#but especially at the start of the drawing they'll look really creepy and weird and the proportions end up being a shitshow for a while

[thethingything]

decided to add some little glowing orbs because it's fun to play around with the lighting

[zvtara-was-never-canon]

Zutarians adultifying Katara and thinking that's "empowerment" (and also outright lying) yet again: https://www.tumblr.com/longing-for-rain/760214836385824768/just-something-i-felt-you-should-know-about-five

The one and only thing I agreed is that at some point Katara is drawn with more, ahem, "developed" body. This started in Book 3, and... I honestly always concidered it to be the bad thing. Not because I'm a prude (although maybe I am), but because I thought the whole deal of main characters were that they are children. They are kids. Of course, a girl at fourteen can have curves - or not have it - the girls are all different, in the end, both of these cases are normal. But Katara is a drawn character, she looks the way the creators want her to look. And the thing that they drew her "pronounced breasts" and "wider hips" never sat right with me, it always irked me. It doesn't look empowering to me, it looks like sexualization, combined with the fact that in Book 3 she is always drawn with partly or completely loose hair, which is not good for battle at all, but looks more aestetically appealing (but that's only my point of view). I prefer her Book 1 and 2 designs any time.

What also irks me is zutarians obsession with "hot, sexy, horny yet naive Katara plus sexy experienced Zuko, the only man who can give her intense sexual pleasure she craves so much" idea. No wonder they cheer when Katara looks older and drool over her "revealing" Fire Nation outfit, it all aligns with their fantasies.

Also, the choise of proof screenshots is hilarious. Three of them are drawn by one studio, the top right one and the final one - by the other. "Wider" or "narrower" eyes are just the result of different drawing styles. For example - the same studio that pictured Katara as "honestly creepy, like a babydoll" draws her in the scenes with Zuko:

https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/109/images/avatar-the-last-airbender1x09_1138.jpg https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/220/images/avatar-the-last-airbender2x20_0904.jpg https://s3.us-west-1.wasabisys.com/cap-that.com/tv/avatar/321/images/avatar3x21_0391.jpg https://www.cap-that.com/avatar/321/index.php?image=avatar3x21_0413.jpg

The necklace scene, the catacombs, the battle against Azula. Same baby face with big eyes. And, dare I mention, in first two seasons her breasts are only slightly hinted at, which doesn't stop zutarians from sexualizing these scenes.

The lenghs they'll go to justify their sexual fantasies... Ew.

I'm gonna be real, Katara wasn't really sexualized by the show. I can only think of two scenes in which I got any kind of fanservice vibe from it (both included her bathing in a waterfall). People are just weird about girls, especially non-white girls, going through puberty, and zutarians in particular want to adultify Katara no matter what to go "See? She's too old for Aang, but not too young for Zuko, even though the age gap is the same!"

Acknowledging "Girls have breasts" is not the same as drawing her in a sexy way, much like not every scene of male characters firebending without shirts on was sexualization. The hair down also doesn't strike me as trying to make her look desirable, just a little bit older - the passage of time is not sexual.

For fucks sake, even a scene like Sokka clearly getting ready to "have fun" with Suki wasn't anything that would be inappropriate for children to see and it's just acknowledging the basic fact of "Sometimes teenagers wanna do more than kiss each other."

If you want to see the characters be sexualized, look at the Fire Nation teens, especially Ty Lee and Zuko - and I'm okay with that because they're not real teens. They're lines in a piece of paper. No minor is being exploited or put in an inappropriate situation, and considering Nickelodeon has a history of sexualizing REAL children in the live action shows, I just don't care that Avatar let Ty Lee wear a bikini or made Zuko attract a bunch of girls by dramatically taking off his shirt at the beach. They're not being harmed, just like no real child was harmed when Ozai disfigured his own son.

These characters age matters when it comes to understanding their reasonings and the ocasional "immature/naive" reaction, and nothing else. And once again, the show didn't really do anything too crazy.

[daisy-daze17]

Omori Manga Thoughts cause it was uhhh

OK so like. The thing is I only got into the omori fandom in February of this year so take my opinion with a grain of salt.

1. I'm mostly a fan of the art style-- a lot of people said that Sunny always seems to have a panicked expression so it's hard to read into him, plus the characters look a lot younger than they're supposed to (Which I find odd). But other than that, I think it does a really good job representing the scarier parts with very abstract drawings of Mari/Something. They coloured it well and thank god did Kel's skintone right. There is one particular panel that I especially love:

So much detail and it captures the feeling of seeing faraway for the first time really well ^^

Some nitpicky positive thoughts:

Sunny could have looked more distinct from Omori because the only difference I see are their outfits. Maybe make Sunny's features softer and have less contrasting values so we can see an immediate difference.

