Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book.
(Part 2 || The book)
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Disclaimer: I'm extremely not an expert, and this is only scratching the very surface of complex topics that are hard to simplify. I mostly made this to EXTREMELY rec these books and podcasts, and would urge you to go check them out if you're not familiar!!
This stuff might seem obvious to some of you, but let me tell you, I do NOT think it's widely known in the general UK population.
Imo a lot of the general (especially white) public think that the Windrush generation - Caribbean migrants brought in to help rebuild postwar Britain in the 50s - were the first Black communities in the UK. And yet there's deliberately not much focus on why the Caribbean has links with northern europe. HMMMM
(Britain loves, for example, to celebrate the abolition of slavery without mentioning WHAT CAME BEFORE IT - Britain being the biggest trader of enslaved people, with more than 1 million people enslaved in the British Caribbean. They literally just did it overseas.)
Telling the truth about history or British imperialism gets this massive manufactured backlash at the moment. There are so many ideas prevalent in UK politics - anti-Black, anti-refugee, anti-trans - based on going ‘back’ to some imaginary version of the past. Those are enabled by a long tradition of carving parts out of the historical record, and being selective about whose histories get told and preserved.
Even though the book I was making is a fun rom-com, by the time I finished researching, I decided to make an illustrated history section at the back too (this is a mini version). My hope is that readers who haven’t come across these histories might get an introduction to them - and some pointers of what they could read next to get a clearer view of our past.
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ORV is about enduring the horrors in real time.
(for @everyonesfavoritebastard)
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real deviant hours ft. sumo
- inspo from a vintage alain delon shoot i thought would be cute + some leyendecker reference ofc :,)
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
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signs of a lifetime (you til' i die) by lilyrizzy | jack/nico | hockey rpf | rated e | 24.2K
If he was in Michigan things would be so much better. He’d have his brothers, his guys and Nico too.
Nico, who fits in so well with everyone Jack loves. Who can talk enough hockey to keep up with Z, who offers to do the washing up every night after dinner in a way that has Jack’s mom beaming at him. Who wrestles on the dock with Luke like he’s known him his whole life, who can quietly play pool with Quinn, their heads bent together as they trade mumbled laughter.
Nico in Michigan can be everything to everyone, and that is so much better than Jack in Switzerland. He only knows how to be anything at all to Nico.
or,
Jack goes home with Nico for the summer & things are harder than he expects.
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quick Carlos & Charles collage ❤️❤️
| 📸 pumamotorsport + Esquire via sabrinabearzotti
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hi mutuals im just curious.
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the x files au where everything is exactly the same except mulder takes home the child neanderthal from the jersey devil episode and raises them as his own
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New chapter is a nightmare but at least we get canon junichirou emeto bless 🙏
anon if there's one good thing to get out of that chapter...aside from a certain....reappearance🤩🤩 it's this exactly, lol...we've actually had canon Junichiro emeto once before and I think this canonically puts him in the very weak stomach category lol👍👍
did some cropping to avoid spoiler territory
thank you for your service Junichiro🙏
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Sparkstember Day 11: Angst In My Pants (The Decline And Fall Of Me)
Album two of two in the series of Sparks' immaculate new wave releases! Iconic in every way imaginable from the music to the artwork to ONE music video. I think it's more musically (and lyrically!) varied and mature in tone (besides... a couple exceptions. Yes, an album called Angst In My Pants) than its predecessor, which is a very good development. These songs will leave you chuckling and bopping along and also pondering the intricacies of human existence. Ok, maybe that's a bit of a stretch, but it can't be denied that behind much of the earnestness and theatricality here, there's lots of quite emotional, introspective and thought-provoking stuff to be found.
Thematically, this album goes everywhere. One moment we are in Sextown U.S.A, the next we're visiting Disneyland, California where we make friends among people and animals. On a more serious note though, I think the biggest emotional whiplash one could experience between different songs on an album is between Mickey Mouse and Sherlock Holmes. And yet there's still a very prominent element of humour, even in those songs that are on the more serious or dramatic end of the scale.
