#but i don't think there have been any published books?
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the economy in los angeles rn is kinda um.... unprecedented levels of what da hell...
i initially wanted to be a filmmaker, playwright, actor, writer. i was just fascinated by film and theatre and knew that people made a living doing art -- i mean, my dad's a musician, so i personally knew people making a living doing art. but i was particularly drawn to storytelling and performance mediums.
so, i'm going to focus on film here: it's always been difficult to find work in hollywood, but there was still kind of a method of getting work. there are tons of studios and production companies. let's say out of 100 hopefuls, like 60-70 of them could find consistent work in one way or another. a lot of people end up in post production, smaller crew work, whatever, but they're grateful to be working in film in any way that they can while they (usually) nurse their secret dreams of funding and screening their own projects. and let's say like, 10 out of 100 of these people end up making short films for festivals (that are usually bids to make larger features), and 1 out of 100 could make a whole feature (i'm just pulling out random vibe-based statistics, i'm just typing up something quick here and don't want to look up / don't know if it's possible to see stats based on "dreams")
well the thing is, that hollywood is imploding. i know a lot of people who work in production and post-production. you live gig-to-gig. usually it's like, several weeks or maybe months of intense work on a project, then you're done, and floating free in a kind of nerve-wracking way, and then you get another gig, and then you're booked again. very feast or famine.
but lately it's just.... famine??? i keep seeing EXPERIENCED film industry people posting that they're looking for a job, any kind of job, and they have so much skills, but there's nothing.
like what i'm trying to say is... nothing is being greenlit. there are very very few new projects being made, in film or tv. it's going all the way back. some people say it's because of covid and production halting, other people say it's because of strikes, other people say it's all AI, other people say it's because of tiktok and how "anyone can make a video." and it's all of the above, combined with increasing costs of living -- it's not enough to just make a few thousand from a film gig and coast on that for the rest of the year, because your entire MONTHLY RENT is a few thousand dollars.
--
back in february 2020, i made a joke to a group of film production people, gesturing at posters for movies that looked terrible to me -- "god, they just keep making movies, and they all suck. i think what hollywood needs is a sabbatical. like, everyone should just stop making movies. there are already so many movies. we don't need anymore!" and there was a laugh then a sort of awkward silence, and i could sense a monkey paw curling just out of sight. and i quickly added "oh right, but like, there should still be movies of course, ha ha. like, you guys should still have work."
--
i think about this a lot.
like, film as a medium, film as a place in our culture, hollywood as the nexus of storytelling with a budget and many skilled hands.
it feels so present and eternal to me. but it's so new as a medium, and also predicated on so many factors. and a lot of those factors are like a crumbling cliff!
was it ever sustainable?
--
i sometimes envision my life with all these possible paths, and how i somehow picked this one random path (freelance photography), thinking that the other paths would still be open to me. "of course, anyone can do anything at any point in their life! :)" <- ever the sunny optimist.
but as i get older, and the economy gets worse, and the industry continues to implode -- and boy, if you think film is suffering, let's not even get into theatre or publishing -- i'm like wow. actually, all those other paths have gnarled dead trees and tumbleweeds. no matter how much i "dream" about XYZ, we're at a point in history where those things might not be viable anymore.
and then, outside of film as a medium, there's also the empire that we live in, the basis of all this material wealth that has been able to fund big-budget movies. and i love the things that can be done with hundreds of people and expensive cameras. but is that kind of storytelling going to continue to be feasible...?
and i get kinda freaked out because there's THOUSANDS of people here in california working in the film industry. and if they all lose their jobs....?
and if everyone i know loses their jobs...?
ummmmmmmm
like i said every day i wake up and see another "please for the love of god i need a job i have 4000 skills and no one is hiring" post and i just start sweating and going .... "what is happening..."
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I've been watching a lot of YouTube documentaries about tornadoes (YouTube recommended one to me mid-tornado watch a few weeks back and I was "well, why not") and I've started being like "My boy, Dr. Fujita!" every time Dr. Fujita comes up 😂
#i wanna read a biography on him so bad#but i don't think there have been any published books?#ted fujita#tetsuya theodore fujita
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Not gonna lie, both vindicating but also deeply sad that every single literary magazine I've looked at recently, having visited those site in the past, has edited their submission requirements to specify that AI work will not be considered.
And at the same time, I'm extremely fearful of how many writers are going to give up writing when it becomes impossible to tell AI from real anymore, and markets are utterly saturated with content to the point that getting anything published is nearly impossible as scammers try to make some quick change.
I imagine it wouldn't be worth it in the long run as a scam, because it doesn't exactly pay to write these days even prior to this, so it may then die out within a couple of years, though that might be optimistic given the plagiarism that makes it into the Amazon self-publishing realm. But even still, I do worry that in the meantime it's going to push writers out and force already struggling lit mags to shut down, and I'm so, so worried about it.
#I have not been submitting anywhere for a few months cuz mental health hit me weird#but I've been going back to look now and it changed SO suddenly with the release of chatgpt#I hate it I hate it I hate it I hate it I hate it I hate it—#like I REALLY do spend a lot of time thinking about this kind of thing. straight up where does art go from here.#like that question was bad ENOUGH before this but now#also this also applies to book publishing but I mention lit mags especially because they're actually a VERY low entry point#and also—and perhaps more importantly—this will only further cement the monopolization of the publishing industry.#which will then mean that any moves toward diversity will be instantly walked back#because you don't have to worry about the backlash queer authors get for writing anything besides fluff gay romance.#you don't have to worry about controversy about your writers of color being harassed on twitter.#you can outsource your content to a false faceless entity who doesn't need to be paid and create whatever you so desire.#I know it's been said constantly but we grow ever closer to the most sanitized and pacifist destruction of culture and story possible.#that sounds dramatic but it's legit the cliff in the distance and the car is hurtling toward it faster than you'd think.
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#catch me once again complaining about shit that don't matter#but my horrible cousin wrote and published a book#which i can only imagine it being horrible itself as well judging my the fact that even the blurb at the back is badly written#like literally! the first sentence doesn't make any actual sense and the title lf the book is not capitalized...#i didn't keep reading lol#but as much as it's hilarious that this useless and horrible person can't even write a book and i can make fun of that...#it's so fucking depressing to know this idiot was able to PUBLISH a book with a PUBLISHER (a shit one i guess but still a publisher)#with no talent or knowledge of writing#and i've been busting my fucking ass since i finished uni trying to find work in the publishing world (in the art side of things)#and i keep being shut down#and like ok maybe i suck at drawing maybe i have no talent or skill... but that doesn't seem to stop other people from getting work...#i fucking HATE this horrible feeling#i feel like an asshole for thinking i'm more worthy and also like a failure because clearly i'm not worthy...#i just want to stop everything and just waste the time i spent in art school and also in life just drawing every day#and just go work at mcdonalds or something...#i fucking hate it here :/#ok rant over lol#angel talks#personal
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Guys I just realized I'm 6 weeks out from finishing the draft of my current novel. That means that, even though I skipped a few weeks, I did one chapter a week last year for Beela.
Current game plan is to finish Beela's third book in edits this year and next (it's long and only going to get longer), let it sit for a month or two, then spend the following year doing all the edits my writing group suggested, as well as the threads I dropped before.
So in 2-3 years, Beela will be query-ready. I've been working on this book since 2016 and the thought that it'll ever be query ready is wild. I want Beela to be out there and all that, but the idea that my book will be published, and this book in particular, is wild.
I remember when I was writing it just to purge the fact that I was depressed and closeted. Now my MC has come out twice and is finding acceptance among their friends
#pardon the publisher ramble#I just finally see a finish line#the idea of giving beela to someone new is...incomprehensible#scary#worse than any of my other books#this one has been so close to my heart for so long#and if anything happens to it I wont' know what to do with myself#I have so much post cannon that'll never go anywhere#I don't think I can do a follow up series?#merriweather's diary days#writeblr#writing#writing community#beela baby#publishing
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okay, so I think maybe reading too much fic has affected how I approach actual books, but only specifically when they're star wars books that deal with the star wars main characters, bc I'm reading bloodlines rn (by Claudia Gray) which is about Leia and I am enjoying it! but for some reason reading Official, Totally Canon Leia feels weird even though it's objectively not
#like I keep expecting little canon alterations to fit the author's preferences#which obviously can't happen in a real published star wars book#and I've read lost stars before (also by Claudia Gray ❤️) and I did not have this problem#and I didn't have this problem with Andor#and I think it's because in both cases it was things+characters we never directly interacted with in canon#(more so with Andor than lost stars since lost stars kind of follows the original and sequel trilogies)#but I've read too many like.....fix its of the main storylines#to be clear I don't think this affects my consumption of other books#I've been reading a lot the past couple weeks and haven't noticed any other concerns lol#personal#star wars
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Part Three
Warning: If you don't like Taylor Swift, you're not gonna like this chapter that much, homie. But So Long, London is so fitting for this drabble series. (I guess a series since it's longer than a drabble at this point)
Can’t stop thinking about reader just trying to move on
You had to remind yourself several times not to check in with the guys. It had almost become second nature doing something big like this. But going to another country…
Not that they would care. You told yourself. It was for the best that way.
The expo went better than you expected. You didn’t believe that there would be a line out the door of eager readers wanting to read your book, but you got a decent amount. More than a few told you they couldn’t wait to read it. Several asking for photos and asking questions on any future books, a spin-off or even continuing the series.
When one a particular large group of girls your age asked for a group photo, you could have cried. They were had found each other in an online book club. You had given them your book several months ago. All copies signed with a note thanking them for taking the time to read what you had poured your heart into.
You had spent a large chunk of your free time talking to them. Bonding more so as women than over your book.
"Have you listened to Taylor's new album?"
It had only been out for two days and you had been able to avoid it like the plague. You didn't need to even listen to 'So Long, London' to know it would fucking gut you. So you would enjoy your time in the states. Save the listening experience for when you were packing up their stuff.
