#but if they WERE to make a narrative out of it… why the fuck choose to make a minecraft isekai bs basic ass plot

[dekusleftsock]

Sorry but also I just gotta say, Izuku’s story culminating into “I sacrifice myself too much for other people so I’m choosing you, as my choice for what I want” also feels like the biggest “you missed the point to your own character” ever.

Sorry but alllllllllll of the saving the villains storyline was about doing the thing that hero society told you was wrong, because you wanted to do it. Izuku and Ochako both had to disregard their pride for that fact. They had to consciously be able to decide that their own pre conceived notions were wrong. They were wrong and now they had to make them right. They were wrong and so must live their lives correcting that.

Izuku’s core motivation for 90% of the damn series was to be a hero with Kacchan. For Christs sake they had Todoroki ask if they were going to be hero partners together in their own agency.

If ochako and izuku is about choosing themselves, then according to the characters you’ve written then you haven’t done that. You’ve written the characters that society wanted, as repeatedly shown over and over again that literally everyone around them (irl and in fiction) wanted.

You could have chosen to write Himiko or Katsuki out of a story like this. If this is the character you wanted to write then you could have done that without exploiting and dooming the narrative of your queer characters. That’s what you’ve done.

If this was about choosing themselves, then Himiko would be here. HIMIKO understood Ochako. That was the whole fucking point.

In my mind I keep on asking the question of why. Why put your queer characters through this? Why doom them by the narrative? Why disregard pre conceived character thoughts and ideas and motivations, in order to push that?

And why is the actual izuocha ending so damn mediocre? That’s what’s also bothering me. You didn’t make them kiss, you gave them the most platonic hand hold possible and then made up a relationship out of understanding. It’s so half assed. It’s so forced. It’s so unnatural.

To me, I feel as though Horikoshi wrote himself into a corner, and that’s why this epilogue is coming out however many months later. Trying to figure ts out after realizing how clunky it sounds as a whole.

[mchiti]

my brother told me today if I remembered that interview hakim's gave for a local dutch channel literally 8 years ago, he wasn't even at ajax yet. He was an interview following some sort of project he did with local kids in his hometown, an interview that sadly is nowhere to be found online and that I've literally watched one time - when it aired. I'm very sad I have no way to see it again or have you watch it. He addressed the racism he's experienced in his life but stressed on the fact that if he got to professional football later than his peers it's because football agents tended to avoid him. And he said one of them got in contact with him at the age of 14/15 and asked if he could talk to his father but when he got told he wasn't alive anymore he just disappeared. He said many of them would enquire about his family first. They liked him because he was good but first thing they would ask was 1) origins 2) family status. And he said that if you're a kid without parents pushing you through a career it's so hard to make it. It's just makes me so sad overall that his career is not going the way he would have deserved because it got so difficult from the start. It's so much easier to make it when you're not part of the invisibles but try make it when you have nothing to begin with. Racism and classism first victims in football are not even famous footballers - although they have to be protected too, of course - but it's kids. How many of them should be there instead of some very overrated white men right now. The thought drives me crazy for real. And when I think about this shit - like if he doesn't get a good transfer wallahi I won't believe in football ever again. sorry for the rant

[slices-of-naranja]

can you guys tell I fucking hate the Minecraft movie

[lemonhemlock]

the reason why i don't think blood & cheese works without maelor is because it undermines the gravity of helaena's choice

in the books, as we all know, she has to choose which son to sacrifice. blood & cheese are going to kill one either way, so, whatever happens, if you want to get cynical about it, aegon will still be left with a male heir of his body. no, the horribleness of the choice lies not really in dynastic matters, but in basic humanity: which of your children are you willing to condemn to death? and helaena truly does try to make the best out of a bad situation, she picks not because she loves jaehaerys more, but because maelor is so tiny that she hopes he won't understand what's going to happen to him.

and she absolutely has to choose, because b&c threaten to rape her daughter if she doesn't. it's psychological torture. b&c just want to fuck her up in the head as much as possible and helaena tries her goddamnest to minimize the harm done to her family. to further compound on the tragedy, b&c kill the opposite child, so now she has to live out the rest of her days knowing that the son left alive is the son SHE herself marked for the axe. which is what understandably drives her to lose her mind

now, in the show, the "problem" blood & cheese have doesn't exist at all: that they can't supposedly tell the twins apart. but (as awful as it sounds, since it involves sexual assault) they could very easily check which child has male genitalia and be done with it. it's a "problem" that takes literal seconds to solve. they don't need helaena at all! it becomes irrelevant which child she points towards - b&c can always just check! she can't save jaehaerys in this situation no matter what she does, because b&c were never interested in jaehaera in the first place. in the books, she has the ability to save one child and this exact horrible "agency" bestowed on her torments her for the rest of her days. in the show, even had she pointed towards jaehaera, it would have been a narrative plot hole for the writers to have killed her without checking

