#but a friend who also really enjoys media analysis didn’t notice at all
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Analyzing a little snippet of Jayce and Viktor’s conversation in s2e8
Spoilers for Arcane season 2 below the cut, SPECIFICALLY FOR EPISODES 8 AND 9
Some notes:
I am not a LoL player and haven’t cross referenced the wider lore. I’m coming at this with the information available from the show
I am going to be referring to the spacey spirit realm/mind palace/ hexsoup Viktor spends s2 in as the astral plane. Prolly not what it’s actually called, but this is my yap session so I make the rules
the timestamp for the whole convo im gonna be talking about is s2e8 ~16:23 and the specific moment I want to point out is at ~16:48
For those who don’t want to pop open Netflix, a summary:
Viktor has come to Jayce as a mannequin to talk to him, asking Jayce to help pursue their shared goals with hextech once more.
Then the following words are exchanged:
J: “Everything you've done to these people, you did alone.”
V: “Perhaps. But I'm alone no longer. I now speak with all their voices.”
Viktor is lying.
While Jayce might think this last statement is true, he saw the cult and talked to Viktor/Salo, it’s blatantly false. Viktor even admits to it outright later during the finale, “I thought I could bring an end to the world's suffering. But when every equation was solved... all that remained... were fields of dreamless solitude.”
But it’s not the finale yet. So why do I claim Vik’s bullshitting?
Because as he makes his claim of being backed by many, the camera gives us this shot.
A full body zoom out of Viktor standing *alone*.
But I think Viktor *believes* in this. I think the framing is chosen to fit the narrative he wants to tell here, it even mirrors ascended Viktor, who gets the same framing.

But in the latter image, Viktor has evidence. Viktor has thousands of souls all around him.
So it’s not as if they can’t be ensnared in the astral plane. It’s not as if Viktor during e8 can’t have evidence. It’s that he simply *doesn’t* have any.
Because Viktor is lying.
And Viktor is alone.
Anywho, that’s all ((:
Thank you for coming to my mini-lecture on one 5 second scene, grab a cookie on your way out 🍪
#i just think it’s neat#viktor is so utterly delulu#sir are the voices in the room with us?#because I sure don’t see them#I hope I’m not just stating the obvious#because I picked up on it immediately and found it quite funny#but a friend who also really enjoys media analysis didn’t notice at all#so who knows#nyx rambles#arcane#viktor arcane#arcane season 2#arcane season 2 spoilers#arcane finale spoilers#arcane spoilers#arcane analysis#viktor analysis
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I'd absolutely love to hear what you have to say about Time 🙃 /gen
And, I hope you are feeling well. I think you said you were dizzy? I hope that gets better 🫶
I’m feeling much better, thank you!! I hope you’re going good as well :)
Sorry this took me a whole day to type out, but I finished!! I got it!!
I have a lot more thoughts, I had to cut a lot for the sake of making it readable and not obnoxiously long so I really hope I still get my points across well 😭 , but here we go:
An Abridged Version of My Thoughts on Time (I’m Insane I’m Sorry):
Okay so I’m starting off this whole thing by saying that 100% of this is my opinion and the research I did was done specifically to back my stance (which does not make it canonical fact. You can do research to back any point. You can do research to argue against my point, even). This doesn’t make my perspective or interpretation of a character the correct one by any means, and this definitely leans towards how I personally characterize and view him and is biased in that way because I’m the one who wrote it. All of you are entitled to your own opinions, you don’t have to agree with or listen to a single thing I say. In fact if you do disagree I encourage you to reblog and share your OWN thoughts so I can read YOUR perspective! I like seeing opinions people have and I love to see how differently all of us can view the same character /gen. I just that ask if you do do this, that you be kind and respectful to myself and others :)
This entire yap, analysis, whatever you wanna call it, is my perspective on Time and my thoughts behind why I believe he acts the way he does. At some point in all this I’m specifically going to focus on how he’s acting at the end of the Dawn arc and in the more recent updates. However in order to talk about that I wanna go to the beginning and talk about his past, the environment he grew up in, his relationships with others, and how I believe that has shaped the way he functions as an adult. My apologies now for being insane, unfortunately I have no life and also a lot of thoughts, and full access to a college library full of case studies- My professors would be so proud… Hope y’all enjoy lmao
Loneliness and Isolation:
One of the first things I noticed when I started playing OOT was this divide between Link and the Kokiri. Despite the fact that none of them know he’s actually a hylian, the bullying and teasing and the way they treat him for not having a fairy feels as though they’re making him to be different from them. Even Saria and the Great Deku Tree speak to/about him in ways that make it seem that, even though they care about him, they do see him as different from the others. (Granted, Saria’s treatment of Link is likely fully an unintentional thing. She doesn’t mean to be cruel when she makes her comment about how after Link got his fairy he could be a real Kokiri because she is a child and probably didn’t think about how that would come off to a kid who’s been arguably treated as less than for not having a fairy this entire time. She’s probably aware of how upset he’s been, but they’re children and I doubt she realized her attempt at comfort potentially made Time feel worse. The Great Deku Tree, on the other hand, referring to him as ‘the boy without a fairy’ immediately makes it clear to us as the player that Link is different from the Kokiri. He knows Link is hylian, which is something the player, Link, and the Kokiri do not know at this point)
Not having a fairy like the others certainly separates Time from the Kokiri because having a fairy companion appears to be a huge deal, something everyone has in common except for him. While it isn’t really on the same scale, I imagine this feeling of not having something your friends do could be, to an extent, comparable to how it would feel if all your peers had cell phones or social media access and you did not. (BAD EXAMPLE I KNOW BUT HEAR ME OUT.) The ability to consume media at such a fast pace and share jokes and trends with peers has become something to bond over, and being outside of that ‘world’ would leave someone to feel like they’re missing out on something they couldn’t possibly understand unless they get it for themselves. When your friends all have phones and you don’t, you have to sit there awkwardly when they all pull them out to text people or look things up, even if you’re doing something that doesn’t even require being on your phone, like going to the mall or hanging out. Sure they might show you a meme or two, but you can’t show them your memes, or share things and exist in the online world the way they do. Time could see and interact with the others’ fairies but he didn’t have that for himself, and I imagine it was probably hard for him to bond with the Kokiri because of it. Even if they were just playing a game or messing around and he wasn’t even being teased for not having a fairy of his own, those other fairies were right there as a constant reminder that Time didn’t have his own companion because he was, for a reason he couldn’t understand, different
Having played Skyward Sword and the beginning of Twilight Princess and seeing how both of those Links are treated by the people around them in comparison to how the Kokiri interact with Time, it feels safe to say there’s a good possibility he felt out of place and a little isolated by his own community. The way he was seemingly blamed for the death of the Great Deku Tree after finding out the life altering information that he is different probably did nothing but cause further divide between himself and the Kokiri in his mind, if not completely sever the connection he had between himself and that community
Do I think the Kokiri completely excluded him and intentionally tried to isolate him? No, I do not. However it’s clear that Saria was his best friend and the others weren’t always the nicest to him. It’s not too far a stretch to say he probably felt very lonely at times in his childhood, more so than the average kid
The theme of isolation and loneliness continues when the timeline shenanigans happen at the end of OOT and Time is now the only one who knows what happened to him. He has absolutely nothing to show for what he physically just went through and he can tell people about it all he wants but they’ll never understand because for them it simply never happened. Once again Time is isolated from this community he finds himself a part of because he’s different from them in a way they cannot relate to, driving a wedge between him and the rest of society. And Malon and Zelda are not people who would intentionally drive him further from feeling like he can belong, but they will forever be different from him in a way none of them now have the power to control. He formed relationships with them and with other people that were then erased. He knows a version of them that doesn’t exist anymore (in the timeline he continued to live in), and he’s alone in that. There IS no fix to that problem
Attachment Styles and Development
Relationships are crucial to child development and the connections formed when we’re young impact the way we create and view our relationships in adulthood. Peer relationships are just as important as parental ones because they play a different role. While your friends are the ones who have more of an impact on things like your music tastes, interests, and sense of identity/role within your group of peers, it’s your parents/caregivers who teach you right from wrong (often religion plays a part in that as well though not always), are responsible for feeding you and helping you learn new skills as a young child. Having a secure attachment and good relationship to caregivers when you’re young really impacts how you seek comfort as an adult and how you form relationships with others. Children whose parents or caregivers responded to their distress in unpredictable ways (by offering comfort sometimes and being unable to other at times, for an example) are less likely to seek out those figures for comfort or be soothed by them when the comfort is offered. I have no idea exactly how old Time was when he was placed with the Kokiri or what his mother was like, but I feel it’s fair to say the Great Deku Tree was probably the closest thing to a parental figure/caregiver (while he was living with the Kokiri) that he has any memory of. And I also feel it’s fair to say that as the stationary tree guardian of a bunch of immortal children, it was pretty impossible for him to support all of those kids’ emotional needs
Making this assumption based solely on Navi’s role in the story and what she does for us as players of the game: I feel like the fairy companions might almost be more of a parental/caregiver like figure to the Kokiri children than the Great Deku Tree is, simply because they’re able to be around them more. Navi helps Time (and the player) find things, gives clues, and helps the player with the game controls, so inside the actual game I think it’d be fair to say she (and other fairies) have more of a hands on role in guiding these children than the Great Deku Tree. And again, Time didn’t have that, not until his adventure started. He didn’t have a fairy companion while his friends and peers did, he was on his own. He wasn’t getting that potential comfort from a reliable caregiver the others were, which I believe can be partly responsible for how determined he is to solve his own issues. (Of course personality also has a play in things like this, and as we all know the hero’s spirit is incredibly fucking stubborn.) He was taught through the failures of the ‘adult’ figures in his life that the only one who’d be there to really comfort him was him
Identity and Relationships
Apart from feeling alone and not having the same types of companionship his peers did, I firmly believe Time seriously struggled with identity issues as well. Being told he wasn’t enough for the Master Sword yet, just to then be suddenly physically several years older and expected to operate as an adult despite having less than a decade of life experience, back to being shoved into the body of a child after living through horrors and accumulating scars that are now just gone doesn’t real make for the most confident, mentally stable of people. The message he most likely took from that was “You’re not enough as you are.”
He was a hero who saved a kingdom, then forgotten when everything was set back, and then abandoned by the one person (fairy) who went through it all with him after it was all done. If he’d felt alone or isolated in his youth before all that happened, I can’t imagine how overwhelming all those emotions were after all that. He needed Navi because she’s the only one who can really validate what he went through, she was the only one who could have understood him. She was a guardian and a friend and he couldn’t figure out why she left him, which must’ve just been absolutely devastating.
He was still just a kid, with no one to talk to about these issues. (Though he sort of works through some of them on his own through helping others in Majora’s Mask. Granted that left him with new issues even if it may have helped him work through a few old ones. I think there are quite a lot of similarities between Link and Skull Kid, but that’s a yap for another day.) I can imagine that both his identity and what he was supposed to do with himself were things he questioned constantly, and building relationships with people was probably very difficult for him when he hadn’t fully worked out himself. And he didn’t really have someone to comfort him or help him figure all that out
At a certain point, I think the feeling of being alone became almost a comfort to him. It was the most reliable thing he had, he could handle things on his own and that was something he knew for fact. He learned how to deal with his emotions and issues (maybe not in the healthiest of ways in his youth), and instead of being so suffocating, the isolation became something he could CONTROL. With all the instability throughout his childhood, the fact that he could reliably be on his own without dealing with the unpredictability of others was probably a relief. He didn’t have to worry about people leaving or getting hurt because he couldn’t protect them, but that didn’t really replace the feeling of loneliness so much as sloppily cover it up
Malon and the ranch are things that have been able to give him something he hadn’t had in years, which was stability and companionship. He’s been alone and isolated or dealing with loss his entire life, but she’s able to provide him with something steady, something safe to come back to. That’s been absolutely huge for him in regards to the healing process, because not only is it said in LU that she believes him completely, she’s literally his biggest supporter. And having a sturdy location and person to come back to at the end of whatever little trips he probably continued to go off to gave him comfort while still allowing him to keep that feeling of control over himself and his life. Sure not everything is perfect all the time and relationships are things that you have to put time, effort, and patience into, but he’s allowed to have his support and his much needed feeling of control over his life at the same time while living in that scenario. She loves him, she loves him very much and I have no doubt they worked together to get him to the place of comfort he’s at now. The panels from any of the ‘Malon’ posts are really the most relaxed we’ve seen Time for long stretches of time, it’s clear he’s been able to make a safe space for himself there
And now here’s the part where I actually talk about the recent comic update(s)!!!!!!!! (Yippee!!!)
Time is a very quiet, stoic character in LU especially when compared to the others, which are qualities that pull a lot from the hero’s shade. He’s the unofficial official leader, and he’s at a point in his life where he’s been able to work on himself and form healthy relationships (not perfect ones, but healthy ones built on communication which is clearly a struggle for him still but I cannot afford to get into that this post because that’s way too much. If y’all want a yap about that, ask me later). He puts a lot of stress and pressure onto himself, because he feels as though he’s responsible for these younger heroes, even though some of them have far more experience than he does
But in addition to this, he’s absolutely terrified of caring about people, and he’s not used to working with other people in this area of his life. Because no one sticks around, and if they do, what’s stopping the timeline from resetting somehow and taking their memory of him away? He no longer has the stability and comfort that comes with being alone because he’s forced to work with other people, other heroes who are equal to him in that regard, and people are unpredictable. And with unpredictability comes loss of control
Anger is an easier emotion for a child to process, and express themself through. This is why depression in children often manifests itself as anger. Children dealing with depression have a harder time managing and controlling their anger and can come off as snappier, inattentive, and reckless (obviously this is not the same case for every single child). While he certainly isn’t a child anymore in LU, I think Time is still someone who when overwhelmed is quick to anger, but this does not mean that he’s not kind. He’s incredibly kind and caring, and you can tell he loves everyone around him so deeply even though he’s probably a bit angry at himself for letting them all worm their way into his heart because he’s going to have to let them go some day. But still, some of that snappiness comes through even in his adult years and he’s a lot harsher with the others than I believe he intends to be. He’s not genuinely angry at them, he’s mad at the situation they’re in right now because he’s no longer responsible for just himself. He doesn’t have control anymore, and he’s probably back to feeling like a scared child who might be about to lose everyone again and he hates that
Twilight got hurt and he blames himself for it. He’s in an unfamiliar situation with people he cares a lot about who are all just as reckless and determined as he is, and he has absolutely no idea what to do with himself because in his mind if he lets something happen to one of these boys, that’s on him and he should’ve done better
Ough (A Continuation of ‘Isolation’)
In a way Time exists on a different level of the timeline. He retained memories of things that no longer exist, and he’s witnessed the rewritting of time over and over again. The timeline he was born in may no longer be the one he exists in, though it certainly branched from that original one. He has knowledge and memories of relationships that are real to only him in the timeline where he lives, and I would argue that because of this, he lives outside of society
Now this genuinely has nothing to do with anything I just wanna yap about something because The Voices, and it’s gonna be a fucking reach but if you’ve stayed this long you must find something appealing about my incoherent rambling so allow me to draw a genuinely insane comparison between Time and his existence in society and ‘The Lady of Shallot’, written in 1832 by a poet by the name of Alfred Tennyson. If you have no idea what this is, it’s incredibly short and easy to find with a quick google search, and I encourage you to read it. But for those of you who didn’t sign up for a poetry assignment today I’ll summarize
The Lady of Shallot is cursed to stay in a tower away from the rest of society and she’s unable to look upon Camelot with her own eyes, because something bad will happen if she does though she has no idea what. Day after day she creates these tapestries of what she sees of the society behind her through a mirror. She’s unable to look at it with her own eyes so what she creates is unable to perfectly reflect what it is the world has to offer. And she’s absolutely sick of it, she sees happy people wandering down below, knights riding through, she sees through her mirror what life is like for those within society and she wants to join them. She sees a beautiful man one day (Lancelot) and decides the curse is worth it, just for a chance to leave her tower, so she turns around and sees Camelot with her own eyes. She leaves her tower and goes to join society but by the time she gets there she’s dead
Now one of the meanings hidden within this is how artists are almost outside of society and that is how they are able to so accurately depict it, and that joining society and being ‘normal’ would make them unable to keep their unique perspective that isolation provides. But I’m going to be crazy here and draw parallels to a video game character because I CAN
Time exists outside of society and is isolated from every community he tries to be a part of because the differences between him and the Kokiri/normal hylian are so significant he feels like he doesn’t belong there. Despite having built his sense of identity back up, he still, to an extent, feels like an outsider. The things he’s been through separate him from being able to just be a normal guy, and he craves so badly to be part of a community he’s almost convinced himself he CANNOT join. The chain (and Malon, but mainly the other heroes) help him have something to connect to, because while they may not have the exact same experience they understand him more than anyone else ever could. He then tries to join society, something happens, and he dies a warrior full of regrets
Is it a reach? Yeah. But I like the poem and I can’t stop thinking about the parallels (that I’ve probably completely fucking made up at this point) every time I think too long about Time and it makes me claw at the dry wall and scream. I’m so normal…
Anyways, *weak cough* thanks for reading, if you did. It means a lot that you’ve supported my insanity. I hope this is coherent-
Thanks Emmie for reading through this for me 😭, and special shoutout to every single one of you who sent me asks yesterday to remind me to write this I love you all sm actually:









@trash-aged-like-fine-wine @rebornofstars @blueskybehindtheclouds @captainn-hook @ghosttoasts
#jes talks#jes ask#linked universe#linkeduniverse#lu time#linked universe time#lu analysis#lu character analysis#this is kinda just pure insanity im so sorry#jes rambles#jes headcanons#jes analysis
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You’re not my type [Hotch x Reader]
Summary: Reader is the new press liaison to the elite Behavioral Analysis Unit of the FBI. A stray comment from her leads to a lot of questions from her teammates, especially her unit chief, Aaron Hotchner. When they’re thrown together on a case that hits close to home for Reader, will that comment tear them apart? Or will it bring them closer together?
Pairing: Aaron Hotchner / (Female) Reader
Rating: Mature
Category: Angst then smut, with plenty of fluff sprinkled throughout.
Word Count: 8.4k
Content Warning: This gets pretty angst heavy in places. The team is chasing an Unsub that’s a serial r*pist/mu*derer. Mentions of an attempted a*sault to someone Reader cares about. Providing comfort to victims of the unsub. It’s dark in places, but if you can stick with me, I promise I will mend the angst and take you to the land of smut and fluff. Because there is plenty of smut.
A/n: Have you ever had a story that just grabbed hold of you and refused to let go? This story was supposed to be half this length and pure fluff. Reader and Hotch dug their claws into me and made me tell their own story. I’m not mad at it, and if you give it a chance, I hope you love it as much as I do. masterlist
y/n = your name. y/l/n = your last name. italicized text = reader’s thoughts
--“You’re not my type” --
The clock was moving so slowly, I couldn't help but think it was moving backward.
Come on, hurry up. I wanna go home.
I sighed, resigning myself to the fact that it was going to be 4:30 pm for the rest of my life. I still had some files to hand out to the team; I usually do that part of my very glamorous job in the mornings, but since I had nothing but time now, I thought why not.
I had been a “sort of” member of the FBI’s Behavioral Analysis Unit for 5 months. Jennifer- wait, JJ, had the job as media liaison before me; she was the last person to officially hold the position. When she left the unit chief of the BAU, Aaron Hotchner, and the technical analyst, Penelope Garcia, had split the roll. That is until Chief Strauss had decided that she wanted the BAU to run more efficiently. Meaning that Hotch got less paperwork, Garcia got a break from talking about mutilated bodies, and I got shuffled around from the public relations office.
Don't get me wrong, I enjoyed working with the team, I really did, but I couldn't help but feel excluded sometimes. They're all practically a family. I didn't really have any sort of family anymore, just a best friend that has always felt more like a sister.
Pushing those thoughts aside, I made my way towards the bullpen, shoving the doors open to see the team sitting on various desks talking to each other. Loudly.
“Shut UP, man!” Derek Morgan’s voice was loud, but amusement was clear on his face. Actually, everyone seemed sort of amused. Rossi and Hotch were leaning on the railing near their respective offices, watching the events unfold with smiles on their faces.
Hotch smiles? Huh. Weird.
I quickly tried to make my way around them, hoping none of them would notice me.
“Okay, I know how we can settle this. Y/n!” Shit. No such luck. I turned to look at Emily Prentiss, with her long dark hair and angular face. Why is everybody here so fucking pretty?
I cleared my throat, trying to compose my face. “Yes?”
“Answer something for us.” Everyone seemed very eager for me to be a part of this now, which I didn’t think was a good sign.
“I’ll do my best.”
She smiled at me like she was sensing her victory. "If Morgan asked you on a date, what would you say?"
Oh, they couldn’t have picked a worse person to play this game.
I chuckled awkwardly, trying to appear calm. “Um…I’d probably say no.” Morgan took a dramatically loud breath before slapping his hand to his chest. “No offense,” I quickly added.
Morgan wasn’t giving up his dramatics that easily. “Damn, girl! You’re gonna cut me down just like that?”
“I’m sorry,” I said with an awkward laugh. “You’re just not my type.”
Garcia’s eyebrows hit her hairline. “Excuse me? He’s not your type? Tall, dark, and extremely well-muscled isn’t your type?” She scoffed like I was insane; I mean, maybe I was. Jury’s out. “What about that is unappealing to you?”
I couldn’t think of a believable lie, so I went with the truth. “The tall and extremely well-muscled part.” I shifted from foot to foot anxiously.
Emily blinked. “O-okay. Fair enough,” she laughed, looking at me like she’d never seen me before.
I was preparing to turn and make a very quick escape, but JJ had other plans. "Woah, woah, woah," the blonde hopped off the desk, walking a bit closer to me. "If Morgan isn't your type…who is?"
Fuck me running. “Um…” I trailed off. “I don’t think I really have a type, to be honest.”
"Do you like men," Morgan chimed in. "No judgment, little mama."
Not for the first time, I wished I was a lesbian. “I am sadly mostly heterosexual.” I was convinced no one could be completely heterosexual, it just didn’t seem natural.
Emily chuckled at that. “Okay then,” her hand moved up to adjust her dark bangs, something she did when she was thinking. “What if Hotch asked you out?”
“Okay, okay, don’t drag me into this,” the Unit Chef boomed out, much to Rossi’s amusement.
“…Um.” Why couldn’t I just die? “Sorry, boss, but no.”
Morgan crossed his arms over his chest. “Is Hotch also too tall and well-muscled.”
“Probably,” I answered without much thought. “I can’t comment on the state of his muscles. But he’s very…big. And he intimidates me.” I didn’t let my eyes stray to my boss; I simply couldn’t.
"Ah-ha. There it is!" Morgan slapped his hands together like he had solved some big puzzle. "You don't like men that intimidate you. So, if pretty boy over here asked you out, you'd say yes."
I didn't know a person's ears could blush until that moment when my eyes drifted over to Dr. Spencer Reid. The tips of his ears were bright pink and he was looking anywhere but at me.
I answered honestly again, I figured they’d know if I lied. Fucking profilers. “Yeah, I would say yes. But only if I didn’t know him.” Spencer’s eyes finally shifted over towards me. “You’re easily one of the most brilliant people in the world. You’d be bored to tears on a date with me,” I said, my gaze meeting his wide eyes.
The boy genius’s head tilted ever so slightly to the side, his lips moving like he muttered something under his breath.
Is it 5 yet?
JJ wasn’t totally prepared to let this go, because she asked, “Okay, so a yes to Spence, a no to Hotch and Morgan.” She tapped her chin with her index finger. “What about Will? You’ve met my husband, right?”
I had indeed met her husband with his Princess and The Frog accent. I couldn’t help but smile. “Yeah, I met him the other day when he brought your son by. And…I don’t know, maybe him. He doesn’t give off an air of intimidation.” Which was the nicest way I could say ‘your husband doesn’t scare the shit out of me.’
I glanced down at my watch, seeing it was finally 4:55 pm. “Sorry guys, I need to get these files out before I go home.” With an overly bright smile, I darted away as fast as my uncomfortable shoes would let me.
My final stop was Hotch’s office, and I was so relieved that he wasn’t in it for once. I placed the file on his desk, looking at the pictures of a little boy, his son, I assumed, on his desk.
“I’m sorry if that made you uncomfortable.”
I'm not sure what I was more embarrassed by, the tiny yelp that escaped my lips or how I smacked my hand over my chest in such a dramatic fashion that I could have given Derek Morgan a run for his money. "Jesus fucking Christ, Hotch! You scared the shit out of me!"
His lips twitched in poorly concealed amusement, either at my reaction or my swearing at him. “Sorry, y/n. I didn’t know I needed to knock before I entered my office. I’ll try to do better next time.”
Oh, this guy has jokes now too.
I couldn’t help but chuckle at his dry humor. “I’m sorry. I startle easily. I didn’t mean to swear at you.”
“Y/n, I’ve been with the bureau for almost 20 years. Trust me, I’ve heard worse.”
I bet he has.
“Well,” I cleared my throat awkwardly. “Alright then. I guess I’ll see you tomorrow, sir.”
“Of course,” he stepped out of the doorway so I could exit. “Y/n?” He said it like it was an afterthought. “Do you really find me intimidating?”
My eyes were wide as I looked all the way up at him. Really, what was the point in being that tall? "Oh, absolutely, sir." Then I hurried out the door, not wanting to see his reaction or lack thereof.
--
After stopping by my office, I was waiting for the elevator when I felt someone behind me; turning I saw the pretty boy himself standing awkwardly off to my side. I offered him a small smile before shifting my attention back to the bank of elevators in front of me.
The middle one opened first, Spencer waved me in first before he entered and hit the button for the ground floor.
He was clearly working up his nerves to say something, you didn’t have to be a profiler to see that. “Hey, um, y/n?” I turned my head in his direction, waiting for him to continue. “What you said back there…that you’d go on a date with me if I asked, did you mean that?”
There was that blush again, he really was adorable. “Of course, I meant it, Spencer.” He didn’t look convinced. “I mean, why would I lie? I turned Morgan down right away. And Hotch, who is my boss.”
Spencer let out a small laugh at that, unable to argue against my point. “I guess that’s true.” The elevator doors opened, he waved me out first, again, before exiting himself. “Do you really think that I’d be bored on a date with you?”
"I mean, you have 3 Ph.D.'s and a super high IQ." I waved my free hand around, gesturing to myself like it would help me prove my point. "And look at me. I'm smart, but I'm not that smart. I couldn't put you through a date like that."
He didn’t seem to appreciate my self-deprecating humor. I headed for the doors without giving him a chance to respond. “Have a good night, Dr. Reid!” I offered a small wave before I all but sprinted out the doors towards the parking garage.
Why? Just why?
--
“We have to catch him before this turns into a spree,” Hotch’s voice was grave, his face the same stern mask it always was. “Wheels up in 30.”
Taking that as a dismissal, the team rose from the table, hurrying towards their respective desks to get their go-bags. That was the part of this job that took the longest to get used to. I never traveled much in public relations; now I'm on a plane several times a week. That in itself wouldn't be so bad…if I didn't still get terrible motion sickness. I don’t know why I hadn’t gotten used to it yet, but I had to keep some non-drowsy motion sickness pills in my go-bag at all times. I tried to take them before I boarded the jet; it was probably silly, but I didn’t really want the team to know. They were all superheroes in my eyes; superheroes don’t get motion sickness.
I was the last one to board the jet today. I was usually one of the first onboard, but I got held up on my way here speaking to someone from my old office. When I came through the plane's doors there rest of the team was spread out. Dr. Reid was laying on the couch, book propped open in his lap. Emily and JJ were on one side of the table with Morgan and Rossi on the other. The only seats available were towards the back of the plane; I could have sat by myself…or I could sit in the seat across from Hotch.
I always get anxiety about things other people find silly. I’m a grown woman, I should be more confident; I’m a fucking FBI agent for god’s sake. Yet here I was, nervously trying to decide where to sit. It would be weird to not sit near him, I reasoned. Offering Hotch a tight smile before I stored my go-bag, I sat down across the aisle from him.
I fastened my seatbelt over my lap, taking deep breaths through my nose. I had taken my medicine, but take off always got me a little bit, no matter what. I never took a window seat either, sometimes I’d look out and see how fast the world was passing by underneath us and…I shuddered just thinking about it.
"Hey," the voice beside me called, his voice was so quiet I don't think any of the others could hear it. I opened my eyes and turned to face him. His dark eyes looked oddly soft like he was concerned about me. "Are you alright?"
I offered him a tight smile. “Yeah, I’m okay, Hotch.”
"Did you take your medicine?" At my puzzled expression, he clarified. "For motion sickness."
What in the- “How did you know I get motion sickness?”
The corners of his mouth quirked up. “I’m a profiler, y/n, and I’ve been one for a long time.”
A little chuckle left my lips at that, right as the plane started moving forward, gaining speed for takeoff. I closed my eyes, telling myself that it was the impending take off that was causing my stomach to flutter, not the fact that my boss, who I thought was always indifferent to me, noticed me more than I thought he did.
--
Cases with kids were the hardest, there was no question about it. For me, the second hardest cases were women who were assaulted. It filled my gut with such a heavy, boiling rage whenever I thought about it. These women were just living their lives, unaware of the danger that was hunting them. Some fucking monster decided that being a man in our society didn’t offer him enough power; he had to hurt women, try to take their power so that he could feel more powerful.
I had heard stories about Elle Greenaway, the agent that resigned under suspicion that she shot a rapist in cold blood. I never commented on it, but I can’t say as I blame her. That attitude is probably why I don’t comment on it, I thought dryly.
The unsub the team was hunting in Northern Texas was a serial rapist and murderer. He had claimed 3 victims in the past 2 weeks; the locals were concerned that his pattern and level of violence were escalating too rapidly. The BAU agreed.
They started piecing this monster together through the clues he left behind. A white male, mid 30's, has a high-power job, won't be able to have stable relationships with women. They were tracking his comfort zone, interviewing families, and canvassing for information.
My job was to warn the women of this small town that there was a monster lurking in the shadows.
The team was sitting around in a small room in the center of the police station that was crammed with evidence boards. Emily was leaned back in her chair, JJ's head resting on her shoulder. Dr. Reid was facing the map of the county like if he stared at it long enough and answer would just pop into his head. Morgan's head was in his hands, elbows resting on his knees. Rossi and Hotch were talking in the corner, glancing around the room every so often.
Eventually, our leader cleared his throat. "Okay, lets head back to the hotel." At the groans of a few team members, he pressed on. "I know, I want to find this guy too. But we all need rest. We'll come back tomorrow with fresh eyes."
With that, we all headed to the black SUVs parked outside, ready to head to whatever hotel the bureau put us in for the night. The drive was quick, we all stood in the lobby while Hotch spoke to whoever was at the front desk. The conversation seemed to take longer than I needed to.
He walked back over, looking mildly uncomfortable. “There aren’t enough open rooms,” he said at last. “We’ll have to double up.” He held out his hand which contained 3 key cards.
…Wait a minute. “There are 7 of us.”
Hotch nodded. “Therein lies the problem. One room will have to have 3 people.”
I turned towards Emily and JJ, assuming I’d just room with them when Rossi interrupted. “No offense, guys. But…I’m old,” he laughed, his whole face lighting up. “I need my beauty sleep. I’m not sharing a room. I’ll go get my own.”
"They don't have any rooms, Dave."
Rossi looked at Hotch with a patronizing little smile that would have been extremely offensive coming from anyone else. “They don’t have any rooms for you," he clarified. "Not only am I old, but I'm also rich."
Sure enough, he walked over to the desk and spoke to the clerk for less than a minute before he was handed a keycard.
“Well I’ll be damned,” Morgan said with a laugh.
Rossi turned to us then, his eyes filled with poorly hidden mirth. “Sogni d’oro!” And with that, he walked towards the elevators.
“Huh?” JJ asked, her voice scratchy.
“Sweet dreams,” Reid and Prentiss supplied at the same time.
“Right.” Morgan shook his head. “Come on pretty Ricky.”
It hit me right then. Oh hell.
Hotch seemed to realize it at the same time Prentiss did. “Y/n, you room with JJ, I’ll stay with Hotch.”
Somehow this was more embarrassing than the conversation in the bullpen. “No,” I said quickly. “No, you guys go. I’ll room with Hotch.” I put a smile on my face, hoping I was convincing.
“Y/l/n, you just said that I intimidated you.”
Again, why couldn’t the earth just swallow me up? My laugh was forced, but hopefully, they hadn't heard my real laugh enough to know the difference. "Intimidated to go on a date with, Hotch. This isn't like that." Right? “C’mon! I’m sleepy.”
With that display of false bravado, I grabbed a key and made my way towards the elevators. I felt his presence behind me as we walked down the hall towards our rooms. I tried to control my heartbeat, calm my breathing the closer we got to the room. This is ridiculous, y/n. I had shared a room with Morgan before, no problem. I was comfortable around the team, I really was. Not for the first time, I wish I had the sense to not open my big mouth.
I reached for the door right when Hotch cleared his throat; I busied myself with getting into the room, ignoring him. Was it cowardly? Yes. Did I care? Not at that moment.
Until I walked into the room…and saw that there was one bed. Oh, you have to be fucking kidding me. “What is this, a rom-com?” I apparently didn’t mumble that part as quietly as I thought I had given the soft laugh I heard come from the man behind me.
“Y/n,” he said, his hand coming to my shoulder. “I didn’t realize there would only be one bed. Come on, let’s go down to Prentiss and JJ’s room.”
I let out a groan. “Hoooootch,” I whined. “All of this is just making me more embarrassed. This wouldn’t even be an issue if I hadn’t been a dumbass and opened my big mouth. This isn’t a big deal but going to talk to them will make it a big deal.”
He didn't look convinced, but I was so tired. I reached out and grabbed his arm before I could think better of it. "Aaron," my voice was soft, barely a whisper, but it was like he'd been struck by lightning. His eyes snapped up to mine, his lips parted slightly. It was then I realized I'd never called him by his first name before. "I trust you with my life. You'd intimidate me if I didn't know you. But I do know you, Aaron." My gaze never wavered from his.
“Okay.”
--
I laid in bed for 30 minutes pretending to be asleep. I listened to his breathing even out and I kept my back to him the entire time. I had tried to keep my bedtime routine brief, taking a quick shower and changing into my sleep shorts and a baggy shirt I’d had since college. My hair was pulled back so I wouldn’t get it wet in the shower.
The weirdest thing was seeing Hotch in normal clothes. In all the months I’d worked with him, I had never seen him not in a suit. He had a pair of flannel pajama pants on, a gray t-shirt stretched over his broad chest. He has really nice arms, I thought.
When I was sure he was asleep, I rolled over onto my back. My eyes had long since adjusted to the dark, allowing me to just stare at the ceiling.
“You’re thinking very loudly.”
I let out a squeak while my whole body jerked. "Goddamnit, Hotch!” That asshole had the nerve to chuckle. “Stop scaring me!”
“I’m sorry,” he said, not sounding even slightly sorry.
“I thought you were asleep.”
He rolled onto his back; I felt his eyes on my face. “I know,” was all he said.
I sighed, wondering how I had gotten myself into such a situation. “You really don’t intimidate me.” He made a noise which caused me to amend my statement. “Alright, alright. You do intimidate me. You’re just so…stern. And you’re so tall. What is the purpose of being that tall? It’s excessive. And I feel like your eyes can see through every single thing about me. I didn’t know you had muscles until today, but I always assumed you did. They’re very nice muscles-“ I cut myself off. Fuck.
That was the first time I ever heard Aaron Hotchner laugh. Not chuckle, not snicker quietly. He actually laughed. His laugh was a higher pitch than his speaking voice; it boomed out of him and transformed the whole mood in the room. That laugh warmed a part of my heart that I wasn’t comfortable thinking about. A huge grin broke out on my face. I made him laugh, and I was oddly proud of it.
“Thanks, y/n,” his voice was still filled with amusement. “I hadn’t known you were curious about the state of my muscles. You should have just said something.”
My head snapped to the side so my eyes could meet his. He was teasing me. SSA Aaron Hotchner, BAU unit Chief, was teasing me. I lifted my hand to his arm, giving him a shove. His bicep feels like granite. “Shut up.”
That asshat just kept laughing at me.
“Anyway, you do intimidate me,” my voice was soft again. “But I’m not afraid of you.”
Aaron regarded me thoughtfully. “So, it’s not that you’re not attracted to intimidating men,” he surmised. “You’re afraid of men.”
“Not all men,” I countered. “I’m afraid of men like you. Not you, but ones like you. You overwhelm me.”
He was quiet for a few moments. “Y/n…did someone hurt you?”
It was a natural question, a normal thought process; I should have expected the question. I felt tears prick the corner of my eyes. “Yes,” I whispered, feeling safe in the darkness of the room, safe but still so alone. “But not in the way you think.” I filled my lungs with a deep breath, hoping I would find some courage. It wasn’t until I felt his hand brush over mine, his calloused fingers brushing over the back of my hand, that I finally found it. I flipped my palm up and laced my fingers through his. He gave me a reassuring squeeze.
“I’ve had the same best friend all my life,” I began. “She’s marvelous. We’ve always been together; her mom said we were like peanut butter and jelly. I love her like she’s a part of me, Aaron.” I knew he would understand; I just knew it. “We were in college when it happened. We went to this frat party because I had a crush on some guy.” My voice was filled with venom and bitterness. “He was overwhelming, so tall, and so handsome. There was a darkness in him, but I was too young to see it. She did; my best friend could see he was a monster. I didn’t listen.” My breath was shuddering through me. “I didn’t listen to her, Hotch.”
He didn't say anything. He just shifted in the bed and pulled me to him, nestling me into his side, wrapping his arms around me while I laid my head on his chest. "I was so mad at her. So mad." The shame from all those years ago was still so fresh. "She took my drink and threw it on the floor. I told her she was embarrassing me… So, I went outside to get some air."
His arm tightened around me, his free hand coming up to stroke my hair. “You don’t have to-“
“I do,” I said, refusing to let another sob escape. “I came back inside and couldn’t find either of them. I thought maybe she was going to hook up with some guy…but she isn’t like that. She’s never been like that.” My stomach rolled at the thought; sometimes when I closed my eyes I could still smell the beer in the air, I could still feel the wood of the banister under my fingers. “I found them in a room upstairs. He had her pinned on the bed, he was-he-he was trying to take her pants off.” I didn’t deserve the comfort Aaron offered me in that moment, but I clung to him, grateful for it. “I screamed, and I guess I scared him. She kneed him and was able to push him off. We ran all the way home.”
“You saved her, y/n,” Aaron’s voice was so sure, so reassuring, no matter how hard I shook my head ‘no’. “You did. You could have just left; you were mad at her, but you still went back for her.”
I wiped my eyes. “You make it sound so simple.”
His lips pressed softly against my forehead, his hand stroking up and down my back. “That’s because it is.”
--
Things felt different in the harsh light of the police station than they had last night. Aaron was already in the shower when I woke up this morning. I fell asleep in his arms after I told him one of my darkest secrets. He didn't judge me; he didn't tell me I was a terrible person. He just held me; he offered me comfort and made me feel deserving of that comfort.
I dressed quickly and headed downstairs before he got out of the bathroom. My feelings were already swirling around in my head. It wasn’t that I wanted to be away from him, not at all. I just didn’t think it would help my feelings settle down to be confronted by a wet, hot, well-muscled Aaron Hotchner. It was an act of self-preservation if you think about it, I reasoned.
The next time I saw him was when the team was piling back into the SUVs to head to the police station. He offered me a small smile, and I think his eyes may have twinkled a little bit when I smiled back at him a little too brightly.
Profilers.
The team was as refreshed as they could be. Dr. Reid was looking at access and service roads on the map, trying to determine the route the unsub took to dispose of his victims. JJ and Morgan were out canvassing the women's neighborhoods. Rossi was with Prentiss in the sheriff's office speaking with the family of the most recent victim, Bethany Mooreland.
This was the hardest part of my job. I wasn’t a profiler. I felt like I had nothing to offer. I was fielding calls from the media, trying to organize a targeted strategy. The team thought that if the unsub saw that he was being mocked in the press, or his masculinity was called into question in any way, that he would act out more viciously. While acting out might cause him to make a mistake, we couldn’t risk another woman’s life.
The conference room doors burst open, Hotch storming inside with Morgan and JJ hot on his heels. “There’s been another attack.”
I felt my stomach drop. “Fuck.”
“Y/n, she’s alive.”
“…What?!”
The dark-haired man that held me in his arms last night only nodded. “She’s at the hospital. I want you to come with JJ and me to interview her.”
…Me?
--
Summer Webb was 25 years old; she was a customer service rep at a call center just outside of town. She lived alone, had a cat named Pringles, and was close with her family.
I held her hand while JJ and Hotch put her through a cognitive interview. I rubbed her back while she recounted how the unsub only left her because he thought she was dead. Tears ran down my cheeks when she described what he did to her.
