#but i think i desire the feeling of being wanted more than i actually desire him

[v-arbellanaris]

hrmrmrm idk that i am actually all that impressed by this incredibly simplistic explanation im getting in veilguard of the archdemons basically just being regular dragons enthralled by the evanuris. like. sorry but isnt that literally what corypheus did with his dragon. im sorry okay, i just...

okay. let me try and explain my issue with it. solas says, in trespasser, the first of my people do not die so easily. and sure, i suppose a dragon is not exactly an easy kill except for the way there's literally dragon hunters in thedas. as the warden, i killed at least three dragons including urthemiel. hawke kills at least one high dragon. as the inquisitor i kill like. eleven. so its a difficult task. but clearly not impossible? and as we see with corypheus - kill the dragon, and the main body becomes completely vulnerable and mortal again. the pride demon in the opening was harder to kill than corypheus was after his dragon died. h*cruxing the dragon is so simple j/kr could've thought of this, and i feel cheated of the like... scale of the magic and power that the evanuris commanded before the veil came up? i dont want to see magic we already thought of, i want to see how a world without the veil allows them to command magic in a completely unimaginable, unfathomable way to the way we currently can conceptualise magic at all in thedas.

i guess you could argue that it's either solas' hubris or the evanuris' pride that they thought no one else would ever figure out the secret to effective immortality but there's apparently at least 200 shards of mythal swimming around out here possessing people and shit. you cant throw a fucking rock in thedas without hitting 3 mythals. that is what i would consider not dying easily. and, if they go down the route i suspect of confirming that the ancient elves are spirits made flesh, i wish there was some kind of reference to the fade forever reflecting the desires and beliefs and dreams of people in the waking world - which is to say that, for example, simply still believing that mythal or elgar'nan or ghilan'nain still exists is enough to bring the shards of their spirit back together again - just like solas' wisdom spirit friend in dai.

my private working theory is that if the evanuris are spirits made flesh, then somehow, the creation of the veil effectively... made them tranquil, in a way. separated their mortal bodies - trapped, as mindless archdemons, slumbering in the deep roads, in the mortal coil - from their spirit selves, locked in the black city behind the veil. this would explain why he needs to move them in the first place, to a more secure prison - corypheus fucking up the veil in 9:41 reconnected the physical bodies of the evanuris to the spiritual selves trapped in the fade. idk i just feel a bit like. not to say caught out, but i feel like a lot of the lore drops are just like "whats popular fanon theory about this. lets just confirm that" and i wish there was just... something more. some attempt at surprising me or aweing me with the lore drops. like it is what you think but there is something else here you didn't think of, or it's more complicated than that - to leave some kind of mystery behind, still. but idk.

[cheust]

Sometimes I think about the angst potential of a Neglected! Reader that sacrifices themselves for a member of the batfam, not bc they love them, but to hurt them.

I kinda like the idea of a Neglected Reader that becomes volatile over time, the neglect turning them bitter, and with no way to properly cope, rots away on the inside. Filled with the desire to hurt the batfam. They could turn to a life of crime but what would it actually accomplish? More people that feel like they do? One more criminal on Bruce’s roster? No. Crime is not an option for their desire to hurt the bat and his birds.

So what does reader do? Die. They die publicly.

What I have in my head so far is a scene like in the 2009 Astro Boy movie, where Bruce is taking investors and the press on a tour of his companies new projects when Damian “accidentally” (Reader set it up perfectly) sets off a new training robot that’s actually dangerous, and reader pushes him out of the way and ends up being killed by the robot.

All in front of reporters, who do what any reporter would do, report on Bruce Wayne’s failure as a father, and turn reader immortal like Martha and Thomas Wayne.

It only hitting the batfam how much they neglected reader when Reader’s close friends practically plan the funeral for them, telling the batfam through choked sobs how reader would want to be remembered. It hits them more when they have to sit and listen to the stories and memories of Reader that their friends tell the batfam, memories they had no role in. They had no idea how many people loved reader, how many people are crumbling in grief at readers death. And it’s painfully obvious how little the family knows about reader all throughout the funeral. With them not being able to come up with one memory of reader.

On the other hand, bc I love a reader that can get the upper hand!

Reader who fakes their death and escapes the batfam and Gotham City by escaping into a different world all together. A reader who put their all into learning magic so that they can fake their death and not have to suffer the consequences of the batfam somehow finding out, bc there’s nothing more embarrassing than seeing your dad in his armored bat suit, 3 years after faking your death.

Or having your younger half brother berating you for faking your death and “embarrassing the family name with such a stunt”. All the While the oldest brother is crying and squeezing you, saying how sorry they are for not being there for you.

Yic.

So of course you’re safe in this fantasy world, it reminds you a lot of those manhwas you use to read in your spare time. You can now make your own business and dominate in trade and investments. Make friends and foes in your business field.

However, the blood in your veins run icy cold when you hear a certain lastname at a ball you’re attending. A name that you had hoped to never hear again. A name that has your stomach in knots and a million questions in your mind. A name that makes you want to throw up and run away, to hide behind your loyal knight.

Bruce. Wayne.

[leviathanxprincess]

Introducing Homicipher Characters to Your Plushies - Pt. 3 !

The Homicipher Characters come to you in hopes for whatever insanity they plan to drag you into, you instead have a different plan! Showing them your plushies!

Notes: Gender Neutral Reader! This Part includes: Ms. Bride, Ms. Nurse, Ms. Blue-Clad, Hairdresser, & Adami ! Girls Round 🫶

Previous Parts: One & Two

Ms. Bride

So cute !!!!!! Oh my gosh !!!! She loves your plushies so much !!!

She immediately wants to put them in cute little outfits! Please let her do so she'll love you even more than she does now!

You both have so much fun with your plushies, she loves them as equally as you do.

She memorizes all the names and any lore you may have and also their importance to you.

If you so desire she'd love to see up little tea parties or something with them. It'd be a lot of fun! You could put together your own wedding with them as the guests as well!!!

She did not know how much she adored plushies until she met you and she's so happy that she did. Please get her some plushies of her own. She'll got absolutely insane dressing them up and will never let them go.

Ms. Nurse

She loves you and your plushies a lot !!! You're so adorable when you talk about them and she loves when you do !!

As a nurse she completely understands how plushies and other small gifts can help comfort a person. So she knows just how important they are to you and will never judge you for that ever.

If she ever sees you remotely upset she will bring over the plushies she knows that brings you the most comfort and place them on you.

She finds some comfort in the plushies as well, and she would be over the moon if you got matching ones for you and her.

I'm not sure how much she knows how to sew, but if she sees a hole or anything on one she'll wrap it up in bandages to make sure the stuffing doesn't fall out!

It's hurt after all! She's gotta take care of it and help it and you feel better in any way that she is capable of.

Overall, she's a huge lover of plushies, and loves that you love them too! 10000% memorized all their names after that day you told her about them.

Ms. Blue-Clad

She seems like the type to like plushies a lot. Though I think she prefers when they're smaller plushies rather than the bigger ones.

She'll listen to you talk about them but I'm not sure how much she's actually memorizing about them. If anything she's just looking at the different colors and creatures they are.

