#but at least I'm seeing tlj

[mewtwo24]

Not to be That Guy but like.

Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.

Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s

Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?

Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]

[antianakin]

i saw that you put finnrey as your “most potential” ship and i was just wondering what makes you see them as more romantic over a platonic relationship? especially considering the finnpoe presence lol

and to be clear, definitely not judging you or saying everyone has to prefer finnpoe, i just haven’t seen very many people talk about finnrey as a romantic pair, or at least i haven’t interacted with it, so i’m curious for your take :)

I'm going to start this with a disclaimer: I do not dislike Finnpoe at all, I actually quite enjoy Finnpoe as a ship, I think that Finn and Poe's dynamic in the movies is (mostly) enjoyable, and I do think there is an obvious foundation for the interpretation of them as romantic based on what we see in the films.

Finnrey are pretty obviously set up as a future romantic couple in TFA, to the point that the person who wrote the novelization has said that that is how he wrote them because it seemed REALLY REALLY OBVIOUS that that's where they were going with that relationship with what he had seen of it and he was pretty surprised when future films didn't follow up on that. There is arguably more explicit set-up for Finnrey in the first film of their trilogy than there was for Han/Leia (and also Luke/Leia since their sibling relationship wasn't established yet when ANH came out) and even for Anidala in their respective first films together.

It's Rey that Finn goes back for, fulfilling a place in her life that she's been waiting on for literal years, becoming the first person Rey feels like she can trust. Finn gets jealous when he thinks that Rey is going back to a boyfriend on Jakku. There's an entire running gag that is about the two of them holding hands, something usually pretty connected to romantic couples. Finn only joins the Rebellion because he cares enough about Rey to want to go back to save her (and he also answers his call of destiny by doing so, as visualized by him being given and then using Anakin's lightsaber as part of that decision). Rey answers her own call to destiny when she calls Anakin's lightsaber to her, something she only does in order to save Finn after Kylo has injured him. The two of them impact each other's storylines in a way that NO ONE ELSE DOES.

I also personally feel like Finn and Rey were originally built as CO-LEADS in TFA, neither one was supposed to be "the main character" over the other. They were BOTH intended to be Force sensitive, BOTH intended to become Jedi, BOTH intended to be the awakening in the Force. Their connection was the whole heart of the story in TFA. Allowing them to be love interests for each other just helps cement that. Finnrey being allowed to remain love interests throughout the Sequel trilogy could've helped keep Finn from being sidelined, it could've helped keep REY from being sidelined, it could've allowed Kylo Ren to remain a villain, it could've helped keep some of the more interesting themes of TFA from being completely and utterly dropped.

By comparison, Poe was supposed to die in TFA. He and Finn share maybe 2-3 scenes total with each other, which are split up between the very beginning and the end of the second act of the film, leaving a LOT of time in-between where neither we as the audience nor Finn in universe even SEE Poe (and he mostly disappears when the third act on Starkiller Base starts up, too). Giving Finn a love interest that isn't Rey also opens the door for him to be sidelined in favor of Rey. This is something we can actually see done intentionally in TLJ with Finn and Rose. It pulls focus from what was set up as the focal point and heart of the narrative in TFA (Finn and Rey's relationship) and provides an excuse for why Finn isn't taking part in the bigger storylines with Rey.

And last but not least, I don't personally believe that there was ever a snowball's chance in hell that Finn and Poe were ever going to become an canon couple in a Disney Star Wars movie (it wouldn't have happened in a Lucas-run Sequel Trilogy either, but that's not really the point here). Finnrey could've. You can even argue that it SHOULD'VE happened and that it WOULD'VE happened (if Rian Johnson hadn't come in and decided to ignore everything that was set up in TFA). And Finnrey theoretically still HAS a shot at being made canon. It seems a LOT more likely that if they continue to explore the characters in the future that we'll see Finn and Rey get together romantically than that we would see Finn and Poe get together romantically.

So while I like Finn and Poe, I don't feel like there was real potential that actually got squandered in the films when they didn't happen, whereas there was ACRES of potential for Finn and Rey that got completely thrown away, and doing so really hurt both of their characters and the trilogy as a whole.

[unexpectedreylo]

So, It Wasn't Planned After All

https://x.com/RichEisenShow/status/1734703529552699725?s=20

While Adam Driver is making the rounds to promote "Ferrari," he drops by the Rich Eisen Show and when asked about Ben Solo during the True or False segment, Adam spills the tea.

He doesn't get asked much about Star Wars so this is the first time I think he's talked about his character arc since TROS was unleashed upon us 4 years ago. And he drops the bomb that the Ben Solo thing wasn't planned from the beginning. That's right, Bendemption happened late in the game. He says that JJ Abrams told him the idea was Vader In Reverse (starts out vulnerable, ends entrenched in the dark side) and he kept that concept in mind throughout the time he filmed the ST, until they changed it with the last film. Adam has alluded to the concept of Vader In Reverse before but this is the first time he's gone into greater detail about it, including the revelation that the decision to turn Kylo from the dark side came during the third film.

This shouldn't be surprising to anyone who read the Duel of the Fates script and it explains why Ben hardly says a word during his scenes on Exegol. Abrams and Co. conceived of Kylo Ren as an evil bastard whose destiny was to get eviller; killing Han Solo was meant to be what sent him down the path of no return. Then two things happened: TLJ and Driver's commitment to humanizing Kylo Ren. People loved Kylo and Rey together (hence Reylo exploding in popularity) and they fell in love with Adam. They empathized with Kylo. So they changed course with TROS, a little. Kylo returns to the light as Ben but he is quickly dispatched once the big battle is over. I believe Ben's death was for two reasons: one, they were less invested and focused in Ben's part of the story than we were and two, there was always the intent to end the Skywalker line so Star Wars could focus on new characters. Remember, Rey essentially turned Skywalker into a title that could be transferred to anyone.

That the story changed over the course of the trilogy isn't that big a deal. There was no Chosen One prophecy until the prequels. Leia wasn't Luke's sister until Lucas wrote ROTJ. Han wasn't guaranteed to get out of carbonite because nobody was sure if Harrison Ford was going to come back. Instead of a tyrannical, ruthless bastard like Lee Pace's emperor in Apple TV's Foundation show, Kylo Ren gave us quivering lips, teary eyes, and mooning over the heroine who is supposed to be his enemy. When Rian Johnson introduced the bond between Rey and Kylo, Abrams and Terrio explained it as a dyad and made it prominent in the film. The kiss got put in because Reylo was so popular. Okay, fine.

The problem was they never should have made the Jedi Killer from early drafts Han and Leia's only child. As an old Star Wars fan who saw every film since 1977 and followed the Skywalker clan for over 40 years, I didn't want to see Anakin Skywalker's grandson end up even more evil than he was. What a huge bummer that would've been, even worse than if Rey was killed off. (For the record, I hated the whole Darth Jacen thing so much in the legends books I stopped reading them.) Abrams and Terrio probably realized it was going to be a problem returning to the idea that Ben was too evil to save; TROS already comes off as a tragic ending rather than a happy, triumphant one. And it goes against the whole message of Star Wars. So it ends up being Vader 2.0 and fans hoping Ben would survive were disappointed. I wasn't fond of the idea of exile or something as Ben's fate prior to TROS, but now I think that probably would've been the best outcome. It would've left a lot of possibilities to explore in future SW stories without having to come up with a convoluted explanation for bringing him back.

As much as they fumbled the ball, I'm glad they at least spared us Evil Kylo 4 Ever and Adam's turn as Ben was great even without anything to say besides "Ow." Adam sounded a little disappointed to me but maybe I'm just reading into it too much. In any case he has also stated in recent interviews he would be open to returning to Star Wars, so I guess we can still be hopeful even if he doesn't appear in the upcoming film. (Just don't wait 30 years, okay?)

[web-novel-polls]

MXTX Side Character Upper Bracket

Jiang Cheng from MDZS

Submission 1: Extremely traumatized yet also somehow the most normal and functional by the end. Huge bitch but I (and at least one of the other characters) think he deserves to be even worse after everything he's been through

Submission 2: Simultaneously badass and the most cringefail man. Extremely funny and stylish but still manages to be very uncool. Cries a lot. Also he's lost a lot of tumblr polls—let's give him another shot! We definitely love him more than his dad did!

Submission 3: He's got mommy issues AND daddy issues. He loves his sister and his shige so much. He's traumatised and incredibly competent. He rebuilt his whole sect! He's an asshole (affectionate). He's purple! He's got the coolest weapon ever conceived. I'm so worried about his blood pressure basically all the time.

Tianlang-jun from SVSSS

Submission: Incredible character who does it like him

#bro tlj read porn abt his son and his teacher and just assumed thats what happened #and then tried to hook his nephew up with said teacher #he also is introduced lounging in a coffin #oh and he is a sugar baby #its true no one does it like him (via @galsjustwannahavefun)

Additional Propaganda

Liu Qingge from SVSSS

#great sect brother! Dependable reliable and most of the time sorta sane #Great big brother to his younger sister #Stablest person around by a lot (still pretty off the rails) #Fought someone better than him every day for five years to get his best friend's body back for a burial #Got rescued from the plot for the specific purpose of saving someone back #and then had to watch that someone repeatedly not let him save them (via @rights-for-redshirts)

["Anti-Propaganda" that attacks other characters is NOT allowed. Please only give reasons to vote FOR a character.]