Steel and ice ran through my veins when I looked her in the eyes and promised that we would get this monster.
I’d kill him myself if I had to.
Once her mother arrived at the hospital, we left, promising to call with any updates; uniformed officers were stationed outside her hospital door. Hotch spoke to Garcia, then to Rossi, then to Reid, then Garcia again on our ride back. JJ read over Summer’s statement, occasionally jotting down notes.
I was quiet.
Almost. Almost there. I walked into the station without really seeing it. I navigated my way down the hall on instinct. I pushed the door to the bathroom open, looked around to confirm I was alone…then I broke. I placed my hands on the countertop that housed 3 separate sinks, my tears ran down my cheeks and splashed on the fake granite.
I don’t know how long I had been there when I thought I heard a knock on the door. That didn’t make any sense, the door didn’t have a lock; there were multiple stalls in this bathroom.
But I had heard a knock. The door swung open and someone walked inside. I heard him whisper my name, the tone of his voice was so soft, so fucking sad, that it only made me cry harder. Aaron put his hands on my shoulders, turning me around to face him, then letting me collapse against him.
He murmured words I couldn’t understand against the top of my head, he wrapped his arms tight around me; I was sure I would have fallen completely apart if he wasn’t holding me together.
“You must think I’m so weak,” I muttered when my tears had finally slowed.
He stiffened, though his hands never stopped moving, stroking my hair and my back. "Just the opposite, y/n." I pulled back to meet his eyes; I saw nothing but honesty swirling in those dark brown pools. His eyes appeared so dark from far away, almost black. From this close, I could see the subtle shift between various shades of brown. They weren't cold like I had always suspected; Aaron Hotchner's eyes were warm and understanding. They were the eyes of a man who had seen far too much evil for one lifetime but refused to yield his fight for even a second.
I could fall in love with those eyes.
“You’re the furthest thing from weak I’ve ever seen,” he continued. “Your heart is so big that it aches for a woman you don’t even know. It’s alright to cry right now, it’s alright to let yourself fall down for a moment. But I know you, y/n,” he was repeating my words from last night back to me. “You’re going to pull yourself back together. And then you’re going to help us find that son of a bitch before he hurts anyone else.”
Maybe I could fall in love with more than just his eyes.
--
There are certain moments in my life that I will look back on and remember with perfect clarity. That night when I almost lost my best friend, the day I graduated from the academy, the first night I spent in Aaron Hotchner’s arms were just a few.
I would also remember when the call came in from Garcia; how Morgan and Reid ran into the room. How Hotch’s eyes shot to mine when we found out the monster’s name. I didn’t have to ask; he nodded at me, those warm brown eyes were hidden now, hardened by pure ice-cold rage.
I strapped on my vest and road in the back seat in the SUV Morgan drove.
Summer’s monster was named Jeremy Carpenter. Her monster was a white man with brown hair, brown eyes, with a scar on the back of his right hand.
None of us were sure how he knew we were coming, but he had already barricaded himself inside his house. We heard a scream when the first gunshot was fired. I wanted more than anything to bring Summer's monster in alive; I wanted to offer her the chance to face him if she wanted to.
Aaron didn’t ask if I wanted to go to the hospital once everything was over; he really did know me. He took me to see her, he kept his hand on my back while I told Summer and her mother what happened. What I will remember most of all is how her mother hugged me when I told her the monster was gone, that he would never harm anyone ever again. I hit him in his leg; he was in pain before our unit chief put a bullet between his eyes.
We had come to the hospital alone; the rest of the team went back to the station to finish up paperwork. I held his hand on the way back to the hotel; I held his hand while we walked to our room.
I offered him a small smile before I made my way into the bathroom, determined to wash the events of the day off of my skin.
He was gone when I came back out.
--
It goes without saying that I had doubted most men in my life, especially since that night all those years ago.
I never once doubted Aaron Hotchner.
I was sitting on the bed when he came back, staring at the TV without seeing.
“Hey,” he said softly. “I thought you’d still be in the shower.” He set two bags down on the only table in our room. “You haven’t eaten since breakfast. I thought-“
“Hotch,” he looked at me then, his eyes locking onto mine. “Thank you.” I didn’t need to specify for what. He knows.
He pulled our food out while I made my way to the table. I couldn’t hold in my chuckle. “You know I get motion sickness; you know my favorite foods…just how closely do you pay attention to me, Agent Hotchner?”
He didn’t look the least bit embarrassed. “More closely than I should.”
We sat together and ate in comfortable silence. The next time he spoke was to answer a phone call from Jack. I tried to hide my smile while I listened to his conversation. Unlike the rest of his team, I hadn’t gotten to see Aaron Hotchner, the father. What is it about men being good father���s that is so attractive, I mused. Is it biological? I made a note to ask Dr. Reid.
After we ate, he went to shower while I stretched out on our bed, scrolling through my phone. When Hotch emerged from the bathroom he was in another pair of flannel pants paired with a black t-shirt. I pursed my lips in both amusement and disappointment.
“What?” His eyebrow was raised quizzically. Why are his eyebrows hot?
I giggled. "Nothing." At his incredulous look, I amended, "it's nothing interesting."
He sat down beside me on the right side of the bed, his back resting against the headboard. “I’ll be the judge of that.”
“Hooootch,” I whined, covering my face with my hands. “I’ve already embarrassed myself in front of you enough for one lifetime.”
His hand came up to grab mine, pulling them down from my face. Any attempts I made to wiggle away from him were in vain. Apparently, those muscles aren’t all show and no go. My body had shifted down the bed during my halfhearted struggles, meaning Aaron was now propped up on his elbow, his body angled over mine. “Embarrassed? I don’t remember any embarrassing times,” he pretended to give this some thought. “Unless you’re referring to last night when you mentioned how much you think about my muscles?”
I tried to jerk my arms out of his hands, but he held fast, laughing openly while my face turned red. “Oh, I’m sorry. Were you not talking about that?” He pushed my arms back onto the bed, rising to his knees, positioning his body over me, his face hovering over mine. “Then it must have been when you lied to the whole team a few days ago.”
I squeaked in outrage. “I didn’t lie about anything!”
He was so beautiful when that scowl left his face. “Yes, you did!” he insisted. “You said you wouldn’t say ‘yes’ if I asked you out. And, based on the evidence, I have to say I don’t believe that to be true.”
“Oh, I forgot I was dealing with a former prosecutor.” He nodded gravely, earning another giggle from me. “Okay, counselor. What’s the evidence?”
“The most glaring piece of evidence is you won’t tell me what you were thinking when you were looking at me when I came out of the shower.”
I let out a whine, accepting my fate. He’s literally on top of you, dumbass. Something tells me he’s gonna be receptive. “Okay, okay. I may have…hurried out of the room this morning while you were in the shower.”
Hotch quirked an eyebrow. “I know. Go on.”
“Asshole,” I muttered, delighted when he laughed. Hearing his laugh was one thing, but seeing it too? My insides were basically liquid. “I may have ran as an act of self-preservation. I was…worried that you’d come out of the bathroom in a towel. And you’d be wet, and hot, and I would…make an idiot out of myself, much like I am now.”
Aaron was delighted by how bright red my face turned; he made no attempt to hide his amusement. “So, just now, you were disappointed that I came out fully clothed?”
“Hotch,” I moaned out in embarrassment. He wasn’t making this easy on me.
My eyes were shut tight, my head turned away from him like this would somehow prevent him from seeing me. His left hand lifted from my wrist, his fingers coming to rest on my chin, turning my face towards him. "If you're going to moan my name while we're in bed, y/n, I'd prefer if you called me Aaron." My eyes snapped open. His eyes were still warm, teasing, but there was a certain heat in them I hadn’t seen before that made my lower belly flutter. He leaned closer to my face. “It would be hard for me to focus at work if you every time you said ‘Hotch’ I thought about you like this.”
I waited for a few moments for him to act before I realized Aaron couldn’t cross the line first. He wouldn’t be mean if I rejected him; that wasn’t the type of man he was. But the choice was mine; it had always been mine.
I lifted my free hand up to cup the side of his face, urging him closer to me. The first brush of my lips over his was so soft I wasn't sure it was even happening. It was so hesitant but so pure that it made me ache. Aaron pulled back to look at me; he was breathing hard like he had been running instead of just kissing me.
“Y/n…”
“Don’t profile me, Aaron.” I lifted my head, my teeth nipping at his bottom lip. “I want this. I want you.”
His posture shifted, he released my left arm to brace himself above me with his arms caging me in; he moved his legs, wedging one of his thighs in between mine. “I’m not profiling you. I can see how much you want this.” No need to sound so arrogant. “But I need to be sure…I’ve wanted to touch you for so long.”
My hands moved up to touch him, one hand feeling the soft hair at the nape of his neck that was still a little damp from the shower; my other hand gripped his bicep. “Then touch me, Aaron. Please.”
I wasn’t ready for the full force of Aaron Hotchner. He was the most intense man I had ever known, and that intensity didn’t stop in the bedroom. Aaron didn’t kiss me, he tried to consume me. His mouth moved over mine with a carnal hunger that made me throb, shifting against his firm thigh that was rested against me. I was desperate for any friction. I felt his hand move down from where it was cupping my face to rest on my collarbone, his thumb tracing over the base of my throat.
His lips moved off of mine to blaze a path down my jaw, his teeth nipping at the skin there before he moved back to my lips. “Don’t worry, sweetheart.” He pushed his thigh against the seam of my body, causing a whimper to escape from my throat. I didn’t even mind the smirk that covered his mouth. “We’ll get there. Just let me make you feel good.”
I opened my mouth to him; his tongue swirled around mine while the hand that wasn’t bracing him up moved to my hip. His fingers ran over the skin of my stomach that was exposed from my shirt riding up. I placed my hand over his, guiding it further up my stomach; how was I supposed to take my mouth away from his to tell him what I wanted?
Of course, Aaron knew what I needed; I was beginning to learn that he always did. His fingers trailed up my body until he got to the underside of my breast; the callouses that roughened his fingertips were heaven on my overly sensitive skin. My mouth broke away from his in a guttural cry when those fingers finally found my nipple. Aaron moved his kisses down to the side of my throat. I felt his breath against my throat when he murmured, “you’re so sexy, y/n.”
Raising up on his knees, he started tugging my shirt up; I lifted my upper body so I could slide my shirt off quickly. I heard Aaron groan when my chest was revealed to him, but I was on a mission of my own. Once I had his shirt pulled up over his abdomen, Aaron reached behind his back and pulled his shirt off at the neck.
My nails raked down the skin that covered his chest, reveling in the groan that left his mouth. He leaned over me again, his lips wasting no time before they covered my nipple. My hands tried to grip the short hair at the back of his head.
“Aaron,” I gasped out. “I need…more. Please.”
He started kissing his way to my other breast. “What do you need, sweetheart? Do you want to grind against my thigh? Do you need to use me to get off?” His tongue flicked over my nipple. “Or do you want me to use my hand? Is that what you need, Angel?” My heart stuttered at the sweet nickname just as much as it did at his filthy words. “Do you need me to put my fingers in your pussy?”
My thighs were shifting restlessly. “Yes, yes, please Aaron.”
When his mouth closed around my nipple, I felt his left-hand slide down into my shorts, then into my panties. He shifted his wrist, allowing his hand to cup me. He groaned against my skin. "I haven't even put a finger inside of you and I can already feel how wet you are. Your little cunt is just dripping for me.”
I didn’t have a chance to respond before he parted my lips, his finger ghosting over my clit, causing my back to arch off the bed. He smirked but didn’t tease me further; he slid his fingers down to my opening before pushing his middle and ring finger inside of me, using the heel of his hand to grind against my clit. I moved my hand to my mouth, having to bite on my skin to silence the scream that his actions brought forward.
“What’s wrong, sweetheart?” He leaned back, never pausing the movement of his fingers. “Are you trying to be quiet? Do you not want everyone in this hotel to know how wet you are? How desperate you are to have my fingers inside of you?” All I could do was nod. “It’s all right, baby. Once we get home, I’ll hear you scream for me. But for now; be a good girl and try to be quiet. I’m the only one that gets to hear what you sound like when you cum for me.”
I was grinding against him, working my hips desperately, matching his rhythm. I was so close. “Aaron, NO!” was all I could say when he removed his fingers from inside me. The man just smiled at me, looking me straight in my eyes when he put his fingers in his mouth, licking me off of them.
He grabbed my shorts and panties at my hips, roughly jerking them off my body. “When we get home,” he said as he slowly started to push his own pajama pants down. “The first thing I’m going to do is lay on my back and make you put this pussy on my mouth. You taste so good, angel.” His cock sprang free; he was so much thicker than I expected. I was transfixed, just watching his fist pump up and down his hard length. “Will you do that for me? Will you ride my face?”
“Yes,” I was so desperate I would agree to anything in that moment. “I’ll do anything. Just please fuck me, Aaron.”
He used the fingers of his free hand to part my pussy lips again, rubbing over my clit. “I don’t have a condom, sweetheart, but-“
“I’m on the pill,” I reach out to grip his shoulders, pulling him on top of me. “I trust you. I trust you with everything. I need you inside me, Aaron.”
He shoved my thighs open, running the head of his cock up and down my pussy, coating himself in my arousal. He looked up at me again, giving me another moment to back out, before he slowly started to push inside of me. He stroked in and out of me, going a little bit deeper each time until he bottomed out. Aaron’s head fell to the dip of my shoulder. “Fuck,” he whispered. “You’re so fucking tight.” He started moving then. Slowly pulling out before he shoved himself back inside me. My hands were on his back, my nails digging into his skin. I wrapped my legs around his back, trying to draw him deeper inside me.
“You feel so good,” I whisper, biting his shoulder to keep my moans quiet.
Aaron raised up on straight arms, changing the tempo of his thrusts. “You’re not doing a very good job of being quiet, baby.” I whimpered; I couldn’t help it. “I think we might have to do something about that. He quickly pulled out of me; I didn’t have time to complain before he flipped me over, gripping my hips and lifting me up on to my knees. His hand palmed my ass cheek while he leaned over me, his breath hot on my ear. “This is how you need to be fucked.”
Raising up, he lined himself up and slammed inside of me. I bit my lip so hard that I could taste blood; Aaron tangled his hands in the back of my hair, pulling my head up while he set a brutal pace. "Quiet, baby. You don't want everyone to know what a dirty girl you are. Screaming for my cock, so wet that you're dripping down your thighs." His pace didn't slow down; I felt my orgasm rising up inside me. "Touch your clit for me, sweet girl. I want to feel you cum on my cock."
My fingers began circling my clit in a frenzy, causing my pussy to flutter around him. “That’s a good girl. Such a good girl for me. Can you be quiet when you cum? Or do I need to shove your face down in the mattress while I fuck you?” He gave a dark chuckle at my needy whine. “That’s what I thought.”
In the way that he knew everything, Aaron knew when my orgasm was peaking. He pushed my head down, never too hard, but hard enough. I bit the comforter in an attempt to silence my scream. I felt myself clamp down around his thick cock. My orgasm broke inside me so quickly. I screamed his name while I came; the comforter silenced some of it, but he heard it. That scream along with my pussy cumming on him was ultimately his undoing. He gave a few final thrusts before he went all the way, holding himself inside me as deep as he could, filling me with his cum.
I collapsed after that. I had never felt anything like this before. Aaron was there, knowing what I needed even when I didn’t. He held me for a moment until I caught my breath. Then he went into the bathroom, coming back with a damp washcloth to clean me up. He was so tender with my sensitive flesh; he didn’t say anything, he just focused on his task.
Once he was satisfied, he laid down beside me, drawing me into his side just as he’d done the night before. I couldn’t help the dry chuckle that left my exhausted body. Aaron made a ‘hmm’ noise. “I was just thinking about last night,” I said quietly, my voice raw from the screaming I had just done. “You held me like this last night. It was just 24 hours ago, but the whole world feels different.”
He made a noise in the back of his throat that I took as an agreement. After a beat, he said, "well, maybe you won't run out on me in the morning this time."
I looked into his eyes, raising up to press a kiss against his stubbly jaw. “I’ll never run again.”
And I meant it. I could face any monster, as long as Aaron Hotchner was beside me.
#aaron hotchner#Aaron Hotchner x reader#Hotchner x reader#Hotch x reader#Aaron Hotchner Imagine#Hotchner imagine#hotch imagine#Aaron Hotchner smut#Hotchner smut#hotch smut#Aaron Hotchner fan fic#Hotch fan fic#Hotchner fan fic#Aaron Hotchner x you#Aaron Hotchner x y/n#Hotchner x you#Hotchner x y/n#hotch x you#hotch x y/n#ssa aaron hotchner
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Combing through every single episode of Jurassic World: Camp Cretaceous for Yasammy moments to write meta analysis about part 4 (parts 1, 2, and 3)
Once Yaz is inside the lab we see her frantically looking for the antidote, getting more and more panicked the longer it takes her, we even see her get so frustrated that she starts throwing things and when she sinks to the floor she looks ready to have a full-on breakdown, it’s only when she notices the medical case and has that spark of hope that she gets up to continue her search, this combined with the sheer relief she experiences when she doubtfully opens the case to find that it does in fact hold the antidote really goes to show just how seriously Yaz takes this mission, I think that Yaz would take this kind of mission seriously if it were any other member of the group as well but not to this degree, it’s clear she cares very deeply about Sammy, she collapses in on herself and starts crying a little bit as she clutches that case to her chest, her world has been in danger of completely falling apart and she just found the one thing that can save it Yaz is a real ride-or-die, especially when it comes to Sammy, she is willing to put herself in so much danger just to make sure that Sammy is safe, she jumps the river in one go (despite the realized risk of her landing wrong on her bad ankle), as she’s sitting there cradling her injured ankle she remembers the first time Sammy offered her meaningful support, encouragement, and affection, she remembers how Sammy says she never gives up when it comes to friendship, Yaz knows deep down that Sammy would never give up on her and she sure as hell isn’t going to give up on Sammy, this reminds her what she’s fighting for and she gets back up, Yaz yells at the scorpius rex, basically telling it, “Come at me, bro,” Yaz is done taking shit from anyone, nothing is going to stop her from getting back to Sammy with that antidote, not even a freak of nature franken-dino with venomous spikes, during the final stretch of her journey, tired, injured, and terrified, Yaz trips and has several more flashes of memory in a row of moments where Sammy was saving her or hugging her or telling her that she’s her best friend in the whole world As I said in the last post, the term best friend is often used in children’s media to reference closer relationships between same-gender pairings in a way that adds queer subtext so it makes sense that this last part of Yaz’s flashbacks feels like a love confession from Sammy (albeit an indirect one) Yaz clearly loves Sammy too (even if she hasn’t consciously realized it yet) as she is willing to risk everything to save her and fix their relationship, when she gets back near the fort and sees how grim and somber the atmosphere is she musters every last bit of strength she has and pushes herself to the finish line, she is immeasurably worried that she will be (or already is) too late and she’ll lose Sammy forever, even after Brooklyn administers the antidote it takes a while for Sammy to show any kind of improvement so Yaz gets even more anxious and desperate, she even admits that she really does care about Sammy and she didn’t mean what she said before, she needs Sammy to know that, this scene reminds me a lot of the scenes in shows and movies where someone’s significant other is in the hospital and the healthy one gets very upset and refuses to leave the injured/sick one’s side When Sammy does wake up we are again treated to her perspective, the first person she looks over to is Yaz and the first thing she does is casually great Yaz (which is just adorable, as is Yaz’s genuine relieved smile after finding out that Sammy’s going to live), Yaz does everything she can to help and support Sammy, from checking on her when she first starts sitting up to supporting her while she’s walking to trying (and failing) to improve general morale in Sammy’s stead, ultimately Yaz’s plan to improve morale just freaks everyone out but the fact that she’s trying for Sammy’s sake is really sweet Also, can we just talk about the fact that Yaz has her hand fully on Sammy’s thigh when she asks how Sammy’s feeling? Or the way Yaz practically melts into the hug Sammy gives her?
Or the way she keeps taking, like, every opportunity to touch Sammy (rubbing her shoulder and her back, wiping the extra water off her face, etc.)? I’m sorry, there’s no heterosexual explanation for that combo The way that Yaz holds and protects Sammy during the stampede, the way that Sammy clings to Yaz with both hands (fingers tense and digging into Yaz’s arm), and the way they huddle close to each other suggest that they are both dealing with some direct trauma, Sammy just narrowly escaped the clutches of death at the hands (spikes?) of a dinosaur and now here they are possibly about get trampled (again), she still doesn’t feel good and she turns to Yaz for comfort, likewise Yaz is still very much aware that she almost lost Sammy and she had to leave her in order to get the antidote so she wants to make double damn sure that Sammy knows she’s there and that she’ll protect her, when it comes time for them to run Sammy has a moment of self-doubt, Yaz knows that Sammy needs her to snap her out of it in her own Yaz way (as opposed to trying to be overly cheery and positive like she was earlier) Yaz continues to offer gentle touches to comfort Sammy on the boat and when Sammy finds out that Ben plans to stay on the island instead of coming with them on the boat, she also uses physical touch to share Sammy’s excitement when Ben decides he actually does want to come with the rest of them on the boat, she also continues to protect Sammy from the onslaught of dinosaurs they have to unleash to get rid of the shady guy working with Dr. Wu who made them leave the boat, Yaz pulls Sammy out of the way of multiple dinos and holds her close Last but certainly not least, when they finally get back to the boat and leave the island we get this absolutely precious moment where Sammy is sleeping and Yaz comes over, looks at her, gives a contented/relieved sigh, and smiles one of the warmest smiles we have ever seen her smile, if that’s not the face of someone in love I don’t know what is, here they are finally safe, Sammy can rest, Yaz doesn’t have to worry about being immediately by Sammy’s side all the time to protect her from danger and she can just enjoy being around her I suspect that in season 4 we will likely see their relationship develop further because of them having some time and space on the boat (and possibly wherever they go next) to process and confront their feelings and, given that Brooklyn canonically asked if Sammy has a crush on Yaz, I don’t think it’s out of the realm of possibility that they might even canonically end up in a romantic relationship Anyway, Yaz and Sammy are in love, thank you for coming to my TED Talk
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play date (jennifer jareau/reader)
Title: Play Date
Request: no
Couple: Jennifer Jareau/Gender-Neutral!Reader
Category: Fluff
Content Warning: allusions to parents death, mentions of a parent walking out, swearing (if any), single parenthood, tbh i don’t really know what else to tag. It’s just straight (or gay) fluff.
Word Count: 3,028
Summary: JJ brings her kids to the park where she meets Reader, who brought her kids to play. The pair’s kids become fast friends, as for Reader and JJ? That’s a whole different story.
A/N: this is my first time writing for jj. please enjoy it bc im big soft for her rn (i will also say that about luke too)... this is day four of my 7fics 7days event for 1.2k followers ! Here is the masterlist for that! And here’s my main masterlist! Thank you all for the love and support!
