#but i guess its because its an oem
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Got myself a drawing tablet
Had to order an adapter for it, since I don't have any HDMI ports on my pc :(
#its an old oem that i bought refurbished#like its a good machine#but it doesnt have a graphic card#and it only has a 200w psu#so at best i could go for a 1030 or worse#i would upgrade the psu#but its one of those sfx ones#so i just decided to save up to build my own pc#but that does bite me in the butt#as i now have to wait for an adapter#its super weird that a pc has no hdmi ports#but i guess its because its an oem#damn
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A&F Platontic Omegaverse AU
This idea manifested after a rather late night for me, and refused to leave until I wrote it. I’d be open to writing more, so if you enjoyed it, please do share.
Content: A/B/O dynamics, non-graphic medical neglect, recent past violence, medical whump, made up omegaverse medical BS that I took way to seriously, minor injuries, medic caretaker(s), and graphic depictions of anaphylaxis and allergic reactions
Eric turned out of the Wendy’s parking lot, grabbing several fries and shoveling them into his mouth. Next to him, Joseph was slurping on a chocolate frosty. He flicked on the turn signal, pulling into the left lane, when a call came in.
“It’s for us. 5067 Prince Street, apartment 134. Female omega in unpartnered heat. Neighbor called it in, said she smells sick and scared,” Joseph read from the screen.
Eric turned in the direction of the call, flipping on the lights and sirens. The sea of other vehicles parted as he accelerated down the street, speeding towards the newer apartment blocks that rose several blocks over.
“Can you get a blocker ready for me?” He asked, taking another left onto Prince Street. Joseph hummed, peeling the back o of his and pressing it onto the back of his neck over his scent glands. “Sure.”
The Prince street apartments were a newer development, meant to house the ever growing population of college students who needed a place to live. Since it was early afternoon, there was plenty of space. They grabbed the stretcher, bags piled on top of it, and headed towards the building.
It was easy to tell that the apartment number they’d been given was the right one. They could smell it from several meters away in the hallway, thick and pungent, rancid enough to make you gag if you weren’t used to it.
Hand in a fist, Joseph knocked on the door. “OEMS! We got a call for an omega in heat?”
There was a beat of silence, and the scent grew more potent. Joseph’s stomach twisted. Still no response. Behind him, Eric held up the key that had been hidden under the mat. He waited for another beat. “We’re going to come in.”
The smell was nearly overpowering as they cracked the door open. Between the apartment’s size and its sparse furnishing, it did not take long for them to locate their patient.
She was in the bathroom, half dressed and curled up on the threadbare bath mat. One eye was puy and swollen, well on its way to becoming a black eye, while the other was brimming with tears. Her mouth was hanging open, hands shaking. When she saw both of them enter the room, she inched back, a scared yelp falling out of her lips.
Joseph knelt down in front of her. “I’m Joseph, and that’s my partner Eric. What’s your name?”
“Alex.” She cringed over in pain as a cramp rolled through her.
“How are you feeling right now, Alex?” Her breaths were fast and shallow.
“Cramps are really bad, feel hot, and I’m really tired. It’s like a heat but worse.” The tears had started to dry, but she was still obviously shaken.
“I…I have a care worker but he…he…he left,” she sobbed.” He left me. He was here to give me my dose of suppressants and I was in heat so he couldn’t because I guess they stopped working for some reason…” She trailed off, trying to hold off tears.
“You’re okay, breathe for me,” he comforted. Her pulse was rabbit quick, and her skin was sweaty and warm. Behind him, Eric cracked open an oxygen tank.
“He said he didn’t want to deal with it-” She prodded at her bruised eye. “I threatened to report it and he hit me. I don’t know what to do.” Another cramp cut her off.
“We’re going to take care of you, alright?” He smiled at her, concealing the flash of anger that flared inside of them. “Do you know which suppressants you take?”
Eric looped that mask around her head. “Metip…Mecip…I don’t know how to pronounce it?”
“Mecipromide?” That was one of the more potent suppressants, and older too. It had mostly been replaced by now.
She nodded. “I don’t know how much. He alway did it.”
“Alright. Breakthrough heats aren’t rare with that. Do you take any other medications?”
She shook her head, whimpering in pain again.
“I’m going to feel your glands now, tell me if it hurts.” He reached back around to her neck, fingers pressing into the warm and swollen glands.
“Ow.” She flinched away again.
“Now for your armpits, sorry if it tickles.” They were enlarged as well.
“Czerniaks and axillaries are inflamed,” he reported to Eric before turning his attention back to Alex. “When was your last heat?”
“Three, maybe four years ago? I was eighteen or nineteen.” Her voice was shaky, fear still rolling off her.
“Aright.” That was a pretty long time to be on Mecipromide for. “Is it just your eye that’s hurt, or did you get hit in other places?”
“Just my eye.”
“How many fingers am I holding up?” He put up two fingers.
“Two.”
“Good.” He shifted back. “Is your vision blurry? Any dark spots?” She shook her head. “Do you remember getting hit?”
A quiet “yeah.”
“Good. Any dizziness, nausea, or head ache?” Her breathing had slowed, and she seemed to be calming.
“We’re gonna get you on the stretcher and to the hospital now, alright?”
She nodded, leaning closer towards him. “Thank you.” Slowly, she pushed up to standing, using the counter to steady herself. The stretcher was outside the door, only a few steps, but she faltered, stumbling forward.
Joseph immediately reached an arm out, catching her before she could hit the ground. She yelped, and her eyes went wide as her body ung itself around him and latched on tight. Her legs became Jello, and he was the only thing holding her up.
It was textbook erstratory comfort seeking behavior. He’d seen it plenty of times, at least once or twice a week, while working for OEMS, but Alex seemed more surprised by it. She immediately tried to pull away, but her body didn’t let her.
“I’m sorry,” she mumbled, her head pushing into the crook of his neck.
The scent blockers prevented her from smelling what she was looking for, as did the fact that he was a beta. “It’s okay. Nothing I haven’t seen before.”
Her scent had changed, less bitter, more relaxed, but still worried. “I didn’t mean to, I promise.” Another cramp tore through her, and he had to support even more of her weight.
“You’re alright. I’ll help you over to the stretcher and we’ll see if you can let go then.” He kept his arms wrapped around her, mainly to keep her upright, but also because the touch was obviously soothing for her.
She groaned, nuzzling in closer as he helped her out of the bathroom. “I’m sorry.”
“You’re okay. It’s normal.” He slowly let her down on the edge of the stretcher. “Do you think you can let go now?”
There was a tearful “no,” as she pressed into him.
“Alright.” He was quiet for a second. “I’m going to scoot you all the back to the crease, and then Eric’s gonna help you let go.”
“Thanks.” Unconsciously, she squeezed him tighter.
Joseph kept her supported as he moved her up the stretcher, one hand supporting her head and the other holding her back. She muttered something quietly into the crook of his neck. “What was that, Alex?”
“I don’t wanna let go.” Her voice was a little louder this time. “ ‘m sorry.”
“It’s alright.” Gently, he let her head down. “There's a cuddle pillow for you in the ambulance. We just gotta get you there, alright?”
“Oh…okay.” She nodded a little.
“Eric’s gonna help you let go, alright?”
Behind him, Eric started to carefully uncouple her hands, peeling her fingers off her wrists. He set them down on the stretcher, and she whimpered trying to push closer. Joseph pulled away, finally breaking contact.
Alex shrunk in on herself, another cramp ripping through her. “It ‘urts.”
“We’ll get you to the hospital, just a little longer,” he said. She reached out, wrapping a hand around the bare skin just above where his glove ended. It was clear her touch needs weren’t being met. Hopefully, the hospital would be able to set her up with a better care worker.
They put the stretcher up and pushed her to the ambulance. The scent had repelled most people, and Joseph was glad they didn’t have an audience. He locked the stretcher in place, taking a seat on her left side.
“I’m gonna get a line in while Eric gets your vitals, then we’ll get you that pillow,” he said. Her hand was still locked around his wrist, and he gently removed it so he could use her hand.
Eric clipped the pulse ox to her finger and wrapped the cuff around her upper arm while Joseph slid a 22 into her hand. She laid there, tensing up as another cramp pumpled her. “Are you allergic to anything?”
She shook her head. “Nope. Not that I know off.”
Eric rattled off her vitals, along with her weight and height, before turning around to dig out the pillow. She was warm, too warm, even for an omega in heat. Her breathing was still fast, along with her heart rate. Between that, the cramps, and the touch hunger, it seemed to be a pretty severe breakthrough estrus.
“Alex, I’m gonna give you some meds to help with your heat, alright?” He unzipped his medication bag as he spoke. “We’ll get on the road after this.”
She nodded, but was more distracted by the cuddle pillow Eric was laying beside her. Immediately, her arms and legs were wrapped around it, and exhaled as she nuzzled her face into it.
“I’m gonna get us up and moving,” Eric said as he peeled his gloves off and dropped them into the bin.
Joseph nodded, and the door closed behind him with a thunk. He quickly drew up the meds, a small dose of a mild suppressant and a synthetic hormone that would help relieve the cramps. “I’m gonna need your hand.”
She groaned, but pulled it off the pillow for him anyway. “Thank you.” He ushed the line and pushed the drugs.
Eric pulled them out of the parking lot, accelerating as he hit the main road. Alex wrapped her hand back around the pillow, curling up tighter. The pillow was helping. Her breathing and pulse had slowed, and her scent was much more relaxed. She still smelled sick, but signicantly less distressed. He made his report to the hospital, listing off the info they would need to know.
A couple minutes later, she started to scratch at her hand, picking at the Tegaderm. “I know it’s uncomfortable, but try to leave it alone. We’re only about five minutes away.”
She stopped messing with it, instead moving up higher and dragging her fingernails up and down her arm. “It itches.”
A pit opened up in his gut. This was going to be a thing now, wasn’t it? Just great. “Can I see?”
He took her arm in her hands, turning it over as he examined it. It was covered in hives. “Alex, you said you weren’t allergic to anything. Did your parents have any allergies?”
“I…uh…I don’t know. They both died when I was pretty young.” The fear had returned to her scent in full force, stinking up the back of the ambulance in the same way only it could.
“Okay. You having any diculty breathing?” Her tongue or face weren’t swollen, but he could hear each inhale and exhale.
She pulled the pillow closer. “A little.”
“I think you’re having a reaction to the meds I gave you,” he said as he drew up a syringe of epinephrine as he watched her. “I’m going to give you something to counteract it.”
Alex didn’t fight it as he took her hand in his so he could push the epi. She started to smell more frantic, her breathing speeding up. After updating the hospital and a brief chat with Eric, the sirens started to wail.
“It feels like there's something in my throat.” She said, eyes flickering around frantically. Her voice was pitched up, stress.
As he spoke, he set up his fluids. “It might take the epi a little bit to kick in. I’ve got you.”
Her expression grew more frantic, and her scent went sour, intensifying to an overpowering level. “It’s hard…It’s hard to breathe.”
“I know, I know.” He went ahead and started prepping an infusion, and upped the amount of oxygen she was receiving. “We’re nearly to the hospital. Is it getting any better?”
The epi should’ve started properly working by now, and they were only a few minutes away from the hospital. He didn’t want to stop and tube her now if he didn’t absolutely have to.
“It’s not getting worse.” She stammered, mouth hanging wide open.
“That’s good. You’re doing great.” The mass of hospital buildings was visible out of the back window. They were inches away from the ER.
