#but i know that kinda thing can be tiring

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

[catherinnn]

Snowed In

a fluffy Christmas friends to lovers fic between eddie x fem!reader

words: 2.3k

divider by @strangergraphics ♡

The group was going away for the holidays. Steve's family has a cabin in the mountains and it was completely free this year.

So Steve, Nancy, Jonathan, Robin, Eddie and you decided to have your own holidays.

The cabin was... well, it was huge. It had three separate bedrooms, the distribution was: Nancy and Jonathan in one, Eddie and Steve in the other, and Robin and you in the last one.

The cabin was in the middle of the woods as well, so you had to go groceries shopping on the first day and make sure you're not missing anything. And as you and Nancy were in charge of the shopping, you also got some Christmas decorations for the house. It wouldn't feel festive if there weren't.

Problems started when one morning Steve woke everyone up feeling nervous and frustrated. We had gotten snowed in.

We couldn't open any of the doors and some of the windows. And to top it all, it was even colder inside here than before.

So your plans of going on a walk or hiking together were out the window.

"We have some movies here, I can see if there's anything kinda good" Steve offered.

"We can also bake some cookies!" Robin says—she was secretly thrilled of not being able to go hiking as she had absolutely hated that idea in the first place.

"Or... you know, we can start decorating and make this place look more festive" Nancy proposes.

"Oh yes! We bought the cutest things at the store" You say excited, getting the box with the ornaments.

"Alright, we can decorate, bake cookies, and once we're done, we'll see the movie" Jonathan plans and everybody seems to agree.

"Fuck, I think I left my cassettes in the car" Eddie realizes when he looked for them to play something while we decorated. Steve and you secretly high-five at that, being sick and tired of Eddie's music already.

"Oh well, they weren’t very Christmassy either way" you fake sympathy for him.

"Just turn on the radio, maybe they'll play some holiday songs" Steve says.

And just like that, the afternoon goes by.

Eddie and you are in charge of the living room decorations while Robin and Steve start baking.

"This is the tree?" Eddie asks me disappointed. It was a small tree that could fit perfectly on top of a table.

"Well, we couldn't get the big one! It was too expensive! Plus, what would we do  with it when we leave?" you explain.

"This is just sad" Eddie keeps analyzing it.

"Shut up! Don't say that to the tree," you shove him playfully. "Just help me decorate it!"

"Fine, let's choose the five ornaments we can put on it!" Eddie jokes.

"Look at this one" you pout taking a big sparkly red ball.

"It's bigger than the tree, sweetheart" Eddie laughs.

"You're not being festive, Munson!"

"Sorry, my apologies"

You start hanging the things on the tree until it looks colorful and sparkly enough.

"This is the star we got" you take it out of the box to show it to Eddie.

"It's actually very pretty" he admits.

"I know, right?" you say, very happy with it.

"Here, let's make it feel Christmassy enough" Eddie gets up and grabs the tree, lifting it high up in the air.

"What are you doing? Be careful!" you say.

"You have to stand on your tippies to put the star on the top, just like on a proper tree" he keeps making fun of your tree but that’s actually cute. So you stand up with the star on your hand and stretch as high as you can to reach the top.

Eddie laughs since you still can't reach.

"You're too tall! Lower it a bit!" you demand but he refuses.

"It's like on an actual tree, you'll have to keep trying" he grins.

"Alright, fine" you say and go to stand on the couch so you can reach it.

"Oh, come on!" Eddie rolls his eyes and moves away from the couch.

"No, that's cheating! The tree can't move on its own!" you complain. You grab Eddie by his arm and pull him closer again, finally placing the star at the top. "Aww, it looks beautiful"

"Decent enough," Eddie jokes and places the tiny tree next to the TV. "Is that it here? What else do we have?"

"We have a few more decorations yet. What are the rest doing?" you ask.

"Robin and Steve are in charge of the cookies, Nancy and Jonathan said they had a surprise, I'm not quite sure what it is" he says.

After you finish with the few other decorations, Robin and Steve come out of the kitchen with flour all over their faces and hair. As if they had a food fight (which was probably what happened.)

"Cookies are done!" Robin announces and Steve starts choosing the movie.

Nancy and Jonathan get back too after a few minutes.

"What were you two doing?" you ask but they just shrug and act mysterious.

"Alright, we only have The Goonies and Halloween" Steve announces our options.

"Oh Halloween, please!" Eddie calls.

"No, we're not in the horror mood anymore, I vote Goonies" you say. The girls agree with you and Steve ends up voting for Goonies as well. Eddie thinks it's just because he's too chicken with horror movies.

You take the big couch, sitting next to Eddie and share a big blanket because it's still really cold in here.

The morning of the 25th finally comes around. Robin and you wake up excitedly and run to wake the rest up as well.

You enjoy the comfort of the movie and the freshly baked cookies. And at one point, you end up too cuddled up with Eddie under the blanket, claiming it was only because you two were still cold. But it's really because his hugs have always been the best ones. It's like you two fit like puzzle pieces, perfectly together. And to be honest, it was supposed to be a comfort night, with a comfort movie, comfort food, it was only logical to cuddle with him to get the ultimate comfort experience.

The idea for this year was Secret Santa, since you were already spending on this holiday trip, and to be fair, it adds excitement to guess who it was.

You got Nancy, for whom you bought a new journal with a lot of cool and handy features, and a necklace with her initials.

The idea was that the gifts should have a special meaning between the two of you so it would be easier to guess. The journal was because she had told you she was in need of a new one already and she wanted one of these. Similarly with the necklace, one time when you two were out shopping, she was looking for a new necklace but couldn't find anything that really convinced her.

As she opens up the presents, she gasps when she notices what they were, a big smile forming on her face after.

You're very bad at this game since you're already grinning and swallowing your giggles of excitement.

She takes a few seconds, considering. Then, her eyes land on you, as if she was checking on your reaction to confirm her theory. That is what gives it away.

"It's you!" she says content. You let your laughter free, the last confirmation Nancy needed. "I love this! How did you even remember this?"

She gets up and hugs you. "Thank you, I love it!" she repeats.

The round of gift opening continues, Steve realizes Robin was his Secret Santa. And Eddie follows, realizing Nancy was his, from the brand new leather jacket she got him since she always tells him the one he currently has is looking worn out and the zipper doesn't even work.

You go to open yours next. With the excitement of a little kid.

The first thing you see is a mixtape, named 'Our Songs.’ It would be a more helpful clue if you could see what songs it had on it.

The next thing you grab is a big mug, like the ones you love. It's a white mug with drawings of little flowers all around it. Very delicate and simple, but it's exactly your style.

The last item is in a little box. Opening it, you find two rings, two matching rings. They are designed to fit together perfectly.

The smaller ring is simple, with a finer band and a small bat raised on its surface.

The larger ring is bold and bigger, with the same bat design cut out from the band, leaving an open space. The small ring can fit inside the large one, with the bat designs aligning perfectly.

Your jaw is on the floor, this left you speechless.

Recombining the clues is pretty obvious who your secret santa is. Eddie makes mixtapes for everyone and every occasion. You were still curious to see what songs it had on. The mug could be since you always use a different one from Wayne's collection every time you're at Eddie's, saying you want to have a cool collection like that too sometime. And the rings are the most obvious ones, Eddie loves bats and you had told him that his tattoo of them was your favorite one of his. Plus, he's the king of chunky rings.

You look up at him immediately, he's looking at you with a small smile, he's a better actor than you.

"It's you, isn't it?" you ask almost with a hopeful tone. He grins and nods.

You jump to hug him. Squeezing tight. "These are the most beautiful gifts I've ever gotten!" you exclame.

Eddie laughs, holding you back. "They're pretty normal gifts" he says.

"No, they mean so much more!" you quickly tell him. "Eddie, I love these rings!"

"Yeah? They're my favorite too" he smiles.

You take them out of their box and give him the big one, as you put the smaller one on. He takes one of his old rings out and replaces it.

"I love them!" you exclame again, very pleased and excited. You hug him tightly again.

"I'm glad, princess" he laughs.

The weird sensation you feel in your tummy as you see the rings on each finger, and the representation of them completing each other, does not go unnoticed by you. It's like your stomach jumped from happiness too.

After everyone guesses their secret santa and everyone is happy with their new gifts, you go back to your routine in the cabin.

You already loved his hands, and he just added the perfect detail with that ring that matches with the one on your finger. As if it brings you even closer, a confirmation of how much you care for each other.

Eddie and you offer to set the table for lunch.

"Where were the dishes again?" Eddie asks confused from the kitchen.

"On the top shelf!" You indicate from the dining room, setting the gasses on the table.

"Which one? I don't see them" Eddie says.

"The middle one" You say.

"Can't you just come show me which one?" Eddie opens the door from the kitchen, asking you.

You walk over to him, and as you are standing next to him, you signal which door has the dishes.

"Wait! Eddie, don't move!" Nancy says hurriedly.

"What? Why?" he asks, confused.

"Look over your heads" Jonathan smirks.

As you focus your view to the ceiling, you see a mistletoe hanging on the doorframe you are standing under.

"When did you put this here?" You ask them.

"It's the magic of Christmas!" Jonathan teases.

"Must have been one of the elfs" Nancy chimes in.

"Alright, funny" Eddie rolls his eyes, ready to ignore all of this.

"You can't move!" Jonathan stops him. "It's bad luck!"

"They used to believe you would never get married if you didn't kiss" Nancy tells us.

"You're kidding?" you chuckle.

"Nope, those are the rules" Jonathan insists.

Eddie rolls his eyes again, and laughs. He turns his gaze to me. "Do you really want to get married sometime?" he asks me with a smirk.