likewise, in the books, she begs them to kill her instead, but, in the show, she offers them a necklace? you can't deny that the dramatic stakes are lowered substantially by making that change. which one of these options would have been more filled with pathos? personally, it just feels like this was phia's moment to shine and, while she did a good job with what she had, every narrative choice was somehow made to subdue this horrible event and left her only crumbs to work with. cinematically-speaking, this scene (as it was executed) does not even come close to the iconic moments that cemented GoT into the collective consciousness, which is very strange, as the subject matter is anything but mediocre

and that's not even getting into the rest of the plot holes that others have already pointed out, like:

- why are there no guards at helaena's door or anywhere else for that matter? not just on that hallway, but on many other hallways, she has to run quite a lot to get to alicent's chambers

- why is her room unlocked at the very least

- why is ALICENT's room unlocked, for that matter? she is having secret guilty sex with criston and she forgets to lock her door in a castle full of spies? anyone could have walked in

- not even getting into this whole thing just being one huge misunderstanding + minimizing daemon's and mysaria's roles :))

- NOT EVEN mentioning removing the trauma of alicent witnessing all of this, gagged and bound on her own bed, not being able to help or intervene in any way

i can understand the likelihood of these elements happening sometimes (maybe someone does forget to lock their door from time to time, maybe a guard does shirk their duties from time to time), but you can't write all of them at once without it turning all looney tunes. if you introduce too many aspects that defy logic in your story, it ceases to be believable and just becomes bad writing

___________________________________________

also, "they killed <the boy>"? not "my son" or "jaehaerys"? it sounds so removed, don't you think? helaena out there on her mother's floor dropping exposition for the audience 🥲

[threeacttragedy]

Entry 1 - The One About That Weird Ass Cressida Post

This is my first blog entry and, before you start reading, let me just drop in this little disclaimer: 

You will find that I bounce between fact and speculation with a mix of sarcasm and [I hope] level-headedness, common sense, and deductive reasoning.

I am a Lukola. Plain and simple. You will not change my mind. It’s an all or nothing thing for me. How I got here, I’m not exactly sure – wait, no I do know how I got here (thank you Nicola and Luke for being so fucking charming).

Of course, I knew what Bridgerton was before I joined the Lukola fandom. In fact, I watched both Seasons 1 and 2, and they were okay. Yes, just okay.

I knew that Season 3 was about Penelope – the only character I found remotely interesting – so when I saw an article on People’s page showing Nicola and her costar holdings hands, I admit I was intrigued.

Were they dating?

Let’s ask Mr. Google and find out.

No, apparently, they were not.

Okay, fine.

I then made the mistake of clicking on a video of Nicola and Luke being interviewed in Australia. And, motherfuck, they were like lightning in a bottle! Luke – being asked if he believed in friends to lovers – responded in a way that left me feeling a bit blindsided. My immediate thought was: “He fell in love with Nicola the moment he met her.” It’s funny how many people I’ve spoken to since who had an identical reaction and, to be honest, Luke’s response won’t make your heart flutter. But, it was something in the way he said it.

Now, let me explain my feelings about love at first sight. Actually, Nicola explained it best when she said lust at first sight is often mistaken for love at first sight. This, I agree with wholeheartedly. To me, love at first sight does not have to be lusty. It can be, sure, but it can also be something entirely different. Maybe it’s a fleeting feeling of recognizing someone in a way you cannot possibly articulate out loud. Maybe it’s a palpitation of your heartbeat. Maybe it feels like home. Regardless, when you experience it, you’ll know it.

That, my friends, is how I got here, and why I [sometimes begrudgingly] stay here – walking alongside this rather long, winding, and often pothole-filled road waiting for two people to admit to the general public – whether it be in a blatant or subtle manner – that they are, in fact, together.

I’ve noticed in this fandom we seem to have three types of people.  We have the Sincerely Ignorant, the Conscientiously Stupid, and the Fact Finders.

The Sincerely Ignorant are those that are easily persuaded. They are like sheep following their shepherd. In fact, the Sincerely Ignorant are the most dangerous as they tend to spiral hard and fast – and often without reason.

Next, we have the Conscientiously Stupid. These are the shippers that choose to live in error because it fits their narrative. We are all a bit Conscientiously Stupid but there are those that push an idea so hard that they omit certain truths from their storyboard. The danger here is obvious and their victims always include the Sincerely Ignorant.