I said a few days ago that I'd try to return to the topic of Sparks' brand of humour and how it works, but I don't feel intelligent enough to analyse that today. And I'm pretty sure that from what I've seen, Other People And The Maels Themselves (Said It Better Than Me). So instead, as a little send-off, please remember: if a mouse can be special, well, SO CAN YOU!!! 🫵
Favourite songs (and other highlights):
Angst In My Pants: literally no other song like this one in this world. I can't tell why that is but it's just. So great
I Predict: I had a weird kind of effect where I heard this song in my early days of Sparking and it felt VEEERY familiar to me. I think it was due to the genre / style here, it reminded me of something specific, at first I thought it was very glam rock but I'm pretty sure that this is not it but something else (and I don't know what to call it in that case!). Anyway, banger song
Tarzan And Jane: whoa wait, am I already skipping to the third-to-last song on the tracklist?? I guess I am. This one's great and one of my early favs too (I wonder how long it will take until I run out of things to say about my fav songs and it all just becomes this list of 'it's very good and I like it a lot. next.')
The Decline And Fall Of Me: it's great!! I like it!! And, of course, "check out my pizzas"
Eaten By The Monster Of Love: personal reasons that lead to a printed and framed mini-comic of my making appearing on my desk, which features some of the lyrics of this song, which caused me to have it permanently stuck in my head for a pretty long period of time. And this way I ended up liking it much much more than I did in the beginning, when it still seemed somehow pretty unremarkable to me
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i don't get why people prioritize making sure scammers never get any money over actually helping people or even just. exhibiting basic empathy. damn, you fucked over a homeless woman but hey at least a hypothetical scammer didn't get your $5 bill. just in case.
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Tower of Dormont ISaT AU
Had a weird dream I figured would make a great ISaT AU if anyone wants to take a swing at it so umm, general idea:
Instead of the House being taken over by the King, instead the Favor Tree is warped into an evergrowing tower reaching up, up, up into the heavens.
Instead of the King's Curse slowly making its way across the land and Mirabelle being the 'Chosen One' to collect the orbs to stop it, it's time freezing Sadnesses raining down from the top of the Tower all over Vaugarde and surrounding countries, with heroes from all over (Euphie, Claude, various Defenders, people from other countries, etc) heading into the Tower to figure out what is happening only to never return...
And well. It looks like the end for Vaugarde, Mirabelle (having finally hit the 'I know what Euphrasie said but I've got to do something' point) has recruited Isa, Odile and Bonnie for a last ditch effort to try and stop the world from ending by Tower and...
Within the first few floors (which keep changing but kind of look like... The House of Dormont? No, that bit there looks like Odile's family home, and that room there is just like Nille's???) they find an unlocked bedroom and in that room an exhausted, terrified and near hopeless Siffrin who can barely remember anything from his life before being imprisoned here (even takes a bit to recall his name over the now despised 'Bright One') but after a bit of coaxing they admit they know a LOT about the floors ahead and might be willing to help the party reach the top of the Tower where they can put a stop to the madness going on outside but in return they must not let the King catch them (not again not again not again)...
Party are actually pretty cool with this (you know, aside from general 'is this person legit or actually an enemy?' concerns) but well, it's hard not to notice as their guide goes from barely able to fight beyond weak scissors craft and buffs to healing and every craft type under the sun. From claiming they don't know what's behind a certain door or above the next floor to explaining in detail that the prisoners in cages on the next floor are all Sadnesses, or that 'the King is coming, he hasn't realised I've left the room yet but I need something, anything, to mask my scent' (and later gets everyone to leave false trails down halls via jars of sugar and honey they picked up a few rooms previous).
From claiming that the party are the only other people they've ever seen here to having near breakdowns over finding books or paintings with imagery and words that seem eerily familiar (think a book that reads like 'Claude wonders why Euphrasie and their amnesiac guide are so fussed about the walls here apparently being covered in stars? Why do stars matter anyway?'), etc.
Oh and they glow more and more with each floor which er, is probably going to make hiding from the King (who is VERY DEFINITELY after them judging from all the "Bright One, you know you are not supposed to leave you room. You do not want me angry again do you Bright One?" roaring) increasingly difficult.
...
And yeah. I don't actually know what is going on in this story beyond cool imagery due to the whole 'Literally woke up with this in my head because dream' but...
