#but how does it get some of the character's actors wrong?

[disheveledtranquility]

A little Eddie whump character analysis deep dive.

And defending symbrock while I'm at it and why I think movie Eddie was actually well thought out as a character and not just because "the stereotypical macho blonde asshole would not have been popular."

I'm exhausted so hopefully I didn't mess up the details too bad. Been a while since I read the comics.

Sprinkle in some of my ADHD so expect a bit of rambling. I added some gifs because I do love a picture book.

It's canon that Eddie Brock was abused by his father growing up. And the abuse was mostly emotional, lack of love, and lack of concern.

And gentle reminder that not everyone handles trauma the same, no matter which kind, and I feel like the way they wrote Eddie for the movies showcases another side to that trauma versus the comics. There's so many little details that even if it's just Tom being the amazing actor that he is portraying that side and not actually having those details written for him, it's still amazing.

Because Eddie's father was cold and emotionless after he lost his wife during childbirth. And of course Eddie tried everything to gain that love, just to be constantly subpar and never good enough for even a second glance.

After an accident involving drunk driving where Eddie hit a child, their relationship only got worse. And later in the comics, he disowns Eddie completely after he loses his job.

The movie version of Eddie is the broken version of that trauma.

He tends to shy away from situations where you'd assume he'd rush in to, like saving Mrs. Chen.

Trying to help or inquiring when he notices Maria missing. Anything that involves complex emotions. He's a reporter, yes, and he's cordial when he needs to be, but he seems to stick to his job and otherwise keep to himself. They don't exactly show that he has any friends, just Anne. So he's probably introverted because of the years of abuse and having to feel like he has to do everything alone with little to no strings attached.

Even simple things like getting into Anne's emails can be misunderstood. It's not malicious, but more misguided. He loved Anne. He didn't do what he did with intent to get her in trouble. But his poor decision making is probably also a part of not actually being raised and not knowing how to handle certain situations such as actually talking to your partner before you do things on your own? So much could have been avoided. And Eddie had good intentions of getting rid of Carlton Drake, but ruined his own life and Anne's as well because he didn't think things through.

He can't handle his emotions well (might also tie into the noises issue he seems to have that are not related to Venom, a possible trigger for him).

He has a lot of nervous ticks that also tie in with someone growing up in an abusive household. Emotionally stunted ticks. Like holding eye contact when someone he cares about is upset with him and he doesn't know how to fix it (because everything he does is wrong).

Even something you might think is simple, like apologizing, have had negative consequences as a child and might be why even though he's no longer in that situation, his brain isn't used to connecting any good emotions between them. He's probably not used to apologizing sincerely because doing so never meant it would change the outcome.

His mannerisms get worse when he's particularly anxious, like when he might have thought Venom didn't want to come back just as Anne when she left and never wanted to come back.

Again, because he pushed them away, just like Anne. Again, because he messed it up. And again, because he didn't know how he was supposed to fix it.

Because Eddie cares so much even though his head is always such a mess. Makes me think his dad had a say or two about Eddie constantly groveling for his attention and the way it might have made him seem weak, and Eddie in turn stopped himself from letting himself be so open and able to talk about these issues because of it.

His inability to form and/or hold any kind of positive relationship is a good telling sign.

He grew up vying for love without success. He doesn't know what a healthy relationship is supposed to look or feel like long term, even though he tries.

He probably just looks for some level on comfortable routine in his day to day with someone, assumes that's the best he's going to get, and hopes for the best. Any change and it throws him completely off center. He's not used to communicating in a relationship when he grew up talking to a wall.

Also why I think he handles being with Venom so badly. It's not the eating heads and it's not the whole 'alien living in my body' ordeal.

If something isn't obviously positive it feels negative to him in his mind, which makes everything worse. He's selfish in needing to keep his mental state positive. It no doubt contributed to his alcoholism.

He became a people pleaser. Not in the way of gaining attention, but because he's constantly trying to avoid any negative sentiments directed his way. He's already damaged. He doesn't want to have to feel worse.

Eddie is in constant fight or flight with Venom without knowing what the symbiote will do next and how he, Eddie, will be perceived. He becomes very anxious, and later, angry. He's always walking on eggshells.

But the relationship is different with the symbiote than it is with Anne. Even if Eddie doesn't explicitly say it, he feels safe with Venom. More able to let that rage out that he couldn't before. And because he doesn't feel like the symbiote is going to actually hurt him, when his stress gets to him he tends to lash out at it. It's a lovely little cycle of abuse and Eddie really needs therapy.

Venom didn't fully understand the layers of Eddie's traumatized mind yet in LTBC, which is why I think it lashed out as well. Like Anne had with Eddie. Again, it's different though. Venom understands enough to see through that mess and see that Eddie doesn't mean anything with what he says.

It never does damage with malicious intent to Eddie, comedic acts aside. Not even with the fight between them in LTBC. It breaks Eddie's nose twice just to heal it immediately twice, and doesn't leave him with any lasting damage at all.

Because it cares about Eddie. And because it was never meant to harbor emotions, it's probably going through the damn gambit having to feel everything through Eddie and feeling just as hurt by him.

This is also why I think Eddie is constantly complaining in TLD. He's again in constant fight or flight and too comfortable with Venom, so he's just lashing out. But you can tell the symbiote takes none of it to heart, sometimes even seeming to ignore his remarks completely.

Maybe after a year with Eddie it finally understands the pain underneath all that stunted emotion, anxiety, and anger. That, and Eddie no longer drinks his negative emotions away, which means he has less ways to calm himself when he gets too stressed.

Through everything, Venom is the only one who has the ability to see the issues that are deeper. It stayed through all that mess and decided that what was under the baggage was worth holding on to, without Eddie having to try and explain why he is the way that he is.

[theosirianischosen]

Random idea I just had: Ask ChatGPT to generate the script for a House of Anubis reunion movie... Here’s the result!

Title: House of Anubis Reunion

Fade in:

EXT. ANUBIS HOUSE - DAY

We see the famous Anubis House with its stunning architecture and lush greenery. A cab pulls up and out steps JEROME (played by Eugene Simon), looking dapper as ever.

Cut to:

INT. ANUBIS HOUSE - DAY

Jerome enters the house and is greeted by a chorus of familiar faces - PATRICIA (played by Jade Ramsey), ALFIE (played by Alex Sawyer), JOY (played by Klariza Clayton), MARA (played by Ana Mulvoy-Ten), and NINA (played by Nathalia Ramos). They all hug and catch up with each other, reminiscing about their old adventures and life at Anubis House.

Cut to:

INT. ANUBIS HOUSE - LIVING ROOM - DAY

The group is gathered in the living room, chatting and laughing. Suddenly, the lights flicker, and a mysterious figure appears. It's VICTOR RODENMAAR JR. (played by Brad Kavanagh), who has returned to the house with a sinister plan.

Victor explains that he has discovered a powerful ancient artifact, but needs the help of the former residents of Anubis House to retrieve it. The artifact has the power to grant immense wealth and power, but at a terrible cost.

The group is torn between helping Victor or stopping him. They split up, with some members going to retrieve the artifact and others staying behind to prevent Victor from using it.

Cut to:

INT. ANUBIS HOUSE - DAY

The group faces numerous challenges and obstacles, both physical and mental, as they try to retrieve the artifact. Meanwhile, the members who stayed behind struggle to keep Victor from obtaining it.

In the end, the group must come together and use their combined skills and knowledge to stop Victor and prevent the artifact from falling into the wrong hands. They succeed and the artifact is destroyed, saving the world from certain doom.

Cut to:

INT. ANUBIS HOUSE - DAY

The group is gathered in the living room, exhausted but triumphant. They share a final meal together, and say goodbye as they go their separate ways.

Fade to black.

THE END.

[mo-ok]

assorted episode 19 sharkys from ME, the official number 1 vul shark fan

[zandrawz]

Finally watched Kung Fu Panda 4, tell me why it unironically changed my life

[deviousdiesel]

.

