#but i don't think there have been any published books?

[min-kit]

"i think that's what's bothering me. they're definitely playing with the romcom tropes but don't seem to want to give us the romcom resolution."

Okay, as an aspiring author. This is it. I think you hit the nail on the head. There are rules to genres in books. Things you have to meet. Yes, 911 isn't a book & while it's not a crime show, it'd prob be closest to crime serial. However, there are sub-genres. And they set this up as a romcom. Everything from the start, including interviews, said this is a romcom.

Now i knew enough that maybe they wouldn't exactly be "endgame" cuz I believe that ABC wants 911 to be another Grey's. That's a LOT of seasons, but still, that aside, BuckTommy was being played as a romcom in a way that the other ships have not been. And any agent/publisher will tell you that the MAIN RULE to a romance/romcom is this

It MUST HAVE a happy ending.

That is the one rule you can't ignore. It can not be labeled a romance/romcom by genre definitions if it does not have a happy ending. It can have drama! the break up! but genre conventions promises the big gesture. It promises something will happen that they get back together. So this entire plotline has been played like a romcom, building all the way to Buck asking Tommy to move in.

Then the 3rd act break up comes in. And I wasn't worried because OBVIOUSLY this is moving towards the big gesture & Buck fighting for his man & (at least for now) they'll be fine as they get through the romcom story that has been set up to this point.

Then the interviews pulled the rug and was like "lol nope thats the ending. it's over. tommy is gone. they're broken up for good".

They broke genre convention after promising a specific genre/story. & that betrays the viewers trust. They shattered it with shitty writing and an unfulfilled promise. And THAT is what I can't forgive. THAT as someone who loves stories and wants to write them for a living is what pisses me off so much. (you know aside from the biphobia and not standing up against those awful ppl but focusing JUST on the show here)

I just feel utterly betrayed as a viewer & lover of stories & writing.

Tommy has clearly been hurt before in previous relationships with baby queers, but instead of exploring that and making them have a deep, meaningful conversation about that, the writers decided to just break them up???? that's lazy writing and honestly it doesn't make any sense narratively, especially having in mind the previous episode. if this is really the end for buck and tommy, then it was a completely useless story arc, they used tommy as a tool for buck's sexual awakening only.

[sweetprfct]

Bookshop Conversations

Joseph Quinn x Fem!Reader

Summary: A meet-cute with Joe at a bookshop cafe was something you didn't expect. Being a lone wolf for a year now and still being haunted by your past, could you open up your door for him and give love another chance?

Author's Note: I have been staring at a blank page for more than a couple of months, almost every day. Wrote unfinished one shots and series and then scrap it up and toss it in the bin. Been going through a really dark time personally (and still is). Events of the last few days after election didn't help either. Writing is art and art always gets me through a tough time, so that's why I'm here. I haven't been updated to any news in this fandom, and I plan to stay that way. I plan on coming here and publishing and interacting through DMs and ask box about positive stuff about my fics only. This idea appeared just a couple days ago, and it started igniting back some inspiration. Am I back? The answer is: I don't know. I'm taking it slow. Let's take it slow, okay? So, here's a new short series. I've missed some of you, and I hope you enjoy this because I'm winging it with no plot notes. LMAO.

Disclaimer: 18+

Wordcount: 1.7K

part one - part two - part three - part four - part five

The soft pitter patter of the rain hit the wet, glowing pavement outside. Cars passed by from time to time and people walked down the streets, holding their umbrellas above their heads. There was something about this weather that made you feel warm on the inside. Most people would feel doleful with this kind of weather, but not you. It filled you with a warm feeling that it would pool in your stomach, almost bursting and invading your veins. 

It felt peaceful. 

This cute bookshop cafe that stood on the corner of your street was the only place that made you feel safe lately. Autumn season was starting, and the trees were turning into their orange and yellow hues, surrounding the city of London. The string of light bulbs that hung around the bookshop cafe and the dark wooden shelves made the place feel cozy. It was almost like you were stepping into another world when you entered this place. 

Claire De Lune was playing in a low volume around the shop as you picked up your cappuccino and took a sip. You have been sitting at the small table beside the window for about an hour now. Your head had been stuck in your book, your focus totally disappearing from the world around you as you indulged in a different universe. 

Moving to London was something you had been thinking about for several years now and, knowing the fact that you finally made it, you couldn’t help but feel at ease. The troubles you left behind in California seemed so far away now, even if it still lived in the back of your mind. There were certain things that you still thought about, still feel the pain from the experiences, but you pushed it away. Something you seemed to be an expert on lately. 

This place has been a peaceful solitude for you. It was quiet enough for you to enjoy the peace whilst reading your book, but also enough crowds for you to not be able to drown in your own deep thoughts, unlike when you were all alone in your flat. 

“New book?” 

You had paused from your reading and had been watching the raindrops roll down the glass window, letting your brain play the game of which raindrop was going to roll down first. Turning your attention away from the window, you looked up to see Sara, the owner of the bookshop cafe. Her light brunette hair was in a ponytail today, hazel eyes twinkling in curiosity. She was wearing her usual apron, while carrying a coffeepot in her hand. 

