#but i do think s2 going more action/adventure recontextualizes several bits of s1 - including this one
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I don't disagree that fandom ran further with the concept of fuckeries, but I would say that 1x04 is an important spiritual successor to the concept that felt like it was going to be significant. The first demonstration we got of how good Ed and Stede could be together was the lighthouse escape, which I would definitely count as a fuckery. It's a clever, creative victory that doesn't require violence, and it seemed to sate Ed's s1 stated appetite for drama/excitement/fun without triggering him.
Continuing from here... I mean I personally agree with you, but that's also mainly what I was talking about with fandom giving the idea more importance and interest than canon did.
I think a lot of people - myself included - drew that connection from 1x04's proto-fuckery to getting a name for it (and its potential role as a raid alternative) in 1x06 to Stede becoming a true student in 1x10. More detailed examples went for looping in 1x02 and/or 1x05 to show Stede leaning toward trickery over force.
The point isn't that the fandom (basically all of us, not a few outliers) was wrong to run with this - I think it was brilliant, actually, and a big part of why I even cared about writing meta about the pirate society of a romcom - but that the canon of S2 didn't pick the idea back up at all in a way that indicates it was never going anywhere. The pattern we spotted in S1 was apparently not the interesting comedic alternate to action/adventure swashbuckling, but something (significantly more boring tbh) that served to buoy our underdog Stede along without dying until he was far enough in his pirate journey to swing a sword successfully.
Is the lighthouse escape the first demonstration in a larger pattern of how Ed and Stede will work together in the future? Where their mutual tendencies toward creative solutions and dissatisfaction with abusive and violent pirate culture can find a new, more fun way of life?
Or is it a, yes, clever and creative escape they come up with together, but one that only has those specific traits because they are in an impossible situation where they can't fight their way out - narratively because the ship is stranded and crewed by useless pirates, and meta-narratively because they need Stede to contribute as an equal instead of just getting rescued (that was for last episode) and he can't do that in a fight yet?
We thought that the lighthouse plan was supposed to connect to 1x06 and 1x10, but I think it might have only been meant to serve as a fix to Ed's fog and full moon plan (i.e. making an impossible escape).
They just looked similar because all the various wins and conflicts of S1 were shaped around Stede's character journey, but the part of that journey where he can't jump into the fray and kill the mooks too as a real pirate ended with 1x10. Which is why they don't come up with a brilliant way to slip out of the Republic without a fight in 2x08. Stede doesn't need the genre crutch anymore. He is a swashbuckling hero now, and he and Ed can kill people side by side.
You know, once the trauma-based reasons they might not do so are healed by "something something... love maybe?"
#i am significantly less interested in this canon than i was in the one where i thought being silly tricksters would be the norm#and i think it shows a critical failure to consider that maybe the silly tone of S1 was what differentiated it from other pirate media#but i do think s2 going more action/adventure recontextualizes several bits of s1 - including this one#(also tbh bad writing not following up with character work)#our flag means death#ofmd s2#ofmd critical#< i don't think the last one was but this one definitely throws more shade#ofmd meta#ofmd 2x08#ofmd 1x04#stede bonnet ofmd#blackbeard ofmd#ofmd piracy#genre#ladyluscinia#ask#anon
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