#but apparently these are not perspectives that are really out in the conversation?

[screambirdscreaming]

I used to like saying "gender is a social construct," but I stopped saying that because people didn't tend to react well - they thought that I was saying gender wasn't real, or didn't matter, or could be safely ignored without consequences. Which has always baffled me a bit as an interpretation, honestly, because many things are social constructs - like money, school, and the police - and they certainly have profound effects on your life whether or not you believe in them. And they sure don't go away if you ignore them.

Anyway. What I've taken to saying instead is, "gender is a cultural practice." This gives more of a sense of respect for the significance gender holds to many people. And it also opens the door to another couple layers of analysis.

Gender is cultural. It is not globally or historically homogeneous. It shifts over time, develops differently in different communities, and can be influenced by cross-cultural contact. Like many, many aspects of culture, the current status of gender is dramatically influenced by colonialism. Colonial gender norms are shaped by the hierarchical structure of imperialist society, and enforced onto colonized cultures as part of the project of imperial cultural hedgemony.

Gender is practiced. What constitutes a gender includes affects and behaviors, jobs or areas of work, skillsets, clothing, collective and individual practices of gender affiliation and affirmation. Any or all of these things, in any combination, depending on the gender, the culture, and the practitioner.

Gender encompasses shared cultural archetypes. These can include specific figures - gods and goddesses, mythic or fictional characters, etc - or they can be more abstract or general. The Wise Woman, Robin Hood, the Dyke, the Working Man, the Plucky Heroine, the Effete Gay Man, etc etc. The range of archetypes does not circumscribe a given gender, that is, they're not all there is to gender. But they provide frameworks and reference points by which people relate to gender. They may be guides for ways to inhabit or practice a gender. They may be stereotypes through which the gendered behavior of others is viewed.

Gender as a framework can be changed. Because it is created collectively, by shared acknowledgement and enforcement by members of society. Various movements have made significant shifts in how gender is structured at various times and places. The impact of these shifts has been widely variable - for example, depending on what city I'm in, even within my (fairly culturally homogeneous) home country, the way I am gendered and reacted to changes dramatically. Looping back to point one, we often speak of gender in very broad terms that obscure significant variability which exists on many scales.

Gender is structured recursively. This can be seen in the archetypes mentioned above, which range from extremely general (say, the Mother) to highly specific (the PTA Soccer Mom). Even people who claim to acknowledge only two genders will have many concepts of gendered-ways-of-being within each of them, which they may view and react to VERY differently.

Gender is experienced as an external cultural force. It cannot be opted out of, any more than living in a society can be opted out of. Regardless of the internal experience of gender, the external experience is also present. Operating within the shared cultural understanding of gender, one can aim to express a certain practice of gender - to make legible to other people how it is you interface with gender. This is always somewhat of a two-way process of communication. Other people may or may not perceive what you're going for - and they may or may not respect it. They may try to bring your expressed gender into alignment with a gender they know, or they might parcel you off into your own little box.

Gender is normative. Within the structure of the "cultural mainstream," there are allowable ways to practice gender. Any gendered behavior is considered relative to these standards. What behavior is allowed, rewarded, punished, or shunned is determined relative to what is gender normative for your perceived gender. Failure to have a clearly perceivable gender is also, generally, punished. So is having a perceivable gender which is in itself not normative.

Gender is taught by a combination of narratives, punishments, and encouragements. This teaching process is directed most strongly towards children but continues throughout adulthood. Practice of normatively-gendered behaviors and alignment with 'appropriate' archetypes is affirmed, encouraged, and rewarded. Likewise 'other'- gendered behavior and affinity to archetypes is scolded, punished, or shunned. This teaching process is inherently coercive, as social acceptance/rejection is a powerful force. However it can't be likened to programming, everyone experiences and reacts to it differently. Also, this process teaches the cultural roles and practices of both (normative) genders, even as it attempts to force conformity to only one.

Gender regulates access to certain levers of social power. This one is complicated by the fact that access to levers of social power is also affected by *many* other things, most notably race, class, and citizenship. I am not going to attempt to describe this in any general terms, I'm not equipped for that. I'll give a few examples to explain what I'm talking about though. (1) In a social situation, a man is able to imply authority, which is implicitly backed by his ability to intimidate by yelling, looming, or threatening physical violence. How much authority he is perceived to have in response to this display is a function of his race and class. It is also modified by how strongly he appears to conform to a masculine ideal. Whether or not he will receive social backlash for this behavior (as a separate consideration to how effective it will be) is again a function of race/class/other forms of social standing. (2) In a social situation, a woman is able to invoke moral judgment, and attempt to modify the behavior of others by shame. The strength of her perceived moral authority depends not just on her conformity to ideal womanhood, but especially on if she can invoke certain archetypes - such as an Innocent, a Mother, or better yet a Grandmother. Whether her moral authority is considered a relevant consideration to influence the behavior of others (vs whether she will be belittled or ignored) strongly depends on her relative social standing to those she is addressing, on basis of gender/race/class/other.

[Again, these examples are *not* meant to be exhaustive, nor to pass judgment on employing any social power in any situation. Only to illustrate what "gendered access to social power" might mean. And to illustrate that types of power are not uniform and may play out according to complex factors.]

Gender is not based in physical traits, but physical traits are ascribed gendered value. Earlier, I described gender as practiced, citing almost entirely things a person can do or change. And I firmly believe this is the core of gender as it exists culturally - and not just aspirationally. After the moment when a gender is "assigned" based on infant physical characteristics, they are raised into that gender regardless of the physical traits they go on to develop (in most circumstances, and unless/until they denounce that gender.) The range of physical traits like height, facial shape, body hair, ability to put on muscle mass - is distributed so that there is complete overlap between the range of possible traits for people assigned male and people assigned female. Much is made of slight trends in things that are "more common" for one binary sex or the other, but it's statistically quite minor once you get over selection bias. However, these traits are ascribed gendered connotations, often extremely strongly so. As such, the experience of presented and perceived gender is strongly effected by physical traits. The practice of gender therefore naturally expands to include modification of physical traits. Meanwhile, the social movements to change how gender is constructed can include pushing to decrease or change the gendered association of physical traits - although this does not seem to consistently be a priority.

Gender roles are related to the hypothetical ability to bear children, but more obliquely than is often claimed. It is popular to say that the types of work considered feminine derive from things it is possible to do while pregnant or tending small children. However, research on the broader span of human history does not hold this up. It may be true of the cultures that gave immediate rise to the colonial gender roles we are familiar with - secondary to the fact that childcare was designated as women's work. (Which it does not have to be, even a nursing infant doesn't need to be with the person who feeds it 24 hours a day.) More directly, gender roles have been influenced by structures of social control aiming for reproductive control. In the direct precursors of colonial society, attempts to track paternal lineage led to extreme degrees of social control over women, which we still see reflected in normative gender today. Many struggles for women's liberation have attempted to push back these forms of social control. It is my firm opinion that any attempt to re-emphasize childbearing as a touchstone of womanhood is frankly sick. We are at a time where solidarity in struggle for gender liberation, and for reproductive rights, is crucial. We need to cast off shackles of control in both fights. Trying to tie childbearing back to womanhood hobbles both fights and demeans us all.

Gender is baked deeply enough into our culture that it is unlikely to ever go away. Many people feel strongly about the practice of gender, in one way or another, and would not want it to. However we have the power to change how gender is structured and enforced. We can push open the doors of what is allowable, and reduce the pain of social punishment and isolation. We can dismantle another of the tools of colonial hedgemony and social control. We can change the culture!

[harmonysanreads]

Analysis↬Sunday and Jealousy

The Oak Family's leader doesn't get jealous, he shouldn't get jealous but still ; at times, it feels as though the practiced grasp he keeps on his emotions is more fragile than it appears to be.

「 words : 1.3k 」

Jealousy catches Sunday completely unprompted one day.

It's not that he'd been ignorant to the concept of envy, having met its acquaintance sporadically throughout his younger years. But envy in relation to a person, someone who's getting closer and closer to bringing down the barricades around his soul at an increasingly concerning rate — turns out to be an entirely new predicament for the Oak Family's Head.

Not that he welcomes it as well, because of the realizations it brings alongside itself. Envy is a reflection of insecurity, a gap in healthy confidence. That one has no faith in their capabilities. Alternatively, they refuse to acknowledge their worth or deem it insufficient before another's, but at the same time, can't bring themselves to focus on improving themselves — resulting in a state of inferiority complex.

Envy is a natural response scattered throughout one's lifespan, because no one is at their best all the time. To let it consume them further than a miniscule timeframe and drive those initial feelings of insufficiency towards hatred, that is where the problem arises.

Visible indication of these emotions is scarce, but his silence is meaningful. As a leader, it's more or less obligatory for him to use his words at the right place, while also knowing when to utilize silence. For you, he's willing to both lead a conversation and to remain a listener. But when jealousy sinks its talons into him, he's rendered a bit too silent, almost as though he's unable to process what is happening before him.

Further observation will reveal some other things ; namely the manner in which his wings curl around himself, how he withdraws both of his arms behind him and his overall countenance appearing even more rigid, withdrawn than before. Should you be perceptive enough to look into his eyes, you'll find their edges to be far sharper than what your memory suggests.

It takes no more than a while of contemplation in complete silence for Sunday to draw all these points. The feeling is uncomfortable at first, because dwelling in that pessimistic headspace isn't the most enjoyable. Sunday holds himself guilty before extraordinary standards, which is why his first course of action is self-improvement.

He attempts to pinpoint where exactly his subconscious detects himself insecure, what aspects of him he can improve so that his heart won't betray his soul and makes apparent progress in that pursuit as well. But it doesn't work in the long run, because he's harsh on himself. The cage of “self worth” lures many to make mistakes, but the human subconscious will always tilt towards asking external influences to take the burden. Because of this belief, he has difficulty in shifting the microscope away from himself for a long time.

When he finally wills himself to look at the source of the envy, he becomes even more confused. Objectively speaking, there are very few who can best the Oak Family's leader in an overall inspection. Perfection is but an estimate, he's aware everyone falls somewhere in the path towards it and for matters that concern human relationships, objective views don't really matter. So, he spares you of any judgement.

Supposing that the source of his envy is a person, Sunday holds himself back from comprising a resolute opinion on them as much as he can ; since he's aware that that opinion will ultimately be dictated by emotions. Still, studying people comes as a natural instinct to him. So when he spots certain... negative qualities in them, he's split between pity and relief. The latter stuns him initially.

Accustomed to viewing things from an overall perspective, oftentimes feelings such as anger and hatred seem futile to him. Like an instrument handled a little carelessly or left unused for an extended time, Sunday would not mind ‘tuning’ that person if necessary. After all, everyone deserves compassion and he'd much prefer settling things peacefully.

On the other hand, his relief stems from his trust in you. Because if he didn't place his faith in you, you'd not be as important to him as you're now at all. He knows sooner or later you'll see what he sees as well and return to his side on your own ; unless his perception of you was wrong. Though the thought births an ache in his heart, he doesn't reject it either. He's been betrayed and used too many times to cross out that possibility.

There is another case that'll hurt him far more, if the person is revealed to genuinely love and care for you and there is no such quality that tramples their positives. There is so much Sunday can't give you, being with him requires more patience than what one would think and worst, he knows this all. As such, he can't bring himself to just walk up and drag you away from them — not when he knows you deserve better.

If your relationship with Sunday was established even before this ; he's first displeased, then in disbelief until it settles on disappointment. This disappointment vacillates between you and him before he ultimately fixates it on himself. Sunday places before him nearly impossible standards to meet and unconsciously expects the same efforts from the people he cares about. It's not a hassle for him to be harsh on himself but he can't expect similar attitudes from others, everyone is different. You are not someone he can control and shape to his preferences.

So when his silent, impossible expectations aren't met, frustration and hopelessness replace them. He shouldn't have expected so much from you in the first place. When he thinks about them more, could he have just overreacted? Analyzed the situation so much that it became separated from what happened initially? This ensues a state of paralysis where his functions become static until he ultimately blames himself for everything.

After all, it's easier to do so. Take everything on himself so that no one, or worse — you get hurt. To know that he'd lowered his thoughts to such a degree and for a measly reason at that would undoubtedly fracture you, put forth the question of whether he has trusted you at all. No matter what, Sunday cannot ever bring himself to be cruel to you, it's not in his nature. Rather, his problem is that he cares so much for everything else around him that he has not a speck left of that kindness for himself to spare.