They had posted and tagged you before continuing on with the rest of the expo. You had reposted the photo to your own social media. Or at least one attached to the pen name you had crafted. You only had twelve thousand instagram followers, but it was something.
The first day was much like the second. You had attended several Q & A sessions with a panel of more experienced authors and managed to go to a few meet and greets. Before you knew it, it was time to pack up shop.
The agent the publishing house had assigned to you had stuck with you for most of the day. You were able to pick her brain a bit about new ideas for possible future plot lines and her thoughts. Overall, the trip was great.
Not only were you able to make great connections and take a lot back home with you to reference, but for a few days you forgot what waited for you back home. Or rather what wasn't waiting for you.
By the time your plane landed back in London you could barely hold yourself up. You left the expo, went straight to the hotel to shower, pack and head to the airport.
Your flight was delayed. Your luggage was taking forever to get onto the belt. It was only seven, but fuck if you weren’t ready to just call it a day. Tomorrow you would have to start again. Opening up the shop. Coming back to an empty flat. Maybe start gathering up the items the boys had left behind.
Should you give them in separate boxes or just one giant one and let them sort it out themselves? It was easy to discern whose sweatshirt and t-shirts belonged to who, but when it got to things like socks and chargers...
Yeah.
They could sort it themselves.
You could drop it off at Kyle's when you knew he would be at the gym. He was good at avoiding you anyway.
It wasn't until you stood in your apartment did it hit you.
You were alone.
For the first time in over a year you couldn't call one of them over to soothe that ache of loneliness.
For the first time in over a year, you had to relearn how to handle just being alone.
You usually showered at night. Washing away the grime of the day before settling into bed. But today was a new chapter. You woke up wanting to start it on a good note. Plus you went straight to bed after getting home so you still had a bit of airport funk on you.
It had been a week. One official since you had sent that text nailing the coffin shut. You had touched base with your friends who didn't bat an eye at you dating four men at once. They liked them, even if Simon scared them. You didn't give them the details of the breakup or the cause. You were pretty private in your problems and if you wanted relationship advice, you would seek an unbiased unopinion.
You had a good group of friends, but the moment you told them that you were well and truly heartbroken, they would insist the best way to get over someone is to get under someone else. Something you were nowhere near ready for.
So you needed to look like you had your shit together. You put on a dress that was feminine and, most importantly, comfy as fuck. An A-line floral frock paired with a light sweater and some white trainers. You knew a few of your friends would be stopping by for tea so you need to look like you were taking the separation well. Even if you were barely holding it together.
With makeup and perfume on, you started the early morning stroll to your shop.
You loved openings. Starting up the register and selecting the playlist for today. Picking out the essential oil to put in the diffuser even though you mostly stuck with a lavender and vanilla blend during the spring months.
For the morning you stuck with a Taylor Swift Instrumental playlist you had found initially for studying, but you liked the peaceful feeling it brought. Even when it covered the most gut wrenching songs.
You had started to collect the online orders that had accumulated over the last week. Sending out the e-mails alerting to your patrons that their orders were ready for pick up. Luckily you weren't set to receive a delivery until tomorrow.
It was eight and everything was set. Although not many people came to a bookstore at eight in the morning, it really didn't bother you opening up that early considering you were the only employee that was on the payroll. It gave you the possibility of making money, but mostly you spent the morning reading or writing.
You flipped the sign over from CLOSED to OPEN. Ready to start take on the day.
You had turned the kettle on in the back room when your friends had stopped by around lunch. You always said it was just tea, but you always had an array of snacks on standby for you all to munch on.
Meredith was complaining about what a dick the new client at the law firm was being. An absolute slime who had been married to his wife for almost twenty-five years before he decided to fuck his twenty-two year old assistant.
Tabitha didn't want to talk about work. To her, her career in tech was just a paycheck. She did what she needed to do and left when she was done.
You talked about the expo and how your book. Although neither of them really read, they had promised that they would read your book. You didn't hold your breath. They had reposted your posts as well as making ones of their owns in celebration of you. Words of praise about your dedication and hard work.
You realized that even though they couldn't give you the support you needed as readers, they supported you blindly. You could have written absolute garbage, but they would still support you.
You talked about how many people liked your book and wanted pictures and to sign their copies.
Then came the question you had been rehearsing since you had texted them a week ago. They both shared a look before Meredith finally asked.
"How are you holding up?" You gave a half-smile and a shrug. So perfectly rehearsed in your head you were ready to deliver your lies lines.
"I'm fine," you lied. "It was just fading so there isn't much of a difference, I guess." Not necessarily a lie. "We just wanted different things and were on different paths in life." Not a lie. "It's for the best." You weren't sure if that last one was a lie or not just yet.
They both shared a passing look before returning their gazes back to you. "You know you can come to us about this stuff." Tabitha's hand reached across the table, placing a hand on top of yours.
"It wasn't going to work out." You added. "Situations like that don't and I should have known better."
"A situation?" Meredith asked. "When have you ever called it a situation?"
"It always was one."
"I love you enough to call bullshit." She raised her eyebrow at you, crossing her arms over her chest. "You loved them and you need to stop pretending this is easy."
"You're a divorce lawyer, Mere," You reminded. "You see marriages fall apart every day."
"I do. I get to see from across the table how a woman is still willing to take her cheating arse of a husband back. So the fact that you went from on cloud nine with all of them to not even talking about the break up is concerning to say the least."
"Tabitha," you looked at your only ally left. "A little back up would be nice."
"I'm with her on this one." She confirmed. "You loved them. Not that I cared, but if you weren't talking about books or the shop, you were talking about them. What you did, where you went. How they fucked you."
"I think I'll miss that part the most." Mere sighed. "I lived vicariously through you."
"You know you could actually date people." Tabitha suggested.
"I'd rather live with chronic carpal tunnel than a man." You almost choked on your tea. If you were wearing pearls you would have used the comedic relief of clutching them to break the awkwardness of the current topic of conversation.
"That should be put on a t-shirt." You suggested
"I wouldn't mind it on a welcome mat to be honest." Tabitha added.
"But in all seriousness, cut this bullshit." Meredith gave you an sympathetic smile. "We're here. Good, bad and ugly."
You returned her smile. "I know."
You had closed up shop for the evening. Your lunch had gone longer than expected so now you were left doing the dishes and clean up during closing. You were setting the last cup on the drying rack when you heard the front door chime.
Shit.
You must have forgotten to lock the door when you turned the sign.
“I’m sorry!” You apologized, making your way out of the back break area and to the front of the store. “We’re-”
“Closed.” He said, locking the door behind him. “I saw the sign.”
#captain john price#kyle gaz garrick#simon ghost riley#call of duty#angst#angst with a happy ending#john soap mactavish
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jealous ratio bc i wont him, inspired by the simulated universe occurrence, banter about marriage hehe
"Dr. No. 5 asked me to be his research partner today," you mumble half-heartedly to Veritas. It was an ordinary night, you're curled into his side with your phone in hand, watching the latest series you've been invested in whilst he occupies his mind with a book, held by one hand whilst his other is wrapped around you.
However, when he registers your confession, he tenses, slightly scrunching the pages of his book as the arm around you stiffens, muscles contracting.
"And what did you say?" He asks, feigning collectedness.
"I agreed."
His book slams shut and he shoots upward to a sitting position, baffled by the nonchalance of your tone. How cruel, you have betrayed him in the most despicable of ways, do you not care? Agreeing to be someone else's research partner is akin to that of spitting on his heart and stomping it flat, have you no respect for the laws of academic loyalty (there is no such thing), or is he the only one in your relationship devoted to it?
An idiot. You will be working with an idiot and you somehow see no flaw in that, where is your integrity as his lover?
"What does that fool have that I don't?" He all but cries, yanking your phone from your hands and setting it on his bedside table.
"What are you blabbering about?" You ask, looking up at him with inquisitive eyes, confusion shining in your irises.
"I'm supposed to be your only research partner, I cannot believe that you've gone and betrayed me like this."
"Pray tell, Veritas, how is this a 'betrayal'?"
"I would never choose to be anyone's research partner if I'm not yours, but today I've discovered that my devotion is not only unreciprocated, but unappreciated! How unfathomable."
The purple-haired turns his muscular back to you, giving you the cold shoulder. Slowly you sit up and lean on his toned body, hand resting on his deltoid and you can already see the way he tries to fight the effects of your touch. "Dear, you wouldn't be anyone else's research partner because you think majority of people are 'idiots' and aren't worthwhile academics to invest time into."
"Precisely why I cannot believe that you have agreed to work with No. 5, who is undeniably, irrefutably, and undoubtedly, a simpleton!"
You bite your tongue when it threatens to spill that you think No. 5 is not as bad as Veritas assumes, but that would outrage the scholar even more and you do not want to spend the better half of your day purposefully ruining it.
"The pay was good," you reason, daring to place a kiss to his neck. "But you are still superior in my heart, Veritas. Do not fret, if I am to seek a research partner, you would be my first and only choice."
"How long will your project span for?" He asks begrudgingly.
"6 months of research, writing, and editing. After that, I am not too involved with the publishing process."
"Oh how it stains me picturing your name beside another imbecile's."
You sigh, sitting up straighter to wrap both arms around his neck. "Your name could be beside mine permanently if you got down to one knee and presented me a ring, but alas, perhaps I shall be waiting another few research papers for that to happen."
You can't see the fond smile on his face, but you yelp when he turns around suddenly to push you against the comfort of your mattress, his lips claiming yours.
© EARTHTOOZ 2024, do not steal, translate, repost my fics and do not recommend my fics onto any other site.
#i think abt him day and night#earthtooz: honkai star rail#dr ratio x reader#veritas ratio x reader#honkai star rail x reader#hsr x reader#ratio x reader#dr ratio fluff
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Okay but like whenever europe and USA are compared in terms of ruins and artifacts it makes me think "oh but what about Native American artifacts and ruins" and it reminded me of another post I meant to make ages ago but forgot
A while back I went thru the library looking at all the books I could find on the history of Kentucky.