Lastly, we have the Fact Finders. The people who track information – key players, side characters, dates, places, statements, etc. These are the people who often find themselves pulling the Sincerely Ignorant out of the water when they spiral, usually due to narratives being pushed by the Conscientiously Stupid.

I am a Fact Finder. Am I perfect? Fuck no, but I do find it fun to collect and analyze information and share it with my fellow Fact Finders. Plus, collecting data helps me maintain some indifference towards the USS Lukola because, let’s face it, this god-damned ship has been blasted by quite a few cannonballs at this point. Some days, I’m surprised we’re still afloat.

Let’s start with Cannonball No. 1. Pap-fucking-smear. June 12/13, 2024. What a fucking shit show. Who shows up to the London premiere? Antonia, Luke’s – I honestly don’t even know what word to use here because I have a lot of different thoughts but out of [a small amount of] respect I will call her – “girl friend” [yes, that space was intentional]. We all know the story, Luke was papped outside his hotel with Antonia on premiere night and he was pegged an overnight dumpster fire.

And, oh my God, the Sincerely Ignorant and Conscientiously Stupid ran with it. I mean, they practically became wild dogs chasing down a fox under the command of Nicola the Huntsman. However, Nicola, almost immediately, came to Luke’s rescue by posting an “in support of” style story to her IG. I’m not saying Nicola wasn’t affected by this mishap. At the very least, the post-premiere PR efforts were dumped squarely on her tiny shoulders. At the worst, she’d had her heart broken.

I never liked the Papsmear pictures. Not because I disliked what they depicted but because there was something “off” about them. Luke didn’t look like a man happy to be out with his lady friend. He looked like a man who had been hoodwinked and whether that was because he knew he’d just made a major PR misstep or because he knew the narrative that would follow was false doesn’t really matter because it’s all speculative. But, what makes me believe it was the latter is what Luke did next.

On June 15, Luke put a story on his IG promoting Season 3. That isn’t all that interesting but the scene it depicted made me do a double take.

Could it be?

No…no way…

But…it was.

It was the scene in Ep. 6 where Cressida entered the Mondrich Ball and Colin pulled Penelope aside and told her he wouldn’t let Cressida ruin their evening.

What in the hot fuck? I mean, really, what in the hot fuck??

Did Luke really just blast out an IG story where his character tells Nicola’s character not to let the Cressida character ruin their evening? Was Cressida…Antonia?

Because that’s fucking loud.

I mean, of all the scenes over four episodes, Luke chose THAT one to promote Pt. 2?

Surely, Antonia or one of her friends or family members would have picked up on this, right? And, told Antonia.

No one is going to convince me that Luke and Antonia were in a blissful relationship after that IG story was posted. Why? Because the deductive reasoning part of my brain tells me Luke chose Nicola straight outta Pap-gate.

The Conscientiously Stupid may [rather they WILL] argue that it was just for PR. Okay, but that would mean Antonia accepted the comparison between Cressida, the Evening-Ruiner, and herself. Take a moment and put yourself in Antonia’s shoes. Would you accept this from your partner? (P.S. If you said yes, you have bigger problems in life than following real people’s relationships.)  We know Antonia accepted this role to some extent because we have evidence she attended events with Luke over the summer. So, what the fuck?

In my opinion, Luke’s IG story is a defining moment in the Lukola narrative, but one that was overlooked in June and one that continues to be overlooked – and ignored – now.

Luke’s character is telling Nicola’s character he won’t let another woman ruin their evening.

Let me repeat that again for you:  Luke’s character is telling Nicola’s character he won’t let another woman ruin their evening.

Now wrap your head around that.

[gffa]