In this stage of it all, he really has no idea who is at fault and everything that transpired in his head feels meaningless and he's tired. A part of him keeps probing that he should just be honest, confess everything to you and bare his soul — but he can't find any semblance of courage required to do so. To everyone he appears normal, with nothing out of place. But inside he's crumbling, everything he's pushed to the back of his psyche has come forward to crush him.

Sunday is not above letting you go should you desire. He's always been selfless, sacrificing everything of himself for the greater good. And for you and your happiness? Destroy him, take away everything but please, be happy. Be genuinely happy and he'll find joy in your smile, even if you forsake him.

Sunday has always known attachment would inevitably hurt him, which is why he doesn't bare himself to just anyone. This turn of events does not surprise him, but it still hurts. Admittedly, he would not mind being proven wrong for once, he yearns for it even.

Besides, he has far grander plans to execute, so many other responsibilities to shoulder. He can't dwell on that attachment for long. Granted, he won't just forget you and the thought of what he could've had would haunt him for a long while but still, he won't blame you for anything. He knows he could just prevent everything by coming clear to you, however, he doesn't have that courage yet.

His suffering is silent, as it has always been. Even in the sweet dream of Penacony, he remains plagued by nightmares he can't shake off. In other words, he's afraid to awaken, to face the inevitable. And until he learns to be sincere to himself, to not be as tenacious as he is, this cycle will remain a challenge to break.

[astroismypassion]

Astrology observations from real life 🪷🪷🪷

Credit goes to astrology blog @astroismypassion

A few in my mailbox asked me to post about astrology playing out in real life. I still have to preface that the view is mostly based from the viewpoint of my own individual Natal chart. So it’s coming from a perspective of Taurus Sun, Aries Moon, Scorpio Rising.

🪷 For me 8th house Synastry with Cancer or Taurus, Libra over the 8th house is not the usual “love or hate connection” at all. So this is one thing I definitely didn’t relate. I think love hate dynamic could be perhaps more prominent if you have a malefic, Capricorn, Aquarius etc. over the 8th house. So I have Cancer over the 8th house. And best I could describe 8th house Synastry with Cancer placements is “failed attempts”. I really like them, but nothing ever gets of the ground with them. I had already someone’s Cancer Sun and Mercury in my 8th house and another person’s Cancer Sun, Venus, Mercury and Mars in my Cancer 8th house. Each Cancer was completely different, but there was usually a pattern I noticed, that after 3 years of knowing them, there is usually a breaking point and it’s always after 3 years. They either rejected me, friendzoned me or weren’t looking to enter a committed partnership. So technically, on paper is nothing particularly wrong in the 8th house Synastry, just stagnant and not much happening and the connection just never got of the ground to begin with. So that’s why I don’t really understand the 8th house love or hate thing. I would say we are pretty neutral toward one another and don’t hate each other, but aren’t in love either.

🪷 Aquarius Moon can end up being quite narrow-minded in a way that they have hard time fully accepting the other’s perspective, but only their own. That’s why sometimes having a conversation with them, doesn’t feel like a dialogue, but more so like they are in a monologue with themselves. Some can end up being quite preachy, because of that.

🪷 In my experience Taurus Moons, natives with Taurus IC are some of the most secure individuals. Because they have the needed self-love and most that I have met don’t even feel the need to start a partnership, just because they are just so comfortable on their own.

🪷 Pisces Moon can either be incredibly intuitive, compassionate or really mean “in the name of the truth”. But I feel like you have to know them for years, before it really becomes apparent how blunt, truthful and sometimes mean they actually are. They can kind of be unhealthy towards themselves by not believing they are capable. But also have the ability to negatively influence others with their negative mood as well. They are really observant and good listeners, therefore often times they choose words that know will sting you.

🪷 I noticed that stereotypically labelled as “players” when grown up, Aries Moon men, even Moon aspect Mars natives, appear that way only in adulthood. But what I found, that in childhood/teenage years they were often ignored by women or didn’t receive much romantic attention at all. They were rarely picked or chosen. So later they seem to quite enjoy the attention. I’d say maybe it’s the same for Aries Moon women? I don’t know, but Selena Gomez (Aries Moon) did talk about how boys were never interested in her when she way much younger, that she didn’t receive much romantic attention.

🪷 Libra Chiron people have strange behaviour. They still pursue people who rejected them and fall even deeper in love. Like what?? You guys deserve reciprocal love and not this one-sided thing.

🪷 Scorpio Rising, Pluto in the 1st house native is really one of the realest people you meet out there. They become so open and honest about life with time and in adulthood. They are not pretentious at all and I noticed they even don’t mind if they embarrass themselves a bit, as long as they are being authentic and living their own truth and purpose. A lot of them also went through a major breakthrough in life (dropped out of education, lost an important job etc.) and that launched them in a totally new life direction, career path, where they end up being successful then. They are very artistic, even though they appear logical, excellent problem solvers too.

🪷 Natives with Moon at a Leo degree (5, 17, 29) low key are Cancer Suns. I noticed you have troubled love life, because you get taken advantage of your kindness and you are genuinely so nice. I wouldn’t say this rings true too for Leo Moons or Moon in the 5th house natives (you more so attract rather selfish people).

🪷 Libra Moons probably rarely saw the conflict resolution between parents, so many of them are so conflict avoidant (are even scared to have tension) in a partnership, because deep down they didn’t really learn conflict resolution and don’t know how to solve it.

🪷 Cancer Moon men desire a wife, a housemaker, a best friend, a lover, a wifey in one person. They often secretly wish for a very traditional marriage. But to be fair, they probably had parents that were married for years or married couple goals, so they had role models and want the same for themselves.

🪷 A lot of Scorpio Risings or Pluto in the 1st house native have this idealisation with wealth going on. A lot of them dream of extreme wealth and are very money, financial stability oriented.

🪷 You really get along with someone who has their Rising sign in the same sign of your 11th house. For example: you have Scorpio over the 11th house, you could have a good chance to get along with Scorpio Risings.

🪷 Libra Chiron don’t find themselves attractive. But y’all are models for real. So so many people find you very conventionally attractive.

🪷 Aquarius Eros people can have a tendency to be so random. And you guys love love surprising others. Just not the other way. 😂 You dislike surprises. But I don’t find the stereotypes of being into “group sex, threesomes, kinky af” true at all. Most of them are oddballs with specific humour and often postpone intimacy, because they prefer touching people with their words. They really like hangouts and long talks over physical intimacy or touching. A lot of them also don’t understand why people rush intimacy so much. They like to take their time. However, they are into connection with people that has proved time. The longer they have known you, the more they are likely to consider you an intimate option. They really like people that stick with them or have been in their life for years.

🪷 Pisces Descendants doesn’t come across to me as delusional. Instead quite controlling towards the actions of their partner. They are idealistic about love and want their partner to act accordingly with their wishes. So they get “their way” by presenting themselves as a hopeless romantic.

🪷 Cancer Moon, Moon in the 4th house both men and women often feel like they can’t protect or defend themselves in the world. So they are often attracted to “protector” type of partner. However, the potential downfall of not learning how to protect themselves is falling into a parent child dynamic with their partner (with Cancer Moon, Moon in the 4th house native acting as a child).

Credit goes to astrology blog @astroismypassion

[dearsnow]

THIS CAN WORK

- as you’re trying to forget about him, the man who broke your heart shows up at your doorstep. or in which jake gets yelled at by the entire hard deck. (jake “hangman” seresin x fem!reader, angst -> fluff, reading part 1 is probably a good idea but idk if it’s 100% necessary)

PART 1

word count: 2,032

a/n - the official part 2 is here!! thank you for all the love part 1 got <3 i’m not personally the biggest jake fan but writing this was honestly so fun. i loved exploring the softer and more insecure parts of his personality, so i may have more planned for him in the future 👀

It’s been two days since Jake cut you out of his life, and to say you’ve been devastated is an understatement. You still have his shirts and his stupid nighttime noise maker, and with them, the lingering feeling of his touch on your skin. You’ve already texted to let him know that you’ll drop off his things later, but he has yet to respond. It’s like he’s dropped off the face of the Earth. Good, you think. Let him. But he better at least wipe any memory of himself from your thoughts first.

You’re trying your best to forget, you really are. You took down the pictures of him that hung on your wall, right by your bed, and you’ve shoved the pillow that holds the faint scent of his cologne into the depths of your closet, and the photos of him on your phone are sitting in the recently deleted album. It’s better this way, you tell yourself. You need to get him off your mind as soon as possible and move on to better things, better people. Like a stubborn stain, his presence remains.

But you still want him like you’ve never wanted a single thing before, and it makes you sick.

Jake had never felt worse in his life. As soon as he saw you walking away, he regretted it, but if there’s one thing Jake Seresin hates, it is being wrong. His friends called him every synonym for wrong in the dictionary that night.

“You’re an idiot, Bagman. She was the best thing you had going for you and you just pushed her away like that?” Phoenix scoffed. She had overheard snippets your break-up, and after prompting Penny, she knew the full story within seconds.

“I did what was best for her-“

“No, you did what was best for you.” Penny interjected. “If you can’t make the effort to keep someone so amazing in your life, you’re never going to get anywhere. Relationships require compromise and change on both sides. The whole time you were with her, she was bending over backwards to accommodate you, and you couldn’t even shift to the side a little and give her a pinch of what she needed.”

Jake could feel anger rising in his throat. He knew best, right? No one saw his perspective. No one could feel how unhappy he would’ve made you. He was setting you free. Right? Please, let him be right.

Rooster prodded him in the stomach with his pool stick. Apparently everyone was in on the conversation. “You’ve got that self-pitying look, man. You fucked up. You’ve been fucking up. If you really think you’re not good enough for her, isn’t that a reason to become good enough for her?”

“I just…” For the first time, Jake was at a loss for words. He was coming to recognize that he was wrong. He was so, so wrong, but that felt like a slap in the face. For the first time, Rooster’s words didn’t intend to antagonize him. They were honest, and he hated it.

Bob tried to put a comforting hand on his shoulder, but Jake pushed it off. “You should talk to her.” He offered. “Tell her your side, and if she’s open to it, work on yourself so you can be good for her.” His voice was soft and soothing, like he was whispering to a wounded animal. Jake felt himself burning up under the gazes of his friends.

“Yeah,” He swallowed hard, finally coming to terms with the fact that he can make mistakes. “Maybe I will.”

You’re humming to yourself, cleaning your apartment’s modest kitchen. The sun is out, shining golden beams upon the shiny counter you’re wiping down. It smells like the nicely-scented cleaner you just bought. The old one smelled too much like him. But, as you move on, so does life. Thinking about it gives you a headache, so you’ve chosen to do anything but think.

A knock at your door makes you put down your rag. You figure it’s just your landlord, considering that you were meant to pay your rent yesterday. You sigh, readying yourself to tell sweet Mr. Hammond that you’ll pay it ASAP.

Your fingers grip the door handle and pry it open. The thing has always been a little too hard to move; old hinges, you figure. Before you can get the door to open fully, you stop in your tracks. Jake.

He’s holding a bag of your favorite takeout with a sheepish look on his face. You consider slamming the door, but it would probably get stuck if you moved it too fast. “Have you come to collect your things?” You ask softly, looking him up and down. He looks like shit. He has seemingly forgotten how to shave, his stubble turning into the awkward length that you always chided him to take care of, and his deep green eyes are laden with sadness. It almost makes you feel bad for him— until, of course, you remember he broke your heart. Calm down, you think, make this quick and easy. Get him in and out.

“No.” He states simply. “I wanted to apologize.” This is a big thing for him, something so new that it sounds foreign to your ears. Jake apologizing? His shoulders are hunched slightly. You resist the urge to put a loving hand on his chest, as you usually did when he was feeling out of sorts.

“It’s fine.” Your voice is quiet, laced with as much kindness as you can muster. “I put all your stuff in a box, if you wanted to pick it up.” You’re still subtly prompting, trying to get him out again.

He places the takeout in your grasp, his pinky finger brushing lightly against your own. You hate how it still makes you tingle. Your other hand picks at the edges of your soft loungewear. Jake purses his lips slightly as you step backwards, your feet shuffling against the linoleum floor. “Can we talk?”

“I thought we just talked.” You respond curtly. He sighs, eyebrows drawn.

“I mean really talk. Just hear me out this one time, and if you want, you’ll never have to see me again.”

You nod slightly, resigning yourself to the fact that you have to get this over with. At least your apartment is clean and sparkling; in your own way, you’re telling him that you don’t need his permission to live a nice life. You can clean, and you can take care of yourself. The takeout finds its place on your small table. You pull out a stool from the side of your island and sit down as the stool’s legs creak underneath you. Jake sits, too, opposite you. His hands are shaking a little, but you turn your gaze up to his face.

