#but by the end of the game i think both of them change their arcana to The World

[snivyartjpeg]

ooma from purse owner 5

[thescarlettbitch]

Devotional Acts

For love or beauty deities

Skin care

Make up (or embrace your natural beauty)

Dress up a little

Paint your nails

Love letters

Self /love/ iykyk

Change your bed sheets/clean up your room/space

Listen to love songs/songs about sex/loving yourself

You know that trend of people, typically women, painting a canvas black and then painting their legs/ass/hands/boobs and making a form of silhouette art for their partners?

Read romance novels

Play Interactive romance novels/romance games (stardew valley, dream daddy, The Arcana, etc)

For war deities

Listen to angry music

Advocate for yourself

Reinforce your boundaries

Cut out the negative people in your life

Feel your anger, recognize your anger, don't force it down, but don't lash out to others. "I am angry. This thing made me angry. It's okay that I am angry, it is not okay to cause harm to those who do not deserve it." Etc etc

Read biographies or accounts of war, or dystopian novels (accounts of war like Night by Elie Weisel, dystopian like Divergent or Hunger Games)

Learn self defense

Learn about how your area was used in past wars.

Play fighting games (call of duty, mortal combat, etc)

For music/art deities

Create! Learn an instrument

Write a song

Paint for them

Listen to experimental or storytelling music. All music is art, so find a vibe for your deity.

Take pictures of nature, art is everywhere in nature, from the paintings on butterfly wings to the sunset

Read/write poetry

Read poetry books, or books about music or art (think biographies from musicians/artists, or books like Guitar Notes by Mary Amato or such) (guitar notes is a midgrade book but it's the only one I could think of the name of)

Visit galleries or local shows, support local artists

For wisdom deities

Read books, any type, but mostly classics like Sherlock Holmes or Jane Austen

Watch documentaries

Take free online courses on subjects that interest you

Visit and support your local libraries and independently owned bookstores

Find old unloved books at thrift stores

Learn a new skill

Listen to music from different time periods

Visit museums

Play strategy games (chess, supreme commander, etc)

Do puzzles

For nature deities

Raise a plant, or a garden

Listen to nature sounds, or music with nature sounds

Observe nature persevering, vines crawling up a building, dandelions in cracks in the pavement.

Read wilderness guides

Learn about your area's native flora and fauna

Visit local parks

Open windows and let the fresh air in

Scavenge/forage (in safe areas)

Play cozy games (animal crossing, etc)

For death deities

Visit local graveyards/cemeteries (don't forget to be mindful and conscious of others and the spirits there)

Listen to music by artists who have passed on, or music about death

Learn about different cultures' funeral practices

Safely move roadkill out of the road, leave a small offering if possible (again, do so SAFELY)

Read books that have death themes (like Edgar Allen Poe, Wuthering Heights, or They Both Die In The End)

Think about how you want your body to be treated in death. Do you want to be buried? Cremated?

For home/hearth deities

Read cozy books

Play cozy games (sims, animal crossing)

Make your house seem warm and inviting to visitors

Learn how to bake, either from scratch or a box, both are acceptable

Learn how to sew or knit or crochet.

Watch cozy movies

Light candles if you don't have a fireplace

Listen to soft music

Visit your friends or family and bring them baked goods

For strong parental deities

Take care of your friends

Make sure your friends eat and are drinking water, do the same for yourself

Tell the people in your life you love them, you're proud of them, they're doing a good job

Read books about found family, self help books

Listen to music that makes you feel safe and loved

Carry a figure that represents them

Take care of yourself the way that they would take care of you.

Cook for yourself. Make yourself feel safe and loved

For health deities

Carry bandaids and Tylenol and extra pads/tampons for people who may need them

Learn about the human body and how it works

Take your meds

Make art out of old pill bottles for them

Know and respect your limits

Watch documentaries about doctors or health sciences

Research holistic remedies and see if any might be of use to you (DO NOT SUBSTITUTE THEM FOR MODERN MEDICINE) be careful of misinformation, and any interactions that certain things might have with your meds

For sea/ocean/water deities

Have a small fountain in your home (you can find them at some dollar stores, or if you're mechanically savvy, make your own)

Salts in your baths

Visit local streams, creeks, rivers, or beaches.

Read about marine life / river life

Read about your local water sources, learn about the water cycle

Collect rain water

Stand in the rain, feel it on you, let it ground you

Listen to music about water/with water sounds/the ocean/the beach

Have pictures in your home/space of the ocean

If you visit the ocean, collect some water and sand and seashells (make sure you follow your own personal gratitude system) to have in your home

Don't fret if you're landlocked, you're practice is valid, you don't need to be at the ocean all the time to feel it's presence. The rain clouds blow in from hundreds of miles away. The ocean is always with you.

Drink water

Carry a small vial of water with you (could be ocean water, river water, or tap water with or without salt in it) you can keep it in your car, in your pocket, or wear it as a necklace

Carry a small vial of salt with you (could be hand harvested from the ocean, table salt, or any kind of off the shelf salt)

For sky/wind/air deities

Let the air in, open windows when possible

Let yourself be free.

Sit outside for a few minutes a day, or longer.

For traveler deities

Pick something up for them on your travels, could be a rock, could be a souvenir

Put a symbol of them in your car

Wear shoes that are good for walking

Drive/walk around to explore new places (you don't even have to leave your town)

Take backroads

Be a (respectful) tourist in every new place that you visit, don't be afraid of looking stupid.

For queer deities

Educate yourself on queer history

Express yourself truthfully

Listen to queer music

Read queer books

Embrace your identity

Read queer poetry, like that of Sappho

Keep yourself safe in spaces that are less open to identities.

Support local queer owned businesses or artists.

Queer art

Love yourself and take care of yourself.

Go to drag shows

Relish in the fact that queerness has been around since the very first civilizations

For Inventive Deities

Do a metal puzzle

Learn metalworking, or just read about it

As always, please feel free to add on, I only work with one deity so please tell me if anything is incorrect or confusing.

Blessed be <3

[sleeplesssmoll]

The Timekeeper and the Warden (Reverse 1999 AU)

I know I said I was studying but this is all @blehhhhhsthings fault! They keep making me brainstorm (thank you but also what have you done lol)

I was inspired by their Mask Tk au, but I put my own twist on it since I am a twisted individual. This is the scenario:

Vertin and Sonetto never make up after the break-away event because instead of Madam Z reaching Smoltin, Manus does first. They were waiting for her because they heard rumors about a child with Storm Immunity from their inside sources. Finding Vertin as the only child left confirmed those rumors.

Sonetto never gets over Vertin. She thinks about the way she treated Smoltin and blames herself for Vertin's Reversal.

Years later, Sonetto graduates as the top of her class and becomes a field Investigator so she can witness the outside world Vertin longed for. Two years after her graduation (roughly 6 years after break-away), a Manus Vindictae Renegade waltzes through the Foundation's front door. Sonetto pins her to the ground but falters when she realizes they have silver hair. However, she can't see her face because of her mask. The voice is both unfamiliar and nostalgic (because Smoltin is grown up now) but she doesn't have time to dwell on it. The deserter doesn't resist and claims they want to stop Manus more than they hate the Foundation. She's seen the way they treats arcanists who aren't purebloods and the unnecessary violence. She wanted to escape long ago and waited for the perfect opportunity.

Constantine decides to interrogate her further, especially once she sees the special umbrella the renegade brought with her. She must be one of Arcana's pets.

Later, the renegade becomes the Foundation's Timekeeper, and Sonetto is her Warden. While the Timekeeper has flexibility within the Foundation due to her rare Storm Immunity, it's Sonetto's job to keep her in line.