Any blue plushies you have she immediately adores. Those are her favorites.

Bonus points if you get her one later on.

That being said! She thinks you're adorable when you're talking about them!!!

She wants to smother you in kisses so badly!!! And she probably will.

Honestly so long as you are happy and smiling, I think she is as well.

Hairdresser

... Do any of them need haircuts?

If you say no she'll totally understand. But if you allow her to give one or two a haircut she'll still make sure they look super cute!!

I don't think she had deep thoughts on the plushies, but she will listen to you talk about them. Especially if you let her do your hair while you talk.

Might occasionally bring you one or two she comes across while looking for her scissors if she loses them.

I don't know if she'll memorize all their names but she definitely remembers the ones you talk about the most.

Decorate her little salon with plushies!

She will allow it only because it's you. Plus, she does really like the fact it adds some character.

Adami Adashino

Staring blankly. This girl walked into her partner's house covered in blood said partner just starts rambling on about plushies.

Honestly, she can't deny she's endeared.

10000% the type to get cuteness aggression.

Can and will start squeezing and pinching your cheeks and such. But she can't help it!!! Look at how adorable you are!!

She will learn their names for you but she doesn't always remember them very well.

But like. You still think she's cuter than your plushies right? Right?

If you don't say yes prepare for her to be jealous. Good luck!

[rose24207]

Shattered trust

Summary: Lando dumps you for another woman, but soon regrets it and tries to win you back.

Genre: Angst

TW: break up, leading on, tears

A/N: feeling angsty today! English is not my first language. I hope you enjoy it though! Requests are open and welcome!

Masterlist

Lando didn’t know what had gotten into him. He couldn’t think straight. The weight of the past few weeks felt like a suffocating blanket, pressing down on him as if it would crush him. His chest ached with a kind of emptiness that he couldn’t escape, and yet, he had no one to blame but himself.

He had done it. He had actually ended it with you. The woman who had always been there for him, who had always supported him, who had never wavered in her loyalty and love. And for what? For some fleeting infatuation. A new, exciting person who made him feel desired in a way that you never had to. A person who, in the end, had only led him on.

Lando ran a hand through his hair, the frustration and guilt eating him up inside. He could still remember the day he walked out of your life.

Flashback

The moment he told you those words, his world had come crashing down.

Lando had always been honest with himself, but in that moment, he had become a stranger to his own feelings. When he looked at you, something in him told him that this wasn’t right, but his pride had been louder than the truth. It was selfishness. Pure and simple.

"I think we should end this," Lando had said, his voice strained as though the words were being dragged out of him.

You had looked at him, your face filled with disbelief. "What are you talking about?" you asked softly, your eyes searching his, trying to understand.

"I'm not happy," he lied, even though deep down, he knew it wasn’t true. He had been happy. He was content with you, with everything you had built together. But he had convinced himself that he needed more.

The guilt had started to gnaw at him as you stood in front of him, visibly stunned, as if trying to piece together the pieces of a puzzle that didn’t make sense.

"You’re not happy?" You swallowed hard, your voice cracking with emotion. "What does that even mean, Lando? What happened? We’ve been good… haven’t we?"

Lando wanted to take it all back. He wanted to hold you, to tell you that none of this was true, that he loved you and always would. But he couldn’t. He had already said it. He had already made his choice, and there was no going back.

“I’m sorry. But I’ve met someone else,” Lando had murmured, not looking you in the eyes. “I think… I think she’s the one for me.”

You froze, the words hitting you like a ton of bricks. “You met someone else?”

It was a punch to the gut, a blow he had never prepared for. His heart ached at the look of devastation that crossed your face. And still, he couldn’t bring himself to stop. “I’m sorry, but it’s true,” he repeated, his words faltering now. “I need to be with her.”

You took a step back, the hurt in your eyes now replaced with confusion and anger. “Are you serious right now?” Your voice rose, and Lando could feel the sting of your words cutting deeper than anything else. “You’re choosing her over me? After everything?”

Lando opened his mouth to speak, but nothing came out. How could he explain it? How could he explain that he had been feeling an emptiness he couldn’t define, that Elena had come into his life and made him feel alive, made him feel wanted in a way that you never had to?

"I’m sorry," Lando had said again, though his words seemed hollow, empty in the face of your pain.

You had turned away then, shaking your head in disbelief. "No, you’re not."

——

Lando’s head was spinning. A few days after breaking up with you, he found himself standing in front of Elena’s apartment, his mind full of questions. Elena had made him feel wanted, desired in ways that had been intoxicating. She was bold, confident, everything he had convinced himself he needed.

At first, he thought she was just fun, just a distraction. But the more time he spent with her, the more it seemed like she was everything he wanted. Everything he told himself you weren’t.

But the deeper he got into it, the more Lando started to see the cracks. Elena wasn’t who he thought she was. She had been manipulating him, using him to feed her ego, to make herself feel powerful. Every time they hung out, she would flirt with him, making him feel like he was the center of her world. But in the quiet moments when the fun and games died down, he could feel the distance. He could sense that she wasn’t in this for the long haul.

Still, he pushed those feelings aside, clinging to the idea of something new, something exciting.

It wasn’t until that fateful night that the mask finally slipped. He had shown up at Elena’s apartment unannounced, eager to see her, to prove that he had made the right decision in leaving you. But what he saw when he walked through the door shattered him.

Elena was sitting on the couch, her legs draped over another guy. The laughter in the room was sharp, cutting through the silence between them. Lando felt his blood run cold.

She looked up at him, a wicked smile playing on her lips. "Oh, you’re here. I was just telling Ryan about how I met someone who thought he could have it all." She laughed again, the sound light and airy, as if the weight of his presence meant nothing.

Lando’s heart sank. His legs felt weak. "What… what is this?" he demanded, his voice trembling with disbelief.

Ryan, the guy on the couch, glanced at Lando with mild curiosity. "Oh, she didn’t tell you? Yeah, we’ve been seeing each other for a while now. I thought she’d mention it, but she’s been kind of busy with you lately."

Lando stood frozen in the doorway, his fists clenching at his sides. His whole body was screaming in fury, in betrayal. Elena had never cared for him at all. She had used him—used him to fill a void, to make her feel more powerful. He had been just another pawn in her game.

Elena looked at him, her expression cold and indifferent. "You were fun for a while, Lando. But you’re not really what I’m looking for. You’re too predictable, too safe. I need something more exciting, something spontaneous. You’re not that guy. You never were."

Lando’s breath caught in his throat. He had left everything—you, the only person who had ever truly loved him—because he thought he had found something better. But now he saw the truth. He saw how foolish he had been.

Elena had no real interest in him. She had only wanted a temporary distraction.

Present

Sitting in his car now, Lando clenched his jaw, his fists trembling with a mixture of regret and anger. He had ruined everything. He had thrown away the one good thing in his life—the one person who had always been there for him, who had made him feel complete.

He had told himself that he needed someone else, someone exciting, someone who made him feel wanted. But now, Elena was gone, and he was left with nothing. He had destroyed his relationship with you, and there was no way to fix it.