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[drdemonprince]

People who are concerned about problematic or triggering kinks often couch these concerns in highly reasonable-sounding reactions and make what seems like highly reasonable requests.

They point out that lots of the most upsetting kinks may remind a person of their worst traumas, for example, and that these kinks, when played out, can resemble actual abuse so closely that the kink communities may attract bad actors who genuinely do wish to do harm.

They may allow that some kink practitioners are themselves survivors, and tolerate taboo kink's existence insofar as the correct people find it therapeutic, but they'll qualify that it should always be made clear what is fantasy and what is reality.

But ultimately, people making these arguments will assert, there are certain things that a simply beyond the pale -- across the line and wrong.

A lot of people say these things earnestly, and mean them, and I don't think they intend any harm in saying them. And in comporting their own personal lives, these guardrails may more or less apply well for them. But where it becomes a problem is in issuing dictates about how other people should act, and how kink friendly spaces should run, and how people who hold taboo kinks ought to be regarded.

Does it protect victims to view their kinks as inherently morally suspect?

Does treating a person who is forthright about their taboo desires and who has found a consensual venue to express those desires as more potentially predatory than your random vanilla cishet man help us make kink spaces that are safe?

Is it *true* having a fetish or kink makes a person more dangerous than someone that doesn't?

What's an acceptable reason to have a taboo fetish and what's an unacceptable reason? Who decides?

How might linking sexual practices that are already highly stigmatized and associated with queernees to abuse lead to increasing those group members' vulnerability?

Are communities where vetting of sexual play partners and frank discussions of consent are routine somehow more dangerous to be in than the vanilla world, where such things rarely happen?

What is a suitable way of flagging that fantasy is fantasy and real life is real life? Who decides?

Are certain real life enactments of a fantasy always wrong even when they are consensual, simply because they look bad/intense?

Which practices are okay to partake in in real life?

Who decides? Who decides? What happens to the people who violate those other people's rules?

You don't have to be interested in every kink and you don't have to visit all kink spaces. It's fine if you find certain fetishes disturbing, gross, triggering, a deal breaker, or reminiscent of your own abuse (and I'm really sorry that those things happened to you). But those entirely legitimate feelings in NO way translate to a need for anyone to place restrictions on how others play or fantasize or comport themselves in their own spaces.

Not all spaces will be for you, but please understand that for those of us who are kinky and queer, 99.9999999999% of all social spaces in the world are already viscerally violently NOT for us. Let us have our spaces to pretend to be puppy dogs and kitty cats and siblings and vampires and home invaders and monsters and rape victims and rapists and murderers and dead bodies and babies and robots and dolls and video game characters and everything else.

You don't have to like it but you don't have the authority to say we don't get to do it, and nobody should.

[world0fmadness]

TALK TO ME

lando norris x voice actress! reader

♡ general dating headcanons for lando with a voice actress partner!

୨୧ the game release dates are almost all wrong but just… shhh! you guys have been dating since mid 2022 <3

♡ related smau available here and related hc available here | view my formula 1 masterlist here

reading music recommendations: death stranding by chvrches - devil trigger by casey edwards

♡ sticking with the meeting story from lovely voice, i’ll expand on it a little!

୨୧ lando was streaming resident evil village one afternoon, wanting a switch up from his usual games and he’d heard good things about this one so why not play it?

♡ little did he know how much a video game would absolutely change his life <3

୨୧ within and hour he reaches castle dimitrescu

♡ he’s immediately in awe of one character, but it’s not who you’d probably think…

୨୧ instead of simping for lady dimitrescu, like most people do, he was down bad for bela dimitrescu who just so happened to be voiced by you!

♡ he was VERY vocal about how much he was in love with this character but especially her voice… almost demanding his chat to give him the name of her voice actress…

“ guys, who voices this character here? god, she’s got such a lovely voice hasn’t she? can’t just be me who thinks that… ” ( it definitely wasn’t just him, he converted almost his entire chat info bela dimitrescu worshipers )

୨୧ not long after he begged from the voice actresses name, multiple people in his chat post your social media handle and as soon as he sees it filling up the chat, he pauses the game to take a peek

“ bloody hell! that’s her? well the face certainly matches the voice, hm? she’s beautiful ” ( this clip of him goes absolutely insane on twitter )

♡ when you guys officially begin dating, lando goes on a binge, playing almost all of the games you’ve voiced a character in!

୨୧ one of the most infamous being until dawn, which he played on stream…

♡ he had no idea how easy it is to lose a character in that game and you didn’t tell him, wanting to see how far he could get before killing someone off

୨୧ it didn’t take long at all and the first character to die was yours :( you got your jaw pried open and head crushed by a wendigo

“ oh bloody hell, love! i’m sorry, oh fuck, that’s horrible, is it over? i’m so sorry, oh my god… ” ( you could be heard laughing so loud in your shared bedroom before coming in to offer him some comfort )

♡ safe to say lando was fucking traumatised… to see your face and hear your brutal screaming, it was way too much for him and he felt horrible! it was enough to make him restart the game

୨୧ on his second playthrough, he just wants to keep your character safe, all the others can get lost, he doesn’t care but his baby? she’s making it OUT!

♡ and your character does make it out! she was the only one left alive but lando is fine with that, as long as you’re alive

୨୧ whenever you’re on a comic-con panel, you’ll get a question about lando every once and a while

♡ like most voice actors and actresses, you the the motion capture for a lot of your characters too!

୨୧ this has led to a lot of footage of you and lando behind the scenes of games making into “ the making of ” documentaries!

♡ a fan favourite being the documentary for the last of us part II! it had quite a few clips of lando coming onto set and constantly making you laugh during scenes, making crude gestures towards you and calling you “ dotface ”

୨୧ he got kicked off set many times… but that wasn’t enough, oh no! naughty dog wanted revenge for how many times they had to reshoot a scene…

♡ so they got their revenge in the form of lying to lando! they told him they wanted to give him a simple, innocent cameo in the jackson section of the game! he’d be an innocent npc

୨୧ lando was so excited! he agreed right away, letting them take the 360 scans of his face and body, he couldn’t wait to see himself when he played it on stream!

♡ when he did play it on stream, he was incredibly confused as to where he was in jackson, he couldn’t find himself… but he figured maybe he just missed it! all the while you’re sitting in the next room, watching his stream with a downright evil smile on your face

୨୧ he comes across his face and body a little later in the game and oh boy, he was SO upset!

♡ his character wasn’t some innocent npc… oh no… his character was a wlf member that ellie, your character, has to brutally kill to proceed with the story

“ that’s me! for fuck sake! love, did you know about this?! ” ( of course you knew, but you were too busy laughing at how upset he was to answer his question )

୨୧ safe to say he never trusted a developer ever again…

♡ lando is a HUGE shipper for a lot of your character’s relationships!

୨୧ seyloy? he’d scream it from the rooftops, he was rooting for them to just kiss already for the entire burning shores dlc and he yelled SO loud when they finally did <3

“ finally! you know i was getting really worried they wouldn’t make it official… thank god ” ( again, you can just be heard laughing in the background before yelling out “ seyloy for life ” which he repeats back to you whilst chuckling )

♡ one of your favourite characters you’ve ever had the pleasure of voicing is clementine in telltale’s the walking dead!

୨୧ it was the first character you EVER voiced at the age of 8 and you really grew up alongside your character, always coming back to voice her in the following seasons as she grew up

♡ the final season at age 16 was especially special to you because it reveals clementine to be bisexual, just like you… and it’s how you came out to your fans too

୨୧ you and lando have said if you ever have a child, you’ll give them the middle name “ clementine ” because of how much the character means to you <3

♡ of course, children aren’t something you two plan to have very soon so you adopt a dog and end up naming her clementine ( you love calling her sweet pea too )

୨୧ you and lando treat her like a princess and take her everywhere with you guys! one time, you bought her a little replica of clementine’s hat and lando thought it was so damn cute, he made you wear yours and got a picture of you two together before sending it to EVERYONE he knows

♡ whenever you get new roles, he’s so excited for you!

