#but fate is a bad time like a tragic literary romance

[theonekierce]

I can give you no conception of the night that I spent. Most of it I hung across the sill, throwing a wide net with my ears, catching every footstep afar off, every hansom bell farther still, -The Last Laugh

last laugh is one of my absolute favouritesssss unfortunately i love it when everyone has a bad time <3

[yazthebookish]

I loved all of what Sarah highlighted in her interview today and I'll elaborate a bit especially on the romance part:

In Maas’ fantasy worlds, love interests often exist as fated “mates,” with invisible strings between them that are powerful and often poetic. Readers can see the literary metaphors, like complementary powers between two characters. But other times, there are no metaphors, with their connection initially seeming random.

She's too attached to the mate trope and I like that she gives us different cases and scenarios for it, otherwise it'll be boring.

“Sometimes, I will write a scene with two characters that I’ve planned for them to get together, and then they have no …” She shakes her head slightly at me. “It’s like holding two dolls and being like, now kiss! And they won’t. … And then sometimes a different character will walk in and they will just” — she snaps.

I yelled at this part because it's as if she plucked the scene from Azriel's bonus chapter and used it as an example. Those parallels between Elain and Gwyn are intentional. It doesn't mean Elain is bad it's just their dynamic doesn't work as a couple and it was obvious to the author. I know she didn't specify who this was about but like, come on, who tried to kiss and which character showed up in a bonus chapter after that depressing scene and gave a glimmer of hope?

“It feels like magic in a way where, as much as I tried to plot out things years in advance, I let my characters guide a story. And they usually wind up with the people that they need to be with and who offer them the most growth and joy.”

I love this so much and allow me to speak about my favorite ship and its because the snippets we saw of Az and Gwyn together especially in the bonus chapter brought out a lighter version of Az. His scenes with Gwyn were light-hearted and the bonus chapter ends on a hopeful note for them. It's hard to deny that connection between them whether you theorize she's luring him or they're mates, those theories wouldn't exist if she had no ties to him (she's in his own chapter like come on).

I go the philosophical route with my next question: We’re talking about fate here, but at what point is a character the agent of their own fate? What happens if someone rejects their mate? (Listen, if I were Fae and I didn’t like my mate, whatever God chose for me is not my business.)

People are jumping the gun and assume this example is set to be Elucien but... we have Helion and Lady of Autumn likely being an example of a tragic rejected mates story (if you read ACOWAR and their history it's obvious they're mates). Maybe it's Mor and Eris and that's the secret that ties them to each other. We have other characters from other series too.

For a convincing mate rejection story in my opinion, it needs more than one book or it's a case that we see with side characters where we can see their history and the long-term implications of a rejected bond.

It's too easy of a story to have one person's central conflict be the words "no I reject you" and they're done. Again, this is not exclusive to ACOTAR but also her other series.

��That’s something I find to be very interesting,” she replies. “What if the forces that be put you with the wrong person? Or what if you just decide, eh, I’m not interested. … There’s a lot to explore within the concept of mates and your agency about it.

The concept of agency is something many readers in the fandom discussed especially when it comes to mating bonds and there were arguments on (would Rhys fell for Feyre if she wasn't his mate or would have Cassian fell for Nesta if she wasn't his mate). We know that some mates don't work out but stay together because their dynamic is unhealthy (Rhys's and Tamlin's parents). We got examples of a loveless mating bond already.

We also saw that Nesta didn't immediately accept the term "mate" because it would mean cutting off her last tether with humanity. It's not a matter of "you're my mate" "yes I'll be with you", the dynamic between the mated couple is important to explore.

“I’m not going to say if I am exploring it in future books or not,” she continues, “but it definitely offers a wealth of things to explore with this concept of freewill and what is true love. Is it something that’s destined? Or is it something that you make? Is it both?”

This part aligns with what I think about Elucien. We never had a mated pairing who knew they were mates but are not in love with each other. Every mated couple found out they're mates when they were already in love.

Can a destined love turn into true love? Or do you settle for a destined love without love being in the equation. Love wasn't in the equation for Rhys's parents, but love was the equation for Feysand and Nessian. Elucien was left unexplored for a reason and both Elain and Lucien view each other by label "mate", they didn't have a chance to get to know each other. So it's going to be very interesting to see them navigate their feelings for each other despite the mating bond.

I didn't expect her to elaborate a lot on this but I love that she did and I hope in future interviews she gives us more good bits about her writing and examples of the decisions she took for some characters and couples.

Didn't expect this post to be long but happy reading! I'm still reeling from HOFAS 🥲

[dailyrov]

Well, life’s been stressful, et cetera and so on. Welcome to 2021, which will hopefully be better than 2020, but boy-oh-boy is the bar low.

I was minding my own business today when some kind person dropped a comment on one of my ‘fics (If It Takes a Lifetime). I replied to them and then read through my other replies, relived the story a bit...you know, Something Fanfic Authors Do. I was reminded of something I wanted to post here for a while, but struggled to put into concise wording: my relationship to the series.

My first foray into The Rose of Versailles was in 2008, all thanks to a certain @kippielovesyou who baited me into watching the anime because she claimed the main couple had some things in common with a pairing I was super into at the time. I got hooked. I marathoned the anime and went to work after episode 39 without having gotten any sleep at all. Shift start was at 6:30am. The assembly line started moving. One of my coworkers nudged me. “Hey,” they said. “Did something bad happen? You look miserable.”

I wasn’t miserable so much as emotionally drained. “Just tired,” I said, and focused on my work for the next 8.5 hours. I wasn’t about to tell them that my favorite characters in a television show just died. 

I went home and watched the 40th episode. I felt weird afterward. Still drained. Almost...empty.

Not angry. Not betrayed. Just...this really strange sort of blankness that I had rarely felt upon reaching the ending of anything. I recalled a similar feeling at the end of the 1989 film Glory, but no other piece of media could come close to touching it. I would almost call it peace, though the unsettling kind. I’m not supposed to feel peaceful about a tragic ending, right?

But I was hooked. 

I downloaded the entire series on a torrent, something I hadn’t done before OR SINCE. I burned it to discs and mailed them to Wisconsin so that my oldest internet friend (now husband) could watch it. He cried at the end. I forced my sister to sit down with me to watch the whole thing. She cried, too. I wrote fanfiction. I drew fanart (it was bad, don’t @ me). I screamed about it to countless friends on Livejournal. I recommended the series to everyone I knew and a lot of those people joined me in writing fanfiction.

What a time to be in fandom!! We flooded the fandom with regular English fanfic for the first time ever. The fandom was hopping. I met two amazing women (Kasia and Loulou) who spoiled me rotten for fanfiction reviews for the rest of my life. I bought the French manga and read the entire thing. I fell in love with one specific page (you get one guess as to which that is lol). I distinctly remember crying twice while reading the manga in a language I could only stumble through: first when Andre tried to count the stairs in the house, miscounted, and tripped, and secondly when Oscar threw herself onto her mother’s lap crying that she was a human being with feelings.

I still get emotional thinking about these scenes, particularly the latter one. The Rose of Versailles got me through so much. I honestly don’t know where I would be, or who I would be, without it. There is no way Kippie could have known that I would need RoV. For her, it was as simple as, “I enjoyed it, and I think you would, too. Because shipping.” And yeah, I’m a shipper who did enjoy it for that, but it became SO MUCH MORE THAN THAT TO ME.

I don’t want to spit the whole long tale out here, but shortly after I obsessed over RoV, I had my own identity crisis. It was a tough time for me, but it also cemented my future as an essayist who focuses primarily on the literary device known as Identity. When I went to college in 2012 that was my focus in literature, and nearly every essay I wrote I chose to explore it in some fashion. Identity. What makes a character, what shapes them, what changes or moves or motivates them. RoV motivated that love for Identity and my essays motivated the English Department chair to give me a selective scholarship (that they chose, it was never applied for). The reasoning they cited to me was that I had shown a rare passion for literature and the characters within. For the first time in my life I felt validated in my obsession with Identity.

I was in my early 20s when I first saw The Rose of Versailles, and something about the character of Oscar spoke to me, but I couldn’t quite name it. I felt that I understood her, and not just for being a woman working in a man’s field. There was something else. But what? I couldn’t figure it out. 

A few years later I started seeing an uptick in romantic and sexual identities online. Demisexual. Asexual. Aromantic. Greyace. Something clicked—for me, personally, as well as my understanding of the characters. And years later, Tumblr flooded with information about ADHD presenting in women, and autism in ladies. And my brain went, OH!!!! OH!!! OH I SEE!!

