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demigodofhoolemere · 11 months ago

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Collecting all of my thoughts on the 60th specials now that they’re over and there’s a cohesive overall picture, because I had many and I want to de-clutter them in my head for my own sake. Not in any particular order of significance, just stream of consciousness as I rewatch.

Be warned that while there were definitely things I enjoyed, there’s going to be a good bit of negativity in here, so if you understandably don’t want to see critiques of something you really liked, please do yourself the favor and don’t read this. I know what it’s like to see very negative takes on something you loved a lot and I know how bad it can feel as it sits with you in your stomach for a while if you’re particularly sensitive to it. Enter at your own risk. Also, I’m not looking to be argued with so if you read any of this and disagree with me on things, please just keep scrolling. This is just me throwing my thoughts at the wall.

And obviously, massive spoiler warnings here. I’ll be talking freely about all the things.

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THE STAR BEAST

- I’ve seen people make fun of the opening but I don’t find anything wrong with it in particular. The Doctor standing there like he was cut and pasted is a little silly but it’s not laughably bad either. I get the feeling they realized after they’d already shot the specials that they needed a recap and threw it together pretty quickly but it’s not terrible.

- The new credits are GORGEOUS and the music makes me very happy.

- I have issues with it that I’ll get into but despite myself it’s nice to see Tennant again. He was my first Doctor and his era is very nostalgic for me so it would be hard to be totally unhappy to have him around.

- That said, now with the context that the return of this face somehow has nothing to do with the Toymaker, I’m baffled and not a fan of bringing him back just for the sake of it. I really thought there was going to be SOME kind of interference by the Toymaker that would be delved into a bit when he eventually turned up, something to justify this, but no. Which means that he really is just back because that particular regeneration needed closure or something, and yeah, Ten had issues and not the happiest sendoff, but in my personal opinion it just feels more like favoritism from RTD. For 57 years, regeneration has meant letting go, and it comes across like RTD can’t do that if he has to make up non-interference-related reasons for bringing an old face back and thereby altering regeneration mythos (which he does again in an even worse way later…) by suddenly saying it’s possible for a past life to come back. I know there’s technically precedence for old faces returning, in the form of the Curator, but that was done so quickly and vaguely that it’s not invasive. This is asking us to go along with old faces coming back for *checks notes* reasons, and to give a whole new number, altering our numbering system forever, to who is essentially just Ten again. I’m sorry, but I am never calling him Fourteen. I’m resigned to the fact that I’ll have to refer to Ncuti as Fifteen and so on from there, but that’s just Ten. The only difference is that he’s got three more lives in his head that make very slight differences to his personality. Very, very slight. But it’s bugging the crud out of me that Tennant is apparently so special that it’s fine to randomly have him become himself again, that he gets two numbers, and is now being made to appear twice on every poster that has the full lineup. I am never going to acknowledge him as a whole new regeneration between Jodie and Ncuti, I’m sorry. I adore Tennant, he’s my first and I’m legally obligated to mention that I do love him extremely dearly, but if none of this had anything to do with the Toymaker torturing him and playing with his emotions or something by making him look like his old self who had so much baggage, then this whole thing is immediately silly and self-indulgent on RTD’s part.

- I know that the Doctor and Donna were brought together again because the two of them combined as the DoctorDonna could save London, but it happens so fast and without emotion. Their paths just sort of happen to cross, immediately. It’s done very quickly and in a way that doesn’t let me feel the full weight of him reacting to seeing her again.

- However I love seeing Donna again. She’s very much the same Donna I’ve always loved and it’s great to see her.

- I do like bringing back the recurring joke of Donna missing out on obvious alien attacks, lol.

- Nice that this stuff takes place in Camden seeing as Bill Hartnell partly grew up there.

- I appreciate moments like the psychic paper saying “Grand Mistress” instead of “Grand Master” as acknowledgment of Thirteen’s existence. I was worried she’d be entirely swept under the rug.

- Allons-y! 💙 That does my inner 2012 self’s heart good.

- Shaun Temple is a sweetheart and a delight.

- Gotta love throwing in one last reference to Nerys, lol.

- Donna, I’m proud of you for being such a good person that you want to give away your money to people in need, but keep at least SOME of it, girl! You’ve got a family!

- Shirley Anne Bingham is awesome and she can stay as long as she likes.

- Oh boy… pretty much everything to do with Rose feels very ham-fisted and clumsy to me. You can have a trans character without going about it like this. If the point is supposed to be to normalize portraying it in media, then it should be natural, not be about making a point. Shoving it down the audience’s throat every minute is naturally going to make people dislike the writing, even people who fully agree with the intent. I’ve already seen a fair number of LGBT+ viewers discuss this being poorly done. It doesn’t feel well-written to me and I don’t think it’s going to age particularly well either. More on this later as the worst of it crops up.

- I love Sylvia trying so hard to protect Donna by completely denying anything alien and acting like everything is normal. This poor woman is doing everything she can. I never thought I’d like her so much.

- Sad to hear Donna talk about feeling like she’s lost something but never knowing what it is.

- The Meep and the Wrarth Warriors all look incredible.

- Not a fan of the sonic basically being a magic wand. There’s a reason they ended up ditching it in the Classic series, because it was getting so that the Doctor relied too much on it, and that was before it had anywhere near the convenient powers it’s had throughout the modern series. This is a big step even further than they’ve ever taken it before and it really took me out of it. The sonic shouldn’t be able to create Iron Man HUD screens or Green Lantern hard light shields. I’m hoping they don’t do that again as the show continues.

- Murray Gold’s music is beautiful and it’s great to have it back. It does have a tendency to get too loud, though. I like to hear what people are saying.

- I do quite like the interactions between the Doctor and Shirley. She’s got a good personality to bounce off of him. I especially like them waving at each other as he sneaks off onto the UNIT truck.

- That pretty purple light coming from the ship was more exciting when I thought it was the Toymaker’s power coming to control them. Oh well.

- Love Donna’s reaction to the Meep.

- Poor Sylvia at her wit’s end. Someone help that woman.