My textbooks and most "reliable" sources when I was a kid said that Kentucky was never actually home to Native Americans, it was just a "hunting ground." This is total bullshit, the living Shawnee whose ancestors lived here know it was bullshit, but how did we get there
A lot of the more recent books I found (from like the 1990's) repeated the "it was only just hunting grounds" thing
But heres the weird thing
When you go back further
The narrative is completely different
so here's the first page of a book published 1872, it's "History of Lexington Kentucky: Its Early Annals and Recent Progress" by George W. Ranck
Let the shock of this first paragraph settle in. Like, damn, this is a whole different picture being painted
now, this Rafinesque fellow he refers to, has been widely referred to as the originator of many claims about Kentucky, and an exaggerator and liar, outright dismissed and scorned by many historians.
Rafinesque is considered to be the source of many claims found in this chapter, and the pompous, flowery language used to state them makes them seem a bit unbelievable. But the claims themselves are not highly unrealistic. These are several of the claims found on pages 2-12 of the book
An artificially built stone well was found by settlers
Earliest settlers plowed up pottery fragments
Settlers dug into an old abandoned lead mine
"Stone sepulchers" were found containing human bones
A large earthen mound 6 feet high was found with pottery and burned wood
A stone mound was found containing human bones
An extensive cave used as a cemetery was found under Lexington, containing embalmed bodies
Flint arrowheads were found
Polished and worked fragments of iron ore were found
Sandstone and limestone tools perforated with holes were found
Rough ingots of copper were found
Stone walls were built defended by entrenchments
It is very important to note that this chapter is insistent that the inhabitants that built these ruins and left these artifacts were NOT Native Americans. Why? Because Native Americans didn't build stuff so advanced! Very circular reasoning.
It was a very common myth that there was some kind of "pre-native-american" race of people that existed in Kentucky. Sometimes this was a way of justifying colonization by saying that well, the Native Americans were just taking over land that wasn't theirs too, so it's okay for us to do it.
It seems to me that when it became clear that Native Americans were the first and only pre-European inhabitants, the stuff about an ancient city under Lexington and all that became dismissed as lies. But are they lies?
I tried to find out, and we know for certain that central Kentucky had many, many burial mounds (some of which I had seen the site of without knowing what I was seeing) and quite a few stone ruins. The builders of the stone ruins are referred to as the "Fort Ancient" people because the earliest settlers incorrectly assumed the stone structures they saw were forts for some defensive or military purpose.
The tools and artifacts being referenced are all known to exist, except I think there aren't any confirmed extant examples of pottery.
The most widely criticized claim in the chapter is the underground cave used as a tomb, but I don't see why—central Kentucky is a limestone karst region and EVERYWHERE has a cave under it. The embalming or mummifying of bodies could have been a flourish or rumor, but the essence of the claim is totally reasonable. Then again, it might not have been, since the area had access to sources of salt. The supposed "lead mine" probably wasn't that specifically, but it's known that Native Americans went inside, explored and used caves.
It was really interesting to me how so many later sources dismissed these claims despite most of them being plausible or just true, and how many of those sources repeated the idea of Native Americans using the land for hunting but not "inhabiting" it. It is two different ways of denying Native Americans were here.
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Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition
"Delicious in Dungeon" Artwork
Cover illustration draft, vol. 1
Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)
Cover illustration draft, vol. 2
The format was decided for volume 1. So, volume 2 came together quickly. (Kui)
Cover illustration draft, vol. 3
I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)
Cover illustration draft, vol. 4
I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)
Cover illustration draft, vol. 5
I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)
Cover illustration draft, vol. 6
With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)
Cover illustration draft, vol. 7
The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)
Cover illustration draft, vol. 8
I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)
Cover illustration draft, vol. 9
I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)
Cover illustration draft, vol. 10
I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)
Cover illustration draft, vol. 11
I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)
Cover illustration draft, vol. 12
Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)
Cover illustration draft, vol. 13
volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)
Cover illustration draft, vol. 14
I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)
TV anime "Delicious in Dungeon"
About the ending illustration.
I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)
[Kui's commentary is from the english pamphlet]
#Longpost#long post#Dungeon Meshi#Delicious in Dungeon#Dungeon Meshi Spoilers#Delicious in Dungeon exhibition#Dungeon Meshi exhibition#exhibition#cover art#Ryoko Kui#Laios Touden#Marcille Donato#Chilchuck Tims#Senshi#Falin Touden#Namari#Shuro#Toshiro Nakamoto#Izutsumi#Kabru#Mithrun#Winged Lion#If you have better images from the exhibition please share with me 🙏#I'll look for some later cause i'm pretty sure I've seen better images of the cover drafts before
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I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.
We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.
This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.
But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.
On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.
Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.
If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.
Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.
#Books#diverse books#author#publishing#sag aftra#writers strike#writers#labor rights#workers rights#wga strike
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Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)
This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)
So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.
This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.
Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.
It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)
I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).
Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.
Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.
And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.
At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.
#neil gaiman#tw neil gaiman#tw sa#tw victim blaming#neil gaiman allegations#ya actually im not gonna shut up about this#bc that's exactly what he wants#fuck off into the sun forever
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Not posting this as a reblog because I don't want to screw with somebody else's notes, but the whole "theological implications of Tolkien's orcs" business has some interesting history behind it.
In brief, a big part of why the Lord of the Rings Extended Universe™ is so cagey about what orcs are and where they come from is that later in his life, Tolkien came to believe that orcs as he'd depicted them were problematic – albeit not because of, you know, all the grotesque racial caricature.
Rather, he'd come to the conclusion that the idea of an inherently evil sapient species – a species that's incapable of seeking salvation – was incompatible with Christian ethics. Basically, it's one of those "used the wrong formula and got the right answer" situations.
In his notes and letters, Tolkien played around with several potential solutions to this problem. (Though contrary to the assertions of certain self-proclaimed Tolkien scholars, there's no evidence that he ever seriously planned to re-write his previous works to incorporate these ideas.) In one proposal, orcs are incarnated demons, and "killing" them simply returns them to their naturally immaterial state; in another, orcs are a sort of fleshy automaton remotely operated by the will of Sauron, essentially anticipating the idea of drone warfare.
Of course, this is all just historical trivia; any criticism of The Lord of the Rings must be directed at the books that were actually published, not the books we imagine might have been published if Tolkien had spent a few more years thinking through the implications of what he was writing. However, the direction of his thoughts on the matter is striking for two reasons:
Tolkien's orc conundrum is very nearly word for the word the problem that many contemporary fantasy authors are grappling with fifty years later. They want epic battles with morally clean heroes, and they're running up against exactly the same difficulty that Tolkien himself did – i.e., that describing a human-like species who are ontologically okay to kill is an impossible task.
After all the work he put into solving this impossible problem, one of Tolkien's proposals was literally just "what if they're not really killing the orcs, they're just sending them to the Shadow Realm?"
#media#literature#the lord of the rings#lotr#jrr tolkien#tolkien#worldbuilding#racism#religion#tropes#violence mention#death mention
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I saw this shared around on Threads (why do I go there, I hate it) and commented on as 'this article is so good' and 'must read' including by a few people whose opinion I normally respect, and seeing as monsterfucking and monster everything is like a special little interest for me, I of course instantly clicked through to read it
and I have to say
what the everloving heterosexual fuck is this
two fat paragraphs about omegaverse that don't even mention its origins - I mean - I just - gaze upon this phrase, and despair:
During estrous, Omegas’ vaginas ooze with “slick,” responding to the Alpha’s intoxicating pheromonal perfume.
IT'S CALLED "SLICK" BECAUSE IT'S FROM SELF-LUBRICATING ANUSES. THE REASON THE OMEGAS NEED SELF-LUBRICATING ANUSES TO BEGIN WITH IS BECAUSE THEY DON'T HAVE VAGINAS.
I. have been rendered figuratively speechless. the straights don't know what slick is. the. i. how. how did we end up like this
their dicks swell at the base, creating a “knot,” which lodges them inextricably in the Omega’s slick-soaked (I am so sorry) vagina.
"(I am so sorry)" girl you're writing an article about monster smut and then you have the gall to be embarrassed by the this tame ass (or should i say vagina?) heterosexual omegaverse?
okay, okay. deep breaths. we've only just got started. we started by covering Morning Glory Milking Farm, a minotaur/human erotic romance novel, which well - I've read it, and it's not a bad book by any means, it was actually very very good, a solid story with a great cast and perfectly paced and satisfying romance and loads of sex - is very straight. it's just a minotaur. it's a big guy with a big dick. it's your standard gentle giant/normal sized girl romance. it's not very freaky, but you know, I don't blame the average reader for coming into this thinking this is some out there stuff. gotta start somewhere, right? we didn't all come up through draco/the giant squid crackfic in 2005, you know? and now we've covered Sarah J Maas and we're entering omegaverse territory, this is getting knottier now, right, freakier? this article is going somewhere, right?
you can imagine the intrigue, enemies-to-lovers, and other story lines involved as each captured female eventually finds the member of the barbarian tribe who is destined to worship and fuck the living daylights out of her for the rest of their lives. Oh, and their dicks have a sensitive spur on top designed for clitoral stimulation. It’s just as blue and velvety as the rest of their big alien bodies.
okay so the minotaurs aliens are blue now, i guess.
It seems, also, like the romance genre as a whole is being pushed by monster romance to make things in human-human books as freaky as possible.
ohh?? are we finally getting a proper freak on now??