She squeezed the pillow tighter, making a distressed keen. Her stats weren’t dropping and her blood pressure was holding steady. It looked like they would make it through the doors with her consciousness.
Eric turned into the parking lot and drove them up the entrance, and they wasted no time getting her into the hospital. He gave report as they transferred her from stretcher to bed, then quickly got out of the way after they weren’t needed anymore.
He’d ignored the odd pull on his heart as they left the building, chalking it up to the absolutely stink-fest the back of his rig was.
It was only ten hours later when his phone rang.
Taglist: @pigeonwhumps @rainydaywhump @painful-pooch
@rainbowsandwhumperflies @snaillamp
#worlds babbles#whump#a/b/o dynamics#omegaverse#medical whump#medic caretaker#tw assault#anaphylaxis#whump writing#this is a little different than normal lol#but it’s fun to write and there’s potential#hope y’all enjoy my brain garbage
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If I had to choose, the one thing that I love the most about big, lopey V8 engines is the amount of crap you can pile on top of them. Because they're the same length as a four-banger, but sometimes up to twice as wide, there are a huge variety of mounting options for V8 accessories. This pleases both my inner child, who wants a large engine, and my inner adult, who wants more cubbies and pockets in which to store stuff.
I'm sure you are familiar with the old-school drag racer supercharger setups. Big ol' tunnel-ram intake, massive supercharger, big intake scoops, a bunch of expensive carburetors inside. All that is a stack that can easily be taller than the engine itself. It's a living cartoon, made real by the concerted effort of mechanical engineers and the existence of a temptingly-large valley between the cylinder heads. Totally rad, and also a good use of convenient storage space.
Of course, OEMs have caught onto this, too. If you own a V8-powered Lexus LS400, you've probably had to change the starter, only to find out it's not so easy to get at. That starter is buried beneath stratigraphic layers of garbage, ranging from the intake manifold, to the intake manifold's friends, to the intake manifold's relations, to the intake manifold's second cousins that it hasn't seen since the family reunion twenty years ago. And then once you finally do get it out and swapped, it's time to put all that stuff back into the car, without losing any of the bolts or tearing one of the brand-new gaskets (as if I use brand new gaskets) on the way back out. It's enough to make a guy leave it all out, and just slam a 6-71 blower stolen from a semi truck on top.
What's on top of my own V8, you ask? Well, uh... the original one-barrel intake manifold from the factory. I guess "original" is maybe a little strong, it does have a lot of dents from where the previous owner tried to pull one of the heads and ended up dropping the whole thing on its driveway. It doesn't really seal properly as a result, but it does make a cool vacuum-leak noise at part throttle, which I like to pretend is a rad drag-racing supercharger.
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Today's WTF Let's say you own a Kia vehicle from the latter half of the 2010s. And you need to replace one of your key fobs, because, Reasons. And you call up, not the local dealership -- they have spent more than 20 years establishing themselves as con artists and predatory incompetents, after all -- but the one in the next county over. It's an hour drive away, but at least they won't destroy a vehicle during regular maintenance.
Here are the steps this Official Kia Dealership wanted me to take:
1. Collect the VIN from my vehicle and the Special Key Code from that little yellow paper they handed the original owner back when they first bought the car.
2. Contact Kia Corporate. By phone.
3. Navigate their phone tree until someone can understand my personal accent enough to appreciate my Tale of Woe.
4. Prove I am me, and give them all this identifying info about my car and its key.
5. Pay them to create a properly-shaped metal key part in a switchblade-style key fob. Brand new. With the little chip and the four buttons, one of which looks like it opens my rear door but in fact does not. You know, typical car key fob.
6. Which they are Not Going To Program.
7. No, they then ship it to the Official Kia Dealership In Question.
8. Do I sincerely believe Official Kia Dealership In Question will contact me when they finally have my fob in their custody? Gosh no. They never have contacted me when they finally got a part in before. Guess I'm going to be calling them up every day to ask if they have it.
9. Rearrange my life so I can get Spouse's Key to my Kia. Clear my schedule for a weekday.
10. Drive an hour through country lanes and interstates and over a moderately wide river. During the Morning Gridlock Commute With Bonus Semi Truck Fleets. In order to join the line at their service bay as close to 7:30 in the morning as I can manage.
11. They do not make appointments at that Official Kia Service Department any more, you see. For anything. It's all "first come, first served".
12. Pay the Official Kia Dealership an additional $75 to do the programming of my freshly shipped key fob that supposedly is pre-shaped to match my factory installed ignition.
13. Boy oh boy, I sure hope it works! Without borking Spouse's Key!
Listen, I'm relieved to have an "automotive locksmith" in my county who is willing to cut AND program a refurbished OEM key fob that I bought online. Automotive Locksmith has plenty of certifications and a variety of mostly positive reviews, going back several years.
But now I gotta navigate the Kia Corporate phone tree specifically so I can ask them what the smurf is going on in Decatur, Alabama. Didn't they used to be functional?
#owning a vehicle#kia#more of a not-gonna-service department at this rate#tale of woe#long post#Jorts the Cat would hork up a better plan than this
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I mean I just bought a new (to me) car (2010 dodge journey) because my old one ('99 CRV) is on its last legs and wasn't reliable any more (dropped the exhaust in the middle of the highway suddenly and even after repairs is now having issues with stalling randomly while driving), and I don't want to continue to pour money into a vehicle that isn't worth the repair money(even in mint condition it's not worth more than ($2000 and I've put more than that into it already in the last 2 years and it's still not running right and I'd need new tires before it started snowing etc it's just not worth it). And it feels like a spaceship in comparison (it has seperate climate controls for driver, passenger, and rear passengers! Which is gonna be a huge help in winter when kiddo needs to be warm and I need to drive with my head in a snow bank or I get fainty). But even it doesn't have a backup camera! But then We specifically wanted one where I could replace a non OEM part without having to lick a millionaires ass or tell a computer where to shove it. We probably won't have that luxury next time we need to replace the car though. Guess I'll have to enjoy the spaceship bs when we get there, see if it makes up for the utter bs car manufacturers are putting under the hood these days
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Linux Life Episode 84
Hello everybody and welcome back to Linux Life I admit its been a little while since I made an entry which was informing you of the death of Mangelwurzel and entry of the new Dell Inspiron 3525 I am currently using to type this article on.
Reason its been so long was I actually went back to Windows (stop spitting at back please it’s not pretty) because I wanted to play Blur and a few other games. Well I did and in that time I also tried several ways to have a Linux installation in some form of VM.
So first I used Virtualbox which is a Type 2 Hypervisor basically what that means is everything is emulated in its own little sandbox and all the hardware is virtual. I did manage to get Ubuntu Studio running but to say it was rough would be an understatement.
Virtualbox does not like KDE to say the least and it was painful to run. Also the networking was slow. Sure I could have used normal Ubuntu to see if GNOME was faster but for all I have tried it many times I really don’t like GNOME. Everything needs extensions and the interface is horrible.
Finding apps requires typing in a search because of that stupid Mac Launchpad icon design. I really detest it. I’m sure if you were using a touchscreen then it makes sense but most laptops definitely are not.
Anyway after far too many hours wasted with that I moved on to try Hyper V which is a Type 1 Hypervisor which allows much more connection to base metal components... it lets you use your actual graphics card, the hard drive can be accessed better and you have access to USB and the likes which makes it much better.
Now at the time I was using Windows 11 Home as that’s what came pre-installed on the Dell. So I had to download Hyper V as it wasn’t there by default. So first I try Ubuntu as Canonical have an agreement with Microsoft due to WSL.
Sure enough it installed and was pretty fluid but it had no sound. There was an enhanced mode which refused to work as to do so it needed RDS (Remote Desktop Support) which also prevented sound from working (Huh ?).
To get RDS you need Windows 11 Pro which Microsoft informed me if I wanted a key would be £119. Hmmm not happy obliterated Ubuntu VM. Went web-side got a Windows 11 Pro for £1.67 as it was OEM key. They key would have been £3.35 but I found a 50% off code.
After a bit of fiddling I got Windows 11 Home to go to Pro using a key to switch it then once it did that registered the new OEM key and it worked and guess what I have access to Remote Desktop Services.
So as I felt that Hyper V could cope I now tried installing EndeavourOS which installed without a single hitch. I admit the network was slow but a million times quicker than Virtualbox.
It had no issues with KDE whatsoever but once again no sound. I installed several Hyper V tools and things from the AUR. Even changed out pipewire back to pulseaudio but no matter what I did, sod all worked. RDS couldn’t see the VM even including doing the various Powershell tips.
Bugger all, now sure I could have run Endeavour without sound but I had come this far damn it. OK deleted VM. OK I now have Win 11 Pro so lets try the Ubuntu stuff again.
OK now enhanced mode shows a dialogue and when I log in screen goes black and bugger all happens. Click off enhanced mode and Ubuntu is working. Enhanced mode just black. Setup Ubuntu. reboot now enhanced mode doesn’t come up and even the VM crashes now.
This wasted too many hours and days of messing around. I even got the RDS side running but when I tried to Remotely Access using RDS it crashed. What a complete waste of bloody time.
I even tried running a Ubuntu Studio VM using VMWare Player 17. It didn’t work.
I doing think about setting up a KVM version of QEMU to run a Linux installation but guess what if you want sound on QEMU you need to get a specific version called the Screamer and it won’t let you use KVM setup meaning it wouldn’t allow you to install the Linux.
By this point I just gave up I honestly don’t care what type of Hypervisor it is I am obviously too thick to get things running as they should and I gave up.
I almost tried Proxmox and XCP-NG but upon seeing what they entailed just gave up.
After all that I thought I would leave alone and just use Windows. Then everyone started informing my Facebook had been cloned, well lets just say that didn’t happen when I had Linux.
The internet under Windows just ran slower than when I had Linux. Watching YouTube stalled regularly, downloads failed due to time out and my frustration levels were getting to breaking point.
I tried to dual boot Linux as I found out how to shrink the partition in Windows and use it for Linux installation. So tried EndeavourOS but because of the Secure boot it wouldn’t let the system install.
However for some reason Fedora will install if Secure boot is still on. So I installed Fedora Beta 40 because I wanted to try the new KDE Plasma 6. Now I know it’s beta software so not to have many expectations but most of the software I use was not in the store nor could I find the appropriate dnf installer.
However Fedora now would boot but my Windows 11 wouldn’t the partition was there but it didn’t add it to the menu so now I could load Fedora but Windows wouldn’t load.
Tried OS Prober, Grub Customizer, no matter what I did could not get the Windows 11 partition to boot or get it in the options
Pissed off now I finally turned off Secure boot. Wiped the whole hard drive and installed EndeavourOS Galileo Neo (the latest version) and set up the Dell with KDE.
It now is running on KDE 6 Plasma 6.0.2 running Wayland. It is running seamlessly, the internet is quicker. No issues with YouTube. Updating fine. When I tried KDE 5 Plasma Wayland, Steam and several other programs stopped working.
Well Steam is working fine using XWayland (a Wayland to X11 bridge) and there is a version of Cairo Dock that works with Wayland (it is experimental but so far has not died on me).
So all is right with the world in that respect. Only issue is screen capture isn’t great in Wayland but someone is working on it. OBS and other video capture work fine but screen capture programs such Flameshot, Shutter and other need work.
Well Wayland is slowly being adapted so in time I am sure these things will be fixed over the next few months as more and more main distros seem to be moving to Wayland.
It works well enough and to be honest it's even faster for program launch it seems than the original X11 which is now over twenty years old.