The silence in the car was deafening as he glanced at your building. He had tried to move on, but every time he closed his eyes, your face haunted him. The memory of your smile, the warmth of your touch, the way you loved him so unconditionally. It had all been real. But he had let it slip through his fingers.

Lando took a deep breath and wiped his face with his hands. He had to face the truth. He had to face the fact that he was the one who had made this mess.

He had to try to fix it.

Lando’s mind was racing as he stepped out of the car. His legs felt heavy as he walked toward your building, every step feeling like it was pulling him deeper into the dark reality he had created. His thoughts kept cycling back to you—the way you had looked at him that day, eyes full of confusion and pain.

He had left you without a second thought, convinced that he needed something more, something new, something that would make him feel like he was alive again. But now that he had everything he thought he wanted, he realized it had been nothing more than a hollow illusion.

With each step toward your apartment, his guilt grew heavier. He had broken your heart, betrayed your trust. He had sacrificed the love of the one person who had never let him down, for someone who had used him. Elena’s smile, the way she had taunted him with her laughter, still haunted him. It made him sick.

Lando reached the door to your apartment and hesitated for a moment. His hand trembled slightly as he knocked, the sound of his knuckles tapping against the wood almost too loud in the quiet hallway.

There was no answer at first, and for a moment, he thought about walking away. But he couldn't. Not now. Not after everything he had done. He needed to face the consequences of his actions. He needed you to know that he was sorry, that he had made a terrible mistake.

He knocked again, this time louder, his patience wearing thin. A moment later, the door opened, and there you stood. Your face was a mixture of shock and anger, but there was something else in your eyes—a vulnerability, an ache that Lando could see but was too afraid to acknowledge.

For a moment, neither of you spoke. The silence stretched on, suffocating. Lando opened his mouth to say something, but the words caught in his throat.

"I didn’t think you’d come back," you finally said, your voice tight with emotion.

“I’m sorry,” Lando whispered, his voice cracking. He swallowed hard and stepped closer, his heart pounding. “I know I don’t deserve it, but please… just hear me out.”

You crossed your arms, still standing in the doorway, but you didn’t push him away. There was an edge of caution in your stance, but beneath that, a flicker of something that made him believe there was still a chance.

“You left me, Lando,” you said softly, the words feeling like a slap in the face. “You didn’t even give me a chance to fix things. You just… walked away without any explanation.”

Lando closed his eyes for a moment, fighting back the tears that threatened to surface. “I was an idiot. I thought… I thought I needed something new. I thought she was different. But she wasn’t. She never cared about me, not like you do.” His voice cracked again, raw with emotion. “I made a mistake, and now I’ve lost you.”

You let out a shaky breath, your expression unreadable. “And what exactly do you think you can do now?” you asked, your voice trembling. “You think you can just show up here and fix everything? After what you did? After what you said to me?”

“I know I can’t fix it,” Lando said, his voice low and full of regret. “But I need to try. I need you to know how sorry I am. I was stupid, selfish, and I let the wrong person into my life. But the truth is… you were always the one. You were always the person I should have been with. And I was too blind to see it.”

You shook your head, your lips trembling. “You don’t understand, do you? You betrayed me. You made me feel like I wasn’t good enough, like everything we had didn’t matter. You broke me, Lando.”

The tears that Lando had been holding back finally spilled over. He wiped his face with his hands, taking a shaky breath. “I don’t deserve you. I don’t deserve your forgiveness. But I need you to know that I love you. I’ve always loved you. And I was a fool for thinking that anything could be better than what we had.”

You looked at him, your eyes searching his face for any sign that he was telling the truth. There was pain in your gaze, but there was also something else—something that Lando dared to hope was forgiveness.

“I don’t know if I can forgive you,” you said quietly, your voice full of sorrow. “But I can’t just forget everything. You can’t just walk away and expect me to be waiting for you with open arms.”

“I don’t want you to just forgive me,” Lando whispered. “I want to earn your trust back. I want to show you that I can be the man you always deserved. And I’ll spend every single day proving it to you.”

There was a long pause as you stared at him, your expression softening ever so slightly. It wasn’t forgiveness yet, but Lando saw the flicker of something—the smallest glimmer of hope.

“You’ve hurt me, Lando,” you said, your voice barely audible. “I don’t know if I can just let that go. You’ve taken everything from me.”

“I know,” Lando replied, his voice shaking with regret. “And I’m so sorry. I never should have done that to you. But please… I’ll do whatever it takes to make it right. Just give me a chance.”

Another long pause passed between you, and Lando held his breath, waiting. His heart was hammering in his chest, praying that you would give him another chance.

Finally, you spoke, your voice soft but resolute. “I need time. I need to think about it.”

Lando nodded, relief flooding him even though he knew this was only the beginning. “I’ll wait. I’ll wait as long as it takes.”

You stepped back, opening the door wider. “Come inside,” you said, your voice tinged with something Lando couldn’t quite place. He hesitated for a moment before stepping into the apartment, his heart pounding in his chest.

As the door closed behind him, Lando felt a flicker of hope. He had a long road ahead of him, but for the first time since the day he walked away, he felt like there was a chance to make things right. A chance to prove to you that he could be the man you deserved.

And that, for now, was enough.

Thank you for reading!

[bubblegumgothglados]

I’m really interested in your thoughts on punishment - I always find it so hard to describe the way I want pain, because I want it to feel like a consequence in a way that the term “funishment” doesn’t quite capture for me. But at the same time, I agree that the “punishment” should never be a real way of modifying behaviour when a dom is legitimately upset, because that’s not healthy.

Maybe it’s a problem with the terminology, but I always think that it’s like the difference between a cheesy Halloween flick, a horror movie, and then something actually dangerous happening. The first is a little tame, the third is undesirable, but the second is an ideal middle ground for a lot of people. No idea if any of this makes sense, but I’d love to hear your thoughts on it!

Interesting

I'm against punishment. To be more clear on that point, no one should ever have something done to them that they don't enjoy because they broke a rule or were "naughty" or whatever even if they consent to it. No one deserves to be punished. (Outside of kink too, talk to me about prison abolishment, defunding the police, and the flaws of a punitive justice system)

So my first instinct is to say, are you sure? Have you examined where this desire to feel like pain is a consequence? Do you need to unlearn some amount of guilt about wanting to be hurt? If you've done the work and you legitimately just want pain to be a consequence then great, I love that for you.

My nest suggestion would be bratting, find someone who enjoys being riled up and negotiate what you want and what they want, and then goad them into hurting you. The pain will be a consequence of your actions even if you both know it's just for fun.

Lastly, yeah, it might just be phrasing. Much like "snuff" or "CNC" feels less fun to me than "murder" and "rape"; " funishment is just a little but silly. Calling it a punishment scene might help set the tone that you want.