I know a lot of people love Oscar for their own reason, and I think that’s probably one of my favorite things about the series: that the main character is almost universally loved by everyone, and that she receives this love no matter how the individual fans choose to view her.

Something specifically that bothered me many years ago was a certain persistent disdain for Oscar not returning André’s feelings earlier. She was blind, she was stupid, she was mean, and the worst of all: she was Bad for these reasons.

My God, when I tell you now that the scene of Oscar falling onto her mother’s lap in tears over being treated like a doll made me cry, I know why. I spent years of my life wondering why I was born the way I was. I agonized over it. I didn’t want to be “normal.” I was happy being me. But nobody else was. My sister once accused me of not having feelings. I think of that moment every time I see Oscar struggling in RoV. She’s a private person who struggles privately, but that doesn’t mean that she doesn’t feel things. And there Oscar was in the manga, having lived her life the best way she knew how, only to have her father pull the rug out from under her without deigning to even explain himself to her. Suddenly, she was not allowed to have an identity of her own. Suddenly, she was not good enough as she was.

Do you know what marriage would do to someone like Oscar, particularly at that point in her life? It would kill her. How terrifying a fate to face, no control over her own life, or feelings, or even her own body.

There’s an important scene in the manga and anime where André considers that Oscar appears “as cold as ice” to others, but personally recognizes the fire of her passionate heart and finds that endearing about her... I always felt that he liked that about her because it was a side of her only he understood, only he recognized for what it was. Like she trusted that part of her in his presence and knowing this helped that love grow. I still think that’s true.

But beyond that, I think André is on the ace spectrum himself, and understands better than anyone how Oscar’s feelings work. (There’s so much more to it than that, but I’ll leave it there for now...)

The part of the fandom that felt Oscar was selfish or uncaring for not loving André back sooner...miss the point, I think, of her character, and of the romance of the series. It’s not that Oscar is unfeeling. It’s not that she can’t love André. It’s not even that she’s choosing not to love him. In my opinion, it’s that she’s ace and the way she shows her love and care is not only different than a person might expect it to be, but also difficult to express—though whether this is due to her upbringing or her romantic identity (or both!) is up to interpretation.

More importantly, she does not owe him herself.

(And, I think beyond all this, usually people who feel this way really adore André, and while that’s great, I think they’re ignoring a key component of his character, which is: he loves Oscar and never even once so much as suggests that she owes him anything.)

Anyway, that was a long post to say: I view Oscar as ace and ADHD and I wish I could go back to 2008 me and tell myself about both of these things, because it would have saved me a lot of worry and heartache all those years ago. But it’s okay, anyway, because I still felt that connection to Oscar, even without the specific words, and I knew André loved Oscar anyway, even though he knew she was different.

If you’re reading this now, in 2021 or later, I hope you’ve been able to find a similar connection to one or several of the RoV characters. It’s not often we get to see slices of ourselves in the media, written in a sympathetic and loving way. Having that made all the difference to me when I needed it the most. ♥ And I hope it’s had a positive impact on your life, too.

[enbyleighlines]

Alright, let’s talk about the theme of homophobia in mo dao zu shi

Before I begin, some disclaimers!

Obviously everything I say here is my opinion and not the One True Way to interpret the text. If you disagree with what I say, or parts of what I say, then good! That’s how literary analysis works. Please write your own rebuttal post if you wish. You can even link me. I would be happy to read a different point of view on this issue

I’m not going to be talking about the author’s intent. I’m pro “death of the author” so it really doesn’t matter to me whether the homophobia depicted in mdzs is a reflection of the author’s own prejudice, or if it’s a social commentary on China’s views towards LGBTA issues, or even if it’s just being employed to push a “forbidden love” trope

I’m not going to be making judgment statements about the quality of the writing or whether or not the homophobia is depicted realistically. While that would make for an interesting topic, it’s not my main concern

I’m going to discuss spoilers, so if you haven’t read the novel, and you intend to read it, and you don’t want to be spoiled, please skip this post!

I’m going to be discussing things like societal homophobia and internalized homophobia. Also, I’ll be discussing Mo Xuanyu’s suicide, so please read this at your own discretion!

With all of that out of the way, let’s begin!

Homophobia is undeniably a running theme in the novel and audio drama versions of the story, and it even plays a minor part in the manhua. However, it is noticeably absent in the live action and donghua. In an ironic twist of fate, censoring the gay romance from the live action and manhua made it so that they also accidentally made the cultivation world a lot less homophobic. Because depicting homophobia would entail acknowledging that gay people exist.

Meanwhile, the homophobia in the novel and audio drama are not like front and center but they are certainly there. As merelhyn points out in this post that inspired mine, “…it’s so common that Wei Wuxian rolls with it and try to weaponize the homophobia to disgust people, hide himself and flee.”

While I don't think it's necessarily dangerous to be gay in the world of mdzs, it definitely is not normalized. The word “cut-sleeve” is most often used as an insult. At one point, Jin Ling calls being gay an “incurable disease”. At another point, the story says that “it was forbidden to engage in cut-sleeve behavior in public.”

Okay, so why am I even bringing this up? Basically, I want to do some character analysis of two of the three canonically gay/bi men in the story: Lan Wangji and Mo Xuanyu. Wei Wuxian could get his own post, and I might do that in the future, but this post just concerns Lan Wangji and Mo Xuanyu.

First: Lan Wangji

Personally, I think Lan Wangji struggles with internalized homophobia, the fact that he is attracted to men.

Lan Wangji is a gay man who cares so very deeply for the rules, he likes knowing right from wrong, good from bad, he likes making others proud and setting a good example, and yet he cannot help but break the rules. The Gusu Lan sect doesn’t have any specific rules against homosexuality that we know of, but I think "Do not indulge in debauchery" and "Do not be promiscuous" could certainly be interpreted to include homosexuality. After all, the Gusu Lan sect is descended from an aesetic monk, and their sect’s philosophy is very much about restraining oneself from earthly pleasures.

I like to imagine that at least part of Lan Wangji’s adherence to the rules is due in part to the fact that, inside, he fears that he's not actually a good person. And not all of it comes from his attraction to men. As we see in all the adaptations, Lan Wangji has quite the temper. He is also prone to jealousy and pettiness, like the way he acts around Wen Ning.

And there’s the childish side, too, the side that wants to play hide and seek or steal someone’s chickens when he’s drunk. Or how he continues to be overly sentimental, like how long he grieved for his mother.

And then Wei Wuxian comes around and Lan Wangji falls madly in love, just like his father did with his mother, except it's with a man, and try as he might, Lan Wangji cannot control his feelings. He can control everything else in his life, but he can't control his feelings. And I think that’s the lesson that Lan Wangji ultimately has to learn.

By the end of the novel, we learn that Lan Wangji actually confessed his love to Wei Wuxian before his death. We learn that Lan Xichen and Lan Qiren knew of Lan Wangji’s confession, and that later Lan Xichen even told Jin Guangyao. Yet Lan Jingyi once told Wei Wuxian, “HanGuang-Jun is not a cut-sleeve.” So Lan Wangji’s feelings are kept a secret, just how the details of his mother’s seclusion were kept a secret. They have to be kept secret, or they would ruin his reputation.

How painfully ironic, then, must it have been for Lan Wangji, when Wei Wuxian is reincarnated into the body of a man who is known and hated for being gay. And as previously stated, Wei Wuxian fully plays into the stereotype of the predatory, promiscuous gay man, in order to keep his identity a secret, and to keep other people from getting too close to him.

In the past, Lan Wangji had to struggle with his own internalized homophobia. And then, once he finally accepts himself, he has to deal with Wei Wuxian’s homophobia. It just makes his whole character arc all the more tragic.

Second: Mo Xuanyu

Admittedly, we don’t know a lot about Mo Xuanyu. We know that he was cowardly and timid, that he was gay, that he dabbled in demonic cultivation, and that after the abuse of his aunt, uncle, and cousin, “he often behaved in a crazy manner, almost as if his life was scared out of him.” He was also accused of sexually harassing Jin Guangyao, his half-brother, though the novel never really clarifies if this accusation is true.

Personally, I find it too much of coincidence to be true. After all, how likely is it that Jin Guangyao would have two half-siblings lusting after him?

If you compare Qin Su with the accusations against Mo Xuanyu, there are some interesting parallels.