“Um… yeah. Just got it the other day.” You smiled softly. 

As much as you and Sara had a lot in common and actually had pretty good, interesting conversations, you couldn’t help but distance yourself from her. She was always kind, and her eyes always twinkled with sincerity. It wasn’t like she was the problem. It was you. You had closed yourself off too much from other people, especially strangers. As much as you would love to be friends, there was a part of you that kept hesitating. 

Sara tilted her head and squinted her eyes towards the title of the book you were holding. 

“Oh, Little Women.” She smiled. “That’s a good one.”

“Yeah.” You gazed down at the book cover before looking back up at her. “I have never read the book. Thought I should finally do it this time.”

Sara nodded her head in agreement. Just right before she could say something else, Sara's attention turned to the front door when it opened. 

Both of your eyes caught a man with curly brown hair walking in. He was wearing a navy trench coat and carrying an umbrella. The cold breeze trailed behind him, blowing it through your hair. Sara immediately walked up towards him with a smile. You watched as she greeted him kindly and asked if there was something she could help him with. 

You couldn’t help but reel in the sight of him the moment he gave her a soft smile. From the two months of you hanging out in this shop, you have never seen someone so alluring walking into the shop before. Your eyes were glued to him, and you couldn’t seem to peel them away. 

“Thank you.” He murmured to Sara before disappearing between the tall bookshelves. 

Looking away, you cleared your throat and felt your cheeks ignite as you tried to focus your attention back on your book. You picked up your cappuccino and took another sip when you caught sight of him again when he passed by in front of you. You looked at him through your lashes until you realized how ridiculous you must look in front of him. 

His chocolate button eyes immediately caught yours, making you glance away from him instantly. Your cheeks were as red as a tomato at this point as you set your cup down on the table and focused on the book you were reading. There were a million thoughts running through your mind, cursing yourself for being so weird. He must have thought you were strange for staring at him since the moment he entered the shop. 

From the corner of your eye, you could tell he was smirking slightly as he looked through the books in front of him. Your eyes studied the shop and there were only a couple of people hanging around, looking through the books or sipping coffee and reading their books. You couldn't help but curse at yourself mentally again for bringing so much attention to yourself in front of him. 

You hated the attention, and you certainly didn’t need a stranger’s attention when all you wanted was to enjoy your book and mind your own business. 

“That’s a classic.” He interrupted your thoughts.

You just now realized that you have been reading the same line in the book repeatedly because your mind was distracted by him. When you slowly gazed up at him, you saw a kind, soft smile tugging on his lips, and you swore you felt your knees went slightly weak. 

“So, I’ve heard.” You replied, giving him a slight smile back. 

There was no going back now. 

Now that he was standing near to you, you could see the freckles on his face and his long lashes fluttering softly. A strand of curl fell perfectly on his forehead and little drops of water from the rain covered his trench coat.

Your eyes fell on the book he was holding before biting your lower lip. You have read that book because Sara had recommended it to you before, and you knew what was the text behind it. It sure made you glad that he wasn’t afraid to read things like that. The man glanced down at the book he was holding before snickering.

“Something wrong?” He asked.

You shook your head, biting down your inner cheek to stop yourself from smiling. It wasn’t like the book was all… sex. It was about finding yourself and knowing what you want. Although, knowing the people you had before in your life, they certainly judged you for reading something like that. So, you couldn’t help but have that glued to your brain that maybe those kinds of books weren’t really everyone’s cup of tea. 

“Nothing wrong with a little… erotica.” You murmured before he chuckled softly. 

“I think it’s sexy.” He gave you a small smirk, studying the cover page of the book. “I’m assuming you read it before?”

“Um… maybe.” You gave him a playful smile.

He hummed approvingly, “So, tell me… Is it really just about… sex?”

He squinted his eyes at you, and you could tell he was teasing. Leaning back in your chair, you marked the page that you were reading and closed the book. 

“No, it’s about the characters finding themselves and how intimacy can be in different ways other than just physical. I don’t want to spoil too much for you, though.” 

He stared at the book cover again and nodded in agreement.

“I guess I’ll just have to give back a review when I finish it.” Smiling, his eyes studied you for a moment before walking away. 

What did he mean by that? 

You stopped yourself from getting up from your seat as he made his way towards the coffee counter. It was rare for you to encounter certain people that pull your gravity towards them. The moment he entered the shop, you felt that pull already. That micro conversation that you both just had, you already felt the spark between you two. 

Letting out a small sigh, you pushed the thoughts away and told yourself that he was just a stranger. 

A stranger with a nice smile. 

For a few minutes, you went back to indulging yourself in your book, finishing your cappuccino before you heard the front door open. Feeling the breeze through your hair again, you glanced up to find him giving you a warm smile before walking out the door. 

Accepting it, you knew it was one of those rare occasions where you would meet someone interesting and lose them forever. It wasn’t like you were interested in meeting somebody these days, but sometimes, you couldn’t help but think that it would be nice too to have a small meet-cute in a bookshop.