- While it’s fitting that the Doctor has now been slapped by the trifecta of mothers from the RTD era, I’m not sure that we should still be doing gags like that where it’s apparently okay and funny to slap someone if they’re a man. The reverse would go down very differently. At least in context it makes perfect sense for Sylvia to be angry that he’s shown up and to want to get rid of him, but I hope that kind of humor doesn’t stay.

- Shaun walking in on all of this chaos like

- Nice to see the Doctor get emotional over Wilf. Same, dude.

- ^ I also really like that Kate took it upon herself to get him into a nice care home practically for free. I appreciate that she gets in touch with so many of the companions and that she’d go out of her way to help him have what he needs. I could see her dad doing that, too. I’d like to think that Yates is in the same care home (considering Richard Franklin is in real life at this point) and he and Wilf can share stories.

- Gaaahh at, “You’re assuming ‘he’ as a pronoun?” Nobody talks like this.

- Not sure the Doctor should be talking so freely about aliens and two hearts right in front of Donna and risk her remembering. He even casually hands her the sonic for a moment and shortly after starts explaining what it is. Probably not the best idea. Bit careless, mate.

- Part of me feels like the barrister wig bit is a little too silly, but then again:

- Anyone who had any awareness of the original comic was already waiting for the Meep’s turn, but knowing didn’t make it any less of a good reveal. I liked the very sudden shift.

- Shirley having weapons in her wheelchair, heck yeah. Reminds me of the Brig’s concealed gun in his cane in SJA.

- I like Donna feeling compelled to help even if she can’t remember having ever done anything like this. I also like Sylvia’s chilled realization that Donna called him “Doctor” without having ever been told.

- Lol at the kid watching the destruction from the window and not running or looking freaked out in the slightest. Boy has no self-preservation instincts.

- There is definitely some good emotion going on with the Doctor’s conflict in having to reactivate Donna’s memories, and it’s extremely well acted, but for whatever reason I don’t feel as much weight here as I should. It’s not just that I’m too disconnected from their original run at this point, because I rewatched The Stolen Earth/Journey’s End as well as The End of Time in the lead-up to this airing and I was severely emotionally impacted like I’d been thrown back 10 years in time, so I have no idea why I just don’t feel as much as I wish I did. It’s definitely not about their acting. Maybe it’s just too quick? Because I feel like the pacing of this episode in general goes by so fast that there hasn’t been enough time to really drive home the drama of what remembering will do to her, or the full extent of their relationship. Everything just sort of happens. The conflict of having to choose to restore her memories is great but the actual regaining of those memories just feels… sudden? Unearned? I don’t know.

- Don’t know how to feel about Donna having straight up Winter Soldier trigger words to unlock her memories.

- I really feel like her getting her memories back should have been a much more emotional moment between the two of them. She has no reaction to suddenly having it all back — it’s just undercut with the humor of yelling about having given away all of her lottery money, and being mad at him that there was a subconscious part of her that had his influence that drove her to do that. Honestly, I believe Donna would do it anyway, you don’t need to make some explanation for his soft heart still sticking around in her head like she wouldn’t have done that on her own. After a decade of wishing Donna could one day have her memories restored, this isn’t what I wanted out of it.

- It’s better a minute later when she realizes she only has 55 seconds left before her brain fries but she’s okay with it because it’s the best 55 seconds of her life to now be fully herself again. It’s also sweet when the Doctor is holding her as she begins to fade away, even if it’s undercut a moment later by her suddenly waking again.

- I’m not sure why the metacrisis energy in her head would split off and have half go into Rose in the womb. I suppose you could come up with a way that makes it make sense but it’s pretty convenient.

- Doctor: “We are binary.”

Donna: “She’s not. Because the Doctor’s —”

Doctor: “Male.”

Donna: “And female.”

Rose: “And neither. And more.”

… Huh??? Are they trying to say that Rose is trans because the Doctor is capable of being either male or female and the metacrisis somehow passed this on?

- I like the quick moment between the Doctor and Sylvia. Didn’t know I wanted more of them.

- The Meep’s ominous allusion to “the boss” doesn’t seem to have been about the Toymaker, so… what gives? Not that that’s a bad thing that it wasn’t, I wasn’t sure what to think of him having people working for him anyway, but I’m curious if that thread will ever get picked up.

- Donna: “Yes, we know.”

Rose: “We know everything, thanks.”

Donna: “And you know nothing. It’s a shame you’re not a woman anymore. ‘Cause she’d have understood.”

Rose: “We’ve got all that power, but there is a way to get rid of it. Something a male-presenting Time Lord will never understand.”

Okay, first off, why the attitude with the Doctor? Geez. Second, Thirteen never let go of anything in her life lol, no she wouldn’t have understood. Third, did they not just say that the Doctor is ‘male and female and neither and more’? Now a few minutes later the Doctor is suddenly just a dumb man who could never understand because he doesn’t have a woman’s perspective? One minute we’re saying gender doesn’t matter because he’s both and none, the next we’re using the standard binary against him to act like the women are so much smarter than him? There’s no need to pick on him like that, and please, just pick one, you can’t have it both ways. Also, oh my word, ‘male-presenting Time Lord’? Russell, can I have a word with you about writing sentences that sound like they would actually come out of someone’s mouth?

- ^ Additionally, the solution to the metacrisis is to just… let go of it. They literally just choose to make the energy leave them. Easy as that. That feels so incredibly unearned and completely undermines the stakes involved. For 15 years Donna was at risk of having her head explode. Her ending was an absolute tragedy with very serious consequences. And now they just go, ‘Well, they can let go of the metacrisis though’. All of the drama of her circumstances feels horribly undermined by the easiness and convenience of that. I don’t think they should have fixed everything in just the first episode of this anyway, let alone that lazily.

- I am quite a fan of the new TARDIS interior. It’s a bit big, hopefully we’ll get some furniture in there over time or something, but it’s a very neat design. I’m very pleased to have the Classic white back, but that the lights can also change colors if they feel like adding a bit more mood or character to a scene. I’m also assuming that its wheelchair accessibility means we’ll get Shirley in there at some point, which I look forward to.

- Aw at the Doctor remembering how Donna takes her coffee.