"Of course! If I don't end up getting married I'll hate you forever, Munson" you threaten.

"If you don't find another husband, I'll marry you" he jokes.

"That's not the proposal I want" you huff.

"Alright, fine, but I better be your man of honor in your wedding," he jokes. "Come here" he smirks, hiding his nerves as he grabs your face softly.

"Fine" you say, ignoring the way your heart is jumping as you close your eyes.

You feel his nose touch yours for a second, giving you time to regret this if you needed to. Then, he locks his lips on yours in a sweet kiss. You have to fight back the smile that wants to form on your face. And you kiss him back, hands on his chest.

Seconds after, you think he'd break apart, but he keeps moving his lips slowly against yours. You don't stop either.

Jonathan and Nancy walk away quietly with surprised and yet pleased faces on, to give you privacy.

Eddie's hands move to your waist as the kiss becomes more than just a peck, tongues meeting softly now. Your hands fly up to his hair, bringing him slightly closer. He brings you closer too as he wraps his arms around your waist.

The kiss is no longer shy. Both getting lost on each other, you make the best of the situation. Letting out some secret feelings into the kiss.

You break out for air finally. Not moving more than necessary. His hands still on your waist and yours still tangled in his curls. Faces still millimeters apart.

"U- um" you let out.

"Yeah" Eddie says uncomfortably as he makes more space between you too, losing the embrace.

"Dishes" you remember.

a/n: these are the rings:

"Yeah, right" he shakes his head out of the trance.

[sleepymccoy]

Someone I follow is posting about Spock and McCoy after the Katra sharing, but they're posting canon thoughts and I'm all fanon so I'm making my own post lol

Post Katra headcanons!

Spock swears in Southern when he's tired. He really doesnt like this

McCoy understands a bit of Vulcan, but only when he doesn't know the person isn't speaking English. Like, if they randomly switch to Vulcan he can keep up until it's pointed out

They can feel when the other is experiencing strong emotions. They don't know what emotion, but it's like an itch or a tickle in their throat to say the other is feeling something

They know a bit of each other's specialised knowledge. McCoy is passable at astrophysics now, and Spock is an even more annoying patient since he understands the terminology

They also remember a few private moments of eachother's that they weren't present for. Both politely don't mention this, but do find confusing ways to allude to it

McCoy can cook some Vulcan dishes now. Spock developed a taste for bourbon in the evening that takes everyone by surprise

With great effort Spock can project messages to McCoy. With greater effort McCoy can give Spock a feeling that translates to fuck off

On Vulcan they're legally super duper married and Spock just doesn't mention this. McCoy notices next tax return when he's taxed like a married man, not a single man. Takes him months of asking around to figure out who the government thinks he's married to. He files for divorce without talking to Spock

Spock won't divorce him cos he did carry his Katra, but he'll agree to an annulment. McCoy about pops off with anger

Kirk buys them a wedding gift when he finds out

They don't get the annulment and neither can really put their finger on why. Something about respecting Vulcan culture, cos they'll still be married on Vulcan no matter what

McCoy gets a headache whenever Spock mind melds with someone else

McCoy can initiate a mind meld with Spock, which they both get kinda very into cos their brains feel so good paired back up again. McCoy drunkenly described it as being better than sex to Kirk and the idea of that sticks around something terrible

Their telepathic connection is stronger after a meld, so they start doing it in advance of missions so they can be in touch immediately if things go sideways

If they're apart for a long time the connection will tell them when each other is close by. They've run into each other at conferences or in hotels or once on a transport ship they didn't know the other was booking too. They find each other quickly and easily when they're nearby

This becomes an uncanny capacity to always vaguely know where the other is. McCoy is bad at remembering that he shouldn't know and will volunteer Spock's whereabouts sometimes without thinking

They get good at learning what the various nudges and hints from their connection mean. They can tell different moods apart and send messages that the other can open at their leisure, rather than breaking through and being front of mind

If one of them is injured or captive or just bored as shit they'll sometimes pop into the other's head and basically turn into the back seat driver from hell

With everything they know and learn, they're very fond of each other

[quartztwst]

I actually don't really care if adults are in the fandom if they treat the characters as they should. People telling adults to leave the fandom because they're "too old" is kinda dumb considering that most of their favorite fanart is made by adult people.

Yes, Twisted Wonderland targets people with the money. We all know. Most games are targeted to that audience, especially ones that have in-game purchases or things like that.

If you're an adult and into TWST, it's cool and it's fine! Have fun and do whatever! It's not fair that adults have to be kicked out of the fandom only because TWST's cast are mostly minors/underaged. People can just love the story and find the characters interesting. Like I'm pretty sure that a lot of adults like BNHA and some of them even make banger art. I think it's cool that adults participate in hobbies like these and should be supported!

(Not targeted to you specifically btw 😭 ->) It's just if you start to do things that are questionable, people are gonna question and it's YOUR choice how to handle it.

All this age discourse is just dumb and should be said as "anyone can join the fandom" and the thing is that we can't control who likes a certain media. And the fact that we can't control who likes that certain media is why we have strange and problematic people. And I'm not saying "let it be." Take the steps to hold them accountable too.

It's so tiring to hear adults say "Oh, kids shouldn't be in TWST" or kids say "Adults should leave TWST" in such a serious way. I think we all should just enjoy TWST and the story it's trying to tell.

Tbh there is one such disturbing topic that has been bothering me since I was 17 yo🥹

This is a topic about "adults should leave fandoms" I do not know when it started, but I saw it last year and I thought, "That is, adults... Should we leave even twst? I'll be 18 next year.. Am I going to have to do this because I'm going to be an adult?😱". And in fact, it's so wrong and unfair🥹🥹🥹 like WHY. And at first it was just a joke, but some are starting to say it SERIOUSLY. I really felt pressure and discomfort when I turned 18 and now, in a couple of months I will turn 19. Has it been 2 years? And in fact, this topic is developing and not stopping

I do not know if there are any of my followers who think the same way, but this is the topic that upsets me. Just so you know my opinion idk

[h-170]

Cockwarming g!p kkura while she's playing a game >.< !!

the most asked fic but can never get enough of!!!1!1! 😫😭🙏

also i apologize for the cringe title but ahem i didnt have any fucking ideas... also i think it looks a bit rushed?? idk 😭

✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆

“Me or the PS5?”

g!p (sub? dom? who am i) Sakura Miyawaki x female reader

Smut (+ crumb of angst?)

Cockwarming

Making out

Marking (hickeys...)

Dirty talk

Cock riding

Mentions of pregnancy (?)

Pet names:3

why does the parrot emoji appear when i type dirty talk... oh wait its just for talk oops 🦜

✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆

"Seriously, you're starting to piss me off, Kkura."

"Look, I'm sorry, I kn-"

"I don't wanna hear it!"

Well, you were fuming. Sakura's schedule was full as always and she comes home when you're asleep; you practically never see her. Until tonight, you were somehow able to stay awake – or it's just that she came home slightly earlier – and you had to confront her about this.

"I'm tired, you know? I feel like I'm alone in this house."

"I understand, Y/N. But I can't-"

"This isn't only for me, Kkura, you're tiring yourself too! Is there really no way you can-"

"No! Okay? I can't! It's how my schedule is, being an idol isn't easy!"

Her sudden outburst made you feel guilty. It's true, you were kind of selfish and wanted her all to yourself- but wait, were you selfish? You weren't seeing her at all! However, you were also looking after her, so...

You both sigh, Sakura rubbing her temples. She was tired, like you, and you had to do something about it.

"Can we... Just go to sleep? I'm tired."

You unclench your fists and nod quietly, both of you heading upstairs.

Days pass and you never really spoke about the situation anymore since Sakura's outburst was the thing that shut you up. But then one afternoon, you come back from the grocery store and enter the house to sound...? Faint music?

You slowly make your way upstairs and-

"Wha..."

Sakura, right there, on your bed, playing a game with a PS5 controller in her hands.

"Kkura?"

"Oh, hey, baby."

"Why are you home so early?"

Sakura explains that she took what you said about tiring herself out into consideration and decided to ask for a day or two off, which actually made you quite surprised.

"...so... You took days off to game?"

Sakura laughs.

"You weren't home, so, heh- I was just enjoying myself."

"Since you're here, can we cuddle, please? I missed you so much."

Sakura smiles guiltily.

"Can I... Finish this round first...?

You climb on the bed and smack her shoulder.

"Are you serious?! Sakura! Come on!"

"I'm sorry! I'm sorry! Just... Please, I'm so close."

"Close to what?!"

"Finishing!"

You look at the screen, and she's at the second phase of some boss fight. You look back at your focused girlfriend, pouting.

"So it's the PS5 you're choosing over me?"

"Love, don't be like that... I'll do whatever you want after this, promise."

You smirk.

"You know, cuddles can wait, but... I kinda wanna punish you."

"Uh... Huh?"

"How 'bout you finish that game while I make you finish inside me?"

As the boss does some long animation for a super attack, Sakura looks at you, her cheeks flushed as you pull down her pants and boxers in one go.

"You're not gonna give me head while playing, right? You're not that evil..."

She gulps, preparing herself as the animation is almost over, no longer looking at you.

"Nah, I'm planning on doing something much worse."

That made Sakura's mind 'unfocus' and she barely dodges the attack, making her heart skip a beat at the fear of almost losing to that. While she was panicking, you were already undressed, sitting on her cock and taking it all at once.

"Fuck- Y/N! You-"

"Shhh, don't focus on me now, or you might lose~"

Sakura groans, tilting her head to the side as she wraps her arms around you, controller on your back as you hug her. Your hands slide inside her oversized shirt, roaming on her creamy back, making her shiver because they were cold.