God, you have been reading too many books lately. It was getting in your head.

“Seems like someone has taken an interest in you.” Sara smiled, placing an apple turnover on a plate for you. 

“I didn’t order this.” You shook your head, pushing the plate towards her lightly.

“Someone did for you.” Sara winked. 

You turned your head to the side, side eyeing her before Sara chuckled softly at your reaction. 

“That cute man just asked if you were a regular customer here.” Sara explained. “Don’t worry, I didn’t give out any details. Though he insisted on at least getting you a pastry.”

Staring at the apple turnover that was in front of you, you bit back a smile before looking out the window. He was gone, and you didn’t even get the chance to thank him. 

You couldn’t help but wonder why he did such a gesture. 

***********

Taglist:

@palomahasenteredthechat @sunvick @eddies-acousticguitar @demonsanddemogorgons @joesquinns @mmunson86 @ghostinthebackofyourhead @corrodedcoffincumslut @figmentofquinn @tlclick73 @munsonluvrr @ali-r3n @quinnyficsy @capricornrisingsstuff @missonlypost @ali-in-w0nderland @amberolivia666 @lalalala-melmosworld @niallersfreckles @nanas-lasagna @emma77645 @indulgence-be-thy-name @readergf @ladamari68 @1paire2vans @d4rk4ng3l86 @paleidiot @josephquinnsfreckles @readergf @mvnsonlover @mdurdenpitt @siriuslysmoking @blueleonor @bejeweled13swiftie @reoalessandra

[bomberqueen17]

aight poll results

Huh I haven't really done a poll before, I kind of thought there'd be somewhere you could like, see the results. But no. I just have to scroll back and find the post. And since I made it not rebloggable I can't reblog it either, LOL.

So anyway. It's not quite-quite closed but there's more votes in it than I thought there would be, and I'm going to discuss it behind this lil cut here.

[Image ID: a screenshot of poll results showing 14.5% for the sweet summer children era, 85.5% for the older sea-dogs, 55 votes cast, almost four hours left in the poll.]

After making this poll I went back to my Just Write Some Scenes approach and noodled around some more. My first attempt had been to come up with this whole elaborate Save The World plot, and then try to introduce the crew to each other right at the start of it, and after tripping over that and falling flat on my face, that's when I reconsidered and made the poll. Mostly I just. Need other people to remind me that I'm not alone in the wilderness here, LOL. And you know the quite-contrary "I need advice but mostly so I can identify that when someone tells me to do the thing I don't wanna, that means there's a thing I didn't want to do, which means there is a thing I DO want to do, and now I can narrow down what it is" impulse, yes?

But it's gratifying to find that I've voted with the majority here.

So my main consideration here is that while I cannot really reuse any of the scenes I wrote as fanfic, I can absolutely carry over every bit of the character dynamics. The canon events, I can't translate. The fanfic character work, yes. (What that means to you, dear readers, is that I thus can totally just publish the fanfic at some point LOL, so I'll... try to do that if I can ever manage to become sane about it.)

I don't know that I've fully explained, here-- I fully have a 125,000-word fanfic already complete for this fandom. Like, it is 125,000 words long, and goes from before Master and Commander to... I'm at about the middle of Ionian Mission. That's book nine. And it's all the gapfills and everything from Tom's POV. And I have a few more scenes I'm still writing, but what I have is quite a novel already.

If I took the characters from their Master & Commander Book 1 era and file the serial numbers off and try to instead give them this plot, then I have to cram in every bit of the getting-to-know-you shit, and also worldbuild the whole setting, and then also have them save the world. It's not that I can't do this, but I have this huge shortcut where I've already been working with these guys (and you know how fanfic works, I've subtly warped them from canon because these are side characters the canon author did not devote all that much time to. There are several times when Mowett did something in the first book and by the eleventh or twelfth, Stephen firmly remembers it as something Pullings did, and the narrative treats him as correct, and I genuinely think that O'Brian forgot, unless he was trying to make a point about Stephen's memory issues that he then didn't entirely follow through on. It happens more than once. Also there are a number of occasions when the narrative asserts that Mowett was present for books when he was not; he does not appear in book 3 for example, but is afterward treated as though he'd been there. "They've been together since their youth!" they haven't been in the same hemisphere in six years. Anyway.)

I've been working with these guys for the length of a novel already. So what I can do, and what I think I'm going to do, is that I'm going to just pretend that I've already rewritten a serial-numbers-filed-off version of the first volume, and dive in at circa the book 5 section of the fic, and insert this adventure at that point. Which gives me a certain rank for each character-- Pullings and Mowett would be lieutenants with some seniority, Babbington would be a newly-made lieutenant, Aubrey has moderate seniority, his relationship with Maturin is fairly mature and has weathered some storms and come out well, he's rescued Maturin from torture, Maturin is slightly washed-up with the intelligence people and is addicted to drugs but recovering-- and from the fanfic side (spoilers for the as-yet-unedited-and-unpublished fic!), I've established Pullings in his marriage, given him his checkered career (Indiamen and transports), he has two children, and also he and James and Mrs. Pullings have worked through a bunch of their shit and figured out that they should all have a threesome sometime. But, crucially, they have not had this threesome yet.