This genre, “why choose?” or “MMF” (or sometimes even MMMF or MMFM), and also known as “reverse harem,” always features a heroine who is showered with sexual attention by men who are also sexually involved with each other.
having a thousand yard stare moment over here
this author seriously thinks that all these heterofied monster romance tropes are paving the way for the real freaky stuff that is, checks notes, "two hockey players fucking each other while the heroine calls the shots"
this author is positing that human queer erotica/romance are freakier than monster erotica/romance. like. she said that. with her whole chest. black on white.
on one hand a monster, an inhuman being, and on the other, a queer person, a human being. and apparently the real freak is not the minotaur or the blue alien. it is the queer human.
is this satire? it has to be, right?
because if it's not satire, this article is an entire case study in itself on the monstering* of queer people. stunning.
*academic term
#monsterfucking#monster romance#monster smut#monster studies#monster theory#omegaverse#where's my phd in monsterfucking I fucking deserve one
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Howl at Midnight
Pairing | werewolf!Jimin x human!Reader
Word Count | 7.5k
Warnings | +18, angst, smut, halloween theme, an apparently abandoned castle (don't trespass on other people's property 🤧), mentions of a pact made with the city's residents, poison, MC doesn't really have much choice 💀, forced nudity, dark themes and also yandere (?), underneath MC finds the situation exciting, bites and marks, sink the canines and drink blood, PWP, oral sex, pussy worship, dubcon, begging, virginity loss, unprotected sex (use protection!), vaginal sex, big dick, knotting, MC abandons herself to her fate (I think Jimin's supernatural nature contributes in MC's choices), eat cum, this is not for minors.
This fanfiction is dark and yandere, if you don't like the genre, don't read and if you are not of age, don't read.
I don't want to hear any complaints in the comments, thank you.
This does not reflect my way of thinking or living at all, it is just a work of fiction, it is like watching a horror movie, many of us love horror movies, but we would never dream of what we see in those movies happening in reality as well.
Simply put, this story was written for entertainment purposes, it should not be seen as a reflection of my values, opinions or morals. I absolutely do not condone such acts.
⤷ Summary | You always thought you lived in a quiet, small town. You never imagined that the locals would be able to keep such a secret for centuries, you fell into their trap… But it doesn't seem so bad.
➢ Author's Note | Hi, guys!!! 🥹
My best friend and I challenged each other to write a Halloween-themed story using the following keywords: werewolf - halloween - virginity - castle - poison.
I don't know why I came up with such a story, it was supposed to be something simple but my dark side took over WAY too much 💀
Anyway my best friend liked the story and suggested that I publish it, so here it is, I already apologize for any mistakes and for the plot which is not who knows what 🥺
Howl at Midnight was written for recreation, but I still hope you enjoy it ❤️
PS: I really didn't know how to classify this story, when in doubt I put the warning “yandere,” since there are behaviors that go a little beyond 😵💫
Permanent Taglist | @katherine-kookie, @btsuga-d, @reallygenerouskoala, @takemeaway5402, @velvet-stardust2002, @jimincrystal, @ke1k029, @kylafox09, @pantara, @themwordsblog, @angelicsmilesworld
It's a rather dark night, you think, as the flickering lights of street lamps barely illuminate your path. You and some of your friends have decided to spend Halloween night roaming the more desolate streets of your small town, rather than attend the party of the school's homecoming queen, the most popular and at the same time most hated girl ever by you and your friends, a common ground that has certainly welded your friendship.
You are reminded of the afternoon you spent at Glenn's house deciding how you would spend Halloween night; Glenn's initiative had been rather unique, since he was not a fan of that holiday.
“It will be fun, everything is so scary at night, we might even meet a real vampire! I mean, not like Edward Cullen, I mean one who doesn't sparkle-” but Glenn's excited monologue had been badly interrupted by his girlfriend, Claire, who had hit him over the head with a book, and who knows why, said book was actually titled Twilight. You remember giggling, willingly accepting that idea, but now...
“We were simply supposed to go for a walk, Glenn,” you mutter ruefully, looking around, “Do you want to tell me where you're taking us?”
The red-haired boy snorts again, settling into his vampire costume bought at a thrift store stall, “Come on Y/N, what would life be without a little thrill?”
Claire, for her part, nods in turn with a euphoric smile, as if she knows something you don't, prancing merrily dressed as a red devil among black lace decorations and lace.
“Life would be as it has always been, wonderful,” you blurt out nervously, freezing suddenly.
The asphalt has run out and the streetlights have stopped dimly illuminating the entire street, you are at the edge of the most talked about lands in your town. When and how exactly did you get there?
“Here we are, my girls,” you hear Glenn say, satisfied with his feat.
“What are we doing here?” you swallow, far from cheerful.
Answering you is Claire, “It's an abandoned castle and this is Halloween night, what do you say?”
You grit your teeth, shaking your head, “You're crazy, I'm not going in there!” you take a step back, your heart stirring, but Glenn stops you in a single moment.
“Where do you think you're going? I promised your brother I'd keep an eye on you,” he tells you sternly, and you know he's right, you can't just leave on your own, the streets are empty but it would still be dangerous.
“Don't you want to see what it's really like inside, aren't you the least bit curious?”
Short answer? No.
More articulate answer? Fuck no.
“Come on, don't be a wimp now!”
You snort, casting a glance at the castle in question.
It is as large as it is gloomy; the older inhabitants of the town have always spoken of the presence of various monsters within it, which is why the lands surrounding the castle are so large, preventing the actual growth of the otherwise large and well-populated town. Some of the land had been ceded to keep the monsters quiet.
That's some bullshit. And you're certainly not a wimp.
What will you find in there, maybe overgrown spiders? You shake your head, certainly nothing up to the Acromantulae seen in Harry Potter.
“I'm not afraid,” you limit yourself to saying, Glenn and Claire seem satisfied with your answer as they begin to step over half of the downed iron bars surrounding the gates of the immense building. It bothers you that they haven't bothered beyond you, but it's Halloween night; you can't really spoil their fun.
You hold on tightly to one of the rusty old iron bars, lift one leg trying not to fall off because of the bulky skirt of your witch costume, and end up straight on the ground covered with dry mud and grass, thank the heavens that it hasn't rained in the last few days, otherwise goodbye costume, although more like an elegant medieval dress and nothing more than that.
“Guys, wait for me!” you exclaim as you turn toward them, but you find yourself rolling your eyes.
The darkness is almost completely pitch black, only the moon high in the sky gives you some brightness in that open space surrounded by green trees and uncultivated grass. Your friends are not there.
“Please tell me this is a joke, please,” you growl, turning only a few seconds to climb over the railing, “Glenn? Claire?”
A shiver of unease snakes down your spine, as if someone - or something - is watching you. But you immediately banish the absurd thought. The Halloween atmosphere always makes everything quite scary; your friends chose that place for that very reason.
Imagining that you simply find them in front of the castle's entrance, you also wander down the path that actually looks like anything else by now. You will meet each other there.
The wind blows without worrying about your bare shoulders because of the dress's boat neckline; the cape had long since been taken away along the way. You bought it in an antique store and the elderly man seemed quite eager to get rid of it. He even gave you a discount.
The sound of falling leaves under the force of the draught is quite terrifying, especially now that you've discovered you can't use your cell phone. There is absolutely no service there, and isn't that how the best horror movies begin?
A frustrated groan leaves your throat, you don't have to think about it.
“Glenn?” you try to call out once more, but along the path echoes the hoots of an owl that is probably scrutinizing you with condescension, wondering why a silly girl like you is wandering around in such a desolate, godforsaken place.
When you arrive at the gates of the castle, you find yourself admiring the extraordinary Gothic architecture of the huge, ancient building made of stone and marble. The fact that it has survived over the centuries without any kind of restoration is a testament to the good materials that were used.
One by one, you walk down the stone steps, sudden thunder jolts you violently, and with fear in your veins you throw yourself toward the immense reinforced door, finding it ajar, a sign that Glenn and Claire must have already entered. You ignore the hint of annoyance, since they could at least wait for you, you must escape the sudden storm.
Wordlessly you notice the large, thick black clouds enveloping the sky, obscuring even the immense full moon.
You carefully close the ancient gateway, looking around the thick-walled atrium decorated with paintings that are surely worth more than your current home, not to mention the carpet you are walking on, though a bit worn, is definitely from the time of the castle's founding. You wonder which lord lived there and whether it can be traced in the history books.
“Claire?” you whisper, afraid of disturbing someone, but who exactly?
Sighing wearily, you really have no time or inclination to play along with your friends, you rest your hand on the wrought-iron railing of the staircase, beginning to climb so that you can find those two idiots as soon as possible and get home safely.
They say 'God makes them and then matches them up,' right? You mentally growl, well, you would’ve just wiped them out instead.
Between corridors that are not real corridors but dead ends, some narrow and some exaggeratedly large, you finally find the wing reserved for rooms, hating the enormity of that place.
“Hey, you ... are you here?” you ask, slowly opening a bedroom door with one eye closed and one only slightly open, fearing to find the two lovebirds doing strange things in the leto of an abandoned castle, because they would be perfectly capable of it.
But what you find is just a lavishly decorated bedroom absolutely empty of any other life forms but you.
“This is definitely a joke,” you chuckle mirthlessly, clutch your arms to your chest, and continue that unwelcome tour of yours, continuing to open rooms at random, with no more expectation of finding anyone in them, until you come to a rather large bedroom.
Quite different from the others, which up to that point had been yes, beautiful, but empty, lacking a soul.
This one was immense just like the castle itself, yet warm, thanks to the burning fireplace. The four-poster bed was adorned with red silk sheets, as were the velvet curtains tied to the solid wooden columns, on the walls finely decorated with gold paint were hung medieval tapestries, depicting hunting parties, running horses and wolves, wolves everywhere. One that particularly strikes you depicts two wolves and a woman in the center, they seem ready to bite her fiercely, you notice with discomfort.
High glass windows with curtains left open allow lightning to illuminate the entire room, followed by a terrible, howl-like rumble.
That horrible noise seems to awaken you from the sort of trance you fell into while admiring the surely master bedroom, and you finally take serious note of the burning fire. Why a working fireplace in a castle uninhabited for years?