also, thank you to @reidetic for proof reading this :)))
{***}{***}{***}
It was a normal day, right? I mean, that’s what I thought. My kids and I walked to the park after some chores, and after lunch. Nice fresh air, playing in the park, talking to other parents. Do people actually do that? Talking to other parents in the park? It’s been a while since I’ve actually gone to the park with my kids…
"Make sure you’re safe. And, if you need me, I’ll be sitting here," I pointed to the bench that held my backpack. My daughter looked up at me and nodded before running off. My son on the other hand was a little bit more apprehensive of leaving my side to go play. Part of me wondered if it had to do with all the other kids running around, playing with one another.
"What’s up, Buddy? Didn’t you want to come to the park?" I looked at him as I squatted to his height. He looked up at me and shrugged, not really telling me what was wrong. "Oh, c’mon, we’ve been to this park before." I sighed and looked at him while I gently ruffled his hair.
"Your sister wants to play with you, go on." I looked towards the park where my daughter was currently playing. It was a relief seeing her playing with the other kids, not by herself. But she was always quick to make new friends and play with new people. So it wasn’t that big of a surprise.
"Your son can play with my boys if he wants," a woman looked at me with a smile. I looked away from my child and towards a blonde woman who had two boys standing beside her. They looked to be about my son's age.
"You wanna play with them?" I looked back at my boy, resting a hand on his shoulder. I watched as he looked over at the two new boys, his little eyebrows furrowed together as his lips pouted out a bit. "C’mon they won’t bite."
"Well, Michael might…" the woman laughed as she looked between me and my boy. I looked back at her with a raised eyebrow. "They like playing superheroes," she was quick to add, clearly realizing her mistake.
"You love superheroes! You could be X-Men!" I clapped my hands together. My son looked up at me with furrowed eyebrows and shook his head. Over by the blonde woman I could hear her boys talking about something. I looked over at the three and raised an eyebrow. "Did I say something wrong?" I looked back at my son. He just looked at me, his eyes just staring at me like I did, indeed, say something wrong.
"How about," the woman spoke, looking between my boy and I, and then down at her boys, "You three go play superheroes, and when you’re all done, come back to us," she folded her arms over her chest as she looked down at the 3 boys. My son looked up at me with a cocked eyebrow, silently asking if I was totally fine with him going with 2 strangers.
"It’s okay, go on. I’ll be here. Have fun," I winked at him before standing upright myself. He looked over at the two other boys before running off with them.
"That was easier than I thought it would be," I laughed as I moved my backpack to the ground, before I sat on the bench.
"They love making new friends. But they can be a little… shy," she laughed as she stepped closer to the bench, "I would do anything for them," she smiled and nodded.
"Please, you can sit beside me." I chuckled as I gestured towards the empty space beside me.
"Jennifer… Jennifer Jareau," she smiled at me as she sat down beside each other on the park bench. I looked at her and nodded. "But you can call me JJ,"
"It’s nice meeting you, JJ," I smiled before giving her my name, "How old are your boys?" I looked over at the playground and spotted our boys playing together. It didn’t look like they were playing superheroes like JJ and I had both thought. It looked like they were playing pirates or something else.
"Henry is 9 and Michael just turned 6," JJ smiled at me as I looked back at her. "What about yours? How old is he?" she asked, looking out at all the kids.
"He just turned 5 a few months ago. And my daughter is 10," I smiled and nodded. I looked back out at the playground, looking for my daughter. She was by the slide, talking with one of the other girls.
"Oh, and you have a daughter?" JJ asked as she followed my gaze to the girl in question. "Well, they both look just like you."
"Well, they definitely don’t have my eyes and nose," I laughed and shook my head. JJ looked back at me with a cocked eyebrow. "And I swear my little boy has their personality too."
"He certainly is adorable," JJ laughed as she looked around at the playground. She laughed once she looked at our boys. I was impressed that my son was actually playing instead of just sitting to the side by himself. To be honest, I don’t remember the last time he played with other kids his age. It was a nice change to see for him. He looked like he was having fun, and that’s all that mattered.
"My little king," I laughed lightly as I looked back at JJ. I noticed she was looking between me and our kids. "Do you come to this park often?"
"Not as often as I’d like. Work can get busy, and then school gets busy," I relaxed my body as I sat back more on the bench.
"Amen to that," JJ raised her eyebrows as she spoke. Her smile was genuine, and I enjoyed looking at it. It gave me a certain joy I hadn’t had in a while. It made me smile.
"What is it you do for a living? Surely it can’t be too bad," I laughed as I turned to face her more. She copied my movement and faced me too.
"I… I actually work for the FBI," she kept her voice low so no one around could hear our conversation. I looked at her with wide eyes. And suddenly every little bad thing I’ve ever done came to my mind. The one time I ran a red light because I didn’t want to be late. Or, the one time I stole a chocolate bar when I was a teenager. Or, when I cut someone off on the freeway.
"The-the FBI… Great," I nodded as I looked down at my hands. "Beats my media manager job," I laughed again as I looked up at her.
"Don’t worry. Media manager sounds like a great job," JJ smiled at me, reaching over to hold my hand. I looked at her and nodded.
"FBI sounds even cooler. I bet it’s terrifying," I swallowed roughly as I looked at her.
"Sometimes it can be. It’s the thrill of the chase that keeps me going." Her laughter was like cotton candy: sweet and light and fluffy. I couldn’t help but smile again.
"I would have guessed it was the boys that kept you going. But, I supposed the FBI does do that to someone," I looked down at her hand, which was still holding mine. I could feel my heart rate pick up slightly as I looked down at our hands. I wonder if she knew she was still holding mine.
"Yeah, I suppose I do have to try to keep up with those boys," she laughed, again, before looking over at our kids. I furrowed my eyebrows before nodding slowly.
"Surely their dad must be a load of help, while you’re at work," I asked about her husband/partner without actually asking about him. She looked back at me and cringed slightly. "Oh… I’m so sorry," I whispered before dropping my gaze from her face.
"It’s okay. Really, it's fine," she pulled her hand from mine and waved it off. Part of me sensed that she didn't want to talk about it. And, that was okay.
If it was the same situation as me, if they just walked out? Or if he was ever a part of his kids lives… Did he die? And, if so how? Was he a police officer who got killed on duty? Or was he incredibly sick? It was a bit of a touchy subject. That was until she asked...
"What happened to their…” she started as she looked over at me. “If you don’t mind me asking?" JJ looked at me. And I could feel her big blue doe eyes starting into my spoiler soul. I looked at her and shrugged.
"Oh, uh, not in their lives anymore," I sighed before looking towards the playground, "It was just after our son was born too..." I shrugged, leaving my statement as vague as possible so I wouldn’t have to explain that we were left for another person.
"Oh goodness, I’m sorry," she looked at me, gently resting a hand on my lap. I looked down at her hand and felt my heart rate spike again.
I think she was able to figure out what happened without me saying anything about him. I mean, I figured out what happened to her husband. If I didn't have to explain what happened, then I think that would be best….
"Anyways, I've been a single parent ever since," I smiled as I looked over at her, “I wouldn’t trade it for anything. Those two are my world,” I locked eyes with her.
“I can agree. Michael and Henry… I’d be lost without them,” she smiled at me as she spoke. With that, we both fell into an odd and slightly uncomfortable silence. We both just turned and looked at our kids playing with each other. I wish it wasn’t so awkward….
“So, the… FBI?” I started as I turned back to face her.
“The FBI,” she laughed and nodded, “I work in the BAU,” she looked over at me.
“What would that be, exactly?” I raised an eyebrow.
“Oh! Yeah! Right, I forget that people don’t know about all the different sections within the actual FBI,” JJ laughed again, and I couldn’t help but let my heart swell again. “So, there’s a bunch of different branches in the FBI, right. I work in the BAU, which is the Behavioral Analysis Unit,” she explained, looking at me like I already knew what that was. I furrowed my eyebrows as I looked at her.
“Okay, so… What do you do?”
“Essentially, we read the behaviors of criminals… Like, serial killers, kidnappers… Stuff like that.”
“Like, Ted Bundy?” I asked, furrowing my eyebrows.
“Yeah! Kinda. We’ve been all over the country, solving cases, some unsolved ones. It’s a wild world we live in,” JJ swallowed roughly as she looked down at the bench.
“Do you know how many cases you’ve solved? Must be a lot,” I asked, feeling a certain excitement take over. I felt a little embarrassed by the excitement I felt. JJ could sense that too. But I could see how happy she got with my joy.
“Too many to count, honestly. I’ve been on the team for… 15 years,” JJ’s tone was mildly confused. Like, she wasn’t too sure.
“Well, if you’ve been in that line of work for nearly two decades, it’s okay if you don’t remember,” I laughed as I reached over and rested my hand on her leg. It was her turn to blush up at my touch. “Media manager isn’t anything cool. Not like travelling the country like an FBI Agent. That’s super cool,” I looked up at her.
“It is till it keeps you away from home for long periods of time,” she frowned as she looked down at where my hand was resting on her leg. I returned the frown as I retracted my hand.
“I understand being away from home for a while. Although, I think I only go on work trips every six months,” I laughed, trying to cheer her up a bit.
“Anyways, enough about work,” JJ laughed as she looked back at me.
I was more than happy when we fell into a comfortable conversation. Better than before, when we fell into the complete opposite, uncomfortable silence. The conversations moved so swiftly from hobbies, to when our kids were younger, to what we do in our free time. Although, our conversations were cut short by a cry from a little boy in the playground.
I instantly shot up to my feet, looking around the playground for my son. JJ was instantly on her feet too, looking for her sons too. The second I saw my son on the ground, in tears and holding his knee close to his body. I sprinted across the playground and right to him.
“Hey, hey, baby,” I knelt to the ground to help him, “It’s okay,” I whispered as I brushed the tears off his face.
“He… He just fell off the playground,” one of JJ’s sons appeared by me. I looked over at him and nodded with an exaggerated pout.
“That’s okay! Accidents happen!” I looked back down at my son before picking him up and resting him on my hip. He sniffled his nose before pressing his face into my shoulder. “Ohh, is it time to go home?” I frowned as I walked back over to JJ and the bench.
“Oh no! Did we have a fall?” JJ looked at me as I got closer to her. I frowned and nodded. “I have a first aid kit in the van if you need." She watched as I sat back down. She sat beside me and looked at my son. “Oh, that looks like a rough owie,” she looked at the scrape on his knees.
“You should see his hands,” I looked back at her. JJ looked back at me before standing up.
“I’ll be right back,” she rested a hand on my son’s head and then mine before leaving us for a moment.
“Should we go home and take a nap?” I asked, resting my hand on his back. He took a shaky breath and nodded before pressing his head into body. I looked up just as JJ returned with a small first aid kit and a stuffed animal.
“I have X-Men and Batman band aids,” JJ whispered as she sat back down beside me. I turned my son around so he was facing JJ. “Do you want… Wolverine or Batman?” She looked at him with a small smile on her lips.
“B-batman,” he whispered, looking cautiously at JJ. I watched as she pulled out a wipe, ointment and some Batman band aids. My son looked up at me, tears still fresh in his eyes.
“This might sting… Do you want to hold Arlo? He’s Michael’s dinosaur,” JJ looked at my son as she offered the bright blue and yellow stuffed animal. I looked down at him as he held out his hands to take the dinosaur from JJ’s hands.
“You can be a big boy, for JJ?” I asked, brushing more tears off his cheeks. He looked up at me and nodded. I looked back at JJ and nodded lightly so she would just hurry and clean his injuries.
“Owie,” he cried as he began squirming around. I held him close as JJ tried to be quick.
“Look! Look! I’m all done!” she lifted her hands to show him that she was truly finished. “You got some pretty cool Batman’s band aids on your knees now,” she pointed at his knees, causing him to look down at them.
“What do you say to JJ,” I whispered, looking at my son’s face. She looked at me, then down at the boy on my knee with a smile.
“Thanks, JJ,” he mumbled before turning to hide into my body. JJ laughed, and looked back at me.
“You’re welcome, Buddy,” she looked down at him again.
“And, on that note… I should probably collect my other kid and go home. It’s nap time,” I looked at JJ as I handed her the stuffed Dinosaur. I really didn’t want to bid farewell to her. But, it was time to go. Time had flown by quickly, it was well past nap time and almost dinner time.
“I agree,” JJ frowned as she stood up. I sighed as I stood up beside her. We both called for our kids, waiting for them to run over to us. “Oh, we should exchange numbers… It was nice talking with you, and it’s nice to have friends outside of work,” she laughed as she turned to me again. I smiled and nodded before pulling out my phone.
"We’ll have to set up another playdate soon. I’m sure they all had fun together," I smiled, looking down at my kid. JJ looked at her kids, then over at mine, "Now that we’ve exchanged numbers and all. How would you guys feel about that?" I couldn’t help but let the smile grow across my lips. My cheeks started to hurt a little bit from how happy I was feeling. I honestly don’t remember the last time I was this happy.
"I think that’s a great idea," JJ smiled before looking back at me. I looked back at her and nodded. "And, maybe we can… have a date our… ourselves?" she asked, raising an eyebrow slightly, "Only if you want! I won’t press-"
"That would be… nice," I smiled and nodded, "I’ll call you?"
"Sounds good! Have a nice night you three," JJ smiled at each of us before corralling her kids towards her van.
"Who was that?" My daughter looked up at me with furrowed eyebrows. I smiled as I watched JJ drive off.
"A new friend," I answered, looking down at her with a smile.
if you want to be a part of a taglist or have any comments about this one shot, let me know here
#shadow writes stuff#shadow posts stuff#jennifer jareau#jennifer jareau x reader#jennifer jareau x you#jennifer jareau fanfiction
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Thoughts on True Beauty and Why I’m On Team Suho
Ever since the tv show started, I’ve begin thinking and noticing for a while now that, more than anything, I’m more #TeamSuho than I am #TeamSeojun.
And the thought of “why do I think like that?” kept repeating in my head, because, if I’m honest, the casualness that Seojun and Jugyeong shared early in the series (I’m talking webtoon and, truth be told, a bit of the tv series) really struck me as them having a much easier and playful, therefore fun, relationship. Which makes for an interesting dynamic than what Jugyeong had with Suho.
So, here are my thoughts why I think I prefer Suho with Jugyeong towards the end.
To warn, this is, firstly, have nothing against any of the characters or the ships! I’m merely sharing an in-depth analysis of my thoughts on my own view why I prefer Suho with Jugyeong. Secondly, I’ll be referencing a lot of the webtoon rather than the tv series (although I feel like I’d like to spill my thoughts on that soon, so I don’t know if that long analysis of “why I surprisingly find myself enjoy the adaptation more than I thought I would” is coming soon, buuuut yeah, we’ll see) so, please be aware of spoilers.
As reference, I’m currently at Chapter 124 of the English-translated version of True Beauty as I’m writing this, but I am aware of spoilers ahead of the chapters.
Another Warning: This is so long. Oh my god. How did I manage to write it this long? So. There’s that.
Okay. So. What brought this on?
Honestly, it was just the excitement from knowing that True Beauty was airing soon and I was just so interested to see the dynamics the actors were going to play out rather than just seeing the characters across the a page screen in comic strips as I’ve been following them since I stumbled into the webtoon about, yikes, a year ago?
But – more than anything, I just really wanted to see how Suho played out.
1. So, What’s The Deal With Suho?
If I’m honest, I’ve always thought that Suho is laughably (yikes) boring. Not necessarily in a bad way, no! I actually think it’s one of the things that’s made him quite appealing — in ways that, in other settings, I would have actually found him uninteresting and easily passable as a main lead. But not in this particular world.
To add: the Author also referenced this many, many times throughout the webtoon. Quite brilliantly, in fact — specifically, from Sua’s point of view, as she points out quite a few times that, besides from Suho’s looks, “he’s really got nothing going on for him” or that “he’s boring”. (I frickin’ love Sua in both the webtoon and tv show!)
This was also a really important plot device during the Prince of Princes (Did I get this name right? Omg) competition TV show when the influencer (again, I really can’t be bothered with what’s-his-name) actually called Suho out for basically “not trying his best” when everybody else was clearly giving his all. This triggered Suho to actually act outside of his comfort zone and actually wanted to pose for a sexy photoshoot.
I do also honestly think he’s clinically depressed on top of just having had naturally adapted a much calmer composure to compare with an easily expressive Jugyeong and a very charismatic Seojun. But the thing is, the author really made Suho “boring” on purpose — and the best thing is? It works.
Because as much as Suho is “expressionless” — as in, he doesn’t really emote whatever his feelings as honest or as obvious as the other two leads — he can still carry his character well. Like Jugyeong has learned over time, we start to figure out that, oh, Suho has to put his act together because his father’s famous and he doesn’t want to tarnish that reputation. He’s ruthless to admirers because he’s logical about rejecting unwanted advances. He’s surprisingly rigid and slightly cold, but only because he’s used to only have himself as company.
In all honesty, I’m still trying to wrap my head around Suho. I still don’t quite understand why I’m so fascinated by his personality when, if those sort of “dark brooding” tropes were played in other medias, I would have rolled my eyes and rejected it instantly for how much it’s overplayed.
But I didn’t. Not with Suho.
Perhaps, an angst-lover at heart, his unrequited relationship with Jugyeong really struck with me. His patience when he’s obviously hurting as Jugyeong dismissed their almost-romance, or when Seojun and her were being lovey-dovey in front of him was really incredible. Suho rarely lost his composure, which was quite a feat considering as readers we know he still has lingering feelings towards Jugyeong, and I felt like that spoke volume about his character.
(Besides that, Suho was always so incredibly respectful — not only towards Jugyeong but also towards Seojun. Seojun obviously learned it much later on, but Suho never once carried any ill-intention when he learned Seojun and Jugyeong were together. In fact, again and again, he congratulated and cheered them on, even when we knew later that he feels awful for the lost chances. Still, Suho never acted violently or aggressively. Not once. It was only Seojun who had easily misunderstood him and thus, reacted badly.)
(Although again, that’s so brilliant on the author — because Seojun’s quick-temper is such a staple and big part of what made Seojun Seojun. I’m happy that he acted that way, because that meant his characteristics are consistent from when we first saw him in the webtoon. Of course, that doesn’t mean the temper in and of itself is always good, but — it’s realistic for him.)
2. So, Why Jugyeong and Suho?
Now, this is the part where it gets tricky.
A lot of the fans — some of which are my own friends, and people I knew — abandoned the webtoon because the drama has gotten “tacky” or Jugyeong’s growth has been “stunted” for a few chapters. I can’t say I totally disagree, because I do see there’s quite a lag in the plot, buuuuuuut.... I do feel like the author adds that in on purpose.
Of course! I might be wrong! But hear me out.
I think it’s on purpose because it wants to show the development of Seojun and Jugyeong’s relationship – and why it didn’t work. (Again, anything can happen; I’m only at Ch124, so things might still change for Team Seojun!) Of course, for all those who are aware of the spoilers, the answer was simple: they didn’t work because the agency asked Jugyeong to stop dating Seojun due to his rising status as an idol.
It’s more than that, though.
I’ve also been reading a few comments and some of them pointed out how they thought that Jugyeong has always seemed more relaxed and more playful when she’s with Suho than she is when she’s with Seojun. But... I do have to slightly disagree. Only slightly. Because, if we review the arc during their high school when Jugyeong liked Suho, she was obviously more comfortable and were able to tease and be more playful with Seojun — but she was a little guarded with Suho, which was understandable. She didn’t want to look bad in front of her crush.
I’ve always felt a little threatened at this point because, man, Seojun and Jugyeong’s chemistry was so, so good during this arc. I love Seojun, I really do. He is such a nice and considerate man in ways that I really didn’t think he could be when we saw him as a teenager — but the author really pulled him off well. And he’s so sweet, too? So loyal? Ugh.
The downside is, though — he doesn’t push Jugyeong.
More than that, their relationship (perhaps because they were each other’s first true, committed relationship) really caused each other massive anxiety. Jugyeong wasn’t really honest all the time due to this — not her feelings and not her concerns, and Seojun became an unnecessarily worry-wart even when he shouldn’t be. This had, several times, led him to become inconsiderably possessive i.e. during the time he fought with Suho when Suho had only wanted to help.
Of course, they sort the issue out in the end and Seojun started to reform himself to be an even better partner. But... you can tell, in a lowkey sort of way, that the good-feeling they had when they were just friends, it isn’t really there anymore. They don’t really have fun together. (Although maybe that’s just because Seojun became busy and/or the author skip most of their dates along, so — I might be biased a bit regarding this!)
But with Suho, even as friends, Suho has always pushed Jugyeong — more than just about her bare face, he pushed her to pursue what she wants to do. Not only that, he encouraged it; he helped her.
Which is why I think the plot became slightly stagnant in the moment: because, like Jugyeong, we’re focusing too much on her relationship with Seojun and what would it mean when Seojun became an idol. We’re carried along with her anxiety, with their upside down, with Jugyeong’s worries. We’re stuck in Jugyeong’s first relationship — and that’s it.
But with Suho, the plot moves: Suho pushes Jugyeong to study, Suho talks to her about her ambitions, Suho makes her confronts her fears, and one of the best parts of the series so far — when Suho was consulting her after Selena scolded Jugyeong for messing up on set — Suho recognised what she wants to do, what she likes to do, and he encourages her for it. He comforts her, and tells her to not give up. So now, we see her wanting to try her best in wanting to help Selena.
With Suho, I feel as if... Jugyeong’s focus grows more than just her being upset about one single relationship. Suho’s calamity and logic straightforwardness probably helps — it doesn’t cause as much anxiety as Suho’s relatively honest, which Jugyeong can depend on and seems to explicitly trust — and Jugyeong’s story, once again, grows to be more than just another love story.
It’s become a story of her trying to find a place in the world again, of her trying to figure out what exactly she can do for herself despite all these obstacles and hurdles.
I’m not saying with Seojun, she doesn’t go through any character development at all, no — but her focus tends to single-handedly narrow towards Seojun directly and their relationship, and it leaves very little for Jugyeong to really consider anything else, specially her own growth, which is equally important.
With Suho, she’s just able to do that a bit better, and we can see she’s slightly more comfortable too.
(And, before anybody comes at me, yes, I do think Jugyeong pushes Suho too. She literally recommends Suho books that he doesn’t seem he was going to read anytime soon, or he could’ve overlooked it easily — but she does that. She pushes him out of his comfort zone and suggested a new author / series. And Suho reads it, and he learns that he likes it. It’s the same when she recommends the music app. Or the hairdo. She’s always been a giant force pushing Suho forward; Suho’s always trying to change and/or improve himself when Jugyeong comes in.)
3. Conclusion
This is sooo long so I thank you if you’ve made it this far! I’m just really, really happy with the TV series and these thoughts about why I adore Suho have been nagging at me.
I hope everyone likes the full analysis of my messy thoughts as much as I enjoyed writing it fully on a whim at 1am.
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RWBY Recaps: Volume 8 “Fault”