Your lips find their way on her neck, kissing the warm skin. Sakura's mouth being next to your ear made you hear every single breath and whimper and gasp and moan, literally any sound she made.

"Y/N- Since when did you become so tight?"

"That's because you aren't fucking me so often."

As the third phase begins, you hear Sakura moan as you suck a hickey on her neck then she giggles.

"So you're saying you want me to fuck you more?"

You clench around her cock at her words, smirking as you lick the mark you just gave her. You definitely missed feeling her cock hitting you deep inside your pussy, and the memories coming back to you made you feel all hot and sweaty.

"Maybe~"

You plant a kiss on her cheek, teasingly clenching around her dick. She was so focused on her game, it made you wonder how she didn't just throw her controller and started fucking you yet. She must really like her game...

Your hands snake up to her chest, and since she wasn't wearing a bra, it just made the whole thing much easier for you. You squeeze her breasts, rolling her nipples between your fingers. You just do that for a few moments, hearing Sakura moan and squirm underneath you. And then, a cutscene comes up.

"Your lips look so dry, baby."

"So?"

"How about I take care of them for you, mm?"

And with that, you pull her in a deep kiss, to which she surprisingly doesn't hesitate. Controller in one hand, she runs her second one down to your ass, squeezing one of your cheeks as she lifts you up maybe like one millimeter, then back down, as if telling you to fuck yourself on her dick. But you don't, kissing her even harder now.

"That desperate?"

"Fuck you."

It was now her turn to squeeze your breasts, taking one in hand but having difficulties to squeeze it correctly because of your bra. Unfortunately, she couldn't remove it as she couldn't risk both her hands being busy.

It was kinda funny if you think about it; both of you are just making out while you grind on her cock with random people talking in the background because of Sakura's game.

Sakura now runs her hand on your back, pulling you closer to her body as she feels you clench and clench around her nonstop. You could feel her smirk against your lips, and you couldn't help but smirk back.

It was true she might lose this game because of you, but... She would enjoy the way you're making her lose.

"You're always unsatisfied, Y/N."

"Can you blame me?"

She scoffs and thrusts upwards, making you gasp and tighten your grip around her. The cutscene was finally over so the game gained her focus again, leaving you breathless and dangerously close to cumming. You could tell she was also close by how big her cock became.

"K-Kku...~"

"Ngh- Just a second..."

"Please... Please, let me...~"

Your needy and hot voice in her ear made her gush out more precum inside you that you can assume she already came, but she didn't. All you could hear were your joint heartbeats, heavy breathing, soft moans and game sound effects.

"Sakura-"

"Y/N, just a minute."

"Please, so close~"

"Fuck, Y/N..."

"Cum inside me..."

Sakura's sick throbbed at that, and you moan at the feeling.

"Please... Please, just lose, I'll help you beat that level, you know I'm good at it..."

Well, it wasn't a lie, but Sakura stays stubborn. You jolt your hips forward, making Sakura moan.

"Damnit! Y/N, I-"

"Please, I'm a good girl...~"

You kept begging, but she wasn't listening. Just ignoring you seemed like a good plan to her, but little did you know it was so hard to ignore you.

You gave up, honestly. You knew how Sakura was with her games.

"You're really making me wait..."

"I'm gonna beat it."

"I told you I'd help you, I just wanna cum..."

"I know you don't like the game, that's why I'm beating it now."

You pause to process her words, blushing slightly. Did Sakura really just make you wait for that? Well, it was sweet, you had to say that.

And then, what seemed like an eternity, she beat the game, a golden 'Victory' appearing on the screen. Quickly, she goes back to the main menu and tosses the controller on the other side of the bed, holding your hips and slamming you down on her cock.

"Aaah~! Fuck! You could've warned me!"

"Sorry, princess, but I'm getting damn impatient here~"

Your whole body was bouncing; head, breasts, ass... The perfect view for Sakura. She loved seeing you go wild on her cock.

"So, you wanna cum, huh? Cum for me, baby."

"C-Cum inside me, please, please..."

"Aww, missed my cum? Don't worry, pretty, I'm gonna fill you up good."

Continuing her assault on your pussy, she forces your upper body down to give you a hickey as she starts grinding you back and forth on her length.

"There, we're equal now~"

You'd smile, embarrassed, meeting her lips in another heated kiss. Hands everywhere, she smacks your ass twice, full palms on cheeks, causing loud slapping sounds to echo in the room. Gosh, you loved that.

Your tongues were wrapped around one another, your lips red and sore as you continue your make out session.

"I... I c-can't take anymore~"

"Mm? Okay~"

She breaks the kiss and starts fucking you again – well, forcing you to ride her cock, actually – feeling your cunt tighten and soak her dick.

"I'm gonna fill you up real good."

She looks deep into your eyes.

"Gonna let you have my kids, how 'bout that?"

"Fuck, Kkura, give them to me!"

With one last thrust, she makes you sit on her lap, balls deep inside you as she explodes, releasing all her cum in your cunt. You cum around her, soaking her lap and dick, both of you moaning so loud, your voice cracking like crazy.

You collapse on top of her as she lays down on her back, her cock slipping out of you because you were so damn wet. She chuckles.

"Like the background music? It's really romantic, mm?"

The 'action' hype music along with her sarcasm makes you chuckle in turn.

"Definitely."

✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆☾ ✩₊˚.⋆

me and the PS5 least you know where I'ma be at night 🗣️

[rewiringtoheal]

This Pain Is Temporary

Anna x Fem!Reader

He's Just Not That Into You AU

Summary: I was watching this movie and had a lot of what if questions. What if the main cast actually all communicated with each other? What if Anna actually had some character development? What if Reader was a variation of a female Conor Barry who got a clue? And how would these differences lead to Anna genuinely falling in love with Reader.

warnings: very slowburn, angst, worse before better, eventual fluff.

You feel used. This person that you love…loved?? You aren’t really sure anymore of your feelings toward Anna. It was never simple with her. And truthfully, you wish you could go back to your blissful ignorance.

 You had been so thrilled when she told you she was finally ready to take the next step with you. A real relationship with the girl of your dreams. Having your heartfelt love confession be returned and then making love for hours was more than you ever could have hoped for. 

You now knew it was all a lie. And that Anna was a very skilled actor. In your excitement you had raced home the next morning to tell your best buddy Alex and his new girlfriend GiGi the news. After showing them a picture of Anna and you. The night of bliss quickly turned sour; GiGi hesitantly told you that Anna was the same woman that had a very recent affair with her best friend's husband. And everything the past few months had started to make sense. How Anna would constantly ignore your calls but somehow always be available when she needed her emotional needs met. And finding out that the only reason she wanted a relationship with you was because the man of her dreams wouldn’t leave his wife was heartbreaking. How could you be so stupid? And how could you be so blind to the type of person Anna really was.

You felt a hand squeezing your knee bringing you back to the world around you. You  see GiGi’s hand retreating and her eyes filled with sorrow. You muster up a strained smile.

“Well, at least I had my dream girl for a moment even if it wasn’t real. Looking back, I kinda see now that she treated me like shit but I was so lost in her. I can’t believe I was so blind to her selfishness. And now this…I don’t think I ever really knew her at all,” you say somberly.  

Alex let out a deep sigh, “Dude I don’t really know what to say. She did really shitty things but maybe she's not a shitty person. The moments you had together weren’t all fake. The parts of herself she showed you are probably real. And you can love those parts and still be hurt that she lied about her feelings for you.”

You give a weak chuckle, “You’re right..but I don’t know how to deal with this. I do still love her even if she used me. I see it so clearly now. I’m the back up plan. The person she really wanted hurt her so she chose the safe option.”

Gigi looked at you, her eyes filling with sorrow, “Sometimes people don’t know what they have until it's gone. She is making awful decisions and it’s hurting everyone around her. Deal with this by loving yourself first. I know it's hard but she doesn’t appreciate you. And only wants you when she has no one else.”

That was hard to hear but Gigi was right. You need to take care of yourself. For months you have been putting all of your energy into Anna. Being there for her emotionally, picking up her dry cleaning, giving her rides, and loving her to the best of your ability. All to realize that she never really cared about you, not even as a friend. A friend wouldn’t play with your feelings like this.  

You continue to chat with your friends for a little while longer. Eventually you grow too sad and too tired to keep up the conversation. You excuse yourself for the night and head up to your bedroom. Not in the mood to do your night time routine you just chuck off your clothes, put your cellphone on your night stand and cuddle under the covers. 

Your mind keeps turning in circles as you lay there. The happiness you had felt earlier today has turned into a deep sadness. And for the first time since Gigi told you about Anna you allow yourself to cry. As silent tears move down the contours of your face you burrow into your pillow; just praying to yourself that you can fall asleep. Anything to stop the pain. 

You briefly wonder if Gigi’s friend Janine is in the same state you are right now. You know more than likely she is worse off than you. Janine's entire life is in shambles. Her husband is awful no doubt about it but you just can’t wrap your head around Anna getting involved with a married man. Nothing makes sense anymore but maybe you never had a clue to begin with.

[giddythekitty]

A little speculation of mine regarding shifting

Disclaimer: Everything I say in this post is only what I think might be blocking some of us in shifting to not-parallels. Take it as you wish but don’t come for me because I warned you.

So, shifting.

We already know social media is an issue, lots of people talked about it before. But I kinda want to dive a little deeper.

Because yeah, social media(including Tumblr) does affect you, but why?(and also a few secondary causes)

Burnout

Usually(me personally) I spend a lot of time doomscrolling on Tiktok or here on Tumblr and looking at things about my s/o or my cc or a friend there or the likes. While it’s not exactly a bad thing to look for ‘motivation’ per se, it kills some intention to shift to that reality because you have a small substitute for it here.