The Foundation also sealed off the Timekeeper's ability to communicate by branding an arcane skill (a curse really) around her throat. She can only speak with her Warden's permission and even if she tries to be sneaky by writing or something, the markings burn red and are incredibly painful (they're triggered by intent, like the bangles on the Island that Arcana and Vertin wore in the real story). Sonetto thinks it's cruel but Constantine informs her its for everyone's safety. This deserter has a silver tongue and she plants dangerous ideas in people's heads. By limiting how much she can say and forcing her to have Sonetto nearby in order to speak, they reduce her opportunities of betrayal. Besides, she's already betrayed Manus. Who's to say she won't turn her back on them next and return with their secrets? Sonetto's whole thing is loyalty and devotion so she starts off very cold with the Timekeeper.

The Timekeeper no longer wears a Manus Hand Mask, but a monochrome Foundation mask that covers her upper face (as much coverage as Bessmert's blindfolds or 2B's mask from Nier so it covers her freckles but leaves her mouth open to eat and make smug smiles with). It completely hides her eyes but she can see better than the average person through it since it has the same enchantment as the other Investigators (the ones that completely cover their face like in the prologue).

The Masked Timekeeper does the sort of the same thing as the Timekeeper we know. She shelters "unhinged" arcanists and takes on the most dangerous missions since her people are considered dangerous and disposable. She is very protective of her crew.

However, she and Sonetto are painfully awkward.

Vertin has no idea how to interact with her former deskmate. In her mind, Sonetto was always nice enough to put up with her but actually couldn't stand her. She doesn't blame Sonetto either because she was...difficult. While Vertin is a touchy and affectionate person, she hesitates with Sonetto or changes her mind last minute.

Meanwhile, Sonetto hates this game of hot and cold she ends up in every time they interact. As much as she hates to admit it, the TK grew on her. She's kind, sincere, and never treats Sonetto like her Warden but as part of her beloved crew. They argue at times but Sonetto never uses her status as Warden to silence her. There is an odd understanding between them even if they never seem to get one another.

This Vertin was raised by Arcana instead of Madam Z. She's a smooth talker and a skilled fighter outside of her crappy arcanum. Instead of a stoic face, she smiles (like Arcana but a smug smile instead of Arcana's creepy "I dare you" one.)

As much as she says she despises Arcana, she kept the Umbrella she gave her. The Umbrella is infused with Arcana's slime and can shape-shift into many things: a shield, a sword, a cane, heck even a fishing pole (she did this to piss Arcana off but her leader found it amusing and creative). This Vertin is also completely shameless when it comes to manipulating others as a means to an end.

She finds out what you desire most and uses that against you. It's one of the reasons Constantine branded her.

"You deserve more. They can't give you that, but I can," type of persuasion. She also frustrates Sonetto by talking around her instead of answering her questions or telling her what's on her mind.

Eventually Sonetto opens up to the Timekeeper about a friend she lost long ago. She's afraid one day she'll forget her.

Vertin has no idea she's talking about her because she didn't think Sonetto thought of her as a friend, just a deskmate she was stuck with. She assumed her friend fell in battle. Lots of people were reversed too so she still doesn't connect the dots until Sonetto specifically brings up the break-away event.

Vertin's name was added to the Forbidden List and you'd be punished for saying it (like the word "Storm" before it was public knowledge). This is one of the reasons the Timekeeper took so long to put together Sonetto's still grieving for her. She's not sure how to deal with this but she doesn't know how to make Sonetto happy. All these years later and she's still a burden on her deskmate.

Some things never change.

Aaaaand that's where I decided to start writing my story from. Although, I could sprinkle this background information throughout...if I knew what I was doing anyway. Reverse did it with AS while Vertin was in a coma so I decided on a dream route.

Sonetto is so scared she'll forget Vertin, she uses AS to see her again. However, she can never remember the color of her eyes. Smoltin would lower them when she spoke to her or avoid her gaze after she found out Sonetto asked the Instructor if she could switch deskmates. That's why it was the first thing she forgot. This makes her panic!

I also want to put Yeni in this fic. She's sooo much like Sonetto but more direct and sarcastic. Essentially, what she and the TK develop is what Sonetto and the TK could have been.

Sonetto tells herself she doesn't care. She's only worried about remembering Vertin and nothing else matters–

But how come she's never seen the TK's face but Yen has!? Unfair. She's known her longer.

Sonetto hasn't realized the others have seen Vertin's face. Constantine only dictated she wear the mask on missions to represent the Foundation, but doesn't care about what Vertin does in her free time once she realizes it's THAT VERTIN. Not many people recall what Smoltin looked like since she was never in the Spotlight due to her awful grades and she was tiny. Just harder to notice in general, especially when everyone's looking down to see her. The school did their best to cover up her past since she had no family to fight for her anyway. They were her "family" since she was a month old.

Vertin finds it hard to face Sonetto so she doesn't take it off in front of her. It's easier this way. She's also still figuring things out.

Constantine's happy her little pawn returned as a more powerful piece to play with. Madam Z cries a bit when she see Vertin, the child she failed to save.

Idk what to call this au or even if it's worth naming if I don't actually do anything with it but I'm open to opinions!

[elle-p]

Why Elizabeth will never succeed

P3 spoilers for both the main game and The Answer/Episode Aigis

Elizabeth's quest to free P3Hero from the Great Seal, first explained in P4, elaborated on in Arena, then completely forgotton about(yet never by the fandom), is ultimately futile.

As said by Elizabeth herself, it's impossible. There are 2 ways it could succeed - Elizabeth replaces the Seal, or Erebus doesn't exist. Both can't be done.

Erebus not existing is easy - it's born of every single person's desire to die. Societal change at that level, especially something that has to be permanent and airtight with no possibility of failure, just can't be done. The Phantom Theives can't help: they don't ever actually get rid of the people's desire for control, they just force it to go somewhere else. P4Hero also doesn't get to kill any gods; he just manages to convince them to go away.

Elizabeth replacing the Seal requires a bit more explanation. The creation of the Seal was done by the Universe Arcana. The Universe Arcana shows that Hero is a fully individualised being; he understands himself and his place in the world. But so does the World Arcana, and that can't create the Great Seal. So what gives? My personal take is that the Universe Arcana is more tied to Nyx. It's name refers to space, where Nyx is from, rather than the Earth, where people are from. The way Nyx is described is also similar to the way the Universe Arcana is described(the fortune teller's dialogue could even refer to either the Universe Arcana or Nyx). Then Hero gets the Universe Arcana instead because he's tied to Nyx in a way that the others aren't due to having Death sealed inside of him. That's even alluded to by Igor with how he mentions Death when presenting the Universe Arcana. So, even if Elizabeth were to complete her Fool's Journey, she'd just get the World instead of the Universe, and so wouldn't be able to become the Great Seal, and she can't use anyone else to replace it, either.

Elizabeth's quest involves her going on her own Fool's Jouney. This involves meeting people who represent all the Arcana and seeing how they act to show how to live one's life. At the end, one becomes a fully realised individual. This on it's own presents some problems.

Hero went on his journey, and realised what his place on the world was - to become the Great Seal. He died happily and with no regrets. He's not in pain. Elizabeth's quest is more for herself than for him. She rejects the answer that he found, but she's still a fool. The whole point is that she doesn't know what to do, while he does.