Thanks for asking, I hope this has been helpful

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/767420735500271616/so-the-thing-with-content-is-that-is-literally?source=share

The thing that makes the jellyfish hat content is that it is an object containing paper mache, fabric, cardboard, and the assorted accoutrements of jellyfish hat-making (the optional but popular add-ons go listed here in your head).

and implies that the container is more relevant in this specific context than the thing contained

No. that's not an implication. That's a thing you're making up in order to have an excuse to get angry about someone using a word you don't like, but it's not true. If I say, "I dumped open the contents of the box onto the floor", it is very easily discerned by most readers I am looking for something specific that is within the contents of that box. It is insanity to insist that the word content = the container being the most important thing on Earth. If I write "he opened the small box, revealing its' content: a single, small wedding ring" and you think the box is the focus, I just flat-out don't know what to tell you.

Setting that aside: holy shit, please calm down. I'm a bit busy with organizing resources for my local trans community at the moment but I promise you, there are worse problems than someone using a word you don't like. There was an election this year - don't know if you noticed - that impacts real people. Looking at all your anon and off-anon replies, the thing I keep thinking is, "Holy shit, who fucking cares? There are actual issues going on in the world right now!"

The fact that something I sent in during a ten minute snack break at work and quickly forgot about lives rent-free in your head to this degree days after it was said is highly, highly concerning. I cannot convey enough to you how much I did not mean to set off an episode in you, and at the same time, I am also very genuine when I say this may be a hill you're willing to die on, but it's not a hill I'm willing to kill you on. I kill people on important hills and jellyfish hats ain't it, chief.

It's wild to spend my time IRL trying to help people figure out what to do if our state makes it illegal for them to get HRT in-state and then pull up my phone and see someone this pressed about the word "content". Surely your life also has an important issue you could spend time on? No one is having a particularly good time right now. Maybe focus on a thing with literally any relevance to your quality of life whatsoever? I know that sounds glib. However, having had manic episodes where one thing someone said to me sent me over the edge, I'm not being glib. I really mean it when I say that redirecting your focus onto something important helps snap you out of it. It's how I got myself out of it before I was able to get medicated for my Bipolar Disorder. I take zero joy in seeing someone forth at the mouth because one person said one word and that made them spiral. I really do apologize, and I can see that this panic is a very real, valid emotion on your end. But 'valid' here is used only in the sense of 'I believe you when you say you feel panicked', not 'the panic is a logical, proportionate response to the trigger'. (As a side note, after this many anon and off-anon messages indicating fixation and extreme emotional overinvestment, I don't want anyone saying I misused the word trigger. This is not a proportionate response to someone using one word you dislike.)

The jellyfish hat contains materials needed to construct a hat. It doesn't need ads or legal agreements in order to contain cardboard, paper mache, etc. You are trying to make a mountain out of a molehill. Likely, you are taking your anger at something that actually matters and redirecting it onto this, a thing that does not matter. I'm not saying that in judgment - we all do it - but I am not going to be replying to this further. You may have a desire to use other people's words as an excuse to spiral but you'll have to find someone else to use the reason you're losing your shit.

The hat contains the materials needed to construct a hat. It's not that deep.

--

[writing-for-life]

@embervoices , I had to put this in a reblog because it got too long for the comments (brevity is not my forte 🤣):

Yes yes yes! I’ve got several metas that riff on exactly the points you mention, also Desire not being the straightforward villain so many think they are; you’ll find them all in my meta-library:

(please don’t feel you need to read them though)

Or rather: If we look at the Endless conceptually instead of seeing them solely as, well, “not human but still people”, we get to a deeper meaning that will otherwise stay inaccessible. It starts with *when* Desire and Despair first enter the scene in the main run (right after The Sound of her Wings, when Dream… well, hears the sound of her wings 😩). The “big sister sets his head straight” is a valid surface reading of #8, but it’s also just that—a surface reading.

You can’t love and be close to Death if you don’t feel drawn to death.

Death can’t advise you without also being her function. She *is* death. The literal thing. And I’ll never tire of saying it, because every time he listens to her in the whole run, he gets closer to her in the real sense.

And another unpopular opinion: When NG coined the pithy phrase that one must change or die, and that Morpheus made his choice, he didn’t mean he just chose death (even if a felt 80% of people seem to read it like that, but that might just be what I see on my feed—other people’s mileage might vary). They were never to be read as mutually exclusive—it was always both. Because metaphorically, something needs to die to change—a viewpoint, a habit, a set of beliefs. And yet, it doesn’t entirely disappear. That’s exactly what happens—omnia mutantur, nihil interit. And Dream is the Prince of Stories—of course he relates to everything via a narrative *he* spins (he can deny it all he wants).

And yes, you can absolutely desire death—it’s so poignant that we meet Desire and Despair for the first time in #10, and also that they show as the twins on this occasion.

And then there is Brief Lives, when Desire (which is *also* a life force, and that’s important contextually in several arcs) actively pulls out of the scheming in more than one way: Dream even says, verbatim, he has no desire to “do this”, when he usually avoids even the word like the plague (and if he hadn’t done it, the ending might have been different, but that would have also been totally past the point). But the influence of his other siblings, or rather how he relates to them, is far more devastating in that moment. And while they all try as siblings, they are also their function. And in their function, they are NOT helping—again, it’s so obvious if we just look at when and how they show up for him:

Delirium made him go on the trip to find Destruction, Death told him off and made him change his mind when he had already abandoned the plan, Destiny advised him but also didn’t because he is what *must* happen either way, and Despair only showed up for him after Orpheus’ death.

Funnily enough, Desire, despite all their scheming, was always the only one who saved his ass (maybe not always for the most unselfish reasons, but they did it anyway). Not just once. Several times over. Overture is all I’ll say (during the actual events of Overture, but also in the flashback to Alianora’s story).

It’s all incredibly clever and heartbreaking at once…

”But He Loved, He Should Have Been Forgiven”

About Free Will, Responsibility and Agency: Lucifer and Dream as Foils

Did I finally jump on the Lucidream/Dreamingstar bandwagon? No, don’t panic (or be eternally disappointed 🤣), because that quote is actually from “Murder Mysteries”, a short story that also exists in comic form (drawn by P. Craig Russell). And while it isn’t officially part of the Sandman Universe (or even DC), I always saw it as somewhat of a blueprint of how NG (re)imagined Lucifer’s Fall. There is enough in Lucifer’s characterisation in the Sandman that makes it quite plausible as a sort of backstory, especially since it was written when the Sandman was still in full swing. But more about that later…

I’ve long wanted to write a meta about Lucifer and Dream as narrative foils, and since I’ve finally started clearing out my drafts, this was a good one to do right now because we are currently discussing “A Hope in Hell” in our community (join us!). Although I have to admit that this one is rather about what transpires when Lucifer decides to abandon their realm in Season of Mists...

When Lucifer learns of Dream's impending return to Hell to finally release Nada, it solidifies their own resolve to leave (I use they/them pronouns because of the show although comics!Lucifer is male presenting apart from the plumbing and also referred to as he/him). By the time Dream arrives, Hell is nearly deserted, with Lucifer basically expelling its last inhabitants. Lucifer tells Dream they rebelled long ago, and that they are not willing to “pay for that one action” anymore. And the most profound truth they share with Dream is the nature of ultimate freedom—the freedom to leave. This is also brought up many issues later, when Lucifer says to Delirium, "I told him, you know. I told him years ago… I told him that I owed him much for having given me the impetus to go. I told him there was always freedom, even the ultimate freedom. The freedom to leave. You don't have to stay anywhere forever.”