You can hear his breaths deepening as he clasps his hands together. “I’m sorry. I’m really, really sorry.”

“I appreciate your apology, but that doesn’t really change what happened.” You state. He holds up a finger as if to tell you to wait just a bit. Your eyes pass over his dejected expression, his mouth tilting just the slightest bit downwards.

“I know. I was being stupid, and I see that now. You’re amazing, honey. You’re nice and generous and this genuine kind of comforting that makes me smile. When I’m with you, I feel like I want to be better. And trust me, I do. I want to be so much better for you. When I first met you, I thought that you’d be a fit for Bob or something, that’s how amazing you are. I thought deserved someone like him, someone just as caring, but I fell in love with you instead, and now look where we are.” He chuckles dryly. His smile doesn’t reach his eyes. “I guess I just felt inadequate and stupidly insecure. I know I’m not what a respectable girl like you would want, so I pushed you away and hurt you instead. I didn’t consider your feelings at all that night, and for that, I really am sorry. I don’t know if that explanation changes anything now, but I had to give it a shot; you were never too sweet, I was just too damn bitter.”

His words come out in a ramble. You’ve never seen him so much as stutter, but his confident, calm voice is bordering on anxious. You can’t even believe what you’re hearing.

It takes a lot of guts to say something like that. When you look back on your interactions, on everything he’s ever said or done around you, you finally see it clearly. All he does is build himself up to be this great figure, so much so that people can’t tell that his ego has been sorely bruised. That’s why he shrugs off comfort and security, fucking up every sure thing in his life during the process.

He’s boring a hole into your forehead with how hard he’s staring. His hands are still white-knuckled, holding each other like they’re seeking some sort of solace. The tension in the air is palpable as you take a breath. “Thank you. I… It’s nice to hear you acknowledge that.”

Jake can hear his breathing quicken shakily. That could’ve gone a lot worse. You’re not screaming at him, hitting him, kicking him out, anything that he thinks you should do. You’re just sitting there, nails digging into the flesh on your arm, looking shocked and heartbroken all at once. He takes one deep gulp of air. “You’re welcome. I’ll get out of your hair now.” He stands to leave, but your smaller hand catches his. His palm is damp.

“I’m sorry you ever had to feel that way about yourself.” You say. His small admission of insecurity weighs on you like nothing else. “You’re a good guy, Jake. I hope you’ll take this as an opportunity to work on yourself and find what makes you happy.”

Budding tears prick at his waterline. He hasn’t cried in a long time, but looking at you makes him want to. He wants to slide into your arms and sob, press his face into your neck and tell you over and over that he wants you back. He has to try. He thinks he’ll regret it for his whole life if he doesn’t. “You make me happy,” he hesitates, “and if you’ll have me, I’d like to have you around while I work on myself. I need you. You make me want to be good enough for you.”

You take one step, then another, and he doesn’t protest a single bit as you envelop him in a hug. His muscles relax as he wraps his arms around you, the tension breathing a sigh of relief. “I’d like that.” Your voice is slightly muffled from being pressed into his chest, but he hears you loud and clear. “I missed being with you.”

You missed the way he would cook you breakfast in the mornings with a dish towel thrown over his shoulder and classic rock playing from his phone. He always told you that you’d get the whole experience when you visited him, starting with his lips caressing your collarbones and continuing with breakfast in bed. It didn’t even matter if you didn’t want to leave; he would take you with him, wherever he went. He even got in trouble once for sneaking you on base.

You missed his scratchy morning voice and warm hands and how he always had an arm around you. You missed him caring about you, wiping your tears, and you missed how confidently he showed you off and stood up for you. You missed almost everything about him, if you’re being honest. You thinking you could live without him was but a brief lapse in your sanity.

“I missed you too.” He whispers. “I… I really do love you, darlin’. I’ll shape up, I promise.”

“I’ll hold you to that.” You smile.

For the first time in a while, Jake can feel hope pricking at his heart, and you can feel it beating through his shirt.

Maybe, just maybe, you think, this can work.

Taglist: @seitmai

[kazz-brekker]

hotd episode thoughts

listen, as someone who enjoys some good dragon drama, i feel fantastically well catered-to by this episode

the confrontation between rhaenyra and addam was fun, i liked that it's apparently kind of inspired by western face-offs but with dragons instead of guns

that conversation between larys and ironrod while they were watching aemond sentence men to the watch definitely implied to me that, unlike with his brother, the council is so wary of/intimidated by aemond they don't even want to talk to him about possibly important war developments. which does not bode well for team green's stability in the future, tbh

jace stop being mean about mysaria that's your mom's girlfriend you're talking about :(

i did find the conversation between rhaenyra and jace really interesting, i hadn't considered that the sowing of the seeds plan might bring out so much of his insecurities about being a bastard. he and rhaenyra have probably the most functional parent-child relationship in the show, but they really DON'T talk about this aspect of his life at all, and it really shows

oscar tully unexpected mvp of the episode perhaps? holding his own against that whole council of river lords…calling daemon loathsome…making him execute willem blackwood to atone for spurring on those war crimes…king shit!

i enjoyed getting to see viserys again, i've really missed his actor this season and seeing daemon's reaction to his ruined face was quite interesting

daemon you are SO close to realizing that you don't actually want to be king and would make a terrible ruler, i'm rooting for you to figure this out by the season finale

the scene with aegon and larys talking was probably my favorite from last week so i really liked that we got a follow-up on it. very impressed that aegon is capable of walking even the tiniest amount after what he's been through

rhaena running off into the mountains…she's getting that dragon by hook or by crook

ulf trying to get out of claiming a dragon by claiming he had an injury made me laugh

i like that hugh and ulf have totally different reactions to being possible dragonseeds, one boasting and the other hiding it

alicent was serving real ophelia by john william waterhouse vibes this episode

loved that the dragonkeepers had a huge fight with rhaenyra over the sowing of the seeds, they're in the background of so many dragon scenes but we've never gotten much perspective on what they think of dragons or the targaryen right to claim them before

i do admit to saying "wow, those are some toasty boys" out loud when vermithor was torching those poor dragonseeds

love love LOVE that we got to see both vermithor and silverwing this episode, they look so cool and i love their distinct designs

i have been waiting ALL SEASON for the payoff of hugh and ulf claiming those dragons and it was such an exciting sequence, you could really feel the adrenaline and the danger the whole time

ryan condal on the inside the episodes comparing the death of the dragonseeds to ritual sacrifice was also super fun symbolism

another daeron mention, hi daeron and tessarion :)

also house beesbury making problems for the hightowers, love to see it

after aemond has spent so much time this season intimidating and terrifying other people it WAS super fun to see him do a hard swerve into fear when he saw how many dragonriders rhaenyra has now

that final shot of rhaenyra standing on the dragonmount with syrax, vermithor, and silverwing behind her DID get to, i must say. it's house of the dragon! and we have the dragons!!!

okay yeah i am super hyped for the finale and whatever it may bring, seems like it's gonna be epic. the triarchy! the dragons! the riverlands! helaena in the war effort, apparently?! what fun!

[wynnyfryd]

Trailer park Steve AU part 14

part 1 | part 13 | ao3

fuckin' finally some FLUFF

Dinner is awkward.

It’s awkward, Steve thinks as he spears a Brussels sprout with more force than strictly necessary, because Dustin promised that it was just going to be the three of them tonight, and now he’s sitting shoulder-to-shoulder with his leather-clad metalhead neighbor.

It went like this: Steve showed up at the Henderson’s front door with a pie plate and a two-liter of Grapico under his arm, looking like a dork on picture day in his best jeans and a nice polo with his hair actually combed for once, and he lifted his hand to knock only to be greeted by Eddie throwing the door open and hollering, “Be right back, Henderson! Gotta grab— oh, shit.” 

And then, more eloquently, “Uh…” 

Uh. Like Steve was the one unexpectedly crashing the party.

Steve stabs another sprout. 

They’ve been bumbling through stilted small talk about work and school and weekend plans for what feels like a painfully long time, and Eddie has his elbows on the table — didn’t even bother to take his jacket off because he was apparently raised in a barn — and it’s basically dinner with Barb’s parents all over again. 

This is finger-lickin’ good.  

God. Get him out of here.

“Okay,” Dustin cuts through the stalled-out silence in the room. He jabs an accusatory fork into the air, pointing between the two of them and narrowing his eyes. “You two are being weird.” 

Eddie startles dumbly, and Steve just says, “Hmm?”

“You.” He aims the fork at Steve. “Are being.” It moves to Eddie; back to Steve. “Weird. What’s going on? I thought you two were getting along now.” 

Steve dabs his mouth with his napkin. Wow. Okay. So they’re doing this now.

Eddie either doesn’t get the memo or just decides to rip it up, because instead of being honest he throws on a theatrical smile and flings an arm around Steve’s shoulders, proclaiming, “Of course we are! C’monnn. Me and this guy?” He reaches up to give Steve a gentle noogie. Steve wonders if you can get a more lenient sentence if the guy you murdered really, really deserved it. “Thick as thieves.” 

Claudia smiles fondly.

Dustin’s not buying it. “You’re so full of shit, you know that?”

“Dusty!” Claudia gasps. She gives him a stern look as she tops off her wine glass, then leans over to do the same for Steve and Eddie’s glasses, too. “Stevie, honey, don’t listen to him,” she soothes. “I think it’s sweet. It’s good to see you with some boyfriends your own age.”

Dustin chokes at her word choice, and Steve blushes to his ears. 

Eddie’s arm tightens around his shoulders. “Yeah, Stevie,” he smirks, leaning in a little closer. “We’re great boyfriends, aren’t we?” 

“Oh, yeah,” Dustin joins in, “best boyfriends I’ve ever seen.” 

Surely murder’s just murder, right? Like, from a sentencing perspective? Does it matter how many people you off, or do you just get thirty-to-life regardless?

“Steve, tell mom more about your boyfriend.”

Steve chugs his glass of wine.

—

The conversation turns to less embarrassing topics after that, the words flowing more easily now that everyone’s warmed up with wine and making fun of Steve. Claudia asks what everyone’s doing for Halloween, and Dustin tells her that Eddie and Steve are taking the boys trick-or-treating in the neighborhood with the good candy bars (which was news to Steve, goddammit), and that leads to a discussion of costume plans. 

Dustin and Mike are going as a pair again, Marty and Doc from Back to the Future. Lucas is doing his own thing, but he's "totally delusional if he thinks a costume is gonna win Max back." Steve doesn’t really have a costume this year, so he’ll probably just pull some sweats out of the closet, throw a whistle around his neck and go as a basketball coach, and Eddie, surprisingly, has the lowest effort costume of them all. 

“Oh, I’m going as a vampire,” he says when Claudia asks. He reaches into his pocket, pulls out some cheap plastic teeth and pops them into his mouth. “Ta-daaa.”

Steve wrinkles his nose. “You just carry those around?” 

“Isn’t it awesome?” Dustin asks.

“Not really, no. It’s not.” 

“But S’theeeve,” Eddie lisps around the fangs. The wine’s made him weirder, playful and too-friendly and berry pink in the cheeks. He holds his sleeve in front of his face like a vampire hiding behind a cape and drawls, “I vant to s’thuck your bloood.”

Steve vants to jump out the window. “I’m gonna go serve the pie.” 

—

part 15

tags below the cut, comment if you want me to tag you tomorrow 🩷

@acedorerryn @ahsokatanoss @annabanannabeth @anne-bennett-cosplayer @awolfstudio @bananahoneycomb @bronwenmarie @burymestanding @cinnamon-mushroomabomination @courtjestermunson @cr0w-culture @cuips-not-cute @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @evillittleguy @fandomfix8 @foolofentirelytoomanyfandoms @goodolefashionedloverboi @gregre369 @griefabyss69 @grtwdsmwhr @heartsong18 @hellion-child @hotluncheddie @jackiemonroe5512 @jaytriesstuff @littlebluejane @lololol-1234 @messrs-weasley @nburkhardt @noodle-shenaniganery @ppunkpuppyy @runninriot @sadcanadianwinter @silver-snaffles @singmeyoursimpsong @slowandsteddie @slutforcoffein @solalasoforth @steddieas-shegoes @stevesbipanic @steves-strapcollection @teatimeeverybody @thealwithnoname @thestarslittleking @thesuninyaface @trensu @violetsteve

[2tcs]

Danny’s Journal or A Countdown to the Beginning

Summary: A look into the year leading up to the accident from the perspective of a forgotten journal.