[jonathanrogersartist]

A cold hard truth for Rise of Skywalker haters/Last Jedi lovers:

No matter what, Episode 9 was going to have to do 'something' to try and deal with what was now an extremely volatile and fractured fanbase. Lucasfilm and Disney did NOT see the backlash to TLJ coming, at least not at that scale and intensity. It was an absolute PR nightmare. The trilogy's reputation was at stake. They were going to always do some level of 'okay, let's go back to basics again and recenter this with classic Star Wars vibes' for the final film, after seeing how fans responded to TLJ.

In a world where the entire human race unanimously adored TLJ? Maybe it would have gone a bit differently. But even THEN, they also had the unexpected loss of Carrie to deal with, and that alone caused so many logistical problems for how to finish this story. No matter what, Episode 9 was going to be fighting a lot of bullshit real-life factors compromising its storytelling.

And you know what... I think the writers/director genuinely tried to make the best of the REALLY bad hand they had been dealt. They tried to make a good movie, that honored the Star Wars spirit and paid off all three trilogies, and resolved as much as they could find time for. And they tried to honor Rian's choices with TLJ while also addressing basic needs of narrative drama and how to give the characters personal problems to overcome (you know that Colin Trevorrow script that many think was better? That too was going to retcon info about Rey's backstory! That was never going to be just left-be, with TLJ as the final word on it).

One can hate how Rise of Skywalker was executed, but I think it's deplorable to accuse the people involved in making it of NOT making a genuine effort, or at worst deliberately catering to shitty people. I'm sure JJ was probably under tremendous studio pressure to do certain things plot/character/casting wise to salvage a now-deeply-unpopular trilogy, and he just had to do what he could with it.

[danmei-confessions]

I truly think SVSSS deserves a revision more than any of MXTX's other novels.

I love the novel, yes, but it is poorly written. MXTX rushed the chapters after Bbingqiu's reunion due to using VIP lock for the first time and it makes the writing distinctly worse. I understand that she was young while writing it, which is the whole reason why it deserves a revision. The novel could have so much more potential than it currently does and it's no wonder that it's her least popular when even fans of her other novels choose to not read it due to being uninterested.

So much more story could be added, or just minor details. For example, we barely know anything about the 12 peaks all together, and unless you make up facts, there's practically nothing on their peak lords too. I see complaints about the SVSSS wiki being empty regarding the peak lords and I hate to say it, but that's NOT due to the moderators but rather pure lack of content. Hell, most of the facts that do existed were only in the light novel and not in the web novel at all. There's such little information it's really not shocking that the fandom runs on head-canons. In all 100 chapters of her novel, half of it in slightly plot, while the other is SQQ being... SQQ.

I have so many thoughts on the potential SVSSS has:

Despite it being mentioned that there are 'plenty of minor sects' we only hear the name of one.

Despite sects like Tian Yi or Zhao Hua being a part of the main 4, we know almost nothing about them, how they run, or their disciples/sect lead (literally the only named Tian Yi disciples are the 3 nuns). We also don't know their locations, what locations they control, or their history

The past events of SVSSS (before SY transmigrated) are so messy. Theres only 2 timelines I've found here on tumblr and even those are so different from each other. Theres no clear years compared to TGCF or MDZS and its so frustrating. This also leaves characters practically age-less (other than like. Binghe) unlike her other characters.

Almost none of the side-characters grow development with anyone other than Shen Qingqiu. I say 'almost' but I can not name any off the top of my head. There are characters that have/had such interesting relationships that were completely thrown out the window For The Plot. This is so.... disappointing, considering other character's relationships make up the plot! It's not only the MC!

Everything being rushed is heartbreaking, and with a re-write I think arcs such as the Holy Mausoleum, Jin Lan, Borderlands, etc could become SO much more interesting. Alongside that, the Mai Gu Ridge situation was blown off so fast?? Like, it was mentioned that the Endless Abyss was breaking through CCM, then just never mentioned again...

Power Scaling. Fights. Actual fights between people who aren't LGQ or LBH. We only really got NYY/LPM, MBJ/his uncle, and TLJ/LBH. Most of those were ALSO rushed.

The System's appearance was reduced LARGELY in the later chapters-almost like MXTX forgot about them. The whole first 2 volumes include The System so much, and its unique! functions! all for it to be disregarded and those functions to never be used other than the jade necklace.

Actually going into the wonderous world of PIDW that is claimed to have interesting weapons (only Xin Mo was shown), locations, plants (only Qingsi and that one thats too long for me to feel like typing shown), and creatures (only rly ZZL and Madam Meiyin shown).

That's all I really have right now. I'm not trying to be an anti of MXTX's other novels. I just think that SVSSS has so much potential that she could have brought out if she had chosen to revise it. I love TGCF and MDZS very much, they have great scaling, brought-out potential, and relationships that SVSSS so could have.

I do want to exclaim that out of all her 3 novels SVSSS has been my favorite for years. I genuinely feel upset that it was not the one picked despite how obvious it is that it has barely any NEW content. Or at the least, confirmed facts. In her QNA's most of the questions are purely MDZS/TGCF while there's maybe 2 SVSSS ones. Those few questions answered by her are literally lifelines for some fans. (Such as heights and Moshang) The novel could become popular just if the criticisms/potential of it were actually addressed. I'm not saying that casually but I am very sure of it as MXTX is a freakishly great writer and she COULD take the novel to the same heights as TGCF/MDZS if she truly wanted to.

.

[eagna-eilis]

Ach-To and Irish Archaeology

The sequels were my entry into Star Wars and I never would have gone to see The Force Awakens if I wasn't an archaeology nerd.

During the production of Episode VII, a decent number of people with an interest in our archaeological heritage here in Ireland were quite worried about the impact of filming on one of our only two UNESCO World Heritage Sites, the island known as Skellig Michael down off the coast of Kerry.

I went to the film to see if any potential damage was worth it, or if they'd do something unspeakably stupid with it in-universe. I wanted to see if it was respected.

And holy hell I was NOT disappointed. I think I walked out of TFA sniffling to myself about how beautiful the Skellig looked and how it seemed like its use as a location was not just respectful but heavily inspired by its real history.

See, Skellig Michael was a monastic hermitage established at a point when Christianity was so new that the man who ordered its founding sometime in the first century CE was himself ordained by the Apostle Paul. The fellah from the Bible who harassed all and sundry with his letters, THAT Apostle Paul. This is how old a Christian site the Skellig is. It predates St. Patrick by at the very least two hundred years.

The steps we watch Rey climb were originally cut NEARLY TWO THOUSAND YEARS AGO. They have been reworked and repaired many many times since, of course. Still, the path the camera follows Daisy Ridley up is as much an ancient path built by the founders of a faith in real life as it is in the movies.

A hermitage was a place where monks went to live lives of solitude and asceticism so as better to achieve wisdom. The practice is common to many of the major world religions, including the myriad East Asian faiths which inspired the fictional Jedi.

It is said that the hermitage and monastery were originally built with the purpose of housing mystical texts belonging to the Essanes, one of the sects of Second Temple Judaism which influenced some of the doctrines of Christianity. They also, according to what I have read, characterised good and evil as 'light' and 'darkness' and were celibate.

As such, the use of the island in TFA and TLJ does not merely respect Skellig Michael's history, it honours it. It is framed as somewhere ancient and sacred, which it is. It is framed as a place where a mystic goes to live on his own surrounded by nature that is at once punishing and sublime, which of course it was. It shown to be a place established to protect texts written at the establishment of a faith, which it may well have been.

This level of genuine respect for my cultural heritage by Rian Johnson in particular is astonishing. I don't think anyone from outside the US ever really trusts Americans not to treat our built history like it's Disneyland. Much of the incorporation of the Skellig's real past into a fictional galactic history occurs in TLJ, which is why I'm giving Rian so much credit.

It's Luke's death scene which makes the honouring of Irish archaeological history most apparent though.

Johnson takes the archaeological iconography back a further three thousand years for his final tribute to my culture's beautiful historical temples. This time, he incorporates neolithic passage tomb imagery, specifically that of Newgrange, which is up the country from the Skellig.

I think if you understand what the image represents then it makes a deeply emotional scene even more resonant.

The scene I'm referring to is Luke's death.

As he looks to the horizon, to the suns, we view him from the interior of the First Jedi Temple. The sunset aligns with the passageway into the ancient sanctuary, illuminating it as he becomes one with the Force.

As for Newgrange, every year during the Winter Solstice it aligns with the sunrise. The coldest, darkest, wettest, most miserable time of the year on a North Atlantic island where it is often cold, wet, and miserable even in the summer. And the sun comes up even then, and on a cloudless morning a beam of sunlight travels down the corridor and illuminates the chamber inside the mound.

You guys can see this, right? The similarity of the images? The line of light on the floor?

Luke's death scene is beautiful but I think it's a thousand times more moving with this visual context. Luke's sequel arc isn't merely populated by a lore and iconography that honour the place where the end of his story was filmed, I think that incorporation of that history and mythology honours Luke.