I'm about a fifth of the way through Star Wars: The Rise and Fall of the Galactic Empire and I am chewing so hard on this book. It's my favorite genre of "fictional history told through an in-universe lens" (sort of along the lines of the Propaganda book or the Scum & Villainy book) and so far it is working so hard to pull everything together and put it into one coherent narrative and doing a surprisingly good job of it so far. There's so much going on that all has to be woven together--not just the events of any given novel/comic/game/show, but the unreliable nature of Star Wars as a universe, that the Empire didn't just erase knowledge of the Jedi, they were erasing anything they didn't want people to know about, so how can you parse out the truth of things? You can't, not fully, but you can make your best guesses, based on the evidence you do manage to dig up. It starts off by looking at Palpatine as a man (and has a really great take on him that I feel fits with what it means to be a dark sider, where you can see the cackling villain that Ian McDiarmid clearly had a blast with, but also the dissatisfaction and desperate dark hunger for something more and how he seemed to have a surprisingly thin skin on certain things, like you see how this guy was a brilliant villain, but also how he was not living a satisfying, happy life), as well as an Emperor, it theorizes about how he wanted to rule the galaxy and yet seemed completely uninterested in actually ruling it, and tied it together really well with the sequels. I'm now getting into the minutiae of how the various Moffs and Admirals and Governors ran the Empire, how it was set up to make them compete against each other, and showing how it sucked even good people in (by forcing them into impossible to choose circumstances, so that they would be complicit in the actions of the Empire) and I continue to want to chew on every single page of it. It's written by a historian--and you can tell, there's so much affection for the process of trying to understand the shape of the history of the galaxy--and really shows Star Wars as one big continuous narrative, from the prequels to the originals and to the sequels, and does some deep fucking diving, like I recognized characters from the Titans Rebels comics even! Like, goddamn, Dr. Kempshall, did you actually read all of this stuff or did you lean hard on the story group? Because, either way, this book is trying to pull in absolutely everything of the story of how the Empire rose, how it operated, and how it fell, and why that's important as a story.

[spocks-evil-godmother]

To just uncritically enjoy Strange New Worlds for a second... I love the way that they are intentionally and seriously playing with Pike's arc and specifically drawing out the implications of what it REALLY means to not be the protagonist in this story. It's all well and good to say that there are no no-win scenarios when you are, in fact, the protagonist, and you and your crew merrily sail along at the end of every hour-long episode. But they aren't writing a character from scratch. They're pulling from this one moment, really, where the TOS writers were like, lol what if we made this fucked up thing happen. And unlike the Kelvin timeline, they don't sanitize it down to "oh, he just uses a wheelchair and then is tragically killed womp womp." No. Here is a character who suffers, in perpetual pain, with little means to communicate, in a world with such significant medical advances as to make this injury one of the most profoundly isolating experiences possible. And Pike chooses it.

He doesn't choose it just once, the first time, when the vision is offered to him. It is something he chooses again, to save Spock's life, and then to save all the lives that Spock will save by ending the conflict with the Romulans, when he is granted that knowledge. And there's something really delightful in that they CAN'T bend this narrative. Spock really is that important. He's the protagonist. He has things to do, you might say. They've spent 60 years establishing this. And that puts Pike in this position of having to humbly step back, and choose something painful for himself out of his own commitment to service, sacrifice, compassion, and love--and be satisfied that it is the RIGHT choice, whatever it means for him.

And I think I also love that it then it kind of answers this mysterious question presented in "The Menagerie," which is, of course, why does Spock go to all this bother for this guy? And sure, it's one thing for Spock to say, "I just respect the hell out of this dude," but SNW is really making a point of solidifying that yeah, he does though. Christopher Pike has a heart so big it changed everything, actually. And that's a story worth telling.

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, ��happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[lucystark12]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys���!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛

[a-bright-comet]

Jade Shadows Thoughts

(NOTICE: I have edited this post after a few days and many lovely replies and tags giving me more insight and opinions, overall my view of this quest has gotten a lot more positive, thank you all <3) okaaayyyy I am utterly rattled rn lmao also made the mistake of looking at tumblr after doing the quest and as expected it seems to be a 50/50 of hating or loving it. so here are my personal thoughts, I am a little scared but talk seems to be civil thankfully. I can definitely agree on the sentiment that this quest needed more time, cause let's be honest the people hating this quest wouldn't be jumping to the things they're jumping to if Jade herself got more screen-time before the big drop, warframe's style has always been vague and never 100% straight-forward and I think that unfortunately hurt it a bit this time, as what they didn't show came off wrong to many people and while I sorta see why I disagree on some parts. I also feel like the quest kinda got a bit *too* hyped both by DE and the fanbase's theories, way too short, it deserved and needed to be a bit longer for it's special narrative. Jade kinda got a weird spot, both being the main focus alongside Stalker but also hardly explored. But let's be honest, most of the negativity is caused by this outside-circumstance alone. Now, what I absolutely disagree with is people insisting that DE was trying to say "bodily autonomy bad" or that Stalker didn't care about her and only the child, thing is I thought it was pretty fucking clear that she *wanted* the child in what little was shown and she was going to die no matter the outcome (thanks to the orokin to absolutely no one's surprise) and Stalker in his guilt for all she's done for him wanted to make sure that he at least kept this one promise to Her, cause She wanted it. she still had bodily autonomy in the fact She wanted this, she wanted the child no matter what. and she wanted stalker to protect her and the kid. And he did, like a true loving partner. DE has a long track record of being very autonomy-positive. A point they make time and time again is that ripping it away is *bad* and horrifying, the quest is a bittersweet tragedy, not a horror. Honestly there would be 0 issue if DE had given us a Jade-only quest before this one, I personally would've preferred it as well, she's cool as hell she deserves it. who knows maybe DE will see all of this and make prequel quests? we can only hope. I do not want to assume the worst of anyone or anything cause that's a miserable existence. Look I personally enjoyed the quest and get the feeling whoever wrote it did it out of some personal experience or sorrow, that's at least the vibe I got. It's a tragedy, but her choice was seen till the end, many women choose to still have a child despite knowing they won't make it, many also don't, that's why choice is important. and she did, she chose her child that she was having while likely forcibly infested and turned into a warframe. (also remember there are women on the team who likely looked at this.) there are some other iffy parts of the quest, (really should've been the drifter instead of the operator if they were gonna do that, but that's personal discomfort.) but overall I enjoyed it and open to explore the implications of a born-warframe-child and Stalker healing as they both grow together. These are my thoughts, and I can understand why people like or dislike this quest, but I think it's fine and just ended up in a very unfortunate spot due to outside circumstances beyond it's control. (sorry if any of this comes off as aggressive it is not my intention despite how riled I am by some folk online, I disagree with you but I do not hate you, I don't even know you.)