I am yet to try the Steam Proton games such as Path of Exile but who knows maybe next time we speak I may have done so.
So with all that madness abound I bid you farewell for this episode.
Hopefully I will try not to break anything major... until next time take care.
#linux life#ubuntu#ubuntu studio#virtualization#virtual machines#hyper v#virtualbox#wayland#x11#waffle#steam
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Review: Legacy i·V2 Class D Stereo Amplifier
Legacy iv2 stereo amplifier
The Audiophile Weekend Warrior (TAWW)
TAWW Rating: 5 / 5
Class D power going toe-to-toe with Class A refinement
PROS: Nonexistent noise and distortion; tube-like midrange purity; full tonal balance with stellar bass; effortless power delivery; top to bottom refinement.
CONS: Ever-so-slight reductions in top-end extension, low-level resolution and dynamic life; slight mechanical buzz; binding posts could be nicer.
Class D (a.k.a. switching) amps have been around for decades, but really started to hit the audiophile scene in the early 2000′s. My first experiences around that time were a mixed bag, to say the least. A PS Audio HCA-2 sent my way for review blew its output stage when I powered it up. (In retrospect, my subwoofer setup may have been the culprit.) I wrote a review of the original NuForce integrated amp which, despite some sonic promise, felt like an unfinished product. The $30, battery-powered Sonic Impact "Class T" amp became a budget sensation, beguiling even some SET tube lovers, but its magic quickly ran out if you demanded more than a few watts from it. (The magic also ran out for its chip manufacturer Tripath, which went bankrupt.) And then there was a first-generation Bang & OIufsen ICEPower module, packaged inside an integrated amp by a high-end marque. It sounded pretty bad - dry, grainy, lifeless. How much was due to the ICEPower module vs. the rest of the amp is impossible to say, but it wasn't an auspicious introduction to the technology. Given this checkered past, it's little wonder Class D has been battling a reputation for sonic mediocrity with audiophiles. But new technologies make progress quickly, and the increasing number of rave reviews for the latest and greatest from Hypex, Pascal, ICEPower and others had me wondering... has Class D finally "made it" sonically? My time so far with the ICEPower-based Legacy i·V2 (USD $4,785) has been a pretty convincing yes.
Description
I won’t get into all the history and technical details of ICEpower technology - for that, I recommend this excellent audioXpress article. Of note is that ICEPower, after starting off as an independent subsidiary of Bang & Olufsen, split off into its own entity in 2016. The ICEedge controller chip at the heart of the Legacy amp’s 1200AS modules had been under development for 7 years and represents the latest and greatest iteration of ICEpower’s proprietary technology. It can scale in power from 50 to as many as 7,000 watts, and unlike some of those earlier Class D amps I tried, it has an array of sophisticated control and protection features to ensure smooth, bulletproof operation. In many months with the amp I’ve experienced zero clicks, thumps, signs of oscillation or other hiccups.
A kilowatt of clean power from this one board!
The i·V2 implements the ICEdge 1200AS modules as-is without any bespoke customizations to the circuit. (Note that this is the higher-performance mono 1200AS module, not the less expensive 1200AS2 stereo module that’s much more common.) Some other brands add their own input stage, but Legacy chief Bill Dudleston has opted to keep things stock and simple. You might be wondering, why can't I buy these modules myself then, slap them in a Chinese enclosure from eBay, save thousands of dollars and call it a day? The simple answer is ICEPower only sells them to OEMs, and forbids direct sales to consumers. But Mr. Dudleston also mentioned grounding of the modules as an area of special care, saying they were able to achieve a few dB's of additional noise performance through careful experimentation. At this level of power and performance, the little things matter.
Speaking of enclosures, the i·V2 has an extremely solid all-aluminum chassis with rose gold accent trim and plenty of ventilation around the modules. It's reassuringly hefty at 30lbs/13.6kg, so you wouldn't immediately guess it's a class D amp were it not for the 610W continuous (1000W peak) power rating. There's zero flex anywhere and while I have no idea how sensitive the modules are to vibration, knocking on the chassis gives a satisfyingly dull thud - much superior to anything you'd get on eBay or from lower-priced ICEPower resellers. There's a meter on the front, however this is neither a power meter as on McIntosh, nor a bias meter as on Pass Labs, but a measurement of the available AC power line voltage. There's a small pot on the rear panel to center it, and once calibrated it stays motionless during operation. I'm not really sure of the purpose of it, perhaps to monitor if your power lines are sagging when pulling in excess of the 1200 watts that the i·V2 is capable of delivering. The overall look is nicely done though probably a matter of taste... my wife not-so-affectionately nicknamed the amp "JARVIS" [sic] because the triangular meter reminded her of the yellow mindstone on the forehead of Vision, JARVIS's superhero embodiment in the Avengers movies. In what seems to be the fashion these days, the power/standby switch is located under the front panel, and there's an additional power switch at the AC inlet. One set of very standard 5-way insulated binding posts is provided along with balanced XLR and unbalanced RCA inputs. At this price point, I would have liked nicer posts, e.g. Furutech or WBT Nextgen. Not that there's anything wrong with the provided ones, and perhaps these posts were necessary to meet the extremely high power spec, but they feel decidedly prosaic and less pleasant to turn vs. the now-ubiquitous WBT's. A 12v trigger input rounds out the package.
Can’t get enough of rose gold? The i·V2 has you covered.
Setup
I tested the amp in two very different systems: the main reference rig, consisting of PS Audio DirectStream DAC ($6k), Gryphon Essence preamp ($17k) and Audiovector SR 6 Avantgarde Aretté ($25k) speakers; and a second system with RME ADI-2 DAC ($1200), Pass Labs XP10 preamp ($5k) and Silverline Prelude Plus ($2k). As you can imagine, really critical listening was done with the reference rig, but the second setup helped feel out how l the Legacy worked in a less expensive system. Interconnects are my usual mix of Audience Au24 SX and DH Labs Air Matrix; speaker cables were Audience Au24 SX or Furutech DSS-4.1. With the big rig, the Furutech was an excellent match; in the smaller system I used the Audience. I used only the balanced XLR inputs of the amp, so if your results differ from mine and you're using unbalanced RCA, that may be a factor. My system has been fully balanced for several years now and there's been no looking back.
The i·V2 is somewhat sensitive to the choice of power cord. I say "somewhat" because it certainly won't sound wrong or bad with a given cord, the stock one included, but nuances of its presentation can change - bass response, hall perspective, top end extension and soundstage proportion were the most noticeable aspects. For most of the time I was admittedly lazy and used a trusty Audience powerChord SEi without further thought. One day I finally swapped one of @mgd-taww's proprietary cords and found it to make a nice difference, which warranted some further tinkering. I found the otherwise superlative Furutech DPS-4.1 to not be a great match - it delivered tons of detail and a huge soundstage, but sounded slightly hollow tonally and lost some of the i·V2's endearing smoothness. The Audience Forte F3 (currently $149) was the big surprise - I actually preferred it to the more expensive powerChord. Audience graciously provided me with a set of Forte F3 cords a few years back when they debuted, but I haven't spoken much about them as I hadn't gotten them to click in my system. With most gear, the Forte was lighter, airier, but lacking some substance and transparency vs. the big-brother powerChord SEi. But with the i·V2, the Forte was surprisingly even better balanced and focused than the powerChord, with a more present midrange, more mid-bass punch and a bit more attack and air on the top end. Some systems and ears may still prefer the more laid-back perspective and silkier top end of the powerChord, but I really liked what the Forte did. At such a reasonable price point, it's a no-brainer upgrade over stock.
Direct connection from the RME DAC worked, but a preamp was much preferable.
A quick word about preamps: you need one with this amp. The RME DAC didn't sound particularly good driving the i·V2 directly and greatly benefited from the Pass Labs XP10. Moving up to the Gryphon Essence preamp was even better, and the i·V2 was more than resolving enough to reveal the Gryphon's substantial advantage in musical resolution and extension at the frequency extremes over the Pass Labs. As mentioned, many purveyors of Class D amplifier modules add their own flavor to the sound with an extra input stage (e.g. PS Audio adds a tube input buffer to the Stellar M1200) and this is one interesting way to go, but my preference would probably be to stick with a vanilla but more neutral ICEdge module as in the i·V2, then tune the system with a proper preamp.
Another setup observation: yes, Class D runs extremely cool vs. traditional amps, but they do still generate some heat and I was a bit surprised that the i·V2 always ran slight warm to the touch, similar to the Bryston 4B Cubed. And sure enough, I measured around 58W of power draw at idle - virtually identical to the Class AB Bryston, or an Ayre AX7e integrated for that matter. The big difference is that the i·V2 will deliver the vast majority of its musical power thereafter into the speakers and not the heatsinks, and temperature rose very little even during some heavy listening sessions. It will never get burning hot, but please don't stick it in an enclosed cabinet - as always, ventilation is still required. If you plan to keep the amp in standby, rest assured it draws only around 0.3W, and sound is delivered almost immediately upon power-up. It does require a few minutes to start sounding its best, but certainly warms up much faster than Class A or AB amps that generally require an hour or more to get close to their full potential.
I do wish the binding posts were fancier...
Finally, while the amplifier is absolutely dead quiet through the 92.5dB-efficienty Audiovector speakers, I noticed a slight buzzing sound from the amplifier modules themselves. It wasn't really audible from the listening position, but you could definitely hear it by the equipment rack. It's comparable to the slight buzz from a toroidal transformer that's dealing with a little DC on the power line, but I'm unsure that is the cause here vs. some intrinsic noise from the ICEPower's switching supply. None of my other components are having this issue at the moment, though in fairness, the Gryphons' exceptional quality transformers that are fully potted and enclosed set a benchmark for mechanical quietness. Not a major issue, just mentioning for completeness.
The Sound
Looking back at my listening notes from the first couple hundred hours of the i·V2's time in my system, it was apparent that I really needed to give the amp more time to break in. I should have known better, as my experience with audio gear employing high-speed switching circuits like DACs and Class D amps is they take a very long time to settle in. The DirectStream DAC needed at least 500 hours to sound its best, and despite cranking the Legacy amp into a 4-ohm dummy load for dozens of hours at a time with my break-in playlist, it took a couple hundred more hours before the Legacy started to click in the reference system. The second system is more forgiving and sounded good earlier on, but I'd still make sure to give the amp many, many hours before passing judgement.
Once that was out of the way, listening impressions were consistent and roundly impressive. Among the Legacy's more enviable characteristics: super low distortion; dead-quiet silence; terrific bass response; seemingly endless power on tap; smooth tonality with no discernible coloration; a surprisingly silky treble and full mid-bass; and a relaxed, slightly laid-back perspective that's a bit less immediate than my Class A amps, but still resolving and involving. Let's delve in...
Head to head with the mighty Gryphon Essence
Tonally, the Legacy struck me as slightly mellower than my reference Gryphon Essence, at least with the Audiovector speakers. I hesitate to say the Legacy is "warmer," or the Gryphon is "brighter.” The Legacy, along with the Gryphon or the Bryston 4B Cubed have less overt tonal coloration compared to, say, the Pass XA30.5 (distinctly but not excessively warm), Valvet A4 Mk.II (more forward in the upper midrange) or Ayre AX7e (crisper and lighter). The upper frequencies were very slightly less prominent with the Legacy than the Gryphon, even though I’d never call the Gryphon bright or the Legacy rolled-off. There’s just a little less air in the soundstage, and instruments with strong HF energy like Donald Byrd’s trumpet in “Witchcraft” (Byrd in Hand, Qobuz 16/44) felt slightly curtailed vs. the ultra-open Gryphon. It might have more to do with the amps’ approach to harmonics than their inherent brightness, which I’ll get to later.