2. AI chatbots

Remember, your subconscious can’t tell the difference between what you see and what you tell it you see. Same goes for conversations or movies or books. Maybe even dreams. It doesn’t differentiate between a real conversation and one with a chatbot, so again, some of that intention is killed.

3. Daydreaming/‘roleplaying’

Am I saying either of those are bad things? No. Am I saying they are absolutely terrible for you if you want to shift? No again. What I’m saying is if you do it too much it might also affect your intention and/or motivation to shift. If you need an example, I’ll give one. I like to listen to music a lot, because it’s a coping mechanism and an escape from ‘the real world’. Usually many of these songs are accompanied by scenes I make up in my head and most of the ones I personally have are related to who I am in one DR but talking to some characters from a different place. Like a crossover of the sorts. There is not a single day where I haven’t listened to at least one song.

4. Looking at other shifters for help

So many shifters have said it before and by god am I tired of saying it too, but shifting is a path of self discovery. Like a puzzle. You’re given the pieces and the final image, but you’re the one who has to put them together, not someone else for you. You already have all you need, wasting time looking for answers to questions like ‘why am I not shifting’ or ‘what else do I have to do to shift’ can become hurtful. Sure, advice from time to time is helpful, but constantly doing it won’t get you anywhere.

Your mom didn’t spoon feed you your entire life, did she? She showed you how to do it yourself when you were old enough to learn, and you had to practice on your own and build up strength in your little toddler hands how to hold a spoon properly so you can eat.

So what do all these have in common and to do with shifting?

Simple: Intention and Motivation. Your will to get there.

Now I’m not saying to stop them all together, but I am saying that they should be cut off— rationed if you will— significantly if it means those of us with said issue want to get rid of it.

Again, it kills the intention to shift. Your conscious can’t tell the difference between what’s real and what’s fake, so it always thinks seeing an edit of your favorite person is really similar to seeing them IRL. From my point of view(mine personally), intention isn’t always there.

Let’s give another example and pretend intention is sugar. Sweetness in general. If you have it sometimes, you’re fine. Maybe you want more, but it’s okay. If you take it in big quantities though, it can become an addiction and lead to diabetes or an insulinic shock.

Now pretend all those things I counted out above as the sugar. You take too much and you might end up hurting yourself at some point or just staying at the same level. Spending all day doomscrolling, looking at other peoole for help, chatting with ais and so on, all while having the ‘it’ll help me shift tonight’ mindset won’t get you too far because you’re just exhausting yourself.

And no one’s saying the change has to be instant. You can’t stop an addiction immediately because it’ll just hurt you more, but you can slowly lessen the dose until it’s minimal or nonexistent. At the end of the day you’re only helping yourself, and what’s a thousand years to an eternity of bliss?

I know this is long, but I feel it needs to be put out there. This feels like important information/advice/take it as you will, and let me know if you have questions and I’ll make sure to answer/clarify them.

Happy shifting and take a break if you need to.

[gobitobi]

Rodrick x fem or gen reader

Just some bf/relationship head cannons (and maybe some drabbles you have for him..🤗)

and ur intro is soo real making gear is so fun hard work but yk! 💗

RAAAAHH A RODRICK ASK 👹 here’s a little drabble i wrote for him a while ago, i can do a list of headcanons though soon if you want :]

enjoy!!!!

so we all know he’s not great around the people he likes, like accidentally embarrassing himself with the stuff he does or says

but when he’s talking to you about his band, he accidentally fumbles and goes “our number one song is called ‘exploded diper’”

right when he knows he slipped up, you start laughing and say “sounds like a song i’d put on repeat!”

since then he’s absolutely SMITTEN by you. he found the one who can handle his bs 😍

one day he asks you out, but he doesn’t exactly SAY that he wants to take you on a date, he just comes up to you and goes “plainview’s annual fair is opening on friday, wanna go? you and me?” and when you ask who else is going he gets all flustered and says “well, i just thought you and i could go and spend some time together! you know? get to know each other a bit more without the boys around!” but you see RIIIGHT THROUGH HIM 😭 (he’s oblivious it’s adorable)

so when that day comes around, he’s obviously super nervous.

first thing he proposes when you enter the fair is playing the games!

so he goes up to one of the game booths where he’s given three darts and he has to throw them at the balloons in order to win a prize

he does miss the first two but gets the last one!! that earns him a little beanie baby cat. he hands it to you. “i don’t really have a purpose for this,” he says nervously. you smile and thank him, moving on.

you end the night with him driving you back to your place in his löded diper van, blasting heavy metal

he pulls up to the front of your house. it’s dark outside, you’ve been out for about 6 hours at this point. it’s way past your curfew.

you’re just about to get out of the van when rodrick grabs your wrist, stopping you. “wait, i, uhm…” he starts, but his voice trails off. he just stares at you. his grip on your wrist loosens. “actually, never mind. goodnight, [name.]” he sets his hands back on the wheel and looks forward.

you suddenly feel a surge of confirdence come over you. before you hop out of the car,  you grab his chin between your thumb and pointer finger and pull him towards you, kissing him lovingly for a few seconds. you pull back and smile. “good night, rodrick. thanks for taking me out,” you say before you hop out of the van and walk to your door.

he’s STUNNED. the whole drive back to his house seems like forever because he can barely focus on the road.

you… just kissed him. you, the person he had been crushing on since he first laid eyes on you. you made the first move. god, it was a dream come true for him.

he comes into his house with a stupid grin on his face. “welcome home, Rodrick, how was the fair?” susan asks. she’s in the kitchen cleaning up after dinner. rodrick just says, “oh, uhm… it was great. had a great time. i’m tired now, so i’m gonna go to sleep. good night mom.” he kicks his shoes off at the door and darts up the stairs to his room.

at the top of the stairs, greg stands outside of his room with his arms crossed. the brothers make eye contact for a few seconds before greg speaks. “you kissed [name,] didn’t you?” he asks. rodrick lets out a grunt as his response as he stomps into the attic, aka his room.

for the rest of the night, he lays in bed, unable to sleep. he’s SO excited to see you again. to kiss you again.

[sweetbunpura]

This is just my personal thoughts but, I think the reason why Skully seems to be the most popular and liked Halloween Event character so far is probably due to ..a few things.

Out of the three, the character he was twisted from is the least controversial. A lot of people love Jack! ...Can't really say the same of Frollo and Honest John.

Out of the three, Skully's event probably had the lowest stakes. Rollo was trying to removed magic from the world (a fundamental part of Twisted Wonderland, which would not doubt break a lot of things and do a lot of unforseen damage to a lot of innocent people) and Fellow and Gidel were human traffickers turning people into literal puppets. Skully was just a teenager throwing a tantrum over the fact his idol didn't want to do his favorite holiday his way. While he did do some ..morally questionable things, compared to what Rollo and Fellow did, it was kinda small potatoes.

His appearance has a much wider general appeal than Rollo and Fellow. Pretty privilege is a thing that exists.

Skully had actual, tangible character growth over the course of the event and managed to.. somewhat(?) befriend the boys after his meltdown, while Rollo remained stuck in his ways and Fellow and Gidel kinda just.. fucked off after they nuked the park, which was understandable. He even enjoyed himself so much he wanted to celebrate Halloween with us next year! ..Which just made the ending feel even more like a gut-punch. Here we were making a new friend on Halloween and we'll neither remember him nor see him ever again. 😢

Skully had a lot more one-on-one interactions with the player character than either Rollo or Fellow, which also probably helped increase attachment. I mean.. we woke up in his arms at the start of the event for Christ sake...

Mystery. We know why Rollo and Fellow did the things they did and why they hold the views they do. That is not fully the case with Skully. While we know why he wanted to what he did (he wanted to prove that his Halloween was the right way to celebrate), we have zero clue as to why he holds the views on Halloween that he does. Why did he think the only correct way to celebrate Halloween was to sit alone in a dark room in complete silence with no candy or decorations or anything? We just don't know and we will probably never know. Which just makes his character so intriguing. They do say that less can be more after all.

He's still new-ish, people love new things! So maybe some of his popularity might wane over time, but not anytime soon, I think.

There might be more that I'm not remembering at the moment or too tired to see, but that's all I have for now. Thanks for coming to my Skully TedTalk 😋

Oooo~ Analysts of Skully.

Well, just by seeing the picture of him caused everyone to cling to him and I was like "Whose this dweeb?" Then I saw his eyes.

THE BOY GOT THEM SPIRALS

AND SKULLY'S JUST A DWEEB AND A DORK AND A-

Skully is the one I do wanna know more about the most. Cause I just fell in love with what I saw from the JPN screenshots

AND HE'S SUCH A NERD!

[saiintvalentiine]

hello............ loyalty duo werewolf au..................... im gonna start posting bits and bobs here and there of things ive written that dont really have anywhere else to go. no promises on if this will be continued, but i. i do love me some werewolves........................ divider

Warnings for vague descriptions of injuries and implied torture. The writing and editing is kinda rough, sorry for any major errors :')

Wordcount: 1,087

“Werewolves don't exist,” is what the voice says. “What the fuck, werewolves do not exist!”

The muzzle hurts. It's too tight for his face. But he doesn't move from where he's laid, a bloodied heap slowly healing from his wounds. Every full moon he's dragged into this bedrock room after his fights, and every full moon he tries to escape while adrenaline is still flowing through him, and every full moon he suffers the consequences of thinking they can’t possibly stop him this time. He's too tired to fight this new voice, their scent uniquely cat-like and hovering above him. His eyes are too swollen. He's cried quite a bit. It's hard to stop when he's like this.