Since Elizabeth is going on her own Fool's Journey, she needs to actually go on... a journey. So what's the flaw that she needs to get over? I think it's that she doesn't have vary many true bonds(I'd argue that she just has P3Hero), which goes well with way that the Fool's Journey is all about creating true bonds with others. Her disregard for others can be shown in how she interacts with people - she flits in and out of their lives without truly connecting with them. She thought Hero(both P3 and P4) had power because they're just cool like that, not because of the others they interact with. So, her journey would be about learning to cherish the bonds that she makes. However, it's her lack of true bonds with anyone other than P3Hero that made her go on the journey to begin with. He's the only one important to her, and he's the only one who cares about her, so she has to get him back! Which is exactly Yukari's thought process in the Answer! And how did that end? With SEES accepting that, even without Hero, they still have each other. They're not alone. So, Elizabeth's journey slowly culminates on the fact that she doesn't need to free him. As I said before, he's not suffering. She's doing this for herself. And realising that would mean abandoning her journey.

[blind-alchemists]

sorry, Zagreus, I've had your sister for five hours and I already like her more than you.

anyway! I did treat myself and bought the game early and. it's just very good!

in somewhat chronological order, my thoughts after yesterday's session

the music! the music is even more amazing than in the first game and if I'm done, I need to listen to the whole OST on loop

the art!! also even better than in the first game!!

Melinoë is a great protagonist

it's incredibly funny the first god we encounter is Apollo, because Apollo is the guy people modded into the first game years ago

... boy, I wonder what the speedrunning meta will look like for this game (I have very obscure knowledge about Hades I speedrunning meta)

I love the little backgrounds that pop out with the art

oh, right, I jumped into the Hades I EA late, so I never saw the place holder graphics in-game before

the environments!! beautiful.

I shouldn't have played the first game last week. It's fucking with me. where's my second dash??? Why do we start with 30 HP??? where are my death defiances??? weapon mechanics???

of course there's a fishing mechanic again.

I like Hecate's design.

saluting??? what's the lore behind that?

OH. this tone of the story isn't ... quite what I expected. A lot more serious. a lot more severe.

Melinoë doesn't remember her family??? Hello??? what the fuck???

and she keeps talking about her task with such a dutiful determination ... no, I'm not crying. But. That's such an interesting conflict.

NEMESIS!! She's holding her sword aspect!! her design!! her resentment!! her vengeance!! her rivalry with Mel. how Mel calls her Nem. please. tell me she's a romance option. PLEASE.

oh, hi odysseus.

hey, there's hypnos! ... why's he sleeping??? (funny thing is, I got the Charon dialogue that implies he's more useful this way lol)

I cannot. Take. Skelly serious. It's worse because Mel does.

I like Moros' design. The long hair going over the horns? Yeah, that's good.

Mel gets an AXE??? a heavy, double-bladed axe??? (I love women wielding heavy weapons, and as long as the rail doesn't make a return, I'm good with anything after enough time)

I like the new art sprites for reoccurring characters!

ahhh, the good old "we don't trust Olympus so we're not telling them everything" line. understandable, but I figure that's going to blow up sooner or later.

I love Mel's bond with Artemis and Selene and the implication that both helped raise her.

... and I like the predominantly female cast so far

Nemesis can show up in Erebus???

BABY MELINOË omg

why does every chthonic goddess / titaness sound like they have a thing for Persephone. Nyx already had a few lines like that in the first game. Why does Hecate also have these kinds of lines.

the Hecate fight frustrates me to no end, because I'm very used to more dashes, more health, and more death defiances, and very different weapons :( (I have bet her twice in total so far)

unrelated, but I didn't know I needed a sheep in the Hades art style but it's so damn cute and I want a large art print of it

Archane!! I love how her silks change Mel's avatar

Oceanus is beautiful

... except for the traps. Really not digging the traps. or the maps.

CHAOS??? why are you holding your old form's head??? and why is there an embryo coming out of it??? why do you have wings??? why do you wear a suit??? the new design unfortunately checks all the boxes but upon reflection that is because it fits into that very niche character design trope I've seen in manwha recently and I couldn't put a name on it if I tried

on that note, I also adore Aphrodite's new design!!

not quite sure what I think of the gathering / farming mechanic yet

I do like the incantations, magic, hexes, and arcana though!

HERMES! I also adore his design.

wait, what? Mel's going to Olympus? You're telling me one part of the game is descending into the House of Hades and the other is climbing to Mount Olympus?? (that's my speculation, at least.)

god, I hope the cast of the first game is alright/alive. :(

I hope we also get to see Athena, Ares, and Dionysus at some point :(

on that note, I can't wait for Mel to meet her brother and realize he's the opposite of her lol. I love siblings and mirrors.

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[ordinorultor-if]

Just some late night musings on how I plan to do things… because I can’t sleep because I may or may not be thinking about the game and getting excited. Ideas subject to change.

Current plan is for 20 chapters spread amongst a prologue plus three acts. The first demo will be Chapters 1 and 2, possibly 3 as well.

I’ll focus on one Deposition route at a time - EG focus all on Rebellion, then focus all on Trial, and then Assassination (just an example, not the definitive order I’ll go with).

Once I’ve finished all three routes, I’ll work on the… epilogues, I guess? That’s not the exact term I want, but ‘ending’ doesn’t quite capture it because the Liege and most of MC’s other enemies will be defeated by that point.

I also want to discuss some mechanical stuff too. I was introduced to Interactive Fiction by one of the Vampire: the Masquerade games Choice of Games was licensed to do - specifically, Kyle Marquis’ Night Road. It’s still one of my favorites, and I am taking partial inspiration from it, with stat checks and a hub area from which you set out on missions. However, I understand stat checks can be a point of contention in this community, so I will put in an option at the beginning to disable them if you want.

As for the stats themselves, there’s a set of primary stats and a set of secondary stats, both on a scale of 1-7. The primary stats are:

Diplomacy

Martial

Intrigue

Stewardship

Learning

The secondary stats are:

Prowess, linked to Martial

Charm, linked to Diplomacy, but I might make ways for Intrigue to impact it

Arcana, linked to Learning

And yes, you do recognize those skills. I got the idea for all this while playing CK3, as I mentioned in an earlier post.

The largest and earliest boost to your stats, is of course, your choice of education, but that doesn’t mean you’ll be unable to advance your skills outside of that. If you want, you will be able to get 7s across the board, but that’ll take a while to achieve.

I do have small descriptions on the stats page for each skill, but I’m very comfy in my bed and also too lazy to go turn my computer on, so I’ll share that tomorrow.

[all-pacas]

anyway i feel like p3's social links are a bit all of the place - later games definitely polish them better - but since i've been playing the remake i've been trying to figure out why.

tonally, they are all over the place, and i think later games do a much better job with tying the Tarot Theme to the storyline. all social links always require you telling the person what they want to hear, but p3 is silly about it. tell the jock to ignore his health and injuries! encourage the friend to break the law! -- between that and the tonal whiplash, it's just. weird.

but i think i figured out the theme, and i don't know why i even had to think about it, because it's the same theme of the entire game: Accepting Ends.

accepting change. accepting death. it comes up in every social link in one way or another. a character is living or acting in a certain way, and either they have to face a huge change, or they're living in reaction to it without accepting it.

Kazushi and Mamoru both want to excel in sports, and are in denial over the fact that for both of them, those dreams are ending. Kazushi's injury can't keep going untreated; Mamoru's family needs him to work.

Maiko is in the midst of her parents divorce, and doing everything she can to prevent and ignore it.

Bebe has to leave Japan, but thinks that if he works really hard, he can stay.

Keisuke is torn between the path he's expected to take and the path he really wants, although interestingly, the two swap places completely during his story.

Other times, the change has already happened: Bunkichi and Mitsuko have already lost their son, but are still struggling with it and clinging to his memorial.

Mutatsu lost his family, and is pretending he doesn't want them back.

Nozomi is drowning himself in food and denial instead of coping with his brother's (food related) death.