It’s said that “Mo XuanYu had always regarded Jin GuangYao as a deity”.

It was also proposed by Wei Wuxian that Jin Guangyao and Mo Xuanyu were once close, since Jin Guangyao allowed Mo Xuanyu to study Wei Wuxian’s manuscripts.

Qin Su, on the other hand, is often described with words such as “innocent”, “naïve”, and “childish”, and apparently she fell so deeply in love with Jin Guangyao that she “never gave up, insisting that she wanted to be his wife.”

We also know that Jin Guangyao never again touched Qin Su once they were married. Now, it’s entirely possible that Qin Su accepted that without question, but it’s also possible that, being the persistent woman that we know her to be, that she tried to seduce him many times after their wedding.

And so, if at any point Jin Guangyao did want to come up with perfect rumor to smear Mo Xuanyu’s reputation and get him kicked out, then he could easily take inspiration from his own wife: A half-sibling, who loved him very much, and frequently expressed interest in getting intimate with him, to his continued disgust. If Jin Guangyao did make up the rumor to get Mo Xuanyu kicked out, we still don’t know exactly what caused his change of heart. But we do know that since Mo Xuanyu was already known to be gay, and since he was already known for following his elder brother around like a puppy, it’s quite easy to see how people would have believed the rumor.

At one point, Wei Wuxian questions whether it’s possible for a man as timid as Mo Xuanyu to have taken his own life. Now, I for one don’t like that interpretation. Suicide does not require bravery, just intense emotional pain.

However, I do think it’s safe to say that a man as timid as Mo Xuanyu probably wouldn’t have sexually harassed his older brother, the one he treated like a deity. He was probably just happy to have someone in his family, other than his mother, who didn’t abuse him. So while it’s not 100% canon that Jin Guangyao framed Mo Xuanyu, it’s what makes the most sense according to my reading of the text.

Aaaaand that’s it!

Kudos to you if you actually read this far. Lan Wangji and Mo Xuanyu are two characters I have A Lot of feelings about, so I wanted to condense it all into one super rambly post.

I hope you enjoyed reading it!

[critic-corner]

13 Contemporary Rom-Com Novels That You’ll (Probably) Love

Even though this is a mainly fashion and film blog, I do like to consider this a platform where I get to share my thoughts and opinions on anything of interest properly and well, reading is a big passion of mine. Even though I do talk about it on Instagram a little but, for whatever reason I don't on this blog.

Many of my reader friends ask me for recommendations, so I took this as an opportunity to create some book-related lists even though it's a little hard to do that because lists are never-ending. Anyway, I'll try. Also, don’t worry it’s not gonna turn into a book blog, it’ll just be a small segment of my entire blog.

You can click on the book title to get your own copy!

One Day In December

Laurie is pretty sure love at first sight doesn't exist anywhere but the movies. But then, through a misted-up bus window one snowy December day, she sees a man who she knows instantly is the one. Their eyes meet, there's a moment of pure magic... and then her bus drives away. Certain they're fated to find each other again, Laurie spends a year scanning every bus stop and cafe in London for him. But she doesn't find him, not when it matters anyway. Instead they "reunite" at a Christmas party, when her best friend Sarah giddily introduces her new boyfriend to Laurie. It's Jack, the man from the bus. It would be. What follows for Laurie, Sarah and Jack is ten years of friendship, heartbreak, missed opportunities, roads not taken, and destinies reconsidered.

I have never understood the love at first sight trope but because this story travels for ten years where the characters get to know each other intimately, it worked out perfectly. My favorite part about the book was how you will see these characters grow and make important life decisions. By the end, I was so emotionally invested that I was sad when the book ended.

This is definitely one of my favorite contemporary novels. I have been recommending to all of my friends, even the ones that don’t read that often. If you are a rom-com fan, get this book because it’ll simply warm your heart.

You can get your copy on Amazon - paperback or kindle.

The Royal We

American Rebecca Porter was never one for fairy tales. Her twin sister, Lacey, has always been the romantic who fantasized about glamour and fame. Yet it's Bex who seeks adventure at Oxford and finds herself living down the hall from Prince Nicholas, Great Britain's future king. And when Bex can't resist falling for Nick, the person behind the prince, it propels her into a world she did not expect to inhabit, under a spotlight she is not prepared to face. Dating Nick immerses Bex in ritzy society, dazzling ski trips, and dinners at Kensington Palace with him and his charming, troublesome brother, Freddie. But the relationship also comes with unimaginable baggage: hysterical tabloids, Nick's sparkling and far more suitable ex-girlfriends, and a royal family whose private life is much thornier and more tragic than anyone on the outside knows. The pressures are almost too much to bear, as Bex struggles to reconcile the man she loves with the monarch he's fated to become. Now, on the eve of the wedding of the century, Bex is faced with whether everything she's sacrificed for love-her career, her home, her family, maybe even herself-will have been for nothing.

If you know me, you’d know that I’m a royal family nerd. So, when I came to know about this book last year, I was all over it because it seemed like a perfect escape. And while I was expecting it to be all cheesy, I was surprised by how realistic it seemed. Yes, it has been heavily influenced by the Kate-William romance, but that only added to the thrill of it. If you want a nice royal romance which also seems relatable, this is definitely the way to go!

You can get your copy on Amazon.

This Love Story Will Self-Destruct

Meet Eve. She’s a dreamer, a feeler, a careening well of sensitivities who can’t quite keep her feet on the ground, or steer clear of trouble. She’s a laugher, a crier, a quirky and quick-witted bleeding-heart-worrier. Meet Ben. He’s an engineer, an expert at leveling floors who likes order, structure, and straight lines. He doesn’t opine, he doesn’t ruminate, he doesn’t simmer until he boils over. So naturally, when the two first cross paths, sparks don’t exactly fly. But then they meet again. And again. And then, finally, they find themselves with a deep yet fragile connection that will change the course of their relationship—possibly forever.

This book was been marketed as When Harry Met Sally reimagined and I couldn’t disagree more. Apart from the fact that the two characters meet time and again, there isn’t much else relating this story with the movie and that’s not a bad thing. I just don’t want you guys to shocked like I was. Rom-coms have a fluffy, carefree vibe to them and technically, it has those aspects, but there is an underlying sadness to the story because of the female character (with whom I surprisingly found myself relating with, by the way).

I am that person who prefers character-driven stories over plot-driven ones and while this book doesn’t really fall in either of those categories, I fell in love with the two main leads. It’s been months since I read this book and they still casually pop up in my head every now and then, and I constantly find myself talking about them like they are real people. If you are a fan of emotionally-driven romantic novels, you might like this one.

You can get your copy on Amazon - paperback or kindle.

Unmarriageable

In this one-of-a-kind retelling of Pride and Prejudice set in modern-day Pakistan, Alys Binat has sworn never to marry—until an encounter with one Mr. Darsee at a wedding makes her reconsider.

One thing to always keep in mind before reading a retelling is that you cannot expect it to be amazing. At most, it can be great. I’m saying this because the ghost of the original and the eventual comparison will always be lingering over the book which will definitely hinder the reading experience. So, just go into it expecting a nice time, and not hoping to find your all-time favorite (if you do, then obviously that’s great).

Coming to Unmarriageable, the original premise of Pride & Prejudice fits perfectly on a Pakistani back-drop, or just any desi family. And while I was expecting to fall in love with the romance, I ended up enjoying the social commentary that Soniah Kamal did and that was probably because of how similar Indian people are. All in all, it was not the best Pride & Prejudice re-tellings (I think I’m yet to find that), but I sure as hell had a fun time reading it.

You can get your copy on Amazon.

Eleanor Oliphant Is Completely Fine

No one’s ever told Eleanor that life should be better than fine. Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen on the sidewalk, the three become the kinds of friends who rescue one another from the lives of isolation they have each been living. And it is Raymond’s big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one.

This is one contemporary novel that has managed to step out that genre and successfully enter the literary talks. I have been hearing about this book for over a year and absolutely fell in love with it. If you are not the best in social situations and have a hard time navigating through them, you might like it very much. The story is told entirely through her point of view so it was very interesting to see this lonely person find her way to life (albeit unknowingly). What surprised me was just how funny the novel was. This can easily become one of your favorites!

Also, I have to appreciate the cover designer of this novel. There are two covers and both of them are genuinely so amazing!

You can get your copy on Amazon.

Always Never Yours

17-year-old Megan Harper is about due for her next sweeping romance. It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love... with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible. So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.