୨୧ he loves letting you practice lines with him at home, though he can never stay serious for long and starts cracking jokes within ten minutes

♡ but he really is just so supportive! when your new game trailer releases, he’s sharing it on ALL of his social medias, flexing about how he has such a talented partner who has played all of these amazing characters and don’t even get me started about when he’s in the paddock… he talks about you to EVERYONE who’s willing to listen

“ well, she has a new game coming out soon so she’s pretty excited to see fan reactions to her character in that and then she has some panels to do as well ” ( it won’t be long before he’s pulling up pictures of some of your characters to show them too )

୨୧ and whenever he’s in the city, if he sees a billboard or any other type of promotion for your upcoming game, he always takes a photo before sending it to you! if you character is on the promotion, he’s asking if you know “ who that beautiful lady is ”

♡ if any of your characters get figurines, he buys them ALL!

୨୧ he has a shelf for them in his streaming room, next to the shelf with his racing stuff on it… two things he loves so much right next to each other

♡ since oscar is also a pretty big gamer and plays some games that you have a character in, it’s pretty common for him to send lando pictures of character at unflattering angles, jokingly asking him “ is this your girl? ”

୨୧ to which lando promptly responds “ yes, yes it is, and what? ”

♡ when you were nominated for a best voice actress award for your role as aloy in horizon forbidden west at the game awards in 2024, lando was ecstatic for you!

୨୧ you’d already won two previous awards, one for your role as clementine in telltale’s the walking dead and another for your role as ellie in the last of us part II in 2023, so if you won again, this would be the second award you’d received whilst dating lando

♡ he dresses up SO good for the awards, just as you do of course, and as soon as you arrive at the event and your pictures are posted to social media… oh it was a frenzy

୨୧ most people were going nuts over how good you both looked whilst some people said nothing would ever top him wearing the custom made cult of the lamb suit at the 2023 game awards

♡ the award show is going great, you and lando loving to see all of the other incredibly talented people receive their awards and chatting to people around you but eventually, it’s time for the winner of best voice actress to be revealed…

୨୧ lando holds your slightly sweaty hand in his, squeezing it as they read out your name as one of the nominees

♡ when your name is read out as the winner, lando lets out the loudest yell right in your ear before helping you stand up and giving you a tight hug

“ YES! oh i knew it love, i knew you’d win! go on, go get your award, i love you ” ( he gives you a quick peck before you walk off too, no doubt being screen recorded by fans watching at home )

୨୧ while you’re on stage accepting your award and giving your speech ( making sure to thank lando at least twice for his constant love and support ) he’s filming you and taking pictures of you on his phone, as if there aren’t multiple professional photographers doing that for him, he looks like a proud mother holding his phone up and very quietly cheering you on from his seat

♡ you guys go out for dinner with some of your co stars after the award show ends, lando constantly telling you how proud of you he is

“ i’m so proud of you, you know that? you deserve it so much, you really do, love ” ( he has so much love in his eyes whilst saying it, it’s nearly enough to make you cry )

୨୧ you spend the rest of the night enjoying a delicious dinner, your dream boyfriend by your side and close friends chatting amongst each other

♡ what a night it was…

landonorris: everyone say congratulations yn! my girl just won her THIRD best voice actress award! i’m so beyond proud of you love, my greatest achievement in life is being able to love someone as talented and beautiful as you

ynln ✔️: oh, lando 🥹

> ynln ✔️: thank you so much, i love you more than you know

> landonorris ✔️: love you so much more

> ynln ✔️: do you ALWAYS have to turn stuff into a competition? 😩

> landonorris ✔️: absolutely ❤️

landoynforever: congratulations yn! three awards is insane…

> loveyouyn: right? no one is doing it like her 😭

oscarpiastri ✔️: congratulations yn! speech could’ve used some work but i’d say it was decent

> ynln ✔️: i’ll pretend that last last little bit isn’t there, thank you oscar!

[davidtennantgenderenvy]

On David Tennant and Aging

So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.

David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.

It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…

He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.

Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.

David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.

There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!

I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.

[queenof3ferrets]

I don’t think people realize how deep Vil’s character goes. Like-REALLY realize it.

I am an aspiring writer, and I would say I have quite the keen eye so when I see people talking bad about Vil—-I get confused.

YES he seems harsh and pushy. And YES he doesn’t seem to act very nice around people sometimes and he acts cocky 24/7.

But there’s a difference between cocky and knowing your worth. Vil KNOWS his worth. And he isn’t just going to hide it because someone says so. Or because it’s easier to be modest and quiet.

And it’s what Vil is constantly encouraging others to do: to not hide.

But Vil also knows how harsh the world is. An actor can be one of the most hated people in the world because they’re constantly being filmed and people jump on their mistakes like lions hunting a limping giraffe.

So he KNOWS that a glass heart will get someone nowhere.

It’s why he acts so tough. And it’s why he gives tough love to others. If he never teaches his dorm members how to survive they’ll roll over and get killed the moment they step onto the field.

Hence, his harsh actions with Epel.

When Epel cries and storms off, Vil doesn’t scold him for it. He tells Epel to show him if he can hold his ground with his words. And how beauty is a weapon to be wielded well.

Vil scolds Epel when he calls dancing ‘feminine’ or ‘girly’ because he knows that mindset will get the boy nowhere. Vil knows beauty isn’t limited only to the female spectrum and tries to get others to see it as well.

It’s why Vil is so annoyed when Epel skips his routine but also because having a routine and ACTUALLY sticking to it is the hardest thing for some people. And Vil talks about this. (When you log in for the day and you get a reward, Vil LITERALLY talks about how routine and effort is the hardest part about beauty) and if you do keep up the effort it gives rewards.

But Vil also knows not all effort is repaid kindly.

That’s the whole reason he overblotted, basically. He felt inferior because no one saw him put in as much effort as he himself did, and people have the gall to scold him for it. That, or they overlook him for something they thought was better(Neige).

When I write, I don’t EVER want to hear someone I TRUSTED say that my work was second best to another author or that my way of writing was wrong and I should have to change it. Because I put time and effort into writing and it’s something I’m proud of. I put my soul into my writing and it honestly really hurts when someone does the exact things I mentioned before. And I’m sure Vil felt the same way.

Not to mention Vil has been through rough things in his childhood. Other children wanted to hurt him because of his talent for acting just because he played a part in a series too well and they couldn’t tell the difference. Adults never thought he could be a hero because he was too perfect and self-confident. Adults wanted someone like Neige to be the hero because he looked pretty and acted kind. (Basic protagonist things)

And Vil hated it. He gained traumas at a young age because other people alienated him. He grew to hate Neige because in the people’s eyes he was perfect and beautiful. And he grew obsessed with beauty because he didn’t think he was good enough for the hero roll.

His overblot was overdue at this point. Sure his actions should not be immediately forgiven, just like all the other overblotters actions, but they’re NEVER entirely to blame.

Because all of the boys who overblot were victims too. Not just Yuu or the others. They were hurting themselves just as much as others were.

And I hate it when someone like Vil is seen as a overly harsh person. Or someone like Leona who is only seen as lazy. There is so much more to them than that.

Vil respects people.

Vil sees how hard the people around him work.

Vil tries his best to show others their beauty in his way.

Vil knows that gems need to be polished from rocks before they can be embedded into a crown. But the work put in to get the gems ready is rough and long. And sometimes it looks harsh.

Vil learned his lesson after his overblot. There is no need to hang it over his head like blackmail. The same goes for the other overblot characters.

Riddle learned his lesson.

Leona learned his lesson.

Azul learned his lesson.

Jamil learned his lesson.

Vil learned his lesson.

Idia and Ortho learned their lessons.