It's a bit more subtle here and there. Yoko's "accepting of change" is actually a positive (as fits the Strength arcana): she's discovering her calling, even if she's slow to embrace it. Kenji and Maya both think everything is going great, only to discover the truth at the last second and that the story isn't what they believed.

Akinari is actively dying and knows it, but is struggling with accepting it. He's more or less the thesis statement of the game in social link form: you WILL die, things WILL end, sometimes none of your dreams work out and you have to ADAPT. Make the best of it. Memento Mori!

[mollysunder]

Jinx and Viktor, They Make a Winning Pair

To win a card game Sevika pulls out two literal trump cards, the major arcana Death and the Magician cards, both in the upright position.

The Magician card, known as the Illness in Etteilla's version, represents the ability to channel both magical and earthly properties to enact change, essentially you have the resources and talent to complete your goal you just need the will to use it. Viktor's character easily aligns with the Magician, a talented man working in a society that views his home as lesser, and was the first to recognize the brilliance of Jayce's work in hextech. Right now he has nearly all the right elements to unlock the potential of the Hexcore, and the ramifications of the season finale are likely to further alienate him from Piltover and access to his own work. The card also heavily resembles a simplified version of the Machine Herald design, which includes a third arm and what is likely the Hexcore at the center.

The Death tarot represents change, specifically the end to a status quo which usually includes projects, relationships, and self-perception. Some interpretations describe it as moving on from the past to embrace the future. You could argue Viktor's arc shares these traits, and probably so might most characters in Arcane, but I think no one else better embodies the Death tarot than Jinx herself. Jinx drove almost every new development in Arcane, usually all the parts were there, but her actions gave the push necessary for things to come together. In a lot of ways, most of the characters in Arcane are dedicated to maintaining the status quo or just aren't interested in any fundamental changes to it. Jinx decisively ended the "peace" between Piltover and the Undercity. She destroyed any chance for Piltover to quietly maneuver away from the consequences that their society wrought. Also the card looks like her, the profile of the depressingly resigned spectre is similar to her own (the spectre even looks like it has her bang just floating above her hairline).

Together they give Sevika a winning hand against her opponents. I think this small scene before Sevika and Vi's first confrontation could represent how things might play out in season 2. Viktor is both figuratively and literally, one of the most isolated characters in Arcane. His allies (Jayce, Singed, and Heimerdinger) are few and far between and his strongest connection, Jayce, will likely be severed as politics and their own actions get in the way. Viktor will likely be put on trial for the death of Sky which will likely be compounded with trumped up charges of espionage as Piltover grows more paranoid (the law works differently for Zaunites). He'll need someone to either help him escape before the trial or to break out of Stillwater (if they don''t have the death penalty). Viktor needs new friends and there's no better saboteur to have in your corner for an escape like Jinx.

Viktor and Jinx will cross paths next season, likely in the middle of one of her exploits. The way Viktor defused Jinx's bomb likely indicates how things will go down between them, in a moment of tension Viktor can deescalate what ever literal or figurative bomb that's between them. This can only work in a moment of mutual vulnerability. Based on the promotional materials, specifically the RiotxArcane online event, Viktor is one of the few characters outside of Silco that doesn't immediately see her as some foaming at the mouth maniac.

In contrast to Vi, whose partnerships have started out of pragmatism, Jinx's bonds (which aren't many) were formed through acts genuine empathy mixed with compassion. This goes both ways, because Viktor needs someone who won't judge him for what he's done, what it's cost, and the fact he's going to go further. This is where I think the theme of forgiveness for season 2 comes in, neither of them can really apologize for what they've done to anyone really, but they can find acceptance (maybe forgiveness) in their new selves and all their capable of with each other.

If they actually partnered together, the Undercity has a real chance, because Viktor cares about the Undercity and Jinx cares about the important people in her life. Viktor just doesn't really have the political acumen or connections to genuinely be effective. Jinx definitely knows most of the ins and outs, but I think Sevika is the one most capable of making this work for her, for Zaun. Sevika needs unity and fire power, two tech geniuses one of whom is a controversial symbol of rebellion can work, somehow. Besides, Viktor still needs someone to bankroll his cybernetics and partial exoskeleton, which is a service at least one chem-baron, Smeech, provides.

Tldr: Sevika can win if she can wrangle the Undercity's most feral scientists together, timing is crucial.

Update: I'm back at this post because something's been gnawing at me over Viktor's card. The half infinity looking symbol within the Magician's hold is possibly the math symbol fish, ∝, which usually represents proportionality. This could be a neat hint to refer to the fact that Viktor will really dive into the balance of the arcane and the mundane powers in the next season. It's pretty cool that between the two characters who count as mages, Ekko is represented with infinity, ∞, to symbolize not just his future time travel powers, but also his infinite potential for himself and Zaun. While Viktor represents fish (proportion), ∝, to symbolize how he will find new balance, or at least create a path for it once he unlocks the hexcore.

Update 2: I figured it out!!!!!!!

It's fun how these three prominent Zaunites either don't talk to each other, or are actively at odds with one another, in the League or in Arcane (they'd be to strong together).

[snobgoblin]

what's your favourite ending among all the routes?

OURCH.... good question. I have a few different answers

short answers

>favorite ending overall: Nadia's reversed ending. Julian's reversed ending is a close second

>favorite ending for Danny: Lucio's upright ending. love the reversed one too but it hurts a lot (positive)

>comfort ending: Lucio's upright end

but I do wanna get into it a bit more

***NOTE it may not be obvious from those short statements but these answers combined don't mean "I like to see characters besides Lucio suffer and only like Lucio" LMAO I do love each member of the main 6 A LOT which is why I have so many timelines for Danny, it's just that 1) the reversed endings tend to be my favorites and Nadia's and Julian's are my favorites of those and 2) as far as comfort, I do find the most comfort in Lucio's upright because what can I say it's nice to see him happy. it's nice to see that someone like him can change. its nice to see him have hope for his future in a way he never expected. it's nice to see an ending where he isn't hated his entire life by everyone and then he dies horribly the end)

I think what I like so much about the first 3 reversed ends is it really crawls into their brain and fleshes out their fatal flaw. takes it to the extreme

>Asra tends to disappear often and run away from his problems, so he ends up running away from his problems so hard hes stuck in literally a different dimension

>Nadia can't trust anyone and does everything herself, putting too much strain on herself, eventually this snowballs until she literally only trusts herself with the title of the Devil Arcana and takes his place to save the world

>Julian self sacrifices. he loves his family. of course he'd sell his soul for them. of course he'd hurt himself by staying away from them. of course he'd spend the rest of his life in a bar

and I EAT THAT UP I adore the tragedy I adore the tension and I wish I could go into more detail about that but I the best I can offer is the knowledge that the joy these endings bring me are enough to make me put my phone down so I can stim without yoinking it across the room lmao

the fatal flaw thing is a bit of why I don't like Portia or Muriel's reversed endings. they have aspects that work of course, and both of them gave me chills upon first reading... but there are some things I would have tweaked to make them better. I'll get into that if prompted bc it's a little off topic lmao erm

OH OH SIDE NOTE but I do think Nadia's route is the best written overall. the most cohesive. the best romance. S Tier route all around and definitely the best in the game. anyway

both of Lucios endings are bangers INNN my honest opinion especially in reference to my theory. either, The Fool continues his journey (upright) or... The Fool is trapped by his temptation forever (reversed) and I eat that UPPPPPPPP I love his upright end because he's happy but I love his reversed end because he succumbs to the very thing he's been trying to free himself from the entire route and he doesn't even realize it. and my thoughts are so much more complex than that but that's the best you'll get out of my inarticulate ass right now

man. I think I had more to say. but it's not coming to me right now. THANK YOU FOR THE ASK I love to yap

[making-my-wey-down-town]

The Famous Introduction Pinned Post

Hi, Hola! You have found the way!