I was going into the novel fully expecting it to be cheesy or even cringey and got out surprisingly loving it’s realistic portrayal of human emotions. My favorite part was the female character and her straight-forward way of thinking, even though it sometimes prevented her from becoming vulnerable. If you are a Shakespeare nerd, I guarantee that you’ll have a ball reading this one.

You can get your copy on Amazon - paperback or kindle.

The Sun Is Also A Star

Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is twelve hours away from being deported to Jamaica. Falling in love with him won’t be my story. Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that. Something about Natasha makes me think that fate has something much more extraordinary in store—for both of us. The Universe: Every moment in our lives has brought us to this single moment. A million futures lie before us. Which one will come true?

Another book that I expected to dislike but surprisingly didn’t. I hate insta-love stories, but weirdly enough this one seemed convincing to me. The characters were likable and do keep in mind that the demographic the novel was trying to reach was young adult and it worked perfectly for that in my opinion. One particularly great thing about the writing-style is the fantastic use of different POVs (point-of-view). If you've ever wondered about the life of those strangers that you only meet for 10 minutes or cross on the street, then I think you’ll particularly enjoy this one.

You can get your copy on Amazon.

My Oxford Year

Set amidst the breathtaking beauty of Oxford, this sparkling debut novel tells the unforgettable story about a determined young woman eager to make her mark in the world and the handsome man who introduces her to an incredible love that will irrevocably alter her future—perfect for fans of JoJo Moyes and Nicholas Sparks.

I went into this book expecting just another rom-com, my bad. I should have paid more attention to the fact that they mentioned Nicholas Sparks on the back cover and you should too because otherwise the second half will completely take you by surprise. This book has all the elements of a giddy romance - Oxford, with it’s Harry Potter-esque interiors, English poetry and amazing fleshed out characters. It will also (probably) break your heart, so keep the tissues close by.

You can get your copy on Amazon - paperback or kindle.

Josh and Hazel's Guide to Not Dating

Hazel Camille Bradford knows she’s a lot to take—and frankly, most men aren’t up to the challenge. If her army of pets and thrill for the absurd don’t send them running, her lack of filter means she’ll say exactly the wrong thing in a delicate moment. Their loss. She’s a good soul in search of honest fun. Josh Im has known Hazel since college, where her zany playfulness proved completely incompatible with his mellow restraint. From the first night they met—when she gracelessly threw up on his shoes—to when she sent him an unintelligible email while in a post-surgical haze, Josh has always thought of Hazel more as a spectacle than a peer. But now, ten years later, after a cheating girlfriend has turned his life upside down, going out with Hazel is a breath of fresh air. Not that Josh and Hazel date. At least, not each other. Because setting each other up on progressively terrible double blind dates means there’s nothing between them...right?

This is my second Christina Lauren novel and well, I had a ball reading it just as you’re supposed to with any of their novels. This one, in particular, stands out because not only is it well written but the characters felt oddly realistic. The first chapter did feel like the book will probably filled with all kinds of tropes because the female character is so fashionably eccentric but thankfully, non of that happened. It’ll make for an amazing weekend read!

You can get your copy on Amazon - paperback or kindle.

Vision In White

Childhood friends Mackensie, Parker, Laurel and Emmaline have formed a very successful wedding planning business together but, despite helping thousands of happy couples to organise the biggest day of their lives, all four women are unlucky in love. Photographer Mackensie Elliot has suffered a tough childhood and has a bad relationship with her mother, which makes her wary of commitment. But when she meets Carter Maguire, she can't stop herself falling for him, although his ex-girlfriend is prepared to play dirty to keep him. Mackensie soon realizes she has to put her past demons to rest in order to find lasting love...

This is first of the four in the Bride Quartet series and while I would literally suggest all four of them, just give this one a try first. There are a lot of things I like about this book, the main being the sisterhood that is majorly present in the entire series. Secondly, even though the female character has a dysfunctional family that leads her to being kinda sorta commitment-phobic, I like the relationship showcased is so healthy. Normally, in romantic books, there’s a lot of miscommunication to drive the plot ahead but this book works a nice example of how to showcase a healthy couple even if one of them (or both of them) are fighting internal battles. It’s a perfect cozy read!

You can get your copy on Amazon - paperback or kindle.

Practice Makes Perfect

Payton Kendall and J.D. Jameson are lawyers who know the meaning of objection. A feminist to the bone, Payton has fought hard to succeed in a profession dominated by men. Born wealthy, privileged, and cocky, J.D. has fought hard to ignore her. Face-to-face, they're perfectly civil. They have to be. For eight years they have kept a safe distance and tolerated each other as coworkers for one reason: to make partner at the firm. But all bets are off when they're asked to join forces on a major case. Though apprehensive at first, they begin to appreciate each other's dedication to the law— and the sparks between them quickly turn into attraction. But the increasingly hot connection does not last long when they discover that only one of them will be named partner. Now it's an all-out war. And the battle between the sexes is bound to make these lawyers hot under the collar...

This is one of the best workplace romances that I have come across and would highly recommend to everyone interested in that genre. It is a little cliche but it’s not trope-heavy which is definitely a plus. It has the right amount of heat and character development that a good fluffy contemporary demands. It’s just nice, fun ride!

You can get your copy on Amazon.

By The Book

An English professor struggling for tenure discovers that her ex-fiancé has just become the president of her college—and her new boss—in this whip-smart modern retelling of Jane Austen’s classic Persuasion.

If you couldn’t tell by now, I’m a sucker for Jane Austen re-tellings and unlike Unmarriageable, I really liked this one a lot. As I mentioned above, you can’t have your expectations with re-tellings high, but even if you expect some genuinely nice exploration of relationships (like Austen used to do, among other things), but in a modern setting then I think you will really like it. The fact that it’s completely from the female character’s point of view, makes the writing a lot more intimate. Give it a read, you may like it.

You can get your copy on Amazon.

The Upside of Unrequited

Seventeen-year-old Molly Peskin-Suso knows all about unrequited love—she’s lived through it twenty-six times. She crushes hard and crushes often, but always in secret. Because no matter how many times her twin sister, Cassie, tells her to woman up, Molly can’t stomach the idea of rejection. So she’s careful. Fat girls always have to be careful. Then a cute new girl enters Cassie’s orbit, and for the first time ever, Molly’s cynical twin is a lovesick mess. Meanwhile, Molly’s totally not dying of loneliness—except for the part where she is. Luckily, Cassie’s new girlfriend comes with a cute hipster-boy sidekick. Will is funny and flirtatious and just might be perfect crush material. Maybe more than crush material. And if Molly can win him over, she’ll get her first kiss and she’ll get her twin back. There’s only one problem: Molly’s coworker Reid. He’s an awkward Tolkien superfan with a season pass to the Ren Faire, and there’s absolutely no way Molly could fall for him. Right?

Even though personally, I wasn’t the biggest fan of the book because I just didn’t find it engaging enough, I do know that a lot of you out there might love. Not only does it have wonderful LGBTQ+ representation, but there aren’t a lot of book written about introverted young girls who love romance but have zero first-hand experience with it. I liked that it was fairly realistic and the characters were fleshed out. I’d say give it a try, you never know, may find yourself in Molly.

You can get your copy on Amazon.

[snicketsleuth]

Slackin’ with the Sleuth: reviewing Netflix’s “The Vile Village”

After two sluggish double-episodes, we are now headed to the three best two-parters of the second season, nay, of the entire show until now. Today, we’re going to talk about direction. “A Series of Unfortunate Events” has suffered not only from being overwritten, but also from being under-directed.  Not an unfortunate consequence of the original writer being involved in the production of the television series, but rather of the other writers not controlling him enough. Episodes written by Daniel Handler get a bad rep amongst the fandom, but from their structure it’s pretty clear that he was more than willing to change his own outlines and listen to the contributions of other people. That being said, it’s hard to criticize the guy who came up with the work you’re supposed to adapt. Which is why episodes written by other people and peer-reviewed by Handler tend to fare better, as his role is to remind everyone of what made the story so successful in the first place.

We’ll see how this contributed to the improvement in direction in the latter half of Season 2. Most of it comes from the production team finally treating the series not only as an adaptation, but also as its own cinematic work. Let’s determine why below the cut.

DISCLAIMER (NOTHING TO DO WITH THE REVIEW):

I missed you guys, it’s been a while.