The midrange is smooth and balanced, with a purity that's a step above my aural memory of the Pass and Bryston. As with the treble, it has a sense of warmth and silkiness not for what it adds to the signal, but for what it doesn't. It’s so exceptionally free of any audible distortion that even the lovely Valvet sounded a tiny bit grainy and coarse by comparison. Given that I lauded the Valvet for its midrange purity relative to the Bryston 4B3, which in turn I also liked for its midrange quality, that’s saying something.
Class D amps typically have great bass, and the Legacy didn't disappoint. Earlier in the review period, it easily surpassed the Gryphon in weight and punch, making the Gryphon sound slightly anemic on tracks like Billie Eilish's “all the good girls go to hell” (Qobuz 24/44). It was also more neutral and controlled than the Pass while having even more punch. The Gryphon still has more texture, depth and musical resolution with my speakers, and more recently it has retaken the lead in overall bass response for reasons I'm still trying understand. Either the Gryphon has finally fully broken in its enormous bank of supply capacitors, or improvements to other aspects of the system (e.g. a 20A power line) have favored it. Given that many love the bass performance of Pass Labs and the Gryphon is considered world-class in that regard, the Legacy has to be considered superb, with both the power and refinement to satisfy music lovers across a wide spectrum of genres and tastes.
What really stands out about the i·V2 is how it can combine all of the above qualities with over 600 watts of continuous power, yielding a balanced presentation that's utterly composed regardless of volume level or material. The way it scales its refinement beyond ear-splitting levels makes most every traditional amp seem shouty, edgy or strained by comparison. While the Bryston 4B3 sounded better the louder I played it, it wasn't as smooth and detailed; the Pass XA30.5 got a bit lumpy and loose at the limit; the Valvet gets a little edgy and coarse at moderately high levels; and even the mighty Gryphon Essence can get subtly brighter as you ask more power of it. The Legacy is an effortlessly smooth operator, and I certainly didn't have a speaker on hand that could faze it in any way.
Tradeoffs
Resolution of fine detail is where the Class A stalwarts pull away from the Legacy. There’s a few aspects of reproduction where this exhibits: top-end extension, harmonic resolution, very low level detail and soundstaging, which I’ll attempt to detail...
The top-end is what I would call slightly soft. It's not rolled-off, nor did I find it "dark" as I've seen some people call it. It's more that a level of sparkle and sheen that is subtly omitted from the sound. Instruments like cymbals, triangles and trumpets still have realistic tonality, they just feel slightly softer around the edges. This also affects the feeling of harmonic completeness - the highest overtones of woodwinds are somewhat curtailed. This led my oboist wife to comment that the i·V2 made oboists she was personally familiar with sound even smoother and sweeter than real life, whereas the honesty of the Gryphon Essence gave a more realistic representation.
The Valvet A4 Mk.II and certainly the Gryhon Essence, and by aural recollection the Pass XA30.5, also capture a bit more of the ambient signature in a recording - the "hall" sound, the sense of performers in a space. It’s not that the Legacy is very lacking in this respect, but similar to early SACD players, it does still have a touch of the “velvet curtain” effect where below a certain threshold, subtle parts of the signal seem attenuated. This can also makes listening at very low levels a tiny bit muffled. Resolution is still excellent, at least on par with amps around the $5k price point, e.g. the Bryston 4B Cubed. A pair of Benchmark AHB2’s could be interesting competition, but I haven’t heard it, and it doesn’t have anywhere near the current capability of the Legacy.
The last area where I found the Class A amps superior was dynamic contrasts. Despite the Legacy being the most power amplifier I have ever used by a long shot, it actually didn't sound more dynamic at typical volume than the 50 watt Gryphon, or the 55 watt Valvet monoblocks. Sure, it will play much louder than they can, but loudness isn't the same as dynamics. The Gryphon and Valvet both had a bit more life, a bit more contrast in colors... I hate to say it, but more “PRAT.” I'd put the Legacy somewhere between these amps and the Bryston 4B Cubed, which had a greater tendency to flatten dynamic nuances. (Note: my speakers are quite efficient and tame, so I’d imagine this could be a very different story into something significantly under 90dB/watt and/or presenting a tougher load.)
One more caveat to the above observations: it might be more speaker-dependent with the i·V2 than a typical linear amplifier. Interestingly, I found the i·V2 to kind of be the opposite in terms of speaker interactions and tonality to what I usually experience with my systems. The reference Audiovector speakers, with their ruthlessly revealing AMT tweeters and critically balanced tonality tend to be less forgiving of amplifiers than the much more affordable Silverlines with their soft-dome tweeter. However I actually found the i·V2 to bring out just a bit of upper midrange and lower treble prominence with the Silverline (not a bad thing per se), while sounding comparatively mellow with the Audiovectors. Load-dependent performance is a well-known challenge with the Class D topology, and while designers have found increasingly sophisticated means of mitigating it, it is probably still a factor here, albeit a much more nuanced one than in the past. I have to wonder if this variability is why one still hears of such wildly varying opinions of Class D amps... in any case, an audition with your preferred speakers is highly advisable.
Further Musings...
The Legacy i·V2's exceptional performance forced me to check my notions of fidelity. In terms of measured performance, it’s among the best I’ve experienced (along with the Bryston 4B Cubed), and my ears registered its sound as correspondingly pure and distortion-free. Could the Legacy's slightly smoother, less bright and less overtly dimensional perspective actually be more accurate than my other amps? It's been shown (by e.g. Nelson Pass) that some judicious 2nd order harmonic distortion can add a sense of dimensionality to a recording, which explains why tubes can sound so "holographic". In the tube case, I find this to be a euphonic (albeit lovely) deviation from the original recording. The Gryphon Essence is also a soundstaging beast, and while it’s far more neutral than any tube amp I’ve heard, could some of its dimensionality also be additive rather than accurate? Could something similar be said of the i·V2 slightly soft treble - is this actually the absence of distortion that exists in virtually all other systems, including the ones used to master recordings? Listening to a bright pop album, e.g. Dedicated by Carly Rae Jepsen (Qobuz 24/44), the i·V2 was certainly more listenable than the crisper and more sibilant Gryphon. On the other hand, the Gryphon has a bracing immediacy, a feeling of being pulled into the mix and enveloped by the music. The i·V2 by comparison is a little tame, a little reserved, perhaps even a tad muffled. Is that extra dynamic verve and contrast I hear from the Gryphon and other Class A amps real, or an artifact? Which is more accurate?
Because of the infinite number of variables in the recording and playback chain, there's likely no clear-cut answer. While no one buys a Gryphon or Pass Labs for the best specs, there’s no denying that the latest crop of Class D amps are on another level of measured performance from old-school Class A machinery. On the other hand, I do feel the i·V2 subtracts a few things from the signal. How much does that matter to your ears in your system? It's a close enough call that I can imagine circumstances of some preferring the Legacy to the Gryphon. For me personally, while I could happily live with the Legacy, I do inevitably find myself returning to the Gryphon for those extra nuances - the fineness of instrumental textures, the palpability of the soundstage, the dynamic inflections - the things that make hifi more evocative of the real thing.
I recently attended a lovely performance by The Cleveland Orchestra in their summer home, Blossom Music Festival. (Hurray for the return of live concerts!) When I returned home that evening, the Legacy was hooked up in the system. I put on a live recording of the Philadelphia Orchestra - not at all equivalent in venue or performance to what I had just heard, but bear with me - and it struck me that the tonality of the i·V2 was actually quite evocative of the real thing. Live orchestral performances have a ton of energy, and yet they sound so smooth and sweet compared to typical reproduced sound. The i·V2 captured that silkiness to a greater degree than I’ve heard in my system, but was lacking some of the edge and vitality. Switching to the Gryphon gave me more of the excitement of the live event, but tonally it wasn’t quite as spot on. At this point, we’re probably approaching the limits of conventional reproduced sound, so some tradeoff will be necessary. Which one is “better” may depend on your frame of reference. E.g. if you like the neutrality and balance of solid state amps, you'll likely find little missing from the Legacy's presentation; if you favor the tonal color, dynamic verve and larger-than-life presence of tubes, you may find the Legacy a little dull. The very fact that I'm having to finely parse these matters of fidelity and taste is a testament to the overall excellence and refinement of the i·V2. To accomplish that that with 610 watts on tap for under $5k is a significant milestone for Class D technology, and a remarkable feat of engineering.
I must mention the obvious ecological benefits of Class D over Class A - we are drawing literally hundreds fewer watts, we don't need to keep it running or warm it up for extended periods to sound good and we are generating far less waste heat. The electric bill and thus cost of ownership will also be appreciably less. On the flip side, the jury is still out on how long these amps will last, vs. a Gryphon or Pass Labs or Bryston that one can easily imagine humming along for 20+ years. As such, and as is often the case with newer and more commoditized tech, I'd expect resale value to be significantly lower than those marques. Just a couple extra things to consider when you're plunking down a not-inconsiderable amount of money on a piece of kit.
Conclusion
The Legacy i·V2, and Class D amplification more broadly, are emblematic of larger shifts in high-end audio technology. Just as solid state and digital audio took a while to hit their stride and gain legitimacy in the exalted (ok I'll say it, snobby) circles of the high-end, we've hit a point of maturity with Class D where technological sophistication and subjective fidelity can go hand in hand. The fact that I strained my ears comparing the i·V2 to a $24k Class A reference that is far and away the best amplifier I have ever heard in my system is all the proof I needed. For under $5k, the Legacy i·V2 delivers a balance of refinement and power that is unmatched by any conventional amplifier I'm aware of near its price point, and competitive in absolute terms with the better amplifiers under $10k and beyond, regardless of technology. It's a cut above what I heard from the Bryston 4B Cubed, and while I haven't had the Pass Labs XA.8 series in my own room, I would not hesitate to line it up against them. Many may still prefer the more overt musicality of the hot-running Pass behemoths, but my feeling is it'll be more a matter of personal taste or system matching, as opposed to one of absolute fidelity.
I have a few burning questions on my mind now. The first is how Legacy's implementation of the ICEdge 1200AS compares to other ones on the market - could you get similar or even better performance for less? The next one is how does the Legacy/ICEdge stack up against other Class D implementations from Hypex, Purifi, Pascal and others? And finally, I've also heard a lot of wonderful things about the Class H Benchmark AHB-2 from ears I trust. It too is compact, cool-running, superbly specified and relatively affordable, but utilizes a sophisticated implementation of traditional linear amplification technology. I would love to compare and contrast the Legacy with that amp.
In the meantime, I strongly endorse an audition of this amplifier without prejudice. It's a remarkable achievement in amplification - highly recommended!
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I stumbled upon a new hobby during the pandemic. I used to love taking pictures using my camera, cellphone or DSLR. Don't get me wrong, I'm still loving it. When you cannot freely go someplace to hunt photos, you get tired with the work from home set up in your house or tired with the working hours that seem to have no ends, you need to get something to entertain your mind. Binge-watching no longer working for me, therefore, mechanical keyboards.
It all started with Tom Hanks' hobby. He loves the sound and collects many typewriters. Hence, he creates an app that allows people to try to type using certain brands of typewriters. I love to hear the clacking sound it produces and reminds me of when I was in elementary school (or junior high? I can't exactly remember). I used to type my paper using my late Dad's old typewriter and hurt my fingers in the process because it was so old and the grease perhaps no longer working as well as its glory days. Somehow, that clacking sound brought me to my new hobby now, modding the mechanical keyboard.