Not any way tho. Me, Wey. You found me! Hola! Que pedo? Pásale a lo barrido 🧹

(2024 note: I need to update this)

That hooman that you see there. Si ese! That’s my sona. A pleasure to meet you. (Outfits change often lol) (Also! The formal clothes supposedly gives the hint that I work as a security guard on the game :v)

More about me: I’m a lazy simp artist. *bows with no shame* Yeah, that’s all of my self presentation :3

As you can see, I’m very much currently hyped with The Daycare Attendants. The scrunckly bois ❤️ I don’t have a specific way to draw the bot bois tho.

So in my blog you will find mostly reblogs of them than my own art. But I will try to share more of my doodles and ideas in the future. (Cuz can’t be considered an artist if I don’t do or share shid right? :v)

Besides being on the FNAF SB fandom I’m also interested in Welcome Home, The Arcana, MHA.

All my art is under #wey draws

My main OC’s are under #wiggles and giggles the clown twins (watch their very first Halloween experience #quick doodle , they are cosplaying as Skid and Pump!)

Here their reference sheet: (old reference btw, their shoes are bigger now etc)

Gremlins dressed up as clowns basically. My babies 💜 (they were born after i got hooked on the game of FNAF SB)

Facts about them:

Both of them are boys. So he/him pronouns to each

3’6ft

Small animatronics that love to entertain families with their clown acts in the Pizzaplex

Their pants have hidden pockets, stuffed with materials and items for their clown acts. Mostly balloons. (Their hats have stuff too)

On birthday parties they always end up covered in cake

Free to roam around where the public is. Need employee permission or escort to go to restricted areas

Often seen in the daycare where there is a lot of kids to play with. Sun doesn’t always enjoy their visit (such troublemakers sometimes)

At night, when the Pizzaplex closes they immediately go to the daycare. To play with Sun and accompany Moon in his patrols (Moon will never admit he appreciates the company)

They can’t be separated. It causes an extreme anxiety for both, especially if it’s forced

Twin telepathy. Normally knowing what the other thinks. Often saying stuff at the same time and finishing each other sentences

They rarely fight with each other

Both love the attention

None of them knows personal space

They either help or create chaos (Both? Excellent partners in crime)

Press their nose, it does honk noises. They also have a feature to make their shoes do funny sounds

Fart jokes (noises) are hilarious for them

They are indeed high intelligent AI’s but they have the knowledge of a child. Teach and treat them like a kid

Can handle a limited amount of water if they get wet. Preferably to avoid it

Their white eyes can turn black with red pupils when turned in security mode. It is only to intimidate intruders and potentially dangerous people. (Can act scary if their target doesn’t normalize)

They have no virus! But that doesn’t mean they can’t obtain it 👁️👁️

Facts of each clown:

Giggles (Gig):

Likes the color blue and sharks

Normally the one who makes troubles (nothing serious, just mischievous child behavior)

Loves to make people smile and laugh but also get in their nerves (depending the person and situation)

Wiggles (Wig):

Likes the color pink and bunnies

The more responsible one of the two but still gets involved in troubles

Loves to make people have fun (specially if it’s done by his clown acts)

In the future I would like to share some ideas of AU’s I have in mind (idk if they are good enough lol) but for now my goal is to finish art projects that are meant for many friends and awesome artists.

—————————————————

AU’S Que Hice!

Ahoy! Mateys (AU mermay) - The journey of a high spirit kid named Y/N!

Dreaming of becoming a pirate one day!

Sailing the ocean in search of grand treasures and fun adventures with the unbelievable help of two sirens, their best friends!

Who and which said sea creatures seem conflicted with their actions and feelings when it comes to Y/N.

(non-romance just to clarify)

As it’s very known that these two species can never get along.

Will their friendship overcome the stereotypes?

Jump aboard and find out!

—————————————————

My social skills are terrible very good. I have a messed up social battery, it comes and goes. So is very common to find me active some days and then gone for some weeks (months). But frens, moots feel free to reach me anytime. Bother me. Tag me. Be random. Quick chat or a question. I’m okay with all that. I also like it, feels like I’m not forgotten (I’m not the greatest to initiate the conversation but I will totally respond to whatever I get included on 🫂💞)

As for strangers, people who follows me. (Actual real people and not bots lol) Feel free to send asks. Just don’t expect a genius answer from my part heh. Remain respectful, and yup :)

Thank you for your time and attention until the end if you got this far. *hugs ya and gifts ya a real Mexican taco 🌮* Have a nice day/night! Te quiero güey ❤️

[princedetectives]

nanako is one of the most well written characters in persona 4

⚠️ major spoilers for p4 up to its 7th dungeon in here (yes im talking to you kaylingo)

ive been thinking about nanako a lot over the past few days and, man, i feel like she doesn't get enough appreciation. she rivals akechi as my favorite persona character ever because of how precious she is, yes, but also because her writing is so perfect.

because, let's be honest, a lot of parts of this game aged poorly, especially in a modern lens. i could make a list. i have made a list actually which i give to my friends who start p4 to warn them (hi kaylingo!). you know, like the bathhouse scenes, the poor representation, the countless times the female characters are treated weirdly. the fat girl who only exists for fatphobic jokes. i could go on. nanako is not included in this.

in fact, nanako is one of the most compassionately written characters i've seen. she is just as important to the whole investigation team as she is to yu. she is never treated as a hassle to watch over. she's actively included in things they do. everyone is gentle with her (her very first social link where yosuke finds out her mom is dead and so softly apologizes, the little things like that). everyone loves nanako. that's so important, both for her and the story as a whole.

the justice arcana

nanako being the justice arcana is pretty baffling at first. the wiki says it's thanks to her deep care about right and wrong, but to me that's not as satisfying as:

nanako reflects everyone's sense of justice

this is clearest during Heaven: nanako's death is the reason the investigation team turns murderous, desperate to avenge her. nanako ends up in danger thanks to nametame's skewed messiah complex. nanako being in danger gives dojima the energy to launch a desperate attempt to finally catch the culprit and save her, wrecking and getting terribly injured in the process. importantly, nanako being in danger is what gets adachi panicked enough to slip up and reveal himself as the killer, thus allowing justice to finally catch up to him.

seeing her like this makes every character's actions much more fascinating. she doesn't deserve anything happening to her in the slightest. it's unfair and unjust. everyone knows this. what we see during Heaven is each character's attempts to save her, even nametame.

Heaven is my favorite dungeon in the game. in my book it even beats every palace in persona 5. everyone's love of nanako is stronger than ever in the most painful way. there's so much raw emotion and it's so well written the entire way through.

a few characters specifically stick out to me, like naoto, who chides themself for not figuring out nanako could be in danger sooner and being the person to initially suggest turning murderous against nametame.

teddie, who's so distraught over the injustice of nanako's death and his inability to keep the promise that gave him a place in the world that he loses all will to live. he can only live in the human world with her around, and she only comes back to consciousness upon hearing his voice.

and adachi, who, in an episode of the golden anime, is seen muttering to himself alone in the hospital pushing the blame of everything onto yu (episode 6, i told you, yu. the anime is usually really dinky but that episode is genuinely a masterpiece somehow.), which further proves his warped perception of justice. because he cares about her too. the anime proves that to him, yu took his place in the dojima family, and he's extremely bitter about it.

in conclusion

nanako's role as the collective little sister is so important. she helps everyone throughout their social links and brings out the sides of people that wouldn't be seen otherwise. before Heaven, each dungeon was fairly impersonal, saving people they hadn't met before, which drastically changes with her kidnapping.

nanako gives everyone the strength to solve the case. she's the light that guides them to the clues they've been looking for throughout the past 8 months. nanako is the justice arcana because, without her, the case goes unsolved, and it's all thanks to the love everyone has for her. she's the best depiction of anything like this i've ever seen.