“Shit, I guess werewolves exist. Fuck. This isn't what I thought was gonna happen when they said there was dog fighting.”

The voice hovers closer, and he tries to shy away. Something is— broken, probably, in his leg, and his claws are cut through the quick, but he tries anyway to press against the wall.

“Hey, hey hey hey, no, I'm not gonna hurt you,” the voice pitches down, softens, and the part of his mind that can't bear another moment of cruelty forces a whimper out of his mouth. “Oh that's— I'm not gonna hurt you, I'm here to get you out, yeah? We're gonna leave. We're gonna leave riiiiight now, right now, I scared everyone else out, it's just you and me now.”

He's not sure he believes the voice, but beyond the walls, there is a terrifying, blessed silence. Whatever this voice did to everyone else, it could probably do to him. He's in no shape to fight it off.

“Hey,” the voice is even quieter now. “It said outside the door that your name is Wifies. Is that you? Wifies?”

He recognizes the name as the one they call him when he's not like this. He can't make any meaningful noise with his muzzle on, but he tries for. . . a purr, something in his chest that isn't a growl.

“Okay. Wifies. Okay Wifies, I'm Ken. You look too big for me to carry, so we need to work together to get you out of here, yeah?” there's some rustling, and Ken curses. He can't help the way he curls up further. “I brought all my escape kits but not a single healing pot. I'm an idiot.”

Getting up from his curled up spot sounds impossible, but his nails are already growing back in as jagged spikes, so he knows he can do it. He struggles to get his arms beneath him, hoisting himself up after a few false starts. Using his good leg, he twists around to sit and lean against the wall. That little bit of effort has him panting, or panting as much as he can within the metal restraints of his muzzle. He peels his eyes open, ignoring the sting.

“Hoooooooly shit,” Ken mutters, staring up at him. He's a head taller than Ken like this. “I definitely can't carry you, my God.”

Ken is dressed in all black, a brown strap across his chest and a bag hanging off his back. He's a cat hybrid, which explains the smell. His ears and eyes and whip-thin tail are split between a candied green and a golden orange. As soon as his blood stops rushing through his ears, he can hear Ken's heart beating, fast and skipping.

He can't make himself any smaller if he's meant to walk. He lowers his head and puts his ears back.

“Nooo, no no no, it's— you make yourself very small very well. Um, okay, let's— how am I gonna get you out of here?”

His bad leg still hurts, but if he can leave. . . He digs his palms into the bedrock behind him and pushes himself to stand. His weight, as paltry as it is for a wolf his size, causes his bad knee to buckle. Ken yelps. He withstands the shaking, burning pain of it to stand up properly.

“They don't chain you up anywhere?” Ken asks, eyes darting around the room. “I've got a netherite axe. I could definitely split any chain.”

Chains were no good. Once his nails grow back, they're easy to shred. He stares down at Ken.

“Jeez, you're huge, good fucking grief.”

He lumbers forwards towards Ken, and the darkened double doors of his cell. Ken takes a step back, then another, then turns around to push the doors open to their absolute maximum. He hunches over to squeeze through.

The hallway is just as dark as the cell, uninterrupted bedrock as far as he can see.

“It's a bit of a labyrinth. Just follow me.”

Ken hesitates for a moment before weaving his way through the halls. He follows, a loud, thudding, limping pace that should have alerted every single creature around to his presence. But it's just Ken’s feather-light footfalls and him. Whatever Ken did to clear the place out was absurdly successful. 

As they turn another indistinct corner, he sees— moonlight. It pools onto the floors, sweet and cool and calling to him. There's a hole blown through the bedrock, the sparkling smell of redstone surrounding it, and he scrabbles around Ken to squeeze through it. Tumbling onto soft, dewey grass (grass, real grass, when had he ever felt such a thing?) he loses all strength and lays on his back, staring up at the full moon.

She's so huge. He's never seen Her before, had just known when She was full or new in his core. But here She is. She is huge and beautiful and he feels, for the first time ever, at peace.

Ken hops out of the hole and steps closer, crouching next to him.

“Hey buddy,” Ken says. “Do you think I can take the muzzle off?”

He shakes his head, then growls for good measure— a soft growl, low and short to not intimidate Ken too much. He can't explain that the muzzle was put on when he was smaller, that it can’t be removed when he’s like this. Or, it can, but it’ll hurt so much he might cry again. Better to let Ken believe that it’s impossible, just in case.

“That's a no. Okay. Well, we should probably leave soon before anyone realizes anything,” Ken looks up at the sky before swinging back and sitting down in the grass, sighing. “But I don't think sitting here for a little longer can hurt.”

Wifies purrs and basks in the moonlight.

[gamebunny-advance]

Sorry~

I feel like I've been doing a lot of b*tching and moaning lately, which aren't really the vibes I wanna be putting out (at least not without balancing it out with stuff I'm actually happy about).

So here are a couple of things that are kinda cool for me~

I recently had to get a new phone because my old one was very close to exploding (the battery was swelling). I don't really bother with top end models because I hardly use my phone except for texts and calls and looking up coupons when I'm shopping. But even nowadays, a relatively cheap phone has so many new features~

I won't use most of them, but it's cool that they're there, and I always have fun setting up new tech with all my customizations~ (Even though I don't use it much, I still want it to be cute!) I'm mostly just happy that the camera is an upgrade, so my photos won't be as shitty.

(New | Old)

Well, a better camera isn't gonna do anything for my lack of photography knowledge, but at least the pictures are a little clearer (The color balancing is still off, but I'll figure it out eventually.)

Also, kinda excited about a newish OC that I thought of.

Right now I'm calling them "Mascot Businessman" or "Yuru" (named after "Yuru-Chara") but the details aren't finalized. I don't like any of these mask designs yet, but I think the title is more or less self-explanatory: it's a businessman that wears a mascot head everywhere he goes. At first, it was just gonna be the one head, but I like the idea that they have different ones for different moods.

It's a simple idea, but somehow I'm actually pretty excited to work on them, which I haven't felt since I made Kun3h0~

I'm torn between leaving them as an actual mascot type character - they only exists for single pieces of art - or if I want to actually develop their story, because I do have an idea for them being paired with a coworker that's constantly trying to catch them with the mask off even though no one else in their workplace seems to acknowledge it. It's really about boundaries and accepting the strangeness of other people to live a happier life, but I dunno if I wanna go that deep with it.

I called them "newish" earlier because strictly speaking, this is a theme that's appeared in my work before.

A LONG time ago, I think even before DSYNC was conceptualized, I had an idea for a rogue abandoned 1010 that wore a mascot head because he lost his old one. Anyway, I'm pretty sure that that idea was what eventually turned into DSYNC B-Side.

There's also The Prince Formerly Known as Frog, who also has a big mascot head, but the execution for him is kinda different (he's supposed to be a guy stuck midway in a mascot costume and his original clothes because his curse was only half broken). And I don't draw him that much anyway~

So I consider Yuru to be an evolution of those ideas.

Hopefully I'll have some finished art of him soon after I figure out how I want all their heads to look~ (Because otherwise it really is just someone in a business suit.)

[screwpinecaprice]

They won the lottery and inspired by Mr. Greg, they spent it all in one day by committing identity fraud.

Idk I took a second job and my brain is so fried right now. 😭

[goldensunset]

joining the war on autism on the side of the autism etc etc

[spotaus]

YEAHHHH!!!!!! >:D

Ancha I am SO glad you liked it because. Ough. I started writing it at like 11 at night and just. Kept going??? I was so so pumped!!!

I'm gonna try and follow where you went with the ideas, gimme a sec-

Okay so, yeah! Nightmare, at this point, views the training has his relax time! Kinda how someone can spend all their time doing work, say writing reports, and still enjoy writing stories in their free time! It still challenges him and interests him, but it's in a way with low stress. His knights can improve inch by inch now that their foundation is stable! And the training room is one of the most secure rooms in the castle, thanks to reinforcing it to withstand magic attacks!

And I really really wanted to take on idea of each of the guy's strengths! You got it perfectly so I'll try not to linger, but I kinda wanted to run off that original idea I had for the Knights knowing eachother and being in sync, but now it's more fitting to their personalities since I've gone into more depth with them! Killer has greatly influenced the others, in the way they fight and the way they act on the battlefield. It's like setting loose a feral animal on all these Knights who are Not Ready for dirty fighting. (Dust was used to diplomatic scuffles gone wrong, usually with the use of enchanted weaponry, Horror just. Did not fight prior to this. Abd Cross, as mentioned, was a muscle-memiry routine combat kinda guy!) And in the same breath, Killer learned from them too! Night might be their mentor, but Killer was committed to being a good influence on them, even if it didn't register to any of them-

A lot of that was also me trying to get a grip on how they'd behave in such a space alone with Night. Killer the most relaxed, Cross the most nervous, etc! And the little banter between them was fun!! (I also was trying to use technique I learned recently so combat reflection was a good opportunity for it, haha!)

One of my favorite bits in the beginning I think was, like you mentioned, Nightmare making sure they left training on a high note! I took the idea from your Q&A drabble actually, when u mentioned Night looking for ways to better keep hold of his knights? Yeah, he ensures to be even more vocal about what he noticed everyone doing well, just so they know! And Cross takes the praise the best visually, but he can tell the others at least seem pleased by it <3

Lastly!!! Yes, the bed-time was meant to be sorta a hint to the incoming turn of events, but it's also just meant to be a cute lil cameo too!! I think a few things never quite left his habits (like, his body getting more tired around Bedtime even though he regularly skipped sleep all together anymore) because. Y'know! Adult body still has Kid Night in there running the show! And because of the weird suspended state of his mind, it left him with odd quirks!