So it's like-- a ton of deep character work, that I can just plunk us into.

(I haven't figured out a new naming structure yet so I haven't find-replaced and I'm just writing with the old names, which is hilarious the more I diverge from canon.)

It's not that I don't want to tell that first story, of them all meeting up initially, but I think it would be easier to go back and write a prequel after having done the Big World-Saving Plot.

Anyway-- some serial-number-filing notes here:

Aubrey is going to be a woman because then if I write her exactly the same it comes across wildly differently and I am absolutely dying to see what effect it has. Translating Jack's particular confused helplessness around women makes this new Aubrey into an extremely awkward lesbian and I love it. (Still fat, crucially. Still six feet tall. She might not be blonde, though, depending what I do with racial dynamics in this 'verse. Doesn't matter, as calling a woman Goldilocks is less hilarious than a man.)

Maturin is still a dude. They still have absolutely zero sexual chemistry, but profound deep interpersonal love. (This is bookverse, guys. Sorry the gay movie version is great but that's just not where I'm going here.)

Instead of having a lower-class accent and antecedents, I'm translating Tom into being somehow visibly biracial, which can give the same impediment to his being taken seriously for promotion as in canon, but also lets me tie this into the other books I've started in the land-based part of this verse. His mother is descended from mainland mammoth-herders, and I haven't decided what visual characteristics that gives him but it's enough that he gets called racial slurs occasionally. As in canon, Aubrey doesn't particularly notice these things, and cares only that he is competent.

Babbington is a trans dude so I have to figure out how that works in the worldbuilding but this is an extremely useful thing to have and will illuminate all kinds of awesome things for me. As a bonus, it can just be background established fact in the first book I write, and can be a plot point in the prequel if I do come up with anything cool in the worldbuilding, but if not it can just be a like low-key background thing in the prequel too. Who knows! It gives me a ton of material either way. Has potential to establish vivid character dynamics in a minimum of words, I think.

I was trying to solarpunk-ize solid-shot cast-iron cannons and seem to have independently mentally invented electromagnetic rail guns, so I have to research that somewhat but I think I have some good worldbuilding foundations based off that. !!! Exciting. I especially love the idea that the ships can collect and store potential energy that they can use either for propelling the ship without wind, or for firing guns, and so manoevering with sails still carries enormous tactical value because if you can get in position to fire your shots without having expended your generated power, you'll have much more success in battle; conversely, if you realize you're in a poor tactical position, instead of throwing your guns over the side as in the napoleonic era so you can flee faster, you simply empty your power generation banks into your propulsion to get the fuck out of there. And it makes it more solarpunk post-collapse-friendly by having tactics that can prioritize things other than massive loss of life, which doesn't hold with the dynamics of precarious population levels in the other books in this 'verse. Life was cheap in Europe in the 1800s but that doesn't work here. I love the idea of the "battles" being almost entirely manoevering, and it being plain impossible to have just yardarm-to-yardarm prolonged hammering except by rare circumstance.

So anyway that's where I'm at. So far. Stay tuned i guess? Thanks for reading this far, anyone who does. <3

[thistaleisabloodyone]

I've been watching a lot of YouTube documentaries about tornadoes (YouTube recommended one to me mid-tornado watch a few weeks back and I was "well, why not") and I've started being like "My boy, Dr. Fujita!" every time Dr. Fujita comes up 😂

[fuchsiamae]

alright, for my own use and (in)sanity, let me posit a couple of lutece-focused timelines here

given the facts:

1889: "Barriers to Trans-Dimensional Time Travel" is published (this is SO early and contains specifics about crossing over which would be impossible at this point, so I'm gonna assume it was retroactively planted by R. Lutece to help their past selves along, there's NO WAY it could be chronologically correct here)

1890: Rosalind has already demonstrated the Lutece Particle

1891/92: Zachary Hale Comstock comes into existence

1893 (no earlier than May): Columbia's launch at the Columbian Expo in Chicago

1893, Oct: Robert and Elizabeth cross (I think we're meant to assume this is his first time crossing, since Rosalind's voxs from this time sound current, the kind of thing she'd make for a disoriented brother who needs to be caught up to speed)

Things that happen in like 2.5 fucking years between 1891-1893:

Comstock starts his cult of personality and gets enough attention to gain political influence

Comstock sees Rosalind's work, pitches Columbia to Congress, and gets her funding

With said funding, Rosalind is able to build the tear device, which Comstock starts using frequently for his bullshit prophecies

An ENTIRE FUCKING CITY is built and readied for launch

Comstock is already freaking out about having an heir (which yknow what, normal behavior for a megalomaniac 20yr old man, I'll buy it), and is already sterile, ostensibly from exposure to the tears

Robert could have made first contact with Rosalind at basically any point in here, We Just Don't Know. options:

EARLY

if all she needs to make contact is the Lutece Particle that's quantum-entangled with his, this could happen early in the timeline, possibly even pre-Comstock. say they're both studying the particle, but neither has the resources to do more than whisper through the wall, until she gets Comstock's funding and is able to build the device (possibly with Robert's help from his side).

adds a very sweet penpal dynamic in the period when they can talk, but don't yet see a way to do more than that. and adds the weight of time to their relationship, the longer they've been talking the more connected they'll feel and the more they'll want to ("finally," she says) be together.

fun to start them off in a more even place, before she outstrips him with better funding. and kinda nice to keep him involved, if he's been helping her from his side, makes him more useful/relevant than if she does all the work of creating the tears by herself.

means Robert's been in her life longer that Comstock has, which isn't important but feels better. fuck that guy.

potential specific explanation for "Barriers" being dropped into the timeline So Fucking Early: maybe it contains hints they need to contact each other, ensuring they do it BEFORE Rosalind meets Comstock, so that erasing him won't cancel it out. (logically if that were the case erasing him could also erase the book, since the events that made it possible wouldn't have happened, but they might think it's worth a try anyway, who knows how this shit works)

LATE

if Rosalind does it all herself (with Comstock's funding) and meets Robert once she's already built the device and is studying tears

if all they need to contact each other is the atom, why didn't they find one another earlier? if she needs/uses the tears to find him, what's the "whispering through the wall" stage about if she could just open a tear right to him?

could justify it by saying that working on her own, she couldn't control where the tears opened to, giving Comstock random glimpses of things to bullshit with. maybe contact with Robert let her anchor the other end of the tear in his universe with his help, where she couldn't have done it intentionally without him.

and I'd buy them being impatient to be together even if they JUST made contact, because haven't they always wanted this (and his reluctance when faced with actually crossing, if he's still new to the tears and really he only just met this woman)

am I missing anything? I'm sure I'm missing something

really any placement works, there's no right answer, it's all vibes (I hate vibes-based decision making)

time to break out my clown shoes again

I'm back on my "trying to parse fine detail from the timeline of a game that wasn't meat to be examined" bullshit

it's fucking bioshock infinite this time so this is a fool's errand from the start (which I suppose is thematically appropriate)

[essektheylyss]

Not gonna lie, both vindicating but also deeply sad that every single literary magazine I've looked at recently, having visited those site in the past, has edited their submission requirements to specify that AI work will not be considered.

And at the same time, I'm extremely fearful of how many writers are going to give up writing when it becomes impossible to tell AI from real anymore, and markets are utterly saturated with content to the point that getting anything published is nearly impossible as scammers try to make some quick change.

I imagine it wouldn't be worth it in the long run as a scam, because it doesn't exactly pay to write these days even prior to this, so it may then die out within a couple of years, though that might be optimistic given the plagiarism that makes it into the Amazon self-publishing realm. But even still, I do worry that in the meantime it's going to push writers out and force already struggling lit mags to shut down, and I'm so, so worried about it.

[sherlock-is-ace]

.

[ftmerriweather]

Guys I just realized I'm 6 weeks out from finishing the draft of my current novel. That means that, even though I skipped a few weeks, I did one chapter a week last year for Beela.

Current game plan is to finish Beela's third book in edits this year and next (it's long and only going to get longer), let it sit for a month or two, then spend the following year doing all the edits my writing group suggested, as well as the threads I dropped before.

So in 2-3 years, Beela will be query-ready. I've been working on this book since 2016 and the thought that it'll ever be query ready is wild. I want Beela to be out there and all that, but the idea that my book will be published, and this book in particular, is wild.

I remember when I was writing it just to purge the fact that I was depressed and closeted. Now my MC has come out twice and is finding acceptance among their friends

[romanoffmorelikebromanoff]

okay, so I think maybe reading too much fic has affected how I approach actual books, but only specifically when they're star wars books that deal with the star wars main characters, bc I'm reading bloodlines rn (by Claudia Gray) which is about Leia and I am enjoying it! but for some reason reading Official, Totally Canon Leia feels weird even though it's objectively not

[a-b-riddle]

Part Three

Warning: If you don't like Taylor Swift, you're not gonna like this chapter that much, homie. But So Long, London is so fitting for this drabble series. (I guess a series since it's longer than a drabble at this point)

Can’t stop thinking about reader just trying to move on

You had to remind yourself several times not to check in with the guys. It had almost become second nature doing something big like this. But going to another country…

Not that they would care. You told yourself. It was for the best that way.

The expo went better than you expected. You didn’t believe that there would be a line out the door of eager readers wanting to read your book, but you got a decent amount. More than a few told you they couldn’t wait to read it. Several asking for photos and asking questions on any future books, a spin-off or even continuing the series.

When one a particular large group of girls your age asked for a group photo, you could have cried. They were had found each other in an online book club. You had given them your book several months ago. All copies signed with a note thanking them for taking the time to read what you had poured your heart into.

You had spent a large chunk of your free time talking to them. Bonding more so as women than over your book.

"Have you listened to Taylor's new album?"