[arcplaysgames]

(I don't actually know if Strikers does anything with tarot but anyway) Which game, as a whole, do you think uses the tarot theming the best? Whether it be individual arcana assignments or links to the plot or just vibes - I know you've spoken of inidividual S-Link meanings but I don't think a big-picture comparison was ever done.

hmmm okay lets do a basic round up

I am going to... give points

+ 2 (GREAT job) + 1 (They tried!) + 0 (phoned it in/makes no sense) - 1 (ACTIVELY BAD CHOICE)

Fool: SEES (P3) vs Investigation Team (P4) vs Notigor (P5) Gonna give P3 and P4 0 points bc these do nothing, but P5 gets -1 bc what the fuck

Magician: Junpei Iori (P3) vs Yosuke Hanamura (P4) vs Morgana (P5) Both P3 and P5 get +2 for AMAZING Magicians. P4 gets a 0.

High Priestess: Fuuka (P3) vs Yukiko (P4) vs Makoto (P5) P3 gets the +2 here. P4 gets a -1, Yukiko is a terrible choice. No opinion on Makoto but she doesn't seem like the right pick imo.

Empress: Mitsuru (P3) vs Margaret (P4) vs Haru (P5) I'll give P4 one point and P5 two points. Mits shoulda been Emperor.

Emperor: StuCo Guy (P3) vs Kanji (P4) vs Yusuke (P5) P4 gets +2 for a shockingly good Emperor. P5 gets a -1 for a shockingly bad Emperor.

Hierophant: Old Couple (P3) vs Dojima (P4) vs Sojiro (P5) P3 gets -1 and should feel lucky its only minus one. P4 and P5 get zero points.

Lovers: Yukari (P3) vs Rise (P4) vs Ann (P5) P3 gets the +2, P4 gets +1, P5 gets zero.

Chariot: Rio (P3) vs Chie (P4) vs Ryuji (P5) Everyone gets +1.

Strength: Koromaru (P3) vs Athletes (P4) vs Twin Wardens (P5) P3 gets +1, P4 gets fucking nothing, and P5 gets +2.

Hermit: Saori (P3) vs The Fox (P4) vs Futaba (P5) P3 gets +1, P4 gets -1 bc no that's not what Hermit is, and P5 gets +2 for nailing it.

Fortune: Ryoji (P3) vs Naoto (P4) vs Chihaya (P5) No points, everyone see me after class. Actually, no. P4 and P5 get -1.

Justice: Ken (P3) vs Nanako (P4) vs Akechi (P5) I AM GOING TO GIVE P5 +3 FOR AKECHI, FOR THE FIRST TIME PERSONA FUCKING DID ANYTHING WITH THE JUSTICE ARCANA. AND BOY THEY DID STUFF.

Hanged Man: Maiko (P3) vs Naoki??? (P4) vs Iwai (P5) P3 you get a -1, see me after class. Zero for the others.

Death: Pharos (P3) vs I HAVE NO IDEA (P4) vs Tae (P5) I refuse to give Pharos points, so fucking basic. P5 can have a point.

Temperance: UGH NO (P3) vs uh whoops (P4) vs Kawakami (P5) P3 what the fuck -1, +1 to P4 bc its boring but it fits, and Kawakami gets +2 for fucking nailing it.

Devil: Pres Tanaka (P3) vs that nurse??? (P4) vs Ohya (P5) I'm gonna skip this one bc I don't think I know enough about P4 and P5's to rate. And Tanaka fits but is just Fine. +0 to all.

Tower: Cool Monk (P3) vs uuuuh idk (P4) vs whoops x 2 (P5) Honestly, same as Devil. No points.

Star: Akihiko (P3) vs Teddie (P4) vs Hifumi (P5) FUCKING PLUS 3 TO TEDDIE FOR BEING A TREMENDOUS STAR. +1 to P3 for Akihiko. 0 to P5 bc I don't get the angle.

Moon: Shinjiro (P3) vs that one girl (P4) vs Mishima (P5) Fuck Mishimia. He's an amazing Moon. +2 to P5, zero to the others.

Sun: Akinari (P3) vs Yumi (P4) vs Yoshida (P5) -1 to P4 bc the Sun link sucks. +2 to P3 and P5 for AMAZING Sun links. Yoshida may be the most nuanced take on any NPC's Arcana.

Judgement: Nyx Squad (P3) vs Truth Dudes (P4) vs Sae (P5) P5 gets +1 bc at least they fucking tried, P3 and P4 were just tagged on and superfluous.

World/Universe: Reverie III vs Reverie IV vs Reverie V Reverie The Fourth loses HARD here bc the point of the World is coming to the end of a journey and being changed for it and he doesn't have enough personality to be changed. -1 to P4 Reverie the Third is a decent one who went through a lot and has enough personal stakes that I buy it. +1 to P3 I hate to say it but Reverie the Fifth gets +2. He feels the most complete of them all, so for the Arcana of Completion, or the Whole, it has to be him.

Okay I have no idea what that tallies up to, lemme see.

Persona 3: 10 points Persona 4: 4 points (OUCH) Persona 5: 19 FUCKING POINTS WOW THAT ISN'T EVEN CLOSE

My math might be wrong bc I suck at math (yay, dyscalculia) but that is a huge margin for error.

Honestly, makes sense. Like I said in the post-mortem, P5 succeeds in a lot of ways just for having actual adults available for the arcanas. P4 and P3 are so strongly limited to your classmates, there is only so many ways to make a high school student wacky and weird in a way congruent to their Arcana.

P5 has the worst Emperor in the series by far but it has the best Justice easily and possibly the best Sun and honestly a lot of the NPC SLinks are Just Really Good.

So yeah, P5 wins at something at last.

[oldestmakkapakkafan]

OK TOUCHSTARVED DEMO REVIEW!! I JUST FOUND OUT THIS EXISTED YESTERDAY AND STARTED PLAYING

So I was scrolling through tiktok and got THE video of the trailer, immediately started playing which is surprising from me because I normally only procrastinate for everything, even for things I like. But yesterday was a good day it seems.

I started the game and after the short intro selected "the unnamed" backstory I think it's called?? I don't really remember but it was the one where you ran away from your cult village or whatever. For two reasons.

A. I didn't want to have exclusively witty one liners as my dialogue. (The criminal backstory)

B. I'm already playing the arcana (the mage backstory)

Of course I'll play the demo with each one of them later but rn I'm doing various play throughs with variations of what I feel like my own choices would be.

Now for how I like it overall, IT'S SO GOOOOODD!!! I loved everyone just from the trailer alone, everyone except vere, I just really hate his archetype. Let's say me and red haired otome guys have a long time beef, ancestral beef if you will (I'm looking at you castiel...). I just don't like the playboy who is also really mean for no reason and only flirts by making a fool out of you. Anyways, enough about someone I don't really like.

First KURAS, he's soooo my type 🤭 long hair, dark skin, calm and collected! Soo cute, I like his dialogue and interactions in the demo, I haven't unlocked his red option so I feel like he was a little too distant for my liking but I know that'll probably change with the full game (I assume he has one, I mean I got ais' and leander's without even trying).

Now Ais, tbh I tried to stay loyal to kuras but Ais is so hot, cool and kinda flirty... I WAS GIGGLING SO LOUD AND PUNCHING MY PILLOWS, I'm not always for bad boys bc it isn't really done right most of the time (in my opinion) but Ais is really something else.