Her choice, His promise, Their light.

Thank you for reading my first ever text post about something I care about, not sure I'll be doing this again any time soon out of anxiety lol (Edit: and thanks to everyone responding to this post wonderfully, ya'll are great and have lessened my anxiety and have made me appreciate this quest more <3)

[bestangelofall]

"Jason is so selfish because he wants Bruce to sacrifice his morals for him in UtH."

Personally I think it's reasonable to want a parental figure to care about your death*, but I'm not getting into the whole emotional aspect of the controntation there, because I understand that a lot of people don't sympathize with Jason (to say the least) and that's okay, to each their own opinion**. My point is: yes, it was selfish (and I think that's okay 👍).

*yeah, Jason wants Bruce to show that in extreme ways, but this is all comic book logic, comic book environment. I shouldn't need to say this, but in my experience it is needed

**but I do think that's largely refusal to understand that we almost never see Jason from his own narrative stand-point, but always from Batman's comfortable "heroic" position in the narrative, but oh well...

Also, a lot has been about the fact that Jason wasn't trying to force Bruce to do the deed himself, he just asked him to stand aside and let it happen, to which Bruce answered with a batarang to his neck (also a lot has been said about whether or not it was purposeful and what it meant etc) and leaving him to bleed out (regardless of what Bruce's intentions were when throwing the batarang, he doesn't give a flying fuck about what happened afterwards)... So I'm not going into detail about these aspects either.

Anyway... Jason was selfish for trying to make Bruce compromise his morals by making him stand aside when Jason would kill the Joker. Sure.

But what is Bruce Wayne when he opts to, for all intentions and purposes, to choose Joker in that confrontation?

Most importantly: what is Bruce Wayne being when he refuses to weigh the pros and cons of just leaving the Joker dead when he did die, simply because he can't bear the idea of letting someone die?

But because Bruce's selfishness doesn't lead to someone being killed (instantly I mean, because Bruce's bringing back the Joker does lead to all of the Joker's subsequent victims), and because it's his inaction that causes deaths (except when it is his actions), he's rarely called what he is: selfish.

(As always, including here the caveat that, yes, I know that another reason why the Joker doesn't fucking die is real world money, but it's not the only one.)

And what was Bruce Wayne being when he covered up a fifteen years old murder?

[chaosandmarigolds]

trzy!! Of EMS Au thingy! (Ok I might need to figure out a name)

summary: Simon Riley is going to find himself hopelessly in love with the newest Paramedic on base, but unfortunately he is just…horrible at showing it. Fem reader! “And what happened last night?”

you hum mindlessly as you look up from your computer, typing out a personal narrative for the files and you then lean back in the seat. A moment passed as you go through the events of the last twelve hours, trying to choose what would be best to give the day shift- Mary- so you shrug after a moment, “I dunno, pretty easy stuff. Mostly IFTs, and a slight car accident.”

she sets down her purse, “Why were you dispatched then?”

“Mary…” you frown to the question, “can’t exactly say.” Her eyebrows furrow and she pulls her hair up into a bun, walking over to the monitors and then pushes your chair away, reading the PCR, “OH MY GOD. I was literally talking to Sergeant Garrick about this ten seconds ago!!”