- “I really do remember, though. Every second with you. I’m so glad you’re back, ‘cause it killed me, Donna. It killed me, it killed me, it killed me.” Aw 💗

- “I said so!” Poor Sylvia, lol.

- Watching this the first time under the assumption that the Toymaker was pulling strings throughout the first two specials, I really thought they ended up at the end of the universe because he hijacked the TARDIS, and the coffee was a coincidence. Nope. Turns out the TARDIS really just broke down that bad over one spilled cup of coffee. It really should be more resilient than that!

~~~~~

OVERVIEW

I liked more than I realized, there is some good in here (Sylvia was the unexpected MVP), but for me the bad just outweighs it too much. The things I do like are generally small moments and the things I don’t are generally quite big ones, which is a problem. I’ve got a number of issues with the writing, and that’s just if the episode were standalone, let alone the fact that this is supposed to be for a big anniversary. In the context of the entirety of the specials it’s got even more problems. This doesn’t feel like it’s celebrating anything, except perhaps the original comic which is nice at least, but apart from that, it’s just… an episode. A poorer one at that, imo. The pacing is rushed and the writing is often either forced or lazy or both. It doesn’t have anything to do with the next two specials and it doesn’t set up anything that it should. Maybe I shouldn’t have expected that it would, but I find it bizarre that it doesn’t.

I really wanted to like this and I went into it expecting that I would, but even beyond the writing problems, I just couldn’t connect. I don’t know if it’s the pacing or what but I don’t feel nearly as much as I want to and feel I should. Ten and Donna are being very much themselves and they’ve got stuff here that should make me emotional, and to a degree it does, but… something is just off. I don’t feel the weight of it, and that’s a recurring problem throughout all of these specials. For whatever reason the episodes just don’t emotionally resonate with me for the most part, even if I’m pleased to be watching Ten and Donna and should therefore be more excited about it and care more about the fact that they’re back on my screen. I really, really want to care more about seeing them again. I do care, but it’s just… off. The rushed resolution to Donna’s problem doesn’t help, either. I don’t feel the emotional payoff. Part of me feels like if they were going to undermine the impact of Journey’s End by solving everything with such ease and casualness, then maybe they shouldn’t have done this at all. And I love Donna, I do, I’ve always wanted her to remember eventually, but I really feel there needed to be more to it than this. This doesn’t feel earned. I’ve got little to no emotional catharsis out of it. I would wonder if it was just a me problem if not for the fact that my sister came away from it feeling the same. Tales of the TARDIS handled this better for Jamie and Zoe in just 5 minutes — they didn’t have stakes for remembering like Donna did, it was just a cruel thing done to them, so it doesn’t feel like it’s undercutting anything to have their memories restored just as easily as they were taken, and there’s a whole ton of emotion packed into that 5 minutes that feels real, earned, and gets to me every time I’ve watched it. Why I don’t feel the same about Donna is beyond me.

I’m really struggling to understand why after just this first episode so many people were rejoicing that RTD has saved the show. Granted, I didn’t hate the Chibnall era, just select parts of it in the same way that I would have problems here and there with RTD and Moffat, so I’m not coming from a place of having felt like the show I loved was dead, but I really don’t see how The Star Beast is any better than most given episodes of the preceding era. I didn’t feel some magical shift. If anything, I liked most Chibnall era episodes more than this. I don’t know what everyone is talking about.

Thankfully the next special is a vast improvement imo.

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WILD BLUE YONDER

- The opening with Isaac Newton just feels completely unnecessary to me. I feel like Russell just wanted to make a joke about changing the word “gravity” to “mavity” and decided to create that opening scene. I believe I also saw that the actor is a friend of his so this also could have spawned from him trying to create a bit part for him. Whatever the origin is, I’m not a fan of it. I really hope the mavity joke doesn’t continue past these specials, because I find it very annoying for reasons I can’t even quite place. Just gets on my nerves. And let’s forget the fact that the word gravity existed before Isaac Newton anyway.

- The TARDIS blaring the military song at the beginning and later near the end is another thing I would have sworn was the Toymaker having a laugh. Nope. No clue why it’s doing that, then. They do say something about the TARDIS playing them a war song, I guess they mean to imply it was some kind of warning of what they were getting into? But it kind of just happens. I feel like RTD keeps doing things without explanation just for fun. And there’s definitely a time and place for that, but in these specials it keeps being stuff that really should have elaboration and then they just don’t.

- I really like the massive spaceship and its design. Feels like something my brain would make up as I’m listening to a Big Finish story. The moving pieces are awesome as well.

- This is just me being someone who primarily prefers the Classic series a lot of the time, but I’m kind of done with New Who making a point of people’s attractiveness. I don’t need commentary on how hot the characters think anyone they’ve run into is, let alone a historical figure. New Who has a strange obsession with sexualization. RTD and Moffat are the worst offenders with this. Can’t call to mind times where that happened in the Chibnall era but I could be missing something. In any case I really want them to grow up a bit.

- Hey, that’s the first reference to the Doctor snapping his fingers to control the TARDIS in who even knows how long! Not that I was even a fan of that concept but it’s interesting to hear about it again.

- I like that Ten quickly stops himself from placing any blame on Donna and apologizes.

- The Doctor kissing her hand and holding it to his chest when she starts panicking is very sweet. 💗

- Woohoo, bringing back the HADS! Troughton fans unite!

- I love the robot. That is a great robot.

- I totally thought that the void outside was the Toymaker’s realm. That’s what I get for listening to Solitaire I guess.

- ^ I was also waiting for the glass that the Doctor was pressing against to completely disappear and he would fall into the Toymaker’s realm. Would make a good fic though.

- With all of the shots of Ten and Donna being watched from behind I kept expecting the forms of old companions like Susan or Steven to show up to mess with the Doctor. Never mind.

- I knew he was going to lick the strange gooey substance. Same old Ten.

- Poor Donna wondering what her family would do if she never returned.

- I thought it was abrupt that the Doctor had finished his job and already come back to Donna, but the moment where we cut back to the Doctor fiddling around immediately made it click that Donna was NOT talking to the real one, which is terrifyingly creepy.

- ^ I assumed at first that the Toymaker was faking being the Doctor to get information out of Donna. Then when the fake Donna turned up I thought they were both just his puppets he’d sent. Even when it was revealed what they really were I still imagined the Toymaker had something to do with sending them after them. Still jarred that these first two specials had absolutely no set-up for the big bad they were teasing in promotions for ages. But this particular instance is still very good without having anything to do with him. The Not-Things are chillingly creepy and I was constantly on edge.

- I like how Donna has absolutely no reaction to, “My arms are too long,” as if the Doctor would just say that lol.

- The long arms are so freakish in the best kind of freakish way.

- I seriously thought for a minute that they were turning into giant marionettes. There’s a bit of music during the reveal that sounded a bit circus-y for a moment as well. I could not stop seeing the Toymaker around every corner lol.

- David and Catherine kill it as the Not-Things. It’s fascinating to see them play against themselves in such a dark way.

- The way they look when they’re growing enormous and are appearing more and more freakish really feels like something my brain would concoct while listening to Big Finish if they did a story like this.

- I really enjoy the darkness going on here generally. They didn’t shy away from being absolutely twisted and terrifying and disturbing. It’s good to have a bit of that sometimes.

- This is seriously David and Catherine at some of their best. This special has the best stuff for the Doctor and Donna as a duo and their relationship, as well as having to play everything twice. They’re so good at making the Not-Things convincing that I was genuinely having a hard time figuring out which ones were real for a while.

- I hate the Timeless Child lore but it’s used here to good effect. Same with the Flux. I actually quite enjoyed the Flux arc but the fact that it did permanently wipe out half the universe without getting reversed or fixed and we just don’t talk about it is ridiculous. While I wish they would fix the situation, similarly to the Timeless Child it’s used well here.

- That contorted crab walk thing is incredibly disturbing even if it does look stupid lol.

- Really, how can they use a line like, “To play your vicious games and win,” and not have me think the Toymaker was involved somewhere in here?

- The Doctor not being able to stop thinking is very relatable lol. I would fail so badly in this scenario.

- I really like the design of the old captain of the ship. I’d love to see what that species looks like when they’re not just skeletal remains. Unless they actually do just look like bone anyway like Thestrals, in which case that would be even cooler.

- Everything about the climax is very well-executed. The drama, the pacing, the stakes. Very strong stuff.

- Poor Donna being left behind. But do you know what I was expecting? Naturally, for the Toymaker to pluck her out before the ship exploded so that he could keep her alive to force to play games. These specials did not go anything like I expected lol.

- Sweet Ten and Donna just sitting there reeling for a minute.

- Not sure what invoking a superstition at the edge of the universe is supposed to do with the return of the Toymaker in the next ep. He says it’s because the walls of reality are thin and all things are possible, but that doesn’t mean that pouring some salt on the ground magically has something to do with him specifically. Feels like a very weird reason to give when the logical thing to do would just be to say that the Toymaker has been plotting to get him back for a long time and finally showed up now.

- Wilf broke me. This was the one thing in any of these specials to get me truly, legitimately emotional. Shed a tear over him and his sweet face. It’s a shame they weren’t able to film any more scenes with him but I’m so glad they got that one in.