It had only been out for two days and you had been able to avoid it like the plague. You didn't need to even listen to 'So Long, London' to know it would fucking gut you. So you would enjoy your time in the states. Save the listening experience for when you were packing up their stuff.

They had posted and tagged you before continuing on with the rest of the expo. You had reposted the photo to your own social media. Or at least one attached to the pen name you had crafted. You only had twelve thousand instagram followers, but it was something.

The first day was much like the second. You had attended several Q & A sessions with a panel of more experienced authors and managed to go to a few meet and greets. Before you knew it, it was time to pack up shop.

The agent the publishing house had assigned to you had stuck with you for most of the day. You were able to pick her brain a bit about new ideas for possible future plot lines and her thoughts. Overall, the trip was great.

Not only were you able to make great connections and take a lot back home with you to reference, but for a few days you forgot what waited for you back home. Or rather what wasn't waiting for you.

By the time your plane landed back in London you could barely hold yourself up. You left the expo, went straight to the hotel to shower, pack and head to the airport.

Your flight was delayed. Your luggage was taking forever to get onto the belt. It was only seven, but fuck if you weren’t ready to just call it a day. Tomorrow you would have to start again. Opening up the shop. Coming back to an empty flat. Maybe start gathering up the items the boys had left behind.

Should you give them in separate boxes or just one giant one and let them sort it out themselves? It was easy to discern whose sweatshirt and t-shirts belonged to who, but when it got to things like socks and chargers...

Yeah.

They could sort it themselves.

You could drop it off at Kyle's when you knew he would be at the gym. He was good at avoiding you anyway.

It wasn't until you stood in your apartment did it hit you.

You were alone.

For the first time in over a year you couldn't call one of them over to soothe that ache of loneliness.

For the first time in over a year, you had to relearn how to handle just being alone.

You usually showered at night. Washing away the grime of the day before settling into bed. But today was a new chapter. You woke up wanting to start it on a good note. Plus you went straight to bed after getting home so you still had a bit of airport funk on you.

It had been a week. One official since you had sent that text nailing the coffin shut. You had touched base with your friends who didn't bat an eye at you dating four men at once. They liked them, even if Simon scared them. You didn't give them the details of the breakup or the cause. You were pretty private in your problems and if you wanted relationship advice, you would seek an unbiased unopinion.

You had a good group of friends, but the moment you told them that you were well and truly heartbroken, they would insist the best way to get over someone is to get under someone else. Something you were nowhere near ready for.

So you needed to look like you had your shit together. You put on a dress that was feminine and, most importantly, comfy as fuck. An A-line floral frock paired with a light sweater and some white trainers. You knew a few of your friends would be stopping by for tea so you need to look like you were taking the separation well. Even if you were barely holding it together.

With makeup and perfume on, you started the early morning stroll to your shop.

You loved openings. Starting up the register and selecting the playlist for today. Picking out the essential oil to put in the diffuser even though you mostly stuck with a lavender and vanilla blend during the spring months.

For the morning you stuck with a Taylor Swift Instrumental playlist you had found initially for studying, but you liked the peaceful feeling it brought. Even when it covered the most gut wrenching songs.

You had started to collect the online orders that had accumulated over the last week. Sending out the e-mails alerting to your patrons that their orders were ready for pick up. Luckily you weren't set to receive a delivery until tomorrow.

It was eight and everything was set. Although not many people came to a bookstore at eight in the morning, it really didn't bother you opening up that early considering you were the only employee that was on the payroll. It gave you the possibility of making money, but mostly you spent the morning reading or writing.

You flipped the sign over from CLOSED to OPEN. Ready to start take on the day.

You had turned the kettle on in the back room when your friends had stopped by around lunch. You always said it was just tea, but you always had an array of snacks on standby for you all to munch on.

Meredith was complaining about what a dick the new client at the law firm was being. An absolute slime who had been married to his wife for almost twenty-five years before he decided to fuck his twenty-two year old assistant.

Tabitha didn't want to talk about work. To her, her career in tech was just a paycheck. She did what she needed to do and left when she was done.

You talked about the expo and how your book. Although neither of them really read, they had promised that they would read your book. You didn't hold your breath. They had reposted your posts as well as making ones of their owns in celebration of you. Words of praise about your dedication and hard work.

You realized that even though they couldn't give you the support you needed as readers, they supported you blindly. You could have written absolute garbage, but they would still support you.

You talked about how many people liked your book and wanted pictures and to sign their copies.

Then came the question you had been rehearsing since you had texted them a week ago. They both shared a look before Meredith finally asked.

"How are you holding up?" You gave a half-smile and a shrug. So perfectly rehearsed in your head you were ready to deliver your lies lines.

"I'm fine," you lied. "It was just fading so there isn't much of a difference, I guess." Not necessarily a lie. "We just wanted different things and were on different paths in life." Not a lie. "It's for the best." You weren't sure if that last one was a lie or not just yet.

They both shared a passing look before returning their gazes back to you. "You know you can come to us about this stuff." Tabitha's hand reached across the table, placing a hand on top of yours.