We don't know for sure what the Neolithic people believed, religion-wise. We know next to nothing about their rituals. We know that there were ashes laid to rest at Newgrange. There is some speculation that the idea was that the sun coming into the place that kept those ashes brought the spirits of those deceased people over to the other side.

It's also almost impossible not to interpret the sunlight coming into Newgrange as an extraordinary expression of hope. If you know this climate, at this latitude, you know how horrible the winter is. We don't even have the benefit of crispy-snowwy sunlit days. It's grey and it's dark and it's often wet. And every single year the earth tilts back and the days get long again.

The cycle ends and begins again. Death and rebirth. And hope, like the sun, which though unseen will always return. And so we make it through the winter, and through the night.

As it transpired the worries about the impact of the Star Wars Sequels upon Skellig Michael were unfounded. There was no damage caused that visitors wouldn't have also caused. There also wasn't a large uptick in people wanting to visit because of its status as a SW location, in part I think because the sequels just aren't that beloved.

But they're beloved to me, in no small part because of the way they treated a built heritage very dear to my heart. I think they deserve respect for that at the least.

[shmistarkiller]

So since it's been a few weeks since I first watched The Acolyte, I feel like I've managed to gather my thoughts about what I think some bits from s1 were hinting at wrt Qimir's backstory. This is just what I think, I really never expect anyone to agree with anything I say lol.

Obviously we know Vernestra was his master, and that she somehow ended up betraying him, using her saber-whip to carve that gnarly scar up his back.

I think where I probably differ from most if not all other viewers is, I'm of the opinion Qimir was actually fairly young when it happened. Like, younger than a teenager even.

The whole thing with him building the cortosis helmet based on the sensory deprivation ones younglings use. I guess that might not necessarily mean anything, but it would make sense to me that he'd more likely be inspired by it if he'd been abandoned closer to the age when they would be using it. He uses cortosis specifically to keep other force users out of his head, his former master by far who he most wants to keep from reading his thoughts. The fact that he reacts like a little kid being caught by their parent when Vernestra senses him again on Brendok could be a trauma response, him reverting to the last time she was in his mind. He keeps the magic helmet of protection on for the rest of the time until they leave Brendok and he's safely far away from the cause of his fear.

Osha saying she never heard of him? What if it's because Vernestra dispatched of her little youngling padawan not long after the beginning of his training? The loss of a youngling who hadn't been with the Order for very long would be a lot easier to cover up than one of the older padawans. Create some story of a tragic accident to be documented in the official records, Jedi are supposed to be all too-bad-so-sad-but-no-attachments anyway, so it goes completely unquestioned.

So then, what the hell did Vernestra see a small child do that led her to think leaving him for dead at her own hands was a reasonable reaction? She gets echoes from the force of the combat & slaughter that happened on Khofar and it's very clear she senses something familiar. It could just be that she's sensing the presence of her long lost padawan by itself, but it would be real gnarly if this is something she's seen quite literally before. I'm not saying fetus!Qimir managed to kill a bunch of people in the same way that adult!Mr. Stranger did .. but I'm not *not* saying that either.

I think it builds a stronger case for the kinship he feels toward Osha (and maybe initially with Mae as well). The twins were 8 years old when their personal life tragedy struck, so I can see him connecting more strongly with Mae's story if he too had been of a similar age when his own personal life tragedy occurred. Extra reason why he'd feel so much more in common with Osha, how much he recognizes himself in her.

Idk how deep I wanna dip my toes in on the Plagueis stuff, but if I can get back on my Ben Solo bullshit for a second, it wouldn't surprise me if old Muun-man Plagueis was whispering in little boy Qimir's ear. And Vernestra, rather than actually try to save an innocent child, would instead cut her losses, viewing him as a liability/lost cause already practically fallen to the dark side. We know The Acolyte doesn't shy away from citing the inspiration it took from TLJ, so I can easily see "You failed him by thinking his choice was made. It wasn't." applying here as well.

(And maybe the irony there is that Luke having attachment to his nephew is what kept him from attempting to murder Ben until he was at least a grownass adult. Whereas Vernestra who lives in the height of the Jedi Order's power would definitely be less inclined to preserve the life of a literal child if she thought they could prove to be an eventual threat to the status quo she prefers. Either way, a foregone conclusion. You treat a child like they're a monster, guess what they grow up to be.)

EDIT (09/07/24): Can't believe I forgot this one. The way Qimir is so callous about killing Jecki. Sol says she was a child, and his response just comes off very "yeah, so what, so was I (when I was left for dead)". Qimir seems convinced Jedi masters leading their padawans to their potential/inevitable death is definitely just A Thing™ that happens.

Some extra quibbling with ideas I just rather disagree with ..

I've seen others theorize that Qimir could actually be older than he looks and that it's Plagueis feeding him whatever that ability is to stay young/immortal, but I personally can't really think of any actual reason why that would be the case. His line about having been a Jedi a long time ago is pretty vague, so while it could apply, I'm not particularly swayed by it being proof of this theory.

I guess the other thing is people think he and Sol grew up together and were padawans at the same time? Which ties back into the idea of him being older than he looks, but again, there's nothing particularly convincing me of that idea either. When Qimir shows up masked and goes, "You don't remember me?" And Sol replies, "I do sense something familiar." To me that came off as taunting that none of them caught on when he was pretending to be the apothecary. (If anything, I initially for whatever reason thought the "You?" "Surprise!" exchange between Yord & Qimir was hinting to the idea that they'd known each other, until I remembered the aforementioned bit about Qimir's messy girl apothecary charade.)

Vernestra mentioning that she remembered Sol as a shy little padawan, and having been Qimir's master seems to be another reason for the prior two theories. But to me that ignores the possibility that Vernestra herself could also have been a child when she first met Sol. It's less clear to me since she's a humanoid non-human SW species, for all we know she could be the one who's way older than she looks because of that. And if she was already an adult and knew both Sol & Qimir as children, that still doesn't mean that was at the same time.

Okay. I think that's everything. (And if it's not I'll quietly come back and slip in whatever relevant edits I'll want to add in.)

[marybeatriceofmodena]

I'm curious, do ppl hate Love Never Dies because they think Eristine is problematic and it's made canon in it, or is it due to something else? I havent watched it yet or anything but i like the vibes, lol

Heh... Love Never Dies has always been controversial at the very least? It came out at a time where Erik/Christine was still the most popular ship in the phandom - it still is, by the way. That didn't change despite a clear shift in fandom and ""problematic content"" around 2013, so a good 3 years after the musical came out. If anything, Raoul/Christine shippers have been a minority for most of the phandom's history, and both sides of the debate at some point more or less decided to agree to disagree (I mean, the homophobic slurs Raoul would get at times were starting to REALLY be in poor taste), except on the point that without the love triangle, there wouldn't be much of a story, and there are various ways of interpreting said love triangle. So, quite frankly, I don't understand why some people on either side are trying to restart discourse in the POTO fandom but I digress. And look, if you see people in the tags saying that Erik/Christine is problematic, they're probably new, and not really representative of the phandom at large. Anything having to do with Sierra Boggess is more controversial.

I really don't think the controversy stems from it making Erik and Christine bang and have a love child - I know there are some people who are against the idea of any kind of sequel, in fanfic form or otherwise, for a variety of reasons, but most of them were being responsible adults about it and didn't actively seek fanfic. As I mentioned before, a lot of folks were Erik/Christine shippers and thought that Christine was more into the Phantom than into Raoul, that's nothing new. But a lot of them also had issues with how LND dealt with it, for several reasons. It didn't come from an "anti" sentiment, it was very much them having issues with the material that was presented to them.

Raphael/phantoonsoftheopera (who is a long time fan of POTO) goes into more detail here and I think he sums up a lot of phans' thoughts back in 2010 when LND came out (whether they shipped the Phantom and Christine or not), and I think @musicalhell is another one who was also around at the time (feel free to pop in, and hope I'm not bothering you with the tag).

As for the rest, I wish I could defend ALW's choices here in the same way I'd defend Lana Wachowski for Matrix Resurrections - i.e. you're allowed to not like it but this is this creator's baby and they're allowed to do whatever they want with it, so let's all respect art for the sake of art here. But LND is very much a vanity project, as ALW has proven multiple times, that is mean-spirited to its core in various ways. For my fellow SW fans, it's the TROS to POTO'S TLJ. The cast and crew were treated in a really shitty way back in the original London production days, same with critics of the show, and there was even a case where a journalist and long time phan who provided a critical review of LND was demeaned in an article as some sort of sad housewife who was obsessed with POTO. Mind you, ALW has tried to make LND work FOR YEARS, with various productions and tours opening here and there, but it always underperforms. And mind you, the Eristine crowd is still hanging around, and POTO is doing extremely well whereever it goes to this day. If the Eristine content was good, the crowds would follow, "problématique" posts and tweets or not. They aren't there.

[writing-frenzy]

It's the things you don't see (That can be Misunderstood)

@werinia

You have probably seen that idea somewhere. Evil sqh. He is not going to change tragic moments. They are the best part of his book. Porn can disappear but these would stay. So if butterfly effect is going to destroy a tragedy or an important plot moment he will save them. SQQ & YQY tragedy and SXY&TLJ tragedy were saved. When LBH stuck too far away from where he should stop. SQH took him and brought to Washerwoman. She decided that he is a father of a child, so SQH named himself Luo Feiji. He was helping Washerwoman with money, which could let her to stay alive but… LBH didn't want to leave from his adopted mother so SQH killed her. LBH swears to find his 'father'.