[memryse]

if mcyt isn’t fiction then

people who create dnd characters that are similar to them in personality are just playing themselves and should not be treated as having made a character

people who make any other dnd character should also be treated as just playing themselves since people refuse to even consider roleplay smps as fiction

any ocs someone puts a bit of themselves into? nope not fiction!

actors who play a character with the same first name as them aren’t really acting

and so on

maybe YOU can’t separate characters and real people and think that everything you see from a youtuber even when they’re explicitly acting is how they are in real life but we as a fandom just don’t have that issue lol. we’ve had disclaimers and indicators for when we’re talking about characters and not content creators for years because a certain smp contained a character having suicidal thoughts as a result of abuse at the hands of another character and we needed to make it absolutely crystal clear that we were referring to a fictional storyline and not real guy #1 being an abuser and real guy #2 being suicidal. these customs have either extended into other corners of mcyt fandom, or some developed their own independently like hispanic mcyt fans have used the word cubito to distinguish mc guy from real life guy from years, a term that other language speakers liked so much we’ve also started picking it up lol

we know exactly what we’re doing. i get that the line maybe does seem more blurred to an outsider looking in (i wouldn’t know given that both my first fandom at age 12 and current fandom at age 20 were mcrp lol) but it’s universally understood amongst us. i don’t have a problem separating hermitcraft!gem and empires s1!gem the wizard with a twin brother and empires s2!gem the princess and cc!gem the real life canadian woman.

idk it rubs me the wrong way that after years of trying to explain this we’re either met with people calling us racists because of three guys that the rest of us (all of us, really, because dream team fans do not claim to be minecraft fans. those are the type to actually write rpf and ship the real life racist guys) hate probably a lot more than any of you do, or they watch a few minutes of a less roleplay-heavy series/part and decide that the entire medium is invalid as a form of storytelling

it’s so annoying. i don’t think we need to be understood to have validity as a fandom we’ve been doing this for years already without that but it is so infuriating and sad how whenever there’s some kind of fandom poll thing one of three things happens

mcyt fans are banned outright and placed on the same level as something like hp

an mcyt fan runs their own and gets harassed for it

a non-mcyt fan allows us in until they get harassed so badly by whatever fandoms we go up against that they end up deleting our bracket

in what world is that normal behaviour. and that harassment always involves calling them all racist cishet white men such as misgendering both eret (real life bisexual genderqueer person) and their character (also queer), attempting to harass jimmy solidarity fans because jimmy makes mc videos so he must be a dream associate (the only time they interacted was in a tournament during which dream and georgenotfound shittalked jimmy’s best friends to his face), all the shit quackity has gotten for being a former friend of the dream team as if he wasn’t the #1 victim of their racism and xenophobia, the fact that any time c!technoblade is involved in a poll we have to beg other fandoms not to talk shit about him because the real life man died of cancer before dream’s grooming allegations came out, similarly when tfc was in one. and so on and so forth. all because people can’t separate roleplay and real life and think that the entire minecraft sphere revolves around dream just because their idea of mcyt does (not even his own smp named after him did that).

[sapphic-agent]

Let's Talk About How Book 3 Ruined Aang

If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.

(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)

Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.

But for some reason, that aspect of Aang's character was completely flipped in Book 3.

The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.

(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)

The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.

One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.

For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.

(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)

And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.

So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.

But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.

(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)

I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?

Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.

Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.

And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.

I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.

The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.

He runs away when things get hard.

Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.

There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.

Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.

And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.

Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.

All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled

[haodarling]

Like the Movies

about: a series of my favorite movies reimagined with (some of) the boys of seventeen.

notes: the movies inspired the fics, please don’t expect it to be an exact word for word reenactment of the films; i had a couple of ideas and decided to roll with it. unfortunately i will not be doing all of the boys as some of them are key side characters unless specifically requested! the stories are interrelated in some way; it won’t be explicitly stated but try and look for crumbs!

also! most if not all the y/ns in the fics are directly stated to be female due to some of the stories heavily relying on y/n’s biological sex to be female.

currently working on: pretty girl !

Pretty Girl

based on: Legally Blonde

pairing: law student! joshua x heiress! reader // ex boyfriend! wen junhui x reader

synopsis: the youngest of 3 successful sisters, no one expects you to accomplish anything save for sitting still and looking pretty, but after your boyfriend dumps you for a much more educated girl, you get your eldest sister to pay your way into harvard law where you meets joshua hong, who does not seem to appreciate how lightly you takes things.

tropes: opposites attract, popular girl x nerd boy but with a twist, they start off at the wrong foot, it gets resolved, joshua will say hurtful things along the way though

A Sweet Haven

based on: Notting Hill // Maid in Manhattan

pairing: golden retriever!mingyu x single mother!y/n

synopsis: never in your wildest dreams did you expect acclaimed actor, kim mingyu, to stumble into your quaint bakery and ask you to hide him from the onslaught of paparazzi. what began as one chance encounter turns into constant visits to you and your daughter. but just as you begin to see a future between the two of you, the reminder of his fame and reputation hovers over the both you.

tropes: forbidden romance, single mom! reader, mingyu’s an actor, secret relationship

Hot and Cold

based on: Pride and Prejudice // Emma

pairing: wonwoo x reader, seokmin x oc

synopsis: as the eldest child of your family, you have only ever wanted the best for your siblings. so when your sister confesses to being in love with someone— you do everything you can to make sure they both end up together… but the infuriatingly handsome brother of your sister’s beau seems to be against the union altogether.

tropes: enemies to lovers, they really don’t like each other at first, just two people being protective of their younger siblings, elder sibling trauma written by an only child LOL

Mr and Mrs. Choi

based on: Mr. and Mrs. Smith

pairing: agent!scoups x agent!reader

synopsis: you and seungcheol (code name: scoups) have a bit of a work place rivalry going on, and the agency wants to put you both to the test by pairing you up with each other in a mission that would determine who gets the promotion… the catch being that you both would have to play a married couple.

tropes: rivals to lovers, technically also coworkers to lovers, fake marriage au, a lot of back and forths, cheol is a teasing lil shit with y/n, will very much include the old “the target is gonna notice we’re tailing him hurry let’s make out”

Love Me Tomorrow

based on: 2 week’s notice // flipped

pairing: jeonghan x reader

synopsis: your friends and coworkers say you’re foolish for harboring a crush on the worst man ever; aka your boss. yoon jeonghan is a successful ceo, and he is well aware of the hold he has over you; often using you to perform minute and tiresome errands. but what happens when you finally draw the line?

tropes: unrequited love (initially), she fell first but he fell harder, hannie’s an asshole here ngl, he gets better i promise, y/n is on a path to self love, when hannie realized he loves her he’s so pathetic i swear

Something Borrowed, Something New

based on: My best friend’s wedding

pairing: minghao x extraverted!reader, slight vernon x reader, and slight minghao x oc

synopsis: you love your fiancee you truly do, and you were very sure he felt the same long enough to propose to you; but he’s quiet, and well- you’re not. you know this, and so you always make sure you are not too spirited in days where he doesn’t feel it. but when he runs into his old college friends, you could not help but notice how he becomes a lot livelier with his childhood best friend.

tropes: established relationship, opposites attract, golden retriever y/n and black cat minghao, angst, like a lot of it, hao has a girl best friend :(( , two people who don’t communicate because of their own personal reasons

[queenshelby]

Our Little Secret (Part 64)

Pairing: Cillian Murphy x Reader

Warning: Infidelity, Age-Gap, Triggers, Smut

An hour later, and after Cillian had put Mara to bed, you sat down on the couch and opened a bottle of wine. You were  feeling a bit anxious about the upcoming intimate scene between Cillian and Annabelle, and you couldn't shake off the feeling of unease that had been brewing inside of you since you had left the restaurant. You knew that you had no reason to feel that way. Even if there was something between Cillian and his costar, it was really none of your business.

As if sensing your discomfort though, Cillian sat down beside you, filling himself up a glass of red as well. "Hey, what's wrong?" he asked, looking at you with concern.

You took a deep breath before turning to him. "It's nothing, really," you said, trying to suppress the emotions churning inside you, but Cillian knew that something was bothering you.  He took a sip of his wine before setting the glass down on the coffee table and leaned towards you.

"What is it?" he asked, putting a comforting hand on your shoulders.

You hesitated for a moment before confessing the events that had taken place at dinner that evening. "It's just that...," you began but stopped yourself. "I don't know. I had to think about that article recently and I was wondering whether, you know, never mind," you said, your voice trailing off as you looked away from him.