Hello, everyone! We’re not even bothering with an introduction today, let’s just get straight to the only thing that matters.
HERE HE IS, THE MVP OF THIS EPISODE, OF THE WHOLE VOLUME, THE SERIES, THE ONLY ONE I CARE ABOUT RIGHT NOW

I’m joking… but only a little. In all seriousness we will get to Ren, but you all want to hear a funny story first? I somehow got it into my head that there was no RWBY episode this week—the holiday and all—so I poured all my meta time and energy into a ridiculous Ironwood analysis as a placeholder, only to wake up this morning and find the strongest (and most complicated!) episode this year waiting for a recap. Like some sort of grimm nosing into my inbox.
Okay, so it’s not a funny story, but if RT would just do a better job with their website my life would be a whole lot easier.
So here we are, taking a look at the episode “Fault.” Quick question, is every episode this volume going to have a one-word title? It’s not a criticism, I’ve got nothing against a punchy name, I’m just curious since RWBY has never done that before. If anything, they’ve gone more for symbolically significant phrases like “A Brawl in the Family,” “Players and Pieces,” and “The Lady in the Shoe.” I wonder what sparked the change.

Anyway, we open on Robyn laughing about some story she’s told, something about Joanna losing a fair fight for the first time, presumably to her. This is what we’ve learned about Robyn since this volume started: she refuses to acknowledge that she had a hand in Clover’s death; she was asked by Blake and Yang to keep the Amity secret but, according to May, couldn’t keep her mouth shut about it; and she tries to cheer Qrow up by bragging about her own skill.
Alrighty then.
Obviously, this little story fails to land. “Tough crowd tonight.” Robyn looks to Jacques as well as Qrow when she says this and since she clearly doesn’t care about cheering him up, she must want to get a rise out of him. Create something, as she says at the end of the scene, that’s exciting. Robyn just really loves to start fights. Against Ironwood, Clover, bickering matches with Jacques—stories told about winning them! If she’s not fighting someone she’s not interested.