~~~~~

OVERVIEW

By far the best of the specials. I quite enjoyed the sheer darkness and madness of this one, and David and Catherine absolutely knock it out of the park. The writing is largely very good and it’s very effective in its scare factor, as well as in showcasing the relationship between the Doctor and Donna. This is the best stuff they have in any of these specials and I felt a little more connected to them here than in the other two. That doesn’t say as much as I’d like it to, but I’ll take it.

It stands up very well on its own, which in one way is great and the mark of a wonderful episode, but in another way also speaks to one of my overall problems with these episodes which is that they’re not connected to each other. This is a fantastic story and extremely well done, but once again it doesn’t feel like it’s celebrating anything and I truly don’t understand why these specials weren’t written to be a lot more connected than they are. At the end of the day it’s just a collection of random episodes that fill a gap before Ncuti takes the reins. That said, I’m not complaining about this one, this really was very interesting. Definitely the standout episode out of the three.

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THE GIGGLE

- Getting this out of the way right from the start lest I comment on it during every scene of his: NPH steals the show. He acts his heart out here. On the one hand it’s a very different approach to and portrayal of the Toymaker, which would otherwise bother me, but I can buy it as a Toymaker who has had centuries and centuries since the original serial to grow madder and madder and madder (and though he doesn’t regenerate like a Time Lord, I’d still be willing to believe that pieces of his personality might shift with different faces). On the other hand, there is still very much an element of Michael Gough in his darker, more intense moments. Glints that you can see in his eyes and his wicked grin. Very different but very the same. I really wish more of the episode had focused on him, and even further that he had been involved in all three of these specials.

- I appreciate the different accents he puts on throughout, as it proves me right that he just copies things from all manner of cultures he has no connection to. Vindication.

- Genuinely creepy in the opening scene the way he talks about the doll family as if buying the one doll would be separating it from its family and make them sad. You get the impression he’s not kidding. Even creepier when he says the hair on the doll was from a woman who won’t be missing it and won’t miss anything ever again. This one scene sets up right from the off that he is deeply unsettling and has done truly horrifying things to the victims of his games.

- I keep looking for Easter eggs in the toy shop and keep finding nothing lol. Wasted opportunity to have a Trilogic game or something hidden in the background.

- There’s some very dark music that plays frequently which seems to be the Toymaker’s theme. I really like it.

- Very unsettling that the Doctor’s first interaction with the Toymaker is unbeknownst to him. I like that he just stays in the background for a minute before messing with him while he still doesn’t know it’s him.

- I don’t like that the new UNIT building is essentially Stark Tower. That’s much too ostentatious for an organization that’s supposed to keep a low profile. Their building in The Power of the Doctor was already way too big. I don’t know why they seem to have gone very public now.

- I like that Kate is so scared by all of this that the first thing she does is to just grab the Doctor in a hug. Also, nice shoutout to Kate having fought Yetis.