Cillian's grip on your shoulder tightened slightly. "No, what is it?" he asked, his voice soft yet insistent.

"Well, it is just about that article in the Irish Times, where it said that you and Annabelle had an affair back in 2014 while you were married to Danielle and, after meeting her, I am still wondering whether there was some truth to it," you finally admitted in a low voice, pressing your lips together in a tight line.

"What?" Cillian chuckled, pulling away slightly as he stared at you with disbelief. "What makes you think that?" he asked, raising an eyebrow at you in amusement.

"Did you not notice her flirting with you all evening?" you asked, unable to hide the incredulity in your voice.

"Flirting with me?" Cillian looked surprised. "You mean her comment about my eyes?" he asked, a puzzled expression on his face. "That wasn't flirting, Y/N. She was just making a joke. I can assure you that there has never been anything between her and me, other than a professional relationship. We worked together on a show and that's it," he said, his voice steady and sincere before pausing slightly. "Also, I don't know why you even care, because we aren't together anymore, so...," Cillian  sighed heavily, taking a deep breath, trying to collect his thoughts just before you continued, asking him another question.

"How does this work, with the intimate scenes and all?"  you asked, feeling your nerves getting the better of you as you tried to make sense of the things you were feeling.

Cillian took a deep breath, rubbing his forehead as if weary. "Uhm, what do you mean?" Cillian asked, looking taken aback by the abrupt change in topic.

"You know, with scenes and stuff," you stated, gesturing vaguely with your hand.

Cillian gave you a puzzled look. "No I don't know. What's your question?" he wanted to know, trying not to appear annoyed.

"Do you actually kiss her, like properly? And touch her? I mean, if you do, I am not really surprised that she thinks that...," you trailed off, causing Cillian to interrupt.

"Listen Y/N, these scenes are awkward at best. They are the most uncomfortable scenes to film, and I don't actually think that any actor enjoys doing them," Cillian sighed, setting his wine glass down on the table before leaning forward in his seat to face you. "And yes, my character kisses her character. There is some touching too, but it means absolutely nothing, because it is all part of an act and nothing more," Cillian continued as you took a big sip from your glass.

"Come on though, you can't tell me that you don't enjoy kissing a really pretty woman like her,"  you replied, a bit of playful sass in your voice, trying to lighten the mood.

"No, I don't," Cillian said with a deadpan expression on his face. "It's awkward as fuck and she is not really my type," 

he added with a slight chuckle. "Trust me, filming those scenes is as unenjoyable as it sounds."

You took another sip of your wine, nodding slowly in agreement. "Alright, I get it," you finally admitted, taking a deep breath before continuing. "I am sorry that I asked, but it just had me wondering because the way she was looking at you tonight... I don't know, I guess I just had to ask," you explained, shrugging slightly as you looked down at your hands.

Cillian let out a sigh before responding. "Because you are jealous?"  Cillian asked softly, his eyes never leaving your face.

You took a deep breath, trying to find the right words. "No," you finally said, shaking your head. "Well, maybe just a little." You looked up at him, meeting his gaze. "I don't want you to get the wrong idea, but seeing her looking at you like that brought back a lot of memories and I guess I just couldn't help but feel...weird?"

Cillian raised an eyebrow at you. "Weird?" he repeated, sounding amused.

You rolled your eyes. "Yes, weird. Like I still care about you. A lot."

"Right," Cillian tilted his head, a curious expression gracing his features. He took a slow sip of his drink while eyeing you thoughtfully. "Do you still love me?"  Cillian asked, setting down his wine glass as his eyes locked onto yours.

"Yes," you admitted softly, unable to tear your gaze away from his. "I guess I do still love you, Cillian and I miss being with you, so fucking much," you confessed, your voice cracking slightly with emotion. "I just want to go back to  the way things used to be, the way it was between us before everything fell apart."

Cillian swallowed hard at your words, his eyes softening with understanding. "I know what you mean," he replied, taking a deep breath before continuing. "I miss it too. I miss being with you, talking with you, sleeping next to you. I miss everything about us," he whispered, his eyes never leaving yours.

You took a deep breath, feeling your heart racing at his words. You missed him too, all of those little moments you used to share, the stolen kisses, the way he would always wrap his arms around you protectively, making you feel cherished and loved.

"Do you think we could give us another chance?" you asked hesitantly, your voice barely above a whisper, taking Cillian by surprise.

For months, he had begged you to take him back and now that you had finally brought it up, he found himself at a loss for words.

He looked at you, taking in your hopeful expression and the way your eyes seemed to dance with excitement. "Yes," he finally said, his voice barely audible. "You know I would do anything for you to give me another chance," he went on, his voice unsteady with emotion.

"Okay, I will give you another chance, but don't fuck it up," you said sternly, trying to keep the emotion out of your voice.

Before Cillian could respond, you leaned forward, capturing his lips in a passionate kiss, your body molding against his as you let yourself get swept up in the moment.

"I love you," he whispered against your lips, his hands coming up to cup your face as he deepened the kiss, making you moan softly.

"I love you too," you replied, your voice barely above a whisper as you wrapped your arms around his neck, pulling him closer still.

For several long moments, you lost yourself in the kiss, the taste and feel of Cillian driving any lingering doubts from your mind as you reconnected with a man you could never truly forget.

You didn't know if it was possible for things to be the same between the two of you again, but you wanted to try, and it seemed Cillian felt the same.

When you finally broke the kiss, you pulled back to gaze into his eyes, and there was a passionate intensity that made your heart race faster.

"I want us to live together as a family . Just you, me, and Mara. I want us to try and build a life together," you said, looking into his eyes with all the sincerity you possessed.

For a moment, Cillian simply stared at you, stunned by your sudden declaration, but then a slow smile spread over his face as he nodded in agreement.

"I thought you weren't ready for that?" he  murmured, searching your face as if trying to gauge your certainty.

You took a deep breath, letting it out slowly before meeting his gaze evenly. "I wasn't then," you admitted truthfully. "But I am now. I want to try, Cillian. I want us to be a proper family, no matter what that entails."

Cillian stared at you for a moment longer, as if trying to determine whether or not you meant what you were saying, before he wrapped his arms around you in a tight embrace that spoke volumes.

"I want that too," he breathed into your hair, his arms tightening around you protectively.

The relief that washed over you in that moment was something you couldn't quite describe. For the longest time, you had longed for the kind of connection you had once shared with Cillian, feeling lost and adrift without that guiding force in your life, and now, finally, it seemed as though there was a chance to rebuild.

"Good," you smiled  , burying your face in his neck as you pressed yourself closer to him, relishing in the feeling of his arms wrapped around you.

It was a bittersweet moment, knowing that there was still work to be done, but you felt a renewed sense of hope, taking solace in the fact that you would have him by your side as you navigated through the challenges ahead.

"Now show me how much you still want me!" you then told  Cillian, pulling out of the kiss and looking at him with eyes that were so filled with desire that you could hardly contain yourself.

Cillian didn't need any further encouragement. He pulled you closer, his hands wandering over your body as he kissed you deeply, his lips hungry for yours. 

"God, I've missed this. I've missed you," he whispered in between kisses, trailing them down your neck before reaching beneath your t-shirt to cupping your breasts over your bra.

You moaned softly, arching your back as you pulled him closer. "I want you so much,"  you breathed out, your voice hoarse with desire.

Cillian's hands wandered over your body and, before you knew it, he pulled your t-shirt over your head, leaving you in your bra and jeans. 

His tongue trailed a hot path down your neck, before placing kisses across your collarbones. 

Eventually, helped you slide your jeans off too, tossing them aside, leaving you in just your lace underwear. Cillian's hunger was evident in the way his hands and mouth greedily explored your body, his fingers tracing the edge of your underwear with a hint of tease. 

"Take this off," you told him, tucking at his t-shirt at the same time.  Cillian obliged, pulling it off to reveal his toned chest, covered in soft curls of hair.

You couldn't help but let your gaze linger on him a little as your hands wandered over his bare skin, feeling the muscles twitch beneath your fingers.