"It wasn't going to work out." You added. "Situations like that don't and I should have known better."

"A situation?" Meredith asked. "When have you ever called it a situation?"

"It always was one."

"I love you enough to call bullshit." She raised her eyebrow at you, crossing her arms over her chest. "You loved them and you need to stop pretending this is easy."

"You're a divorce lawyer, Mere," You reminded. "You see marriages fall apart every day."

"I do. I get to see from across the table how a woman is still willing to take her cheating arse of a husband back. So the fact that you went from on cloud nine with all of them to not even talking about the break up is concerning to say the least."

"Tabitha," you looked at your only ally left. "A little back up would be nice."

"I'm with her on this one." She confirmed. "You loved them. Not that I cared, but if you weren't talking about books or the shop, you were talking about them. What you did, where you went. How they fucked you."

"I think I'll miss that part the most." Mere sighed. "I lived vicariously through you."

"You know you could actually date people." Tabitha suggested.

"I'd rather live with chronic carpal tunnel than a man." You almost choked on your tea. If you were wearing pearls you would have used the comedic relief of clutching them to break the awkwardness of the current topic of conversation.

"That should be put on a t-shirt." You suggested

"I wouldn't mind it on a welcome mat to be honest." Tabitha added.

"But in all seriousness, cut this bullshit." Meredith gave you an sympathetic smile. "We're here. Good, bad and ugly."

You returned her smile. "I know."

You had closed up shop for the evening. Your lunch had gone longer than expected so now you were left doing the dishes and clean up during closing. You were setting the last cup on the drying rack when you heard the front door chime.

Shit.

You must have forgotten to lock the door when you turned the sign.

“I’m sorry!” You apologized, making your way out of the back break area and to the front of the store. “We’re-”

“Closed.” He said, locking the door behind him. “I saw the sign.”

[earthtooz]

jealous ratio bc i wont him, inspired by the simulated universe occurrence, banter about marriage hehe

"Dr. No. 5 asked me to be his research partner today," you mumble half-heartedly to Veritas. It was an ordinary night, you're curled into his side with your phone in hand, watching the latest series you've been invested in whilst he occupies his mind with a book, held by one hand whilst his other is wrapped around you.

However, when he registers your confession, he tenses, slightly scrunching the pages of his book as the arm around you stiffens, muscles contracting.

"And what did you say?" He asks, feigning collectedness.

"I agreed."

His book slams shut and he shoots upward to a sitting position, baffled by the nonchalance of your tone. How cruel, you have betrayed him in the most despicable of ways, do you not care? Agreeing to be someone else's research partner is akin to that of spitting on his heart and stomping it flat, have you no respect for the laws of academic loyalty (there is no such thing), or is he the only one in your relationship devoted to it?

An idiot. You will be working with an idiot and you somehow see no flaw in that, where is your integrity as his lover?

"What does that fool have that I don't?" He all but cries, yanking your phone from your hands and setting it on his bedside table.

"What are you blabbering about?" You ask, looking up at him with inquisitive eyes, confusion shining in your irises.

"I'm supposed to be your only research partner, I cannot believe that you've gone and betrayed me like this."

"Pray tell, Veritas, how is this a 'betrayal'?"

"I would never choose to be anyone's research partner if I'm not yours, but today I've discovered that my devotion is not only unreciprocated, but unappreciated! How unfathomable."

The purple-haired turns his muscular back to you, giving you the cold shoulder. Slowly you sit up and lean on his toned body, hand resting on his deltoid and you can already see the way he tries to fight the effects of your touch. "Dear, you wouldn't be anyone else's research partner because you think majority of people are 'idiots' and aren't worthwhile academics to invest time into."

"Precisely why I cannot believe that you have agreed to work with No. 5, who is undeniably, irrefutably, and undoubtedly, a simpleton!"

You bite your tongue when it threatens to spill that you think No. 5 is not as bad as Veritas assumes, but that would outrage the scholar even more and you do not want to spend the better half of your day purposefully ruining it.

"The pay was good," you reason, daring to place a kiss to his neck. "But you are still superior in my heart, Veritas. Do not fret, if I am to seek a research partner, you would be my first and only choice."

"How long will your project span for?" He asks begrudgingly.

"6 months of research, writing, and editing. After that, I am not too involved with the publishing process."

"Oh how it stains me picturing your name beside another imbecile's."

You sigh, sitting up straighter to wrap both arms around his neck. "Your name could be beside mine permanently if you got down to one knee and presented me a ring, but alas, perhaps I shall be waiting another few research papers for that to happen."

You can't see the fond smile on his face, but you yelp when he turns around suddenly to push you against the comfort of your mattress, his lips claiming yours.

© EARTHTOOZ 2024, do not steal, translate, repost my fics and do not recommend my fics onto any other site.

[headspace-hotel]

Okay but like whenever europe and USA are compared in terms of ruins and artifacts it makes me think "oh but what about Native American artifacts and ruins" and it reminded me of another post I meant to make ages ago but forgot

A while back I went thru the library looking at all the books I could find on the history of Kentucky.