“To many the night brings counsel, to me it has brought a lovely maiden, I see...” you gasp surprised and terrified, turning toward the silky, warm, yet slightly hoarse, almost growling voice.
A relatively young man watches you with his shoulder resting against one of the stained glass windows. You had not seen him. No. He was not there before, you are absolutely sure.
His dark, shiny hair has been grown down to his neck, some curling around his sharp, elegant jaw, the neck left bare by his unbuttoned, white shirt is a set of sinuous, sharp, powerful lines. The soft black pants do nothing to hide the wonderful figure of his long legs, his feet are bare, you notice. He feels perfectly comfortable, as if... as if that were his home.
“I-I... I'm sorry, it's Halloween and some friends of mine thought...” you try to explain with your hands clasped to the skirt of your dress, but you are immediately interrupted by the man's sophisticated, sassy giggle.
“They thought it was a brilliant idea to violate my property?” you pale at his question.
“We... the whole town believes the castle is uninhabited,” you reply with a shy breath, trying to justify them.
The young man breaks away from the glass window, slowly approaching you, you take steps back, inadvertently bumping into one of the pillars of the bed.
“And does it look uninhabited to you, little girl?”
Little girl? By the look of him, he wouldn't seem that much older than you, in fact.
Now that he has moved closer, standing only a foot away from you, you notice details of his face that you did not catch a few moments earlier.
He has high, pronounced cheekbones, and his lips seem so plump and soft that you blush at the thought of kissing them, his nose is well-proportioned and straight, while the peculiar shape of his eyes gives him a rather sweet and angelic air, although the fun written in them is anything but angelic.
“I didn't know, I'm really sorry, sir,” and it's true, the last thing you want is to be a nuisance to someone you don't even know, “I'll get my friends back and we'll leave right away, I promise.”
Dark eyes rimmed with long eyelashes watch you closely, before dropping to the rest of your body. Suddenly you remember the deep cleavage of your witch's dress, your skin burning under his watchful gaze.
“Right now there is no one else in the castle, except you and me,” he approaches again, you can feel his warm breath meet your neck, you shiver as the man clasps one hand above your head, around the pillar of the bed, doing the same with the other. This makes it clear how statuesque his physique is, compared to your more petite one, you also catch a subtle citrus fragrance, light and not cloying, is that him?
With a huge effort, you process his words, widening your eyes. No one else?
“But how-”
“In my opinion you made it all up, little girl,” he sneers, "Just admit that it was your curiosity that drove you here," but you shake your head, vehemently denying it.
“I really came here with friends!” you fret, you've never been good at handling pressure and this guy is not helping you at all.
“Oh, really?” a devilish smile makes its way across his soft, smooth cheeks, "So it's just a coincidence that you're wearing this dress?" you don't know how to answer the question, you can't, not when he lowers a hand over you, brushes the outline of your face with a finger, trailing down the delicate line of your neck to your cleavage, your rippling, shivering skin longs to receive his touch once more, you struggle to recover.
“Th-this dress?” you stammer in shame, his finger is still grazing your chest and you are doing nothing to push it away.
“Mh-mh,” he nods, pushing your cleavage down a few millimeters, enough to make you squeak with red cheeks, “How much do you know about this castle and its owners, little girl?”
Nothing, you'd like to answer, but your eyes already communicate your answer as he pulls back, finally letting you breathe. His scent still hovers around you, though.
“Year 1479, the people of the town of Howl enter into an agreement with the seven lords of Midnight, ceding a part of their lands to these noble lords and agreeing to send a virgin once every ten years, on the so-called Halloween Night,” he narrates, leaving you speechless, “In return, none of the townspeople would be hunted down and killed, does that ring a bell?”
“L-Listen to me, I really don't know what you're talking about, I definitely have to go now,” you nod at your own words, but the door slams shut along with a new and terrible rumble, an anguished cry involuntarily leaving your throat.
“The dress you're wearing is soaked in poison, little girl” the imperious tone terrifies you, automatically your body closes in on itself, as a kind of protection.
“This must definitely be a joke, it is Halloween after all,” you whisper to yourself with tears in your eyes.
“It's a security, for us. It ensures that the girls don't run away, because we are the only ones who can neutralize that poison” you don't know why the man started speaking in plural, you just know that you have to leave, even though something inside you is screaming at you not to. Because it could end very badly.
“You'd better take it off, your body might absorb more poison than is really necessary, the sooner we start the better,” he sighs, beginning to take off his white shirt, showing off a well-built, smooth chest and abs studded with thin scars lighter than his skin, swallowing without any more salivation, following long lines of black ink that weave across his pecs, forming some kind of mark, perhaps related to some cult.
“What are you doing!”
The man tilts his head, his soft hair following the movement meekly, and grasps the edge of his pants, running his forefinger and thumb over it defiantly as he watches you, “I'm taking what was given to me, little girl,” he sneers again, not at all impressed by your shock.
It was not uncommon for him and his brothers to be served girls who were totally unaware of their own destiny, they were tiresome at times, they would not stop shaking and crying, praying not to be deprived of their purity, but you smell so delicious that it might make him go beyond your dullness.
The fabric of his excellent quality pants slowly flows over the flawless skin of his toned legs, the blood rushes straight to your cheeks, and your heart misses a beat with a strangled “iiih” as you realize that the stranger has not only freely undressed in front of you, but is not wearing any underwear.
You've certainly never seen a naked man in person, but based on your anatomy books, that is definitely not a normal penis.
With a strange feeling of dizziness and no little embarrassment, you realize that even at rest, it is definitely big, with a swollen base almost as big as perfectly round testicles and such obvious purplish veins that you wonder if it is actually already hard, in its own way. Could that vibrant pink be an indicator? God, what the hell are you thinking?!
After a little dizziness your eyes fly to the closed door, you have to leave, run.
“Are you sure this is what you want?” he asks you, smiling with a hint of danger in his eyes, “Do you want to run? Run away from me? Know that this will only excite me more.”
You try to look away from his cock, with extreme difficulty, as he spoke, his cock had moved slightly, as if agreeing with the man's words. You ignore the slight jolt between your legs.
“If I can get through the gates of your property, will you let me go?” you propose almost shyly, staring into his sly eyes.
“Um... if I let you go, you'd die from the poison, but if that's what you want...” he shrugs, making you frown. The story of the poisoned dress might be bullshit to convince you to let him fuck you, but what if it's not?
You shake your head, it's all just a bluff. This man is clearly a pervert, maybe he gets off on fucking on such nights with stranger women.
“That's what I want.” you assure with a note of panic in your voice, the desire to escape is so urgent you can hardly think, “Open the door.”
But the man shakes his head, “Strip and I will leave you free to roam my lands until I find you.”
“I don't-!” the words die between your lips, his singsong expression gone, giving way to a sternness that clashes with his regal features, the difference making that contrast frightening.
“I like to play, little girl ... but I don't tolerate whining, don't make me angry, because I might decide to take you now, we have a bed available right here and now,” he hisses, clenching his fist against the polished wooden backboard of the four-poster bed. The more he looks at you, the more his balls throb fiercely; he's trying to control his desire; if his cock hardens, that's the end.
You're the first woman he's seen in 60 years, finally his turn has come, and there's no way he'll let you go. Do you want to play? He'll let you, but eventually you'll give in to his desires. The scent of your sweet virgin pussy makes his wolf growl, eager to get out to meet you.
Perhaps you sense something strange, because with trembling fingers you go to unbutton the side opening of your dress, a little sorry to him, the plunging neckline raises and shapes your breasts invitingly, though the stench of the poison with which it is imbued leaves him disgusted. An idea of humans to persuade chosen women not to flee, his eyes scroll over the ancient clock hanging above the door, the hands turn and you have just four hours to go before the poison takes effect, killing you. He would be sorry to see you die without having had a chance to taste you first.
“Tic-Tac, the clock is ticking, little girl... the slower you are, the more likely you are to die,” he informs you with a smile, your fear written all over his face igniting his loins; he has to restrain himself so he doesn't jump on you, and you're aware of that now, too.
Your eyes study his shoulders, they have stiffened noticeably, and with embarrassing speed you unfasten the last side button, letting the soft black fabric of your dress slip off like a veil, leaving you in your bra and panties. You start up under his eyes, which move to observe every nook and cranny of your body, from the soft breasts enclosed in the cups of the purple lace bra, going lower and lower, past the delicious curve of your hips to the tightly clasped mount of Venus covered by more purple lace. You yourself realize that for a man who wants to possess you, that kind of lingerie might make you look like a neatly wrapped gift in his eyes.
“Don't stop,” he tells you hoarsely, his eyes veiled with glowing lust.
The blood leaves your veins; if he were to take you, you would already be ready to receive him. As your fingers move to get rid of your bra as well, you realize you don't find it such a disturbing idea after all, even when you finally pull down the light fabric of your panties, showing off something no boy has ever had the honor of looking at, his nostrils flaring as if to inhale something in the air, you are aroused.
“You'd better start running, little girl, I'm going to give you exactly twenty seconds head start,” his voice comes out as a guttural sound, making you widen your eyes and really run, when the door suddenly opens wide.
You don't even wonder what strange contraption he used to close or open the door without having to physically do it, you just know you are definitely in danger.
Every nook and cranny of the castle is an unknown, he owns it, he may know passages unknown to you; therefore, you always try to wander the corridors with no visible openings. A tense, animalistic roar makes you scream in terror, with spirited eyes you look down the stairs, you are close to the stairs to the hall, the door has not been locked, you just need more time, you can make it.
You sling yourself barefoot down, almost tumbling from your haste and throw yourself out, skipping the stone steps and then to the wild path, short of breath and fear dictating your decisions, you remember it took you a good twenty minutes to get to the castle, but walking the whole path is out of the question, it would be too obvious and easy, you necessarily have to lengthen the path and consequently put in more time to get away from that terrifying place.