Cillian groaned at the sensation of your exploring touch, his hips bucking sharply against yours as he pulled you closer.

Your lips found each other's again and you kissed him deeply, almost desperately, as if trying to make up for the lost time.

Not long after, his jeans came off too and he was left in just his briefs, his thick erection pressed against your thigh.

You couldn't help but moan softly at the sensation, a shiver of lust running down your spine as you realized just how much you needed this. The past months had been challenging, to say the least, but now, with Cillian, you felt as if you could finally breathe again.

"Fuck Y/N," Cillian groaned, his hands sliding down to your waist, pulling your hips closer to his. "I want you so badly right now," he whispered, nipping at the skin of your neck as he unclasped your bra, letting it fall to the floor.

His hands wandered over your bare breasts, his thumbs grazing over your nipples, making you gasp at the sudden spark of pleasure that ran through your entire body.

You reached down, gripping his erection through the fabric of his briefs, making him growl low in his throat as his hips thrust forward.

"Jesus," Cillian breathed out, his fingers tightening on your hips.

"Let's just skip the foreplay for tonight. I really need to feel you inside me," you whispered into his ear, your hot breath making his cock twitch in anticipation.

Cillian groaned in response, pulling you even closer as he kissed you deeply. "Are you sure?" he asked against your lips, his tongue tracing the curve of your bottom lip. "Because you do know very well what my mouth can do."

"Yes, I am sure," you replied, tugging at the waistband of his briefs. "I really need your cock right now!" 

Cillian didn't need any more encouragement. He quickly pulled the fabric of his briefs down and kicked it aside while you stood up and got rid of your panties quickly before climbing on top of him.

Your wetness brushed against the tip of his cock, making you let out a low moan before you positioned yourself above Cillian and slowly sank down on him.

"Oh fuck," Cillian groaned, his head falling back on the couch as you sheathed him fully inside of you. You let out a deep, shuddering groan of your own, relishing in the pleasure of being filled by him again.

You didn't waste any time. With one swift motion, you pushed yourself down, taking him all the way in.

"Fuck, Y/N," Cillian groaned, hands gripping your hips tightly.

You started to move up and down, savoring the feeling of his thick cock filling you up, the sensation of his skin sliding against yours, the sounds of his grunts and moans as you pleasured each other.

You rode him with abandon, the couch creaking and groaning with the force of your movements.

You could feel Cillian's cock hitting your deepest spots, again and again, in a rhythm that was both delicious and maddening.

"Fuck, you feel amazing," Cillian groaned, hands gripping your hips tighter as he bucked his hips up towards you.

You could only moan in agreement, the sound escaping your lips as you increased your pace. You could feel yourself getting close, the familiar tingling sensation starting to build in your lower belly.

"I am planning to do this every night from now on. Every fucking night!" you panted out, throwing your head back as you felt the beginnings of your orgasm building within you.

Cillian's fingers dug into your hips as he thrust upwards, matching your rhythm. "Yes, every fucking night," he agreed, his voice strained with lust.

You could feel his cock swelling inside you, telling you that he was close too. "Fuck, I'm gonna cum," you cried out, your fingernails digging into his shoulders as you rode him harder and faster.

You left scratch marks on his skin as you clung to him, trying to hold on as your orgasm built to a crescendo.

Cillian wrapped an arm around your waist, percentage guiding you, his breath hot and ragged against your ear as he hammered into you from below.

The corners of your vision blurred as colors danced behind your eyes, your body writhing and convulsing as your orgasm enveloped you completely.

"Yes, yes!" you screamed.

Cillian's thrusts faltered slightly as he felt the walls of your pussy trembling and fluttering around him, milking him for every drop of cum he had, before he too, pushed over the edge.

"Fuck, I'm cumming!" he cried out, voice hoarse and strained as his body stiffened and convulsed beneath you. His cock swelled impossibly harder and thicker as rivers of warm cum pumped deep into your core, filling you to the brim with his essence.

"Oh fuck, I'm still cumming!" Cillian groaned, his hips bucking faster and faster as you milked him dry.

You collapsed against him, panting and spent, your body and mind in complete ecstasy.

Cillian's arms wrapped around you as he breathed in ragged gasps, his cock still twitching inside of you.

For a moment, you just lay there on the couch, your two bodies pressed tightly together, hearts beating in sync as if to a wild, primal rhythm.

Cillian's chest rose and fell against yours, hands gently stroking your back in slow, soothing motions. You could feel the aftershocks of your orgasm still rippling through your body, still trembling with the overwhelming force of it.

Cillian too, remained inside you, still half-hard, his warm semen slowly leaking from your swollen pussy and trickling down your thighs.

After what felt like an eternity, you finally managed a weak laugh, burying your face in Cillian's neck.

Your entire body felt deliciously heavy and languid with pleasure, and it took every ounce of your willpower to push yourself up slightly off his chest just so you could look into his face.

"That was amazing," you whispered, your lips curling up into a soft smile of pure satisfaction as you traced the curve of Cillian's jaw with the pad of your thumb.

Cillian chuckled softly, brushing tendrils of damp hair from your forehead as he gazed into your eyes.

"It was quick, but so fucking good," he confirmed, seeing how you had only been at it for about twenty minutes. 

"I know," you replied, your voice still breathless as you snuggled up close to him before, finally, lifting your hips so that his cock would slip out of you . You flinched at the sudden rush of wetness between your legs, a remnant of what had just happened still dripping from your pussy.

Cillian himself groaned in disappointment as he felt his cock soften, the withdrawal painful.

"I could stay inside you forever," Cillian whispered, peppering kisses over your neck and shoulders. His hands were wandering over your waist and hips, softly stroking your skin with a tenderness that almost made you cry.

You chuckled softly.

"I think I would like that," you replied, before sighing blissfully and reaching down  between your legs to touch yourself, still wet with his semen.

Cillian watched you through half-lidded eyes as your fingers dipped between your pussy lips and came back glistening with the mix of both of your juices.

You brought it to your mouth , eyes still locked on his as you licked your lips slowly, savoring the taste of your lovemaking and Cillian swallowed hard at the sight.

"I think it is time for bed," you then announced softly, standing up from the couch. "You have to be up early again tomorrow morning to film that scene with Annabelle, remember?" you teased, with a sly little grin before wobbling off to the bedroom and Cillian chuckled weakly response before hauling himself up from the couch, his entire body still buzzing and tingling with euphoria from the mind-blowing sex you just had on this very couch.

Tags:

@sunbeamseas @saint-ackerman @oatmealisweird @naxxsstuff @amanda08319 @r-m-cidnah @elysiannook @cillshot @infireddabdab @tastycakee @harrysbestiee @lilybabe22 @adalynlowell @henrywintersdearestgirl @ietss @thatgirlthatreadswattpad @ryiamarie @axionn

@nela-cutie @futurecorps3 @delishen @nosebleeds-247 @thirteenis-myluckynumber @gills-lounge @hjmalmed @lost-fantasy @tiredkitten @sidechrisporn @smallsoulunknown @charqing-qing @hopefulinlove @aporiasposts @shycrybaby @me-and-your-husband @hjmalmed @lacontroller1991 @galxydefender @aporiasposts @blondie-22

@galxydefender @hunnibearrr @saint-ackerman @lunyyx @gentlemonsterjennie1 @ihavealotoffandomssorry @nadloves @lost-fantasy @nolucesn@mcavoy-girl @hjmalmed @bloodybagels @obeyme4life @richiesgroupie @blushykiss @tatumrileyslover @teawithsatanx @orijanko @rhaenyra4ever @xcinnamonmalfoyx @budugu @nadloves @kmc1989 @bloodybagels @obeyme4life @richiesgroupie @forgottenpeakywriter @smailaway @sophiaaguirred @blondie-22

[aespicysstuff]

Scream

Jenna Ortega x Fem!Reader

Description: "When Jenna can't help but fall in love with her coworker, but she's too much of a coward to confess believing you don't feel the same, however, the girl is wrong you would kneel for her."