February 9, 2002

Dear journal. Mom and Dad said they had a surprise for me and Jazz when we get home from school. Please God don't let it be another ghost gun or something. My hair is still singed from the last one.

Update. It was, in fact, a gun. Jazz now has a mild burn on her arm and is screaming how they need therapy. Not disagreeing but I don't think it's going to happen.

February 12, 2002

Dear journal. Happy birthday. A year ago Jazz gave you to me for my birthday. How my parents haven't accidentally destroyed you I don't know.

Me Tucker, Sam, and Jazz went out to eat for my birthday. Sam even had her family driver take us a town over to try that new restaurant. Well, that's what their excuse was.  I think they were trying to get me out of the house for a little bit since Mom and Dad are going on a rampage through the house disassembling all the appliances. It's 10 pm and I can still hear noise coming from the basement.

March 26, 2002

I have the best idea for an April Fools prank. It involves chez whiz and glitter.

April 1, 2002

The prank worked like a charm. The jocks are going to smell like cheese for weeks. And they ain't ever getting the glitter out.

On the downside. Dash broke my arm and Mom and Dad put a “Fenton Anti-ghost Cast” on me. It kinda glows and makes my arm feel weird.

April 23, 2002

Sam’s birthday party was a glorious disaster this year. Her mom decided to do a princess-themed party. We have been preparing for this day since Sam found one of her mom’s work journals. We managed to sneak paint and glitter bombs into the venue before anyone got there. We even managed to get one on each of the chandeliers. It was awesome. Everyone got covered in black paint and red glitter. 

What we didn’t account for was Grandma Ida hiring professional snake handlers to bring in a bunch of snakes for Sam. The snakes were non-venomous and luckily were all caught after one of the rich people bumped into the table that the snake cage was on. And the paint was non-toxic so it was easy to clean off the snakes too without them getting sick. Still kinda feel bad that the snakes got caught in the crossfire though.

May 20, 2002

🎵Schools out for the summer!🎵 Lol this is going to be so exciting. Our last summer as middle schoolers. Nothing but the big leagues after this!

June 13, 2002

Dad wants to go camping for Father's Day so we're going to head out tomorrow morning. Think I heard them mention Lake Arrowhead. That'll be cool. Haven't fished there before.

June 15, 2002

I don't know how but we're in Gotham. Apparently, there's some stupid ghost conversation going on so we're going to be stuck here for the next week. On the pulse side though I found a really cool cafe not too far from the hotel. And they don’t seem to care if you just hang out as long as their not busy and you buy something. Me and Jazz will probably be spending a lot of time here or at their library. It’s huge and has an entire section of space!

June 16, 2002

Turns out I'm allergic to something called Blood Blossoms. Mom and Dad ended up having some guy try to cleanse me of “the evil spook” after I accidentally brushed up against the flowers he had on his table. Jazz had to convince them to get me to the hospital. Luckily one of the guys walking around had an epi pen. So that helped. Still sucks and now I'm stuck at the hotel while Jazz frets like a mother hen. I don't think she's even realized that she has a rash on her hand from when she threw the flowers away from me.

June 19, 2002

So… Batman is real… wtf? He apparently has some questions for Mom and Dad but they haven't come back yet. He apologized to me and Jazz for waking us up and gave us suckers? Which. Weird. And Jazz threw them away when he left because “stranger danger is still a thing even if they are a hero”. RIP little Root Beer flavored DumDum. You will be missed.

And on the other hand, Robin was pretty cool. He's snarky and brave and hilarious and he is just so cool. 10/10 New favorite Robin. He even gave me a book recommendation for the report I'm supposed to turn in at the start of freshman year.

June 22, 2002

We were supposed to leave Gotham today. We were supposed to finally head to one of the lakes on the way home to do some camping and fishing. We were supposed to have a relaxing time. So please journal. Can you tell me why the giant wannabe scaly just threw the GAV? Now we are going to be stuck in this stupid city for another week while Mom and Dad fix it.

June 24, 2002

I made a new friend! Do you remember that cafe I talked about a few days ago? Well, I met a guy there. His name is Jason. He’s an absolute lit nerd but is way cool. The guy’s got muscles underneath his school uniform too. The guy looks like he could snap me like a twig yet isn’t at all like Dash. Hopefully, we can keep in contact after we head back to Amity. For now, we are planning on meeting up at the cafe tomorrow with our favorite books. I found “Star Stories”at the library so I’m bringing it with me. I don’t know if he likes stars but I hope he likes some of the stories about them.

July 9, 2002

Finally back at home. Dad had smuggled fireworks into the GAV (how they didn’t explode when KC threw it in Gotham idk) so we spent the 4th of July shooting them off at the lake. We ended up going to Lake Erie for the camping trip because Mom heard something at the convention about a ghost hanging out around there. Didn’t see any ghosts but the fishing was good. I even caught a bass the size of my head! All around it was really fun! Oh and the stars were so clear! The Summer Triangle was so clear you could point out Vega, Deneb, and Altair! It was so cool! Did you know that Vega is in the Lyra constellation? Or Deneb is in the Cygnus Constellation. And Altair is a part of the Aquila constellation!

Maybe I should ask if Mom and Dad could get me another journal for charting the stars. I’ll need the practice if I want to become an astronaut.

July 29, 2002

It’s a good thing that I got two of everything when me, Sam, and Tucker went shopping for school supplies. I got a lot of new space-themed stuff but the moment I got home Dad insisted on ghost-proofing my new backpack… It melted. I don’t even know how he managed to melt a canvas bag. It didn’t even catch fire first. Just started melting the moment Dad started spraying his new “Fenten Ecto-Rejecto Spray” on it. Wtf Dad.

On the plus side, Sam found a new coffin backpack and Tucker was able to get a new bag that had a pouch that he can put the walkman he got yesterday for his birthday. He is so hyped about it. 

August 6, 2002

School starts next week and I am so hyped. Finally going to be a high schooler. Cool Kids Club here we go!

August 15, 2002

Kill me now. May the Gods strike me down and end my suffering. May the Faits find me lacking and cut my string. May the Crone tear me from the tapestry, the mother rejects my thread from the loom and the maiden take the wool of my youth and set it aside.

Sam has just informed me that that isn’t quite what the Mother, Maiden, and Crone do but whatever. Just know that everything sucks because apparently someone called the house phone and told Mom and Dad that there was a ghost in the school. The A-listers are blaming me for ruining their high school debut.

August 30, 2002

Mom and Dad have started making more noise in the lab than normal. It’s gotten to the point that Jazz has been spending more time at the library to study. Speaking of Jazz, she has been obsessing over self-help and psychology books lately. I mean. Jazz has always talked up therapy but now she’s kinda getting snooty about it. Sam suggested we start hanging out at that gazebo thingy at the park so we can get our work done on the nicer days. We’ll have to hang at Tucker's place though on the rainy days. Sam’s parents have decided that it’s time to put their foot down and get Sam to “socialize with your actual peers Sammy-kins so that you can make better connections and start networking” or whatever. So basically Sam’s mom doesn’t want her to be associated with us plebs I guess.

September 8, 2002

Mom and Dad repurposed the fridge so they could put samples in it. Apparently, the one in the lab broke. The green stuff in the tubes kinda creeps me out. Jazz is yelling at them about it. I kinda agree. Cross-contamination anyone? Think I’m gonna eat out at Nasty more often.

September 28, 2002

Either I’m going crazy or the leftover chicken and noodle soup in the fridge was moving. Like the noodles were wiggling around like worms or something. Jazz ordered pizza.

October 5, 2002

There are new wires in the house now and they glow? Mom said that they had some sort of breakthrough and are using the samples that they have to coat some of the tech in the house to “ecto-proof” it. Apparently, the ectoplasm doesn’t like electronics so they weren’t really able to mix it with tech too well. Some of Mom’s blueprints look like Star Wars blasters. Dad’s are less impressive.

October 29, 2002

Mom and Dad have locked me and Jazz in our rooms because of the “Ghost Menaces”. Me and Jazz have both taped warning signs on our windows so some brave trick-or-treaters don’t accidentally get hurt.

November 1, 2002

The signs worked but I saw Mom and Dad taking off in the GAV around midnight. Whatever. Me and Tucker did manage to reach a new level in DOOM last night so that was cool. And it’s World Vegan Day today so Sam is going to take us out to eat at a vegan place for dinner. I have no clue what Tucker’s going to eat. Well probably get it to-go so he can get something.

I found out where Mom and Dad went last night. The cops showed up and gave Mom and Dad a ticket for destroying a part of the park's water fixture. Someone had organised a haunted forest thing in the park and my parents went absolute ape.

November 2, 2002

Who told Mom and Dad about Dia de Los Muertos? Or that there was a little remembrance celebration/party thing going on today because of it? I’ve decided to make deviled eggs in protest of their chaos and have also bought candy skulls to eat.

November 18, 2002

Apparently, there is an Occult Day(?) and Sam insists we spend the day researching cults. Tucker has found a tech cult online that says there is “Techno Magic” and he is now trying to learn it. Sam has found a book of curses and has been giggling since she found it. Sam giggling is terrifying. I am concerned.

November 28, 2002

The turkey came to life and attacked us. Mom and Dad are blaming ghosts but me and Jazz agree that this is totally their fault for putting the stupid ecto in the fridge. At least the rest of the food was edible. I mean. It had a kinda glowing but I haven’t gotten sick yet. So yay?

November 29, 2002

So the food wasn’t good and I ended up getting sick this morning. fml Jazz is mad that I ate some of it. I am fully aware of what food safety is Jazz. But I was hungry and after the turkey, I was just tired and hangry. I had no clue you had ordered pizza so :p

December 5, 2002

On the 5th day of Christmas, my true love gave to me! Nothing because my family is insane. Mom and Dad are already starting their yearly Santa argument. Sam and Tuck are both out of town to visit family for the holidays, Jazz is avoiding the house because it’s “disruptive to my mental development” and I’m grounded for yelling at Dad when he burst into my room and accidentally made my little Rover fall off the shelf and brake.

December 9, 2002

Mom and Dad’s insanity is ramping up. They almost never leave the lab now and whenever I try to bring food down to them they either just mumble and keep working or start arguing again. The whole in the wall has a frame now too.

December 24, 2002

I made a mistake when I brought Mom and Dad their dinner today. In my defense, I was just tired of them yelling about Santa. So I asked why they had hazmat suits but me and Jazz didn’t if ecto was so dangerous. Because if it’s that dangerous then the fact we have ecto in the fridge means that we should all have suits. Jazz is furious with me cause now our parents are making us try on our new suits tomorrow. I am terrified of whatever monstrosity they create no matter how “fashionable” Dad claims they will be.

December 25, 2002

It’s worse than I thought. Mine’s white.

January 15, 2003

Gods, I hate this. I’ve been sick for the past week and Jazz says we’re almost out of soup. I keep going back and forth between being hungry and puking up whatever Jazz feeds me. Mom says that she has some tea that may help but when Dad brought it up it tasted funny. It did make me feel a little better but it just had a really weird taste. Dad said it’s just because I’m sick so everything tastes funny right now.

January 19, 2003

Is it weird that I want to lick the ecto in the fridge? I’m pretty sure it is but it still kinda looks lickable to me. Like how you know that D batteries are not edible but almost everyone has licked one at some point?

Jazz just gave me a lecture about putting things in my mouth that I shouldn’t… Again…

January 27, 2003

Jazz scared me this morning. I walked into the kitchen this morning and just saw glowing eyes. Like a cat’s eyes in the dark. Jazz thinks I’m hallucinating from lack of sleep because of the all-nighter I pulled with Tuck trying to pass the next level on DOOM but I swear that her eyes were glowing.

February 9, 2003

I’m starting to worry. I know they're obsessed with their dumb portal but they haven’t eaten in 2 days. Jazz is planning on going down there and persuading (yelling at them) them to eat if they don’t come up for dinner tonight.

February 12, 2003

Happy Birthday to me. I am now 14 years old. Mom and Dad forgot it was my birthday again. They ran into the kitchen this morning because they completed their portal. They even dragged me and Jazz down into the lab to see them turn it on before we went to school. It didn’t work and now Mom and Dad are going to take a drive around town to clear their heads. They probably won’t be back until dinner time. Sam and Tucker are coming over after school though so at least it will be quiet while they are over. And I think Jazz is going to make a cake if the box of mix I saw her trying to hide from me yesterday is any indication. 