I know, merely using a mechanical keyboard is not actually a hobby. It's just like day-to-day use of your favorite pan to fry an egg. I thought so too when I initially bought my first mechakeebs (short for... you know...). How naive was I when I first touch my first mechakeebs that it will satisfy my curiousity. I browse the important parts that make mechakeebs different from other kinds of keyboards, the function of switches, keycaps, lubing, etc, each type of profile and layouts. It leads me down to the rabbit hole of mechakeebology (the knowledge and science of mechanical keyboards.... at this point, it's just made-up words by me).
Furthermore, to create a certain sensation of typing, you need to know what kinds of layout make you comfortable. What kinds of sound that entertain your ear, the type of keycaps profile or color that entices your eyes, or what you're going to use it for. To try and error your way to what you like most from your mechakeebs, one requires a deep wallet to fund the whole things. For example, once you know you like XDA profile keycaps, it is more expensive than the more readily available OEM profile. Certain switches such as linear or tactile (or least favorite clicky switches) can cost you a fortune to buy for the whole set (or to save some money, just for the alpha keycaps). You still have to choose between PBT or ABS. And many more!
At this point, I have spent my saving to buy a few keycaps sets in OEM and XDA profiles, a couple mechakeebs with different layouts, many plastic bags of switches in different brands and tactility, a set of tools to open and lube the switches, and many more. I cannot say that this hobby has already reached the peak of my interest, and will end up as abandoned stuff once I'm no longer curious about it. My recent adventure is pursuing the thocky sound of my keyboard. I already found the switches, but to reach that thocky sound, I still need to lube it or insert a dampener somewhere. I basically like to take apart something and put them up together again to see how it works. I guess this is what happened with the mechanical keyboard right now. And I cannot see somewhere near its end with this one.
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#personal
I guess tomorrow will be a month since I was let go from work. The severance finally deposited along with the payout for my paid time off. The way unemployment works today would have been the earliest I could have applied. As everyone reads in the news about America, the extra benefits expired this week. My situation is very unique but it’s not without precedent. I’m simply not eligible. Which means I have to adopt the term “self-employed.” The CARES act did have some less than obvious help for my situation though I had to do the digging. The last four weeks I’ve had little or no help from anyone other than the counsel of my parents and here. So the good news was that I spent the last four weeks trying to work through the financial ambiguities. I learned a lot about tax law. I set up a brokerage. I divested my entire life from the last twenty years of my career. And nobody said anything. I’m sure people wanted to say things. Yesterday I had to narrowly avoid two interactions with some people who haven’t talked to me in over a year. It was obvious that someone wants me to talk out in public. It was also obvious enough to avoid altogether. Like someone is always trying to set up these quasi “magical” encounters with people who could literally just reach out and call. They don’t. That’s a clear sign of either social engineering or a flat out scam on my public identity. I’ve travelled around the world at this point and had hundreds of such street interactions. It’s not worth my time to play catch up about something that I’ve already started healing from. It’s baggage to me. Just like the tax burden I’m facing making sure I don’t get caught up in an election year spectacle. Everybody is talking about people “like me” but nobody bothers to address my situation by name. If all I were was my job then I’d be a failure right now. But I spent the last week building an investment portfolio after rolling out of bed sleeplessly at three thirty in the morning. I ended the week twenty five dollars down. Blizzard leading the top of my modest leads. I invested in both AMD and Intel. Throughout the research on the Internet I read about these companies and products I purchase. Stocks are supposed to be fun. No one would know because everyone talks over each other just like in real life. But investing in these times is a lot more. Savings accounts don’t yield near anything due to the interest rates. Money is held onto all the time which doesn’t really help the liquidity of the markets or the economy. Greedy companies don’t help either. Intel was the market leader. Also had one of the highest paid CEO’s. Also has a processor delayed a year in a market surrounded by wolves. Apple has the ARM. AMD has the Ryzen. The computer I built does too. The laptop I’m currently on is a coffee lake i7. Matched with the 144hz refresh on the display, it plays Overwatch on a clip I’ve never experienced. It’s butter. AMD is affordable. AMD is also making the jump from hobbyist darling to OEM distribution. I invested in both because of a simple fact. Both companies are now led by women. AMD is led by Lisa Su. Intel’s Ann Kelleher will lead the initiative for the future to bridge the industry gap and opportunities for women. These are the things I’ve been connecting my money with after twenty years of maturation. And mostly how I’ve been “wasting my time” the last four weeks.
Not that anyone would know other than from what I’ve written. People are friendly enough. I’ve been out on my bike trying to clear a path in my life for the next six months. I’m in a situation in which incurring any more income this year makes things more difficult. And when I skim the jobs on LinkedIn I see more of me sidelining my life to make other people money. Stability is a weird thing. In America, you think it’s your job. But it really is just money. The way things work out I have amazing health insurance for a year at a price. I also have the option to add a spouse and child at any time during that period. It’s expensive. I could have shopped around. Skimped on dental or vision. But in the end, I could afford to sit things out. And in a time of complete and utter desperation, I come off cool and calm to a point. The reality is I could just sit here and play games at the kitchen table. I could write to my friends. I could keep following the same love in my heart that I’ve been following for a few years. I was more impressed that I could broadcast where I wanted to work on LinkedIn more than what opportunities are out there. I selected Chicago, New York, Los Angeles and China. I’ve been treated as human capital for years without my consent. I’m worth more than this. I’m sick of listening to people talk about themselves and do nothing about it. They compare and contrast. They plot and they scheme. They gossip and backstab. And every year they’re more and more buried. In their emotional baggage. In the problems they won’t dare face head on. In the debt they accrue. Silently yesterday I ended all my credit card debt in a series of transactions. I still have a small loan which will be paid come September. I have never sat quietly and never had to owe anyone money I didn’t have. I spent twenty years at a salaried job weighed down by lifestyle creep. When you aren’t happy in a job, you spend more to compensate. This happens to medical students often. They get great jobs out of school but are also in debt from loans. They burn out on spending. The debt piles up. And there is no escape other than to work harder. The same goes with student loans, home mortgages, and whatever else ties you down to revenue generation for someone else. I’m not there anymore. And I don’t really have any interest in going back. The brokerage account was a late night brainstorm. I talk less about politics now. The politics don’t help me. I talk to myself about tax law and investment. I write about it here but I would never talk about it in public. Just like I’d never discuss magic the gathering strategy with a person who wants to talk about celebrity gossip instead. I see change in my life when I act for myself. And excuses don’t pay the bills.
And then there’s the awful reality that people still think they know better. This is a dangerous time in that respect. People forgot about me the whole last month. I literally had no real human contact via email after the 15th. I missed the window to clear out my office waiting for this laptop. People really expected me to use all my psychic powers to read into what they want me to do with my life. I’d rather save the telepathy for the girl I like. In that respect, not really trying to change my agenda. My agenda isn’t hidden or anything. People just don’t ask me the right questions. People don’t ask questions at all. In the last month, I’ve felt the most human and been treated the least humane. And that is just life. Would the girl of my dreams really want to see me break down and cry for help? Or would it be better to see how no matter how hard I get thrown I always land on my feet? I’m more than on my feet. I’m on stable ground and a little tired of the world and its bullshit. I’m also not really mad about it anymore. I’m just me. I have some time to organize my life for a change. I got new glasses. They are Versace. I have time to take care of myself. I have a monthly and yearly cash forward budget. It is very necessary to know your expenses first when looking for a job. It is the key to negotiating a salary and benefits. Ironically LinkedIn solved the problem for me. It thinks I should be making 10k more than I was. And more in New York. Nobody told me that outright. I had to figure it out for myself. Because the difference between what you want to do and what you can afford to do is a real line. I worked for a non profit for years and barely got a raise or promotion. The salary wasn’t industry standard at all. And now the position just doesn’t exist. I can’t comfortably say I can even work until I consult a tax lawyer. That was a decision that I made for myself. There’s a lot of decisions I make for myself that nobody gives me a warm hug in public for. Nobody is privy to them because they either are afraid to treat me like a human being or they don’t read these journals. This is to say that I realize nobody “really” cares. If they did I wouldn’t have gone through any of this. I wouldn’t feel forgotten. I wouldn’t have taken that rage and moved on. Being angry is dumb. You saw it on my face for years. I was stressed. I was strained. I listened with genuine concern and intent to the feelings everyone had. I accepted everyone face value. I worked to make people feel included. And in the end I was excluded for whatever reason. I didn’t fit in. I always had to surrender my identity to the “discourse” that was more interested in using me a punching bag than an ally. I don’t have to be the beacon for a lawsuit anymore. I don’t have to raise my blood pressure for people who would rather see me drop dead. I can just stay out of the way completely. And in a time when American politicians on either side have no real answers, I’d rather rely on myself to get through. I’d rather wait for people to recognize how utterly horrible I’ve been treated in terms of my value as a person. I am not human capital. I am a fucking person. And the one thing I know is that my value over time here is not wasted. And the time I’ve spent writing to you has made me who I am. Impervious to hipster bullshit. <3 Tim
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The Price of Performance: Do You Really Get What You Pay For?
WARNING: EXTREMELY LONG POST AHEAD. SKIP IF YOU DON'T HAVE ABOUT EIGHTEEN HOURS TO READ IT.
:)
For those of you who shoot Fuji or Nikon in addition to your Leicas, you may find this very unscientific or unfair and very practical (some say amateurish) rendering comparison to be of interest.
It just so happens that I ...umm, just happened...to find my old Nikon D80, with a Nikon 35/1.8 G lens. With a crop sensor and a CCD chip, it's a pretty interesting camera. I bought it new in 2008 and used it solidly for 5 years before getting my first digital M (rarely shot my M3s those days, and I regret it now that I can't get film easily).
I had been planning to compare the Fuji X-E2 output with the Fujinon 35/1.4 vs. my Leica TL2 with Summilux-M 35/1.4. When I found the Nikon, I figured I'd add it to the list for giggles. I mean, what could a decade-old camera possibly do better than a current one?To make it all more confusing, I decided to try the Leica Summilux lens on the X-E2 (Fotodiox adapter) as a way to get some clue into the sensor and software differences between a (when new) $700 camera and a $3,250 camera.
The results may or may not speak for themselves, depending on your aesthetic senses or ocular abilities.
The full-res image files (or at least the maximum Facebook allows) are attached, with corresponding watermarks describing the lens manufacturer and body (Fuji Fuji = Fuji lens and Fuj body, Fuji 35 Lux = Leica M lens used with an adapter for X-to-M). The Nikon was used only with the Nikkor lens because I didn't have an adapter for that camera.
Now this is by no means a scientific comparison. But I promise I tried. I kept the environment the same, and the shots were taken within a span of about 10 minutes, so lighting is roughly the same.ISO ranged from 320 at the lowests (on the Leica) to 1600 at the highest (I set that as the max for all 3 cameras, set it at ISO Auto, and limited shutter speed to a max of 1/60th). Funnily, the Nikon's highest setting IS 1600 - the CCD sensor, I'm guessing.I'm sure others would have used tripods, and perfected focus, and flash (I have no idea how, or why, to use those things) but I was shooting manual lenses on the Fuji and Leica.
At my age, I probably missed tack-focus a few times, but it doesn't really matter - something, somewhere in each image is in focus. I was most interested in the color rendering, bokeh, clipping, and flaring.