Qrow does eventually give the smallest smile though and Robyn cheers. “Did I win?” They both quickly grow serious again though and Robyn says she’s “sorry for what happened. It wasn’t your fault.” Her apology would mean more if she was apologizing for her actions, not providing a generic ‘Sorry for your loss’ like she had no hand in this.
Qrow then insists it was his fault… but, of course, not for the reasons why he’s actually responsible (also, didn’t we do this two weeks ago?). For starters, Qrow blames his semblance for everything that went down, despite the fact that his semblance is not responsible for him breaking Clover’s aura, or Tyrian stabbing him. The most we’ve seen his semblance do is cause minor mischief, which in and of itself is absurd considering we’re meant to believe that it has kept him from his family most of his life, and informs choices like whether he’ll travel with the group in Volume 4. Still, it’s not unexpected that he would blame his semblance and think that having friends is a “childish dream”—depression is one hell of a liar—but rather, it’s frustrating that no one is helping Qrow see the truth of the situation, both the good and the bad. He certainly doesn’t need Robyn providing generic platitudes that absolve them both of their choices.
You know what the worst part is? The two kind, level-headed adults with enough distance to help Qrow acknowledge his mistakes while also correcting him about his misconceptions… are Ozpin and Clover. The former is still ignored by the cast, the latter barely got to be a character before he was killed.

Qrow goes on to say that he “made a deal with the darkness and [Clover] paid the price.” I’m sorry, what does that mean?? Outside of referencing his team-up with Tyrian, that’s the most dramatic, nonsensical thing he could have said. Qrow doesn’t admit to the team-up though, rather he starts blaming Clover for his own death.
Precisely like a good chunk of the fandom has done 🙃
He says that Clover just “wouldn’t let up” (translation: he wouldn’t agree to let me go when I was under arrest) and that they could have “worked together against Tyrian if Clover had just—”
There’s a lot to cover this episode, so I’m not going to dive into another explanation of all the justified reasons why Clover didn’t trust Qrow in that moment and why Qrow was the one who “wouldn’t let up.” If you’re interested in that rundown, head here.
Side note: can RWBY please stop with the weird mouth closeups? I’m begging the animators. Especially when so much else in this episode is gorgeous.
Yes:

No:

Robyn’s response is to make it all about her. I say, as a hypocrite, because my instinctual response in comforting someone is to also bring up a way that I might, sort of, know what they’re going through. It’s something to work on and, as always, I’d be more receptive to Robyn’s attempts if she weren’t failing so spectacularly in every other aspect of her characterization. Case in point: she says that having a truth semblance tends to make people push her away, but we’ve never once seen that. We’re introduced to Robyn as she’s adored by Fiona. The people celebrate her. Yang and Blake trust her immediately, for no reason, and comment on how useful her semblance is—they’re not concerned with it. Ironwood likewise works with her and allows her to use her semblance on him in public, at least for a time. May spoke fondly of Robyn last episode. She just finished a story about Joanna… where is this pushing away you speak of, Robyn? I really wish RWBY would consider things ahead of time and actually show them to us, rather than just having characters announce that they’re (supposedly) there.

Nice symbolism though with Robyn touching the electric bars and pulling her hand back. You reach out, you get hurt, curl in on yourself, blah, blah, blah. Too bad it’s not a moment attached to an actual struggle of hers.
Qrow buys it though, saying he’s never thought about it that way before.
You know, I get why a lot of people in the fandom hate Clover. I can’t even claim I’m much interested in him as an individual. I’m sick of straight, white, able-bodied men getting the spotlight, which is one of the things that drew me to RWBY in the first place… so theoretically Robyn should be the better choice for Qrow’s BFF, right? Especially in a world where FairGame only existed in RT’s social media queerbaiting. Give us the badass gender-bent Robin Hood instead of the boring military man!
On paper it sounds great… which is why it’s astounding that RT bungled that so badly.

Qrow never finishes his thought about Clover because the Ace Ops come in to return Watts to his cell. Interesting. The writing has definitely made Ironwood stupid, but perhaps not as stupid as he could have been? If he got Watts to hack Penny (we don’t yet know what’s going on with her during all this) and then promptly shut him away again, that’s just about the best way you can follow up on your worst decision.

Harriet spots Clover’s pin and tells Qrow “You don’t get to keep that,” but then doesn’t take it from him. See, that right there is a better motivation for potentially opening the cell. Qrow says he didn’t kill Clover, Harriet shoots back that his blood was on Qrow’s blade (again, focusing on the wrong way that he’s guilty), Robyn challenges her to get the truth via her semblance… and Harriet considers it? Why? She’s not the one struggling with her loyalty here, that’s Marrow, yet he’s the one who has to pull Harriet back with “What are you doing?” when she looks at the keypad. Have Marrow almost be swayed by Robyn’s taunting, or have Harriet almost open the door because she’s furious and desperate to get Clover’s pin back. Either one of those would make more sense than this.
Also, no one checked Qrow during his arrest/before he was thrown into his cell?

Also, note that Marrow uses a nickname here—“Hare”—so I’m continually unpersuaded by the ‘They’re not friends’ claim. Yes, Harriet hits his shoulder on her way out… and Ren will later scream at Jaune about cheating. Harriet being in a bad mood because their leader was just murdered isn’t evidence that they’re not close, no more than Ren responding to Everything Traumatic Ever is evidence that he doesn’t care for his friends.
Also (x3), Robyn calls Harriet “mohawk”?? Can’t this woman come up with a single good insult?
As the Ace Ops leave Robyn lays back down on her bunk, exactly as she was before, and says, “Well, that was almost exciting.” Kind of like this scene! Luckily, the episode is about to get a whole lot better.

The music immediately picks up as we segue to Ren, Jaune, and Yang chasing after Oscar. On the whole I really enjoyed this scene, largely because it shows the group doing their best—in a way that feels persuasive. I’ll admit that others have a point about them just standing around while the Hound changes form—yet still failing because, you know, our villain is actually powerful! However, there are, as always, some nitpicks.
One of the first bits of dialogue we get is Ren noticing that the bikes can’t stand being in the cold for very long. It bugs me that bikes suffer more from the cold than the civilians do. To say nothing of the fact that it once again doesn’t amount to anything. Their bikes carry them through the whole battle and Jaune looses his because of a grimm. Then Yang manages to fix the totaled bike with a single part, despite the continued cold. Why bother introducing this as a problem when it’s meaningless each and every time?

The three do demonstrate some great teamwork though. When Yang yells that she wishes one of them could fly, Jaune uses his shield to launch Ren at the Hound… so that he can get dragged through the air, hitting rocks. This poor guy. I like that though because no, these teens shouldn’t be perfect, strategic masterminds and yes, they’re in the kind of situation where they just have to try something and see if it works. Jaune can’t think ahead to what Ren will do once he grabs the Hound, they just have to get him to that point and go from there. Which they do. Ren snags a boulder to slow them down further (that’s smart) and Yang goes higher to fire at the Hound’s face (don’t hit Oscar he doesn’t have aura!!). They’re at a crazy disadvantage here and still trying their best to get our boy back.
The overall tone is… fine? Again, love supportive Yang—that high five with Jaune was wholesome—but it continually feels weird to get that when Oscar is in the literal jaws of death here. On the whole though the scene keeps to the action and seriousness of the situation, which I appreciate. We’ll talk more about tone during the outpost scene.

It's looking like they might be making some sort of headway when the Hound lets out a roar that, as Yang puts it, calls for backup. 1. Yay giving this grimm even more power to mess with the cast, 2. Holy shit there are so many grimm around. See, scenes like this is why I’m side-eyeing the anti-army rhetoric in the show (a stance I’d otherwise agree with 100%). Because do you see how many there are? That’s not Salem’s army, that’s just the normal grimm hanging out around Atlas. The cast is screwed if anyone were to, say, order them to attack the kingdom…
Kudos to RT for bringing back the centipede grimm though. I honestly thought they’d just be a one-off action sequence in Volume 7.
While everything is falling apart Ren catches a glimpse of Oscar, complete with rosy cheeks to make him look super young, and the sight fills him with

He starts climbing towards the Hound and we cut away.

Meanwhile, Jaune’s bike is hit with some of the centinel’s acid (again, not the cold causing problems) and he takes a tumble, managing to keep his feet before Yang snags him. Moments like that really do show how far he’s come and I’m glad we got to see such a moment in an episode where his cheating was brought up. Jaune then uses his shield to fly over one of the dragon-y grim, but... wait. The shield is flexible?
Literally what is the point of that? As a shield, I mean (it clearly works fine as a ramp). If you can just tip it over like that then so can the grimm or another fighter. Forget how tiny the shield is, all a monster would have to do is boop it and it would fall over. In fact, it probably should have with the grimm scratching at it before. Seems rather useless, unless you’ve got writers crafting convenient situations. Also, does Jaune have multiples of this thing? He picked it up before, but there’s no way he found that one again. Idk, I’m really not feeling this addition to Jaune’s arsenal. Better to give him a range option so he’s more versatile.
Still, they fly over the grimm and the two let out a sigh in synch. Whatever else we might have to say about this volume, RT is definitely giving us different interactions and team-ups. Well done there. Why, Jaune and Yang have managed to survive all that together!
Oh wait, never mind. They’ve gone off a cliff.

Honestly, I’m shocked they actually went over. I thought Yang would stop in time, or we’d have a classic moment of them tumbling off the bike and ending an inch from the edge, maybe going off slow with time for one to hang on. But nope, they plummet and it was done with such confidence by the camera that for a split second (the illogic of killing them both off aside) I thought that was it. They’re done for. Lucky for them, Ren catches them at the last second, managing to snag Jaune’s sword and them and immediately use his semblance so the grimm doesn’t eat them. That’s skill, baby!!

But you can see why he’s pissed, beyond just the fact that his semblance is holding this group together. It’s not Jaune and Yang’s fault that there was suddenly a cliff, but last we saw Ren he was heading towards Oscar. He had a plan. Granted, not one that was likely to lead anywhere given the Hound’s power (and the plot needing Oscar to reach Salem), but that’s not the point. He was pulling himself towards their kidnapped friend and then at the last second had to cut himself loose to save two others. This moment wasn’t anyone’s fault, but it would take someone with no emotions at all not to be frustrated by it.

So we leave the trio literally hanging out and return to Ruby’s group who is threatening kids!

Seriously though WTF, Weiss? Look, I haven’t always been kind to Whitley. In fact, I think there’s a Volume 7 recap where I really laid into him for his attitude and for supporting Jacques. But then—with the help of some friends and other anon perspectives—I thought about it for a hot second and considered how little power this child has. I was wrong to blame him for so much given the various circumstances here. It took, like… five minutes of thinking, and that’s for a fictional character, not a real life brother. Weiss clearly hasn’t given her brother five seconds of thought. He’s in the same abusive household that she was. He wasn’t blessed with combat abilities and a semblance to easily escape. He didn’t have Weiss there to guide him like Winter guided her. He had to watch BOTH his sisters abandon him to Jacques… so when exactly was he supposed to learn to be better? Why would he be inclined to? Weiss was an entitled racist when she got to school and needed new friends to show her a new path. She admitted as much last volume! Yet the fact that Whitley is completely alone in this house while their mom locks herself in her room to drink doesn’t register at all? This woman, an adult out to save the world as we’re frequently told, never once considered what it took to get her here and realize that Whitley has had none of the resources she did?
I want to emphasize that Weiss threatens him with her weapon. It’s not just that she’s dismissive of him and his plight, she’s also happy to use violence if Whitley doesn’t do exactly as he’s told. Violence… against her brother… who is a child… without any training. Again: WTF, Weiss? You know how I was praising RWBY last episode for not having the group beat up the Atlas personnel? Yeah, we get this instead.
Then she tells him to go to his room??

Speculation is that Whitley is about 2-3 years younger than Weiss. Or, to put it another way, roughly the same age as Weiss’ leader, Ruby. She’ll follow Ruby unquestioningly into world-changing decisions, but sends her brother to his room like a toddler? Which is it, RWBY? Are 17 year-olds leaders you should listen to, or babies who must leave the room while the grownups talk? He certainly can’t be any younger than Oscar, so again, she’ll fight beside him, but treat Whitley like this? Whitley isn’t exactly going to offer help in a respectful, eager manner, but that “Fine. What do you expect me to do?” was incredibly open given his situation. He was willing to help and that was the perfect opportunity to have him, you know, do something. Something small and innocuous that wouldn’t threaten the team if he betrayed them, but kept him around so he could talk to someone. But nope. Weiss just sends him to his room after criticizing him for not understanding that they’re “busy trying to save Atlas.” Weiss, what does Whitley know about all that? He’s locked up in this manor after your father was arrested and the one news clip we’ve seen said that no one knows why Ironwood recalled his forces, or what’s up with those grimm overhead. She’s acting like he should have any idea what’s happening right now.
Also, all of this is coming on the heels of Willow begging Weiss not to forget her brother, so that’s just great. RWBY has the rest of their time in the manor to fix this, because if Weiss comes out of that scene having only been handed the means of arresting Jacques… that’s just bad all around.
Finally, should we talk about how strange this choice is? Last episode we saw the group flying away and I assumed it was them leaving Atlas to go back to Mantle. It certainly looked that way, but now they’ve decided to stay until Nora is awake. Why? Isn’t it more dangerous here? I mean, they didn’t know the staff was gone and there are still arrest warrants out. Was Weiss just going to threaten anyone who dared report her? Where are these shields Ironwood spoke of? Have they gotten through them somehow, or are they currently trapped in Atlas?
This is “Oscar is in the slums, leaves the slums, learns they’re going to the crater, but the slums are actually the crater, so we’re heading back now” all over again.

The one good thing about this scene is that Blake and Ruby talk! …for about two seconds lol. Eh, better than nothing. Blake says that if Ruby is worried about Yang she could try calling her. Ruby has, and Yang isn’t picking up.
Does Ruby think she’s in danger or ignoring her? Unclear. We, however, know that Yang is now lost in the middle of nowhere with no reception and no transportation back to Mantle. The three of them start trudging towards an outpost Ren spotted, needing to find shelter “before this weather drops our aura levels completely.” So what about everyone without aura?? I wish that I could check off the bingo space again because this is ridiculous.

Ren, once again, isn’t in the mood to talk, but unlike Jaune, Yang can’t leave something alone. So she coaxes him to tell him what’s wrong and you know what? She does a real good job at first. She’s encouraging, but her voice is level and she doesn’t come across as accusing. Well done, Yang.
Things quickly fall apart though as Ren says EVERYTHING I’VE EVER WANTED TO SAY TO THIS GROUP. Holy shit, everyone, let’s count ‘em up:
Nothing is going smoothly so let’s stop pretending it’s all fine
Oscar has been horrifically kidnapped that’s #bad
This is not a normal part of being a huntsmen
We don’t know the first thing about being huntsmen!
Every time we’ve had to make real decisions we got them all wrong, yay us
We’re trapping a city here for Salem to destroy whenever she feels like it, yay us x2
Our leader is barely more than a kid and one of us cheated our way here
People are going to die because of us
“I’m just saying what nobody else wants to”
Yang’s response? Incredibly weak imo. Just as weak as the fandom’s has been since this conflict started in Volume 7. Her argument against letting Atlas go is that Salem won’t just let it fly away with her whale… but no one knows that. She’s certainly just letting it sit right now! Assuming that something won’t work because you expect the worst is not a compelling reason not to try.
Her argument against their ineptitude? They saved Haven, took down a leviathan, and got the lamp to Atlas. Let’s break that down a little more.
Did they fight well at Haven? Yes… overlooking that Weiss would have died if not for a timely semblance reveal. But the real point here is that they “saved” the school by getting the Relic. Problem is, they never won the relic, it was handed to them. Literally. They retrieved it not because they were capable of overpowering Salem’s forces and a Maiden, but because Raven decided she’d rather her daughter be a target than her. That doesn’t tell us anything about the group’s skill, only about Raven’s flaws.
They took down a leviathan… after drawing it to Argus in the first place. That’s kind of an important detail when Ren is trying to make the point that their decisions suck. Also, how did they take it down? Using Ruby’s silver eyes, which only worked because Jinn randomly decided to let her stop time. Oh, and also using the rest of Cordovin’s mech that they hadn’t yet destroyed. Again, nothing about that fight demonstrates their skill, only others’ abilities, resources, and the strange favoritism they benefit from.
Getting the lamp to Atlas. Well, you drove Ozpin away who was your ticket across the border. Then Maria told Ruby how to save you all from the Apathy (and Ruby herself was the only one able to resist long enough to demand you get the Relic back in the first place). You started that leviathan fight and ended it surrounded by Cordovin’s fleet. So how did you get to Atlas? Because she let you cross. How did you reach Ironwood? Because he dropped your arrest. Yang stopped Adam, yes, but that was its own, separate fight. Regarding the “getting to Atlas” point they botched that up completely.
Basically, this resume of victories is unpersuasive, to say the least. Yang highlights the end goal rather than acknowledging Ren’s point: have we, as individuals, actually made things better lately?
They absolutely have not.

Note how, in contrast, Ren includes himself in this criticism. He doesn’t just lay responsibility at Ruby and Jaune’s feet, he’s second on the list for being underprepared. For messing up. He’s just an “orphan from nowhere” and this tells us that, unlike Qrow, Ren is actually concerned with this problem and his own place in it. He’s not just blowing off steam and running from his responsibility. Rather, he’s making important points here yet, as he says, no one else wants to listen.
And that’s why the scene ultimately sucks. “But, Clyde! It’s a speech straight out of your metas!” Yes it was and it was beautiful to witness, but the problem is that Ren’s supposed to be wrong. Jaune glares at him before leaving. Yang clenches her fists and asks if he just wants to push everyone away. He’s left hanging his head. Then later they talk about how “broody” he is and provide advice about how to stop doing that. The takeaway here is not, ‘Holy shit, Ren is right and we should rethink our choices,’ but rather that Ren is wrong and needs to come over to their ‘correct’ perspective.
I love that this was laid out. I love that the group is actually fighting for once (way better than Ruby and Yang’s ‘fight’). I also love that we finally see what’s bothering Ren… but we all know this isn’t leading anywhere. The scene ends with Jaune dismissing everything by stating that if Ren doesn’t want to be a huntsmen, fine, but he has a job to do. Ren is supposed to feel guilty here for… telling the truth? Jaune is supposed to look like the hero for soldiering on with his responsibility while moody Ren drags behind. The scene is great, but the purpose of the scene sucks.

Actually, I’d like to talk about a portion of the outpost scene real quick. Skipping ahead, because we really see here how little RT believes the words that they’ve put in Ren’s mouth. Jaune admits that he’s right about cheating into Beacon… but nothing else. Indeed, that “mistake” is swept away because he’s earned his right to be here now. You shouldn’t care about that anymore! Ignoring the point Ren was making about how much they’re in over their heads. Yang apologizes to Jaune on Ren’s behalf, making it clear that she cares more about his potentially hurt feelings than any of the points Ren made. Remind you of anything? Like oh, say, that time Yang cared more about Jaune’s feelings than whether he’d hurt Oscar after slamming him against a wall? All of this despite the fact that Yang JUST accused Ruby of the horrible situation they’re in. Now Ren acknowledges that they’re in a horrible situation and Yang… doesn’t care?? Again, RT is good at giving us the pieces we want, the surface level stuff, but is rarely able to combine it into something fulfilling. If anyone actually takes Ren’s stance seriously, changing their ways rather than talking him out of it, I’ll be shocked.

Especially since the real nail in the coffin of this scene is Jaune telling him that “The more you hide from what you’re feeling, the more alone you’re going to feel.”
Jaune………..buddy……….pal…………were you asleep during that scene? Ren DID tell you what he was feeling. For the first time he did come clean about everything he was experiencing and you both rejected him for it! He’s not pulling away because he’s hiding from what he’s feeling, he’s pulling away because he did show it and both his friends reduced it to “pushing [them] away.” Which is it, Jaune? Should Ren be more open, or should he stop saying things you don’t want to hear? It’s a more complicated version of telling your parents about your interests, them mocking those interests, and then they’re surprised when you don’t share things with them again. I mean, the gall of Jaune to reject everything Ren said in the moment, ignore it after he’s calmed down, and then lecture him about being hiding his emotions.
Jaune and Yang (and the story) don’t want Ren to say what he really thinks, they want him to say what they think. Ren should speak up, but only if he’s going to agree with them.

So Ren sits out in the snow because potentially dying from cold is better than staying in a room with Yang and Jaune. I can’t really blame him lol.
One last thing about the fight scene. Remember how May was put in her place last episode for not using Penny’s name? Well, Yang doesn’t either. Granted, “the Maiden” isn’t as overtly insulting as “tin can” (or whatever it is May said), but it amounts to the same thing: both are replacing Penny’s individual identity with her status as a tool they can use. May sees Penny as the cool tech girl who can get them into the military base. Yang sees Penny as the cool magic girl who is the answer to all their ‘How do we win this?’ problems. Everyone is using Penny. Ruby to launch Amity, Ironwood to open the vault, but you know RWBY will never have a scene where Penny corrects Yang about her name and Ruby looks on, smug. Because the group can continually make the same mistakes as the adults/antagonists around them, but aren’t called out on it in the same way. Ren calls them out and he’s told he’s wrong.
Anyway, the tl;dr of this scene is that Ren is the best. Too bad the story doesn’t realize that.