- Mel! 💗 It's so nice to have her here. I haven't seen her Classic stuff yet but I've always adored her from afar, she's so precious. I'm always here for bringing back old friends as long as it's done well. The Doctor's reaction to her is so sweet.

- Sorry to disappoint, Mel, but you’re not the first redhead lol.

- Cool little robot guy. I'd ask why they have him working for them but they also had an alien as their scientific advisor for years, so whatever.

- Very interesting to demonstrate what happens to people's minds by turning Kate's protective armband off. Her tirade over nothing is both funny and frightening.

- The return of newscaster Trinity Wells! Nice to see you, girl. Though I have no idea how UNIT not only created but has already been trying to mass produce and give to the world these Zeedex bands within 2 days for this to even be on the news. Apparently they were an invention of the robotic character the Vlinx but that’s still a bit fast lol.

- I like that Donna was able to figure out the music scale from a perfectly ordinary experience. And lol at having Bonnie Langford sing the arpeggio.

- Considering the implication that having traveled in the TARDIS prevents the effects of this on an individual, I now want fic of every companion who's living in modern day Earth reacting to all of their neighbors and family suddenly losing their crap. Ian and Barbara watching their friends pick loud fights in the streets, Jo seeing every member of her family go mad. Not to mention the characters who either never set foot in the TARDIS at all or not long enough for it to protect them. Poor Liz Shaw somewhere, and Benton and Yates. All of the SJA kids except for Sky since she's an alien, and she'd have to deal with all of them being terrible.

- I like that they have Mel doing some technical stuff since she was supposed to be a computer programmer.

- Glad they gave a reason for why and how Mel is back on Earth lol. Nice shoutout to Glitz while they were at it as well.

- Kate really seems to like offering everybody a job lol.

- Subtle bit of creepiness to the Toymaker that no matter how many of his juggling balls he throws, he's still juggling the same amount of balls.

- I'm glad they had him already know Donna's name. I imagined he would have to but you never know what writers are gonna do. I'm also very pleased that it's immediately acknowledged that the Toymaker is an extreme threat by having the Doctor tell Donna to go back to the TARDIS the second he's realized who it is.

- Heck yes to the brief Hartnell and Gough flashes! It's not only lovely to see them in general but I love the weight that it adds, that they know each other from so long ago, and that those people are still who they both are inside the different faces. You can see Michael Gough's eyes in NPH right here in particular and for a moment I feel I can even see Bill's eyes in David.

- Shoutout to the hidden Joeys in a couple of different places. They're not nearly as visible in the episode as the set pics made it seem but I know he's there.

- Love that he means Hartnell when he says, “When I was young.”

- I like the unnervingness of the endless hallway and all of the doors just leading you nowhere. I can imagine that kind of a trick in the original serial. (In fact I now really want to see that be something they'd have to deal with. I can just hear Steven's huffy, 'Oh, no,' when they realize they're never getting anywhere lol.) The two of them ending up separated is also good stuff.

- I still don't see what invoking a superstition at the edge of the universe has to do with bringing the Toymaker in. It's a really weird and nonsensical reason to give when the only reason you need is that he's finally coming for his rematch.

- Very creepy stuff with the poor man being made into a marionette, as well as the Doctor seeing himself as one. That’s the kind of disturbing factor I was hoping for with this special. There isn't a ton of this kind of thing here and I'd have gone quite a bit darker myself for this whole episode but I appreciate what we have.

- The Toymaker looming above, looking down as he holds the puppet strings is some really good imagery.

- Donna vs the rest of the doll family is very freakish, but I also feel bad for them because there's no way those weren't real people at one point. Particularly disturbing to have Donna rip Sue's head off and kick it across the room, considering. I know she doesn’t know these were people, and even if she did she does have to protect herself somehow, but yikes.

- I love the painted stage backdrops in the middle of absolute black nothingness. I was hoping they'd have this sort of thing, since much of the original is in this sort of broad, void-feeling space.

- I really like this bit where the Toymaker is showing what happened to the previous companions that have been on the show since Donna left. Very chilling to see him be well aware of all of the particulars of these events and I’m glad they went for it in torturing the Doctor with personal pain. It wasn’t as much or as dark as I’d hoped but I like it, and I always like seeing a Doctor acknowledge companions he was with when he had different faces. Very nice to see Ten’s face talk about Amy, Clara, and Bill. Also, nice recap for those who may have stopped after Tennant originally left, and wow, the Moffat era really had a ton of tragic departures. I keep thinking what must have been going through Neil’s head reading about a character who was killed by a bird, and the various insane-sounding reasons from the Doctor as to why these characters are somehow okay despite what happened to them, considering he apparently didn’t know about Doctor Who whatsoever prior to being approached for the role!

- Oh, the shift in the Toymaker’s face when the Doctor challenges him to a game. Stuff just got real.

- It’s so good to see them playing at a table again.

- “I made a jigsaw out of your history. Did you like it?” Not sure what that means unless they’re trying to indicate that he’s somehow responsible for the Timeless Child mythos, or at least for various inconsistencies in the Doctor’s life. I doubt they’d hand-wave away the whole TC arc like that when Russell said he wouldn’t undermine his friend’s work, so I don’t know what to make of this. But if we can ignore that from here on out then that rocks.

- Poor Master, lol. I can only imagine bedraggled and broken Dhawan being offered a chance to live if he played a game, taking the offer, and promptly losing. I want to know how that went down. Apparently very badly, if the price was being trapped inside the Toymaker’s gold tooth. Also, is he aware of what’s going on or is he just sort of in stasis in there? It would be awful for him if he were conscious of everything, but awful results are how the Toymaker operates, so I wouldn’t be surprised. Imagine the Master trying and failing to scream to the Doctor to do whatever he has to to get away.

- Okay, who on earth is this person the Toymaker supposedly didn’t dare play? They’re claiming that he played and defeated God but there’s somehow someone even more powerful that the Toymaker of all people is scared of? “The one who waits”? Jokingly headcanon-ing that it’s Rory until we get anything further on that, lol.

- I mean, the Toymaker ain’t wrong about the issues of the human race in the 21st century 🤷‍♀️ VERY weird to hear him say the word ‘cancel’ though. That originated here on tumblr to my knowledge. Things like that have gotta stop breaking containment, now they’re spreading so far that a character from 1966 is saying them.