AN: Huh, this is my first time seeing this idea... hmmm, this idea plot goes against all my Airplane!Shang Qinghua characterization on how I have him. Even at his evilness in my brain, Shang Qinghua is more about going with the flow, inaction, apathy, but occasionally spiteful sabotage against those who fuck with him or mess with his ideas and plots. (Still very much he who wrote Binghe, it just takes... a lot to open that side to him)

So, I'm gonna take this idea and probably mangle it beyond recognition. Sorry, I'll try and incorporate as much as possible. (Hope you still enjoy it)

-------------

There were many ways a certain An Ding Peak Lord found himself waking up on some days. On the rare, like finding a once-in-a-never-before-seen-treasure if you weren't the protagonist or Author god of this world, Shang Qinghua could actually wake up fully rested, no dreams to torment him or anyone but birdsong to wake him up. Otherwise, it was a random pick of if someone was knocking (well, more like banging) on his door with a 'sect emergency' of sorts. On others, his King could sometimes come for a morning report instead of his nightly one, bringing with him an uncomfortable chill and frozen feet for Shang Qinghua to welcome the day to.

But if there is one thing Airplane hates waking to, it must be the System's ungodly screeching alarm.

!WARNING: WORLD COLLAPSE IF PROTAGONIST DIES!

"I heard you the first fucking time damn it." the brunet transmigrator curses, dressing and disguising himself more akin to a shady merchant than the actual Peak Lord he just so recently became. If he's going where he thinks he is, considering all the drama that happened with a certain Head Disciple and Demon Lord, and a Protagonist in trouble, that can only mean one thing.

Something happened at the Luo River; just great, just what he needed right now. Of course he wants to spend his night looking for a baby in an icy river, thank you world so much for that.

Grumbling, Shang Qinghua goes down one of the many secret tunnels in An Ding, with it twisting and winding down into a deserted valley, where he is soon off like a shoot on his sword.

As he spends most of his night with the system blaring an alarm in his ear, constantly having to cast a life-detecting spell, Airplane truly curses the fact he had to have little Binghe born when it was so damn cold; sure, his cultivation helps him keep out the worst of it, but it does not stop the fucking fact it is still cold enough that he can literally feel the chill from his sword to his feet. Nature can and still is the biggest bitch out there, no matter what.

It is with no little relief that he finally gets the ding he wanted from his spell, showing a human life finally.

Getting little future Demon Emperor from his basket, Shang Qinghua sighs in relief seeing the baby is just really cold, something the Peak Lord can easily fix with his abilities. Eyeing the basket, Shang Qinghua struggles a bit with himself before sighing, he places one of his emergency coin purses in it, something he knows will at least help out and hopefully not get him anymore System Alarms for a while. After getting himself and the baby situated as he stands above the water, he then casts an invisibility spell upon himself, settling in to wait for a certain washerwoman to finally come so he can direct a basket down her way... Not realizing in his drained and tired state it didn't work like it should have.

(Years later, Binghe listens to his mother as she swears to anyone that will listen that it must have been his father's spirit that must have pushed the little baby over to her washing, waiting, willing hands. After all, how else could a healthy little baby survive going down the stream on one of the coldest nights of the year? Even as she weakens, she could never forget the barely there, almost more an outline of fog then man that had directed a basket down her way, and the relief in brown eyes when he saw her take him before he disappeared in the dawn's light.

Binghe grows, knowing if nothing else, at least one of his birth parents must have loved him, if they even defied death to ensure he could live with his poor, but ever so loving mother. It makes him wonder at times, about his origins, makes him want to find out more about his history and his first parents.

As it is, Airplane Shooting Towards the Sky spends the day after his little rescue working through a migraine and the mother of all colds.)

-------------------------------

SQH gets Binghe to his Mother: Check

Washerwoman sees him and thinks it's Binghe's Father: Check

Shang Qinghua provides funds: Check

Binghe grows up knowing about a 'Father' and wants to find (more info about) him: Check

I can say I kept to the spirit of it at least? Hope you liked this, sorry it came so late.

[ghostclowning]

anyway this post exists just to let out some things(and also for me to archive things) bc my brain been rotting(help) for quite some time (svsss au long post)

an AU where zzl survives(jk lmao as we all know, he never died<3) but bc of severe wounds he lost some power...tlj's power also was not enough to disguise him as human well enough, but they found a solution - to keep him in a compact "energy-efficient" smaller form. Yes, the obligatory "my demon turned into a child" arc.

But tlj also sees this as a great opportunity to give zzl a new start bc he himself wants to just chill and absolutely doesn't need a second in command for that(besides, he's still young, why waste his life away near this rotting old man? get a life, boy). And so he hands the baby-lang to sqq, cause, naturally, who even would make a better shizun.

Sqq really hesitates but zzl seems to be in despair. as if he doesn't quite understand why his uncle is so eager on giving him away. and he just looks so cute and pettable. and sqq gives in. it's ok if it's just a kid right???sure lbh will get jealous anyway but at least sqq can slap him with a fan for being unreasonable.

His house is now infested with snakes but hey, at least all the other beasts and pests keep away now. His new disciple is...awful with swords(why would he ever learn to hold one when he could turn into a giant snake?? I wouldn't), but is quite helpful around the house(when lbh isn't looking). And has money.

He also looks human most of time when he's not using his demonic powers. When he does, some of his snake traits or demon mark begin to show up, but he and sqq are thoroughly trying to keep his true identity a secret. Sqq actually feels a little bitter about being his "shizun" bc, frankly spoken, it's more like zzl could teach him a thing or two, like some demonic tricks. So sqq just sticks to trying to teach him sword mastery so it would be believable that it's just his disciple.

Over time i even made some concept sketches bc i am so normal about this(his hairstyle was given to him by sqq who once got a little carried away and forgot that zzl is not actually a child...still, if master shen did this, then this is good). Sqq called him Zhu-er and oddly enough, no one suspected a thing...perhaps bc to everyone else he was just a secret character<#

anyway they're having a blast and silly little time(non romantic and never will be)(i just find it wholesome)<-delusional

If you actually read this till the end, I'm impressed(and thank you)

[io-lu-art]

just a looong ramble analysing and rethinking Rey's character and turning whatever conclusions I get to into my headcanon without changing any plot points in TFA because I don't have the energy for that....

First things first. With everything I write here and publish on my blog from now on I refuse to believe that TROS ever existed. Everyone is free to have their personal opinions as long as they don't harass or hate on anyone, and this is mine. Almost every choice in that movie has left me scarred, even up til now, 4 years after its release. I thought I can ignore it, like any other healthy human being, but - oh boy, I cannot. If you are interested in reading another ramble on that, here's the post.

Since I am writing my own take on what could happen after TLJ (you may call it a fanfiction, I'm gonna call it a fanscript since that's gonna be its format), this post serves the purpose of getting my head clear around what's the deal with Rey, analysing, and lying down a solid foundation for my WIP. The story I'm writing has barely reached the end of Act I (out of III) at the moment I am composing this commentary, and I constantly notice that I get stuck with Rey's character every time I have to think about her for different reasons I will address down below.

I will make some rewrites as I see fit and necessary along the way for her character to make sense to me. All rewrites are in Tumblr's

chat style

This post will be linked to my AO3 fancifction as a reference for people to understand how I treat her character as soon as that one will be finished... *clears her throat* ...ANYWAY-

Let's have a look at Rey, shall we?

Rey's introduction.

When we first meet Rey, there is already a lot we get to learn about her. She's a scavenger. On a pretty much deserted desert planet. Water and food are scarce. She gathers parts during the day to sell them in exchange for food rations.

She has no friends, no family. She's lonely. And has been for quite a while. And yet, though hard, it looks like a pretty peaceful and stable life. If it were significantly different, we would have gotten introduction scenes of her battling some gangs or other scavengers for parts or something. But instead we were provided with beautiful, peaceful cinematography and John Williams' incredible score.

She manages. She manages because she has to and has never known to do otherwise. This on its own is already a very solid introduction. And it becomes even more powerful as we are provided with additional context later on, as she tells BB-8 that she's waiting for her family.

We know who she is, what she does and what she wants. No more questions, right?

Well, this is where it gets confusing, at least for me: there's one shot in Rey's introduction which always leaves me puzzled about her actual wants. It's the moment she puts on the rebel pilot helmet.

Maybe I am reading too much into it, but it feels like it kinda wants to draw parallels to Luke Skywalker in ANH? What exactly is the purpose of this shot? Is she putting on the helmet just for fun? Is it to show that she is still a kid inside? She seems to enjoy herself. Is it to show us that she maybe wants to be a pilot...? The gesture on its own is too little information to imply that, let alone that she already is a very skilled one, so probably no. Then, is it, perhaps, to show us that she dreams of more? Like Luke, who wanted to get off the planet that is "farthest away from the bright center of the universe"?

The interpretations, especially when looking at it in context to the rest of the movie could go on and on and on.