I apologize for abandoning the blog for so long, to the point that some of you people started worrying about me. I do appreciate the concern, so thank you. Most of my absence can simply be explained away by the many hours I’ve had to put into my day job. This has led to difficult choices regarding my hobbies and extra-work activities, writing for this blog being one of them. Truth be told, I don’t feel this blog fulfils as interesting a purpose as it did before. I’ve already talked about most book theories I cared about, and the books have been discussed to death at that point. As to other types of analyses, there are plenty of talented people on Tumblr who do it as well as me, so I didn’t feel the need to add much to the debate. But I’ve had time to think about plenty of Snicket-related topics during my absence, so no, the blog isn’t dead, just… much less active as it was a few years back. Stay tuned for more, my love for the books and their associated material is very much alive and kicking.

With all due respect (and affection) for our community, your duly devoted Sleuth.

This is the most atmospheric episode to date, and a beautiful one at that. While episodes of the first season certainly had their ambiance, most of it came from the introduction of new musical themes. The second season tries to bring the direction to the next level by fashioning each double-episode after a certain genre, which influences the entire aesthetic of the piece from its writing, colors and camera work. This is perfectly in line with the tone of the original series: each book focuses on a vivid and peculiar location which becomes a character in and of itself, and also parodies specific literary tropes. In keeping with this tradition, the televised version of  “The Austere Academy” mocks coming-of-age teen movies, “The Erstaz Elevator” has shades of musical romantic comedies from Hollywood’s Golden Age, “The Vile Village” pays homage to Westerns, “The Hostile Hospital” is a straight-up horror exploitation flick and “The Carnivorous Carnival” is a neo-expressionist drama. Or rather that’s what we were supposed to infer. In reality, “The Austere Academy” and “The Erstaz Elevator” don’t have anything special in terms of direction to truly allude to their models, and while “The Carnivorous Carnivale” is a blatant remake of “Freaks”, so was the book in the first place. Only with “The Vile Village” and “The Hostile Hospital” do we see the direction add a substantial commentary on the original aesthetic of their respective book. So while the intention is laudable, the execution is somewhat lacking as far as the entire season is concerned. More on that in the next review.

But for now let’s just gush over the gorgeous visuals of “The Vile Village”. Westerns describe the struggle of civilization in a lawless territory, a perfect setting for the crux of a book concerned with legality and mob psychology. While the introduction of the Nevermore tree leaves something to be desired, we do eventually get some fantastic shots. The integration of the CGI and the digital matte paintings significantly improves from this episode on, although whether the artificiality of previous episodes was an intentional choice from the directors is anyone’s guess. The scene of Hector’s first flight aboard the self-sustaining mobile home is a work of beauty. One must regret his line about crows being too “scary”, though. Not only is this an unnecessary change to his character (he is fascinated by the crows in the book), it doesn’t even make sense as the adaptation does not portray Hector as being scared of crows in any shape or form otherwise. He actually has a line about admiring them in the first part of the episode! What on Earth were the writers thinking?

The feels of Western movies is well-rendered, with an impressive focus or lighting. What the director seems to have forgotten is how dusty the Village of Fowl Devotees should look. This is pretty unforgivable given that the book insists on the unbearable feeling of dirtiness which permeates the town. There’s an egregious continuity error where the Baudelaire orphans escape from prison in a massive cloud of debris… then come into the next shot with immaculate clothing. This is a major sin as far as immersion goes.

Another blatant directorial choice is the tendency to film scenes across a two-dimensional space, with characters moving from one side of the screen to the next. This ever-present horizontal axis gives the series a somewhat stiff aspect, with characters not being able to express themselves in a dynamic body language in action scene. There are two possible reasons for this camerawork. Firstly, it makes certain scenes easier to follow (we must not forget that the series is expected to remain watchable for small children), although a little boring on the visual side. Secondly, it does imitate the format of a theater stage, and the theater world plays an important role in Snicket’s world, from “The Marvelous Marriage” to “La Forza del Destino”. I do think the showrunners went a little too far in this direction, though. If they’re so deadest on reproducing the feel of a theater production, maybe they should just pitch the series as a Broadway show rather than a television series. The chase sequences in this double-episode look more like a Street Fighter screen than a cinematic production.

But by far the greatest contribution of this episode is the merciful introduction of SILENCE. What a relief to hear the godforsaken concertina shut up for one minute and let us enjoy the dialogue! The heart of the double-episode comes from the back-and-forth dynamic between Jacques and Olaf (or, to a lesser extent, Esmé and Olivia). Truly a battle between blind, hopeful idealism and cynical nihilism. Major props to Nathan Fillion, who remains possibly the best actor in the entire series, and Neil Patrick Harris who should ruin the seriousness of the scenes with his constant bebopping but somehow doesn’t.

This however comes as the expanse of the Baudelaire orphans themselves, whose presence is somewhat secondary in this episode. The symbolism of them escaping the town in a fire truck is a strike of genius… but the Isadora couplet subplot is drastically skipped over and the unnecessary introduction of Mr Poe drastically reduces their screentime. It’s more forgivable than in “The Erstaz Elevator” as most scenes between the adult characters do help move the plot forward and provide interesting information, but it’s still one of our major criticisms for this season. The writers are clearly infatuated with the adult actors, which hurts the pacing of the story. It’s a shame as the child actors’ acting shows major improvements in the second season. Louis Hynes comes into his own in the prison scene, but the breakneck speed of the scene’s direction does not leave him enough room to grow. We will however concede that Jacquelyn and Larry don’t overstay their welcome in this episode, and that Jacques and Olivia’s romance is sweet to look at. While we disagree with the changes made to Olivia’s character on the whole (we’ll get to that in my review of “The Carnivorous Carnival”), it did produce some well-written, well-acted scenes. Less appreciated is the unnecessary and overstated introduction of a Violet/Duncan romance subplot… this is what happens when you base 90% of an adaptation on what admittedly amounts to fan-pandering. It’s sweet, then it’s sweeter, then you’ve got diabetes.

As far as character development goes, it’s pretty hit-or-miss. Esmé is as usual fantastic. The writers have managed to attain a difficult equilibrium regarding her character dynamic: she obeys enough not to overshadow him, but she also acts as her own antagonist, pursuing her own goals and betraying him if the need arises. The rest of the troupe also has an interesting dynamic with her and her integration in the crime family feels pretty seamless.

But so far we’ve saved the worst for the last paragraph, and as you’ve probably guessed, we’re going to have to speak about Hector. Gods almighty, what a waste of a perfectly good character. Josephine’s death was shot in a very disrespectful manner, but at least her character remained mostly the same. Here the Hector from the books, a tragic and heartbreaking portrayal of peer pressure and social anxiety, is reduced to a joke. To add insult to injury, it’s not even a funny joke: his constant fainting gets tedious quickly. And the ultimate twist about his mom’s fate not being the source of his trauma after all basically reduces his arc to a complete waste of the viewer’s time. If the writers hated him so much, why not just cut his screen time instead of demeaning his entire existence? This does not bode well for a potential adaptation of “All The Wrong Questions”, as Hector’s outlook on family loyalty and peer pressure is somewhat of a plot point in this series. I truly cannot begin to understand these choices as Hector plays a similar role to Hal, Charles and Jerome, who also have likewise personalities… but the writers have adapted Hal, Charles and Jerome faithfully and cleverly, so what gives?

[isuzukuretsuki]

I remember a few years ago I volunteered at a festival in my town’s local J-town and there was a cosplay contest and one of the winners was a Cardia cosplay. At the time, I only knew Code Realize by name, but I thought that the cosplayer was beautiful beyond words. And I think fate’s finally run it’s course now LMFAO.

Anyway I’m done this game! and what can I say. this game is incredible. It definitely lives up to all the hype and praise it got and I think this game is one of my favourite otomes I’ve ever played. It just sounds like I’m riding the hype train because this game is treated like the holy grail but I think this game is probably my second favourite, closely behind Nightshade. I’m not really sure what more I can say other than I loved everything about this game from the bottom of my heart and I enjoyed every minute of it. anyyyyhoo more of my thoughts underneath the cut because it’s become sort of like a ritual for me to share my obnoxious opinions every time I finish a game! 