ALL PICTURES were shot in their RAW equivalents, and converted to JPG via Exposure 3.5 with NO ADJUSTMENTS made to any of the sliders other than White Balance because the Fuji was rendering very dark blue. The Leica was perfect, and the Nikon a tad too warm. I left everything else, including exposure and contrast, alone, as I really wanted to see what out-of-camera RAW looks like.
My thoughts:
The CCD sensor, as dated as it is (2007ish) has spectacular color rendering and pop. To me, it's arguably better than the CMOS sensors on the Leica or the Fuji, but the Leica does come pretty close. I saw similar differences in the M9 vs M 240, but some post production sorts it all out.
The dynamic range of the Leica is significantly better than the Nikon (14 stops vs 10 stops), and somewhat better than the Fuji (12 stops). This is clearly seen when you examine the images in Lightroom or Exposure. The TL2 uses almost the entire Histogram range, whereas the Nikon skews to the right-side highlights and the Fuji skews to the left (heavily)
The Fujinon glass is spectacular, and is noticeably sharper than the Leica but nowhere near as creamy. Lovely bokeh, but not Leica boke. I prefer the Leica by a large margin, because for street photography sharpness is meaningless (at least to me) and "attitude" is more important.
The Leica Summilux still holds its own against the Fuji and Nikon in terms of light gathering and overall rendering/color. The lens I use is 47 years old (!) and is neither aspherical nor apochromatically corrected. It has some haze and scratches, and its coating is probably deteriorated. The Nikon lens is 11 years old, and the Fuji lens is 4 years old. And yet the Summilux kills it every time. It was also once the smallest fast lens made by anyone.
The X-E2 is a damn good clicker, even though mine is 5 years old and there's newer tech. I'm pleasantly surprised by that. This is a camera I bought as a stop gap whilst waiting for my M-P 240 to arrive, and I've rarely shot it since. Given its light weight, good autofocus, and great X Trans sensor, I may start taking it out again.
The combination of the Fuji sensor and Fujinon lens is more pleasing to me than the Fuji with the adapted Leica lens. The Nikon with Nikon lens is similarly great. But the Leica with Leica lens is certainly more interesting and more "3D" than the others. Seems like the OEM lenses work best on the respective bodies. That makes sense, given that the sensors/software are optimized to OEM lenses rather than 3rd party ones.
Conclusions? Very few, actually. As I said, OEM Bodies with OEM Lenses seem to work best and/or make the best out-of-camera images. I'm guessing this has something to do with tweaking sensors and software to maximize the strengths and minimize the weaknesses of the related glass. The TL2 is spectacularly good. High ISO performance is better than my M. The Fuji is a great buy for the money. The X-E3 and 35/1.4 Fujinon lens will set you back about 1400 bucks. The TL2 with the equivalent Leica lens would be about 7500.
The Nikon D80 has no skin in this game. Firstly, it's out of production, as is pretty much anything with a CCD sensor. That's a shame, because studio work with decent lighting where you don't need to go above 1000 or so ISO is a great place to take advantage of a CCD's incredible depth and vibrance of color. Secondly, I used it simply because I was curious about how it looked next to [the CMOS] Fuji and Leica images. I am so pleasantly surprised that I think i may start carrying it around (in the daytime, of course) once in a while.
And so the chapter ends. Next time I want to throw my M-P into the mix to see how the APS-C and Full Frame compete.
Hope this will be of interest to a few folks. As I said, not a scientific comparison by any means, but rather, a real-world side-by-side that the pixel-peeper types will probably hate. In which case, please keep scrolling
:)
#STREET PHOTOGRAPHY LEICA_CAMERA LEICA FUJIFILM NIKONUSA NIKON SUMMILUX FUJINON NIKKOR LEICA_APS-C APS-C PHOTOGRAPHY STREETPHOTOGRAPHY OCCAME#Street Photography#streetphotography#leica_camera#leitz#Leica#fujifilm#fuji x#nikon camera#summilux#fujinon#leica_world#leica_aps-c#aps-c#photography#occamera#alienskinexposure
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There was a point in the early to mid 2010s when some portion of tech-y people were very enthusiastic about Chrome working better/faster/more efficiently than Firefox, which is no longer the case and indeed has reversed but it’s what people were saying for a while. I remember once in like 2015 I was complaining about Firefox using too much memory on my aging netbook and someone specifically tried to persuade me to switch to Chrome.
Also the 2010s saw smartphones going mainstream and the default browser on a lot of Android devices is either Chrome or OEM-branded Chromium, which might be getting rolled in with Chrome here, but that’s just an elaboration on guesses 1 and 2. Which I think is the only possible explanation for why Edge would be able to successfully siphon users from Firefox the way it does in the last year or two of data, since it’s no longer so dysfunctional that downloading a third-party browser is more convenient than using the default one but also not good enough for people to switch to it from something else, on purpose, on its own merits. All the more so because it’s just a Chromium skin anyway.
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Intel Graphics Driver Update 530
AuthorMessageMichael E. Volunteer tester Send message Joined: 25 Jun 16 Posts: 8 Credit: 4,831,884 RAC: 30
The computer manufacturer for my desktop system requested that I update the driver for my Intel HD Graphics 530. The new driver version is 23.20.16.4849 and dated 10/27/2017. I accepted the update :-(. A bunch of GPU work units had a computation error. I see in the Advanced view the Task tab shows state change from 'Waiting to process' to 'Postponed'. I can no longer process GPU work units. Any suggestions on rolling back to a previous graphics driver version? The CPU is Intel Core i5-6400. CPU processing is working fine. I process seti@home and seti@home beta work units for the GPU. Regards, Mike (aka Michael E.)
Grant (SSSF) Volunteer tester Send message Joined: 19 Aug 99 Posts: 13125 Credit: 208,696,464 RAC: 304
Any suggestions on rolling back to a previous graphics driver version?
In Device Manager, under Display Adaptors, right click on the Intel graphics and select Properties. Can you select 'Roll Back' driver there? If not, got to Intel's page for HD Graphics 530 & download a copy of an older driver and install it. NB- for Seti, not using the IGPU (internal GPU) generally results in better work output (more WUs processed per hour). The effect on CPU processing times, and the longer iGPU processing times (compared to a discreet GPU) generally result in less work being done than if you don't use the iGPU at all.Grant Darwin NT
Michael E. Volunteer tester Send message Joined: 25 Jun 16 Posts: 8 Credit: 4,831,884 RAC: 30
Thank you Grant. Grant's guess was correct - the OS is Windows 10 64-bit. In the Device Manager > Properties > Driver tab, , the roll back driver button is dimmed. I cannot install drivers from intel.com because I am using a manufacturer's graphics driver. The processor is Intel Core i5-6400 and that processor lists support for the OpenCL 2.0 API. Maybe I could install an OpenCL SDK? What OpenCL level does seti@home use? I will continue poking around. In the BOINC Task tab (Advanced view), has anyone seen the Status state of Postponed before: Mike
Grant (SSSF) Volunteer tester Send message Joined: 19 Aug 99 Posts: 13125 Credit: 208,696,464 RAC: 304
I cannot install drivers from intel.com because I am using a manufacturer's graphics driver.
Shouldn't make any difference. With addon cards, it's always best to use the GPU chip manufacturer's drivers. Same with iGPUs. Unfortunately the drivers for Intel iGPUs aren't as good as they could be, particularly when it comes to computation. So either download an older copy from your manufacturer's web site, or from Intel's. Intel's would be the better option. Try the current driver, or the earlier driver (Win7/8.1 one should work, or get the earlier manufacturer's Win10 driver) (download & save, then Install).Grant Darwin NT
Michael E. Volunteer tester Send message Joined: 25 Jun 16 Posts: 8 Credit: 4,831,884 RAC: 30
Grant: Thanks for the links. It does not let me install the driver - I get a dialog that states: Clicking the Yes button directs you to: https://www.intel.com/content/www/us/en/support/articles/000005469/graphics-drivers.html Should I consider installing a 'generic graphics driver'? - see https://www.intel.com/content/www/us/en/support/articles/000005629/graphics-drivers.html. This still might be an OpenCL issue,. Sixth generation Intel CPUs support OpenCL 2.0 and seventh-generation Intel CPUs support 2.1 .
Grant (SSSF) Volunteer tester Send message Joined: 19 Aug 99 Posts: 13125 Credit: 208,696,464 RAC: 304
Should I consider installing a 'generic graphics driver'? - see https://www.intel.com/content/www/us/en/support/articles/000005629/graphics-drivers.html.
Yep, that's basically what you've been trying to do.
This still might be an OpenCL issue,. Sixth generation Intel CPUs support OpenCL 2.0 and seventh-generation Intel CPUs support 2.1 .
OpenCL 1.1 is all that's needed for the OpenCL application, however there have been several Win10 updates for Nvidia GPUs that broke the OpenCL support, and installing divers from Nvidia was the best method for fixing it. As to why your system is locked down so tightly as to what driver it will support, I've no idea. Looks like you might have to go to the manufacturer's web site and download an older Intel HD driver from them. With luck, it will let you install that.Grant Darwin NT
Wiggo Send message Joined: 24 Jan 00 Posts: 20479 Credit: 261,360,520 RAC: 489
Yes some manufacturers are &^%$# when they limit driver selection to what they supply. You may just have to go to the manufacturers' website and try all their drivers, but as Grant explained earlier, you'd do better just crunching SETI on your CPU alone as the iGPU shares its cache with the CPU's and this where computing using the iGPU falls apart big time. If you want to do GPU processing then get a proper GPU to do it on (you'll get around manufacturer's driver limitations this way) or just do CPU processing (no cost for better results). Cheers.
Kissagogo27 Send message Joined: 6 Nov 99 Posts: 703 Credit: 8,032,827 RAC: 62
i have to manualy update intel driver with some secret tricks like here
‎10-09-2017 08:47 AM RE: XPS 13 9343 Intel HD Graphics driver update fails Eureka! I found the below-linked thread on the German Dell community forum, where it was suggested to extract/unpack the driver EXE file and install the driver manually from the INF file. It worked for me,. I now have Intel HD Graphics 5500 driver version 20.19.15.4531 installed. The INF file to look for in the extracted files, Graphics directory, is igdlh64.inf.
from here:https://www.dell.com/community/General/XPS-13-9343-Intel-HD-Graphics-driver-update-fails/m-p/5137288#M923877 unpack with Zip or 7zip ;)
Richard Haselgrove Volunteer tester Send message Joined: 4 Jul 99 Posts: 14299 Credit: 200,643,578 RAC: 874
As an aside (though not directly related to the OEM problem in this thread), it might be worth referring readers back to my message 1914455. TL;DR - Microsoft Windows 10 drivers for HD 530 are now good to go, with OpenCL support.
Michael E. Volunteer tester Send message Joined: 25 Jun 16 Posts: 8 Credit: 4,831,884 RAC: 30
Thanks to all those who helped. I forgot about the shared cache memory with an integrated GPU. I was able to eventually find a Intel HD Graphics 530 driver on the OEM's web site and reinstall that driver. I had to click a Detect button on their web site and follow just the right steps in the GUI. The driver version appears to be the same as the one I had installed a few days earlier, so maybe it was a bad install? Or the original download file was corrupt? So I am back crunching Intel GPU work units.
DRIVER VERSION: 15.60.0.4849
This package contains the driver for the Intel HD Graphics. A graphics or video driver is the software that enables communication between the graphics card and the operating system, games, and applications. The update addresses the Intel security advisory INTEL-SA-00189.