Quick detour.

The reason it works so well with Luke's character is because from the very beginning, with everything he does and says, it is perfectly clear that he doesn't want to stay on Tatooine. It's his only want when we first meet him.

Luke has friends who tell him about the galaxy. He seeks adventure.

And he's very impatient about it.

Everything he says basically SCREAMS how much he hates it there.

Now back to Rey.

Am I expecting Rey to show the same interest in getting off Jakku with the same attitude and level of energy as Luke, should that have been what TFA was going for? No, of course not. They are (supposed to be) two different characters after all. But I do believe that, given the setup, that helmet scene leaves too much room for confusing and unnecessary interpretation. (More so because I am trying my best to avoid nostalgia bait wherever I can.)

I am not denying the fact that she wouldn't have heard about the wider galaxy, that she wouldn't wonder about what it would feel like, being out there. People travel. And with people traveling, so do stories. So if you want to hint at that, do it subtly, all the while keeping the focus on her biggest want.

I might really just be reading too much into it, but still, in my humble opinion, a way to solve this confusion is cutting out her interaction with the pilot helmet completely. Let me demonstrate.

Inside her home we already see this self-made rebel pilot puppet. Just like the puppet lying around, instead of having her pick it up and putting it on,

the helmet remains part of the environment, stuck in the sand. There could even be a close-up on it as Rey puts down her empty plate next to it when she has finished eating if you really want to show it. She then rests her arms on her knees and looks up into the sky, following the ship that has just departed from the far outpost into the high atmosphere until it disappears. Waiting.

What is achieved by changing the interaction with the helmet is that it keeps her wants just as clear as Luke's. Luke wants adventure. She wants her family back. Period.

...I rewatched this scene after writing these paragraphs and yes, I admit, in the end it happens so fast that one could probably just let it pass and interpret it as Rey being very bored and using it as entertainment to wait out the days. But even if it were just that, the effects this little tweak would have on the following scenes is quite interesting to look at nonetheless.

The tweak I am going with from now on: Having her not actively wonder about possible adventures at all. She doesn't believe those stories to actually be true, because she's never allowed herself to. She's never allowed herself to actually want to ever leave Jakku.

What would it mean for her characterisation? It would make her slightly more serious and grounded. And the movie (except for the helmet scene) actually already treats her that way. Notice how she, while fixing BB-8's antenna, takes a moment to look at him before asking:

She's never seen such a droid before. At least not in such good condition. So, of course, she's curious. But when BB-8 says it's classified, she only laughs about it. "Classified? Really? Me too. Big secret," as if to say, haha, yeah, right. She rejects that possibility. And she doesn't bother asking any further, because when she is confronted with the choice to go and explore, she is reminded of her promise to herself, which is that she will wait for her family until they return.

Now, here is where I insert some very subtle "rewriting". When Rey first meets Finn, she is suspicious of him...

...and should actually remain suspicious,

instead of admiring him and falling into this, let's call it, "excited, fangirly smile"...

She doesn't know him. She has no reason to trust him. Instead, the tone of this line should be one that reflects her emotions as it slowly gets to her that those stories she's been hearing about might actually have some truth to them, that there might actually be a wider world out there. So make her be gradually interested.

Huh. This man I just forcefully hit to the ground, a Resistance fighter, knows about BB-8 and his classified information. What are the odds of that?

"So you're with the Resistance?" Rey asks suspiciously, looking down at the man.

The man stands up, brushes the sand and dust off his jacket and answers, "Obviously. Yes, I am. I am with the Resistance."

Rey frowns, "I've never met a Resistance fighter before," scanning him with her eyes. Why would there be any on Jakku? Nothing ever happens here.

"Oh, this is what we look like, some of us. Others look different."

Rey cannot help a little smile at his strange attitude. She looks back to where BB-8 rolled off to. Puzzled, she tells him, "BB-8 says he's on a secret mission. He has to get back to your base..." Even hearing herself pronounce that out loud feels so surreal to her. None of this makes any sense. Why-

"Apparently he has a map that leads to Luke Skywalker and everyone's after it."

What? "Luke Skywalker?" she asks, confounded.

CUT TO ACTION.

Whether she wants it or not, the plot forces her into the stories she's been hearing of. You don't want to believe they are real? They're real, all right. She has no choice but to run and get along. And later, she does get more and more interested, specifically when she meets Han Solo, the legend himself. Her whole beliefs turn upside down. It's exciting and she embraces it. Why? She's made a promise to BB-8 that she will get him home, and those things kinda come hand in hand.

Rey's physicality.

Rey is very fast to jump into action. She doesn't think twice about what she's doing. She just acts. Because that's how she's learned to survive all this time on her own. When she but hears BB-8 struggling in the distant sand dunes the first time they meet, she immediately reacts and goes to help (which also shows how compassionate she is towards people - and droids - in need of help).

And she's incredibly stubborn about it. If I may even word it like this: it's something she carries with pride.

So she's a good fighter. And I have but one request: DO. NOT. FORGET. THAT. HER. FIGHTING. STYLE. IS. ROUGH. AND. DIRTY. AND. HAS. NO. TECHNIQUE. WHATSOEVER. WHILE. THE. STORY. PROGRESSES. OK? Ok. What else? Ah, yes. Piloting. I don't know which of the two aspects has brought more uproar in the SW community, with the addition of the Force to these 2 points making people call her a Mary Sue, her being overpowered and so on. Let's have a look at that.

Rey's piloting skills.

She obviously knows her way around the Falcon. And it's plausible. "This ship hasn't flown in years!" It's been there for quite a while. Maybe she has had the opportunity to sneak onto it once. What about her flying skills? Well, that takeoff definitely had me worried. At this point I am even amazed this ship is still all in one piece. Which has me thinking... just a thought...

While trying to get those TIEs off their tail, Rey damages a visibly big part of the Falcon's exterior. "Ups," she comments, hastily checking the controls. Ok... The ship still flies. All good.

"What was that?" Finn calls from the gunner position, seriously worried for their lives.

"Nothing to worry about!" Rey quickly shouts back. All in all, the flight is messy as hell, and the Falcon needs some heavy repairs. But they still manage to get out.

"Nice shooting!"

"That was some flying! How did you do that?"

"Thanks! I don't know! I've flown some ships, but I've never left the planet."

(This is me reacting to their dialogue in the new context:) Yeah, guys, good work! You've almost destroyed the Falcon in the process, but you're alive, so I guess it's fiiiiiine.

What am I going for here? Adding to their level of expectations, which are... pretty low, and hopefully Rey's likability.

And then, later, Han is horrified of the state his ship is in, "Who did that?" Rey doesn't answer his question, but instead immediately offers her help, "I can fix that for you," feeling a bit ashamed of handling the ship of a legend this carelessly. And Han is... well, Han about it.

When would the Falcon get those repairs, you might ask? Eh, *hand gesture* there's plenty of time on D'Quar for that while they discuss how to blow up the third Deathst- *clears her throat* Starkiller Base. And obviously it's not gonna be Rey doing those repairs.

This addition tones down her abilities, puts more focus on her skills as a scavenger and makes her more relatable. I'd also argue that it puts more weight to her decision to eventually decline Han's offer to join the crew because of her wants. You see, once immersed into the real thing, the stories becoming true, meeting the legends, she becomes genuinely curious. She asks questions. Why did Luke leave? What fight? She gets incredibly excited when Han offers her a job. And yet, despite all, she still wants to go back.

Nevertheless, Rey displays pretty amazing piloting skills under those stressful circumstances on Jakku. After all, flying the Falcon is....

Her instincts are implacable. One might even say that she*

She just isn't aware of it yet. It is not until some scenes with Han and the rathtars later that we get the first hint.

The Force.

Now I might be wrong, but I have a theory, which is that the piloting performance under high pressure on Jakku might have been it. The Awakening.

The Force calls to Rey through Luke's lightsaber. And she listens to it, not knowing what will follow. She experiences the Force vision, and is horrified.

"That lightsaber was Luke's, and his father's before him, and now, it calls to you!"

"I have to get back to Jakku." Again.

Even when Maz tells her, "You already know the truth. Whomever your waiting for on Jakku, they are never coming back,"

she still refuses to believe that.

Tears run down her cheeks

and she shakes her head. No.

"But there's someone who still could."

Rey frowns. What is Maz implying there? "Luke?" she asks and realises what it's leading up to, and doesn't like it. Her emotions are a mess. She gulps back and keeps shaking her head as Maz speaks.

"The belonging you seek is not behind you. It is ahead. I am no Jedi, but I know the Force. [...] The light. Feel it. [...] The lightsaber. Take it."

Rey doesn't want to hear of it. Any of it.

"I am never touching that thing again!"

Rey just witnessed complete horror. She is in denial. Keep in mind her clear wants from the beginning of the movie. Ideally her want for her parents to come back should be replaced by the character fulfilling her needs at the end of her arc. But we're not nearly there yet. What Maz tells her about the Force completely contradicts Rey's experiences. She cannot just accept the truth. And how does she handle it? She runs away. She's terrified.

She wants to go back to the way things were before any of this mess started. But the plot doesn't let her run away that easily. It knows she has to face her fears, one being her fear of the Force and one the fear of perhaps never making it back to Jakku ever again.