Words: 18.1k

Saju: "ENJOY IT LOVE"

---

Jenna Ortega is a well-known name. She is an authentic woman with unreal beauty, creativity, cuteness, education, intelligence, and more. I could spend days complimenting her without getting tired. Like many people, I know Jenna from her works. Watching her performances on screen is already something gratifying and magnificent, but nothing compares to witnessing her talent in person.

How do I know this? Well, perhaps because, thanks to my job, I had the opportunity to work alongside one of the people I admire. Since a very young age, I have always been interested in parkour, martial arts, and boxing. Recognizing my potential in these areas, my father ensured I learned everything. Thankfully to him, I have the most enjoyable job – being a stunt double.

---

You logically started with small films and series, sometimes even commercials and a few games. You had begun to gain popularity among directors, especially after being the stunt double for Zoë Kravitz in "The Batman" and being the motion and body model for a new character in the Resident Evil game franchise. The director of "Scream VI" was looking for a stunt double for Melissa Barreram, the actress playing Sam Carpenter. Like other stunt doubles, you submitted a video showcasing your skills. After seeing your performance and how adept you were at both agile and heavy movements, they hired you for the role. You've been enjoying the experiences to the fullest.

At this moment, you were heading to the set and also meeting with the cast. During the filming, you had gotten close to almost all the actors, especially Jenna and Melissa. As you arrived, you spotted Jasmine and Mason from a distance, quickening your pace to reach them. "GOOD MORNING, BEAUTIES!" You kissed both of them on the cheek. "Good morning, lovely! You woke up in high spirits today," Jasmine said after you sat beside her. "I also noticed. Does it have something to do with a 5'1" Latina who loves playing characters with no sanity?" Mason teased while ruffling your hair.

You weakly slapped his arms, scoffing as they both broke into laughter. But when you were about to say something, a familiar scream interrupted. "MELISSA, STOP!" In minutes, you saw a small figure running towards you and hiding behind you. "Y/n, protect me, plea—" Jenna was interrupted by a furious Melissa chasing her. They ran around the table, making everyone laugh at the actresses' cuteness.

You decided it would be better to stop them before someone got hurt. You got up, caught Melissa in your arms, and held her tight. She struggled a little, but your grip was firm. Though she might be taller, you were stronger. You placed her beside Mason and sat back down, chuckling. Jenna sat beside you, and you offered her a water bottle. After she thanked you and turned to the group, you couldn't help but laugh at the situation.

Your eyes roamed every detail of her face, from her freckles to her dimple, her button nose, and the lips you wanted to feel so badly. Jenna felt her heart jumping in her chest, as if she would pass out from how intensely you were looking at her. She started leaning her face towards yours, interlinking her gaze between your eyes and your lips. Hypnotized, both of you were so entranced by each other that you didn't notice when you were called, "LOVE BIRDS!! WE HAVE SCENES TO SHOOT!! STOP EATING EACH OTHER AND GO TO THE SET!!" Jasmine, always the sweetheart, got your attention, making both of you jump a little and put some distance between yourselves.

The staff and some actors had already entered; only you and Jenna were missing. You remained in silence, trying to tame your heartbeats and your blush. You heard Jenna clearing her throat, "Uh... I-I think it's better if we go inside too." Jenna said while getting up and walking to the set, not giving you time to reply. You stayed for a bit longer, trying to absorb what just happened. Would you guys really have kissed if you weren't interrupted? You put your hands on your head, sighing, and started your way to the set.

You had started the recordings, and now you found yourself restless and apprehensive. At the moment, you were shooting the theater scene, and seeing Jenna hanging there wasn't pleasant. You couldn't believe how many times this girl faced danger without fear. She had mentioned loving to do her own stunts, and you couldn't blame her. You felt incredible after your own acrobatics. Still, you feared that one day she might get seriously injured. You couldn't help but worry about her.

You almost ran towards her when the director gave the order for her to fall, but you held back and sat down again. Her character and Jack's had a brief dialogue, and following the script, Tara thrust the knife into Ethan's mouth. You couldn't deny that seeing her smile of relief after her action and the blood on her face made you more infatuated with her than you already were.

Just as it was said, you knew Jenna from other works, and since then, you admired her. Just like her fans, you couldn't resist the charms of this Latina. Since the first day of filming, you've been falling more and more in love with her. She doesn't help much in easing these feelings since, from the first day, she hasn't let go of you. Not that you're complaining, but trying to stop liking her is almost an impossible mission.

You would really like to confess your feelings to Jenna, but you feel that she deserves someone better, someone who understands her (in the work sense) and who is a beautiful woman that fits with her. You're just the stunt double, the tomboy, as some call you, simply because you have a more sculpted body, a muscular physique, and a tomboyish style. You've always faced these kinds of unpleasant comments for these reasons. Your friends always comfort you, and your small fan community defends you as much as they can.

Jenna also always comforts you when some of these comments shake you. She always says that you're like a Doberman, always with a stern face, ready to snap at anyone who comes close. She said she feels safe with you, as if she were at home. Lost in your thoughts, you hadn't noticed that they had finished the scenes. You also didn't see a certain short girl watching you attentively.

Jenna observed every trace of your face, every bit of you. From your curly hair to your tattoos, she loves every part of you. She finds herself hopelessly in love with you, every aspect of you, habits, words—you leave her fascinated. It wasn't in her plans to fall in love, but on the day she saw you, she knew her heart wouldn't hold up. She perfectly remembers how her heart skipped a beat after seeing you. You were in simple clothes that highlighted your curves and, most importantly, your muscles. But the fatal blow was the smile you gave her after hugging her.

But Jenna is afraid of this, of these feelings. She has always been more focused on work, never paid much attention to romance. But now, after getting to know you, she daydreams about your life together.

She wants to confess, but she never manages to. She always retreats before revealing her feelings, afraid that you won't fit into her life or even that you'll distance yourself because of it. That's why she hasn't confessed yet. But the desire is there, what's lacking is courage and a bit of shame.

Jenna shook her head slightly to get rid of these thoughts and silently approached you since you were still distracted. She came close to you, laughing at your expression, and on impulse, she squeezed your shoulders and gave you a kiss on the neck, staying with her face there. "Jenna! Why did you scare me like that?" You said in a playful manner, covering your face, hearing the girl laugh at the situation. "Sorry, mi corazón, it wasn't my intention, but you looked so beautifully distracted, and I couldn't resist." She hugged you, and you turned a bit, pulling her onto your lap, hugging her waist and resting your head on her shoulder.

Jenna put her arms around your neck and planted a kiss on the top of your head. You didn't say anything, just enjoyed each other's presence. It was enough. The connection you two had was visible for everyone to see, and it was a beautiful thing. That's why many didn't bother you two. Unfortunately, your moment was interrupted by the director calling you to shoot some stunts. Both of you sighed; you gave Jenna a little pat on the thigh signaling her to get up. "No! I'm not leaving. I'm home..." She said in a cute, whiny voice, and your heart skipped a few beats. "I'm home," you couldn't help but smile.

You tightened your embrace. "It's okay, my love. I promise to spend the whole rest of the day with you." You cupped her face, caressing her cheek. Jenna felt butterflies having a party in her stomach. Ugh! How she wanted to kiss you until the air evaporated from her lungs, but she restrained herself, moving away a bit and raising her pinkie finger, "Do you promise with your pinkie?" You laughed at her cuteness and joined your pinkies, "I promise, mi amor." You kissed her fingers, making Jenna even more infatuated.

"Then go do those stunts quickly because I want to be cuddled up with you all day." You picked her up, making her squeal and then burst into laughter. You put her down and started walking toward the actors, but you stopped, turned back, and ran towards Jenna. However, what she had to say got stuck in her throat. You had given her a kiss on the eyebrow and whispered in her ear, "See you later, mi amor."

You ran off after the director shouted your name, leaving a paralyzed and tomato-red Jenna behind. She snapped out of her trance and ran to her trailer, laughing like a love-struck teenager.