And lastly Leander, he's hot and sweet, I don't really have much to say about him, I can tell he's the easiest route, at least for me. He's the type of character I can get the good ending of with my eyes closed. I mean we might as well be kissing him by the end of the demo. I still like him tho. I'm just more normal about him than I am about Kuras and Ais. And I can already see him being a fan favorite, so I better like him because all those fanarts are about to infest my feed.

As for mhin and vere. They're not really that interesting to me, I'd say my top would be like this

Kuras and Ais (yes, I just decided I like them both the same)

Leander

Mhin

Vere

Ok now the fan girling is over. Time for SERIOUS BUSINESS!

Art Quality? 9.5/10 soo pretty, the street and city sheets could use a bit more work though. It's kind of underwhelming at the beginning when you see the city and it doesn't really stand out. But maybe it's just me.

Dialogue quality? 9/10 it doesn't feel repetitive, it's immersive and even when there's some corny lines here and there, I'd say it's vere's fault for being a devious bad boy archetype. Because that dialogue is only present with him 🧍‍♀️

And that's it. Even with the wall of text I just wrote I've only played once three routes with the cult(?) Backstory. I will probably write more text walls as I get deeper into the fandom and game.

[morally-grey-girlbosses]

Nana Daiba Propaganda Post

Okay this got so very long so tl;dr: Local girl decides to engage on overprotective bs for an entire franchise, and goes from causing a bunch of time loops in the base series, trying to destroy a whole play in the game and both beating all of her friends in combat to lead them to their symbolic deaths so that they can symbolically be reborn also trying to get her roommate to be symbolically dead without that second step. Also she has two swords so she's automatically a girlboss.

Okay so this is going entirely off my knowledge of the anime, mobile game/ReLIVE and movie. If she did anything silly in the stageplays I do not know about it. So Nana is a funny little girl with so many issues. If you like anime girls in time loops, you'll love her, because she chose her time loop herself. She has abandonment issues like no other and she's so scared of her friends all growing up and going their separate ways that she decided to keep winning the auditions (/a series of funny little stage battles. Also there's swords. She has two of them which I think qualities her as a girlboss because lesbians with two swords are inherently cool) and choosing to repeat the same year and few months over and over. She kept doing this for decades, winning against even the top stars of her class, people more visibly talented than her, over and over. She did it partially because she wanted to protect everybody but also she was the only one with her fears so it was ultimately super selfish on her part. Not that she actually grew up or learned anything other that period of time, because so much of her character relates to how she's largely a tall child who did not consider letting go once. Eventually the childhood friends to lovers trope (Hikari and Karen) made it impossible for her to keep going with this, since they both beat her in the auditions.

Anyways now that we're done with that overprotective nonsense, let's move onto ReLIVE, where she does it again in a different form. This is the storyline to both introduce students from other schools and the Arcana Arcadia arc, which I'll be talking about now. So in this arc, what was known as Play A was causing all of the students to reach for the Unknown Lead. The problem was that this was fucking up peoples dynamics with each other, but in a way which was the pathway to change and growth. Nana is very anti-change when she sees it as harmful so of course she's back to her shenanigans. Aside from a brief talk with Junna early on, her first big appearance in the arc is when she's having a chat with Mahiru, and the hill Nana decides to die on is that there's not really any point in a lead role if anybody will have to be hurt at all by trying to get it. Mahiru points out that getting hurt is something they're all prepared for, and that was all of their choice. Almost like denying her friends and everybody she loves the choice or chance to face Nana's own fears/get hurt in any way is becoming a theme. Anyways, they have a revue over this, and Nana wins. After this, Nana ends up switching her attention from protesting the idea of plays having lead roles (as one done) to destroying this play as a whole, resolving to take everybody down and free them from what she sees as the madness the play has driven them all into, when they're all just passionate about a role and not really under a spell or being held captive like Nana says in her little monologue. Anyways, this is a bit short lived, because in her next appearance an act later, Maya, a fellow classmate and the top star Nana took down each time she began another reproduction/time loop, decided to invade her stage to fight against Nana. Nana takes this as a chance to talk about how much she thinks the play is hurting everybody, and reaffirms her viewpoint of the play being a source of madness. Maya points out how flawed Nana's viewpoint is, since she's once again selfishly denying everybody the chance to face any sort of hardship and grouping them all together as one thing she needs to protect. Then Nana says something strongly hinting at her reproductions and Maya simply decides not to unpack the implications there in favor of stepping on every moral which was driving Nana and leaving her with the realization that she messed up anyways.

And here's the movie. For context, at the end of the recap movie, which was the anime from Nana's POV, the symbolic deaths of the cast were strongly hinted at, and Nana knew about this. So naturally the next step was for her to beat all of her buddies in a 6v1 and restart the revues so that they could all reach their symbolic rebirths. Except Junna, her roommate/friend/the character she's usually paired with, was, in her eyes, incapable of recapturing her spark, so she ended up offering Junna an opportunity to choose her own end with one of Nana's weapons instead of trying to be symbolically reborn and just dying out pathetically as a result. Junna naturally was not really approving of this, so she ended up taking her sword to instead fight against her while making the point that her stage wasn't something Nana could make for her. And she won and the two of them promised to reunite but all of my emotions about that (which are very positive but are also just painted screaming) don't give her more morally gray or girlboss points while the rest of the revue at least gives her that first variety.

Anyways this girl keeps doing overprotective but very selfish things and also has two swords and the ability to use them so she is my funny little morally questionable girlboss. she also has girlflop traits but that coexists with the girlboss part because she is just a silly girl who has beaten 6 (maybe 5 technically) in combat singlehandedly

[randomkposts]

Tamaki Uchida as a Persona user

I want Tamaki fic. From If to P2. As she went to two schools that had demon outbreaks, became a devil summoner/part time detective while going to  college, then was probably awake during the dark hour, and that's probably the most in the know POV possible over multiple games. Unless you do Philemon or Nyarlathotep's POV, I guess. 

She was traumatized by the first one, refused to participate in the second one, and had moved city's and a world ending event happened.

Then the dark hour

I want Eriko/ Elly to drag her into the quest

They are both on the fencing team. Eriko is fascinated by The supernatural. And brave. And Tamaki knows the supernatural well from personal experience

So P1 protagonist, Mark, Nanjo Kei, Maki, and Reiji are doing the SEBEC questline. 

Yukino, Brown, Yuka, and Elly set out on the Snow Queen quest. Eriko notices Tamaki knows her Demon lore, and refuses the sword she offers, instead pulling her into the party

So on one hand Tamaki and Tadashi being a Devil Summoner duo is a cool concept if you choose to forget he's a self insert. Weird pairing, apparently canon. 

He is probably a strong source of support to her canonically, if you choose to view him as a character divorced from the self insert nature. But also we don't see it in focus often, so… I could take or leave him. 

But it would be interesting to have  a character who can summon Personas and Demons, and she is a crossover of 3 fandoms with her appearances in games. 

I would say Tamaki’s arcana is Strength for her starting persona.  The other bests are Justice, and chariot to start. Bads are, hanged man, the devil.

In persona 2 IS ,her goods are lovers, and the other 3 affinities.

In EP, one of her bests has changed to magician. Judgment has shown up in good. Possibly in place of lovers.  Hanged man is neutral. 

Hmm

Anyway as a Strength arcana, I'm thinking her starting persona might be Hervor. (From wikipedia)

Hervor was born after her father Angantyr's death (he died during a duel against the Swedish hero Hjalmar) to his wife Svafa, who was daughter of a Jarl Bjarmar. Rather than take on sewing or be raised as a bond-maid like other girls, Hervor proved to be as strong as the boys and learned archery, swordsmanship, and horse riding.