With horror you realize that you don't know where Glenn and Claire might be at all, would he hurt them if he found them?
Of course he would.
You don't know the man, but you have noticed all too well the bestial aura around him; he is someone capable of harm, and he will harm you if you cannot escape him.
Your feet step on scattered branches on the ground and you whimper trying to ignore the pain, another roar - or maybe it's a howl? - rips through the air, mingling with the howls of the rushing wind, and you stifle an anguished cry.
Scratches open along your body, trees ravaged by bad weather and never tended seem to want to block your way in every way possible, and the darkness certainly doesn't help.
Like a wounded animal you limp aimlessly, not imagining the hunger of the ravenous beast that sneers at the scent of your blood.
You feel tired, sluggish at times, your peripheral vision somewhat obscured, an excruciating doubt makes its way into your mind. Could it be that the story of the poisoned dress was true?
But why sell it to you, how could the seller have known that your friends would take you to that castle on Halloween night?
You begin to stagger, a sharp twinge in your head stops you, it is so painful that you collapse on the icy, muddy ground.
You realize you are screwed in every sense of the word when a weight suddenly crushes you to the ground, you scream in terror and wide-eyed, trying to shake it off.
Jimin doesn't think twice about clasping you in his vigorous arms, burying his nose on your neck damp with cold sweat, the accelerated beat of your heart rumbling in his own chest, driving him to moan with need. He presses himself against your soft curves, basking in your feverish warmth despite the stormy, icy night.
“Don't hurt me,” you shake your head with your eyes closed, trying to fight the unusual fatigue to plead with him, "Please, I was wrong, forgive me...I won't come back here again, I swear," the boy snorts against your flustered skin.
He reluctantly lifts himself up to allow you to turn toward him, you find some strength to open your eyelids wide, being invested by his sometimes divine appearance. His eyes, no longer as black as you thought they were, are tinged with an extraordinary shade of gold, he watches you from receptive pupils as you notice the grin on his mouth, a mouth larger than you remembered. There is something strange, not human, about him now. And despite the run he must have made to keep up with you, he doesn't have the slightest hint of fatigue in his breath, he's as fucking fresh as a newly bloomed rose.
“You're dying, little girl,” he hums, shaking some hair off your forehead, you lose a beat at the sight of long claws where once there were short, well-manicured nails.
The claw grazes your skin unhurriedly, you feel it scratch without hurting, you anxiously lick your lips closing your eyes, you are so sleepy that you even willingly accept your fate, Jimin snorts through his nose, almost laughing, before lowering himself onto your jugular.
It would be really easy for him to sink his canines into your flesh and bite your throat to rip it out, but fortunately for you he is not a vampire. All he wants is to sink his cock into your pussy and make you cum repeatedly, but if you died it would be hard to put his plan into action. He wants you alive and receptive.
He licks a long streak of saliva onto your delicate neck, heedless of the dirt that has stuck to your skin, before gently biting you. Your reaction is immediate, you start sobbing like a puppy at the feel of his fangs penetrating your flesh, you cling to his shoulders trying to move him weakly from you, and you kick awkwardly with your legs, legs that are locked in a vice grip by his. That way it is easy to feel something hard and heavy pressing against your belly, you try not to think about it as the man seems inebriated by the taste of your blood flowing straight down his throat.
The bitter taste of the poison is revolting, but fortunately your blood has such sweet notes that it counterbalances that horrendous taste in a balanced way, here, now he just has to lick your wound thoroughly. He collects the last rivulets of your blood with his tongue, before dripping his saliva into the tiny holes created by his sharp canines, little holes that begin to close with light smoke, cauterizing the wound and partly removing the poison toxins from your blood.
With no longer a grip on your throat, your head falls limply back to the ground, you gasp trying to fight off the shock of such an experience.
“Mpf!” his tongue invades your mouth treacherously, the taste of your blood making you squeal on his lips, so unfairly soft and pleasant to the touch. The hot and unusually long muscle pushes into your oral cavity eagerly, saving your life has as if awakened the more primal side of Jimin, one of the seven lords who unleashed hell in Howl's town. And the mating ritual has begun, but you cannot know this.
You break free by gasping for air, “W-why?” you stutter breathlessly, “You don't even know me!” you cry as you drive your nails into his forearms, triggering in return a reaction of possession in him, prompting him to grab your thighs and lift them onto his shoulders to your profound horror, he is so wild as he spreads your legs wide open to sink his face in between them that you can't utter a single breath.
As he runs his tongue along your pulsing, hot folds, Jimin realizes with nastiness that during your escape you got wet for him, he had smelled your arousal as he pursued you, on some people the quickened heartbeat has that effect, but the sweet and slightly salty taste of your juices are now a definitive proof for him. And you can't deny it, you love how he teases you by slowly sliding around your swollen clit, plays with it by holding it between his lips and then releasing it after sucking hard, almost biting it. He tortures it by pricking it quickly with the tip of his tongue and then returns to lapping your thick juices from the soft slit, which seems to melt every time that devilish tongue penetrates it, managing to lick and stimulate walls that a normal tongue could never reach.
You shyly move your pelvis against his face, your thighs stained with your arousal tremble against his cheeks, and a terrible heat makes you pant desperately. The man abandons your slit to push himself again against your unbearably sensitive folds, they are so moist that you can hear the noise they make every time that cursed tongue stimulates them to push a few millimeters toward your clitoris, never reaching to touch it.
“God!” you curse, suddenly reaching out an arm to grab his hair, not recognizing yourself when you desperately push him against your pussy, longing for the pleasure he was spoiling you with at first.
His arousal makes him grunt like a wounded animal as he sinks into your core with languid, sensual movements, rewraps your desperate clit with his lips and tongue before continuing with more direct, zigzagging movements, crushing it at times with the flat part of his tongue and then flicking it with the tip soon after. He would never stop kissing and licking you like that, his tensed cock vibrating each time he eats you up a little more, delightedly swallowing your juices, enjoying retrieving them each time they flow between your wide-open, rosy thighs. A clearer, liquid substance squirts slightly out of your slit, causing you to shake around his head, you clench your lower lip between your teeth with tears sliding down your flushed cheeks, you are instigating Jimin to pleasurably hurt you, and the funniest thing is that you don't even notice.
Finishing licking some of that shiny, transparent substance from your inner thigh, the boy moves up your body, biting slowly at the flesh of your belly and then higher and higher to the softness of your breasts, titillating a turgid nipple before pulling it between his lips.
“W-What are you doing to me?” you gasp, wishing he would never stop adoring and cuddling your body, why? Just moments before you were running from his clutches, why are you lifting your pelvis now, inviting him to take you as if you've been waiting for this all your life?
“Are you just...” he murmurs, before kissing your chin with his devilish lips, "Responding to your desire" he kisses your mouth again, an electric sensation forcing you to comply, chasing his tongue with yours, collapsing to the spicy taste that is now all over his mouth, your taste.
With half-closed eyes you realize that the dark lines of ink are moving, taking the shape of a wolf watching you, you have no way to comprehend the unsettling sensation that invades you. The man, with one hand pressed against your bare back, forces you to turn away without you having any say in the matter, you find yourself with your face to the ground and the wind blowing down your back, shivering under his fiery, golden eyes, your legs trembling from the effort to keep you on your hands and knees, fighting the sweet pain pulsing in your naked pussy.
“Now hold still, little girl,” he murmurs in your ear in a husky voice, sensuously pumping his cock with one hand, swollen veins pushing against his palm, which squeezes along the entire shaft to the base, then back to the thick tip from which he is already dripping his thick cum, "I need to get all the venom out of your pretty little body, am I right?" he sneers, positioning himself at your entrance.
You open your eyes wide, panic stifled by arousal, but it's still there nonetheless, clenching your fingers between the grass and damp earth, rubbing your knees against pebbles that make you moan in pain. The length of his cock begins to push against your slit, forcing it open for him, a choked cry leaves your throat, feeling your walls that, despite their wetness, struggle to let him in.
“You're still so tight,” hisses the man unfamiliar to you, "I must spoil you some more, huh?" he chuckles, sliding his hand between your legs, using his index finger to stimulate your throbbing bud, you gasp arching your back and raising your buttocks toward the man, who takes the opportunity to plunge his cock another inch into your entrance, which throbs and squeezes him rhythmically, almost making him lose control of the situation.
The sensation of the claw grazing your folds each time he presses and massages your swollen clitoris brings you almost to the edge, you feel a wild sexual desire, something you never experienced even during your teenage years, a crucial period of sexual development.
“Go ahead, please!” you exclaim breathlessly, pressing your forehead against the ground, every single millimeter that moves inside you without really penetrating you is like torture, your index finger moving languidly, and you're going fucking crazy.
“Are you really begging?” he teases you, you grit your teeth until it hurts, but finally you give in.
“Please... fill me, take me!”
“Do you want it?” he asks again, pulling the tip almost completely out, the only part he had managed to get in, you clench your legs desperately trying to recover what your intimacy has lost.
“Yes! I want it! I want your cock, I want it to fill me all the way, and I want it now!” you growl with an anger that burns under your skin, looking at him from behind, his face is an emotionless mask, but his eyes...oh, those never lie, you read the fire of desire in them, he's suffering that anticipation as much as you are. Bastard.
“You begged for it so well, little girl... I'll just have to satisfy you,” the cavernous tone clashes with his appearance, but it anticipates what happens next and leaves you breathless, abandoning your contracted clitoris he grips your hips tightly, almost penetrating your delicate flesh with his claws, pushing himself into you with a vigorous thrust, instantly breaking the thin membrane at your entrance, effortlessly. The burning that follows makes your eyes water, your body instinctively trying to escape the man's savage assault, suddenly realizing that you have lost your virginity that way, out in the open, sweaty and dirty, just like an animal.