- Love the Toymaker’s aghast reaction to Donna saying he’ll just cheat. Though they make it sound like he’s forced to always play by the rules by some sort of cosmic force that binds him. In the original you get the impression that it’s just a matter of principle to him, which I prefer.

- I like that the king on the playing card looks like it could either be Michael Gough or NPH, or perhaps a blurred line between them to represent both.

- Part of me feels like the dancing scene is a bit too far in terms of silliness for circumstances that should be very serious, but it’s also too enjoyable for me to not get a kick out of. They also managed to make it quite dark and threatening, having him appear all over the place, forcing Kate and then Mel to dance, turning the two UNIT men into bouncing balls that still retain the images of their screaming faces and the Doctor telling Kate that they’re dead, and making all of the bullets turn into rose petals therefore showing them all that they’re helpless against him. For something that should come across as ridiculous, it’s actually surprisingly effective. Though I don’t know what it is with RTD and having his big bads dance to girl group songs lol.

- When Kate asks where the guards and staff have gone and the Toymaker just goes, “I think they’re still falling.” Eek.

- Ten really has a thing for offering bad guys to travel with him instead of wreaking havoc lol. But I love that they had him say that the two of them together could be ‘celestial’. Thank you for the little reference and for proving me right again that that’s the context in which we’re supposed to take his title. Also, interesting little moment there where the Toymaker very nearly almost seemed tempted.

- This scene is very quickly ruined, but I like Donna and Mel going to the Doctor’s side to be with him as he regenerates. Very sweet to see two past companions who still love him very much and are willing to put themselves in the line of fire just to make sure he’s not alone. And when the Toymaker comments, “Handmaidens,” it reminds me of the original serial when he comments on Steven’s “adolescent expressions of loyalty”.

- Nice detail that Mel seems a lot more prepared and okay with the realities of regeneration, just comforting him with a smile and not seeming terribly worried whether he’s going to be okay because she knows he will be, she’s seen him in the aftermath of a regeneration before and loved both Doctors she was with. Of course she and Donna are both emotional, but Mel definitely strikes me as more ready to deal with what comes next.

- I’m really mad that this moment is all about to get undermined, because having Ten 2.0’s last words be, “Allons-y,” aka, ‘let’s go’, is incredibly fitting and poignant in contrast to the original, “I don’t want to go.” Why’d they have to go and ruin what could have been a nice, touching regeneration?

- Aaaand here’s the moment that ruins the entire rest of the story for me. Rather than regenerating like normal, the Doctor “bigenerates”, splitting into two of himself so we have both Tennant and Gatwa together. It’s hand-waved with, ‘oh there’s this thing called bigeneration that’s supposed to be a myth but apparently not!’ and then not discussed any further. Russell, you just got back, did you seriously have to already bring a massively disruptive lore change with you? We just had one. I seem to be in the minority, at least on tumblr, but I am not on board with having two Doctors existing simultaneously. It feels more like the Doctor split off a twin. You can’t copy a soul and have two of that soul at the same time. That is not how people work. I keep having to focus on Mel being adorable in the background because the rest of this is aggravating.

- I feel it robs Ncuti of a proper entrance as well. He doesn’t get the same process that every Doctor before him since Troughton has gotten. He’s relegated to splitting off of the fan favorite rather than taking his place as is kinda his right, which could also easily cause people to forever view him as an offshoot and not the proper Doctor. Not to mention the fact that their split also divided articles of clothing between the two of them, meaning Fifteen is left running around in underwear for the entire remainder of the episode. A lot of people seem fine with this but I really think it’s an undignified entrance for the poor guy, and I’m not sure it’s going to age very well either. It would be humiliating enough for any Doctor to start out that way but I can already see people in the future looking back on it as a very degrading introduction for the first black Doctor. My mind also often goes to considering whether certain things would come across the same if it were a woman, and boy, that would not be received well if the new Doctor were a woman having to run around in her underwear as an intro, which means it isn’t really great for a man either.

- I wish I could enjoy the two Doctors excitedly interacting, but that’s the kind of thing that’s only fun or interesting in the usual context of multiple incarnations meeting up from different time periods. This stuff would otherwise be cute, but in the context it’s in, I’m just too uncomfortable to enjoy any of it.

- “Do you come in a range of colors?” is another line that I’m not sure is gonna age well. I’m not sure I like the sound of it now as it is.

- The Toymaker claims he played against the “guardians of time and space” and shrunk them into voodoo dolls. Are we talking Fifth Doctor era Guardians? Poor guys.

- Part of me feels the “ball game” final fight is cool looking (or at least, it’s well-shot to distract me from the fact that it’s not that good; I can’t decide), but the ultimate result is disappointing. It’s pretty unsatisfying to have the Toymaker’s defeat be that he happened to not catch a ball. It makes him look unskilled to just have it graze past his hand when he easily could have stretched slightly further and gotten it. I know people say that his original defeat in the old serial was anticlimactic, but he was defeated because the Doctor was clever. It wasn’t that the Toymaker did anything that would lead to his own loss, it’s not that he wasn’t as clever, it’s just that the Doctor had a good idea and succeeded with it. It was very evenly matched, but somebody has to win even in a very tight game and it was the Doctor. Here, the Toymaker loses because he was unlucky. It wasn’t a victory on the Doctor’s part, the Toymaker just messed up. That doesn’t feel like a satisfying defeat at all because it’s not even a defeat. Everything hinges on the Toymaker somehow not catching a ball.

- Don’t know if that’s the last we’ll see of the Toymaker. It may be the last of NPH playing him at least. I wouldn’t be shocked if they brought the character back for another round some decades down the line, just get him out of the box and dust him off on the rare occasion.

- He says his “legions” are coming, and I believe RTD has said that Fifteen is going to keep facing them. Curious who those will be. I don’t exactly see the Toymaker having armies in reserve somewhere.

- Good for the poor man that he gets to not be a marionette anymore!

- Fifteen: “You can’t save everyone.”

Ten: “Why not?”