“Garrick?” “don’t worry, you’ll meet him soon, same team as MacTavish and Riley. I mean, your team,” she pats your shoulder, since you would be taking her position within the team and base (long story short she had been offered a better position)

with a little hum you look down at your hands and clear your throat, “Lieutenant Riley-“

“terrifying, stay away from him, I’ve had to clean up his messed on the field enough.” The woman grumbles as she unpacks her bag. with a spin of the chair you look to her, “I thought he was kind.”

that made her pause and look to you, a deep frown on her face, “Honey, trust me. He isn’t kind.”

-

“Oh the FUCK did you two get into a car accident?” Kyle practically yelled into the gymnasium, as if was relatively empty.

Johnny looked out from behind the boxing bag, that he was holding still for Simon and he smiles to the questions, “I let LT drive, tha’ why.”

Kyle faltered to that notion but gave into it, as it did make sense, and he nods, walking over to them, “An you had to the ambulance back-“

“eh didn’t have-“

“Truck was totaled.”

they both fall quiet when Simon spoke up, looking over to the man who was now taking off his hand wrappings. Johnny then nodded, nudging Kyle, “Was it? Or did ya like ya lil nurse?” “not a nurse. She’s a medic.”

“Difference is?”

“She’s gonna be on the field.”

Kyle slowly nodded, “Mary was telling me we’re gettin a new medic, since she’s goin to…somewhere can’t remember where.”

If that didn’t catch his interest they supposed nothing ever would, because he had slowed his actions down and he paused to think.

well, fuck-

(teehee, as per usual, I like comments, they genuinely make my day. Hope you enjoyed! Toodles!)

[abyssalzones]

okay randomly pulling this one out of my head because I've been trying to figure out how the hell I want to say it for a while: what's crazy about the new wave of gf fans is that I've seen the sentiment (though I also saw it once or twice back in 2016) that shipping bill with ford is "saving" people from the alternative of the most popular bill ship being That Which We No Longer Mention By Name and I have to say that this literally only checks out if your entire understanding of why pedophilia is bad is because It Just Is, rather than the fact that a child by definition cannot consent and the power dynamics at play mean it is always a form of abuse, it's an adult exercising control over a child. like it's the abuse itself that's bad. so by that logic I have to assume people are either 1. choosing to ignore the fact that within canon, ford was coerced/straight up lied to and then had his consent violated repeatedly, Or 2. insisting that this is all okay because ford is an adult. who consented at one point in time (under dire circumstances) (it wasn't even his idea??) even though he revoked that consent later and it was ignored. like it's fascinating to me how bill refers to ford as. hang on actually so you know I'm not just making this shit up

he quite literally calls him a child here (from the website) while explaining Why he went after ford and the thing is you see it reflected perfectly in his behavior: he calls him 'kid' even when he's in his 60's to taunt him, he makes him get rid of a beloved pet he doesn't approve of, he unquestionably acts as a mentor more than a friend on equal standing, fucking etc. point being I think gravity falls does something a lot of stories don't even when they try to cover this type of subject matter where they make it obvious that being a victim of abuse isn't a matter of age or intelligence. abusive people will look for vulnerability in Anyone and I really don't think there's a hard moral line here.

I think the point of what I'm trying to say is that if one is okay and the other isn't: uh. why? what does it say when an almost identical if not more insidious* narrative about a character being abused is okay because it has a more "acceptable" veneer of sex appeal?

*"more" is subjective here, personally I think ford being written as a victim is more obvious/intentional than the stuff going on with dipper because in his case they were in a relationship ("relationship" in big quotes) for multiple years which adds layers to it. both are bad obviously but I think what gets implied in ford's story is worse on purpose. okay back to studying bye

[doublel27]

I thought joong was straight? He is quite into dunk lips but beyond that i thought straight. I don't even read him as bi?

Look, I neither actually know nor care what Joong’s sexual orientation is. That’s between him and whomever he chooses to tell. And most of my Joong knowledge is adjacent to my knowledge of FKT, AouBoom, EarthMix and DaouOffroad because he’s close with all of them. I more know of him then know him, so I could be missing stuff.

I would say, in regards to your ask, Joong doesn’t appear to have the painful knowing that often comes along with growing up queer in a society that doesn’t want you to be that a lot of other queer people use as a tell to identify each other. The thing that makes us, as queer folx, hesitate or get shy when it comes to things straight people wouldn’t think twice of. And while I do use that in my analysis sometimes, I also know members of Gen Z across the world actively work to resist that shyness and that shame that comes with internalized homophobia and honestly the real-world consequences that can come from being proudly out.