The man on top of you hisses and makes strange deep sounds, inebriated by the sensation of his throbbing cock finally and completely squeezed between your trembling walls, trying to adjust to the abnormal size. You gasp whimpering, moving your pelvis trying to disentangle yourself from the overgrip, his claws are hurting you, but he doesn't seem to want to let go, not now that he is buried so deep.
With a grunt he thrusts out slightly, watching as your pussy instinctively clings to him, as your thick juices and virginal blood wet his entire length, lubricating him. Leaning toward you, he lets a long trickle of saliva fall back between your buttocks, slipping between them reaches the point where you are joined. He thrusts back into you forcefully, striking deeper and deeper, and you feel every detail of his cock penetrating you and thrusting higher and higher, touching points so delicate and sensitive that you howl meekly, like a she-wolf offering her whole self to her mate, the pain has been replaced by the need to be possessed, you move against his pubes with urgency, the thread of pleasure is getting thinner and thinner, you feel incredibly wet, practically soaked, and the sounds of your union are so obscene that you are shamefully aroused. Your walls flutter drunkenly with pleasure, at one point with the thick, red tip he manages to hit the entrance to your cervix with precision, you stiffen whimpering breathlessly, and Jimin collapses on top of you, continuing to move his hips tirelessly and with spellbinding sinuosity.
You take it so well that it is impossible for him not to want to have you again and again, throwing back his head to be hit by the moonlight that increases his desire, his pupils widen and he feels his testicles clench with urgency as the base of his cock swells, making him shake all over. Without a second thought, he begins to enter you with deeper and longer thrusts so that his whole cock sinks into you without any more constriction, he hears you panting and crying and this only causes him joy, you are completely abandoned to him and your sensations.
You're about to come, you're not so ignorant that you don't know what's happening to your body, you've even heard of intense orgasms, but this... god, this is going to be devastating, you know very well. It's nothing like the ones you had with masturbation, this one is deeper, snaking through your lower belly and you feel it in your uterus. You stiffen all over, trying to block the erection that keeps pinning you down between hard, sensual thrusts, every time it touches your cervix you risk going crazy.
“Don't stop me, little girl... It's here, isn't it?” he gasps at you, slamming into you once more, high up between the entrance of your uterus and another sensitive area that makes your clitoris and walls tear with intense pleasure, your toes curl and you can't help but nod desperately, "Alright, love," he replies without even realizing it, kissing your bare, sweaty shoulder, his knot is almost complete, but he wants you to come before he gives you his cum.
He teases a sensitive, turgid nipple with the tip of a claw as he reaches the point of your union, massaging your folds to help you come, though with a hint of naughtiness he doesn't dare touch your clitoris, he wants you to orgasm on your own, knowing that the intensity then will be greater and you will collapse weak and distraught in his arms.
“Oh, fuck-!” you widen your eyes, being hit by a pressing and beautiful sensation of jouissance, sucking him furiously into you amid tremors and searing waves of pleasure, the same clear liquid as before leaks from your slit, this time in a greater quantity, causing Jimin to grunt as he is run over by your jet, slamming into you almost brutally, streams of his cum fiercely fill your core, as if to mark you for life, and finally his knot swells completely, locking him inside you.
Although immobilized, he cannot stop coming, his testicles quivering violently, and only one thing could quell his aching desire. With his eyes now almost completely encompassed by the black pupil, he pushes your hair away from your neck, exposing your previously tortured skin.
“Why does this go on?” you ask feverishly, confused by the enormous weight widening your walls and locking his big cock into you.
“Sssh” he rubs the tip of his nose against you, making you shudder, "Just wait a little longer" his words are followed by an excruciating twinge, his grown canines penetrating like blades into your skin and sinking into your flesh amidst your shocked and submissive screams, your body surrendering to his force, instinctively submitting and waiting for him to finish marking.
Jimin loves blood, your blood, it pleasantly bathes his tongue with its density and sweetness, he moans with need as he loses himself in your scent, instinct commands him to move his hips once more, even though you are both locked together, with a weak moan you take in the last strings of his cum, resting possessively in your belly, you feel heavy and unbearably full, but at least he seems to be finished, you feel him relax as he once again licks the holes left by his teeth, healing them. He looks like a wolf cleaning up after his mate after mating.
“What are you?” you ask wearily, by now surrendering to the idea that the man cannot be a mere human, that probably everything he has told you, from the poison-soaked dress to the deal with the town, is real.
“Jimin” you hear him grunt at such a low frequency that if you hadn't been alone, you probably wouldn't have heard him. You snort weakly.
“I asked you what you are, not your name,” you murmur, the strange, heavy weight preventing you from moving, hissing as Jimin moves awkwardly between your legs, putting you in a more comfortable situation, letting you rest against his chest lethargically, occasionally kissing the back of your neck and licking your neck, or behind your ear.
You'd be lying if you said you didn't like all that attention; you feel a delicious bite around your heart as you cling to his embrace, protected from the evening chill.
You don't know exactly how long you spend like this, maybe forty minutes, maybe an hour, the fact is that finally that thing between your legs seems to melt away, making you sigh almost strangely.
Jimin gently untangles himself from you, leaving your warm shelter slowly and with a feeling of emptiness that stuns you, your legs finally relax and you try to move them to regain some mobility, you feel his cum pushing to come out and two of his fingers enter you, plugging your entrance. No claws, you notice as he slowly turns you around.
You hiss at the burning, your knees are completely ruined, but Jimin begins to sprinkle them with kisses and saliva, the man is back between your thighs again, you can see his long, wild hair shining as he licks and sucks your skin from time to time, all the way to his fingers, he moves them slowly inside you and you twitch involuntarily, closing your eyes at the warmth of his tongue licking a thick streak of cum and juices dripping roughly from you, pushing it down to your hypersensitive clitoris and you moaning in pain.
“Don't do it,” you gasp, closing your legs tightly, but he doesn't give up, grabbing your chin between two fingers and forcing your mouth wide open, your heart faltering with a strange emotion, you let him spit all his creamy load into your mouth, running along your tongue with a surprised cry.
“Swallow,” he orders with a gleam of interest in his eyes.
You do as he tells you, wanting to please him in every way possible, accepting him back into your mouth for a slow, intimate kiss. It is also dominant and sweet, intense.
“I'm Jimin, a werewolf and also one of the masters of the castle,” he explains pushing you against his bare chest, you hug him back as if it were the most natural thing in the world to be there, clasped to him on a bed of dry leaves, "You are my mate, it's no accident that you were chosen ... being a virgin at your age is unusual for humans, but not for us wolves, you waited for me," he emphasizes with fire in his eyes.
“But ... my friends?” you can't help but ask, which makes him chuckle.
“My people have learned to be among humans, they recognized you by scent and led you to me at the right time, they are fine,” he informs you with a caress, “In fact, you should worry about yourself,” he says with a note of reproach.
“H-How?” fear advances again.
“I've waited too many years for your birth, little girl... it's time to repay the wait,” he hums as something hot and hard returns against your belly.
“Jimin, wai-!” too late, the tip of his cock captures your entrance again, this time with more ease and the next thrust has you writhing against him with tears in your eyes, “Oh, shit!”
© 𝐀𝐥𝐞𝐬𝐬𝐢𝐚𝐌𝐚𝐥𝐟𝐨𝐲𝐙𝐚𝐛𝐢𝐧𝐢 - 𝐀𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝. || 𝐔𝐧𝐚𝐮𝐭𝐡𝐨𝐫𝐢𝐳𝐞𝐝 𝐮𝐬𝐞 𝐚𝐧𝐝/𝐨𝐫 𝐝𝐮𝐩𝐥𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞𝐬𝐞 𝐰𝐨𝐫𝐤𝐬 𝐢𝐬 𝐬𝐭𝐫𝐢𝐜𝐭𝐥𝐲 𝐩𝐫𝐨𝐡𝐢𝐛𝐢𝐭𝐞𝐝.
#jimin werewolf#jimin x reader#jimin x you#bts jimin x reader#werewolf jimin x reader#bts werewolf#bts werewolf au#bts x reader#bts fanfiction#bts smut#bts yandere smut#bts fanfic#yandere jimin x reader#bts fantasy#bts halloween#jimin smut#park jimin fanfic#bts jimin#yandere jimin fic#bts dark fanfiction#jimin x y/n#jimin imagine#bts imagine#bts x you#bts dark#bts angst#bts scenario#jimin scenario#jimin angst#jimin dark
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I think the most interesting and under-explored part of gf canon is the formation of the blind eye and I'm tired of pretending it isn't: a long post
Because hear me out here, if we really take a look at the timing of the only concrete source we have (mcgucket's video diaries), it doesn't... line up at all?
The clear implication here is that he started making the diaries after the first portal incident on January 18th 1983, so this would be our "day one"
"For the past year I have been working as an assistant for a visiting researcher... But something went wrong. I decided to quit the project, but I lie awake each night, haunted by the thoughts of what I've done... Test subject one: Fiddleford."
But this makes no sense. We know from J3 that the memory gun was actually invented after a series of traumatic events with Ford, months before he left the project. Further, the timeline the video diaries set up of the blind eye show that he began to deteriorate and founded the blind eye on day 22, which would be February 9th, but in J3 the blind eye is already a full blown cult by then.
In addition, where is he in this video? we know from TBOB that he isn't on good terms with his wife after Christmas of 1982 and he likely didn't leave GF after the portal incident, but he was living with Ford up until this so where is this room? If he had somewhere else to stay, why only stay there now?
Now, realistically the answer here is that the lore was changed and slightly retconned between the writing of this episode and the publishing of the book (which alex discusses in some of the commentary for this episode when discussing fidd's character), but I think a more interesting theory to solve this contradiction can be found in the source material.
If we play this all completely straight, there are two options here, both involving Fiddleford lying in his diaries. this isn't entirely new to the series, unreliable narration is a big theme, especially in Journal 3 and TBOB. the only real explanations are that:
A) Fiddleford was lying about this being the first time he used the gun, meaning this video diary takes place after the portal incident.