**SPOILERS**

okay I actually feel kind of bad for saying it but I kind of felt Lupin’s route to be a tad bit underwhelming?? I really enjoyed how Lupin’s route tied up all the other routes and gave all the boys satisfying conclusions if only Seven’s route was like that but idk the whole climax of wrecking Isaac with something as simple as bombs that he somehow didn’t figure out were there, and just magically getting rid of Cardia’s poison by letting Isaac suck all the energy out of her boobs just felt a tad bit trippy for my tastes?? The whole shebang on the Nautilus seemed to just drag on and on, especially with the whole Aleister and Sholmes business like I’m sorry I don’t care for any of these dudes.

**END SPOILERS**

Moving along, I didn’t like…. the majority of the villains. With the exception of Victoria (who is an amazing side character btw. Amazing villain in Fran’s route, amazing supporting character in Lupin’s route. what a woman), I felt like a lot of the antagonists were either really one note, shallow, or just flat out annoying. **SPOILERS** And that’s what made Lupin’s route that much more of a slog because you have alllll these annoying ass villains herded into literally one spot. Like I’m sorry to any Finis fans out there, but his Kaji Yuki screaming and five billion Naruto clones just started getting really annoying really fast and my annoyance with Finis ultimately triumphed my sympathy for him lmao. Still, he did deserve a better ending than just flying off the ship to his death like wtf?? Isn’t he alive in the Silver Miracles fandisc?? did he just magically come back to life??? **END SPOILERS**

My second biggest complaint is that I felt like a lot of the romance sort of depends on the common route? It’s driven by the character-center scenarios in the common route where Cardia gets to know the boys and bond with them because once you’re booted in a route Cardia’s immediately like “I think I’m in love!” and it just sometimes feels like it comes out of left field without taking the common route into consideration. and idk I just wish the routes were a little more independent and detached.

BUUUUT MOVING ALONG. Each route had their strengths and flaws, and while Lupin’s route is obviously the “true” one, I actually didn’t feel like Lupin really overshadowed the other boys? I’m glad that writers didn’t give the other boys lukewarm stories and lazily written routes because they all got the love they deserved, imo. I felt like every route offered a piece of the main puzzle; Lupin’s route was simply the route that unearthed the final piece. Each boy’s route dealt with a separate piece of the overarching plot line/conflict, which just made the world building of Steel London so much stronger. And I loved every last bit of it. I loved the steam punk aesthetic, the historical European setting; I loved all the political drama, with the terrorists plots, government corruption, hints of mystery, thriller, cringy shoujo romance etc. It was an adventure story through and through and boy did it reel me in. 

Cgs are gorgeous, backgrounds are detailed, ost is amazing and really made the scenes that much more emotional. Also kudos to the damn voice actors/actresses because boy this game has some damn good voice work. Maybe I can stop associating Daisuke Hirakawa with his creepy Laito-Bitch-chan-voice and start associating him with the beautiful man that is San now LOL.

The writing in this game is A+++. Absolutely solid. Finally, an otome game with a overly convoluted and complicated plot but no noticeable plot holes or unexplained loop holes! What an accomplishment! Jokes aside, I usually have a lot of writing complaints when it comes to otome games because I’m a critical bitch, but aside from minor gripes I mentioned earlier, I did really enjoy the game’s story and it had so many incredibly powerful moments that just made me had to walk around and take a quick break because of how shook it made me lmao. I loved the themes about atonement, forgiveness, humanity, the whole “humanity versus god” conflict, and I think in terms of complexity and depth of narrative, this game is def up there. I loved all the historical, literary, and religious references this game made and while it may not hold the integrity of the original source, it still made the story that much more fun and complex.

In terms of main characters… haha, I loved them all. They’re all precious children who deserve happiness and the world and I ended up getting attached to every last one of them.

Cardia tho? She makes this game, 100%. She truly lived up to her role as protagonist because she was the damn star. I’m very open about my appreciation for otome heroines and am very against heroine hate in general, but even still, this is the first game I’ve played where my favourite character was the heroine herself, not any of the boys. I love how kind hearted Cardia is. I love her strength, her bravery, how her character is so intricately woven into the story. But more than anything, I adored the character development she got. Code Realize truly is… her story, not any of the guy’s, not even everyone’s favourite man, Lupin’s. She’s so multi faceted and nuanced, maybe even more so than the guys. But I also loved the little quirks she had and those moments where she acts like a classic typical shoujo manga heroine made me smile like an idiot. She’s a fighter who hangs on until the very end and she’s the type of heroine that you just can’t help but pour your whole heart into rooting for. I really enjoyed how balanced her relationships with the guys were, it never felt like one out shined the other.  Shout out to Fran and Lupin for having the most romantic kiss scenes ever LOL.

As for the guys themselves, my fave order is prob San > Fran > Lupin > Van > Impey. Though if you include all the characters , It’d prob be something like Cardia > San > Fran > Lupin > Victoria > Delly > Van > Impey.

 Fran and San are really close because I loved them for different reasons and I think I enjoyed their relationships with Cardia the most. Fran and Cardia had really good chemistry and I loved watching them develop and grow together, where they both stood as equals who elevated each other, whereas San and Cardia had more of a tragic love that they both had to bend over backwards fighting for and it tickled my melodrama loving side //shot. I really adored all of the relationships Cardia had with the guys (and the friendships between the guys themselves) and while this game is mainly plot driven, I never felt like any of the character writing fell short. Everyone is just so memorable and multi faceted, you can’t help but love them.

anyway that’s enough ranting from me lmao. I regret only playing this game now since I’ve heard of it forever but better late than never. I really am glad to play this game and it’s def one of my top favourites. I’m done ranting and I’m gonna go cry now.

[tipsycad147]

Persephone – Greek Goddess of Spring and the Underworld

Persephone (Roman Proserpine or Proserpina) was the daughter of Zeus and Demeter. She was the Goddess of the Underworld was also associated with springtime, flowers, fertility of crops and vegetation.

Persephone is often portrayed as being dressed in a robe, carrying a sheaf of grain. Sometimes, she appears carrying a scepter and a small box as a way to appear as a mystical divinity. Most commonly though, she is shown being abducted by Hades, king of the Underworld.

The Story of Persephone

An Artists Rendition of Persephone

The story that Persephone is best known for is her abduction by Hades. According to the myth, Hades had fallen in love with Persephone one day, when he saw her among the flowers in a meadow and decided that he would abduct her. Some versions of the story claim that Zeus had known about this abduction before it happened and had consented to it.

Persephone,  young and innocent, was with a few fellow goddesses gathering flowers in a field when Hades burst forth through a giant chasm in the earth. He grabbed Persephone before returning to the Underworld.

When Demeter, Persephone’s mother, discovered her daughter’s disappearance, she searched everywhere for her. During this time, Demeter forbade the earth from producing anything, causing nothing to grow. The entire earth began to dry up and die, which alarmed the other gods and mortals. Eventually, the prayers of the hungry people of the earth reached Zeus, who then forced Hades to return Persephone to her mother.

Although Hades agreed to return Persephone, he first offered her a handful of pomegranate seeds. In other accounts, Hades forced a pomegranate seed into Persephone’s mouth. Persephone ate half of the twelve seeds before Hermes, the messenger of the gods, arrived to take her back to her mother. This was a trick, as according to the laws of the Underworld, if one ate any food from the Underworld, one would not be allowed to leave. Because Persephone had only eaten six of the seeds, she was compelled to spend half of every year in the Underworld with Hades. Some accounts have this number at one-third of the year.

The Return of Persephone by Frederic Leighton

This story is used as an allegory for the four seasons. The time that Persephone spends in the Underworld is what plunges the earth into its fall and winter seasons, while her return to her mother represents the spring and summer months, new growth and greenery.

Persephone is associated with the season of spring and it was believed that her return from the Underworld each year was a symbol of immortality. She is seen as both as the producer and destroyer of everything. In some religious groups, Persephone’s name was taboo to mention out loud as she was the terrible Queen of the Dead. Instead, she was known by other titles, some examples being: Nestis, Kore, or the Maiden.

While Persephone may appear as a victim of rape and abduction, she ends up making the best of a bad situation, becoming the Queen of the Underworld and growing to love Hades. Prior to her abduction, she doesn’t exist as an important figure in Greek myth.

Symbols of Persephone

Persephone is known as the goddess of the Underworld, because she is the consort of Hades. However, she is also the personification of vegetation, which grows in spring and recedes after the harvest. As such, Persephone is also the goddess of spring, flowers and vegetation.