We then move to my poor Oscar who wakes up looking at his own feet, Ozpin’s voice is as reassuring as it can be under the circumstances. “Oscar? Don’t panic. We’re going to be okay.” I mentioned two weeks back that I hoped the show would explain why we didn’t see Ozpin try to take control during the Hound fight and we still don’t have an explanation, so that’s disappointing. This line is all we get from Ozpin because that’s the norm now. We moved from him being written out of the story entirely to having one or two lines an episode (excluding a speech meant more for the audience than the characters). So, improvement? But a lackluster one, I think. Especially given that he is the focal point of this entire situation with Salem.
I’m avoiding the elephant in the room though. Oscar’s torture is horrifying. In the sense that it should be horrifying. Salem might still inexplicably not be attacking Atlas—and what she’s after at any given time might be getting more and more muddled—but she’s absolutely terrifying here, which is what we needed. The mix of assault with that nurturing tone is just skin crawling. “My long lost Ozma. Found at last” while she (I think?) shows images of their daughters. Honestly, I only heard that from friends, didn’t catch it myself, but then my eyes are shit to begin with. I couldn’t see a thing in this shadowed shot.

(It’s like watching Game of Thrones all over again.)
Oscar tries to pretend to be Ozpin and he does a damn good job with “I’m sorry the reunion isn’t living up to your expectations.” It’s not enough to fool Salem though. She says he’s “not him” yet and I’m again reminded that the show continually references this merge without showing us any change. They’re apparently closer to one person now, but they still speak as individuals. Oscar has Ozpin’s magic, but hasn’t used it, even when his life was on the line. The closest we get to evidence that the merge is underway is that Oscar attempts to lie about knowing Jinn’s name… but what the hell else is he supposed to do here? I suppose he could go the action hero route and shout that she’ll never get the answer out of him, but trying to lie is by far the safer option. That doesn’t tell us that he’s becoming like Ozpin, or even that they’re truly “like-minded souls” as Salem claims. It just tells us that Oscar has two braincells to rub together and can say a short sentence without totally giving himself away. Maybe the kid played a few rounds of Remnant’s Among Us.
This moment highlights another justification for Ozpin’s secrets though. He lives an existence where he is not in control of his own (“own”) body. At any point the host he’s with could falter, fail, turn on him, and in doing so give crucial, world ending information to the enemy. It’s already happened on a small scale, with Oscar successfully taking control, stealing the Jinn information, and giving it to the group. Now here he’s being tortured. How long can he last? Will Oscar give up Jinn’s name? If Ozpin didn’t have the location of the Relic locked up tight in his own consciousness, would that information be lost too? I’m not looking to blame Oscar for anything here—I don’t want to imply that this situation is karma for him taking Jinn’s name, or some such nonsense—I just want to acknowledge that this is the sort of stuff Ozpin has to worry about. If he shares these secrets then that’s more fallible people who are capable of giving that information to Salem. If he keeps them…well, he’s the only one who has to keep his mouth shut during a torture session. His host might want information about the Relics, there’s an argument to be made that they’re entitled to them, but if I were Ozpin I wouldn’t want to take that risk either. The question has essentially become, “Would I trust a 14 year old to keep quiet while tortured by a witch?” Maybe Oscar will! He’s enough of a BAMF to manage it… but that’s still not something I’d want to bet on. Better that Oscar simply doesn’t have that information to give Salem, period.

So obviously this “working relationship” that Salem wants isn’t going well. When Oscar lies she jumps straight to torturing him.
This was legitimately hard to watch and I’m torn about that. On the one hand it’s what I wanted: a scary, powerful Salem who uses the tools at her disposal to get what she’s after. That’s great! Yet I’m still reminded of how far this show has gone to literally beat up the child of the group. Oscar is the one punched into a tree, attacked by a friend, shot by an ally, the star of the show’s most horrifying kidnapping, now the first to be outright tortured by Salem. I don’t really have a point here, I’m not looking to level any specific accusations at RT, I’m just commenting on the pattern and acknowledging that it makes me uncomfortable. There are parts of a story where you’re supposed to be uncomfortable—like the villain torturing a hero—and then there are parts where you’re uncomfortable because the writers seem overly focused on showing images of a specific kid suffering and that’s… weird.
I’m not sure what to make of that just yet.

Anyway, Salem’s magic here is surprisingly pretty. Pretty and painful, but I expected more red and blacks, perhaps some spikey imagery, so the rainbow was an interesting surprise. Given the amount of pain Oscar is in, I suspect too much of that would kill him, so Salem calls in Hazel to continue the interrogation. The first few hits he deals are for Haven, the others for his sister.
See, this is why RWBY needs to actually embrace its “life isn’t a fairy tale” theme. You cannot show me child torture in one week and then move to Ruby “We’ll win because we’re the good guys ^_^” Rose the next. The whole reason why Ironwood (and Ren now) was right is because this is the shit reality they’re dealing with. You didn’t run when you had the chance and now Oscar (and Ozpin) is being tortured. You keep talking about saving Mantle, but the only reason why they’re not already dead is because the writing randomly turns the cold danger on and off. This mix of horrific, real world danger and unjustified confidence doesn’t work.

…also, I officially don’t want any redemption arc for Hazel. This guy is beating on a child because he’s convinced that he’s Ozpin, blaming Ozpin for his sister’s decision, all while forwarding a genocidal maniac’s plans. Hazel and his ridiculous shirts can just get on out of here, thanks.
Finally, I just want to say... this is the woman a lot of the fandom defended. This is the woman you wanted raising those girls and blamed Ozpin for trying to escape with them.
This is how Salem treats children.

Oh, and all of this is without his aura because it just broke. So Oscar is in serious, non-fantasy trouble here.
Someone please rescue him soon 😭
We finish up with some frankly boring stuff with the rest of the villain cast. We learn that the Hound is an “experiment” and a new one given that Cinder has never seen it before. Salem’s dialogue is admittedly great—“Do you hear that, my pet? She thinks. She wants.”—but Cinder just rehashes everything we’ve heard from her before. She wants the Winter Maiden power. She has trouble remembering that she’s playing at Salem’s slave. She even rehashes the exact same line, “Without you, I am nothing.” Why are we wasting time on this when we had that tantalizing backstory before?

Bleh.
Salem tells her in no uncertain terms to stay put.
So Cinder immediately leaves LOL.
She just wants to “check on” Amity tower because she “knows those kids” in ways Salem doesn’t. I’m admittedly slightly confused as to how Cinder knows to go there? Did she believe Ironwood’s lie that it was finished even though it apparently IS finished now? Has she overheard something? I’m not sure. Frankly, keeping track of that stuff in RWBY is headache inducing, so let’s just roll with it.

Neo, the only one with a brain around here, makes it clear she thinks Cinder is an idiot for going. Emerald, always the Cinder fan, offers to go in her stead. She’s been working on her semblance, so I expect we’ll see something cool with that soon. They head off, apparently not worried about what Salem will do to them when they get back.

Which is when we move to the outpost for our final scene, most of which I’ve covered. I only have two more things I want to bring up here.
The first is the tone. As said earlier, the tone of the Hound chase wasn’t horrible, but I find myself disappointed in the overall attitude of Jaune and Yang. Yang is making jokes about how they can’t fly, high-fiving Jaune, and they’re both shrugging off Ren’s concerns. Jaune says he won’t be able to sleep due to worrying about Oscar, but neither of them act particularly worried. Which isn’t to say they need to be sobbing the whole time or whatever, just that Ren is the only one who feels real here. They may not agree with his stance about everything else, but they’ve all experienced the same event: watching a grimm that can morph, talk, and think horrifically kidnap a teammate. Shouldn’t there be more emotion attached to that? Things have gotten better with Oscar than they’ve been in the past, largely due to details like Nora’s hug at the beginning of the volume, but let’s be real, they’re still not perfect. Do we think Jaune and Yang would be this nonchalant if Ruby were kidnapped that way? Say all you want about Ruby being her sister, or others being teammates for longer, but the fact remains that Oscar has been taken to Salem herself and the only one reacting to that in any meaningful way is Ren.
Who they say will “brood himself to death.” That right there. The one guy freaking out about your kidnapped friend should not be described as “brooding.”
All of which segues into my second point, namely that Yang doesn’t seem to care about Ruby anymore either! She asks Jaune, “Do you think she thinks less of me?” for not going to Amity and when Jaune reassures her that Ruby will always love her, Yang’s response is, “Yeah… Ruby.”
She was thinking about Blake.
The kicker? I thought she was talking about Ruby too. Because Ruby is her sister. Because she and Ruby had the fight (“fight”). Because Ruby was trying to call her to check in. Because Blake and Yang didn’t even acknowledge that they went on different missions here. I thought Blake was like Jaune, not really taking a side and just heading with Ruby because the team is splitting down the middle. Where did this worry come from?
And I want to praise RT here (I really do) because I can see the effort. I said Blake and Yang needed to spend time apart, they have. I said they needed to work through their co-dependent identities, now Blake is reminding Nora (and theoretically herself too) that someone you love is just a part of you. I said that the group couldn’t be a hive-mind, now there’s disagreement. I said the show needs to make Blake/Yang canon at some point and you can’t do that if they don’t talk about and to each other. So I fully admit that this is everything I asked for… so why does it feel so badly done? No matter how many boxes it checks off, it’s still a moment where we thought Yang was finally worrying about her sister again—like she used—and then it’s ‘Sike! It was really just about Blake! Again. Yang is worried about a problem that was never even introduced.’
I suppose that’s why it doesn’t work for me. Yang and Ruby had the falling out, but Yang and Blake, somehow, become the focus. Is it really so hard to write Yang as a sister and a potential love interest? Yang apparently can’t care for Ruby and Blake, Weiss can’t care for her team and her brother, Ruby can’t care for Mantle and Ironwood… it’s like each character gets one (1) thing to put their emotional energy towards at any given time and that’s it. That’s all they get.
On the flip side, this is why Ren feels like a person this episode. He cares about Mantle, and the future fight, and their past mistakes, and his place here, and the problems within the team, and Nora… He feels like a well-rounded person! vs. Yang and Jaune who don’t even consider his perspective, vs. Yang having a fight with her sister but only cares about Blake. They’re one-dimensional in comparison.
It is, as always, disappointing.

As the group “broods” then the camera shows us a piece of the ice nearby, slowly cracking as Jaune says that “Things always seem to get worse before they get better.” Well, that’s unexpected. I didn’t think our opening would be literal. I’ve been worried about Atlas falling on everyone, not everyone falling… to whatever is underneath the kingdom as a whole. Is the kingdom falling apart? Or is something waking up and moving towards the surface? If RWBY can reproduce the characterization we got with the Hound, I wouldn’t be opposed to another leviathan grimm rising from the snowy deep to assist Salem…
Though how the fuck group will survive everything and that, who knows lol.
And that’s our episode! Issues aside—most of which have been ongoing issues. We knew they were there—I think this was our strongest episode so far this volume. Well done! There are still problems, no doubt, but at least I was only bored for a small portion of that 20 minutes. Let’s just keep heading in that direction.
Exciting Saturday, huh?
Regarding bingo updates:
RWBY actually re-used a grimm I thought they’d abandoned, so well done there.
No civilians around for the giant grimm army to attack, so that was fine. Kind of strange though that they completely disappeared after the Hound left.
The timeline is starting to get wonky. For example, what kind of stakes am I supposed to expect when Cinder decides to head to Amity? Is it currently empty? Is Pietro there? Has Penny made it yet? I said weeks ago that RWBY would need to follow multiple groups to fill out fourteen episodes in just two days—and they’re definitely doing that—but that means we don’t have a clear sense of what events are happening simultaneously and what are meant to be linear.
No Winter or Ironwood this episode.
Watts is back with Jacques! Potential for team-up 2.0? That will admittedly be hard with Qrow and Robyn there, unless those two escape.
(Oh yeah, I thought Qrow and the others would be held in the military base and Ruby would find him during her heist… but she doesn’t even care that Qrow is in jail.)
Maria is still a ghost. If we hit the halfway mark with her not doing anything I’m calling the space.
I definitely wouldn’t call this cliffhanger needless. That’s actually a cool way to end things, even if Jaune’s line was pretty on the nose.
Neo may be getting closer to backstabbing Cinder if those expressions are anything to go by.
Still waiting to see if Amity works.
And finally, drumroll please! …
“More obvious Blake/Yang implications without confirming a relationship.” Yup, I’m marking that this week. After Blake’s ‘just a part of you’ comment and now Yang only being worried about her reaction? Definitely calling it. If RWBY confirms a relationship this volume I’ll eat my words—and some celebratory cake — but until then salt prevails. Especially after the fiasco that was Supernatural.

Still no bingo. Ah well, maybe next week lol.
Until then! 💜
[Ko-fi]
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A Royal Pajama Party “Analysis” - Part 4 (of 7)
We’ll skip over the Jenga scene for now; there’s nothing I really want to add on from it, and typing up another post is going to kill me. Instead, we’re going straight to the next activity - and a fairly major split between choices.
This Devilgram is absolutely spoilt for choice when it comes (ironically) to choices - and each one brings about something new to learn. You can consider some of these latter parts joined up, then; I’ve just grouped together different route options for sake of reading.
Of course, we’re deep into the Devilgram now, so all territory covered is locked behind Story Keys! This is your cursory spoiler warning.



Here we begin, back to our regular schedule of Diavolo angst.
There’s a potential you thought “watching a movie together” was bad enough to write on a list of things Diavolo’s never experienced before, and wants to share in this rare moment of time he’s managed to attain alone with you. Perhaps you even thought “playing Jenga” was worse.
Neither of those activities, however, have anything on the concept that Diavolo actually, genuinely wrote down, on his list of things he’s always wanted to do with you, “lazing around, doing nothing at all”.
This is, I think, the biggest indicator that he’s just... never had an actual, genuine, casual friendship before. He’s never had someone willing to spend time with him doing nothing.
Which - well. We already knew that. He’s told us before (as I mentioned in part 1) that he genuinely struggles to remember he can just invite you over without having to trick you with “event planning”. He forgets you’re willing to be around him.
But there’s a difference between “oh, I forgot - you actually don’t mind spending time with me” and “I’ve decided that I want to schedule actual time to just do something so simple and basic, it usually happens when most people hang out, but I’ve never been able to experience it before and I think I’d enjoy that time with you more than anything.”
It hurts to realise most demons won’t spend time in his presence without reason, but it’s actively worse to realise this reaction means he cherishes the ability to do nothing with you. To just savour the fact that you’re there, you’ve stayed, and you really would be happy doing nothing at all. That someone can enjoy just being in his presence, nothing important going on, because they have nothing else to do but focus on him and they don’t mind.
It’s proof that he’s really enough. Proof that, despite how reluctant others may be to put up with him, you see something in him worth enjoying. He doesn’t need to take you out anywhere, or do anything special. He doesn’t need to make it perfect. He doesn’t need to awe and wow you to stay by his side.
He can just sit around, nothing planned, and you’ll stay.
The only times he’s been able to keep demons at his side, he’s had to tie them down with oaths and pleas. These demons have expressed annoyance, at times, when he’s tried to spend time with them - admittedly because they are busy demons, and they don’t quite enjoy the same things as Diavolo, but that doesn’t exactly make the rejection feel much better. So it’s very possible that Diavolo struggles to recognise his own self worth.
It’s very possible that he doesn’t think himself a good enough reason to enjoy a night in. Most friends can say - and often do - that they happily spend time together just hanging out. Talking, lounging around, relaxing, but not really doing much more than basking in the other’s company. Yet Diavolo can’t. Experience tells him “Diavolo’s company” isn’t enough to make someone stay.
That’s why it’s important to him to schedule this time in, despite how natural it should be. It’s not natural to him. It’s exceedingly rare, actually, and thus an activity he wants to enjoy when he has the opportunity for it.
But it’s also a reminder - proof - that at least to you, “Diavolo’s company” means something. That, to you, he means enough on his own to be worth spending time with.
Moreover, this time with you is likely dear to him due to how busy his usual schedule is. After all...
How much free time does a prince get?
How much time can he spend doing nothing, especially with you - someone so desired, people actively fight over your time and attention?
There is no better way to savour the fact he - for once - has all your time and attention, no pressing matters to attend to, than to do nothing. He can just sit there and enjoy you. No interruptions. No distractions. Nothing to fret over or worry about. Just the two of you, content in each other’s company. It’s a reassurance. A moment of, “wow, this is really real, isn’t it?”
More importantly, however, is the fact that it’s you. He’d love “nothing more. Together with you, that is...”
He doesn’t want to be on his own. That’s not the point of the activity. It’s not that he wants to do nothing, that he wants to just sit there and read or eat some fruit as if those things are significant on their own. He doesn’t just want free time because he’s busy and overworked and doing nothing is fun.
It’s specifically because you’re there. Because he’s not alone. Because these things he maybe does in his free time feel different when he’s doing them with you.
Of course, if you noticed, there’s two choices he gives you above: read, or eat fruit. I’ve gone for the reading option for this post series, as the fruit open mostly gives a romantic lead and not much development otherwise.

In this scene, Diavolo’s reading a book to you. It’s actually a single poem from an anthology he loves - from the Human World, once again.
(The Human World seems to mean a lot to Diavolo. It recurrs a lot. When he’s given the opportunity to pick something, it’s almost always media from the Human World. Whether this is because he hopes it’ll help you two bond over common ground or he just idealises the Human World, or maybe even a bit of both, is uncertain. Interesting, however, that it’s cropped up twice now; even more interesting that the only things he chooses that are Devildom-themed are games and food - things that don’t reflect human culture as much, unless you know more of the context behind them.)
The poem Diavolo reads is called “The Greatest of All.”


This poem is extremely significant for Diavolo. It’s a huge part of his characterisation in this chapter, and one of the more overt scenes at that - because he’s exceedingly clear that this poem didn’t make sense to him before. He makes it utterly transparent that something has changed - in him, in his life, in his understanding - to suddenly reveal the meaning to him.
And it’s all because of that final point.
“Only those beloved by their peers truly rule the earth.”
Diavolo’s a prince. He quite literally rules the Realm he was born in. As far as he’s aware, that’s all there is to ruling; be the monarch, and you’re there. It couldn’t possibly be more literal than that.
So what does that final line really mean, to a prince? What does it mean to someone who really is the literal definition of “ruling the earth”?
Almost nothing at all. It’s baffling. It’s nonsensical. How more truly could you rule than to physically be the demon in power?
Of course it would never click for him before.
He’s never been beloved before you.
It’s only recently that he’s understood the poem. Only recently has the Exchange Programme been in action, and only recently has he actually gotten closer to you - moreso in the much later Lessons.
Diavolo has spent much of his life in power, but completely alone. He’s had almost no connections, no friends, no love or intimate, personal attention; no-one he could say he understood like the back of his hand, who understood every aspect of him in turn.
He has power and wealth but he’s never truly ruled - not until someone who made him feel alive came into his life.
Because that’s the point of this poem. It’s not about wealth, or power, or bravery, or support - it’s about being loved.
You could have everything in the world, but you’d still be nothing compared to the person with little to their name expect the love of their friends.
Only someone who can say “I have friends who’ll stand beside me through thick and thin; who love me as much as I love them; who see the qualities in me even I didn’t know exist; who bring out the best in me and make me want to be better” is truly great. Only they can say that they have achieved the greatest potential in a fulfilling life.
Diavolo’s realised how empty his life was prior to you appearing in it. He’s realised just how little he had - how much he’s missed out on, how much he wasn’t getting from the other people he considers friends - and how much happier he is now you’re there. How much bigger he feels. How much stronger. How much greater.
You are the change that helped him make sense of the nonsensical. You, in befriending him, have utterly changed the way he exists; how he feels, how he experiences, how he thinks. You’ve brought to the table things he never would have considered before - things he never would have been able to consider, because he needed a friend to help eek them out of him; a friend he could love, and cherish, and whom loves and cherishes him just as much - and quite suddenly, he realises why having no-one limits a person no matter how much they own materially.
This poem is, very likely, the reason he understood how much you mean to him. At some point, he re-read it, reached that final line, and pictured you.
Which is an incredibly poetic way for Diavolo to show just how much you mean to him; how much you’ve improved every aspect of his life. Without having to say your name, or overtly connect you to the poem, it’s clear that it’s about you - that you’re the reason for his understanding.
Becase this poem means a lot to him, and you’re the person he wants to share it with; the one he wants to know he’s changed for.
Which perfectly leads us to this next part...



