the interstellar adventures of Captain James T. Kirk and his crew aboard the United Federation of Planets’ starship Enterprise, on a five-year mission “to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.”

Creator Gene Roddenberry, aiming the show at the youth audience, wanted to combine suspenseful adventure stories with morality tales reflecting contemporary life and social issues. So, to get by network scrutiny, he set the premise of the show in an imaginary future. With the freedom to experiment, he put in place one of TV’s first multiracial and multicultural casts and was able to explore through different episodes some of the most relevant political and social allegories on TV at the time. The stories were also considered exceptionally high quality for that era, involving believable characters with which viewers could both identify and sympathize. Unlike the gloomy predictions of most science fiction writings of the time, Roddenberry hoped that the futuristic utopia he created on Star Trek would give young people hope, that it would empower them to create a better future for themselves someday. Star Trek, with only modest ratings, lasted only three seasons. But it would go on to become a cult classic.

The Smothers Brothers Comedy Hour (Sunday, 9:00-10:00 p.m. beginning February 1967, CBS)

TV Guide featuring The Smothers Brothers on cover, June 10-16, 1967. THF275657

In Fall 1966, The Garry Moore Show, a variety show on CBS hosted by the aging radio and TV star, was no match when pitted against Bonanza—even with this, its first season in color. Network executives, at their wit’s end to try to attract viewership, decided the only way they could come up with a quick replacement was to substitute another variety show. In desperation, they landed on a simple variety series featuring the soft-spoken, clean-cut, non-threatening folk-music-playing Smothers Brothers. Considered a “young act,” an added bonus was that their show might capture the coveted youth audience. Little did they know what they were in for.

As the show evolved, the brothers not only became more politicized themselves but felt that they owed it to their young viewers to increase the show’s relevance, boldly addressing overtly divisive political and social issues. Their staff of young writers was only too happy to comply. Unfortunately, as a result, the brothers were continually at odds with the network censors until the show was finally cancelled after three seasons. In its continual conflicts with network executives, The Smothers Brothers Comedy Hour turned the variety show genre on its ear and paved the way for Rowan & Martin’s Laugh-In (1968) and, in pushing TV’s all-out rebellion against the status quo, led an explosive charge that resulted in 1970s shows like All in the Family (1971).

These are but a few highlights from the 1966-67 TV season. Some say that this was the greatest television season ever, a clear indication that TV had finally come of age. Because of shows like these, television would certainly never be the same again. And, come to think of it, neither would we!

Donna Braden, Curator of Public Life, was 13 years old during that memorable TV season and proudly wears her fan club button to every Monkees concert she still attends.

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