Persephone is typically depicted with her mother, Demeter, with whom she shared the symbols of a torch, a scepter and sheath of grain. Persephone’s symbols include:

Pomegranate – The pomegranate signifies the division of Persephone’s world into two halves – death and life, the Underworld and Earth, summer and winter and so on. In the myth, eating the pomegranate is what forces her to return to the Underworld. Thus, the pomegranate plays a significant role in Persephone’s life and, by extension, to the entire earth.

Seeds of Grain – The grain seed symbolizes Persephone’s role as the personification of vegetation and the bringer of spring. She is what makes it possible for grain to grow.

Flowers – Flowers are a quintessential symbol of spring and the end of winter. Persephone is often depicted with flowers. In fact, when Hades first saw her, she was picking flowers in a meadow.

Deer – Deer are creatures of the spring, born in spring and summer. They symbolize the powers of nature and the ability to endure and thrive. These were ideal characteristics to be associated with the goddess of the springtime.

Persephone In Other Cultures

The concepts embodied in Persephone, such as creation and destruction, exist throughout many civilizations. The duality of life that is at the core of the myth of Persephone, wasn’t exclusive to the Greeks.

The Myths of the Arcadians

Thought perhaps to be the first Greek speaking people, the Arcadians’ mythology included a daughter of Demeter and Hippios (Horse-Poseidon), who is understood to represent the river spirit of the Underworld and who often appeared as a horse. Hippios pursued his older sister Demeter, in the form of a mare, and from their union they bore the horse Arion and a daughter called Despoina, believed to be Persephone. But  Persephone and Demeter were often not clearly separated, which is possibly because they come from a more primitive religion before even the Arcadians.

The Origins of The Name

It is possible that the name Persephone has pre-Greek origins as it is incredibly difficult for the Greeks to pronounce in their own language. Her name has many forms and many writers take liberties with spelling in order to communicate it more easily.

The Roman Proserpina

The Roman equivalent to Persephone is Proserpina. Proserpina’s myths and religious followings were combined with those of an early Roman wine goddess. Just as Persephone was the daughter of an agricultural goddess, Proserpina was also believed to be the daughter of Ceres, the Roman equivalent of Demeter, and her father was Liber, the god of wine and freedom.

Origins of the Abduction Myth

Some scholars believe that the myth of Persephone being abducted by Hades may have pre-Greek origins. Evidence points to an ancient Sumerian story in which the goddess of the Underworld was abducted by a dragon and then forced to become the ruler of the Underworld.

Persephone In Modern Times

References to Persephone and her abduction myth retellings exists throughout contemporary pop culture. She continues to be a popular figure, a tragic victim, and yet a powerful and important goddess, signifying the power yet vulnerability of the feminine.

Numerous references to Persephone exist in literature, from poems, novels and short stories.

Many young adult novels take her story and view it through a modern lens, often including the romance between Persephone and Hades (or their literary equivalents) as central to the plot. Sensuality and sex are often prominent features of books based on Persephone’s story.

Persephone Facts

1- Who were Persephone’s parents?

Her parents were the Olympian gods, Demeter and Zeus. This makes Persephone a second-generation Olympian goddess.

2- Who were Persephone’s siblings?

Persephone had many brothers and sisters, fourteen by most accounts. These included the gods Hephaestus, Hermes, Perseus, Aphrodite, Arion, The Muses and The Fates.

3- Did Persephone have children?

Yes, she had several children, including Dionysus, Melinoe and Zagreus.

4- Who was Persephone’s consort?

Her consort was Hades, who she initially reviled but later grew to love.

5- Where did Persephone live?

Persephone lived half of the year in the Underworld with Hades and the other half of the year on earth with her mother and family.

6- What powers does Persephone have?

As the queen of the Underworld, Persephone is able to send monstrous beasts to find and kill those who have wronged her. For example, when she is slighted by the mortal Adonis, she sends a great boar to hunt him down and kill him.

7- Why did Persephone curse Minthe?

It was very common for gods and goddesses to have extramarital affairs, and one of Hades’ was a water Nymph named Minth. When Minth started to brag that she was more beautiful than Persephone, however, that was the last straw. Persephone took swift revenge and turned Minthe into what is now known as the mint plant.

8- Does Persephone like Hades?

Persephone grew to love Hades, who treated her kindly and respected and loved her as his Queen.

9- Why does the name Persephone mean bringer of death?

Because she’s the queen of the Underworld, Persephone was associated with death. However, she is able to come out from the Underworld, making her a symbol of light and the destroyer of death. This signifies the duality of Persephone’s story.

10- Was Persephone a victim of rape?

Persephone is abducted and raped by her uncle, Hades. In some accounts, Zeus, in the guise of a serpent, rapes Persephone who then gives birth to Zagreus and Melinoe.

Wrapping Up

Persephone’s abduction and her inner duality connect strongly with modern people today. That she exists simultaneously as a goddess of life and death makes her a compelling character for in literature and popular culture. She continues to inspire artists and writers with her story, just as she did back in ancient Greece.

https://symbolsage.com/persephone-goddess-underworld/

[itunesbooks]

Bursting with Love - Melissa Foster

Bursting with Love Savannah Braden Melissa Foster Genre: Contemporary Price: $5.99 Publish Date: December 21, 2013 Publisher: World Literary Press Seller: World Literary Press, LLC Discover the magic of New York Times bestseller Melissa Foster's writing, and see why millions of readers have fallen in love with the Bradens.   Bursting with Love is a steamy contemporary romance with alpha male heroes and sexy, empowered women. They're flawed, funny, passionate, and very relatable for readers who enjoy adult romance, contemporary romance, and women's fiction. In Bursting with Love… After having her heart broken by a country music star, Savannah Braden has sworn off men. She takes a break from her fast-paced Manhattan lifestyle for a weekend at a survivor camp to rebuild her confidence and readjust her priorities. But when she meets the handsome guide, Jack Remington, she’s drawn to everything about him��from his powerful physique to his brooding stare—despite the big chip on his shoulder. Powerless to ignore the heated glances and mounting sexual tension, Savannah begins to reassess her hasty decision. After losing his wife in a tragic accident, Jack Remington found solace in the mountains of Canada. This solitary existence allows him to wallow in his guilt and punish himself for having made a decision that he believes cost his wife her life. He never expected to want to return to the life he once knew—but then again, he never expected to meet gorgeous, stubborn, and competitive Savannah Braden.  One passionate kiss is all it takes to crack the walls the two have built to protect themselves, and allow love to slip in. While Jack fights his way through his guilt, and struggles to get back into the lives of those he left behind, Savannah is there to help him heal, and together they nurture hope that they’ve finally found their forever loves.  ** All Love in Bloom novels are written to stand alone without any unresolved issues or cliffhangers. Love in Bloom features alpha male heroes and sexy, empowered women. They're flawed, funny, passionate, and relatable to readers who enjoy contemporary romance and women's fiction. Characters from each sub-series appear in future books.  Love In Bloom Series   Snow Sisters  The Bradens at Weston  The Bradens at Trusty  The Bradens at Peaceful Harbor  The Bradens & The Montgomerys (Pleasant Hill - Oak Falls)  The Remingtons  The Ryders  Seaside Summers  Bayside Summers  Wild Billionaires After Dark  Bad Billionaires After Dark  Harborside Nights  The Whiskeys & Tru Blue  "When it comes to contemporary romances with realistic characters, an emotional love story and smokin' hot sex, author Melissa Foster always delivers!" The Romance Reviews "You can always rely on Melissa Foster to deliver a story that's fresh, emotional and entertaining. Make sure you have all night, because once you start you won't want to stop reading. " New York Times Bestselling Author Brenda Novak "With her wonderful characters and resonating emotions, Melissa Foster is a must-read author!" New York Times Bestseller J. Kenner "Melissa Foster is synonymous with sexy, swoony, heartfelt romance!" New York TimesBestseller Lauren Blakely "I highly recommend this book to fans of Nora Roberts (one of my personal faves) and fans of a sweet story filled with heat and heart." - Tia Bach, author (on Sisters in Love) "Melissa Foster is quickly becoming one of my favorites. Fated For Love was amazing. It kind of reminds me of Jill Shalvis' books and they are my benchmark for contemporary romance awesomeness." --Books Like Breathing "I highly recommend the Snow Sisters all the Braden and Remington books....They remind me of the McCarthy of Gansett series and The Green Mountain series. I am a huge fan of Marie Force. And now Melissa Foster has joined her ranks...." - I Love NY, Reviewer http://dlvr.it/R5L215

[jenmedsbookreviews]

That’s got you wondering hasn’t it? Well … this is nowt to do with me going for a run. I’m not that daft. But I know someone who is. This weekend Mandie took part in the Spitfire 10k at RAF Cosford, which is an annual event designed to raise money for the RAF charity, specifically this year the RAF100 appeal. This is Mandie’s third year of completing the mammoth run around the RAF base so a massive well done to Mandie on completing the course and on getting her winners medal (and lovely associated t-shirt)

My contribution? Well, I went along to support her which was very nice of me as it meant getting up early on a Sunday morning. While she was doing all the running and such like, I went for a bit of a mooch around the museum. Shamefully, as it is no more than 10 miles from my house, I haven’t been here since my Dad was alive and he passed away in 1991 … Still, it was lovely to have a wander about and I will go back again for a proper visit very soon.