Okay, okay, hearing that you enjoyed the drama bit makes me SO happy, because this time I wanted to go with sonething that felt a bit more Nightmare-accurate. Night was always a quiet kid, a fawn rather than fight or flight, he kept his emotions tight to his chest because so few people cared in the first place. So, when his magic (the thing that made his moves for him, before he could freeze up or downplay or smother his feelings) Leaves? He's exhausted, and confused, and scared, and frankly out of it. He fawns again!

And the magic leaving, this time I wanted it to feel like it was in a moment of lull, no tension, no stakes (aside from a stinky Killer) and no sign for Night that anything was wrong. It all just dipped at once, and as it left his awareness it left him dizzy, disoriented, and!!!! I'm glad that you caught that he couldn't feel anything because the magic refused to work with him anymore!!! So the normal input didn't transfer to him!!! That weird lack of senses was also sort of my excuse to let the Knights start freaking out! Because idk how clear it was (intentionally not very if I did my job right lol-) but when Night's balance starts to screw up, Killer turns around. But it's Night initially who reaches out and grabs his arm, and then Killer has indirect permission to support his weight further and grab hold of him! Night subconsciously reached out to Killer, even if he didn't realize it in the moment. And ofc that's Killer being like 'oh that's not normal'.

And!!! Like in the og drabble, Dust goes on high alert immediately, but this time Cross and Horror hesitate! There's a part that Nightmare misses where Horror expresses worry and suggests he should grab the first aid and take a look, and Killer tells him no. Because Night (in that moment) is unresponsive, and Killer doesn't think Horror coukd help even if he tried. He might make it worse. And Horror tries to press his offer, before Night comes-to again to hear Killer snap at Horror to get Ccino! And like you said, Killer has no idea what's happening, but he's sure if anyone could help it would be Ccino! And in the meantime he just tries to keep Nightmare close, keep him steady. He doesn't like it one bit, but he knows he has to keep watch because Dust doesn't sense/see anyone, and Cross doesn't either as he guards the door!

And, ofc, Killer was horrified to find what was basically a babybones in his arms when all the goop left, but he was also shaken because. Well. That's the Prince from the tapestry. Night doesn't make the connection, but he'd seen images of Nightmare a few times, abd certainly images of his twin, enough to recognize that. Yeah. That's the same guy. And he can't explain it, but since Dust chimes in with magic loss, Killer makes some leaps in judgement. (Also!!! Dust isn't good with magic usually, but Nightmare's was so impressive it was always looming. The moment it was gone he spoke up. He's also OBNOXIOUSLY familiar with symptoms of magic loss. For. Obvious reasons 🙏)

Nightmare, in his fawning, couldn't decide whether the voice in his head reminding him that these Knights were kind, loyal souls was right, or if the instincts telling him to get away NOW were winning. He compromised in the firm of 'can't really move anyways so I'll sit here and be scared'.

And!!!!! I'm glad u liked Killer telling Cross to hold onto the magic! Killer's smart, and a fast thinker, and Cross was the nearest thing with any chance if keeping his king from??? Melting??? And to Cross' credit he DID grab it! He did great! (He feels awful about it after because from what *he* saw, it didn't help. It did! He just doesn't know!)

And. Ccino's piece in this was probably the part I was least certain on. Because Ccino assumed the Knights somehow set Nightmare into one of his worse episodes. Or, worse, he worried Night accidentally hurt one of the Knights and panicked. Horror was pretty vague about why he needed to hurry. And Ccino gets there and- well.

He hasn't seen that little skull in seven years, and it's got a big crack, and it's trembling, and one big eyelight is looking up at him. Nightmare was always his little brother, and yet all at once his instincts kicked back in. This was no powerful bomb waiting to be nudged just too far before exploding, not some otherworldly tyrant. This was his Nighty, somehow back to the way he was the day he protected his twin and swore into the prophecy. This was HIS Nighty.

So, for the first time in a while he drops pretenses. There's no effort to hide him away, Ccino knows well enough that trying to remove Nightmare from the Knight's vision right now would possibly get them both in hot water. So he does what he can, throws open his arms, and coddled his little brother tightly. So, so tightly. He has no idea how, or why, and obviously it's the same Night who'd spent the morning writing laws, but it was so surreal that he just had to get him close!!!!!

And Night, yeah, he just feels safe with Ccino, and irrational mind running off of a huge magic-drop? He deemed Ccino's arms a perfect place to shed some tears and then pass out-

If I had to do a follow-up it'd definitely be either a Ccino or Killer chapter following either the moment Night is free of the goop (Killer) or the moment he enters the training room (Ccino) and then the conversational aftermath! (I also think they move the whole party to Nightmare's room eventually, and somewhere along the line Dust brings up that lighter foods might help-) just lil silly details haha! But it's basically a force of nature making the Knights and Ccino agree to a pact of sorts just to agree to help Nightmare. He's still the king. He's just... young now. Again.

Okay I got a lil wild but- I'm just so so happy you enjoyed it!!! A healthy balance if shenanigans for the boys, panic for Nightmare, and an unexpected surprise for Ccino!!!!

New Age AU (The Magic Retreats)

Hi guys!!! So, I wrote this one in a fit of passion, but here's a brief take 2 on the most important chapter of the fic and the first one I posted! (In which Night becomes Tiny again :] ) As always this drabble is unedited and un-checked so uhh. Good luck!

(HI @ancha-aus , @papiliovolens , and @mutzelputz welcome back!)

   The days felt like they were growing longer again. Maybe it was the change of the seasons, or the workload ramping up again making his nights bleed into his mornings. No matter the case, Nightmare was lucky to have moments of rest from his endless piles of debts and taxes and laws and requests that were strewn all about his office. They were nice, neat, piles now, but they seemed to be an endless cycle. He'd solve one problem and it would result in a new report of catastrophe somewhere else.

   Often, he wondered whether it was that his Mother's ruling style had truly worked, or if she'd ignored it. After all, she'd been a God amongst mortals, why would she care for a few challenged livelihoods amidst her paradise?

   The sharp clash of metal on magic drew Nightmare's attention back to the present. Against all odds, he'd managed to convince Cross to start training his sword again. When Cross had first started getting lessons to properly control his magic, harnessing even whisps of Nightmare's own spells on occasion, he'd quickly neglected his physical training. Over the last few weeks, Nightmare had voiced his worry that Cross might find himself up against another foe like Dust. One who he couldn't simply control. He needed to re-learn his old battle tactics. Only then, he'd promised, they would move on to harnessing both at once.

   So, now, he was sparring against Horror in the training room. Nightmare sat off to the side on the benches, Dust and Killer on either side of him watching intently. Two of his tendrils hovered readily before him, ready to pounce to intercept any wayward attacks or truly dangerous intent, though he trusted his Knight to not put his newest comrade in any real danger. The other two tendrils lay lax behind the bench, curling comfortably beneath where his other Knights sat at his sides.

   These were the sorts of daily distractions he enjoyed. Which pulled him away from the stress of the papers and the outside world. He could focus solely on his charges and how best to help them. They helped him so often, he just wanted to return the favor.

   His eyelight followed the movements, as Horror stayed more or less right on Cross's tail. His axe swung slower than normal, and it was obvious he was taking the training seriously without giving Cross a heart-attack from the force of his normal blows. It wasn't often Nightmare allowed them to pair up precisely because of that. Horror had no magic for Cross to control, none that would help him at least. Meanwhile, Horror's brute strength could snap Cross like a twig if something were to go slightly awry.

   A swing of the axe, Cross's longsword cracking against the handle as he blocked. A push-off, sending Cross back a few steps before he swung. Missed. The axe was on him again, this time towards his side. Cross jumped over it, swung his sword. Missed again. The axe came in again, from above. A narrow block, one which forced Cross to his knee, before Horror let up.

   Horror was simply a marvel of physical combat. He hadn't been a good fighter when Nightmare met him, but he'd learned very quickly. From watching the guards, from listening to Nightmare. Though, Nightmare was almost positive Killer had actually been his biggest influence. Killer, the cockpit, single Knight at that time. He'd taken Dust under his supervision at the time, practically heading the dismantling of the crime rings Dust knew so well all on his own. Meanwhile, Nightmare was working with Horror to understand how to fix the farming situation across the kingdom. Once things settled, and Nightmare expressed interest in having Horror stick around, it was Killer who showed off in combat training. Horror spun off his feet and pushed off his hands in the way expected of a much smaller, leaner, monster. Very similar to how Killer fought when he was playing around.

   It was evidently too unfamiliar for Cross. He'd been taught formal swordplay, but here in this kingdom? That was about as useful as playing with a slingshot and trying to operate a trebuchet. It seemed similar, but it could only get one so far.

   Cross had been steadily improving, of course. Just a year or so ago, Cross had been besting all the rest of the royal guard out on the training field. But placed against Killer, the best of the best at practical combat, no holds bar? He'd fumbled. Now, Nightmare knew Cross could hold his own against his proudest Knight. That meant a lot in such a short time. Pride filled his chest at the thought, as he watched the two of them clash again and again.

   He knew his time was running short for today. He'd had Dust and Killer work on their team-building and attack him earlier on in training while Cross and Horror were warming up. As he already knew, they were chatty, but very efficient in their coordination.

   "On your left!" Killer would call out. Dust would simply duck as Killer instead vaulted over his head as though emerging from the shorter Knight's shadow, knife in hand, glowing red with energy.