[charlie-lec-stories]

Out the comfort zone // CL16 & MV1

Pairing: Charles Leclerc / Original Female Character / Max Verstappen

Summary: Sensitive matters should always be addressed with kindness, tactfulness and pinch of fun.

Warnings: Sexual comments and conversations, but from a mature and funny perspective.

Author’s Note: This story is about communication. Since our favourite trio relays a lot on it, this time you'll have the chance to witness them discuss a really sensitive matter on their relationship. Rate: +18 (Sexual topics)

•••••••••••••••••••••••••••••••••••••••••••••••

"No, no, no, no, no, no. This is not working, Max".

"Maybe if you move your leg to the left, Schat".

"What do you think I am, a gymnast?".

"Well, you are pretty flexible, Amour. Just open your legs wider. I can go behind you".

"This is getting kind of personal, guys, I don't think I want to be a part of this anymore".

"Oscar, don't be a baby".

"He is a baby, Amour".

"I'm 23!".

Lando, George and Alex couldn't believe what they were hearing. It wasn't enough for them to do the dirty together, they also had to mix Oscar into it. As the three of them walked further into the apartment, they found Oscar's hoodie on the floor, and the sound of Max grunting wasn't helping with the picture they were already making in their minds.

"I swear to God, I'm not that flexible. I mean, when it’s just us three, it's easier, but I think that four is just too much. Sorry Oscar, it’s not your fault".

"Way to make a man feel rejected...".

"I really am sorry. But if we keep going like this, I'm going to fall and my ass is going to hurt for days'.

Okay, maybe they should make their presence known. Looking at each other, George understood that he should be the one taking the lead.

"Hey guys, are you home?". He asked, but Lando just couldn't keep quiet.

"Please, tell me you haven't corrupted my teammate yet. He's just a baby!".

Walking into the living room, the three drivers were surprised by what they found. Tangled in a Twister mat, the other four were barely keeping their bodies up. Actually, Y/N was the first one to give up, falling butt first to the floor and taking Oscar down with her, who kicked Charles' right arm, making the monegasque lose balance and take down Max with him.

"Why is it that I can never guess it right when it comes to you three?". Lando asked, rhetorically. Every time he guessed they were doing nothing, he walked on them taking their clothes off, and every time he thought that they were having a private moment, they were just doing something completely innocent.

"Maybe you just think it too much". Max replied, smirking at the disgusted face Lando made. Oscar, Charles and Max got up, Y/N staying laying on the floor, legs and arms extended and exhausted look on her face. Everyone looked at her, expecting her to get up.

"Don't worry, I'll get up when I start feeling my legs again... Man, I hate Twister". She sighed. Oscar took his chance to get back at her.

"And I'm the baby...".

They all had dinner together, and after the guys went away, Max and Charles cleaned the kitchen while Y/N fixed the living room. She carefully folded the mat while listening to the boys chatting in the kitchen. They were discussing something about Carlos. Apparently, the spaniard had a fight with his girlfriend about anal sex. She found it weird that Charles and Max were open enough to talk about it knowing that she was around. It wasn't like she didn't know what they both did when they were alone, but they were never straight forward about either. She kept listening to the conversation. It seemed like Carlos' girlfriend was scared of trying it, and he took it as if she didn't trust him enough to do that with him. But she wasn't interested in what Carlos and his girlfriend did, she cared about what Charles and Max thought about the situation.

The thing is, they had their own ways of approaching sex and those ways were kind of limited. Mostly because of her. She was scared, as Carlos' girlfriend, of getting hurt while doing new things, and even if she had boyfriends before them, she was a little vanilla with them. It was a big jump going from one person to thinking about two at the same time. So the boys were patient, they "took turns" so she wouldn't be too overwhelmed with the situation. More than once she thought about how boring it must be for the one waiting, watching the other two have fun while he had to wait, and whenever those thoughts crossed her mind she felt the need to broaden her comfort zone a little bit.

She concentrated on the conversation again. Max explained that he could empathize with Carlos' point of view, it would hurt him a little to know that Charles or Y/N wouldn't try with him something they wanted to do thinking they could get hurt. He was clear with that: when you love someone, you don't let them get hurt, and you never, ever, hurt them yourself. Charles was little more on the girlfriend's side, he remembered the first time he let Max do that, and he was scared shitless, he also reminded Max that he begged Charles to go easy on him when it was his turn, and with that reminder, Max gave some more credit to the girlfriend's argument. It seemed like they both understood, not only for having been in that position before, but also from an empathetic side, how vulnerable it could be to let someone do that to you. She felt relieved.

"Hey, can I ask you guys about something?". She asked later that night, looking at her lap. They were getting ready for bed, Max was brushing his teeth and Charles was changing his jeans for a more comfortable pair of shorts. They both looked at her, curious about what she could be thinking about. She had been pretty quiet since the guys left.

"Sure, Amour. What is it?". Charles walked to the bed and sat down, placing his hand on her leg and running it up and down, easing her anxiety a bit. Max rushed up his routine so he could focus completely on her, going to the bed as fast as he could.

"I've been thinking about something. About us". Max didn't like the sound of that, he loved what they had too much, he didn't want to break up. "I know that we don't do a lot here". She patted the bed and they frowned at the same time.

"What do you mean, Schat?". He smirked at the thought of everything they had done on that bed. "We do a lot here".

"I mean, yes, we do, but it's how we do it". They weren't following her and it was frustrating. "I want us to do things together, the three of us, but it scares me. Every time I think about it, this fear of getting hurt paralyzes me".

"You mean that you want us to do things to you... together?". Charles was trying to be as polite as he could about the subject, Max was a little more direct.

"This is the type of conversation I like to have in bed. Who cares about the last episode of The Last of Us?". Y/N laughed under her breath, the pink on her cheeks softening a few tones.

"We can try whatever you want, Amour, as long as you feel comfortable. You're the one that will get the roughest part, we know that, that's why we never asked for more and waited for you to bring it up". That made her feel safer.

"We will always take care of you. We promise". She knew that Max was sincere.

"So, how do we do this?". The boys looked at each other, their eyes wide open.

"You want to try this now?". Charles asked and she nodded.

"Yes! I waited for this moment my whole life". Max exclaimed happily as he took off his shirt.

"Mate, calm down or you'll be the one getting it". Charles did what he could, but there was no cure for Max. If there was something that he had been waiting for was for the moment they all three did something together.

"I didn't know his love for butts extended this far". They watched Max go to the bathroom, looking for lubes and oils that would make the process a lot easier.

Charles just sat with her, holding her hand and smiling at her. Y/N and Charles had a different sexual history together than each of them had with Max. They started dating first and that meant that they started sleeping together before they added Max to the equation. Charles knew what, how and when she liked things. He knew her like the back of his hand, and had a different approach to intimacy than Max had. They were pretty equal in bed, but she usually let him take the lead of the situation and it was a wise decision, since he never guessed wrong what she wanted to do. Max was different, he worshiped her, he would do whatever she'd ask for if it meant pleasing her. That meant that she was the one taking the lead and he followed her like a warrior on a crusade. She didn't know what they were like when they were alone, for what she heard from them once in a while, they switched a lot, it all depending on their moods at the moment. When the three of them were together, Charles would usually go first, helping her relax and carry the situation, Max watching and doing little to no interventions. Then the Dutchman would follow with Charles still in the picture, but more coming from a caring side, taking care of them. He had a protective side that never rested and always shone with them.

Max gave Charles the space to ease Y/N's nervousness, while he decided to go to the living room for some scented candles and his speaker, already thinking on which playlist they should use to make the situation more relaxing for her. Charles took his time setting the mood, kissing and caressing every place of skin exposed before starting with her clothes. She was grateful that they didn't jump on her the minute she agreed to try this, instead they took the time to help her feel comfortable and, more importantly, loved. Once every piece of clothing was off, Charles looked at Max, a silent conversation about how Max could enter the picture as smoothly as possible. They decided for him to do something that Charles usually does: massages. So while Charles kept her busy, Max took one of the oils and gently started massaging the knots on her shoulders, easing the tension. They both knew the process, they knew what they had to do for her to be ready, so they just made sure to be open and verbal about what they were going to do before doing anything.

"It's going to hurt, you'll feel some pressure, Schat. It's normal, you just have to relax". Max told her after her and Charles had already been going at it for a while, as he carefully moved her legs to position her comfortably on top of Charles. "If you feel like you can't keep going, you tell me and I stop immediately, okay?". She nodded, still a little tense, even if she was worked up. Charles, under her pulled her flush against him, letting her rest her weight on him and running his hands up and down her sides.

"We need words, Amour, you know it". It was a rule that they had, nothing without explicit consent, specially new things.

"Yes, I understand. I want to do it". She sighed and prepared herself, focusing on Max's hand caressing her lower back.

It hurt, it took her some time to get used to it, she even let a few tears run down her cheeks. The boys stopped moving a few times to give her time, they whispered some comforting words to her and kissed her discomfort away. But she ended up liking it, once the pain was not there anymore, once she felt how connected she was to both of them in that moment, she realized that she was right on stepping out of her comfort zone. She had never seen them as happy as she saw them in that moment, Charles locking eyes with her from underneath her, Max's smile against the back of her shoulder as his hand grabbed Charles', both squeezing each other's hand tightly. It was special and it was great, two things she before feared the moment wouldn't be. She was glad that they all did that together.

"How do you feel, Amour?". Charles asked her as soon as he recovered from his post sex dizziness. She felt Max moving away from her, lifting his weight so she could move if she needed to, but she needed him close, so she grabbed his arm and pulled him back on top of her. Charles let out a huff when Max's weight fell on them again, being the one holding everyone on top of him was hard, but he wouldn't rather be anywhere else. Max chuckled at his huff and Charles slapped the back of his head, but ended up joining his boyfriend in the laughing fit. They stayed like that for a while, just close while their hearts went back to a normal rhythm.

"What about a bath, Schat? I think it'd be good for you". She let out a quiet 'yes', Max then getting up and walking to the bathroom. Charles took his time with the massages, working on all the new muscles she had used and were in need of care. When the water was ready, he helped her up and she went to the bathroom. While she relaxed, Max and Charles cleaned up. They changed the bed sheets, took all the candles, oils and lubes to their places and prepared some tank top and cotton panties for her to dress up with. She stayed there until the water got cold, and with still some discomfort, she got out and wrapped herself in a towel, emptying the tub before walking out. She dried and dressed herself quickly, and joined the boys on the bed, taking her spot in the middle. The tiredness on their faces was notorious, but they put on the effort to stay awake to make sure she was alright.

"You might feel a little sore in the morning". Charles said and then kissed her shoulder, his hand on her hip, on top of Max's.

"But the bright side is that you get breakfast in bed because of that". She giggled at Max's comment.

"I might do this with you every night if it gets me breakfast in bed in the mornings". She joked, but Max was grinning like he won the lottery. "I'm joking".

"Don't play like that with my heart". His smile dropped and she felt Charles shaking with laughter behind her.

"You seriously love butts".

"They are one of the best features of you guys, after your arms and Y/N's boobs". The other two looked at him holding their laughter. "What?"

"Bueno, para gustos, colores". Y/N said and snuggled up by bringing Max closer. They were used to her chanting some Argentinian sayings at them and they learned what most of them meant. This one meant that it was pointless to discuss personal preferences. "Thank you for being so good to me". She said after a while. "You have no idea how important it is for me that this moment went on this great".

"We love so much, Schat. You don't have to thank us for these things. We'd bring down the moon and stars for you".

"Je vous aime, mes chéris". (I love you, loves)

•••••••••••••••••••••••••••••••••••••••••••••••

Hey, I'm back with lestappen x reader. Hope you guys like it. I'm thinking about working a bit with smut, but from a more subtle and delicate perspective. What do you guys think about that? Would you like more content like that?

[cerastes]

It's kind of amazing that a horny game like Nikke actually included stuff like Cyberpsychosis. Nikkes going insane or committing suicide if they are reminded too much that they are actually full-conversion cyborgs. The reason why they don't have a lot of cool gadgets like built-in thrusters or weapons. And then you have someone like Snow White who replaced a large chunk of her body with enemy robot parts.

Nikke is this really cool thing to have Existing in the space, even if I don't play it anymore, because of how charmingly unbalanced it is as a whole, making the charming parts of it all the more apparent.