What I do know is he is 1000% into the fanservice portion of his job. Now either it’s his job and he’s having the best time being gay for pay, its his job and he’s excellent at pretending to have the best time pretending to be gay, or he is just shamelessly queer and has said fuck the knowing.

This man is out here yelling into full concert audiences “where is my teerak” and when the audience yells back saying SHHH! he didn’t ask for them, he asked for Teerak! He’s hugging and kissing Dunk at every opportunity and posting various shots of Dunk’s bare waist in crop tops during this THK filming area. He strikes me as the kind of man who reads the RPF about himself. In The Heart Killers book fair panel this past week, he talked about his love of reading BL novels and imaging himself and Dunk in the lead roles. Take that for what you will.

He also expressly stated in an interview alongside Dunk this week that he insisted on being paired with a partner the same height as him. Specifically stating, he thinks it’s a stereotype that one member of an imagined pair/branded couple is always bigger than the other and he didn’t want to lean into it. He wanted to go against that narrative.

As @firstkanaphans and @respectthepetty pointed out, he has a shit ton of queer friends and has close relationships with the members of GMM that are most likely to be clocked as queer (whether they are or not is also not expressly public knowledge and some folx that people clock as gay are straight because femme isn’t exclusive to gay men) Which again, either he’s the most down for the cause straight dude that exists or he’s also queer. My stance is considering he and Daou talk about how close they were to starving trying to make their first shot at being idols happen, I hope they’re having the best time in Thai BL fanservice land being shameless and getting that money.

To end, let me paraphrase my beloved Kit Harrington: to believe you can tell the level of queerness someone embodies just by looking at them or listening to their voice or looking at their hobbies, you’ve missed the entire part of Heartstopper.

Which is why I keep all my speculating to mostly private convos and tumblr where I can pretend celebrities don’t live because we’re all mostly anonymous on here and this site is hell to search. Don’t @ folx on Twitter or on their IGs or their TikToks. Don’t try and out people with YouTube videos. Let the Schrödinger’s Gays enjoy their boxes.

I know I have other anons (I see you. I am maybe coming soon) but this required less work on my end to compile my answers.

[dr-spectre]

Hey guys! I wanna share something REALLYYYYYY important with you all!!!

So, I was having a nice conversation with an editor from Inkipedia. Really friendly individual, we had a nice civil discussion and it was great to hear out their points and wiki related things. I learnt some cool things and how Nintendo operates in certain areas.

I asked them about some stuff relating to Callie and localisations, and they told me that the "Hypnoshades" are actually just called "sunglasses," in the original Japanese version of Splatoon 2 and theres no mention of brainwashing OR hypnosis. All of the events in the original japanese version of Splatoon 2 seemed to be a lot more vague and up for interpretation which i found to be very interesting!!

However.... the editor told me that the English localisation line from DJ Octavio, "I remixed Callie's brain!" is actually different in the original japanese version.

GUESS WHAT DJ OCTAVIO SAID...

"Aori-Chan is so simple minded! I was able to brainwash her with ease."

Nintendo JP.... WHAT THE FUCK?!?!?!?! I WAS YOUR BIGGEST DEFENDER!! WHAT IS THIS?!?!?! YOU MEAN TO TELL ME THAT IN THE ORIGINAL JAPANESE VERSION... CALLIE WAS STILL BRAINWASHED?!?!

Oh I'm gonna be sick....

You know, this ultimately just proves something to me.

Splatoon 2's writing... just fucking sucks. Straight up, it's ass. And not the good kind. It's poorly written and you wanna know why? It's set up is REALLY GOOD!!!! but it's pay off is the most uninteresting, vile, disrespectful, childish, lazy, DISGUSTING THING THEY COULD HAVE POSSIBLY DONE!!!

All this interesting set up with Callie and having this arc where she's so lonely and busy that she ultimately runs away to the Octarians, joins them willingly and ends up getting hypnotised, resulting in her becoming more emotional and seeping into the darkness in her heart... Marie, having to come and remind her of the good times they had together... to reignite the positivity in Callie's heart... to repair what they have broken... to have a fresh start...

But did this setup get paid off in a satisfying and emotionally deep way? No.... they choose to TREAT CALLIE LIKE A FUCKING MORON AND FOR WHAT REASON?!?!?! ARE NINTENDO JUST SCARED OF DEPTH?!?! WHATS THEIR FUCKING ISSUE?!?!?!

ITS SO DISRESPECTFUL!!! SHE LOST THE FINAL SPLATFEST AND YOU CONTINUE TO BEAT HER DOWN?!?!?! WHAT THE FUCK?!?!?! WHAT WERE THE WRITERS COOKING?!?!?! GET THEM OUT OF THE KITCHEN DAMN IT!!!!