It forces her further into these situations, making it impossible for her to get out of them. She's trapped. Literally and figuratively. And fighting her way out won't work this time, the one ability she always relied on to save herself. It's her darkest moment. And if that were not enough, Kylo Ren, this stranger, this man inside that mask, the man from her vision, shoves all her insecurities right into her face.

"And Han Solo." Rey jolts up. Either out of fear of possibly betraying Han and slipping, giving away a location, or out of rage that Kylo has gone too far into her personal space. Either way, this rage gives her some strength to oppose him. "You feel like he's the father you never had. He would have disappointed you."

"Get out of my head!" He backs away for his own reasons, not wanting to think any more of his father, but still holds onto her mind. Rey does all she can to withstand him, and the longer she does, the more time it gives her to understand what is going on.

And Kylo senses it. What he's trying to do here is not working. Concern washes over his face, which makes him lose control over the situation. The connection opens, inviting Rey to tap into his mind. She's inside his head. Now she understands. She understands she can use this power on him, too. So she does.

And there it is. She's strong with the Force.

And that's intentional. Why? For reasons we discover in TLJ and numerous other fanfictions. (TROS? w-what's that-)

She has found a way out of the situation. Now, has she ever heard of Jedi mind tricks? Maybe? But remember what she just discovered: She just tapped into Kylo's mind. So she tries that again on the stormtrooper. Because when she knows how to act, she just does. She's always been confident in her physical abilities and skills. Why would she have to treat this new power any different? And luckily it works, after 3 tries.

And that's fine. Let's move on. Kylo kills Han. Explosions.

Notice this. Even though she knows she now has these new powers, the same powers Kylo has, she still draws her blaster at him after calling him a monster. She acts on emotion and choses the quick, familiar way.

I actually like to believe that Rey really doesn't know what the Force is and how it works, at all. How would she? Yes, Maz did tell her about it, but how do Force-powers manifest in people? She's never seen anyone use it before, upon meeting Kylo Ren. So in every scene she does use it, she just copies Kylo. That's the only reference she has. Remember how proud she is of her physical abilities. And she is so naive that she just goes and tries it for herself, without thinking of whether it will work out or not. And it works out for her. Because, again, she is strong in the Force.

It's true that her flaw, her naivety, is not really addressed in TFA. It never really backlashes on her. And, to be completely honest, I have no idea how to make room for that without some heavier rewrites yet. But maybe it's not necessary. TLJ takes care of that. TFA just introduces us to Rey as a character after all.

Now, is the force-summoned lightsaber making her overpowered? If you interpret it as "Kylo couldn't get that thing out the snow but Rey could," then yes, yes it is. BUT, if you see it as "while Rey is observing the fight, she sees Kylo trying to summon it, so she copies him, the way she copied him with the mind-tapping, and reaches for it the moment Kylo conveniently gets it out of the snow for her," I don't think it is, though I do agree that in order for the second version to be true, the scene happens too fast with too little shots to explain it. *OP takes a breath* So, here is what I suggest:

Kylo reaches out for the lightsaber. SHOT of the lightsaber in the snow, fidgeting slightly. BACK TO Kylo, pulling anew. BACK TO the lightsaber. It gets free. CUT. Another shot of it flying through the air towards the camera.

SHOT on Rey witnessing that - she is already on her feet again - and immediately reaching for it as well, outstretching her arm towards it.

SHOT of Kylo as he feels the momentum of his pull shift and dodges out of the way. The lightsaber flies past him, into Rey's hand.

Rey has always been fast to react to action. So it would make sense for her to be able to do that. Ok. Now to the fight itself.

*sighs* I don't even know where to start. ...One thing's for sure. Kylo at this point is pretty much destroyed emotionally from having killed his father, but he's still big and strong and aggressive in his movements. Rey, on the other hand, kinda seamlessly knows how to handle a lightsaber, which... is definitely not believable at all.

Let's step back for a moment. Why do we have this fight? Rey needs to get Finn and herself out of there and Kylo is pretty much in the way, so she wants to eliminate the problem. And what does Kylo want? Sure, he is interested in Rey and her raw powers which eventually adds up to them being equals in the Force, so he doesn't want to kill her...

But he also wants that lightsaber, doesn't he?

(God, I am looking at this fight to find any clues and I'm just sitting here, elbows on the table, resting my head in my hands, massaging my temples, wondering, "why the hell are there so many cuts in that fight scene?") (I am no expert in fight choreography, so bare with me as I try to make this work.)

Rey is the one who draws first at him.

She has never wielded a lightsaber before, but knows how to handle a staff... so she treats the lightsaber like a staff within its limitations.

Because remember, HER. STYLE. OF. FIGHTING. IS. ROUGH. AND. DIRTY. AND. HAS. NO. TECHNIQUE. WHATSOEVER. So, pretend we have some well thought out choreography in this part.

Kylo blocks her with ease. Rey is frustrated. The lightsaber feels heavy and difficult to handle. It doesn't take long for Kylo to

get her cornered at the edge of the newly formed cliff.

"You need a teacher! I could show you the ways of the Force!" he exclaims.

Rey considers, out of breath, "The Force?" Rey takes a moment as her mind connects the dots. So that's what these new powers are? Kylo watches her, waits for her to make a move. No time for pondering about the Force any more. Rey moves. Kylo LETS her duck and free herself from his block. She runs, backs away from the crater. He follows her. He outstretches his arm. Rey is stuck. She's literally petrified. Again. Kylo draws nearer. He twirls his saber, now holding it backwards (you know, Ahsoka style). "No," she hisses through her teeth, struggling. Heavy breaths. She closes her eyes. When he almost touches her hand holding the lightsaber, "No!" she RESISTS his force-cage and GOES FREE.

Because, you see, even though Maz told her to "close her eyes" and "feel the light", Rey has never done that before, and when under stress, I do believe she would rather choose a quick, familiar way to get out of the situation. The only thing she knows how to do with the Force at this point is to copy or resist Kylo. She wouldn't know how to to draw power from the Force, yet. She'll have plenty of time to learn that from Luke later, should she survive this fight, so we better continue.

Kylo stumbles back as she draws at him. Rey goes for a swing to hit from above, which Kylo manages to block last second, bringing his lighsaber up from behind his back. As their lightsabers are crossed again he quickly reaches for her right hand, which is holding Luke's saber, with his left hand and moves it aside to his right towards the ground, using his crossguard for more momentum to force her down. He steps his left foot accordingly to keep himself stable. Rey cries out from the unexpected movement. They are kinda back to back. His left shoulder against her right one. The position is uncomfortable. He squeezes Rey's wrist. Rey cries out in pain. Then, she realises how close they are.

Time for some close combat, ladies and gentlemen.

She gives in and lets go of the lightsaber, lets it fall to the ground. Kylo releases her to reach for the fallen lightsaber. But before he can pick it up, Rey KICKS his left hand away with her right heel and PUNCHES his JAW with her right elbow from below. Kylo's head rocks back. He stumbles backwards from the harsh impact, causing him to turn his back to her in order to catch himself. Rey summons Luke's lightsaber back into her left hand, and ignites it. When Kylo turns back to his opponent, left and unprotected side first, Rey is ready to stab him in his left shoulder.

Kylo stumbles back some more, she brings her hands together for another strike leftwards, he barely blocks it, he stumbles back some more, it leaves his posture open, Rey strikes again, rightwards, lower this time, wounding his leg, he falls to his knee, leaving Rey the final blow to provide him with his scar.

The reason I started writing this entire ramble in the first place is a conversation I had with my friend which brought up the fact that Rey should be able to beat Kylo by using her rough, unpredictable moves. Shout out to my friend who, bless her, is willing to listen to and survives every one of my sw rants and who pointed this out in the first place!

Is this a good fightscene now? I have no idea. I hope so? I do have it very clear in my head now though, so I might go and have some fun storyboarding it in the nearest future.

You know the rest. The ground splits, she runs to Finn, Chewie picks them up. . . .

There are some more moments which I believe need some tweaks, like the meeting with Leia, which is just so unfair to Chewie, really, but if I go on and on about this, I would end up changing the entire movie, which I do not have the strength for atm. This ramble was supposed to be about Rey and her alone, so I am done here.

I guess in the end Rey does realise her needs and is able to let her wants aside for a bit longer and focus her hope on actually helping the Resistance and get Luke. Hope that, with finding Luke, she will get to understand these new powers. I do feel like the movie could have provided us with a more emotionally rich reactive scene to the fight and her abilities, and generally just more of those, but then, what am I expecting from a JJ Abrams film? We have Rian for that.

My conclusion? I'm bad with conclusions and summaries, so here you have it, my take on Rey by only adding to the existing dialogue, changing some attitudes here and there, adding a scene, and changing the fight sequence at the end and how she treats the Force.

I do have a clearer understanding of her character now, which was the entire purpose of this ramble, so I guess, mission accomplished. Congratulations on having made it till the end. It was a long ride. I did consider splitting this beast into 2 parts, but while writing this, at one point I just decided to fully commit to it.

You are totally free to, of course, agree with me and stay tuned for my WIP fanscript or disagree, never read through this thing ever again, ignore it and leave it to die on Tumblr's graveyard.