Funnily enough I saw a few planes. And some tanks. And missiles. As you do. Well at least you do at an RAF Museum anyway. Managed to pick up a nice ‘tubby pen’ and thermal mug to commemorate the centenary while I perused the shop too. Tidy.

I’m not completely against exercise. On Saturday morning Mandie and I did a nice lap of Attingham Deer Park, a short 3 miles stroll while the weather was nice. Because we made the opening of the park at 0800 we were blessed with seeing squirrels, rabbits, pheasants and lots of the lovely deer who make the park their home. Because I didn’t have my camera ready enough I only have gratuitous deer pics but you can imagine the other animals scampering about …

Because I haven’t quite lost the wanderlust (and because Mandie wants an excuse for time off work) we did another day out, this time to Powis Castle. Again, somewhere I haven’t been in years but it was fab and ended with a quick jaunt to Charlies where I managed to pick up some lovely Flamingo stationery. As you do.

And I managed some reading too. Go me huh? Book wise, I’ve been kind of good. Ish. Four from Netgalley but all for tours so necessity not indulgence. They were The Warning by Kat Croft; Tell Nobody by Patricia Gibney; Hush Hush by Mel Sherratt and one I can’t tell you about just yet, but it looks really good.

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Book book wise I’ve been very good. Only two. First up was the preorder of the second Amy Winter book from Caroline Mitchell (so new it doesn’t have a cover yet), The Secret Child, and I also bought myself a hard back copy of The Way of All Flesh by Ambrose Parry.

Books I have read

The Way of All Flesh – Ambrose Parry

Edinburgh, 1847. City of Medicine, Money, Murder.

In Edinburgh’s Old Town young women are being found dead, all having suffered similarly gruesome ends. Across the city in the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson.

Simpson’s patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia. It is here that Raven meets housemaid Sarah Fisher, who recognises trouble when she sees it and takes an immediate dislike to him. She has all of Raven’s intelligence but none of his privileges, in particular his medical education.

With each having their own motive to look deeper into these deaths, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh’s underworld, where they will have to overcome their differences if they are to make it out alive.

Oh how I enjoyed this book. In it we meet newly qualified Doctor Will Raven who has somewhat of a questionable past and one which is coming back to haunt him right from the start. Full of mystery, murder and all things medical, and set in 1840’s Edinburgh, I simply flew through the reading of this book, loving the dynamic between Raven and housemaid Sarah, a young woman who was very much ahead of her time. I’ll be reviewing the book this week, but you can buy your own copy here. By the way, if you’d like to see Ambrose Parry in the flesh, aka husband and wife writing team Chris Brookmyre and Dr Marisa Haetzman, they’ll be appearing at Bloody Scotland at the end of the month. You can find all event tickets (if there are any left as it is selling out left, right and centre) here.

…

The Night She Died – Jenny Blackhurst

On her own wedding night, beautiful and complicated Evie White leaps off a cliff to her death.

What drove her to commit this terrible act? It’s left to her best friend and her husband to unravel the sinister mystery.

Following a twisted trail of clues leading to Evie’s darkest secrets, they begin to realize they never knew the real Evie at all…

Ooh what a twisty thriller this is. Telling the story of very new wife Evie, who takes her own life, this story will shock and enthrall readers. Told through the eyes of Evie and her best friend Rebecca there are many secrets to uncover as we try to work out why Evie chose to end her life. The book is released on 6th September and I’m reviewing as part of the tour (I’ll also have an extract) but if you want to buy a copy for yourself you can find it here.

…

The Lion Tamer Who Lost – Louise Beech

Be careful what you wish for…

Long ago, Andrew made a childhood wish, and kept it in a silver box. When it finally comes true, he wishes he hadn’t…

Long ago, Ben made a promise and he had a dream: to travel to Africa to volunteer at a lion reserve. When he finally makes it, it isn’t for the reasons he imagined…

Ben and Andrew keep meeting in unexpected places, and the intense relationship that develops seems to be guided by fate. Or is it?

What if the very thing that draws them together is tainted by past secrets that threaten everything?

A dark, consuming drama that shifts from Zimbabwe to England, and then back into the past, The Lion Tamer Who Lost is also a devastatingly beautiful love story, with a tragic heart…

Gah. This book. Beautifully lyrical, tragically poetic in style and delivery, a story full of love and loss, this moved me to tears. Literally. Just ask my DPD driver who didn’t quite know what to do with himself when I answered the door in a full on red eyed, wet cheeked mess. I’ll be reviewing on the tour, assuming I can find any words, but you can buy a copy of the book here.

…

Ed’s Dead – Russel D McLean

Meet Jen. She works in a bookshop and likes the odd glass of Prosecco… oh, and she’s about to be branded The Most Dangerous Woman in Scotland.

Jen Carter is a failed writer with a rubbish boyfriend, Ed. That is, until she accidentally kills him one night. Now that Ed’s dead, she has to decide what to do with his body, his drugs and a big pile of cash. And, more pressingly, how to escape the hitman who’s been sent to recover Ed’s stash. Soon Jen’s on the run from criminals, corrupt police officers and the prying eyes of the media. Who can she trust? And how can she convince them that the trail of corpses left in her wake are just accidental deaths?

A modern noir that proves, once and for all, the female of the species really is more deadly than the male.

I don’t know why or how I’ve not read this before but I’m bloody glad I have now. Full of unbelievable unfortunate incidents, poor Jen’s life is turned upside down when she finally decides to give her long term loser boyfriend, Ed, the boot. You just … might not expect quite how much. This had me chuckling to myself and racing through the pages like the devil was at my heels. If you want to find out why, you can grab a copy of the book here.

…

The Proposal – S.E. Lynes

‘The first thing you should know, dear reader, is that I am dead…’

Teacher Pippa wants a second chance. Recently divorced and unhappy at work, she uproots her life to renovate a beautiful farmhouse in the countryside, determined to make a fresh start. But Pippa soon realises: your troubles are never far behind.

When Pippa meets blue-eyed Ryan Marks, he is funny, charming, and haunted by his past. He might just be the answer to all her problems. But how well does she really know him?

She knows the story of his life, the pain that stays with him, the warmth of his smile and the smell of his skin. She knows he can make her laugh over a glass of wine.

Pippa can tell truth from lies. She’d know if she were in danger. Wouldn’t she?

That’s a humdinger of an opening line don’t you think? Never let a stranger in your house, that is what I’ve learned from this book. (To be fair, I seldom let people I know in the house because I’m antisocial but that’s another story). Oh, yes, and be very wary of teachers turned romance authors … This is a psychological story of obsession, written in an intriguing style and littered with literary references that will make enlightened readers smile and now knowingly. I’ll be reviewing as part of the tour but for now you can order a copy of the book here.

…

Not too shabby that, five books. Anyone would think I had nothing better to do … Busy week on the blog. Recap below.

The Hangman’s Hold by Michael Wood

Bellevue Square by Michael Redhill

Fractured by Billy McLaughlin

Bye Baby Bunting by Tannis Laidlaw

Truth and Lies by Caroline Mitchell

The Not So Perfect Plan to Save Friendship House by Lilly Bartlett

Return to the Little Cottage On the Hill by Emma Davies

The Other Victim by Helen H Durrant

The week ahead is a little quieter. But then i’m going to be busy personally so perhaps not a bad thing. Three tours in the offing, The Body on the Shore by Nick Louth; Overkill by Vanda Symon; and After He Died by Michael J Malone.

Hope you have a lovely week all. I am in count down mode now as it is less than three weeks until Bloody Scotland. Cannot wait.

See you next week.

Jen

Rewind, recap: Weekly update w/e 02/09/18 That's got you wondering hasn't it? Well ... this is nowt to do with me going for a run.