Been thinking it's kinda like an 'end game Persona series' situation where a chance friendly meeting/talk between Sif and the King right before the King's rampage would've started, led to the King to realizing he could use his Wish Craft to force the people of Vaugarde to 'wish with him' (see: escalating brainwashing madness), forcing a terrified Sif to go along with it (no brainwashing for the Bright One no, not when they were clearly sent by the Universe to be the King's guide ignore the Bright One's screams that this is wrong, that they want nothing to do with this; clearly oracles only relay the Universe's intent not share it themselves), and the current 'raining time freezing Sadnesses/Sif clearly being stuck in some weird looping variant' stuff being the result of Sif's 'Please protect Vaugarde and restore our home' wish said at the King's orders being heard by the Universe as "please Universe do whatever you can to stop all of Vaugarde- No, the world from falling under the King's control! + Someone, anyone save me! + 'immense amounts of self loathing and a desire to known and held accountable for inadvertently sparking a man made apocalypse' + Universe I wish I had people who actually cared about me/who would never only use me as a tool to save the world" and er well.
The Universe had a way to 'protect everyone from the King' that would also kind of fit the King's wishes, a whole heap of power from all the brainwashed people the King was leading plus the 'meant to be repurposed' freezing all of Vaugarde in time ritual the King crafted to work from Dormont and... Yeah. Add to that people all over Vaugarde and possibly other countries 'adding' to the 'please save us' wish bank after Sif had already accidently centered it all around himself and basically both Sif's loops and the Sadness hell storm are being powered up by everyone everywhere in one huge ball of 'Hmm, I wonder if this all ends with the King getting killed or is there gonna be a big old morality question thingy post King killing at the end where Sif, upon remembering that "this is all my fault" tries to get the others to kill him which other heroes may have done (and thus triggering the loop, sending Sif back to the start possibly missing memories of them to hide away in shame/terror/etc) whereas Mira, Isa, Odile and Bonnie have gotten far too attached to this tragic, self sacrificing idiot and were willing to let the rest of the world be fully frozen for the rest of Sif's natural lifespan if it meant he could finally be free (not happy about it mind you, but like, just the 5 of them living in a quiet world until everyone else is safely freed after Sif's natural death is better than murdering someone who went through an eternity of horrors to protect a world they couldn't even remember and who's death might not even be the true answer anyway)'.
Oh and the King should basically be treated like a yandere version of the Reaper or something throughout the story (dream had way too many 'and then the King was suddenly there killing someone until Sif slashes their throat -no tears to use in this Tower alas- and from the party's perspective basically has a 'vision of the future' and/or freakout for seemingly no reason in the middle of Snack Time), while each of the many many floors of the Tower are basically due to being altered to match the minds of everyone (frozen or not) in the Tower, kinda like a Palace or P4 dungeon, due to well, Sif unconsciously wanting to learn more about them, wanting to remember/forget, possibly on some level wanting the King to how horrible this all actually is IDK (snack rooms, like the bedroom Sif was in are basically P5 saferooms but less 'area weak in cognition' and more 'Sif wishes for there to be places safe from the King and all the Sadness so there are some even if he knows he can't stay in them forever least they become prisons for him').
...Might be nightmare floors as well? To represent Sif's terror of bad things happening to anyone he becomes attached to and wanting to be able to protect them so basically, they are accidentally making their own opposition (possibly based off of what they hear the others being afraid of/the desire to be useful to them) and I think Slay the Princess might make for great inspiration there if you need an idea of how crazy that might go~ XD
...So. Yeah. If anyone wants to use any of this for any fanfic ideas, please go ahead as I kind of would like to focus on my Selkie Au and fics for other fandoms more than this weird dream that basically took over my brain and said SHARE in caps so loud I've been stuck thinking about it ever since.
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Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope
PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?
I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me
But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.
Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).
Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.
I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line
from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)
kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.
And then dropping this?
I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.
Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?
The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4
And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:
"Lying" implies further intent and an effort. Neither of which exist in this case.
He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.
3. https://en.wikipedia.org/wiki/Joke
And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.
But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.
Do you know what the content of those chapters is? I do. Very well actually :)
(Eichi literally explains why he didn't get it)
So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p
PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game
as well as absolute banger dialogue such as
Among others <33
And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long
And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.
And that concludes my essay :)
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