B) Fiddleford was lying about leaving the project, and was filming these diaries while still working with Ford.
Now, either of them is plausible, but ultimately Fiddleford is a scientist. He has dedicated his life to engineering, and it seems to be his lifelong passion considering it's one of the only character traits that he continues to practice after losing his mind. Would a man who is this talented, this dedicated, really lie about testing results in a video diary he chose to make?
If he had used the gun before, any kind of result he is trying to observe would be ruined. It would be a pointless venture, since we know for a fact that by the time he leaves the project he has used the gun on himself, Ford and other civillians multiple times. It's a complete failure of the scientific method, and I don't think it makes sense for the character we know, the man who quadruple checks his own calculations just to be sure they're right.
However, the other explanation feels like something he might do. We know he invents the gun after the Gremloblin incident likely sometime in August, and seems to use it immediately as evidenced by J3, on both himself and Ford. We know from the audio commentary that for Fidd, the memory gun is very much an addiction, it's something that he uses to curb his anxiety and appear like a better partner, to try and keep himself together until the project is over. But ultimately, he's known something is wrong with the project for a long time, and Ford mentions his tendency towards self destructive anxiety when Fidd rips out his own hair after Ford reveals the tip of the weirdness iceberg to him.
All this to say, I think it's far more realistic for Fiddleford to lie about leaving the project rather than his results. He knows that something is wrong, that he should leave and be with his family, and on the other side of that we know that Bill is using this anxiety to whisper into Ford's ear that Fidd is unreliable and will leave. He's been through a severely traumatic event with the Gremloblin, trapped for days in his worst nightmares, to the point where he is prepared to cause himself potential brain damage to un-see it.
But despite all of it, he doesn't leave. He is determined to stay, maybe out of loyalty, maybe out of fear for Ford's safety, maybe he needs the money from the project for his family. He has a wife and son who need him and we know that he feels guilt for his treatment towards them, he even cites them as his sole reason for backing out of using the gun immediately before he does it anyway, and uses it on Ford to cover his mistakes up. Fiddleford is a man who is wracked by anxiety and shame and is such a bad way by this point that he is absolutely willing to self-destruct and lie to just get through this project.
I think he absolutely would start documenting his use of the memory gun, even if that meant lying that he had followed his instincts and left the project when he should have done. After all, he says himself that he wants to use this gun on a wider scale as a therapy tool, assuming the gun doesn't turn his brain to mush, surely the tapes of his initial testing will need to be peer-reviewed? He's presenting the reality he wishes was true, the one where he is brave and stands on his principles and doesn't fall into step beside Ford on his path to destruction.
So, where does this leave the timeline?
Finding exact dates is difficult, mostly because the only concrete numbers in J3 are few and far between, but we do have the dates of the tapes to go off as follows. This isn't concrete but it's a fun way to recontextualise the events of J3:
Day 1:
First usage of the gun, followed by it being used on Ford
Sometime after the Gremloblin incident, Fidd's arm is either healed or on the mend from the incident as his cast is gone, so likely towards the end of August.
Note on the cast: It could also be gone as a result of him removing it too early, he doesn't seem to take a lot of time to recover from the incident before he gets back to work in fear of disappointing Ford.
The room he is in is likely his bedroom in the Shack, or whatever location he initially uses to form the blind eye, maybe a room in the museum? The "probability of failure" graph in the back is the same one that he shows Ford the night before the Portal test, albeit a bigger version, meaning he has likely been tracking the output results for a while.
Day 5:
Still exhibiting postive results, no deterioration yet.
Day 22:
First signs of mental deterioration
First mention of the blind eye, Fidd draws the symbol onto a notebook but it is already scribbled in the background over a diagram of the portal. The blind eye symbol is first mentioned in J3, when Fidd hands it to the carny who becomes the eventual leader of the cult, so this diary likely takes place after he has begun using it on other people.
Official formation of the blind eye as a group to help people forget traumatic memories.
His room in the shack is in a state of disarray, his plants are dead and there are handprints in oil or ink on the walls. Notably, he seems to be connecting the idea of a single eye and the portal despite not being aware of Bill at this point, which I'll touch upon later.
The carnival is likely in September according to the timeline by @fordtato
Day 74:
Slight physical deterioration, more physical anxiety
It seems that Fidd has been regularly using the memory gun at this point, to erase even minorly distressing images from his head, and his anxiety has taken a nosedive. Likely explanation is that this diary is after the bunker, where he had another severely traumatic experience (kidnapped by a shapeshifter and reduced to mute from anxiety) and seemed to become obsessed with doomsday planning. During the bunker arc he also used the gun on multiple workmen and Ford once again.
Likely takes place in October/November
His room is a complete mess by now, with the walls covered in papers and "Help Me" scrawled on the walls.
At this point in J3, Ford has made his deal with Bill and is allowing him to possess his body whenever he pleases. Bill has also sucessfully driven a divide between the other two by making Ford doubt that Fidd will be able to make it to the end of the project, and Ford describes his frustration with him.
According to Ford, Fidd is just as agitated and nervous before the portal test as he was during the Gremloblin attack, and obsessively checks and rechecks his calculations, causing Ford to worry for his resolve.
In between this diary and the next are the stolen pages from J3 that are in TBOB, which give us slight insight into Fiddleford during this time but not much. We see that he tries multiple times to reach out to him the only way that Fidd knows how, through invention and creation, with the snowglobe and the six-fingered gloves. Ford, however, treats them carelessly as a result of his increased attention to his muse. At the same time, he tries to visit home but is kicked out by Emma-May after he forgets to get her a Christmas gift. This is played as an example of his connection with Ford, him remembering two gifts for the man and none for his wife, but if he really is suffering from his use of the gun at this time, the forgetfulness makes even more sense and his argument with his family means he doesn't have a support system outside of Ford who is paying all of his attention to the project. After this, Fiddleford is more reclusive than ever as he spends early January compiling a thesis for Ford to publish
Day 189
Physical deterioration is in full effect and he can't hide the result of his addiction any more, even just to keep up appearances.
His arm is broken, likely due to the car accident he mentions accidentally causing, but its the same arm he broke during the Gremloblin attack and could be a result of him taking his cast off too early for it to have healed right in the first place which could explain why he wears it for so long.
Significant mental decline as he has started exhibiting signs of brain damage or swelling (decreased vocabulary, forgetfulness, loss of motor functions) however, he is seemingly lucid enough to question if the memory gun is causing negative side effects.
There are actually bottles visible in the back of the room, possbly referencing the addiction metaphor being used here
This would take place after the portal test, likely late January. Ford is at the height of his paranoia, Fiddleford has left the shack and taken every trace of his research with him except his college picture with Ford, and the blind eye is a fully established and seemingly self-governing cult.
Day 273
At this point, Fidd has relocated to a motel and is seemingly completely mentally gone, ripping out his hair and developing his hunched posture. This likely takes place after the blind eye takes his memories, or he continues erasing them himself. It's possible that the blind eye continues visiting him and taking his memories even after he is ejected as a member, or at least until they forget who he is after using the gun on themselves too many times.
It appears to be snowing outside? Which doesn't line up with either the canon timeline or this timeline, so potentially the days on the video diaries could be incorrect assuming he isn't filming them every day, or has lost so much of his mind by this point that he isn't labelling them right and has lost track of time
The final two entries are a similar story, serving only to show us the end of his decline and him eventually becoming fully homeless, retreating to the junkyard he lives in for the next 28 years (jesus, he really deserved that mansion).
Ultimately though, this timeline asks a lot of interesting character questions.
Why did Ford not realise how bad Fiddleford's decline was becoming? Maybe a mix of circumstances, he was falling deeper into his worship of Bill at the time, to the extent that he was regularly being possessed and judging by the lack of journal entries at the time, very pre-occupied. We also know that Fidd used the gun on him at least twice in canon, and possibly used it more than we know in order to convince Ford he was okay.
If Fiddleford was erasing parts of Ford's memory, did Bill know? Personally, I feel that Bill was aware but knew that ultimately it would serve him. Fiddleford, without ever encountering Bill at this point, created the blind eye symbol which is eerily close to Bill's symbolism, how would he know that when we know Ford is possessive of his muse and doesn't share anything with Fidd about it? How does Ford have visions of Fidd in a red cloak without ever knowing that the cult and Fidd are directly connected? My thoughts are that Bill, who we know has erased Ford's memory himself before when he stole the journal pages we see in TBOB, was using most of this as fodder to drive a divide between the two, mentally creating associations in both of their minds so they stop trusting the other. Chess but with troubled gay men.
All in all I think Fiddleford's decline is such an interesting way to approach a theme of addiction, particularly a high-functioning addiction. If this really is how things played out, we know that throughout his use of the gun and even 30 years later when he is considered a write-off, the one thing he maintains is his engineering prowess and his smarts. It makes sense that even when actively using the gun and hiding it from Ford he would be able to keep up in terms of building the portal, especially when we know he secretly hired workers. It's also a great example of someone drawing others into their addiction, even if it was unintentional and he didn't believe they would be hurt in the long run.
I feel like sometimes there's a lil bit of a push to see Fidd as a naive or morally good character even through his mistakes and to demonise Ford in response, but ultimately both of them are very morally grey and have their own vices that they develop and grow from.
Anyway, interested in this idea?
Well, good news if you are or my condolences if you hate it and want me dead, this is also an au I'm working on and writing at the moment! My fic link is below, the introduction is up right now and the next chapter will be coming out tomorrow with updates every few days now I've finally gotten this post out. The tag for this fic is 'Geiger counter au', hopefully I'll be able to get out some other headcanons I have for this idea because it's been floating around in my head since J3 came out.
Thank you for reading!
#eden rambles#gravity falls#fiddleford mcgucket#fiddauthor#billford#gravity falls meta#society of the blind eye#geiger counter au#eden writes#bill cipher#stanford pines#thisisnotawebsitedotcom.com
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