And that’s just… ouch. Not just because it so clearly shows that Morpheus also could have left had he just chosen to (then again, he wouldn’t be Morpheus if he had, and even more “then again”: he did in certain ways), but also because we generally see Lucifer as an antagonistic force. But here, they express something akin to gratefulness. And maybe even a hint of regret that Morpheus didn’t also choose the same way. They feel almost sorry for him (my guess is they actually do, and I can never forget their face at The Wake). But what do you do if even freedom feels like a cage?

All of this ties in neatly with the crucial truth about Hell Lucifer reveals: People are there because they choose to be (and that Hell doesn’t need to be a physical place: We can make our own—any place, even in our own minds).

...this is where you wanted to be.

Lucifer explains to Dream:

"Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The Devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.”

He continues, “and then they die, and they come here (having transgressed against what they believed to be right), and expect us to fulfil their desire for pain and retribution. I don't make them come here. They talk of me going around and buying souls, like a fishwife come market day, never stopping to ask themselves why. I need no souls. And how can anyone own a soul? No.

They belong to themselves… they just hate to face up to it.”

Which brings me to one of the most important messages (one of many) of the Sandman: People must take responsibility (and in this particular case not only for their lives but also for their afterlives, which is also a recurring theme). Each person's soul is their own, and no one can take that away. Paradoxically (or maybe not), as Lucifer abandons their own responsibilities, they urge people to take responsibility for themselves: You can drop said responsibilities, with all that entails, as long as you also take responsibility for the fallout.

So what about the wider question of free will then?

Let’s look at Lucifer's rebellion and fall for that, because both raise a lot of questions. Dream tells Lucifer that he remembers them as passionate, and Lucifer responds, ���I cared about so many things. I suppose that was why everything began to go wrong. You know… I still wonder how much of it He planned. How much of it He knew in advance. I thought I was rebelling. I thought I was defying His rule. No… I was merely fulfilling another tiny segment of His great and powerful plan.”

And this brings me right to NG’s short story “Murder Mysteries”, which isn’t really officially part of the Sandman Universe, but also… it totally is 🤣. In it, pre-fall Lucifer witnesses the destruction of an angel who killed another angel they loved. Raguel (the angel formerly tasked with said destruction who now walks on earth, coincidentally mentioned in the panel above as one who might also have rebelled) narrates, “‘That was not right. That was not just.’ Perhaps Saraquael was the first to love, but Lucifer was the first to shed tears."

Later, it is revealed that God orchestrated this situation to push Lucifer towards rebellion. God needed an adversary to run Hell and says, “Lucifer must brood on the unfairness of Saraquael's destruction. And that—amongst other things—will precipitate him into certain actions. Poor sweet Lucifer. His way will be the hardest of all my children; for there is a part he must play in the drama that is to come, and it is a grand role.”

Lucifer was basically set up by God, and this somewhat revisionist interpretation of their rebellion and fall opens up larger questions about free will, agency and destiny.

Because although Lucifer's actions were influenced by God, they still carried them out and are therefore fully responsible for them. And by choosing to abandon Hell, Lucifer was taking responsibility for their own life. They faced a choice: remain in Hell as a shadow of their former self, or move on and make peace.

This fragile peace is illustrated at the end of "A Season of Mists," when Lucifer and an old man are conversing on a beach. The old man, despite having lost everyone he loved, remarks that any God who can create such beautiful sunsets couldn't be all bad. After the man leaves, Lucifer admits (basically to God), “He's got a point. The sunsets are bloody marvelous, you old bastard. Satisfied?”

And in a way, even Lucifer comes to terms with their past once they take responsibility for it.

In a way, this mirrors Dream’s arc to a tee. One could certainly argue that he was set on his path by forces outwith his control: Whatever had to happen in cosmic terms was always bigger than Dream. The Fates also held a grudge against him and Orpheus, for more than one reason. Orpheus did make the Furies cry, and they never forgave him for that. Crucially though, he was also responsible for his own actions and carried them out. Only that Dream’s choice was ultimately a different one—or was it truly? Because what is the exact definition of “walking away”? He certainly did not abandon his realm like Lucifer because he ensured it was taken care of. There is no devil-may-care (no pun intended) attitude, because even when choosing death, Morpheus does care about his realm and the dreamers. Deeply.

It is the sole reason why the ending we get is the ending we get, and why we have Daniel as Dream in the end. And while Lucifer takes responsibility for their own life, Morpheus takes responsibility for his own death. But both Lucifer and Morpheus faced a choice: remain on their paths as shadows of their former selves, or move on and make peace. And both chose the latter.

And one takeaway for us, as the readers, might be that if we find ourselves in an intolerable situation, we can always walk away, even if the price may be high. This brings us back to the theme of freedom:

The price of freedom is taking responsibility for our lives, even if we haven't been fully in control of them. The freedom to walk away might not be the ultimate freedom, as Lucifer suggests, but it is significant.

Free will in the Sandman is a topic of debate, and I tangentially wrote about it before:

Destiny carries a book that contains everything that will happen to us, all there was, is and will be. Most of all though, it contains what must happen. One could say that in this universe, there is a strong element of predestination involved. However, complaining about a lack of free will and just pointing towards Destiny’s book also misses the point:

In the end, our lives are always our own (which is mentioned several times, directly or in a roundabout way: in Façade, in Song of Orpheus, in Brief Lives, in The Kindly Ones, in The Wake).

Your life and your death are your own

Some of us might have more to overcome than others, but the sooner we accept our unique challenges (which is not the same as being passive), the more we will focus on what we can change—or what we can meet with forgiveness and (self-)compassion.

Destiny and freedom as opposite sides of the coin matter far less than what we do with them…

[roughentumble]

God. I bet Logan gets really bad domdrop. He'll finish a scene and get real quiet and then softly asks, "Babe, am I bad person?"

GOD. LITERALLY ABSOLUTELY SOOOOOO TRUEEEEEE

because he's always at war with his desires and his impulses and he tries to act very Human, like he doesnt /hate/ being a mutant and there are parts he embraces, but he also tends to hide/downplay those sides and only bring them out when he WANTS to shock someone. he contains multitudes. he's like, big on how others perceive him and will play into that intentionally in order to get the social upper hand by not presenting exactly how you'd expect, either being more or less animalistic than his apperance and your own biases would lead you to think.

im getting a little off topic but it is related! despite all that he is scared of being Too Other, Too Freak, Too Beast, Too Animal, Too Mindless. is he too violent? can he put down the violence, will the world let him? is he only made to be a weapon? what would others think of him, if they saw all the instincts he fights against? is he the instincts he fights, or is he the thinking man who wrestles with them?