It's got barebones gameplay, the seams of which burst the moment you do high level content and realize there's not much it can do due to its limited concept. Combat rarely translates to whatever is going on in any story thematically, being thus gameplay being more of an abstraction. There is a gulf and an ocean of power between fellow characters of the same rarity, meaning a max rarity character might do absolutely fuck all while another one, with the same odds, might snap the game in two with ease. It's story is absolutely nothing to write home about. It's a setting that can be best described as "self-indulgent incel nice guy heaven", where your character is The Only One to be nice to all these poor second class citizen superpowered voluptuous supermodel living weapons with tits two times your head and asses big and heavy enough to easily crush cars. Everything jiggles. It's so insanely predatory with its flash sales after every little thing you do.

And yet, the basic story it tells, it tells well. It's fun. It's entertaining. It knows what it is, and it has fun with itself, but it doesn't throw all pretense, either. It walks the razor-edge thin line between having a goof and telling a story with emotional depth. What it doesn't have in complexity or originality, it makes up for in sheer moment-to-moment, with good scenes, with good execution of things we've already seen. The showdown with Modernia lives rent free in my mind, Commander loading the Vapaus round, as Modernia or Marian, no way of telling, begs them to put down the weapon, because she's already back to normal, Commander shooting, and Modernia catching it with her teeth, and then growling the most guttural threat with freshest purest fury: "You shot me. Your really shot me! Shikikan!" and then drilling Commander right through the chest. And everything that happens after in that scene. It's got interactions out the wazoo, both mundane and touching. It has music that goes from "background music that really works" to "handcrafted for the moment and the character in its excellence". I think it's because Nikke knows what it is, but doesn't reach the self-mockery rung of the ladder. It knows what it's doing, and it's still sincere about it, even if it dares have fun at its own expense sometimes.

So, with that on the table, the take on Cyberpsychosis present in Nikke is incredibly powerful as a narrative tool because it tells you just how much of a jury-rigged slapdash product Nikke are. They are not cutting edge technology, they are literally something they pumped out quick as can be while telling everyone in the world that's still alive that they are cutting edge technology. And all, all of the safeguards are ultimately subject to willpower and perspective. Some Nikke go insane if they are too machine-like. Snow White has basically rebuilt herself over and over hundreds of times in her forever war. Nikke cannot aim at humans, so Crow instead puts a steel plate on the ground and ricochets her bullets off of those to shoot Commander successfully. Aiming is something you do with your senses normally, right? Rose figured out that she can just wear a blindfold and convince herself that what she's slashing is not a human, but a Rapture, and that's how she disemboweled and killed her Commander. Just by not seeing and fervently believing.

It's really, really cool how they go about it.

[twilightprince101]

Let's be careful before labeling Wally or Home as "The Villain" of Welcome Home

Or anyone for that matter imo

Listen, I can completely understand why people would go to that conclusion. "So Below" and the eerie vibe that Wally gives off in his obsession don't exactly give either a flattering light (I know there are also the art pieces on Clown's personal blog, but I'm not counting anything that hasn't been officially released yet)

But whenever someone labels a character who is acting weird as "the villain," it puts a bad taste in my mouth. At the end of the day, characters in fiction are real people with motivations, so labeling one as "evil" or "the villain" can sometimes erase that complexity. And after the most recent update, we know that Wally has A Lot of very, very complicated feelings about the situation.

Before I get into that though, I wanna point out something that Clown himself has said describes the brand of horror that "Welcome Home" gives off to themselves personally. Click here for the link to the post.

Before I get into that though, I wanna point out something that Clown himself has said describes the brand of horror that "Welcome Home" gives off to themselves personally. Click here for the link to the post.

"My home doesn't feel like home anymore."

That line sticks to me pretty hard. There's a pervasive feeling of unfamiliarity, unreality, that exists in the core of the story itself.

I think we see, firsthand, Wally experiencing this in the latest updates. In all of the hidden Bug/Answer secret videos, we see a familiar pattern. We get some sort of scene of two other characters talking, a scene in whatever universe they call home, until at the very end one of the characters addresses Wally (who was apparently there the whole time) and the video glitches out.

A key part that not a lot of people seem to realize though is that these videos are from Wally's perspective. See the above picture with Wally's hands. In every scene, Wally is present and was supposedly taking part in an activity (in the above one, helping Poppy with knitting), before the video started playing.

Whenever I saw these videos I had that same feeling that something felt. Different. The interactions felt like scenes you would see in the animated/cartoony aesthetic we'd see from the various art pieces, it doesn't feel like it's "on set/TV" to me. They're moreso just intimate glimpses into their lives. But they're shot in the real world, and that feels. Wrong.

This is very likely the same feeling that Wally's having in that moment. "My home doesn't FEEL like home." It's like he's disassociating, having a brief episode of that unreality feeling. Those bouts of strangeness don't go away until, like clockwork, someone says his name and the video ends, snapping him out of it.

Do other people in the neighborhood also feel the same way? Maybe, but we don't know. What we do know is that Wally, whether or not he tries to explain this to others, feels isolated by this sensation. "My neighbors are only neighborly until they know I'm different in a way they can see."

The only other person he likely shares this feeling with? I'd take a guess that it's Home. Nearly every time Home has been featured, Wally has been there, close. I don’t think it’s a coincidence that the only physical puppets/props we’ve seen of the cast are Wally and Home.

According to this post by @eldritchravens, Home is the only other person who talks directly to Us, the viewers. That's probably why they're so close, because they're the only ones who can truly confide in each other about this.

"So does that mean Home is manipulating Wally?"

Again, I really don't think that's the case. I don't wanna call people villains quite yet. Besides, we see (or well, hear) Home and Barnaby have a conversation together, and from how Barnaby reacts it's fairly casual.

This shared feeling is likely why Wally is so obsessed with us, including the Restoration Employee. They seem to be sharing a similar sensation to Wally's bouts of unreality, in the fact that it seems they're the ONLY one who doesn't remember Welcome Home being a thing. They seem to be one of the few things that Wally (and maybe even Home) consider to be "Real." Hence their obsession with "seeing" us.

"Isn't this Wally or Home manipulating the Employee though?"

Maybe, I don't know. We don't really know much of what's going on right now, we're only getting glimpses. For all we know this could be a side-effect of Wally/Home trying to reach out. For the time being though, I want to keep my own expectations in check. I'm choosing not to label Wally, Home, The Restoration Team or anyone as a "villain" until something definitive comes up.

It is very, very likely that Wally is going to be doing something more dangerous later down the line (or maybe even is doing so now). But if he's doing anything, I get the feeling it's more out of desperation. He wants something to quell this feeling inside of him, this pervasive sense of unreality, and to connect with something he feels is "real." And, for better or for worse, that thing is us.

This whole thing isn't to bash on people for speculation or theorycrafting, I personally think speculation is very healthy! But it's still important to remember what the core of this story is going to be. We're only seeing the very start of the story right now, and we don't know what'll happen down the line. It's useful to keep that core idea at the center of our speculation so we can have reasonable expectations going forward.

As for me? This doesn't feel like a story with villains. I don't think he'll pull a Monika from DDLC and start gaining a kill count, but if something does happen to the rest of the cast, my money is that it'll happen completely by accident, and he'll regret it. Hard.

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

[coraniaid]

I'm pretty critical of Buffy's final season (because ... well, I've watched it), but there are some things I think it does well and, since I'm trying to talk myself into working on my S7 AU fic again, I thought it might be worth trying to write down what they are.

I like the sense of completeness there is in going back to some of the show's beginnings. I like seeing Buffy in school again, but this time as an adult with a job. It doesn't just let us re-examine the high school years from a new perspective, it gives Buffy's arc over the last few seasons a nice sense of direction. I like what little we see of Dawn in high school. (I wish there were more episodes like Help.) In principle, I even like the fact that this season's Big Bad is a supernatural threat we've seen on the show before.

While I think there are a lot of problems with the execution (and even with the wider concept) of making the First Evil the primary (frequently the only) antagonist, the First being around does give you a lot of possibilities for having characters literally come face to face with their pasts. I like the final scene of Lessons and I like Conversations With Dead People and I like seeing the Mayor on screen again. I wish the show had done more with this concept.

I like meeting new (Potential) Slayers and finding out more about past Slayers. I like Robin Wood. I like Kennedy. (I wish the show did a better job making the audience care about any of the other Potentials.) I like that Faith comes back. I like that there is a focus on what it means to be a Slayer this season (compare how the show opens, with Buffy taking Dawn on patrol and telling her "it's about power..." [which Dawn doesn't have], to the scene in Chosen where Buffy asks the Potentials "what if you could have that power?").

I also (sorry) really like the fact that the writers resisted the urge to make Dawn a Potential or have her suddenly develop any magical powers as a result of being the Key (which there are at least rumours they were talking about doing). I like that the show stuck with the idea that Dawn is the part of Buffy who gets to be an ordinary girl.

For all its flaws (silly CGI battle against monsters I don't care about which is resolved by a random mcguffin from a different show; weird retcon about Sunnydale apparently being inland; a bunch of other unfortunate writing choices I won't get into here) I really do like Chosen a lot. It feels very fitting that the show ends with Buffy both finally getting to leave Sunnydale and with her no longer having to shoulde the burden of being "the" Slayer (or one of only two Slayers, anyway) anymore. I love how open-ended and hopeful that manages to be.

And speaking of Chosen, I like Buffy's "cookie dough" speech. I like the fact that the show lets Buffy end the series single, and recognizing that she doesn't have to be in a serious romantic relationship if she doesn't feel she's ready for one right now. (I like post-S7 Fuffy as a concept a lot, sure, but I think I prefer it as something that neither of them rushes into.)

I like that Amy comes back? I mean, I don't like anything the season does with her, but still: points for remembering she exists, I guess.

I like the fact that Willow gets to grieve Tara but also move on with her life and start dating again. [I don't know if I would have killed Tara off if I was writing S6 -- I think probably not -- but given that Tara did die I think this is the only good option.]

Empty Places is a good .... name for an episode?

For all my (many, many) issues with Andrew Wells this season (and in particular with just how much Andrew Wells is in this season, which is ... a lot), I think Storyteller is ... pretty good? I liked Jonathan, I think it's sad he dies (and his speech about missing high school now that he's left is another good moment from this season) but I wouldn't really have wanted to have him turn up and help save the day either. Having Andrew kill him (and then have to face up to the fact) feels like the right choice, to me, if you were going to bring either character back [I'm not really sure I would have done that though, to be honest].

Equally, for all my irritation at the time wasted on the "is Giles the First Evil?" subplot and at some of the other character deaths the writers did go for, I'm glad that the Core Four all survive. What the season actually does with Giles isn't very good, and neither Xander nor Willow are in this season enough (especially not in its second half), but at least they all get to live.

Oh, and Anya. I'm glad the writers didn't give in to the temptation to kill off Anya for some sort of cheap shock value, the way some leaked early drafts of Chosen suggest they were thinking of doing. Can you imagine how infuriating that would have been? I don't know if I would ever have accepted it. I might even now be living in denial. Thankfully common sense prevailed there and Anya definitely survived.

[comicaurora]

Are you willing to make a long personal post about how Math should be presented in an educational environment or in general conversation trying to convince the other participants about its daily usage. How it can advance a person’s problem-solving skills and approach in life.

I’m really good in Mathematics. I’ve given help for my classmates and friends about Math when they are having trouble or ask for it. But I have never been convinced of its importance outside of the classroom, outside of the test papers that gives me the variables to substitute in the given equation of that test of the day.

How can Math and it’s many properties relate back to everyday life in a casual manner?

Hm. Well, as someone who hasn't had to solve an antiderivative in years, my perspective on this is that the most important and widely-applicable skill math can teach you is the stuff behind the math - mostly the muscle-memory you get from proofs.

Math is, at its core, puzzles and logic and pattern-recognition. You learn a set of tools, you practice those tools on a set of simple problems until you get a feel for them, you are presented with a bigger problem, you recall which tools best applied to problems that are shaped like this, you break the problem down using your tools and eventually reduce it to something you know how to solve.

The fact of the matter is, the tools that are specific to branches of math don't really have much widespread use outside pure mathematics, and unless you go out of your way to keep using them you're likely to lose track of them. Studying math is not going to turn you into a super-calculator-wizard who can bounce stuff off the walls at perfect angles and do six-figure arithmetic in seconds, and I think some people feel overwhelmed at the assumption that that's what's expected of them if they learn math, and some other people feel cheated when they learn that that's absolutely not going to happen, because most writers don't know math and when they tell stories with math in them their best guess is it makes you a wizard.