She dressed like a man, fought, killed and pillaged under her male surname Hjörvard. When she learned of her father's identity she decided to live as her father and to find Tyrfing, the magic sword."

One day, she arrived with her fleet to Munarvágr on Samsø (Samsey), but she was the only one who dared to embark on the haunted island. The remainder of her crew feared the nightly activities around the barrows on the island. As she approached the barrows she saw a fire shining above them, and she approached the largest one. She then talked with a loud voice summoning her father Angantyr to reveal himself. She said that as his daughter she was entitled to her rightful inheritance, Tyrfing. Then, she also summoned her eleven uncles and she did so with such a loud voice and such harsh words that finally, her father's voice was heard and he asked not to pursue her quest. She did not give in but continued to ask for her rightful inheritance.

Finally, the grave opened and in its centre a fire was shining. There she saw her father, and he warned her not to ask for the sword. It would bring death to their whole clan if she used it. Still, she persisted. Finally the sword was cast out of the grave, and she eagerly gripped it, bid farewell to her dead kinsmen and walked to the shore.

However, when she arrived at the shore, the ships were gone. Her crew had been scared away by the fires and the thunder from the barrows."

Eventually, she managed to leave the island and arrived at the court of Gudmund of Glæsisvellir. She still dressed herself as a man and called herself Hervarðr. Cunningly, she helped the king to win playing tafl. However, she also slew a courtier who tried to unsheathe Tyrfing after she had left it on a chair. Then, she resumed her Viking activities, and travelled far and wide.

After a while she grew tired of the adventures and returned to her foster-father Bjartmar. At Bjartmar's residence, she betook herself to sewing and embroidering like other girls, and was considered to be a beautiful and good-mannered girl.

King Gudmund's son Höfund, then arrived to ask for her hand, and she said yes. The old king Gudmund arranged a grand wedding, and entrusted the kingdom in the hands of the young couple. They lived happily and had two sons who were given the names Angantyr and Heidrek.

The sword Tyrfing would continue its ill work, and Heidrek slew his brother Angantyr with the sword. "

Tamaki does not so much go searching for a sword, but answers the call and receives a COMP. She goes on a journey and potentially saves her school or damns it. 

Then she tries to get out, to go do fairly normal girl stuff, fencing,and  avoid future Devil instances.

Of course, that doesn't work long term, but she tried.

For Evolved persona, am considering Bradamante.

(From Wikipedia)

“Bradamante, a female Christian knight in the service of Charlemagne, is the sister of Rinaldo and the daughter of Duke Amon, the duke of Dordognes.[4] She falls in love with a Saracen warrior named Ruggiero, but she refuses to marry him unless he converts from Islam. An expert in combat, she wields a magical lance that unhorses anyone it touches, and rescues Ruggiero from being imprisoned by the wizard Atlantes.She is described as wearing white, with a white shield and a crest of a pennon.

She is one of the French warriors fighting during a Saracen invasion into France. She is in the middle of fighting a Saracen warrior, Rodomont, when another Saracen warrior, Ruggiero, informs her that Charlemagne is retreating. Bradamante tries to leave to join the rest of the French forces, but Rodomont keeps her from leaving. Ruggiero, finding Rodomont’s actions dishonorable, steps in to fight Rodomont to allow Bradamante to leave. However, Bradamante is unable to catch up to Charlemagne’s army and instead returns to Rodomont and Ruggiero, feeling guilty for leaving someone else to fight in her place. Rodomont is impressed with the honor of Ruggiero and Bradamante and rides off, leaving Ruggiero and Bradamante together. They are mutually impressed with one another and share their identities. Bradamante also removes her helmet, revealing to Ruggiero for the first time that she is a woman. An ambush then manages to separate them.

The two lovers are separated many more times in the story, and Bradamante faces many challenges. She travels to a castle made of steel to rescue Ruggiero from the wizard Atlantes with the help of the sorceress Melissa and a magic ring, escapes from a castle full of illusions,and encounters many other difficulties.

After the lovers are reunited, Rinaldo grants Ruggiero his blessing to marry Bradamante. However, her parents reject the suitor even after Ruggiero converts to Christianity, preferring a Leo, the son of the Greek emperor Constantine. Bradamante manages to convince King Charlemagne to decree that she will only marry a man who can withstand her in battle, greatly angering her parents, who nonetheless reluctantly agree. Ruggiero, meanwhile, sets off to kill Leo. On the way, he finds the Constantine’s forces battling the Bulgarians. Ruggiero immediately enters the battle to assist the Bulgarians, who had been losing, and manages to turn the tide of the battle. However, he is captured and imprisoned by the Greeks. Leo, impressed with Ruggiero’s valor, 4frees him. He then asks for a favor, and Ruggiero, grateful for his freedom, promises to grant whatever Leo asks. Leo, having learned of Bradamante’s challenge and knowing he isn’t strong enough to win against her, asks that Ruggiero fight Bradamante on his behalf. Ruggiero reluctantly keeps his promise and disguises himself as Leo to fight Bradamante. He wins the match and retreats to the woods, wishing to die. There, Leo finds him and asks what is wrong. After Ruggiero reveals his identity and that he is in love with Bradamante, Leo annuls the engagement to let Bradamante and Ruggiero wed. At the end, their marriage gives rise to the noble House of Este, who were patrons to both Boiardo and Ariosto.

The poems drew from legends of Charlemagne, chansons de geste, and blended recurring motifs found in the Matter of France and the Matter of Britain. Bradamante and Ruggiero's romance is most likely made to parallel the romance of Angelica and Orlando. Bradamante and Ruggiero's love is reciprocated and honorable, whereas Orlando is driven mad with love and Angelica despises him. Bradamante also spends much of Orlando Furioso chasing down her love to save him, contrasting with Angelica, who spends most of the story running from Orlando."

Key word here is tries. In contrast to the first legend where she tries to give up the call and find love, the second legend has her keeping the call and finding an equal. Coursr that also depends ln keeping her OG arc. Or shifting to give her a new role in the stories.

I don't think the first Persona game was as thematically tied to legends origins. Also there's Nanjo, who has his butler as his ultimate so yolo.

One of her other bests are fortune dependant of Nova from SMT If. 

-Chariot for strength

-Magician for speed

-Temperance for balanced

-Wheel of fortune for luck

The other is justice, as she can either uphold fair decisions and consequences, and save the people, or she can turn on that and make decisions that are unfair, and lack accountability, and dishonest, as per SMT If.

The ones she is at odds with are hanged man and devil.

Hanged man is a card of stasis. A lack of a decision. Which she is at odds with. After all, she's always making some kind of decision be it active or passive.

-Upright card (keywords): Breaking old patterns, Circumspection, Letting go, Metamorphosis,

-Reversed card (keywords): Egotism, Inability to change, Missing an opportunity

And devil, a decision card. 

-Upright card (keywords): Bondage, Enslavement, Fear, Feeling trapped, Materialism, Temptation, more

-Reversed card (keywords): Breaking from addictions, Divorce, Freedom from restraints

Tamaki is not a character to stay still, take stock. It does not vibe with her strength Tarot. But as the hanged man card reveals she is keeping still, and the devil indicates she is the one trapping herself in it.  To make the best choices for her heart, she needs to reflect on what she wants, and cast off the self restraints keeping her from it. 

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Of course, I'm not a Tarot expert. This is mostly with what I look up online. Feel free to add more in the comments or reblogs if you like. 

What Arcana's do you think Tamaki would have affinities for if she could summon a persona? And what Personas would you give her?