all questions he struggles with, so any scene-- but extremely and especially a scene where he's mean or violent-- is going to bring those questions back up in his head until he's found a way to settle them and accept himself. i love the idea of wade and logan going out into the woods to dismember and gut each other, and then fuck in the bloody aftermath while their bodies are still knitting together, but logan is still trying to cling to normalcy and humanity enough that it would cause MAJOR domdrop once they were done. he'd be nauseous over what he got pleasure out of doing to another person, because doesnt that just confirm every evil thing ever said about him? while wade doesnt have the same reservations, because he's made peace with his own violence, and is much easier able to compartmentalize what theyre doing here as their version of "playing" because they can both take it. logan has absolutely no desire to dismember someone who cant grow back from it(or even if he does have the urge to do so with people who wont heal, the fact that they wont heal stays his hand and makes the thought repulsive even when the urge to do so with SOMEONE remains), so clearly this doesnt say anything bad about logan, to wade. clearly logan is just someone to the left of human who has inhuman urges and has no interest in sating them with the blood of innocents, he's just a Guy. its Fine. but logan isnt able to see that distinction in himself, and really struggles with feeling like a monster

he needs a lot of TLC and gentle introspection to get over it, and even after he's dealt with it there will be times where he looks over at wade and needs to know. did i hurt you too badly? am i bad because i want to hurt you? am i a monster? could you ever love me when i have your blood in my teeth?

then there's the "dont touch me, im a fucking monster" days where he starts breathing heavy and getting in his own head, and he needs to be talked to nice and sweet, reminded of how happy it makes wade and how he isnt alone in their games. he isnt bad for being an aggressor. because that's what it comes down to, being the aggressor feels like an evil tainted role when its him, but obviously its not bad when WADE is hurting HIM-- a flaw in his logic that he cant see when he's in the moment and panicking and feeling like utter crap

logan getting domdrop is actually something that can be so personal

[sticks-stones-sonic-insanity]

Ok idk how plausible this is but like. Just considering the possibility. Let's think about it for a second.

Shadow has Chaos Island on his register for Shadow Generations. In a more meta explanation, we know its because Chaos Island was the least utilised location in Sonic Frontiers: most of its platforming was 2D, and the more interesting locations that players wanted to travel to were either unreachable or off in the distance as set design. Among other things. Shadow himself hadn't actually been there, but he hadn't clocked that since the game's story took place at the same time as 2011 Generations did.

Gerald's explanation for its, as well as that of Sunset Heights' existence in white space was that the Time Eater (or Black Doom?? Idk they don't really make it clear who's controlling what) was pulling from locations in Shadow's FUTURE as well as his past, so some locations that were present were for a future Shadow to experience instead.

Is it at all possible... that maybe we haven't seen that version of Shadow either? Is it possible that Shadow is among a cast who return to Starfall Islands in a Sonic game further into the future than what we know about?

I don't have much to back this, and I'm cool with that. It's just an interesting idea to think about.

The plot of Sonic Frontiers is fairly linear, but the primary story beats within the characters held a very clear message about change. Change, progression, and wanting to move on to become something more than what they believed themselves to be. Amy wants to explore the world and find more places to share her passion and love with others. Knuckles wants to push himself to leave Angel Island and have a life outside of his role as the Guardian of the Master Emerald. Tails wants to be more independent, and spend time honing his skills without Sonic to fall back on when he's in trouble. Sonic is notably excluded from this common desire to change, but they don't touch much on his reaction to this information and he's primarily there to spurr on their motivation anyways. I have my own feelings about Sonic himself in Frontiers, but it's not super important to go into here. Point is, the characters here are looking for growth. An opportunity to give to themselves room for change.

Shadow did much of the same in Shadow Generations, but Gerald's dialogue about his motivation in life being stagnant after he and Maria move on is a nod to the idea that Shadow is very much not done on the development front.

He's let go of his past, and has a drive to keep moving forward in honour of it.

Now what?

I'm not sure how, or when, or if it could happen, but I think it would be interesting for Shadow to find that same kind of time for introspection as (three of) the core 4 did on the Starfall Islands. Frontiers had that softer, more serious tone to it that Shadow's change in attitude would benefit from. His half of generations was able to match that tone, since he made most of the journey on his own. Anyone who interacted with him brought an atmosphere that fit the individual cutscene.

What kind of conclusion could he come to, given the time to think about it? Who would be at his side to help him voice his thoughts?

Does Shadow know what he wants in his life? If not to Maria, where will he look to find the answer to that question?

All of this speculation is mostly shot down by the fact that this game occurs that little bit too far back in the timeline for these things to line up, but I still wanted to consider it. Its interesting to think about, and I've been having fun trying to guess what Sega has in store for these little guys. Whatever comes next, I hope it's got the same love and care in it that went into Shadow Generations, because that way we know we'll be in for something good. Lmk what you think!

[loderlied]

i need you all to know that the main reason (besides a general hunger for attention) niles even accepts aldori’s call is because he got caught stealing his student’s work and passing it off as his own and his reputation as a teacher was obviously ruined. lmao

[beevean]

Yeah, she was done dirty. She could have been such a great villain, a selfish manipulator only concerned with her own comfort, hiding behind a veneer of condescending kindness that hid a deep desire to have power over others (desire spurned by the awareness that no one likes her so she has to force people to like and respect her), a monster wearing the mask of a human even if it hurt her (clipping her claws, dousing herself in perfume to hide the stench of blood) because she resents her own cursed condition to the point of not even wanting to bite people but only to not feel "guilty" about it, eventually regretting the awful way she treated the only man who showed her kindness but too prideful and childish to apologize. The elements for a good character were all there, she's fun to think about!

Too bad she was conceptualized by a sexual abuser and it shows, from how her consistent physical, emotional, mental and sexual abuse of Hector in S3 is portrayed as masturbation fodder because haha hot girl puts a leash on a submissive peggable idiot, and in S4 she gets out on nowhere painted as a poow widdle girl who did nothing wrong 🥺 and the man she raped into slavery shows zero conflict about how this woman who pretends to be nice to him also broke his heart in the most visceral of ways.

You could have had a heartbreaking story about how Hector's constant abuse broke him, and the way he crawls back to a woman who only showed him the bare minimum of decency shows how he would do anything to feel that someone out there cares about him, even when it's not true. You could have had an intelligent, nuanced story about the intricacies of abuse and toxic relationships, how people can like you and care about you and want the best for you and still hurt you in irreparable ways, because their selfish desires and need for control is stronger than what you need to thrive. Instead, I got this:

Yay, "it's not rape if you enjoyed it" turned into sassy banter! Just what I like from the characters I'm supposed to root for and empathize with :)

I'm sure the genuinely well-meaning, gentle Lenore who fell in real love with Hector that exists in fans' headcanons is a lovely character. I would love to meet her, I also have a Lenore in my head who is a very complex villain. But what I saw on screen from day one was a poor excuse of jerkbait with three different personalities and the source of appalling abuse apologism, because it's fine, she's hot, he deserved it for being stupid, she raped him for his own good, actually it wasn't even rape because when someone lies to another person for the express purpose of having sex which leads to being trapped in an unwanted relationship is just a little dirty trick, a small lie, no biggie, of course the person who was lied to will eventually understand and forgive and want to kiss the person who betrayed them!