   Killer's use of deceptive verbal cues was a talent he'd come up with all his own. Nightmare remembered him pestering Dust over it every dinner for a week after he'd first thought of it. Dust had seemed annoyed at first, but Nightmare could tell after the first session of them trying it out, against him? He'd been unaware, and if his magic didn't work separate from his mind on occasion, they would have gotten him in the first two minutes.

   They'd used it again earlier, and even after several years it still kept Nightmare on his toes. He figured that was why he felt tired as he watched the two locked in mock battle before him. The cognitive challenges did tend to make his socket heavy with sleep. And he hated to admit it, but he always knew about when to end their afternoon trainings, because it lined up with when his mind would start to lag. Even years later, his body still seemed to respond to the familiar draw of a long-discarded bed time.

   He'd let them exchange a few more blows, before calling it off and ushering them all off to clean up before dinner. Even if he knew only Cross and Dust would go wash up. Horror would go change out of his training gear into clean clothes, he hated to look messy at the dinner table, abd Killer would simply stick to his side like glue.

   It never was a point of complaint, he appreciated the commitment, but sometimes he really did wish he'd at least take a moment to swap clothes. Sometimes he tracked all sorts of dirt and scraps of magic out of the training room and into the halls.

   Mm. The clashing seemed to have reached a rhythm. That meant Cross had gotten familiar with Horror's movement patterns again. It never lasted long, Horror was very adaptable, but it did mean that Cross would be locked into the stalemate now, or it'd be an easy defeat for Horror. Better to call it now and send them off with a bit of praise. They never ceased to impress him, they'd all grown so much.

   "Alright, end the match." he called. It didn't take hardly a moment for the order to register after his voice carried to the two monsters.

   Cross was the first to pull away, with Horror letting his swing fall short and his Axe's momentum swing up and into the air. He caught the grip and almost immediately stuffed it back into its own holster along his back. Cross sheathed his sword, and while a bit out of breath, he still grinned triumphantly and bowed amicably to Horror. Horror returned it with a nod. Their little ritual.

   "Wonderful work today, all of you." Nightmare announced, his front two tendrils slinking back to his sides as they no longer had danger to be hyper aware of. To defend against. "Tomorrow, I want to see you two spar again, I believe you are making great leaps in progress, Cross. Dust will provide you both with terrain obstacles in the form of erratic magic attacks to simulate a more turbulent battle field and provide Horror with more opportunity to practice dodging." The suggestion seemed well-recieved, and Nightmare let his good eyelight turn to Killer, who sat grinning beside him. "Killer, you and I will be doing more endurance training for your magic."

   "Looking forward to it, my Lord," Killer replied.

   That made Nightmare chuckle a bit. Once upon a time, Killer would tense up at the premise of magic training. Then, as he grew bolder, groan at the mention. He was not proficient in the sort of magic Cross, Dust, or he himself relied on, but his preferred weapon was a knife or two summoned by his own soul. Since it was magic, Nightmare insisted he learn to better sustain and alter it rather than letting it atrophy in the wake of his extensive physical training. Now, seeing him grin lazily at the idea, not a worry weighing on his soul? It made Nightmare feel a lot more justified in making the rambunctious Knight do the more "boring" practical training.

   "If we understand what to expect for the afternoon tomorrow, then you are dismissed. I will see you all at dinner," he declared. Humor filled his chest at the warmth which rolled off his knights at the mention of food. Dinner was always cooked by Ccino, and Ccino was the best cook. Nightmare would know.

   He watched as Cross gave a little salute before he turned on his heel to begin to follow Horror's lumbering gait towards the heavy doors separating this room from the hall. The newest Knight's voice was quiet, but excitable as he started to reflect on his techniques to Horror. He always debriefed after a training.

   Beside him, Dust swung forward off the bench and landed silently, already moving to follow the other two. His body-language always seemed disgruntled, and his expression was hidden under his darkened hood, but Nightmare knew he was pleased with his work tonight. Content with what he had accomplished.

   "Cross is gettin' a lot faster." Killer's voice was calm beside him, and Nightmare followed the other's hollow gaze to where the other three were discarding their gear, hanging it up on the racks near the door where they always stored the supplies.

   Four spaces, one for each knight. Killer had gouged his name into the wooden base of his own years ago.

   "I agree." Nightmare let one of his tendrils wrap at the ground around a leg of the bench. "It helps that he is eager and willing to improve on his skills. And that he has others to lean on as he continues to learn."

   Killer's scoff quickly devolved into a laugh at the thinly veiled praise. It wasn't unusual of him to slip it into conversation. A quick, gentle nudge of praise. Acknowledgement and appreciation. Killer had heard to most of it, and Nightmare often worried he'd find it insincere.

   As far as he knew, he never did.

   "You should go put up your armor as well." Nightmare suggested, nudging at Killer's back with a tendril.

  

   "Yes, sir." Killer chimed, the sharpness of his laughter still on his tongue.

   Nightmare rose simply, and Killer pushed off the bench with a quick hop. His feet planted, and Nightmare waited for him to take a step towards where the others were before moving to follow. It felt right, to see them all in one spot. Relaxed.

   He moved to follow Killer's quick steps, only... All at once his vision seemed to double, and he halted himself. He could feel his tendrils lash out, moving to stabilize him against the floor of the training room. He still stood upright, just barely, but it seemed all his balance had left him. Instinctively, in a fit of habit, he shut his good socket and took a moment. The swaying feeling he was gripped by, even after a deep breath an counting to five, did not fade. The darkness which usually seemed to calm him only seemed to make the swaying worse. He could not tell if the motion was coming from him, or I the ground beneath him was shifting like the deck of a boat. Without his vision he couldn't orient up versus down, let alone find his stability again.

   Opening his good socket provided him with orientation, though his vision still danced and swirled. He was looking down, down towards the brick ground, from the space behind his palm. When did he place his hand to his socket? The view included his legs, which he recognized now were shaking, and his tendrils which were trying to hold him in place.

   And...

   He jolted at the contact he could see but hadn't felt in the slightest. He skull reeled up so that he could see who had touched him. One hand on his elbow. The other- when did he grab Killer's arm? When had Killer turned around to look at him? Why was Killer looking at him like that?

   It was Killer, who had ahold of him, though he couldn't feel the Knight's touch, and he couldn't tell if he was gripping the other's arm at all. Though he was, he could see it.

   His vision warped again with the quick movement. A desperate bid to look past Killer. Was there a threat? The blurry form of Dust shot past him, he thought. Horror and Cross still seemed to be by the door.

   The ceiling. Why was he looking at the ceiling? No, wait, the floor now. It grew closer, in the space between himself and Killer, as the opening for him to see it grew smaller. Then he couldn't see it at all, his vision replaced swiftly by- training gear. The leather smell invaded his senses as the rest failed him. He couldn't feel Killer, though he knew the knight was near to him. That, as far as he could tell, Killer had caught him. That he'd sunken to the ground under his own weight.

   Why?

   His socket wasn't being helpful. It seemed, from what he saw, that his tendrils were trying to melt away as they moved errantly to slap onto Killer's back or the ground beyond. Surely that wasn't right? His tendrils had never wavered. He shut his socket again, letting his skull sink into the training armor again.

   It didn't occur to him for a few moments, that he couldn't hear his knights, until he suddenly could.

   The voices were loud and grating, breaking his wobbling darkness once again as he tried to force his socket back open. What was wrong with him?

   "Horror, I said go get Ccino! Now!" Killer. He'd know that voice anywhere, though he didn't like the angry tone. Like fire spitting from his tongue seemingly right above Nightmare's skull. "This isn't some sort of test, I- I don't know what this is. It can't be good."

   Nightmare tried to reach out. Not physically, it felt he still couldn't control his limbs. No, he tried to sense. Did the others know what was wrong with him? Was the rising panic in his chest originating from his own emotions or theirs? Had... had one of them done something?

   No, it wasn't them.

   "Shit." Somewhere behind him, he heard Dust's voice hiss. "His magic levels are dropping. And fast."

   For a second, Nightmare was stunned. What did he mean his magic levels were dropping? Though, it made sense. Somewhere deep in his chest he could feel it, the swaying motion as his magic tried to peel away from his bones. He-

   "What do you-" Killer still sounded frustrated, and he too spat an expletive a moment later.

   Nightmare, for the briefest moment, thought he felt touch again against his skull. He let his blurry socket fall closed again, the vision only worsening as his magic rocked with unseen waves of revulsion.

   "Cross, try to grab his magic," Killer ordered.

   The familiar splattering of the young Night would've been comforting, if the suggestion didn't fill him with dread. Killer knew better than that. They'd agreed Cross could only touch on controlling his magic. Nothing more. It was too vast.

   "W-what! I- I shouldn't-" Cross attempted to stammer a defense, but Killer was quicker with words. Always had been.

   "Just try. Now. Hold it in place and see if it stablizes." The command was a lot more controlled than the previous one, but his tone was leaving no room for error. "When the King and Ccino are unavailable, I'm in charge. Listen to me."

   Nightmare had never heard Killer take charge in such a way before, and in his haze he might've written it off as a product of his imagination. All of this being some sort of weird hallucination. But he felt the invasive force of Cross' magic snake over his bones.

   He'd felt it before, a sort of blanket or hand-hold aimed at the ends if his tendrils which could make them twitch a bit with Cross's own will. This time he felt it creep up the length of his spine and dig unseen claws into his shoulder blades. He could feel it, just like he could now feel Killer's chin and shoulder, where his skull had been tucked. He could feel the hand supporting his back, the other his side. He felt limp as the forceful magic washed over him.

   Nightmare gagged.

   Cross's magic caught on something, like a hook finding the fish, and for a brief few moments, Nightmare felt like he had a ball of gunk in his non-existant gut. Something heavy and feral, trying to escape.