Intel HD Graphics Driver for Windows 10 (64-bit) - ThinkPad. Drivers & Software Knowledge Base & Guides How-tos & Solutions Warranty Lookup.
Intel Driver&Support Assistants scan my notebook had update for Intel HD Graphic 530. I download and install driver, at the end of installation.
(Windows* Driver Store Version 23.20.16.4849)
DATE: November 06, 2017
SUMMARY:
HDR Launch Driver
Windows* Mixed Reality† Launch Driver
Here are some of the benefits for developers in driver 15.60.0.4849:
WDDM 2.3 driver.
Fall Creators Update features supported on Intel® 7th gen and newer processor graphics including HDR and Mixed Reality.
Support for Wide Color Gamut
Enables 10-bit HDR playback over HDMI
Enables video processing and video decode acceleration in DirectX* 12.
Support for DXIL*, including DirectX* 12 Shader model 6.0 and 6.1. This allows applications to use shaders compiled with the LLVM-based HLSL compiler from Microsoft*. In particular, it supports Wave Intrinsics, allowing fast sharing of data within SIMD execution.
Improved memory usage in OpenCL* applications
Intel Graphics Driver Update 530 Drivers
Netflix* HDR and YouTube* HDR are available for the first-time ever on the PC, on Intel® Graphics!
This driver enables the Microsoft Windows® 10 Fall Creators Update, thereby providing support for users to experience HDR playback & streaming on systems with Intel® UHD Graphics 620 and Intel® HD Graphics 620 or better, enjoyed on HDR capable external monitors and TVs. For more info please see the whitepaper here.
Escape the everyday to a world even beyond your imagination! With Windows* Mixed Reality†, you can explore new worlds, travel to top destinations, play exciting games, lose yourself in the best movies and entertainment and more. With a headset and a Windows* PC powered by a 7th Gen Intel® Core™ i5 processor with Intel® HD Graphics 620 or better, you can go places you’ve always dreamed - without even leaving home!
This new WDDM 2.3 driver also provides security fixes, support for Wide Color Gamut, enables 10-bit HDR playback over HDMI, and enables video processing and video decode acceleration in DirectX* 12. For a full list of Microsoft Windows® 10 Fall Creators update features, please see here.
Experience the magic of The LEGO* Ninjago* Movie Video Game on processors with Intel® HD Graphics 620 or better.
Battle singing Orcs and score legendary goals while enjoying performance optimizations and playability improvements in the newly released Middle-earth: Shadow of War* and Pro Evolution Soccer 2018 on Intel® Iris® Pro Graphics. Take on The Cabal* and keep the enemy in your sights in these newly released, fast action-packed sequels to legendary favorites, Destiny 2*, Call of Duty: WWII*, and Divinity: Original Sin 2* on Intel® Iris® Pro Graphics.
System requirements for camtasia 2018 mac. Check out the all new look and feel of gameplay.intel.com, where you’ll find recommended game settings for many of your favorite PC games.
Install the Intel® Driver & Support Assistant (previously called Intel® Driver Update Utility), which now automatically checks for drivers on a regular basis and can provide notifications when new drivers are available.
†Windows Mixed Reality requires a compatible Windows® 10 PC and headset, plus the Windows® 10 Fall Creators Update; PC requirements may vary for available apps and content.
This document provides information about Intel’s Graphics Driver for:
8th Generation Intel® Core processors with Intel® UHD Graphics 610, 620, 630.
7th Generation Intel® Core processors, related Pentium®/ Celeron® Processors, and Intel® Xeon processors, with Intel® Iris® Plus Graphics 640, 650 and Intel® HD Graphics 610, 615, 620, 630, P630.
6th Generation Intel® Core processors, Intel Core™ M, and related Pentium® processors, with Intel® Iris® Graphics 540, Intel® Iris® Graphics 550, Intel® Iris® Pro Graphics 580, and Intel® HD Graphics 510, 515, 520, 530.
Intel® Xeon® processor E3-1500M v5 family with Intel® HD Graphics P530
Pentium®/ Celeron® Processors with Intel® HD Graphics 500, 505
CONTENTS OF THE PACKAGE:
Intel Hd 620 Driver Update
Intel® Graphics Driver
Intel® Display Audio Driver (upgraded to v10.24.00.01)
Intel® Media SDK Runtime
Intel® OpenCL* Driver
Intel® Graphics Control Panel
Vulkan* Runtime Installer
Operating System Support
On 8th Generation Intel® Core processors, 7th Generation Intel® Core processors, 6th Generation Intel® Core and Intel® Mobile Xeon processors and related Pentium/Celeron:
Microsoft Windows® 10 64-bit
NEW FEATURES:
Microsoft Windows® 10 Fall Creators update features, found here.
Support for DXIL*, including DirectX* 12 Shader model 6.0 and 6.1. This allows applications to use shaders compiled with the LLVM-based HLSL compiler from Microsoft*. In particular, it supports Wave Intrinsics, allowing fast sharing of data within SIMD execution.
KEY ISSUES FIXED:
Graphical anomalies may be observed in Divinity: Original Sin 2*, Pro Evolution Soccer 2018*, Blu-ray* playback via Cyberlink PowerDVD*
Intermittent crashes or hangs may be observed in DOTA 2* (Vulkan* version), when switching to a lower resolution on an embedded display panel
Performance optimizations and playability improvements in Middle-earth: Shadow of War*
Improved memory usage in OpenCL* applications
Security improvements
SUPPORTED PRODUCTS:
HARDWARE
All platforms with the following configurations are supported:
Intel® Graphics1 How to clean your mac from junk for free online.
DirectX*2
OpenGL*
OpenCL*
Vulkan*
8th Generation Intel® Core™ processors with Intel® UHD Graphics 610/620/630
12
4.5
2.1
1.0.61
Yes
7th Generation Intel® Core™ processors with Intel® Iris® Plus Graphics 640/650
12
4.5
2.1
1.0.61
Yes
7th Generation Intel® Core™ processors with Intel® HD Graphics 610/615/620/630
12
4.5
2.1
1.0.61
Yes
Intel® Xeon® processor E3-1500M v5 family with Intel® HD Graphics P630
12
4.5
2.1
1.0.61
Yes
Pentium Processors with Intel® HD Graphics 610
12
4.5
2.1
1.0.61
Yes
6th Generation Intel® Core™ processors with Intel® Iris® Pro Graphics 580
12
4.5
2.0
1.0.61
Yes
6th Generation Intel® Core™ processors with Intel® Iris® Graphics 540/550
12
4.5
2.0
1.0.61
Yes
6th Generation Intel® Core™ processors with Intel® HD Graphics 520/530
12
4.5
2.0
1.0.61
Yes
Intel® Xeon® processor E3-1500M v5 family with Intel® HD Graphics P530
12
4.5
2.0
1.0.61
Yes
Intel® Xeon® processor E3-1500M v5 family with Intel® Iris Pro Graphics P580
12
4.5
2.0
1.0.61
Yes
Intel® Core™ M processors with Intel® HD Graphics 515
12
4.5
2.0
1.0.61
Yes
Pentium® and Celeron® Processors with Intel® HD Graphics 500/505
12
4.5
1.2
1.0.61
App to mix songs together mac. Yes
Pentium Processors with Intel® HD Graphics 510
12
4.5
1.2
1.0.61
Yes
Note:
Intel Graphics Driver Update 530 Windows 10
If you are uncertain of which Intel® processor is in your computer, Intel® recommends using the Intel Processor Identification Utility or Install the Intel® Driver & Support Assistant (previously called Intel® Driver Update Utility) to identify your Intel® processor.
In the Intel® Iris® and HD Graphics Control Panel (under Options > Options menu > Information Center), the ’Installed DirectX* version’ refers to the operating system’s DirectX version. The Information Center’s ‘Supported DirectX* Version’ refers to the Intel® Graphics Driver’s supported DirectX version. The DirectX 12 API is supported but some optional features may not be available. Applications using the DirectX 12 API should query for feature support before using specific hardware features. Please note that DirectX12 is only supported on Windows 10© and DirectX11.3 support is also available on supported Microsoft* operating systems.
KNOWN ISSUES
Graphics anomalies may be observed in Assassin’s Creed® Syndicate, Titanfall® 2 (6th Gen Intel® Core™ Only), Paragon*, Elex* and other games
Intermittent crashes or hangs may occur in Forza Motorsport 7* (if run on systems with less than 12GB RAM), The Surge*, Tom Clancy’s The Division* (DX12*), The Guild 3*, SiSoft Sandra Benchmark*, Rise of the Tomb Raider*, Handbrake* (during AVC/HEVC transcode), or during playback of 3D video
Long load times may be observed for some tracks in Forza Motorsport 7*
Bezel value may not correctly increment/decrement when using bezel correction in collage mode
More on Intel® Core™ processors
For more information on the Intel® Core™ processor family, Intel® Xeon® processor E3 family, and 8th Generation Intel® Core processors, please visit:
Work and play in high resolution with Intel® UHD Graphics, Iris® Graphics, Iris® Plus Graphics, and Iris® Pro Graphics. Watch captivating 4K Ultra HD (UHD) video on up to three screens, edit photos and videos like a pro, and immerse yourself in vividly rendered, seamless 3D gameplay - all with the added power boost of an Intel® Core™ processor. Intel® Graphics bring stunning visuals to thinner and lighter portable devices, like laptops, 2 in 1s, and desktop computers.
We continuously strive to improve the quality of our products to better serve our users and appreciate feedback on any issues you discover and suggestions for future driver releases. If you have an issue to submit, please follow the guidance found here Default level information for reporting Graphics issues.
*Other names and brands may be claimed as the property of others.
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Dell XPS 17 (9700) review: The 17-inch laptop is back, and it's spectacular
Dell's XPS lineup has been among the best for years, and the company has gradually refined whatever pain points it did have, such as when it used to put the webcam below the screen. But this year, the lineup underwent a major redesign, with Dell chopping down the bezels even more, something that I wouldn't have guessed was possible.
The firm has long touted how small the footprint is on its laptops, always saying that the XPS 15 fits in the footprint of a 13-inch laptop, and that the XPS 13 fits into the footprint of an 11-inch laptop. With the XPS 15 fitting into an even smaller footprint this year, there was room for something bigger.
Dell announced the new XPS 17 in May, and it's the first new XPS 17 in around a decade. If you read my review of the latest XPS 15, then there are pretty much two things to know. The screen is bigger, and it's more powerful with Nvidia RTX graphics. In fact, it's the first XPS laptop ever with RTX graphics.
Obviously, these specs are for the unit that Dell sent me. The base model starts at $1,399.99, although that one has integrated graphics, a Core i5-10300H, an FHD screen, and 8GB RAM.
Design
While the XPS 17 was introduced alongside the XPS 15 redesign in May, this design was actually first shown in January at CES with the XPS 13. This design consists of a 16:10 display, narrow bezels on all four sides, and no USB Type-C ports. Indeed, if you put the XPS 13, 15, and 17 next to each other, they look nearly identical except for being different sizes.
The Dell XPS 17 is indeed the 17-inch laptop that can fit into the footprint of a 15-inch laptop. The most important thing that that means to me is that it can fit into a regular-sized bag. That's not always the case with 17-inch laptops; in fact, it's pretty rare. It's a bit heavy at five and a half pounds, but that's the kind of laptop that this is. It's got a lot of power under the hood, and it also fits into a small footprint. That combination makes the XPS 17 unique.