Before you ask, because I also considered doing that just for the sake of having fun with GIFs on Tumblr (all text gifs are taken from YARN btw), I will not do a post like this on TLJ, since I have no problems with Rey's character there at all. Props to Rian Johnson at this point, for managing to make sense of her with what TFA gave us.

[risingshards]

Blegh okay I thought about it and after rewatching some eps and reading this again, I kinda like my rambling thoughts on acolyte ep 6 so here goes

Preface: I'm a very very VERY easy to please sw fan and I don't like ragging on shows or movies or whatever this way much these days if I can avoid it with how internet fandom is, like especially with this show with all the hatred and vitriol it's gotten from the incels.

And I've been enjoying the show a ton so far, and ep 6 wasn't bad...just. blech. I have critiques.

TLDR: I was excited for a big thriller mystery in the High Republic era told with a queer lens, and instead I feel like I'm getting a Goodreads review of a scrubbed Reylo fic listing the tropes.

spoilers and me bitching after cut lol

I'm just like why is it reylo now????????

I figured with the mentor swap we'd be heading to Osha turning to the dark side and maybe Mae to the light, but the way it's being put out there feels lacking. Osha is turning so quickly that it felt like i was reading some enemies to lovers romantasy for my book club (at least it hasn't been as awful as the colonizer romance they had me read but that is a LOW bar to clear....). Like a lot of the romantasy books I've read, it feels like setup and taking time to build meaningful connections between characters is ignored for like "oh wow he took his shirt off...he's so jacked....what was i talking about again..." I saw a video with the audio descriptions for the ep and it literally sounded like a romantasy audiobook.

And to note: if you love the enemies to lovers romantasy booktok books, like more power to ya! For me it's like when you stare at one of those magic pictures and you can't get your eyes to cross to see the picture, like "I do NOT understand what I'm supposed to see here."

Str8 enemies to lovers just kind of blech me out, where the evil one commits various atrocities that make me want to see them get what's coming to them, and then minutes later the good one is like "whoa he's hot maybe he's not so bad..."

Osha being so Jedi-like in personality only to immediately falter at a hot naked dude just feels gross. Like can't we have any other reasons for women in Star Wars to get tempted to the dark side than a shirtless man gaslighting them? Probably unsurprisingly but I REALLY did not like Reylo (I was in a very bad relationship and I kinda put the headcanon onto TLJ about it being an escape from an abuser because it came out right after I got away from that, so that going any other way did not vibe right with me) so maybe it's just residual feelings from that.

Again more power to you if this is your thing I'm not coming at anyone for enjoying it!

I think another thing that's making me uncomfortable is seeing interviews with Hedlund about Qimir about his desire for freedom against those who want him gone being relatable in a queer sense, and like I get that, I feel that. But if that's the character with the metaphorical queer experience why are we doing mega straight reylo 2 with him? And that guy brutally kills one of the queer girls and calls her it immediately after??? It doesn't help that the show started off feeling really queer, and now like 80% of the queer characters are dead and we're doing reylo 2. The "oh fuck yeah REYLOOOO" interviews I've read this week are NOT reassuring in this regard.

There's just something my pea brain doesn't get when it comes to stories with more shades of gray in series that are typically pretty black and white with morality. When a character crosses that threshold so far into villainy, I want to see them face some blow back for it, not immediately start going all "uwu they're torn and hurt aren't they?" about it. In Star Wars generally speaking I want the antagonist to BE the antagonist, not get thrown into this space between protagonist and antagonist that just has me all crossed up. I know there are plenty of redemptions in Star Wars for the villains, but I like it better when it's more mythical about the hardships of trying to save a villain's soul like Luke and Vader than "the lightsaber represents kylo's dick" reylo stuff.

I get that like the morality is probably supposed to be muddled in this show, and we're not supposed to feel good about Osha and Qimir getting closer smash cutting to Jecki's fresh corpse, but again, the execution feels messy when you have the gleeful "OH YEAH WE'RE DOING ENEMIES TO LOVERS BABY REYLO SLAYYYYYYY" interviews. Again I'm a VERY easy to please sw fan, and I've been really enjoying seeing the High Republic era in live action, seeing cortosis and wild lightsaber duels, all the expanded universe pulls, it feels really fresh in that regard. And all the performances are stellar, and having such a diverse cast is incredible.

If we had more than thirty minutes and more than 8 episodes to build to all this it'd feel a lot better. The character development feels like it's on roller coaster speed, but with Knife to Throat and other tropey scenes also seen in a bajillion enemies to lovers romance books nowadays thrown our way to fill the gaps. These scripts feel like they needed an editor to really go over the scene to scene motivations and logic and character work and dialogue, instead of mashing booktok trope buttons, which is also how I feel about most romantasy books I read...

Counterpoint to myself is that Star Wars is built on tropes and archetypes so this is like taking some tropes and archetypes of the current day's fiction and playing with them.

But idk.

Like am I really supposed to care about any of what I'm seeing or is it just gonna be booktok and fanfic tropes thrown my way now to a bunch of characters with muddled personalities and motivations clashing? We don't necessarily need someone to root for, and I'm probably being unfair to a lot of this, but after how thrilling Ep 5 felt, 6 has me wondering what the bigger picture of this show is, because it went from feeling like a fascinating if a bit messy story to one that might just be "Look here's enemies to lovers, knife to throat, corruption, oh and here's one bed!" without as much under the surface of that character and plot wise as I would have hoped.

[the-force-awakens]

I think something that no one talks about is how Poe leans more towards being an anti-hero than just plain hero. He's willing to do the "wrong" things for the right reasons, ex: willing the kill bad people to save the innocent, basically willing to do the dirty work that no one wants to talk or think about. and I think it should be talked about more. Your post was just *chefs kiss*, the way you understood Poe is so refreshing compared to what I see him reduced to in canon

Poe definitely is willing to make the tough calls, including being willing to kill bad people to save innocent people (or destroy a planet to save countless others), but I wouldn't necessarily sort him into the antihero trope myself, more the "good is not nice" trope.

Because for as much as Poe is willing to shoot the bad guys, or blow up a planet if it means saving the galaxy, he's usually the first person to lower his blaster or offer someone a second chance. The biggest source of conflict between himself and Zorii in Free Fall is the fact that Poe can't fit into this life of shades of grey, and that's a trait that does follow him to the Resistance. He can lie (badly) for them, he can steal ships, be labeled a criminal if it's done for the right reasons/for the Resistance but at the same time, he also......really can't wrap his head around and seems uncomfortable at times with Suralinda's way of manipulating or recontextualizing the truth for propaganda purposes (which i wish had...been better explored in the comics it's Fine, but like I wanna know more about Poe "can't lie" Dameron and Suralinda "i'm here to tell a good story" Javos. I WANT TO KNOW MORE LUCASFILM), even if Suralinda is doing those things for the Resistance, so they can gain more support.

There's also this quote of Rian Johnson's, that I really love, and that I feel like sums up Poe the best for me:

“Oscar is like a reincarnation of my favorite old movie stars; he has that old school magnetism paired with insane acting chops. Poe is a straight-up, good-guy hero, and although he gets put through the wringer in this film, because of Oscar you never lose faith that he’s going to come out the other end all the better for it.” [from this post]

I'm having trouble wording/it's kind of hard for me to explain, but like. I view Poe as someone who is, like Rian describes him, as a good-guy hero, who usually cannot quite stop the instinct to do the heroic thing, and how that can make him quite reckless (I do believe Oscar actually described Poe during the TFA Press Tour as "recklessly heroic" sir I'm sorry i ever doubted you about Poe being reckless, I thoroughly learned my lesson #13 Poe issues and a knife to Poe's hand later) - but I think also that doesn't mean that Poe needs to look like the hero, and I think TLJ proves that? He does what he believes is the best for the Resistance, and seizes control of the Raddus. It's a last resort, of course, and I don't think he necessarily cares about what people might think of him for it* - he's a commander, he makes the hard calls all the time, and regardless of his own desire to be a hero, I don't think Poe necessarily wants to be praised as one. He's just gonna do the right, most heroic thing at any given moment, and doesn't care what people say. I mean...we kind of get the impression he's used to being seen a certain way, y'know? Poe doesn't seem surprised in the least when Holdo berates him, he just has this look of "oh this banthashit again I thought I'd heard the last of it", y'know?

*y'know except for leia. because he definitely makes a face when she says that thing about holdo in the transport. anyway moving on because this got completely. the train jumped the track here. adhd moment.

As much as he is willing to do some hard things for the Resistance, I feel like Poe would. not last a day in the Rebellion - the Rebellion is just gray. You have to be, fighting something like the Empire, they're quick and dirty and. manipulative and liars and assassins, and Poe...wouldn't have the heart for that, I think. So I do believe there would be a line, in what Poe would even be willing to do for the Resistance.

That said, I do wish canon/fanon would be more willing to explore....any of his. nuance. that everyone seems very allergic to acknowledging, and I'd especially be interested in seeing more of Poe's - I'm a dw nerd sorry I'm just gonna call it this every time - "oncoming storm" side because it's so much fun. There's some other facets of his character I'd love to see explored in more detail, but that one especially. It would honestly be a dream, I think, if Alex Segura got to write for him again, but perhaps this time in the Resistance era, because I think that man would have a blast!!!!!!!!!!!!!!! with writing a good spy adventure.