They literally picked the most uninteresting and disgusting fucking outcome possible and I genuinely don't know why. There's SOOOO much concept art and multiple sunken scroll entries that showcase this depth for Callie, AND THEY THREW IT AWAY!!!

But you know what? Im gonna continue to hold my stance about the events of splatoon 2 because I would rather like to look at the story in a more interesting and narratively fulfilling way than what Nintendo is trying to push. Sure, it might not be what Nintendo said happened, but I would rather look at the events in a different, more character rich way for my own fucking sanity and enjoyment. I am going to continue to say fuck you to the notion that "Callie was brainwashed and kidnapped" because I like stories where characters go through character arcs and growth!!!! I hate it when that depth and agency for my favourite character in this franchise IS TAKEN AWAY!!!!

I would rather live in a world where Fresh Start ACTAULLY MAKES SENSE AS A SONG!! I would rather live in a world where OCTAVIO ISNT A FUCKING UNREDEEMABLE EVIL MONSTER THAT CUTTLEFISH WOULD NEVER WANNA SEE AGAIN AFTER HEARING WHAT HE DID TO CALLIE!!!!

I would rather live in a world where Splatoon 3 feels more satisfying to me and the Squid Sisters get proper send offs and pay offs to their arcs from the start of Splatoon 1.

I would rather live in a world where Tidal Rush is more emotional and personal, THAN SOME BULLSHIT "oh we gotta save callie because she's a dumb idiot and she's an object to grab because it's a video game!!! Ha ha!!!"

I would rather live in a world where Callie is given a proper character arc, INSTEAD OF GETTING KIDNAPPED AND THESE AWFUL AND DISGUSTING THINGS DONE TO HER! ONLY FOR IT TO GET REVERSED SO EASILY WITH NO MENTION OF THESE EVENTS EVER AGAIN!!!!!

UGH.... I'm actually so angry. I hate this so much.

When Splatoon 4 comes out, I'm not gonna hold back on my criticisms. I want change out of these writers because the current format we have for Splatoon stories is actual dogshit and I'm so tired of it. Everyone in the community is tired of the cool and interesting character details being pushed to the side and hidden away because Nintendo fucking hates narratives and only saves it for RPGS for some ungodly reason.

Im tired of important character details giving shoved off in optional and hard to find content. I'm tired of these awful implications and events being spread like wildfire in the community because daddy Nintendo said so.

Im done.

[beesmygod]

dark souls lore: velka, goddess of sin, and that stupid plot against the stupid gods (5k words)

*written to entertain both hardcore fans and fandom rubberneckers

i made the mistake of thinking about dark souls lore the other day after choosing to make myself mad about the remaster again, but in the worst possible way. soulsborne fans know to fear and run from anyone who starts talking about this unseen character known only through item descriptions: velka, goddess of sin. if you start talking about velka you’re too far gone in the souls sauce and about to spout some of the most unhinged nonsense ever uttered by a human on the entire history of the planet. velka and the highly secretive “plot against the gods” are quietly mentioned in less than 10 item descriptions. no character utters her name or speaks of the rebellion she participated in, she and her comrades do not appear in the game…probably. its complicated.

her inclusion initially reads as a throw-away means of world-building; much like the now infamous line about the “clone wars” in “star wars: a new hope” that was needlessly fleshed out into a trilogy that haunts us even to this day, the item descriptions serve to establish that you have entered a world overflowing with heroes and history that you were not privy to nor took part in. these events are such a basic foundation of lordran history that no one mentions it because it would be inorganic and narratively heavy-handed. its like if we walked around talking about when lincoln was shot on a day to day basis just in case anyone wasn’t up to speed.

anyway, this thought process started after i realized how fucking weird it is that a giant crow transports you from undead asylum to firelink shrine…why would it do that??? like, yes, obviously it’s a gameplay contrivance in order to get you from point A to point B with a cinematic, fantastical flair, i understand that. i also understand that velka herself is a gameplay contrivance with story written around it to soften the landing, but unfortunately, dark souls is a thread that unravels quickly when you pick at it, revealing shocking narrative cohesion underneath. if you’re completely insane, that is.

we will do this in a journalistic manner: who, what, when, where, why. but first, it requires a lot of dark souls history/lore context. it’s a lot. stick with me.

---

(READ MORE)

this is so much info. this also contains gay dragon theory and somehow argues that it's supported by text. why not. please enjoy this unbelievable amount of words regarding a non-entity who does not exist meaningfully in any of the three games.