I think the most advanced math I've used lately was trigonometry, and that was just because I was curious about how fast my plane was traveling relative to the sun's apparent movement at my latitude. We were flying back to the US from Iceland and we'd taken off at sunset, and we had been in that sunset for at least an hour by the time I got curious how the math worked out and started estimating our latitude, the circumference of the slice of the earth at that latitude, and correspondingly how fast we were flying vs how fast it was spinning to complete a full rotation in 24 hours. But even if the math involved didn't tap into any of the higher-level stuff I'd learned post-trig, those years doing proofs and figuring out which tools applied to which geometry meant that I could use the tools and my training applying those tools to calculate what I wanted to know, and confirm that our plane was actually outflying the sun when we were at iceland latitude, but as we curved south the sun's apparent relative movement (aka the rotational speed of that latitude of the earth) slowly accelerated until we were falling behind, landing right as the sun finally set. The math involved was high school level, but if I'd been given that problem in high school it would've taken more work and more stress to figure out how the tools I had needed to be applied to the problem I was facing. The years of practice I had tackling much more complicated proofs made the diagnostic process much faster.

I saw someone once analogize studying math to lifting weights. Where am I going to use this in real life? How often will I really be faced with two dumbbells that need to be lifted in three sets of twenty? Where am I going to apply the skill of holding a heavy thing straight out to one side of my body?

You don't lift weights because lifting weights is such a valuable and widely-applicable skillset, you do it because lifting weights makes you better at lifting everything.

You don't study math because math is going to fill your daily life with concepts that you need to prove true for 1 and for n+1 given true for n, or complex solids that you need to sum an approximate volume for, or a surplus of sunset plane flights that demand you calculate a bunch of cosines. You study math because it is the skillset of making things make sense. It trains you to break a huge, incomprehensible problem down into a series of small problems you already know how to solve. It lets you reach true and correct conclusions by starting from facts and transforming them through operations that preserve truth, and correspondingly that if you reach a false conclusion from these methods, then either the methods are flawed or the initial assumption is not as true as you believed. It teaches you to put two and two together and be confident, once you've double-checked your work, that you can say four.

This is stuff I use all the time in both my video research and my freeform writing. Building out a slow picture of how a story was told or changed over time involves finding the context it was created in, and reverse-engineering what parts of that context could have produced what standout portions of the story - what authorial or cultural bias results in this standout story element. Worldbuilding where I take two wildly disparate parts of the world, put them together and see what web of implications springs out of combining them, following the threads to new and interesting concepts that follow from what I've already established. Building a character arc by breaking down exactly what events are happening to them and what transformation each component will apply to the underlying character. If I want the story to go in a certain direction, what transformations do I need to apply to make that happen while still preserving truth? If I'm faced with a seemingly insurmountable problem, what methods can I use to break it down into bite-sized pieces?

This isn't something I think about most of the time. It's just how my brain works at this point, and I can't promise it'd work for anyone else. But thanks to all my years of hard work and training, my brain has been buff enough to solve every problem I've tangled with since graduation, and that feels pretty good.

[aziraphales-library]

Hii im looking for fic that looks at Crowley/aziraphale from an outside perspective for example the other whickber street traders being confused about where Aziraphale has gone and asking Crowley or other civilians noticing aziraphale and Crowley in general. Not looking for a particular fanfiction.

I do love a good #outsider POV fic...

Eavesdropping by IneffableDoll (G)

A patron of the pub overhears a bewildering conversation between a grey suit (Gabriel) and a beige suit (Aziraphale) in which their adoring descriptions of their respective goth partners are extremely…concerning.

The Mystery of the Missing Mr. Fell by treatsnsweets (G)

"Aren't you investigating? Keep the rant about the confusing relationship with Sunglasses in a separate thing." Phyllis spoke out loud, reading the notebook. "Hey! I'm not done with that yet. It's still my first draft and I needed more evidence." Trixie huffed as they grabbed her notebook back. Or Two teens decided to investigate why "Mr. Fell" has disappeared after the events of season 2.

Sanctuary by Scheissemann (M)

Days were hard for the shopkeepers on Whickber Street, Crowley was drinking, and Mrs. Sandwich just wanted to have a cigarette undisturbed.

What You've Lost But Never Had by BlackUnicorn (NR)

Mr. Fell, for that was all everyone knew to call him, was a peculiar man. He owned the bookshop next to Frank's record shop – A. Z. Fell & Co. it was called – and it had been there for as long as anyone could remember. Why, if Frank's mother, may she rest in peace, was to be believed, the Mr. Fell who had been around when she'd opened her own establishment was the very same that was still around now, over 70 years ago. That couldn't possibly be true, of course, and yet sometimes Frank wondered. He remembered Mr. Fell, of course, from his own childhood, his own youth, the kind man living next door, a little reclusive, perhaps, but always willing to offer a cup of tea and some nice biscuits to anyone in need of a cheer-up. 

A Table For One by WaitingToBeBroken (T)

There is a couple that has been coming to Justine's restaurant every third Wednesday of the month for more than a decade. Now, they are suddenly gone. Justine decides to ask around the neighbourhood about them. Everyone has a different theory.

amaranthus cruentus by jilliancares (G)

“It’s not my plant.” “Okay,” says Nina. “I mean, it wasn’t my plant. It was given to me. I didn’t pick it out.” “Right.” “I don’t even like flowers,” Crowley continues. “I like leafy plants. Leafy plants make sense.”

Or: Crowley and Aziraphale navigating their break-up, through the eyes of everyone else. Or: 5 times Crowley and Aziraphale deal with their heartbreak, plus 1 time they actually do something about it.

All of This is Completely Normal Here by TogetherAgain (G)

The events of an entirely ordinary day for one particular police station in London towards the beginning of summer in 2019. ~ ~ ~ Lonnie Clarke was talking to a lunatic. To be fair, that wasn’t really unusual. It was a standard part of police work. This particular lunatic was a special sort of insane, though. Crazy like a fox, this Mr. Fell. Or, just absurdly lucky. Clarke was just finishing up with him — confirming his contact information, thanking him for his time, and so on — when an entirely different and more familiar lunatic came swaggering in with their hands cuffed in front of them. “OI! Who sent a rookie to pick me up all by herself? That’s hazing, ‘s what that is. Thought you lot were above all that.” Ladies and gentlemen, A.J. Crowley was in the building.

the best of the world in the palm of our hands by middyblue (T)

Crowley seems to be going through a bad breakup and Maggie just wants to help. Apparently, the world is also ending.

- Mod D

[randonwilmonfan]

I'd love to talk more about the locker room scene in S2 E2 of Young Royals, where Wilhelm tries to convince Simon to get back together with him, in the process (sadly) demonstrating that he believes his mother's feeble offer to "talk" about him possibly coming out when he's 18. This takes place after his almost-removal from Hillerska.

Plenty of people have already pointed out how Henry snitched on Wille and Felice’s kiss, but apparently didn’t choose to tell anyone (as far as we’re aware) about Wilhelm almost pleading with Simon to get back together with him during that post-almost-dragged-out-of-Hillerska conversation. And that's definitely an interesting thing to chew on. But there's more...

Here are a few other things that stand out to me too:

First -

I think it’s worth pointing out the obvious — Wilhelm clearly sees Simon in his future long-term (possibly for the rest of his life). The way he casually says to Simon “So, we’d only have to keep it a secret for 2 years” implies three things very clearly.

a) He immediately and easily sees himself together with Simon in 2 years and beyond. Actually, specifically, definitely beyond. Because his eye is on the prize: coming out and living openly with Simon *after* he turns 18 — implying his focus is entirely on the intended afterwards period. He doesn’t even blink at that idea; it’s obvious to him.

b) He also really doesn’t seem to think 2 years is a big deal. For a teenager who’s only lived 16 years on this planet (only approximately ~11-ish of them in a state where they’re forming conscious memories) to think 2 years is just a drop in the bucket is kind of wild. Even 6 months feels like forever to a kid. So Wilhelm — a child — viewing time from this perspective suggests he’s likely balancing 2 years out against a much longer expanse of time; hence why those 24 months would look so minuscule and shrug-worthy by comparison. In other words: he sees himself with Simon in the LONG long term. Two years is nothing if you’re imagining growing old with someone and spending the rest of your many decades on this Earth with them. (All of this is pretty much confirmed later on in S2, when Wilhelm offers to abdicate the throne for Simon.)

c) He also doesn’t seem to think Simon should be appalled by the idea of waiting for 2 years. Yes, sure, we can chalk part of that up to selfishness and lack of mentalization / empathy for Simon’s point of view. But I’m going to suggest it’s more than that. My takeaway is that he assumes Simon also sees them as endgame, and so naturally wouldn’t be bothered by waiting a bit longer in order to spend forever together. (Sadly the conversation does not play out that way for him; ouch. Though no shade to Simon: what he said in response was realistic and fair.)

Second -

I think we have to rewatch his interactions with Simon as Henry slams a door and slowly walks past them with a raised eyebrow. Because, in S1, that Wilhelm would have immediately jumped away from Simon to create distance and try to pretend there’s plausible deniability about what their relationship has been and could be again. That’s (one) part of the whole point of S1: Wilhelm is not ready to be brave enough to face a homophobic aristocratic world and take a bold stance to stand by Simon.

Instead, in S2 E2, he sits still. He stays right next to Simon. In fact, he *leaves his hand resting directly on Simon’s thigh.* And he knows someone is coming their way! He heard the door slam inside the locker room. Obviously he knows someone else is here. But he doesn’t jump. He actually doesn’t really stir much at all.

He sits there like it’s of no importance, and he doesn’t care who sees. Or, even, who overheard this very intimate, vulnerable, and pleading conversation. A conversation in which the future King of their country is almost on the verge of begging his ex to please be his again… not just for now, but for multiple years’ time. I mean we’re like 2 steps away from Wille practically offering Simon a “promise ring” (not sure if that concept holds up in Europe, but it’s basically a very pre-engagement type thing in the US; it’s not common though). (Their convo also makes it very clear Simon was the one who dumped him and that he’s having trouble accepting that and moving on.)

Yet he doesn’t seem perturbed or disturbed by Henry’s presence and overhearing and seeing them. He doesn’t seem embarrassed at all. He’s not ashamed of his love for Simon. Even more specifically, he’s not afraid of people (Henry) seeing him put his heart out on the line, and of them knowing that he wants Simon back - not for just a hook-up, but for a very long-term, serious, committed relationship. And he doesn’t make any moves to emotionally or physically distance himself from Simon, despite Henry’s clear witnessing of this private moment.

This is a subtle way to show that, even though Wille hasn't yet gone through his full S2 journey of self-awareness and self-growth, he has still already begun changing and growing after the end of S1. So he’s at least started to learn some of his lessons about what he needs to do differently.

Anyhoo, the whole point I’m trying to make is… gosh there were so many fascinating things happening in that scene. And they rush right past us in the blink of an eye! But there is so much meaning built into every small interaction and non-interaction there, and into every nonchalant assumption the characters casually voice.

I’m sure there’s more meaning and are more details I missed, too! What did you think? I’d love to learn more from others’ perspectives, too. :)

[oneatlatime]

The Guru

Happy 2024 everyone and welcome to the first time I managed to type 2024 without first typing 2023! Oh and also a write up of The Guru. That too.

Me too Iroh. Me too.

So Zuko is riding high on that post-crisis 'time to get my life together' buzz that, similar to 3 am life plans, should absolutely not be listened to. Wonder how long before he crashes and burns? There's literally 2 episodes left, so I'm guessing one and a half?

Poor Sokka. My boy's got anxiety.

I don't know if it's a monk thing, an airbender thing, an Avatar thing, or an Aang thing, but I envy his complete lack of nerves.

How is Appa ok with them splitting up for a week after JUST getting them back?

I paused in a funny place. Have bonk-eyed Appa.

I love them comparing heights. What do you want to bet that that guy on the right was one of the youngest allowed to go fight, and Sokka made a big deal about how they're almost the same age and surely that means he can go too, right?

A lot of these Southern Water Tribe people have dreads or braids. That's neat.

Bato's arm is still messed up. That's some good continuity.

I've found the source of Katara's cheek bones. I guess Sokka takes after his mum.

Ok I know this is a really emotional moment (and it is! Sokka's spent two seasons earning this!) but my brain fixated on the furs and briefly thought they were sky bison pelts.

"It's been a difficult week for me." This guy thinks the Kyoshi Warriors are there to provide him therapy. Someone please just crown the bear instead.

He just gave away literally every relevant plot point AND outlined how to make sure all these plot points don't succeed. Crown. The. Bear.