Pictured: a poor woman pressured by her peers who was very torn over having to resort to rape by deception to enslave the man she kept molesting for no practical reason other than her amusement. Sure, she could have just offered Hector the position of pet the moment she told him that Carmilla no longer had use for him, and he would have accepted because Hector's only objective in life is feeling cared for, but hey, why not truly humiliate him to feel more powerful? :)

anyway Lenore was never a good person. She had fun toying with the heart of a man for the sake of turning him into a tool to use to enslave people: she did little harm compared to Dracula, sure, but it's more personal, and motivated by even pettier reasons than "wife died", because everything about her screams "I want to feel in control and powerful". And much like Dracula, I would have been perfectly fine with her being a vile piece of shit (well, the writing in S3 still sucks because she's bullying a shell of a man and there's no meaningful conflict, but eh, I could go on a rant on how Hector was done dirty) were it not for the fact that the writing insisted that I should feel sorry for a whiny abusive ineffectual cowardly brat who only thinks about her own pleasure and can't even see the man she trapped as his own person, whose main source of angst is "besties don't like me and Carmilla's plan would be inconvenient to me and my feelings 🥺"

(I linked to too many posts here. I have sources for everything I said. Look at how much proof I collected that Lenore never loved Hector or saw him as a person! It's honestly impossible to read her from any other angle.)

So in short, she's cruel, she's petty, she's disgusting, she's incompetent (using her pussy to unnecessarily trick a man who is painted as so stupid he's on the verge of being called the R-slur doesn't speak highly of her manipulative skills), she's whiny, she's a hypocrite, she doesn't even do anything concrete in the plot (I love me some cringefail villains who still have some gravitas to them, like OG Isaac and Dahlia Hawthorne), she does like one (1) good thing and it didn't even matter, and her grand finale is ragequitting from life like a kid who lost too many times at a videogame, abandoning like he was a mere afterthought the man who cut his own finger to get rid of the slave ring she put on his hand and still chose her. peak. she's lucky that her design was artificially engineered to be as cute as possible, because that's deadass the only reason fans tear their hair to justify her and defend her.

S4 was bad and she was particularly pathetic there (seriously that ring was fucking pointless), but that didn't make her a good character in S3 either. So yes, she deserved to be written by someone who understands the gravity of abuse and doesn't think some people are so stupid that they deserve to be harmed.

lenore is a very well-written character that is written very well

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[aliusfrater]

it's really funny to see a post about someone's interpretation of dean with like thousands of notes that i feel like misses several marks regarding his character due to their chronic omittance from sam and how sam factors into dean's character/winchester familial dynamics and how it makes dean the tragedy that he is, then when i click on their blog they're a huge lestat fan that doesn't really acknowledge louis. many such cases

[notachair]

I think... this puts to word some of what I felt was kinda of with how handled things. Some anyway. I've been trying to articulate what feels... off. It's rough so bear with me trying to untangle more of it... and I'm so sorry but this is a wall... on your post... tell me if you want me to make my own and just link to this instead.

When it comes to Jayce's little speech there's this line, as an example...

And what got me immediately here is... when have we really been shown that to be true, to "always" be true? I felt like this was an assumption put onto Viktor by the writers. Internalized ableism is a bitch, but I think they're doing a lot here with the implication of "always". Disabled folks all have our own journeys with it, but I don't think moments of falling prey to it- is something that should define his whole historic relationship to his disability. (Also one's allowed to vent about one's experiences with one's disability and the realities of how one's met with in the world, without it being taken as a diminishing of one's own worth.) And as you say, none of that really address the whys of the structural aspects affecting him both physically and mentally. Like (in regards to the internalized ableism) what is it that is constantly trying to make those shards of pain and inadequacy they'd put in him- to expand and consume, despite whatever fight he'd put up against it on either the internal or external front? And then there's also the difference between wanting to manage one's disability and... you know, hoping to cure one's *terminal* illness in fear of death's face.

I won't deny other disabled people feeling any comfort in those words. I do think there's something delicate and meaningful in having someone care for you and remind you of your worth when those shards, unwittingly or not, have spread and festered a wound in your self perception, because people keep saying it should be there and trying to create it if it's not. It's not that it can't be or isn't impactful, but... was that it? The big message? In combination with everything else, it felt more... preachy? And to a certain degree patronizing? The issue is that I felt *talked at* from someone's able-bodied* perspective. *Yes, even if Jayce no longer is non-disabled himself, that current commonality isn't emphasized, and even so- disabilities and disabled experiences aren't 1 = 1 (this applies to me too), never mind the *terminal* aspect, his leg's also an acquired disability.

Okay so what only ever Jayce apparently managed to have Viktor see, was essentially: "only you can show me that perfection perceived is not something worth seeking- an empty reward. There's beauty in imperfections", or something right? And his mode of attack was... that. Idk I am left unimpressed. I understand the point of putting value on perceived "imperfections", and that Viktor (could... actually... I had a whole section on internalized ableism I removed lol. But.)... that his disabilities could be and was perceived as "imperfections" within his new framework (btw, I saw him using the hexcore on his bad leg as a means to test out his chances for curing his terminal illness- 🤔 not really as a "I kinda just really wanted to cure my leg idk", and it would make for the most obvious results if it worked without messing with the vital organs of his torso, though he was only allowed to keep it for so long by that hexcore). But also, the philosophy he presents was more about than just his own disability or actual terminal illness (!!), it's about a flawed perspective on the general human condition, put to the extreme after Viktor became increasingly isolated (despite being surrounded by people mind and body, "we are one") and grew further detached, partly to the nature of his new existence* (*thoughts to be had here though, and also, whatever happened to the build up and clarification of to whatever degree the hexcore itself influenced him?).

Motive: on his desire to help others, emotionality.

A core part of Viktor's character is his desire to help and aid people, particularly those of the Undercity, and with Jayce it becomes about helping people through the science of hextech (a renewable and non-exhaustive energy source, I think there's a Point there) (tho I've gotta say... their presented products in S1Act2... can't say it's impossible for geniuses to be kinda dumb, it wasn't what I expected anyhow lmao). Act 3 Viktor, post-"imperfections of emotions and individual agency leads to pain and strife, as the other inextricably bound side of the coin = humanity's self-corrupting contradiction" conclusion, basically ended up out there trying to calculate himself to solving human suffering on an evolutionary level (truly Singed's apprentice that way), which was just eugenics in the end.

Even if that point of validation, of acceptance, is nice, especially when previously thought something forsaken to you... and despite what some would previously read/portray him within fandom- he DOES care about the interpersonal, like there's a reason he clings onto that goddamn tattered blanket 😭 And he continues to make a point of wanting Jayce by his side again in both act 2 and 3. But I still feel like it misses the "point" when the majority of the focus ends up on "you're doing this because of internalized ableism but I'm telling you that you matter actually, to me". I feel like it simplifies a lot to draw such conclusions of the matter, and make that the most effective point of "attack". I mean- seeing himself and what he was about to make the world into- kinda did after the mask broke a bit. But- other than Viktor's lines of "why do you persist? After everything I've done?", the "you were never broken" ends up defining this important built up scene. And I dislike this focus that completely overrides the structural issues involved, and basically works as a good-feel band-aid. I dislike the way Viktor's character motivation feels reduced to that point, with that "always" in particular, as well as the "only you" when that was the conviction made. Combating ableism 101.