My textbooks and most "reliable" sources when I was a kid said that Kentucky was never actually home to Native Americans, it was just a "hunting ground." This is total bullshit, the living Shawnee whose ancestors lived here know it was bullshit, but how did we get there

A lot of the more recent books I found (from like the 1990's) repeated the "it was only just hunting grounds" thing

But heres the weird thing

When you go back further

The narrative is completely different

so here's the first page of a book published 1872, it's "History of Lexington Kentucky: Its Early Annals and Recent Progress" by George W. Ranck

Let the shock of this first paragraph settle in. Like, damn, this is a whole different picture being painted

now, this Rafinesque fellow he refers to, has been widely referred to as the originator of many claims about Kentucky, and an exaggerator and liar, outright dismissed and scorned by many historians.

Rafinesque is considered to be the source of many claims found in this chapter, and the pompous, flowery language used to state them makes them seem a bit unbelievable. But the claims themselves are not highly unrealistic. These are several of the claims found on pages 2-12 of the book

An artificially built stone well was found by settlers

Earliest settlers plowed up pottery fragments

Settlers dug into an old abandoned lead mine

"Stone sepulchers" were found containing human bones

A large earthen mound 6 feet high was found with pottery and burned wood

A stone mound was found containing human bones

An extensive cave used as a cemetery was found under Lexington, containing embalmed bodies

Flint arrowheads were found

Polished and worked fragments of iron ore were found

Sandstone and limestone tools perforated with holes were found

Rough ingots of copper were found

Stone walls were built defended by entrenchments

It is very important to note that this chapter is insistent that the inhabitants that built these ruins and left these artifacts were NOT Native Americans. Why? Because Native Americans didn't build stuff so advanced! Very circular reasoning.

It was a very common myth that there was some kind of "pre-native-american" race of people that existed in Kentucky. Sometimes this was a way of justifying colonization by saying that well, the Native Americans were just taking over land that wasn't theirs too, so it's okay for us to do it.

It seems to me that when it became clear that Native Americans were the first and only pre-European inhabitants, the stuff about an ancient city under Lexington and all that became dismissed as lies. But are they lies?

I tried to find out, and we know for certain that central Kentucky had many, many burial mounds (some of which I had seen the site of without knowing what I was seeing) and quite a few stone ruins. The builders of the stone ruins are referred to as the "Fort Ancient" people because the earliest settlers incorrectly assumed the stone structures they saw were forts for some defensive or military purpose.

The tools and artifacts being referenced are all known to exist, except I think there aren't any confirmed extant examples of pottery.

The most widely criticized claim in the chapter is the underground cave used as a tomb, but I don't see why—central Kentucky is a limestone karst region and EVERYWHERE has a cave under it. The embalming or mummifying of bodies could have been a flourish or rumor, but the essence of the claim is totally reasonable. Then again, it might not have been, since the area had access to sources of salt. The supposed "lead mine" probably wasn't that specifically, but it's known that Native Americans went inside, explored and used caves.

It was really interesting to me how so many later sources dismissed these claims despite most of them being plausible or just true, and how many of those sources repeated the idea of Native Americans using the land for hunting but not "inhabiting" it. It is two different ways of denying Native Americans were here.

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[emeryleewho]

I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.

[prokopetz]

Not posting this as a reblog because I don't want to screw with somebody else's notes, but the whole "theological implications of Tolkien's orcs" business has some interesting history behind it.

In brief, a big part of why the Lord of the Rings Extended Universe™ is so cagey about what orcs are and where they come from is that later in his life, Tolkien came to believe that orcs as he'd depicted them were problematic – albeit not because of, you know, all the grotesque racial caricature.

Rather, he'd come to the conclusion that the idea of an inherently evil sapient species – a species that's incapable of seeking salvation – was incompatible with Christian ethics. Basically, it's one of those "used the wrong formula and got the right answer" situations.

In his notes and letters, Tolkien played around with several potential solutions to this problem. (Though contrary to the assertions of certain self-proclaimed Tolkien scholars, there's no evidence that he ever seriously planned to re-write his previous works to incorporate these ideas.) In one proposal, orcs are incarnated demons, and "killing" them simply returns them to their naturally immaterial state; in another, orcs are a sort of fleshy automaton remotely operated by the will of Sauron, essentially anticipating the idea of drone warfare.

Of course, this is all just historical trivia; any criticism of The Lord of the Rings must be directed at the books that were actually published, not the books we imagine might have been published if Tolkien had spent a few more years thinking through the implications of what he was writing. However, the direction of his thoughts on the matter is striking for two reasons:

Tolkien's orc conundrum is very nearly word for the word the problem that many contemporary fantasy authors are grappling with fifty years later. They want epic battles with morally clean heroes, and they're running up against exactly the same difficulty that Tolkien himself did – i.e., that describing a human-like species who are ontologically okay to kill is an impossible task.

After all the work he put into solving this impossible problem, one of Tolkien's proposals was literally just "what if they're not really killing the orcs, they're just sending them to the Shadow Realm?"