Maybe if these generals spent less time playing with their giant model Earth Kingdom and more time general-ing, the war wouldn't suck so much?

Pretty.

I LOVE LOVE LOVE the designs, the colour palette, the music, the sound design of this air temple. I love everything about it. If I had the chance to live anywhere in the Avatar universe, it would be here. Even in its ruined state it's such a refreshing contrast to the claustrophobia of Ba Sing Se. I can feel the freshness of the breeze through the screen.

"A spiritual brother of your people" an adult perspective on a near extinct culture! What a resource!

"and a personal friend of Monk Gyatso" an old as balls perspective. He's got to be at least 130.

Anthropology cul de sac time: this guy is so valuable as a resource on the Air Nomads. There's probably parts of Air Nomad culture that Aang can't ever accurately talk about, because he was a kid when he left, and there was almost certainly stuff that the adults kept to themselves, or only shared with the older Air Nomads. This Guru doesn't seem to be an Air Nomad himself, but there's a good chance that there is knowledge that he has, that Aang doesn't. Aang should be nerding out more about this. I'll do the nerding out for him.

Aang just breezes right by that Gyatso name drop like it's nothing. Huh.

Oh hey Toph. I'd forgotten she was in a box. Tweedle dum and Tweedle dumber really are quite the pair. What's their plan for keeping her fed and watered? Actually, these guys apparently don't know that maps exist, so it's probably never occurred to them that humans need sustenance. They'll rock up to the Bei Fong estate with corpse Toph and wonder why they aren't getting the reward money.

Mai gets called out in-universe for shopping at Hot Topic.

Ty Lee's buttering up of Azula is getting less and less subtle as the season progresses. It's a testament to Azula's lack of awareness that she's hasn't noticed that, and that Ty Lee can get away with it.

Azula's right that it's an extraordinary opportunity. The King gave them quite literally every piece of info required to overthrow his kingdom in a 25 second conversation. I can't blame her for taking advantage of such an easy win.

That's a very effective unimpressed face. And a very impressive beard.

It's funny to see a spiritual concept from the real world pop up in a show that includes things like bending and giant fish possession. The mention of Chakras kind of sticks out. They couldn't invent a Avatar universe version?

"Once you begin this process, you cannot stop until all seven are open." Well that doesn't feel like foreshadowing at all.

This episode should be called "Aang's self-care Journey." It's about time the kid had a me day that wasn't avoidance-based.

Fear: Losing Katara - makes sense. Losing control of his powers via fish possession - makes sense. The Fire Lord - makes sense. But the Blue Spirit? He helped. Doesn't make sense.

Guilt: Running away - makes sense, although I thought he'd worked through that with Katara in the storm. Nuking that idiot General's base - makes sense, but boy did he quite literally ask for it.

This guru is saying some wonderfully accurate, and realistic, things. I love that he's not taking the Katara route of denying anything is wrong. He's going for the acknowledge, then heal route. And yes, it's unfair of me to compare the emotional maturity of Katara to a century+ old spiritual expert.

I'm going to ruin the immersion here and point out that Sokka's dad's voice actor voiced a bunch of characters in season 1. He's doing an excellent job, but couldn't they get a unique voice for a character that's so important (albeit offscreen) to Sokka?

That's an incredibly roundabout way of avoiding pointing out that the Southern Water Tribe are active participants in a bloody war. Sure, we can show multiple characters with visible scarring from horrific burns, but heaven forbid we imply that the Southern Water Tribe sinks ships. The parameters for what is and isn't appropriate on this show sometimes make no sense.

"Aren't you listening? I said the rest of you men get ready for battle." He hasn't seen his boy in two years, but fifteen minutes in his company and he knows exactly what needs to be said and how. That's some top tier parenting. Dad of the year. Dad of the century. Only decent Dad in this show that isn't technically an uncle.

"Follow your passion Zuko, and life will reward you." Great advice for your eight year old audience. Also a great way to end up unemployed.

Positive Sokka creeped me out a few episodes ago. Now positive Zuko is freaking me out too.

Pretty.

Back to Chakras! Shame: Burning Katara - makes sense. But that's it? To have the inner peace of mind of a twelve year old who's somehow only ever done one thing that he's ashamed of.

Is there anyone in the earth kingdom who isn't stupid? Once again wondering at the network's standards. Visible burn injuries are fine, but Mai can't say 'Shut up." It's got to be Shush up. Although I do seem to recall of brief time in the early 2000s when Shut Up was treated as a curse on par with Shit or Fuck. Maybe that was just at my school.

Chakras again! Even for a show that often has an A, B, and C plot, this narrative is ping ponging around a bit much.

Grief: nothing major, just a whole nation. Makes a horrific amount of sense. but I don't buy that he can get over grieving the whole world as he knew it by thinking about his crush. That's way too high a pedestal for Katara to be placed on.

Lies: Not accepting he's the Avatar. Interesting that not accepting that he's the Avatar and not accepting that he's a firebender are two different problems.

I see you reusing the opening credits footage. Your blue filters can't fool me.

PRETTY

Illusion: So we're relearning what we learned in The Swamp. Aang's probably the person currently alive least likely to believe in the rigid separation of the nations anyway. This doesn't feel like an illusion he's subject to?

The way this episode dances between its narrative threads is so great. It's all woven in so beautifully. And this makes perfect sense! Toph's spent her life secretly doing things excellently that everyone says are completely beyond her capabilities. Life has taught her that the statement "you are not able to" doesn't apply. Of course immutable laws of bending physics are treated with the same respect as an adult telling the champion of the Earth Rumble that she's can't earthbend beyond breathing exercises. If you told her that humans can't fly, she'd figure out how within the week.

Plot collision incoming.

Interesting that Katara initially recognises Zuko by his voice rather than his scar.

I'm pretty sure that Zuko and Iroh don't know about the whole brainwashing thing, but wouldn't it be hilarious if Zuko introduced himself to Katara as Joo Dee, and his uncle Joo Dee, welcome to the Jasmine Dragon, can I take your order? That would throw Katara into one hell of a moral quandary.

Katara being framed as the solution for Chakra number four comes back to bite Aang, as she's the problem in Chakra number seven. I knew that pedestal was too high.

I've changed my mind. This episode should actually be called "Half a dozen reasons why everyone should just learn to keep their goddamn mouths shut already."

So is anyone going to let Zuko and Iroh know that they're now in immediate danger and need to leave, like, yesterday?

I think the Guru is going for the whole 'if you love them, let them go, and they'll come back to you' thing. Don't cling, in other words. But for the sake of the plot he's suddenly lost his ability to explain Chakras in a way that makes them seem like the logical thing to do. The only clunky bit of this episode so far.

May I introduce you to our Lord and Saviour Toph?

"I am the greatest earthbender in the world." Yes. Yep. Yeah. That's now a quantifiable fact, and it's correct. Look on ye mighty and despair. She's even got Bumi beat.

Earth Tongue Running is a bit wonky looking but it covers a crazy amount of distance.

What's the range on Toph's earth sense? Can she sense what direction Ba Sing Se is?

I hope those two idiots' horse bird is ok.

"You don't know how much this means to me dad." He does. Very much so.

Every word out of this guy's mouth is precision engineered to make Sokka feel like a million bucks and I for one think it's about time someone built him up. Also, seeing this makes me realise how few good parents there are in this show. It's a trope of kids' adventure shows that the parents fundamentally can't be there, but I also think it's a commentary on yet another thing that this war has messed up.

Hey look! Being a man is knowing where you're needed the most, and right now that's in Ba Sing Se, protecting your sister! I love narratives that tie their themes up with a pretty bow on top.

This is Azula laying a trap, right? Which means that Katara squealed to someone about the exact location of Iroh and Zuko's tea shop. Don't like the implications of that.

Photos taken seconds before disaster.

Final Thoughts

This episode was a lot! I mean that in a good way! But I felt a bit like the Maxell Blown Away Guy, the way I kept getting assaulted by yet another plot thread. Don't get me wrong, this isn't a criticism. I think the switching between plot threads and the amount of info in this episode worked 99% of the time. But I'm kind of in awe at the balancing act the writers pulled off and I'm sort of sitting here blinking a bit trying to fit all this stuff in my head. I'm probably going to forget half the stuff I wanted to talk about in this write up, so here goes nothing.

Given the Azula reveal in at the end of last episode, I thought that this would be the episode where the shit hits the fan. I was wrong. I'm glad I was wrong. An episode of set up is required and is nice breathing room, even an episode as busy as this. And I got to leave Ba Sing Se! But this does mean that next episode is going to be calamity after calamity.

Aang and his Chakras: I'm fascinated by this guru. I hope he comes back. That brings the total number of people who were alive before the war started up to three: Aang, Bumi, Guru Patik.

I'm impressed that the run through of the Chakras rarely felt like an info dump. The onion and banana juice thing didn't work for me, but I'm sure it worked for people in the target age bracket. Kids love burp jokes.

So many shows sprinkle in tragic backstories for flavour and then never have them influence the character in the present. It was a nice contrast to see a show take a whole episode to tell Aang "yeah all that sucked. It's ok to feel down about it. Here's how you move forward."

Sokka and his dad: Love it. Love it so much. I love seeing Sokka built up, and he definitely deserves it, but I wonder if this is the reward for a character arc well done, or the set up for a character arc that's about to start? Is his dad's praise his prize for crossing the finish line, or is it so he's built up with farther to fall?

I loved seeing more of the Southern Water Tribe. I loved the fashion. There's a lot of variety in accessories and variations on a few basic elements like those knee guard things. I loved their hairstyles. I loved how cozy and communal that command tent felt. I loved their ships. I wonder how often these guys work out, that they can make loading ramps that are presumably deployed and stashed out of the way frequently, out of whole logs rather than planks. I have a bone to pick with the child-friendly sea mine. But it provides a good set up for a dad joke, so I'll let it slide.

Zuko and Iroh: Of course the one time Zuko is allowed to be in a good place, it's so that he and Iroh both have farther to fall when the inevitable happens. Poor guy just can't catch a break. I'd be mad at Azula for the party crashing that I'm assuming she'll do next episode, but it's been established that Zuko has all nice things taken away from him as soon as he gets them, and I can't blame Azula for being a tool of the universe.

Azula & Long Feng: Azula's acting in Long Feng's prison cell was miles ahead of what Long Feng was doing in front of the Earth King, so I'm wondering if Long Feng has bitten off more than he can chew. Also: conspiring with the enemy to bring down your own city just so you can reinstall yourself as the power behind the throne that will presumably cease to exist as soon as the Fire Nation takes control? That is both treasonous beyond description and an incredible case of shooting yourself in the foot. What's Long Feng's plan here?

Toph and the Dunderheads: it says something about the consistency of Toph's characterisation from her introduction onwards that she breaks the universe this episode and my reaction was "that's neat." It's obviously a huge moment, but of course Toph can do that. Toph can do anything. More importantly, Toph knows that Toph can do anything, so Toph routinely does do anything, especially things she shouldn't be able to do. If you had asked me a few episodes back which character would be most likely to fundamentally redefine bending, I would have said Toph, since she's already fundamentally redefined bending with her earth sense sonar vision.

Also Toph just breaks stuff. Things that come into contact with her cease to function as intended and instead function as Toph requires. Look at the two idiots: both successful business owners, one also a successful hoodwinker of the richest family around. But they come into contact with Toph and their brains take an extended vacation.

Katara & the Generals: this plot was more like an extension of Azula's plot than its own standalone thing. You can't blame her for spilling the news about Zuko and Iroh to someone she honestly thought was Suki. Not much else to say about it, although it's cute that she asks for a table for two at the tea shop. Momo gets a chair!

I like that there's a theme this episode of things going wrong despite the best intentions. No one's acting maliciously here apart from the Antagonists. The Earth King is having an honest chat with people he thought were friends. Sokka vouched for people he honestly thought were the Kyoshi Warriors. Katara shares information about a presumed threat with people she honestly thought were her allies. You can quibble with the wisdom of some of these decisions, but there were all done with good intentions. The best laid plans of mice and men oft go awry and all that. It brings to mind that Star Trek quote about how you can do everything right and still lose. And this set up is going to hit harder when whatever goes wrong next episode happens. And something will go wrong. A few months ago I figured that the Season 2 finale would be a triumph, but all signs are pointing towards a tragedy instead.

This episode was visually stunning, the soundtrack in the Air Temple sections especially was very evocative, and I applaud the minds that could juggle that many plot threads at once without dropping any. This one is definitely going on my rewatch list.