Because you go Time Lord Victorious when you start asking that question. Have a Snickers.

- Again, I wish I could enjoy the two Doctors. Fifteen comforting Ten should be a very sweet thing, but this whole thing just feels so wrong to me.

- Well, cue endless speculation on whose hand picked up that gold tooth with the Master in it. That should keep the fandom going for a while.

- ^ Also, ahhh, the various Master laughs when it focuses in on that! I think I hear my beloved Delgado!

- I greatly appreciate all of the Classic references when they’re talking about all of the things they’ve gone through and never stopped to rest after, and all of the people lost.

- Fifteen: “Sarah Jane has gone, can you even believe that for a second?”

Ten: “I loved her.”

Fifteen: “I loved her.”

Owww, official confirmation in TV canon that Sarah Jane is gone by now. I’d appreciated that they had never explicitly said anything like they did with the Brigadier. I loved her, too. 😢

- ^ Also mentioning loving Rose, ahhh. The Doctor has never actually said those words to or about her because he was always an idiot thinking it didn’t need to be said. Finally, a Doctor says onscreen that he loved Rose! 2012 me is pleased.

- Mavic Chen! RTD said he’d be mentioned at some point, but still, there’s a deep cut of a reference! Heck yeah, Hartnell enthusiasts rise.

- “I’m fine because you fix yourself. We’re Time Lords, we’re doing rehab out of order.” Okay, this particular line would seem to imply that at some point when Ten 2.0 eventually regenerates, it will be to Fifteen? That he’s thrown back into the timeline and bigenerates out of himself as Fifteen, thus meaning there’s still just the one Doctor and the timeline aligns itself? Nothing else in this episode indicates that whatsoever, but if that’s what I’m meant to take out of it then it would fix a lot.

- So… they’re seriously saying that he became Ten again for the emotional catharsis of sitting back and living with Donna’s family for a while. Messing up regeneration lore to enable past lives to come back, ignoring that the point of regeneration since its inception is to move forwards, for what is essentially RTD’s fix-it AU fic for his own characters. This continues to feel like it’s RTD’s celebration of his own stuff rather than an overall 60th anniversary celebration. I really want to be happier about having my Ten back, and that Donna gets to remember everything, but so much of the way this has been done leaves a bit of a bad taste in my mouth.

- Aaand oh boy. Here’s the bit where they duplicate the TARDIS. For the sake of argument, say that Fifteen really did come after Ten 2.0 living his life with the Nobles and he’s just thrown backwards in the timeline. If that’s supposed to be the same with the TARDIS, that he’s just bringing it into this time somehow from where it last was with Ten 2.0 prior to his regeneration, then that would be fine. But there is absolutely nothing that indicates this. The takeaway I get is that the TARDIS has been copied. Tennant is going to stay at the Nobles’ and have the original TARDIS on hand so he can still leave sometimes. Gatwa takes off in the copied TARDIS. The Doctor that we’re supposed to be following from here on out is no longer traveling in the very same TARDIS as he always has. If that’s seriously the case, then that’s a GIGANTIC heck no from me. Absolutely not.

- Oh, how I wish I could more properly enjoy this final scene of Ten with the Nobles. On paper it’s absolutely adorable. If they confirm that Fifteen is the regeneration after and not an awkward offshoot, then retroactively I could enjoy this a lot more, but until that potentially happens, I’m still uncomfortable with the two separate Doctors at the same time and therefore uncomfortable with the context of him being here because there was a second Doctor who can keep going instead.

- Would have sworn that the Doctor’s eyebrow story was going to be about Delphon but then he says another name. Oh well.

- I do really like that Mel gets to join in on the Noble family gatherings. Lovely to keep her until the end and that she gets to have sort of a family. “Mad Aunty Mel” 💗

- ^ Also sweet that the Doctor took her to New York in the Gilded Age for a nice little trip at some point in the time skip before this. Mel deserves nice things.

- Why are we saying that Wilf is shooting the moles in the garden? Unless there’s something I’m forgetting where he’s done something like that before, I don’t feel like Wilf would hurt a fly let alone moles. With how hard it was for him to take out his gun after so many years in The End of Time I’m not sure I buy him being okay with shooting anything. Weird note to end on for him.

- Having the Doctor spend most of his time living with the Nobles and resting presents a bit of a Steve-stays-in-the-past-in-Endgame problem in that there’s no way he wouldn’t always be trying to right wrongs around him. Just like Steve would have to ignore every horrible thing he could do something about, including rescuing Bucky who is being tortured out there, any time this Doctor isn’t there when something is going terribly wrong nearby, it means he’s ignoring it while he lounges. That doesn’t sound like him at all.