---

The sun had already set when everyone was released from the recordings. The sky was partially orange, and its dim light guided you to your trailer. You knocked on the door, and it didn't take long for Jenna to open it. "You took your time!" She pulled you into a hug. "Mi amor, you were the one who got released early, haha!" You squeezed her in your arms, resting your chin on her head. You stayed like that for a few more minutes.

"Let's go inside; you must be tired." She led you in, closing the door once you entered. "Can I take a quick shower, princess?" You asked, seeing a cute pout forming on her face. "But... I wanted to cuddle with you now." She pouted, and you couldn't resist the cuteness, pinching her cheeks, making her pout intensify.

"My love, this will only take me a few minutes, and then you can have me all to yourself." Jenna looked at you with those bambi eyes and agreed, going to sit on the couch while you prepared. As you had said, after a few minutes, you were already by her side, watching none other than "Puss in Boots 2" haha. You were lying on the couch, and Jenna was lying on top of you.

There was a pleasant silence between you two, only the sounds of the movie were heard. You lowered your gaze to Jenna, observing every detail of her, from eyebrows to lips. You became (once again) hypnotized. Jenna felt your burning gaze on her head and turned her face, resting her chin between your breasts, "What's wrong?" She asked, giving you a small smile. You just shook your head, watching her, seeing how every part of her reacted. God, you were hopelessly in love and didn't know what to do.

You wanted to shout at the top of your lungs about how much you love her, wanted to kiss her, love her, take care of her, wanted to be with her. But you are a coward who can't take action and is afraid of losing her in every way. You ran your hand over Jenna's face, gently caressing her with your thumb, watching her close her eyes and practically melt into your embrace.

Jenna turned her face, depositing a kiss in the palm of your hand, still with her eyes closed. She felt the temperature of her body increase with each touch of yours; to feel you so close is a blessing and a curse at the same time. She wanted to have you like this but as her girlfriend, as the love of her life and not as "friends"; she hated that term. She wants to have the freedom to kiss you, love you, but fear and insecurities consume her, and gradually she gets closer to possibly losing you.

You were in your bubble; no one spoke anything, just felt the touches of your bodies and souls. Jenna opened her eyes, seeing your eyes fixed on her, and you realized you’d been caught. So, you sent her a crooked smile with your cheeks reddish. You realized how close your faces were, and with courage taken from your ass, you gradually started to close the distance between you two.

Jenna also started to close the distance; she felt her body tremble in anticipation. She put her hands on your shoulders, grabbing your shirt. "Kiss me… Kiss me please Y/N." Jenna grabbed your face, putting her forehead on yours. She slightly dragged her lips across your face, whispering, "kiss me mi amor."

"F*ck it," you pulled her neck and kissed her. The kiss was hurried, but firm. In it, love and desire stored for so long were transmitted. Sighs were released, hearts accelerated and synchronized, bodies hot like the embers of a bonfire, hands exploring every part of the bodies, every curve, caressing the skin like a brush caresses.

The air became scarce, and both, reluctantly, separated. Jenna had opened her eyes slowly, trying to reason if what just happened was true or just another one of her dreams. She lay on your chest, still panting, and looked at you, waiting for you to open your eyes and snap out of the trance.

You felt like you were in the clouds, more alive. You opened your eyes, seeing the woman of your dreams watching you. "Are you real? Like... did this really just happen, or am I delirious?" You asked her while caressing her hair. Jenna smiled, showing her dimple, and hid her face in your neck.

You both were euphoric, finally! You had fulfilled one of the wishes, but the doubt still lingers. Even though you had just kissed each other with all of you, with your hearts, you can't help but question, "Does she really like me?"

You cleared your throat, bringing Jenna's attention back to you. "Uh... I know we just kissed as if the world were ending, but... uh... what are we now? Like, do you really like me? Because I like— No! I... I love you, Jenna." You confessed, watching Jenna react with disbelief. "I've loved you since the day I met you, with your more reserved way, your somewhat eccentric humor, your sarcasm, your freckles." You said everything with a smile on your face and a special sparkle in your eyes. "You can't imagine all the times I held back from kissing you, telling you how much I love you. All the tears I shed for you, feeling insufficient for you." You let out a shaky sigh; getting all of this off your chest is a relief.

Jenna couldn't explain what she felt at this moment. Relief? Happiness? Sadness? She couldn't believe that you were really saying all this; her heart felt like it was going to explode with so much happiness. But she felt sad hearing your last words, "How dare you feel that way?!? Y/n, I've never felt so happy, safe, and comfortable with anyone like I feel with you. It's like my heart already knew that you would take care of it with your life." She passed her hand over your face, wiping away the tears that you didn't even realize were falling.

"You make me feel so many things at once, but none of them is something bad. You always take care of me, make me feel beautiful, make me feel like I can conquer the world and the universe. You are my star; you are more than enough for me, mi amor. And answering you, I love you too, and I want this to turn into something more. I want you as my partner for the rest of my life." She chuckled lightly; her soul felt light after confessing, after knowing that you also love her.

You hugged each other with big smiles on your faces. Both have a lot to learn, but now, they won't do it alone. You have each other, and this union will be hard to break. Your love is special, like the love of the sun for the moon.

[odessa-2]

HUBLANDER MELBOURNE ☀️

OK ladies, so I ended up going. Long story short, I was given a spare ticket and decided to seize the moment. It was stinking hot, and a terribly organised event (it was literally in a shed). Despite this, I am glad I did go. My long held observations/beliefs of Sam's character, who he really is as a man, and the fantasy man, single Sam push, were proven correct. I did get a photo with Sam, and I must confess he really is incredibly good-looking. Even better in the flesh. A doll. He's hyper vigilant, astutely aware of his surrounds (eyes darting everywhere) , very polite and gentlemanly and professional.

He looked tanned and fresh and endured hoards of horny grannies fawning over him for hours on end and was attentive to everyone. The organisers of the event stuck Sam, Duncan, Charles and John in a small tin shed that had no air con, that must've been about 50 degrees celsius inside ,where they stood and posed with frenzied women for over 3 hours. They looked visibly overheated (shame on the organisers). Sam didn't faulter. Polite to a tee.

Would you believe that Sam had to use the same toilets as the plebs?! Yep, you heard correctly. Shocking work by the organisers. I actually had to desperately pee at one point but waited until I saw Sam come out of the toilets. In-between panels, the actors were staying upstairs in the loft level, and I saw the uber eats delivery man run upstairs to bring them food. The organisers didn't even feed their guests!

Sam is Jamie to these women and he knows it. Starz knows it. I saw the crazed obsession with my own eyes. I saw how his people; his team have shaped him and moulded him(for his public persona) to appeal to these women and this fantasy notion. They want their Jamie. They want single Sam, and that's what they (starz) give them. There is no room for anything else but Single Sam. And Sam professionally obliges. What he puts out to the public at the conventions is scripted and measured. He is very guarded. I could see it unfold in front of me with great clarity. There were women there who didn't want him with Caitriona (they weren't interested in the Caitriona titbits Sam gave), 50 and 60 year old women who actually think they stand a chance. Tragic. Sam is gorgeous and charming and Starz has used that to sell. And quite frankly, after witnessing this display, I can see why he has a fascade going on. I can see why he would want the public completely removed from his personal life and family. I get it.

Another observation of mine, I know this goes without saying, but he is definitely not gay for those who are insistent. He gives off zero gay vibes. He is not effeminate in the slightest, and I found him to be quite more masculine than I'd imagined. He reads people well and can't keep still. What else can I tell you? He has nice skin, piercing blue eyes (like really crystal blue) and exceptionally tall. He does his job very well and has high emotional intelligence. Starz uses his good looks and they pimp him out to the fan base.

Now don't get me wrong, i met lots of lovely women there today who were sweet and kind and exited. But hearing women's conversations at the event; he really is their fantasy. They were squealing and many saying how they wished they could grab his bum or 💋 him. There's no room for Caitriona. Just fantasy Sam.

Odessa says hi Sam 👋...you were a real trooper.

I'll share some more titbits from the panel tomorrow when my splitting headache hopefully dissipates.