Like I get he's attacking the personal projections that could drive the conviction, but he sorta kinda didn't hit all the marks there. Uh- not to say that I don't know he's just being sincere here as well, in expressing his care and love for Viktor. But I feel like it works as a deflection that shouldn't have been entirely effective on its own (yes the future-vision, but it's not emphasized in a way I'd like), story-wise anyway. I thought maybe they'd emphasize more on the emotional part, of his overall self-perception and of Viktor hurting (and not just in the "internalized ableism" way) despite however unaffected he might or might not seem (def not all gone). I can see Viktor in his state of upset and alienation of his body (and mind?)... see that hurt (grown from affection) as something, on a personal level, that holds or has held him back from actually follow up on those dreams of helping people (which become *that* in result). And with the access to the power that he has... conveniently think to attempt ridding himself of it, distancing himself, rather than process it. There's a certain... distancing happening just from that nature of having access to the experiences of so many people too, through that hivemind even if it's the most intimate thing as well and would stir a lot of emotion within him. And then there's him getting offed by Jayce in act 2 where he has his whole "two sides of the same coin" moment, and in the end, seeing "the glorious revolution" as a final calculated solution to strife (and- perhaps his own internal strife). There's something too to that "the line" sequence after being rejected in episode 8. But yea, there is a point here that could have been made in terms of valuing "imperfections" of the human condition, but it's... not really being made? "They're part of everything that makes you you, and everything that I admired about you" (paraphrasing), sure, but what about some emphasis on other things idk. He's more than that and all that, but I feel like they ironically made everything about his disabilities instead, and I'm dreading the state of readings and depictions🧍

(Btw on that note of "part of what makes you you", I did like that even the herald still had his braces and ect. fused to his body, and even glowing up in the astral plane. I liked that the ones that were "cured", was not left unmarked by the change. Of note- a lot of those people seemed to have had similar conditions to Viktor, in the sense that they affected the limbs. Pretty sure that one kid who led Jayce was the kid in a wheelchair beside Ekko in ep 7 when watching Heimerdinger's performance)

Also, I would... have liked... more of him taking a side with the Undercity though... and agency, non-agency, death, transformation…go rage some my guy 🔥

Motive: on Piltover / Zaun, the structural.

So on another point... a very important aspect here for Viktor IS that initial dream of theirs WITH the sociopolitical circumstances. Before all of the cult stuff, the main tension between Jayce and Viktor is the matter of the Undercity and how they're dealing with the hextech (I've kinda wanted to make a post about it). And similarly with catvi and the story otherwise, that element does not get as acknowledged, and it suffers for it. Their dynamic and history is not removed from its sociopolitical context. And there... is something to that shard of insecurity impacting him more than he'd thought. But what it comes back to- is the structural injustices he has been faced with both as disabled and a Zaunite/someone of the Undercity. Like his terminal illness was literally fucking because of the damn injustices Piltover inflicted upon them, majorly didn't care to fix and would punish people for protesting. And as I said, their common initial dream, was essentially about helping people through the science of hextech, like- people of the Undercity. Something which they failed to follow up on, and then Viktor was dying, accidentally involved Sky in his own risky business that resulted in her death and him getting suicidal, then- died from Jinx's attack- frankensteined in violation of his agency (!!!)- and then Viktor leaves Jayce *after seeing the hextech weapons plans* (double betrayal). And there really is something to Sky's significance here... But yea, Viktor leaves with a totem to those hopeful dreams, in order to try to help or aid people of the Undercity with the new abilities he had. Like he's not wrong for wanting to do that, I get why he'd just up and leave. His philosophy about things resulting into the idea of a "glorious evolution" to solve human strife and the details of those transformation do essentially just become eugenics in the end though (btw, whatever was their choices with "all those willing" to forceful turning...?).

I think there are ways they could have explored further nuances around all of this, but like with the other things, the journey was cut short and simplified. In a sense I'm glad he had more agency than people were speculating, but at the same time... And I think there is a Choice done in making Viktor's "glorious evolution" the bigger bad (together with Ambessa and whatever she was doing all of that for), AND that it served as a way to override majorly every other conflict by presenting a bigger bad for Zaun and Piltover to "unite against a common enemy" for. If they'd emphasized more on him being a reaction to those injustices, with a hexcore boost, to Piltover's structural injustices against the Undercity (which includes that social model of disability), then maybe it could work more. AND with it having a presence in the Viktor-Jayce confrontation/resolution. But it's more "both sides"-ing the issue, with its favour in Piltover's hands despite it all. And like- "I dreamt about giving magic to the people-" yes, but what was the reason why? I'll give him points for the "now" in "now I only want my partner back" anyhow. Idk, I don't see the disregard of the implicit "wanting to help people" part as a win. Though it's presented through the emphasis of "magic" which has been demonstrated as... sinister to a degree, but also... not? Potentially. But the magic was never THE issue.

Even on just the interpersonal level between the too (which it's not restricted to at all)- I, again, dislike this focus that completely overrides the structural issues, and works as a good-feel band-aid. It needs to extend further, and sure it does in a sense on the individual basis with his choice to stay with Viktor even when he gave him an out. But as an important message moment? It doesn't demonstrate enough to extend outside of it, because we don't see it applied in different contexts, like properly addressing his whys. And with Viktor's one line of "why do you persist? after everything I've done" "because I promised you"... it's not that what Viktor did and was about to do wasn't Fucked Up (and he was having a lot of guilt about accidentally having Sky killed, I can see him getting fixated on trying to "make up for" it somewhat after being brought back to life in his alienated body, and in a sense uh... overcompensating), but idk.. I wish there was something that extended Jayce's way too? That addressed those points of tension in their history? I am not a Jayce-hater, but I don't think he's an uncritical "hero" here. Viktor ends up having little voice at this level despite his speeches (we barely hear him talk after the mask fractured some). And the matter of his forceful transformation, is not really brought up other than potentially with "this chain of events, started with you" in that one council room confrontation. "I never asked for this!"- neither did he <3<3<3. Anyway.

THERE IS SO MUCH TO SAY. But I gotta round it up eventually, so I've cutting off all my other things that found its place on this reblog while I've had it in the drafts.

Agency, disability, biomechanics and transhumanism is a TOPIC though. A topic with many fine lines.

Thank you so much for incredible disability representation!! Huh? Uh, yeah, I guess it's okay that there's no acknowledgement of the social model of disability... Oh, our character's feelings about his body and the treatment he faced aren't really discussed in detail? I guess that's alright. 'You were never broken... there's beauty in imperfection... they made you who you are'? That could be appropriate given context, yeah! Oh, no? Not addressing his pain or the discrimination against him or the fact his disabling factors were preventable?

No acknowledgement of how the world should be made better and safer for people who actually have disabilities? Only a message of 'disabilities don't make you inherently broken' that feels aimed at abled folks? ...Okay.

Anyway... thank you for the incredible disability representation.

[cent-scratchnsniff]

doodle dump