   For just a moment, he regained a breath of awareness. He felt his Knight supporting his weight, he felt the nakedness of his back where his tendrils had completely abandoned him, he felt the emotions of the three still with him. Fear. Confusion. Anger. He didn't like it much. He still couldn't move his limbs.

   And just as quickly as it was stable, the hold on the wild magic slipped away. Like the fish had broken the string.

   It flowed up, like the force of a dam finally released. Through his ribcage, past his shoulders where Cross's magic seemed to dissipate all at once, into his mouth.

   Nightmare regained some semblance of control over his body at that moment. As the magic seemed to rush towards freedom. He shoved away from Killer all at once, the chill of the stone hitting his palms heavily and his socket opening if only to watch as he lost it. That dark, thick, sticky magic that had marked him as a bad omen. That had gifted him the power to rule in place of his twin. Protect those he loved.

    It spilled to the stone before him, and he was stunned to watched that, as he heaved suddenly labored breaths, it sunk away. Disappeared. Just like that, instead of his familiar darkness, the protective shield, the instinctive defense he had grown to know, he was staring at the floor. And the space in which his wobbling arms hid under too-big sleeves, and from the cuffs escaped perfect, pearly-white bone. Bone he could never seem to reach no matter how hard he scrubbed with water and soap. Bones that seemed so frail in the torchlight.

   "My king?"

   Nightmare let his eyelight raise from the ground. It wasn't as wobbly anymore, his vision slowly coming back to normal. He still took his time trailing from the ground, to look at Killer's pants. He was on his knees, hardly an arm's length away. Then the edges of his chestplate. His arms were outstretched, hovering barely away from touching Nightmare. He shook at the closeness, but didn't dare try to move. Killer's soul was wobbling. Nightmare's boww furrowed at the sight. It was very small, but he'd always notice the little changes and moves. Though, he noticed an absence of something at the back of his skull as he stared. Something missing.

   Killer's face was last. He looked serious, his dark sockets not a new sight, but Nightmare hardly saw Killer so serious. He'd seen the look before. Usually when he'd see someone bothering Ccino. It had always been brief, quickly disguised under his patented sadistic grin. Killer just watched him now. As though he was sone glass sculpture ready to tip off the end of the table.

   He hated, as he stared, that he couldn't- he could feel-

   He tried to shift, to whip his head to look for the knight he knew should've been behind him. And he was right, of course. A glimpse of Dust's shadowed skull and tense body-language told Night he was on high-alert, but Nightmare hadn't been able to feel him. Hadn't sensed his presence at all. No emotions, no aura, no nothing.

  

   "Woah, steady!" Killer yelped as Nightmare felt himself tilt.

   Looking up at Dust had disoriented him. The weight distribution was different now. His body listed to the side, and he flinched when arms wrapped around at his sides and tugged his upper half onto soft fabric. Killer's legs. Killer had caught him.

   "My king, Nightmare, it's you, right?" He sounded the same. Something told Nightmare he was uncertain.

   "Y-" His attempt to speak was short-lived. His voice wasn't right. It was high-pitched and raw. All the rumble and low tones entirely missing. He couldn't be sure if he stopped on account of keeping his pride alive, or if he feared speaking in a voice he hadn't heard in years.

   It didn't help that he couldn't feel them. No matter how much he tried, the only feeling in his chest was his own solitary anxiety. Balling up tighter and tighter, an old friend come home again. If he could tell what they were thinking- if he could know if he was safe...

   He bit back his panic, holding in the weakness which was threatening to give him away. Though, what else was there to give? If he was right, then the prophecy had finally rejected him. Left him as an offering to a pack of wolves.

   Nightmare knew he was shaking, but some irrational part of him thought that if he kept his socket shut that this would all be some absurd night terror and he'd wake up cozy in his bed, or exhausted at his desk, or maybe passed out on the floor. Somewhere else. Anywhere else.

  

   "What's wrong?" That voice was deeply familiar, and all at once Nightmare felt like he had a surge of strength. "Why did Horror rush me back here? Where is our King?" It was Ccino. He sounded more frustrated than anything else, but he didn't need to feel his emotions to know the rise to his tone. The worry buried there.

   "We finished training and everything was fine," Killer explained, tone as even as he could muster, "But when we were on our way out, he just collapsed."

   Nightmare pitied him, having to tell Ccino any sort of bad news. Nightmare didn't think as he attempted again to shove himself up. If only to catch a glimpse of Ccino.

   As he peered barely over Killer's shoulder, he saw what the others did. Ccino had some sort if flour or wheat all down the front of his nice apron, and a few streaks along the thighs of hid pants from where he'd probably wiped his hands along the way. His expression was a mix of concern and fury that set Nightmare's soul into a pretzel-twist of regret, and his eyelights scanned the room as he rapidly approached Killer. Obviously looking for answers.

   Only, Ccino arrived to Killer's side, and his growing rage seemed to stop all at once, alongside his steps. He stared down at Nightmare with wide eyes. Nightmare stared up at him wearily. The king's sockets were beginning to water. Ccino's expression, the way his balled fists twitched and relaxed, the way he seemed to lose all the tension I'm his body, just getting a glimpse at him. Ccino recognized his face, no doubt about it.

   "Nightmare?" Ccino's voice was small.

   Nightmare fumbled a bit as he tried to launch away from Killer. Having Ccino so close to him simply... broke whatever had been holding back the emotional damage within. It didn't help in the slightest when Ccino crouched and immediately tugged him away from Killer and into a gentle bear-hug there on the floor.

   For the first time, in a very long time, he found that the welling of tears in his sockets didn't result in dark, tarlike, goop that fell in chunks down his skull. This time the tears were real, a transparent lilac which raced down his cheeks abd planted themselves against the fabric of Ccino's tunic and apron. He wasn't wearing his fur, he was smart like that.

   Ccino's arms wrapped around his back like they always did, and Nightmare felt himself slipping. Ccino was safe. He had always been safe.

   Nightmare didn't have time to begin sobbing as he had expected, or to even begin to hyperventilate into Ccino's shirt or curl into a ball against his chest. The moment Ccino nuzzled the side of his skull, his vision went blurry again.

   At the tightening of Ccino's grip, he heard Dust's voice again. "Magic-loss. A lot of it." Faintly rolled into his mind like a distance voice two doors over. He didn't quite catch when Killer started to speak again, or Ccino worriedly said his name. Dust was right, the magic was gone. Out of nowhere. It was a lot for his little body to handle.

[fallinglikemagic]

Okay, now that everybody's had some time to process and gotten some of the doomposting out, here's my thoughts on the whole situation.

First of all, I'm not really worried about whether or not RWBY will continue in some capacity. It's uncertain, sure, but no more than it was already. In February we got the update that they were talking to potential partners about getting volume 10 made, so clearly they weren't just relying on Rooster Teeth and Warner Brothers for it - maybe one of those companies will pick it up, maybe a different company will, either way I'm sure it *will* be picked up by somebody and unless they get real unlucky, the show won't be much worse off than it was before - if anything it might be better off, considering that WB have been shitty about animation for quite a while now (if you're not already familiar and you're up for some extra research, I recommend looking into the Coyote vs ACME situation that's been going on recently for a great example of WB's bullshit). And while it's unclear exactly how much involvement the original crew will have in the show's future, I'm pretty optimistic about it. I doubt the writers are going to let go of creative control without a fight, if for nothing else then for Monty - I don't like focusing too much on the whole Monty's Legacy stuff in general, but I do think that the crew are going to want to keep their friend's work alive and authentic and as accurate to what he wanted it to be as possible. None of this is a certainty of course, but I think RWBY is gonna be fine, things will just be kinda rocky for a bit.

With all that being said, while this may end up ultimately being a blessing in disguise for RWBY as a franchise, it sure ain't one for everybody who worked at Rooster Teeth. This entire situation is still horrible - so many people being fired on the spot, effective immediately, with no warning and with several of them only finding out by seeing articles about it being posted on Twitter, it's fucked. I know Rooster Teeth wasn't exactly lacking in controversy and problematic behaviour, to put it lightly, but there were still plenty of amazing people there who are now in a really shitty situation. On top of that, while again this isn't exactly anything new, especially for WB, it is the latest instance of a huge problem in the animation and entertainment industries. So no matter how things pan out for RWBY, we should still be really fucking mad about this.

And we definitely shouldn't be celebrating. I've seen some posts saying "good riddance" and celebrating RT's downfall, not just from people who hate RWBY (I mean don't get me wrong I'm sure the hatedom is out in full force but that's not the kind of thing I'm referring to right now), but people who like/used to like the show and just hated the company. And don't get me wrong, I didn't like a lot of things about the company either, I've actually been wanting RWBY to separate itself from RT for a pretty long time (be careful what you wish for I guess 💀), but there's a time and a place and this certainly ain't it. Plenty of people who have worked there have said that they loved their jobs, plenty of others said it was horrible and toxic and nightmarish, but either way a job is a job and in this industry work isn't always easy to find, especially in recent years. Celebrate in private if you want, but now is not the damn time to be bringing out the cake and confetti.

TLDR; I'm cautiously optimistic about RWBY's future, I'm pretty sure it'll be fine and they'll be able to keep the core crew to at least some extent, but this is still a really bad situation for everybody who just lost their jobs, don't be a dick.

[vse-kar-vem]

💌🍷💄💋

idea completely inspired by @sparkles-oflight who said something in the jokeroutblr discord server about something like this being kris's next photoshoot!!! so all credit goes to them and the original model whose photograph i completely referenced

i could never do it justice!!!