[anarchistauthor]

The Last Jedi, the Last Good Star Wars Movie

I'm gonna go ahead and preface this by saying, I have no idea how this will play with my social circle here on Tumblr. I know how my Twitter and Bluesky friends feel about SW, but not y'all. I don't think I've ever even seen a post about it here, and I don't care to go look. Bottom line, I have too many opinions and not enough people who agree with me, so now you have to suffer through this essay. You're welcome.

I was a fan of SW at least as early as I have memories. I'm 29 years old, which means I grew up firmly in the prequel era, and watched them young enough that I didn't even realize older people hated them. Obi-wan was my hero, not my mentor, I never really identified with Anakin and always liked Obi the most. But, and this is important, I loved Star Wars and thought all of it was good. I read one EU book set between episodes 1 and 2, I watched as much of the original Clone Wars series as I could, and I played lightsabers during recess in school. I am at least as nostalgic as every gen xer who laments a bygone era when SW was good because they don't understand that they just liked things better as a kid. But, the difference is, that kind of person tends to despise everything about the sequel trilogy, in my experience. Not so for me.

The Force Awakens was a pretty good movie in my eyes, when I first saw it. I did notice the deja vu, I had very little actual interest in Rey as a character, but just having a female force user at the forefront was huge to me, and it was certainly, at least, a solid foundation for the next two movies. My biggest TFA hot take is that Kylo Ren was the perfect antagonist for this movie, as basically a spoiled shithead who is a fanboy of his grandpa and wants so, so badly to be cool like him. I was also the sort of person who got really invested in the ~mystery~ of Rey's origin, and the speculation of her parentage.

Enter TLJ. My first emotion, at several points during this movie, was dismay. I couldn't believe they just made Rey some random person, after setting up that her background was vague and mysterious! I couldn't believe that Luke never fought anybody and then he died! But, very quickly after, I had time to process my emotions, and I realized that this movie was something special. It manages to "yes, and" TFA while also roasting me for investing so much passion into the questions it rose. "You thought she would somehow be Obi-wan's daughter? Are you serious?" And when you get angry at that, you're met with the obvious question, "Why should it matter?" It shouldn't. We want to see the characters we love come back, but when it comes to this girl, this hero, why should she have to be related to some old dead guy in order to be special? The Force is everywhere, it lives in all of us. That is the central point of TLJ. And, arguably on purpose, this film pissed off Star Wars fans more than anything ever could.

TLJ isn't just a movie that taunts the audience for speculating based on its predecessor, it taunts the audience for being overly invested in the entire franchise. TLJ looks at its series, it looks at the people who watch it, and it demands that you question your relationship with the material. It calls you a fool for assuming that an emotionally-stunted young adult like Luke would become a well-rounded mentor, for assuming that he was incapable of being tempted by darkness, for worshipping him as a pure hero. Because, who is Luke? He was a kid who was bored with simple life, got pulled away into a galactic conflict, and pretty much stumbled his way through saving the world. Even at the final moment, he was very close to murdering his father out of rage. Do you think that's just gonna go away after Palpatine died? Just because Luke put his sword away? No. It also mocks you for assuming Snoke is going to be important just because he's a large man in a fancy chair. He's a parallel to the Emperor, so you assume he'll be the same, and the movie roasts you for it by killing him off unceremoniously. And the Poe plot? That is nothing but one giant own on everyone who loved Poe assuming that the cool guy hotshot was the most important and competent person in the fleet.

The intent of all this playful mockery, I believe, was to get viewers to question how they idealize the past of the franchise. That's what it did for me. But, mediocre white dudes don't like being mocked, as we all know. They take it VERY personally, and they blew up the whole thing. They harassed creatives involved, sent death threats to poor Kelly Marie, and all in all went berserk about this movie for children about space wizards. How dare it move on?! How dare it not just be about my nostalgia?! Not just white, not just men, but I don't feel any need to deny that that's the primary demographic. There was already some backlash to TFA, but TLJ pulled no punches, and the most perpetually-offended fandom in the world lived up to its name. It's really that simple. And as a result, the Disney Overlords scrambled to make them calm down. Enter...Rise of Skywalker.

I. Fucking. HATE this movie. Apart from the fact that it tries to undo everything I loved about TLJ, it's poorly made in more conventional ways. Rushed pace, aimless writing, having no idea what to do with the characters, (not to mention giving the black protagonist a black girlfriend who has all the same backstory and traits as him, lest anyone ship him with Poe) it is the epitome of a movie that only exists for nostalgia, but it can't even do that well. If there's one lesson I've learned from the sequel trilogy, it's that JJ Abrams is not only a trashfire of a director, but he is utterly incapable of reacting to what happened in the previous movie, because he spent so much runtime just calling Rian Johnson a liar! "Rey's not no one, instead she has the most asinine backstory in the history of the franchise." To me, it reeks of a man who despised the way Rian responded to him, and is just desperate to overrule it. As a writer myself, I can't even imagine doing something like that instead of doing my best to work with what came before. The definition of hack behavior.

TLJ was a movie that tried to move Star Wars into the future, to divorce it from idolatry of the past, but ROS is a movie designed with intent to reel it back in, to say, "Hold on, art and creativity are great and all, but Disney gotta make them nostalgia bucks." A return to hero worship, to centering the leads of decades ago, to feeding the lore rather than telling a story. And the fact that it followed a film that told the story it wanted to tell and didn't give a shit how you felt about it, it's just insulting.

This is going to sound like cheesy artist babble, but to me, the art of creation is sacred, in a way. Not literally holy, but just beautiful and meaningful. Even if what comes out is bad, it's worth doing if done with sincerity. That's how I see TLJ. But given the way both fans and the rights holders reacted to it, I'm depressed and pessimistic regarding the future of the franchise. The Phantom Menace was the first movie I loved, and I still like it today. I'm sure I'll love TLJ forty years from now, and I'll probably continue to watch new SW movies when they come out. I don't know if I'll ever love a movie in the franchise again, but I can have hope. This is a movie that proved Star Wars was capable of being better, and that doesn't change just because neckbeards hate it more than they've ever hated anything. This is still going to be the franchise that has TLJ in it, and the haters can't take that from me.

[kalinara]

I did think I would feel a bit more satisfied when an actor finally confirmed what, I think, most of us knew about Kylo Ren's intended arc in the Sequel Trilogy.

Blah, blah, the redemption arc wasn't supposed to happen. Kylo was supposed to be a villain throughout. Where's that Captain Holt vindication gif when you want it?

I'd agree, personally, that it would have made for a better movie if Kylo had remained the big bad. Adam Driver, I think, is the one who really missed out. I feel like he missed out on his chance to go full out, balls to the wall evil overlord. He'd have killed it, I suspect. And I say that as someone who isn't particularly a fan of the guy.

I do think though I get why they went with a half-assed redemption arc, though. I don't think it had anything to do with the Reylos (the kiss maybe, but I'd like to think they're smart enough to realize that rabid shippers generally don't go for the romantic - die for your love type of ending. At least not if the hot guy is doing the dying...)

I think it's because of Carrie Fisher's death.

They'd said for a while that the third movie was supposed to be Leia's, in the way that TFA was Han's, and TLJ was Luke's. Whether or not this made you optimistic probably depends on how much you liked the fates of those characters in those movies. I didn't hate them, personally.

I'm not going to speculate too hard on what the original story would have been. I certainly can imagine some pretty epic stuff with Princess Leia as the Big Good set against her son as the Big Bad. But...well...when you lose one of your primary actors before you get a chance to actually film anything...well, that limits what you can do.

I suppose that's why I'm willing to give Rise of Skywalker a bit more slack than a lot of folk. They were kind of stuck. Ultra-evil Kylo Ren is a more satisfying story with the set up they had, but it's also a tragedy. For what it's worth, the man does have a mother, who will grieve him if no one else does.

Except...we can't actually film the grieving, can we? We can't film the confrontation between despairing mother and lost son - whatever resolution was likely to happen. We can, at least, use some lost footage to TRY to build the relationship between Leia and Rey that needs to happen for that side of the story, but even then, we'll need Force Ghost Luke to help with the more reactive parts.

And of course, they need to write Leia herself out as gracefully as possible. In a way that doesn't require a lot of new footage and still gives the character a sense of accomplishment. Otherwise, you might as well have just blown her up with Hosnian Prime.

So...half assed redemption arc. With not-exactly-force-ghost Han to help there. I do feel like they could have done a better job with Kylo's part there. You know, made it look like he was at least interested in doing something OTHER than violating a woman's mind and terrorizing her for a good third of the movie. But well. No one's ever completely happy with things.

I don't know. In the end, I think the folks behind the Sequel Trilogy did what they could to give us a final, reasonably satisfying conclusion. There were fuck ups along the way (see: Finn, see: Poe. Though that fuckery started with TLJ, IMO) but, I think if we sat down and watched all nine movies in a row, and got to Rise of Skywalker's closing scene...I think we would end it feeling like we'd reached a workable ending to the Skywalker Saga.

Probably because we'd be too exhausted to notice the plotholes at that point. C'est la vie.