The top-down view is the one thing that looks the same. The chassis is made out of aluminum, and the laptop comes in a silver color with a chrome-colored Dell logo stamped in the lid.
The sides are silver-colored as well. This was a big change with the redesign since the sides have more traditionally been black. I think this gives it a much cleaner look. But as I mentioned, there are no USB Type-C ports, even on the 17-incher.
Instead, there are four Thunderbolt 3 ports, two of which are on each side. The bad news is that they're not full Thunderbolt 3 ports, so if you're like me and you work from a Thunderbolt 3 dock that has two 4K monitors attached to it, you won't be able to use the full resolution. My workaround was to disconnect one of the monitors from the dock and connect it directly to the laptop. Still, it's disappointing, considering how premium and powerful this PC is.
The cool thing about having two Thunderbolt 3 ports on each side is that you can charge the PC from either side. I know that this sounds like a small thing, but it's really nice, and it's a rarity in laptops.
Also on the right side, you'll find an SD card reader and a 3.5mm audio jack. I'm kind of surprised that the SD card reader is there with everything else being cut, but I guess it's nice that it's there.
Display and audio
The screen on the Dell XPS 17 is a flat 17 inches, compared to 17.3 inches on a traditional 17-inch laptop. The reason for that is because this has a 16:10 display, and to be clear, being that it's measured diagonally, this display is larger than a 17.3-inch 16:9 screen. It comes in your choice of 3840x2400 or 1920x1200 resolutions. Dell sent me the former, and it is absolutely beautiful.
It comes in at 500-nit brightness, so it works great in bright sunlight, and indoors, I only found myself using it at about 25% brightness. It also has 100% Adobe RGB, 94% DCI-P3, and a 1600:1 contrast ratio.
The colors are also nearly perfect, and that actually goes for whatever angle you're viewing the display from. Dell promises a 178-degree viewing angle, and it delivers. You can look at this thing from any angle and not see any visible distortions.
Plus, it's big. I'm not always a fan when companies make taller screens like this because it means that it's also narrower. But at 17 inches, there's plenty of screen real estate for everything.
The company also has something called Dell Cinema, which includes CinemaColor, CinemaSound, and CinemaStream. CinemaColor includes HDR technologies and more, and there's actually an included app that lets you apply different display settings such as movie, evening, sports, and animation.
The bezels are small, but that doesn't mean Dell removed the webcam, or moved it. It's shrunken down to fit into that tiny top bezel, and there's an IR camera for facial recognition as well. You're not making any sacrifices in that department like you would have been in the old days.
CinemaSound has to do with the Waves MaxxAudio Pro speakers. There's an app for that too, but this one is called MaxxAudio Pro instead of CinemaSound. The XPS 17 has large speakers on either side of the keyboard, and they sound fantastic. The dead giveaway is that it has both woofers and tweeters, a rarity on laptops.
Indeed, this has four speakers, two of which are 2.5W and two of which are 1.5W. Obviously, they're used for different frequencies. If you're looking for sound quality and volume in a laptop, you definitely came to the right place.
Keyboard and trackpad
The keyboard found in the XPS 17 is the same as can be found in its other clamshell laptops. Dell does have a technology called MagLev that it uses in the XPS 13 2-in-1 and XPS 15 2-in-1, but perhaps surprisingly, the technology didn't make it into the smaller, redesigned clamshells.
Dell didn't add a numpad, which is a decision that I'm happy with. I'm not a fan of the numpad, and it's not even easy to ignore because it moves the regular keyboard to the left, leaving it off-centered. I'll take the quad-speaker setup instead.
Key depth is 1.3mm, which is pretty standard for a consumer laptop these days. It's quite comfortable to type on, and it's definitely one of the better keyboards in a consumer laptop. If we were talking about commercial laptops, that might be another story, but we're not talking about commercial laptops. I find that I make very few mistakes with this keyboard, something that I do appreciate after using some keyboards that I've had some issues with.
There's a power button in the keyboard, which doubles as a fingerprint sensor. Unfortunately, you do have to scan your fingerprint after the PC boots up, as opposed to how everyone else with a fingerprint sensor in the power button does it, scanning your finger before it boots up.
Dell considers this to be a security issue, assuming that you might walk away from your PC between when you press the button and when it boots up and someone might sit in front of it. I have a bit more faith in the user than Dell does, and I think you'd get to know your PC and whether or not you're safe to grab a cup of coffee while it's booting up.
My favorite feature of the XPS 15 is on the XPS 17, which is that the Precision trackpad is massive. Huge trackpads are something that Apple introduced on its MacBook Pro PCs a while back, and I've been waiting for a Windows OEM to follow suit. If the real estate on the keyboard deck is there, I say use it. The large, clickable trackpad feels great, and it makes drag-and-drop operations a breeze.
Performance and battery life
Both performance and battery life are excellent on the XPS 17. This thing is great for anything. I used it for things from gaming with Forza Horizon 4 and Halo: Reach to 4K video editing to general work. Sure, there was the occasional bump in the road, particularly when it came to gaming, but it absolutely handled anything that I threw at it.
After all, this thing has top-end hardware for its class. It has an Intel Core i7-10875H processor, which has eight cores, 16 threads, and a 45W TDP. It's the better Core i7 from the H-series, the other one being the hexa-core Core i7-10750H. It's only bested by the Core i9-10885H, which is available in the XPS 17.
For graphics, it comes with an Nvidia GeForce RTX 2060 Max-Q with 6GB GDDR6. With RTX graphics, it supports things like real-time ray tracing and deep learning super sampling (DLSS). RTX graphics was how I knew it would support some solid gaming. You can get it with integrated graphics if you don't want the power at all, or you can get it with an Nvidia GeForce GTX 1650 Ti.
Keep in mind that this is a creator laptop, not a gaming laptop. It uses a 130W charger, while most gaming laptops are closer to the 230W range, and it doesn't have the thermals for it. This is primarily a work machine, but I'm here to let you know that it does have the power to play as well.
Even more impressive is battery life. I often say that you have to choose between power and battery life, and with the UHD+ display, you can bet that this uses a lot of power. I used it with the power slider one notch above the battery saver, and with the screen at around 25% brightness. I can tell you that you can easily get six hours out of this, and in many cases, you can take it further than that. With general work, I was able to get up to eight hours.
Of course, the touchscreen model comes with a 97Whr battery. In other words, this has one of the biggest batteries that you'll find in any laptop (much larger and you can't take it on a plane). The non-touch model comes with a 56Whr battery.
For benchmarks, I used PCMark 8, PCMark 10, 3DMark, VRMark, Geekbench, and Cinebench.
If you're not the type to go through benchmark scores, all you need to know is that this is a powerful machine.
Conclusion
My biggest complaint about the Dell XPS 17 is that it doesn't have full Thunderbolt 3 ports, which would have been able to handle two 4K displays on a single port. If that bothers you too, just wait for the next one. Intel's next generation of CPUs is going to support Thunderbolt 4, which is really just the full Thunderbolt 3 that I'm describing. My other gripe is that there's no cellular model. I realize that it's something of a rare feature on more powerful laptops, probably because it uses battery, but I don't care. It's 2020 and I should be able to work from anywhere.
Let's be clear that this is an absolutely incredible laptop that's nearly perfect. It's an absolute pleasure to use, no matter what you're using it for. If you're playing games, it can do that. If you're streaming movies, it's got a killer HDR display and stunning speakers. If you want to edit video, it's got the power for that as well.
All of it comes in a beautiful chassis and yes, a small footprint. The fact that this thing has a 17-inch display and can fit in a regular bag is a feat of engineering. Honestly, the Dell XPS 17 is in a class all its own, and I can't think of anything like it. If you're looking for a laptop that can do everything, this is it.
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5 Terrarium Tv Download Concerns And Just How To Resolve Them
What Is a Smart phone?
In December 2016, Google introduced a Relied on Get in touches with app, allowing customers demand location-tracking of enjoyed ones throughout emergencies. The tool codename is usually not noticeable to the end user, but is important for figuring out compatibility with customized Android versions.
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Having numerous places for web content as well as details can confuse your target market merely because it raises the possibility of having different, contrasting info in between your platforms. You never need to stress over details running out date or out-of-sync between both platforms. With an application, your modifications depend on your users; they will not see the updates up until they download one of the most recent version of your app. When and also just how numerous updates you can make, you likewise do not have versatility of. Regrettable, you'll need to wait till you're ready to launch the following variation of your application.
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When terrariumtv.site/ placed in the HDMI port of a television or a monitor, this gadget turns that display right into a computer. Chromebit permits including a keyboard or mouse over Bluetooth or via the USB port. Acer Inc.Acer Chromebase 24BuddyCeleron 3215U4 GB23.8 in (60.5 cm) 1920 × 1080-- Chromebase is an "all-in-one" Chrome OS device. The very first such design was launched by LG Electronic devices which integrated a display, audio speakers, 1.3-megapixel web cam and microphone, with a suggested list price of $350. The company revealed the item in January 2014, at International CES in Las Las Vega.
Ideal Anonymous Texting Apps for Android.
You may not locate all the wealth of ShowBox on Pluto but it is straightforward, lawful and free. HitAnime can be said as aShowbox Counterpart for Anime Movies, Collection and also Manga Shows. The application allows you watch and also download the most up to date Japanese Anime not long after its launch completely free. You can also personalize the application to delight in more than 5000+ popular as well as demanding Anime Reveals and Movies. In instance if you deal with any kind of issues with the playback there are choices to switch between servers.
Mobile Modern Technology as well as Education And Learning.
When, due to data transfer limitations each cell will certainly have a maximum number of cell phones it can handle at. The cells are for that reason sized depending on the expected usage density, and also might be much smaller in cities. In that situation much lower transmitter powers are made use of to avoid broadcasting beyond the cell. In 2020, consisting of both wise and also function phones, the existing number of cellphone users is 4.78 billion, that makes 61.62% of individuals in the world a cell phone proprietor.
Whatever from American football to Brazilian soccer to Indy 500 is readily available. For those unmissable games, you can set notifies and also adhere to particular suits as they unravel.
Android 11 Developer Sneak Peek is right here!
What are safe websites for free movies?
4) POPCORNFLIX While PopcornFlix is said to be perfectly legal to use, do not confuse it with the very popular 'Popcorn Time' streaming site which is arguably illegal for streaming content they do not own.
You develop interface to produce and also see tweets, as well as you connect those UIs to the back-end database. Recently developed tweets are conserved in the data source, and also formerly kept tweets can be read from the data source. When you construct the front-end of your application, you are producing the app's User Interfaces, and also you determine what needs to happen when individuals connect with your app.
Is Moviebox same as ShowBox?
In most of the Western world, displaying content that was not obtained through the proper licenses is illegal. However, 123Movies and similar streaming sites often operate in other parts of the world. There is no disputing the fact that 123Movies is not legal in the United States.
Take a look at these great complimentary step streaming sites and also our pick of the 100 best films to stream free of cost now. TVZion isn't actually the greatest choices to ShowBox but I guess we do not have a great deal of alternatives anyhow. With a solid content library as well as a cool interface, TVZion does use excellent home entertainment experience. Nevertheless, it's just not as good as the others on this list, especially if you contrast it to Movie theater APK and also Titanium TV.
Find out more Concerning Showbox.
's suggestions for the very best free movie streaming websites which are lawful and in fact work. I hope you like my checklist of ideal free motion picture streaming websites without join.
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