- And off Fifteen goes, getting ready to go into the Christmas special. I’m worried about it but hopefully it’s better than I think it will be…?

~~~~~

OVERVIEW

Oh, massive mixed bag.

I really like the Toymaker parts of the episode. He wasn’t in nearly as much of it as he should have been and his downfall is disappointing, but the overall writing for him and performance by NPH was fantastic. There’s some very good dark and twisted stuff in here and I’m glad they went for it, even if I would have done even more with it. He is far and away the main highlight of the episode and much of my enjoyment of it is down to him. Mel also plays a considerable role in that, just because I’m thrilled any time an old companion turns up, but I also felt more connected to her, whose stories I haven’t even seen yet, than Ten or Donna somehow. Honorable mention to Kate and Shirley who were also great.

As has been true of all of these, I still just can’t fully emotionally connect with Ten and Donna. I desperately wanted to, and there’s a part of me that did in a way, but nowhere near how it should have been. I feel like I’m insane because on paper there’s nothing even wrong with them and it sure as heck ain’t the performances. But going from a few of their episodes in series 4 in the lead-up and feeling all sorts of strong emotions, that somehow just didn’t carry over to this and I don’t get why. Pacing? Trapped in the poor writing around them? I seriously can’t figure this out, but it doesn’t feel the same as it used to at all. Something is wrong and I don’t know what the heck it is.

And there’s the matter of Ten coming back because apparently that specific incarnation needed a happy ending. I really feel the need to emphasize that I LOVE TEN, but being nostalgic and sentimental isn’t a good enough reason to mess with the regeneration cycle and skip backwards a few lives. Literally the reason they give is that this particular face needed rest (they do say that the Doctor needs rest generally, but they didn’t have to go back to this face to do that — Donna indicates that this face came back so that he could ‘come home’ and be happy.) It feels way too much like favoritism to single this incarnation out in such a big way, and honestly? Ten needed to go when he did. He was becoming someone he wasn’t and it was his time. Of all of the Doctors, his was the one that actually really needed to regenerate, for the sake of his own soul. It was certainly distressing but it was a solid end for him. I don’t feel he needs this do-over to go back and get a happy ending. No one Doctor deserves that over another (though if they did, it would be poor Two whose life was cut short by execution courtesy of his own kind.) I love Ten so dearly but it feels wrong to act like he’s so important that he specifically has earned any of this treatment. I’m beginning to appreciate Tom Baker’s approach of not making multiple comebacks precisely because of his popularity.

For a good chunk of this ep, the writing was pretty good, especially where the Toymaker himself was concerned. But once the bigeneration happened, it was so downhill that it makes me struggle to want to rewatch this even for the good parts. I’m really, really hoping that I’m right and Fifteen is meant to come after Ten 2.0 has already had his lifetime, ditto his TARDIS, because it would largely save this episode for me and because the alternative is completely appalling and I can’t be okay with it. To make matters worse, Russell has claimed that he believes the bigeneration echoed back into all previous regenerations and causing each Doctor to split off from the last so they all get to go on with their own life, that they’re ALL out there in some kind of “Doctorverse”, which is absolutely insane. It defeats the purpose of regeneration: “Times change and so must I,” and, “Life defends on change and renewal.” This completely flies in the face of a critical aspect of the show, that one has to move on eventually. There’s a time for each of these incarnations, but they can’t last forever. It weakens all of these deaths, a good number of which were sacrifices, to claim that they all actually get to live on, and the very idea of it also supports my fear that there’s seriously just supposed to be two Doctors now and we’re supposed to be okay with that. According to Russell there’s a whole ton of Doctors existing simultaneously and that’s supposed to be okay. It’s the definition of bonkers is what it is. I really feel the opposite of all of the ‘RTD saved the show!’ sentiments; it feels like he’s gotten too big for his britches and has returned with a bizarre god complex where he’s wielding way too much power and plans to use all of it however he wishes. He’s single-handedly making me nervous for this entire next era.

~~~~~~~~~~~~~~~~~~~~

BIG PICTURE

Though there are definitely things I liked, particularly the Toymaker and Wild Blue Yonder, there was far too much that I don’t feel good about for me to be able to say I really loved these specials. I probably won’t reblog much of it beyond what I already have and I’m not particularly motivated to rewatch these except in a full-scale series rewatch because I’m not the sort of person who can let myself skip stuff.

I really feel like these should have been either Jodie’s or Ncuti’s. Ten didn’t need to be here, much as I love him. It could have either been a very dramatic ending for Thirteen (though I enjoyed The Power of the Doctor for that) or a very interesting beginning for Fifteen. It would be interesting to see a brand new Doctor have to navigate such intense stuff. And if it had been Thirteen, I honestly feel I may have emotionally connected better because she’s who we’ve been with.

In my perfect world, these would have all had to do with the Toymaker. Have him be woven throughout the first episode (and give that first ep a very different plot than what we got) and then a cliffhanger that reveals him as having been behind it all, leading into two full episodes of fighting against his power. Either keep Wild Blue Yonder, because it’s pretty darn good, and just have it so that my initial thoughts regarding involvement from the Toymaker were correct, or alter it entirely and focus on really delving into who he is and how much danger they’re in. Make them play deadly games. Get some incredibly dark and disturbing visuals and emotional torture in there; show past companions as puppets and dolls (whether it’s really them or not), have them come to life and taunt the Doctor if they’re fake or hauntingly beg him to save them if they’re real, make him face choosing between saving Donna vs other friends, really dig in as deeply and darkly as is possible without permanent consequences like death. Make episode 3 a long battle of wits with lots of intimate time between the Doctor and the Toymaker, with extremely severe personal stakes. Go all out. If you’re going to use the Toymaker again you really should be taking advantage of just how far you can go with a character like this, and the dynamic between him and the Doctor. Give NPH a boatload of screen time and a big, twisted sandbox to play in. Loads of emotionally, mentally, conceptually, and visually dark and disturbing things. They had some very good stuff but there should have been more of it, and even more unsettling, or at least on par with the marionette man and the soldiers turned to balls. If we keep Tennant for this, make the regaining of his face a plot point that was influenced by the Toymaker, something to torture him because Ten was one of the most emotionally volatile and damaged. When regenerating into Fifteen, let it be a normal regeneration, preferably caused by the Doctor needing to sacrifice himself to defeat the Toymaker because he can’t get away like he did before — this time, he really does have to face going down with the Toymaker to succeed. Keep Donna because she’s a prime resource for hitting Ten where it hurts, but have their reunion be orchestrated and the regaining of her memories be more complicated. It shouldn’t be as easy as it was. Have ample time to give full acknowledgment to the stakes involved. If she regains them in the first episode and it feels too easy, make it so that the Toymaker has only made it seem that way, but she’s in serious trouble the longer she goes on with her memory intact. Either tragically make her forget again in the end to save her life and to not completely undo Journey’s End, or make it far more complicated to ensure that she can safely retain the memories. It should only be in the final episode when they’ve fought for it and come out victorious that they can confirm that she’s safe and is able to go on this way. Definitely keep Mel somewhere in here, as well as having other old friends appear in some way or another. In the VERY least, just reference Steven and Dodo, because they didn’t, dang it all, and I ask for so little.

There’s so much that I wish these specials had done, that I wish they’d been. And largely, they just didn’t. For all the good that there was, there was a heck of a lot that ultimately makes it fail as a collective whole, at least for me. I had to put on a Classic story as a palate cleanser after going through all of that again.

#doctor who #dw critical #negativity #60th anniversary #the star beast #wild blue yonder #the giggle #spoilers #dw spoilers

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