I like how they did everyone's eyes-- Sunny/Omori's are just dull and black, and everyone else with dark eyes are shown to have a light in them. (Just a nice detail i appreciated)

I like how Omori is clearly less expressive compared to sunny, but I think Sunny could have benefitted from having more emotions than surprised/blushing.

2. The pacing was weird. like really fucking weird. The basic structure of the game Omori is: Omori is in whitespace -> Omori plus the gang (Hero, Aubrey and Kel) meet up with Basil and Mari in headspace -> everyone minus Mari goes to Basil's house and learn all the combat stuff along the way -> after fixing the photo album it suddenly shifts to basil in a panicked state before glitching you back into white space again. The moment when basil shifts the mood from calm to terrifying is REALLY important.

It forces the new tone on you very suddenly and also sets up a lot of mystery surrounding Mari when Basil can't finish what he was going to say about her. By now we know that something is very wrong and it has to do with Mari, but we don't know what.

The manga is kind of all over the place the whole time. First we see the christmas scene when Sunny gets his violin. But then Mari does her whole nightmare thing and we know somethings up from the first few pages. Next we wake up at night as Sunny in the real world... yet it shows the little "THREE DAYS LEFT" as well? At this point I was super confused because basically the entire nighttime sequence is shown through a sort of montage with Sunny's mom's voice message in the background before transitioning into the day when Kel first knocks on the door. A cool thing they did was parallel Kel's knocking with the creepy knocking we get from Mari Something. HOWEVER for reasons unknown they just completely cut out the fight against something on the stairs??

Something I was really excited about was seeing how they would integrate the combat into the manga. And they do it later with the Aubrey fight (more on that later), but not now? So now I'm wondering if they'll include Sunny's three fears that he has to overcome.

So next we find our boy (KEL!!!!!) and he is asking Sunny if he wants to come to Hobbies. I did find the dialogue here pretty awkward as Kel bounced back and forth in demeanor, but that's to be expected since Sunny isn't talking. (And I appreciate how he shows some kind of reaction to seeing one of his best friends after 4 years lol)

I mean compared to this when he just jumps straight into his hobbez idea without much reaction to actually seeing Sunny lol.

The most notable thing after this is the Aubrey confrontation with Basil and the other hooligans. I DONT KNOW WHY but they chose to not show the hooligans in that scene!! The hooligans are aubrey's little gang/posse who she hangs around with all the time and the people we always see when she's bullying Basil.

It's very important to note that Basil is talking to KIM here. He starts the conversation begging for her to tell Aubrey to give the photo album back. Aubrey is actively ignoring his attempts to get it back, with basil claiming "She won't listen to me."

In the manga she appears out of seemingly no where and proceeds to beat Basil directly with her bat. Prior to this we get no setup or explanation as to why Aubrey's attacking him or what the situation is. WORST OF ALL, It's only Aubrey alone attacking him and NOT her gang of the Hooligans. The hooligans are important in showing us just how isolated and ostracized from society Basil really is after Aubrey began bullying him. He literally has a whole gang of kids who call him a creep and attack him regularly. Here it seems like Aubrey is insane and is just beating him selfless for kicks. (not that I'm justifying Aubrey's behavior in the game, but the lack of context makes this situation even worse.)

I think It's also important to bring up how they switched around the order of events because in this situation, it's not working. We're supposed to first be introduced to younger Aubrey and Basil in headspace-- their younger counterparts. Aubrey is strong-willed and excitable and Basil is calm and kind. And most importantly-- they're VERY GOOD FRIENDS. So seeing Aubrey revealed to have been bullying him these past 4 years shocks the player and makes them understand how much things have really changed. Doing it the other way around will automatically villainize DW Aubrey since we already know what goes on in real life.

And then something interesting happens-- Sunny blacks out during the fight and returns to Headspace. This is SUPER weird as we've only ever seen Sunny go into headspace while sleeping, because it's an escape mechanism he uses to avoid The Truth. Does this mean he isn't aware he goes into headspace unwillingly sometimes? And what does this mean for the continuation of the real world story? Are we going to go through the entire Space Boy quest just to get back to that scene?

Anyway, I'm interested to see how they take it from here. Maybe they'll do a continuous switchover to the real world where they jump between it more frequently. But I question what that would mean for the timeline because the events of headspace happen in between the three days while Sunny is sleeping-- so he can't be in two places at the same time. Maybe they'll write more and more random ways for Sunny to black out to do this?? They defiantly are trying to take a step back from following the game exactly. I can't say I don't like it because I don't know how it'll turn out, so I'm excited for chapter 2!