You’re his greatest person. He’s still dancing around it, but there’s really no-one else it can be - not with this description.
Diavolo has spent - if not his entire life, then a good portion of it, wondering who the most important person to him would be. There’s no way to quantify something like that - to know who’s the greatest person in your life, to find the perfect fit for a list of requirements - because everyone needs something different from the people around them. But what would that person look like for him? What would the most important person look like for a prince?
Someone as royal as he? Someone who supports him, bound to his service? Someone who has no choice but to help him in every way?
Or would it look like a human - a plain, simple, ordinary human - brave enough to tangle with demons and kind enough to befriend them, even when they don’t deserve it?
Someone willing to spend a night with him doing things others might find boring or rudimentary?
Someone who makes him feel like more than a title; like more than the “Prince of the Devildom”?
Someone who’s changed him - however many thousands of years old he is - in such a very short span of time?
When you think about it like that, really, it could only have ever been you.
+++
And thus concludes part 4! A middling one this time, I think; a bit long, but that final part was a little shorter than I had anticipated. Still, I hope you enjoyed it, and that it was easy enough to read!
Next post, we’ll be going over the concluding parts of the Devilgram - for the romantic route, at least. It’ll initially go over the scene that preceeds the choice between romantic and platonic, but then dive straight into the romantic aspect of the chapter.
So, if you’d like, please head over to part 5!
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Writing Tag Game
I've been tagged by like ten people for this so thank you everyone who tagged me! @redinkofshame, @cartadwarfwithaheartofgold, @kunstpause Consider yourself tagged if you see it and like it.
How many works do you have on Ao3?
38!
What's your total Ao3 wordcount?
702,253. I would love for it to be more but I am a slow writer lol
What are your top 5 fics by kudos?
1. Woodstock 83 --3480 Kudos
Xmen fic set after Apocalypse where Peter keeps getting these golden opportunities to tell Magneto/Erik that he's his son, and keeps chickening out at the last minute.
I know I wasn't the only one who walked out of that movie theater pissed that Peter came so close to admitting this secret since the previous movie and never did, so I wrote a fix it.
2. The Sun Will Shine When Morning Comes -- 2567 Kudos
The sequel to Woodstock 83, told in Magneto's POV where he's coming to terms with being a father while he cares for his sick son. This is probably my fav X-Men fic I've ever written because I loved having these two figure out what their father/son relationship would be like long after Peter has grown up and how Erik has wanted a child again but doesn't know how to process having one.
3. Jail Break -- 2488 kudos
The first Peter & Magneto fic I ever wrote and the first fic I ever published! This takes place post Days of Future Past and it shows how Magneto could have found out that Peter was his son and build that reluctant connection. Peter has a lot of freaking out about whether or not he wants to accept a supervillain as his father.
4. Clowns to the Left of Me, Jokers to the Right -- 2396 Kudos
The third part of the series Jail Break Started. For some reason this is the most popular one shot in the series. In it, Peter has a huge fight with Magneto and then gets kidnapped by The Bad Guys and doesn't think his dad will come bail him out. But of course he does! And murders everyone in the compound to do it.
5. Two Lonely Souls in a Fish Bowl -- 2361 Kudos
The direct sequel to Jail Break where Magneto keeps showing up in the dead of night to visit Peter as they both figure out how they want this weird parent relationship to be.
Do you respond to comments? Why or why not?
Always! Even if it takes me a while. I love the interaction and I want people to feel noticed and appreciated.
What's the fic you've written with the angstiest ending?
Um, i don't really like angst. I think it would be Spark Me Up for Xmen. Professor X/Magneto angst with my first ever written smut. It was a remix of another person's fic for an exchange and they had an angsty ending so I kept it.
What's the fic you've written with the happiest ending?
The last installment in the Jail Break/Come Together Series -- Shine On You Crazy Diamond. In it, Peter's little sister Wanda comes into her powers and they go through a lot of pain before she settles into them. It ends with Peter's mom coming to stay with them and her, Peter, Wanda, Erik, and Charles becoming one big family. I've had several people tell me it made them cry lol.
Do you write crossovers? If so, what is the craziest one you've written?
I'll write something like a set of characters from one fandom in the set up/premise of another fandom/piece of media. Like Dear Fen'harel is a crossover of Dragon Age with an old book called Dear Daddy Long Legs. But I don't combine different universes of different fandoms, it's too weird for me and I can't buy into it.
Have you ever co-written a fic before?
took over and finished. We have an AU in our plans but so many other fics keep getting in the way! Sort of? I wrote the first part of a Solas/Maria/Varric series that@cartadwarfwithaheartofgold
Have you ever received hate on a fic?
I did receive a weird, angry message on one of my Xmen fics because they didn't like a fight that had happened between two characters but didn't read till the end to see it resolved so the bitched at me for the fact that the fight was mean? Which made no sense. But other than that, nope.
Do you write smut? If so, what kind?
Yes! Though it's not as much as my non-smut. I didn't write smut for so many years because I didn't think I knew how. I tried to write some out a few years ago and kept it to myself until one of my tumblr friends read it and said it was really good! So shout out to @salexectria, you're the reason why I write and publish smut!
I write all kinds of smut, from dub con to vanilla, from f/f, m/m, and ace spectrum characters. Its all about the characters and what would fit them/the situation more than it is about a specific type of sex.
Have you ever had a fic stolen?
If I have, I don't know about it.
What's your all time favourite ship?
Ummmmmm, that's hard. I don't think I have an all time favorite. I will say that Charles/Erik (Professor X/Magneto) was my first ever "otp" that I got completely obsessed with. Actually, I have never been that obsessed with another pairing. I write pairings that I enjoy or that I want to see a certain dynamic from, but that doesn't make them my favorite above all others.
I do really love Solas/Cadash and I prefer Solas rare pairs like Solas/Dorian, Solas/Cassandra, and Solas/Josephine over Solavellan.
What's a WIP you want to finish but don't think you ever will?
I will never not finish a WIP. I hate it when it happens, even though I know IRL gets in the way, but it's so frustrating for me as a reader. So I will finish all my fics. However, I am very slow and very busy so it may take a while.
What are your writing strengths?
Dialogue and character voice. I also am really good at developing friendships and platonic bonds or the slow burn get-to-know-you part of a romance. Apparently I write good smut, though its very hard for me lol.
What are your writing weaknesses?
Descriptions and transitions and pacing.
What are your thoughts on writing dialogue in other languages in a fic?
The only thing that bothers me is if they never put in a translations somewhere and you have to just kind of guess. I don't care about reading something in another language and having a footnote or a note at the end of the chapter. I do it all the time in DF. I do think that putting "said in {insert language here}" is a bit of a cop out.
What was the first fandom you wrote for?
The first ever fandom I wrote for and never published was Harry Potter at 13. I wrote a story about a muggle neighbor who had to emergency babysit the baby Weasleys and was shocked by the magic. But I tried to submit it to a website that only published fic by application and it didn't get in and I was like "whatever, I'll just read fic" and then didn't touch fanfic again until I was . . .24 or 25 lol. I mostly focused on my original fiction.
What's your favourite fic you've written?
I can't possibly have one favorite. I do really love my Peter fics, especially The Sun Will Shine When Morning Comes. I love my ACO fic with Apollo!Alkibiades. I love my Solas/Cassandra friendship fic Time Does Not Bring Relief. And I love Dear Fen'harel, of course, because it has so many things I wanted to change for Solavellan or didn't find, as well as a good analysis of myself and how I deal with anger and sorrow and homesickness, ect. through Ellana.
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I've really enjoyed your recent meta takes and was wondering if you could elaborate on your thoughts on Mandy + Ian and her going for Lip as a result (from your Ian Relationships meta)? I love reading about M+I and their connection is just so dear to me 😭
(P.S Thank you for being such a beacon of positivity in the Shameless fandom! I only got into the show during lockdown last year but it's become such a comfort so it makes me so happy to see positivity right now. ❤ )
Oh my gosh, thank you so much! You’re seriously too kind! I totally sympathize with you: Shameless has shot straight to the top of my list of comfort media since watching it right around the same time, so I’m really passionate about sharing the love around. 😃🧡
To me, one of the most important things to look at in this analysis is motives—who each of these characters are, what they desire for themselves, and how those factors fit together like a puzzle.
Mandy is in such a difficult position. It’s not as easy as saying that she’s a victim of abuse and wants nothing more than to get as far from her family as possible, because that’s simply not true. In s1, we see that she’s very comfortable in her house. She and Mickey exhibit your standard sibling animosity (and competition for Ian’s attention, unbeknownst to her), she makes breakfast for Terry even though she’s obviously not super respectful to him as a parent, and she clearly has a solid understanding of where her family stands in the neighborhood. In a way, she thrives on that in the beginning. At but a word, she can do serious damage to somebody without raising a finger herself. Viewing Ian’s lack of response to her advances as an insult, she takes full advantage of that. In s2, we know that she is being abused in such a heinous way. She takes charge of the situation, although not in a manner that would save her from it. She leaves the house for a while to avoid Terry; she holds him at gunpoint and forces him to accept what he already knows so that he won’t hurt Ian. When they talk afterward, she even recounts what happened in a way that makes it sound like no big deal—he was drunk, and he didn’t know who she was, so it’s whatever. (It isn’t. We know it isn’t. If this is going to be her reality, however, then she’s going to own it. No one will look down on her, especially not a Gallagher who’s barely ahead of her in social standing.)
We’ll pause there because so much of how Mandy changed afterward is tied to Lip, but we can already see that Mandy isn’t like Mickey. Mickey stuck it out with his family and very clearly fell into the same trap we’ve heard verbalized by other male characters, namely the notion that men can’t be abused. It doesn’t matter that that is entirely inaccurate—that’s what they’ve been taught in their environment. That’s what’s normal to them. (That’s part of the dramatic irony in this scenario: we can see how damaging and traumatic these events are, but the characters don’t have our perspective. I don’t think Mickey sees what happened to him as rape, just like Ian doesn’t see what happened to him as grooming or assault. That’s for the audience to comprehend in terms of gravity and should add to our sympathy for them.)
Mandy is different. Women are abused all the time in their neighborhood. It’s visible, and it’s pervasive. In s3, Mandy immediately teaches Debbie how to defend herself against it. She didn’t have to learn. Like not seeing themselves as victims is part of the boys’ culture, fighting not to be one is part of the girls’. But there’s a contradiction in her life: the Milkoviches are the neighborhood badasses, and while she shares in that, it’s limited by her sex. There is something she will never be able to overcome in order to see the same return on her reputation that Mickey and Terry do, not unless she gets out, which will be extremely difficult on her own merits. She’s living in poverty and not doing well in school. Her prospects are limited—she told the counselor so. Based on that conversation and her history with boys even before meeting Ian, she clearly sees one surefire avenue to get out of this hole she’s stuck in: a man with the resources to get out and take her with him. If she’s lucky, it’ll even be a good man with a good heart who wants to do good in the world.
Now, let’s talk about Ian. (See what I did there?) This doesn’t need to be long because I’ve already talked so much about Ian already lately, but let’s wax poetic just a bit. Ian wants to be a good person. He wants to be able to get by, even be successful, without having to do it through scamming and stealing. He has goals and ambitions, and whatever anybody thinks of those ambitions, he did it with the mindset that he would be a hero—a protector. Along with that, he never gives up. When Mandy sets her brothers on him, he doesn’t hide forever—he seeks her out multiple times to fix the situation. When he can’t get into West Point, he doesn’t quit ROTC and ignore his dreams. He keeps going.
Not only is he someone who wants to be good for himself, but he wants to be good for others too. He shows Mandy kindness that she arguably hasn’t seen from anyone else before. He takes care of his family when hers tends to focus on themselves and their own individual survival more of the time. Ian has what she would have seen as the potential to get out, and at the time, that is what he wants. It isn’t as an escape for him, but as a way to facilitate his own dreams.
The problem? Ian is gay. We can see that that bothers her sometimes because she forgets. She goes in for a kiss in s2 and has to reel back, settling for a hug instead. She gets tired of hearing him talk about Kash in s1 and kisses him to shut him up, saying she just wanted to kiss her fake boyfriend. Ian isn’t attainable. If Ian leaves, he won’t take her with him as a partner, and she can’t ask as a friend. How desperate would that seem to someone who refuses to be put in a position where she even slightly perceives him to be pitying her? She can’t ask. Not Ian. She needs someone else, someone who is also good and capable of getting out of here—who can be convinced to even if they don’t want to. Someone she can also trust and has some sort of connection with. Someone who is a fixer, and someone she can draw in with the only thing she thinks she has of any value: her body.
That would be Lip. Not only does he meet all of those criteria at the time, but she knows she can trust him. She trusts Ian, and Ian is closer to Lip than he is to anyone else—even her. No, Lip doesn’t have any convictions or real desire to leave, but he has potential. She can work with that. She’s also there for the entire Karen saga, so she knows that Lip is someone who takes his responsibilities to the people he’s with very seriously and tries so hard to cultivate that connection. (For example, feeding him, making herself sexually available as often as possible, letting him stay with her when he can’t go anywhere else without any conditions, etc. We even begin to see her distancing herself from Ian a little bit by s3, putting all of her energy into what she has with Lip when, a year ago, they were sneaking around because she said she didn’t want Ian to know about them. That isn’t to say that Ian was seeking her out either, being quite distracted with Mickey, but it’s noticeable for me.)
Like Mickey, Mandy also has a very deep capacity for emotion and affection that seems incongruous with her personality a lot of the time. Also like Mickey, nobody brought that out in her—it was always there. As much as she seemed to hope that Lip would take care of her, the process of growing closer to him led to a level of affection. I don’t particularly read their relationship as being a deep one. Both of them were using the other, to an extent, to deal with their trauma in other areas of their lives. But that sort of thing can foster a kinship, a mutual understanding that transcends time and place and even the terrible stuff that people do to one another.
So, it doesn’t work out. Mandy is hurt and does something unforgivable. She then runs from Lip, straight into what she feels is her only alternative now: an abuser. What else is there for a girl in her position? Ian was unattainable because of his sexuality, but to someone beaten down again and again, perhaps she believed he was also unattainable because he was too good a person. Lip was unattainable despite her best efforts to bridge that gap because of what he had with Karen, but to someone beaten down again and again, perhaps she believed he was also unattainable because her position in his life was to give but never to take. With Kenyatta, all she does is give. She’s embraced being beaten down because what else is there? She leaves with him, believing there’s nothing for her there.
When she finally finds her strength, far from home but hopefully under better circumstances than when she lived in Chicago, she still follows the formula that has ruled her decision-making for some time: finding a place where she can have the control over her life that was never there before, but still with the belief that what she has to offer isn’t academic or able to be built or improved upon. Ian has worked past his perception that his body was what he had to offer, that it was what would provide him with the love he was looking for. But of course, he has. He’s had Mickey to love him when he’s healthy and love him when he’s lost a bunch of weight from a depressive episode spent in bed. He’s had his family to mess up here and there but ultimately love him so much.
Mandy doesn’t have that. She didn’t then either. She got what she wanted—she got out. She even implied that that was the most important thing by telling Ian that being born on the South Side doesn’t mean that’s where they have to stay. But Ian “got out” of the spiral of abuse he unknowingly suffered and the mindset that it fostered while Mandy didn’t. This isn’t to say anything negative about sex work, of course, only the mindset that led Mandy to this point in her life. And when she leaves the house for the last time, she looks at Lip after having asked about him, and they acknowledge each other the way that people who once knew each other do.
I’ve made the joke before that to Milkoviches, Gallaghers are like catnip. It’s flippant and funny enough when we consider how many of them have dated at one point or other. I’ve also said the Milkoviches are designed as a foil to the Gallaghers, a juxtaposed image of what they could have been had their situation been altered slightly. In s10, Mickey mentions how the Gallaghers are messed up and he’s never been happier to be a Milkovich, so there’s some awareness there that these are the two notorious families of the neighborhood, albeit for different reasons. For Mandy to see that not one, but two Gallaghers are out of reach? To perhaps feel as though she’s less than even them, or made to feel that way in her interactions with Lip? It’s the ultimate slap in the face.
She trusts Ian more than anyone else in her life, to the point where she will still call him to help her hide a body long after she’s left him and their home behind. But trusting Ian led her to loving Ian, and she couldn’t have him. Trusting Ian led her to meeting Lip, and if Ian was so good and loved Lip so much, he had to be worth it too. And to her, he was. The problem was that she felt that she wasn’t.
Self-fulfilling prophecies suck: when you’re treated like garbage by a neighborhood that sees your family as garbage and repeatedly experience things that will make you feel like garbage around people with the best intentions, you’ll start believing that you are, in fact, garbage. I think what we’ve watched with Mandy is a steady decline from a place of strength in herself and weakness in her environment to an overall place of weakness that she couldn’t escape. Not with Ian and, when she realized that wouldn’t happen, not with the only real alternative she thought she could trust since she trusted Ian so deeply.
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I love your analysis of Matenro!!!! Its my fav division too 💞
What do you think of Fling Posse? ✨
Aaaahhhh, thank you so much! I’m so glad that others enjoy my thoughts for this series.
As for Fling Posse, I am honestly hoping so much that KR is about to blow the lid on them in this DRB. Because right now, there’s just so mystique about them and a lot of threads that could lead to something bigger but it hasn’t yet. And right now, I think Fling Posse has the most growth to do to catch up with the other divisions. This isn’t me saying they’re not good, don’t get me wrong, but they are missing something for their team.
(I guess we’re going to actual analysis because we all know I can’t just blurb.)
But I think that solely lies in HOW they came together. Which is distinct despite initially seeming like MTC’s way of coming together. Distinct being that FP are so immensely independent as people that their team kind of has suffered. Unlike all the rest of the divisions, FP was the one team that was only together ONLY for rapping together. And at least until they were at ‘serious’ risk of not making it to the 1st DRB (in the FP vs MTR manga) that they got better. Better. But they continued to strongly be just themselves. Which isn’t bad, it’s just that you have a higher chance of the ‘too many chefs’ problem.
Lucky for them, they didn’t have that issue so much as simply being bested. It really could’ve gone either way for them. Personally, I do feel a bit more surprised about their friendship. Not saying that they’re not friends but mmm...I think it really depended on the media that came through for me. FP is one of those divisions that seemed a bit different in from the anime vs...almost everything else I’ve listened to? Like I think the anime is more of what FP gets into once they sufficiently convince the other members to go along with them. But that’s the main thing, if you notice a lot of their initial coming together for the track or chapter, they usually are asking ‘why are you bothering me?’ And it doesn’t always come across as that mean-spiritedness of like calling your friend a mean name that they’d laugh about. They do have a good time once it’s a bit of ribbing but there’s always that brash first few steps.
Which, honestly, is mainly Gentaro being ‘why have you interrupted me this time?’ But to his credit, he’s like the only introvert amongst two high energy friends. And they are also crazy so he needs the time to regain the energy to be straight-faced through whatever bullshit is about to be pulled again. And speaking of Gentaro, he is such a driving force in FP too. Like he’s an unwitting mom friend and he is both aware of it and absolutely exhausted from it. But I do think he cares a lot. Too much to be honest. And I think that may be that part of Gentaro that is kinda romantic at heart. And that he doesn’t want to admit that he only met Ramuda and Dice for one day but if anything were to happen to them, then he’d kill everyone in the room and then himself. A little exaggerated but Gentaro does seem very attached to these guys when he honestly doesn’t seem the type to really make friends. Maybe their energy remind him of his friend or it’s that whole introvert gets brought into a fold because more outgoing person was like ‘I like you, let’s go.’
When it comes to his crew, Gentaro does have apprehension with Ramuda though and kind of rightfully so. His ‘liar’s intuition’ was not off about feeling something was strange with their leader and Ramuda KNEW that Gentaro had that feeling. But they never pried into each other. Gentaro because he could tell Ramuda would shut him out, making his snooping incomplete forever. Ramuda because...well, as far as he’s concerned, he already knows all he needs to about Gentaro. They are honestly such observant and calculating people that they kind of end up in cat and mouse deal. I say this because while I do believe Gentaro does care, I do also believe he is still using Ramuda to some extent for some unseen goal. He probably wouldn’t risk Ramuda’s life over it though.
Ramuda’s whole journey of feelings could best be summed up as him catching feelings and instead of being glad, he’s like ‘No. God. Fuck! WHY?!’ He didn’t ask for this, you bastards tripped him! Like I feel like Ramuda went through this whole time fulfilling his whims because it’s the only time they would ever be filled. And he was running with it never being able to last because all it takes is one order and it’s done. He’s seen it happen. He’s made it happen. There’s no way he can stop it but...because there is some piece of him that aches for humanity. So, he considers his time with FP like sweets, little indulgences he is allowed until eventually he’s pulled away. But Ramuda still feels things and I felt like FP he was much more guarded than he was with TDD because he was still living down the pain he felt for...basically, taking someone important from people he considered friends! He hurt his friends and probably didn’t want to do that to them again. Which explains this false closeness Ramuda puts up with FP.
Although they did get to him during the 1st DRB because Gentaro and Dice only cared about how Ramuda was and him doing things his way and on his own terms. Sure they didn’t know what was happening but they gave him courage to be unapologetically himself since that is what he wanted but he never thought of the weight of what that means. That sometimes being yourself means that you choose a path that isn’t easy. And Gentaro and Dice would know what that’s like. While I believe Gentaro is well off, I’m sure he’s still seen as a weirdo just because of how he dresses. It is stubbornly outdated when he lives in, arguably, one of the most trendy and up-to-date wards but he doesn’t care. He’s himself and to hell with those that make fun of him. And Dice, well, his habits make him do and say strange things. I won’t say he has no pride but he is...shameless, which can be very off-putting in the context of the things he’s done for money or the thrill. And Dice doesn’t care either. He’s doing exactly what makes him happy and that’s all that matters. Because they know, they could convey the sincerity in wanting Ramuda’s self shining through that it actually got him. With the 2nd DRB (which at the time of writing, the FP vs MTC CD is not out), I hope that they allow for more time of FP getting to deal with Ramuda’s ‘true self’ and Ramuda allowing that to show. Which...from what I’ve heard from those that have heard the full version of Black Journey....seems like a strong possibility.
Finally rounding off and probably both fortunately and unfortunately my shortest would be Dice. *cue my long and frustrated groan* He has so much to do with things but he isn’t used. Truly, Dice is underutilized story wise. And unfortunately I have the least to say because his is straight forward. He just does not care. Not that he doesn’t care about FP but he does not care about all the things THEY worry he wouldn’t like them for. He doesn’t care about their past. He doesn’t care what they’ve done. He doesn’t care who they decide to be to him. For Dice, I think it’s a simple ‘but I’m loyal if you feed me and I’ll never leave you because, well I need the food.’ It’s not actually that simple since Dice has never and would never leave FP despite someone that could possibly continually provide what he wants or needs (this lovely man named Rio exists). But I just think that Dice doesn’t really hold grudges. Even though they haven’t interacted this go around, I don’t think he really hates Hifumi and Doppo since that’s a lot time of time to invest in not liking them and I just don’t Dice giving enough shits to do so. I do mainly think it’s because if Dice respects them not prying into them, they’ll do so and not look into him. And it’s this lack of prying that earns both Gentaro and Ramuda’s friendship because they don’t want that. That and Dice would defend them regardless of if they could’ve handled the situation are not. All because they are friends. And nothing else.
Phew. This is a lot. Like way more than the MTR one but that’s because it has so many moving parts. Like FP are so individualistic that you need to go for each one specifically. I hope that this was something close to what you were looking for lovely anon.
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Pour one out for all us yuki/kakeru shippers that find the relationship to have more depth and chemistry than yuki/machi but bc of the shojo culture, a not straight end game romance is impossible to have BUT I CAN DREAM! (minor spoilers ahead but like just to explain why this ship never came to fruition)
For reals tho I really do love Machi and her development and truly, she and Yuki have a lot in common and great character interactions, I just feel like Yuki also exudes gay and Kakeru (who also has a gf in the manga boooo but I love her) just loves teasing the hell out of Yuki and their bromance just would have made a better romance I think....
In general I think it has a lot to do with late 90s early 2000s shojo culture wherein LGBT content in Japan was more or less R18 by default and outside of jokes, it never played a role in big series
Hi. I can’t comment on yuki/kakeru having more depth and chemistry than yuki/machi since I’m not a manga reader & se03 hasn’t aired yet. Moreover, I’m not a shipper by nature but I enjoy analyzing literature, narratives & artistic media. So, I’ll approach your question from n analytical pov based on furuba’s content so far!
Reasons why I believe the writer went for machi/yuki end game rather than other yuki pairing:
It has to do with yuki’s goal in se01, ep.12. He stated that he wanted: (1)warmth, (2)friendship & (3)home:love. Ever since that ep, the writer has been moving yuki steadily towards that goal. 3 sub goals meaning yuki’s journey will have 3 parts. If it was all found in kakeru, then yuki’s journey will be cut short for him. Yuki needs to interact with 3 different types of ppl to achieve his goal. This way his growth will be more wholesome & complete.
Yuki’s aspiration is centered around: friendship just like how kyo’s aspiration is centered around: love/family. From the beginning yuki wanted to “befriend kyo”, he envied kakeru & kyo for how easy ppl befriend them without the two needing to wear a fake mask or pretend to be kinder. We even saw how kyo was annoyed by his two buddies who tease him all the time, yet he allowed them to be near him. Yuki was shown craving that exact scene. Yuki got it. Kakeru teasing him & annoying him, yuki allowing kakeru around. Kyo has friendship but he doesn’t crave it, what he craves is a family that love him for who he is without fear or disgust. His family went thro extreme methods to leave him: (mom: suicide, dad: repulsive hate). kyo’s desires a family who’d want to stay with him, be always together with him by choice. He’s got kazuma, but kazuma chose baby kyo first, kyo needs to choose love by himself, that’s why tohru loving him isn’t important, it is kyo’s love for her that should free him from his trauma. Exactly like kakeru’s friendship with yuki freed him. Cuz yuki chose kakeru as his friend by himself. Yuki has haru who befriends/cares for him. But it IS kakeru who yuki chose to know. These two boys (yuki/kyo) will be freed by choosing their own aspiration in life by themselves.
Yuki/machi doesn’t need to be deep or extremely meaningful. I believe furuba presents different kinds of romance & friendship. (Kaker/yuki: best friends who know everything abt each other & share secrets, stay friends forever: amazing friendship), (kyo/his two buddies: best friends who are casual, don’t share secrets or deep personal info but can be friends forever if they chose: amazing friendship). (kyo/tohru: roommates to best friends to lovers, the change is very slow since you can’t decipher if you care cuz you treasure them or care cuz you fancy them, confessing can mean loosing the other if the feelings aren’t reciprocated & you can become awkward afterwards. but if love is mutual then: happiness!). (yuki/machi: from strangers to lovers. machi isn’t close to yuki much as she rarely talks or engage in the groups shenanigans but yuki is noticing her as an individual person & is attracted to her, if the feelings are mutual then it is a fast romance with the majority of knowing each other happens while dating: happiness!).
I personally believe that “ transforming after hugging someone from the opposite sex is a gimmick. The synopsis of the show says nothing abt child abuse, trauma, coming of age, youth struggle. It simply poses as a romantic comedy that tricks you watch the show. Honestly, the animal transformations stop as soon as “ the zodiac intro ep ” is over & they’re all comedic in nature except 3 times. One is the true form which is the manifestation of trauma & abuse, followed by kyo willingly hugging tohru in an emotional wrap of the night’s truma, even the transformation smoke is not shown as it’ll lessen the emotional weight, we just see kyo in cat form in her lap. The other two are momiji’s after tohru hugs him in Se01 after his mom’s reveal & se02 after akito’s abuse & it’s done to comfort poor baby momiji.
I wished that yuki’s romance doesn’t happen much onscreen & more like it’s sth he’ll be able to do once he graduate high school cuz yuki has just “left the nest” a while ago, I’d want to see more “normal yuki” as opposed to yuki in stage 3: love. but all is good. The writer already set her goal from ep.12.
I know that you probably didn’t want to hear my boring analysis & I’m not criticizing you at all. I believe fans are free to ship whoever. I wish I was like you, but I usually look at the show as a story unfolding in front of me & I’m extremely fascinated by onscreen /canon dynamics & relationships as they’re my insight into the author’s mind! To see through the author’s eyes is highly fascinating to me! but this doesn’t mean I won’t criticize the authors at times.
Thank you for the ask!
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Attack on Titan ch.139 spoilers
Okay, so I know a lot of people are going to be talking about what they didn’t like with the final chapter, and how disappointed they are and yada yada, and I get that, because following a series and having it end usually results in some level of disappointment (it’s fricking hard to write a good ending, isn’t it? And trying to tie everything up in a way that is both satisfactory to the author and everyone else even more so) but
I wanted to write down a few things I liked with this final chapter, because while I’m not entirely sure yet about my own satisfaction with the end, there are still things in there that I really enjoyed and that made me feel happy with the chapter. These aren’t meant to be facts in any shape or form, just things I picked up from the chapter that I enjoyed or which brought me satisfaction or happiness (as painful as it was)
(This was meant to be a short bullet list of a few things and turned into 3k of semi-analysis oops my bad)
The one thing I knew I wanted out of this chapter was to see things from Eren’s perspective, to get an understanding of why in the world he’d gone and decided that not only was destroying the world a good idea, but also pushing away his friends and telling them (pretty obvious) lies. There were so many things still left unanswered that I felt required an explanation from Eren’s side, and I really think this chapter delivered in doing that. There are still a few things I’m a little confused about, but I think I’ll need to do a proper read through of the whole manga to truly get it.
I really liked that we got to see Eren sharing his perspective together with Armin, that Armin was the last character we get to see together with Eren when he is alive. I haven’t read most of the manga, but from what I’ve heard their friendship is given even more depth than in the anime, and I really enjoyed the way the anime portrayed it. As a person who prefers platonic relationships in (canon) media, it means a lot to me that it wasn’t the love interest who got the last meaningful interaction with Eren. It shows just how important Eren and Armin’s relationship is and is a nice nod towards the fact that Armin was the one who sparked the flame in Eren that lead him to feel caged and crave freedom in the first place (I’m sure you could do an entire analysis on this but I haven’t spent near enough time analysing the manga or their relationship to be able to write one); I suppose I just think it fits very neatly in with the story and the importance of Eren’s different relationships.
I loved how dark AoT was – genuinely and thoroughly enjoyed the fact that that terrible and horrifying things happened, and this extends to the fact that Eren turns into the villain. But, despite this, I’m still quite happy that what he does isn’t entirely his own doing. Or, rather, that he does what he does to rid the world of Titans (which, additionally, was his one purpose and promise all along, wasn’t it?). He sees the future, a future without Titans, and he does what he needs to do to get there, even becoming a mass murderer (80% of humanity, though? Jeez Eren, little overboard maybe). We see previously how much it hurts him (e.g. when he’s in Liberio and cries about the young boy he meets), and then again in this chapter – and rather than being a monster, he becomes a martyr (I am a sucker for martyrs and guilt-ridden characters, so the fact that my love for Eren has only grown with this chapter makes total sense). But, I do want to point out also that while we see that he’s doing it for reasons that aren’t entirely selfish (though they are by no means selfless), we are still told that he thinks if he didn’t know the others would stop him, he would have flattened the earth anyway. I really like this small, one-panel detail because it makes the rest of it seem more likely. Isayama doesn’t twist Eren’s personality to fit the narrative and happy (”happy”) ending he wants; Eren has always had an anger in him, a selfishness, a misplaced belief that the world should be his. He is by no means a truly good person, never has been, but he can’t easily be placed into the ‘bad person’ camp, either. I think, in some senses, that this chapter really caught those contrasting parts of his personality, his grey morality. He is selfish and full of hate, but he’s also so many other things. He cares about his friends, so so much, cares about the people of Paradis, and at the end of the day, doesn’t that make him a little less selfish, if he’s willing to throw away his own humanity to save his friends (and isn’t that a theme that runs through the series? Remember Armin saying both that to ‘defeat a monster you must throw away your humanity’ and ‘someone who cannot throw away everything, cannot achieve anything’). While I definitely think it would have been cool to see Eren full of hatred to the point where there is none of the good in him left, I’m happy that we got to see him feel love. In some ways, it feels like we got to see him the way we used to know him, back before the time-skip, back before the weight of his own consciousness and guilt made him turn his back on that hope that still lived in him somewhere.
This isn’t something that I noticed/thought about myself when I read the chapter, but I saw someone point it out on here and it really struck me. Eren keeps his promise, to see the world with Armin. While they are talking, they get to explore together (the volcano and the lava, walking through the snow and seeing the northern lights above a snow-covered mountain range, finally getting to the sea) and it’s such a sweet, sweet thing that I barely know what to do with myself. I think, once again this really nicely fits in with what made Eren.. well, Eren, in the first place. That wonder and want in Armin’s eyes to see the outside world. And for Eren to uphold that promise, to the extent he can, is just so sweet, and really says something about Eren’s personality (he cares, he’s always cared, maybe he even cares too much).
I’ve seen some people complain about Ymir being in love with Karl Fritz, and I think it’s a valid thing, but I have to say I personally didn’t mind it. People fall in love with people who are bad to them, it happens, and as an explanation to why Ymir has obeyed his (and his ancestors’) command for 2,000 years, I think it works out. But, what I liked the most about it, is the fact that Mikasa is the one to show her that you can love someone and still let them go, you can love someone and go against them. I was happy already in the last chapter when it became clear that Mikasa would be the one to kill Eren, because to me it was her way of becoming her own person, in a way. Because while it’s clear after this chapter that Eren did, at least to some extent, want them to stop him, none of the others technically know this. So Mikasa isn’t stopping him for him, she’s stopping him for the world, and she’s stopping him for her. It’s her way of, after years of living and fighting and doing things for him, becoming her own person and doing something that isn’t for him. I thought it was a nice end(-ish, it’s not the last we see of her, but regardless) to her character development and her and Eren’s relationship. I also like how it furthers Mikasa’s importance to the story. I don’t think she’s been one of those female characters that exist only to be the main character’s love interest, and while her ending the age of Titans is directly linked to her love for Eren, it feels like it’s so much more than that.
Now, I know this is by no means healthy, but. I actually really liked the way Eren reacted to Armin talking (teasing him?) about Mikasa finding someone else to love with ease. Sure, that possessiveness is unhealthy and toxic, but it also feels so much like Eren. He wants the whole world for himself, so why wouldn’t he want Mikasa to himself too? And the fact that he tells Armin not to tell Mikasa because he does want her to be happy, at the end of the day, even if it isn’t with him, once again falls in line with his deep care for those that matter the most to him. I really think Eren’s character is incredibly interesting (in case I hadn’t made that clear by the endless amount of words above) and I really like how this chapter portrayed that. Is he a good person doing bad things? A bad person doing good things? Or simply a person doing what he thinks he needs to in order to get where he wants and to protect those he cares about? Another thing that I really like about his outburst is the fact that he does it in front of Armin. He dares to (essentially) throw a tantrum in front of him, saying something – that Armin even goes to say is ‘pathetic’ – for only Armin to hear because there’s a trust there that runs deeper than anything they share with anyone else.
As a person who is very supportive of platonic physical affection (I think there’s a huge lack of it in media and I think it’s a shame that physical affection should be limited to romantic and/or sexual partners), the fact that Armin and Eren hold hands (both in this chapter and in the rest of the series) makes me very, very happy to see. I am entirely on board with people who would have seen them end up together as something other than friends (I definitely see the chemistry there and kind of ship it myself), but I also love the fact that they are two friends (best friends) who are physically affectionate with each other every step of the way, including at the end (this goes for the hug too). It’s refreshing and nice to see and I think it speaks volumes about how much they care for each other (regardless of what way that may be, but I’m happy that it is platonically in canon because in my humble opinion there are too few platonic-but-still-affectionate relationships out there).
We know that Eren sees how it ends, with the others killing him and stopping him from eradicating humanity, so we know he can essentially see the future (memories from the future – I really love that), but what we also know is that he can only see his own future memories. He sees his own future memories through his father, but because there is no Attack Titan to follow him, no next Attack Titan whose memories he can see, it’s safe to assume that he can’t see anything past his own death. This makes him saying that the one who’s going to save humanity is Armin, just that much better. Because Eren isn’t saying it because he’s seen it, but rather because his belief and trust in Armin is so large and runs so deep that he simply knows that Armin is going to save them, believes it with his whole being.
The bird. I don't even know if there's any need to elaborate on this; I'm a sucker for reincarnation (and meeting in death, which is why I've loved the reoccurring visits from the fallen Survey Corps) and both Armin and Mikasa getting something from the bird (Armin getting a feather, maybe something of a nod to the seashell; Mikasa getting the scarf wrapped around her again) was very sweet. Another thing I literally just realised is that Eren becoming a bird is absolutely heartbreakingly beautiful, because birds are a symbol of freedom, are they not? (This realisation literally hit me in the face with pain, don't mind me) I think this can be viewed in two ways: either, it is only in death that Eren finds freedom (which is rather sad), or Eren is granted freedom, like he's always wanted, even if he couldn't have it while he was alive (not sure I'm making the distinction clear, but to me there's a large difference and I'd like to believe it's the second one: Eren deserves the freedom he finally receives).
Levi saluting. I can't be entirely sure, but if I remember correctly, this is the first time we've seen him salute? He did 'salute for' Hange in some ways, but it's not quite the same. I don't know all that much about Levi's backstory and his relation to the Survey Corps (besides obviously having a lot of comrades and friends he cares deeply about), but to me him saluting at the end is a sort of acknowledgement to everyone's sacrifice, a sort of 'We did it. It wasn't in vain. You are all the reason we made it this far and I am proud to have stood beside you'.
When I drafted this I wrote down 'the seashell' but right now I can't remember exactly why I liked that, but looking at the panels it clearly has some significance. I can't explain why I liked the fact that Armin gave it to Eren, but I do. It felt important.
While we get to see why Eren is doing what he's doing, given a bit of an insight into what made him do what he did, his actions – in my opinion – aren't excused. There's no 'oh it's okay you killed 80% of humanity but it's entirely reasonable because you did it for your friends'. Yes, Armin thanks him, but he does explicitly call Eren a mass murderer, not letting us or Eren forget what Eren has actually done, regardless of why he's done it. There's no excusing killing that many innocent people, regardless of why, and Eren and Armin know this too; Eren knows that there is no forgiving what he's done, that there is nothing left for him but to die because there is nothing he or anyone else can say or do that will warrant him another shot at life after what he's done.
I'm a sucker for angst and character death (don't ask me why, I honestly couldn't tell you. It simply tickles my fancy) and the fact that Eren dies at the end is right up my alley. Not only does it make my angst-loving heart go 'woo', but it also wouldn't have made any sense to keep him alive, in many ways. So while watching Eren die broke my heart, it also felt like an fate true to the story and to Eren's character and his decisions.
As viewers/readers I think most of us have known the potential that Armin holds since the first season, and it wasn't too surprising when Levi chose Armin over Erwin, but in this chapter we really get to see that it was a good decision on Levi's part. Because just as Eren says, Armin is the one to save humanity (or at least the one smart and compassionate enough to get close). Armin is the first to know what to say to ensure the Eldians' safety after the Titans are gone, is the one who comes up with a plan to stop Eren (I think? My memory might be failing me here), is one of those who are going to bring peace back from Paradis. I don't necessarily think there was any need to 'prove' that Armin was the one who deserved to live, but this chapter really shows that regardless of who 'deserved to live', Armin is a strong and capable character, fit as the 15th Commander of the Survey Corps, that has fulfilled his potential. It just really drives the point that Armin wasn't a bad choice, that maybe he was even the right choice.
And finally, I like the fact that it is left open ended. There has been a lot of resolutions, a lot of things finally resolved, and I think it's all been tied up pretty nicely. But I also enjoy the fact that peace isn't certain, nor is survival (because, is it ever?). Isayama doesn't give us everything, doesn't tell us exactly how things pan out, how life and the world after Titans might look. Rather, he allows us to build our own interpretation of how the world might rebuild itself and which routes the characters choose to take. In some way, it's so much more satisfying to have an open end like this, because it both allows the readers to explore their own interpretations of how the story might continue, but also because life in itself is open ended and the end of one struggle doesn't mean the end of all struggle. That's not to say that I think the series ended on a pessimistic or dark tone, because I really didn't. It's a good ending, a happy one, but it doesn't stray too far away from the darkness of the rest of the manga (though I must admit I was expecting a little darker ending, but I'm not necessarily disappointed). It's a hopeful ending, but not a naïve one, and I really like that.
Oooh boy this became a lot more than I expected it to oops. This was not meant to become analysis, but here we are. Might do a tl;dr later lmao
But yeah I just wanted to spread some positivity in these trying times, and I know that endings can be disappointing, so I thought sharing my own positive reactions to certain bits of the chapter might help someone else enjoy it a little more!
(Also ngl I just wanted to write stuff down because I wanted to remind myself why I liked it, and once I started writing I couldn't stop, so there's that).
#aot#aot spoilers#attack on titan#attack on titan spoilers#snk spoilers#snk 139#aot 139#aot final chapter#snk final chapter#shingeki no kyojin#shingeki no kyojin 139#attack on titan 139#nox has thoughts#on aot 139#shingeki no kyojin spoilers#eren jaeger#eren yeager#armin arlert#mikasa ackerman
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Scarabia chapter is over and I’m screaming at everything rn hold on-
(sorry if I’m stuffing this rant down anyone’s throat, because I’m realizing people get annoyed with it and I’m sorry but,, scarabia brainrot ;;;...)
(spoilers for chapter 4 under the cut!)
Sad there’s no magic carpet :,( but oasis maker saves the day!! Still mysterious as ever as to why oasis maker is called a blessing other than um. Being a blessing to the Country of Hot Sands. But yes Azul enjoys it! (if you wanna hear me rant about oasis maker pwease dm cause I,, now have some thoughts and I can’t keep my mouth shut ;;...)
Also no mention of kidnapping happenings or poisoning in post-OB backstory but that means slow burn character development for Kalim possibly later on, so I’ll take it
Also Kalim’s guilt kills me on the inside :,,( guy says that he has anemia, but I’m wondering if that’s acc just Jamil giving him an excuse for his hypnosis. Mainly cause he himself says that he’s not bad at PE, which he really would be bad at PE if he really did have anemia,, but the anemia could explain a lot other things, other than that little tidbit,, either way, that means, again, slow burn character development! (But just,, his voice wavers, and how he says that Jamil can have the dorm leader position and Kalim will just go home is just,, Jamil you couldn’t talk to Kalim at all about this? Really?)
And scarabia duo is still killing me on the inside :,,,( Jamil wanted revenge cause of how he had to be below Kalim all the time and couldn’t objectify his hate to anyone but Kalim, but he also couldn’t sincerely hate Kalim for everything he is esp. when he’s the one who’s been encouraging him at all, all their time together. Jamil also loves his family apparently but in the way that he doesn’t like what they make him do but he also realizes that his parents are in the same position as him (hence why he screams, in his fit of anger, how he’s gonna free both him and his family). The only other person I can see that he personally hates but has to deal with is Crowley. I literally just see Jamil as a stubborn, kind of selfish tsundere,, Do I like Jamil more than I did before? I mean a lot of what I personally thought about him (not standing out so that Kalim is above him, having to adhere to tradition and such) was basically confirmed with the recent chapter.
But coming personally on my thoughts on Jamil cause he’s a contradictory character rn in the discord,, he is really really easy to sympathize and relate with, esp if you compare him to the less-realistic-outlook-on-life Kalim from Scarabia. And Kalim’s banquet fevers aren’t easy to deal with. My younger brother who gets more credit than me in,, literally everything drags me to play around on electronics sometimes and usually I just wanna sleep, but I can’t and usually just l just give up when playing with him cause I should look like he’s winning (fun thing is that he’s 2 1/2 years younger than me, and also a lot taller than me). I have to let him throw punches at me and when I do one little thing like tell him to stop, it’s into the dark room with me. So I can appreciate Jamil’s stubbornness for his plans and ideals to overthrow Kalim, esp cause I was more or less conditioned to be helpful to other people. Not that I’m complaining because beig helpful to others is something that I’ve noticed rewards you in a good way,,
With all that being said,, the way he acted and went about with this crossed a lot of lines. At first, I thought the reason why he would hypnotize Kalim so that Jamil could become dorm leader + the other stuff mentioned above is so that Kalim can be seen as having a personality/morale worse than him. Or at least, less cheerful. But then Jamil goes in and with Kalim’s happy personality, cheers up everyone and helps them wth their troubles while in the oasis. And I’m here and I’m just,, if you hate him for that personality so much why do something like that?? (He can’t admit that’s what people acc like about Kalim, and he decides to take one of his few positive qualities that gets people attached to Kalim and just,, wreck it. I was,, very very mad, but I didn’t rant about it cause I knew I’d yell unreasonably in the discord chat.) Revealed at the end, Jamil literally doesn’t want to be friends with anyone and I’m just,, sigh. And also,, the students only agreed with Jamil that Kalim was an incompetent dorm leader after Jamil hypnotized Kalim into doing all those things, not before. Before? They acc loved Kalim because of how kind and gentle and thoughtful he was to others, even though he can be kind of hopeless and random and a bit irresponsible to them sometimes. And these were all qualities that Jamil apparently hated, not because they were anything bad that’s supposed to be a front for secretly mocking everyone, but because he personally was confused as to why Kalim’s so freakin carefree as a character when Jamil himself isn’t. (As Azul said, it’s very easy for people to become envious of Kalim, and that’s already confirmed with how quickly the Scarabia dormmates’ opinion changed of Kalim after he takes them out to march to the oasis and after Jamil keeps mentioning the Asim family.)
Jamil’s had 17 years to harbour resentment against Kalim, but he’s also had 17 years to truthfully bond with Kalim, which he decided not to do because again. Stubborn. That’s why I can’t really say that Jamil’s just made one mistake (which was the entirety of scarabia chapter), especially the little hint drop that Jamil’s been hypnotizing Kalim even while they were younger and used anemia as an excuse for Kalim’s drowsiness. Anyway, the fact that Jamil’s been the one teaching Kalim magic, but even he didn’t know Kalim could summon a river and was genuinely surprised for a bit says a lot about how much of Kalim he can’t read, which he also mentions in his personal stories that Kalim is unpredictable. And fact is that Kalim can read Jamil’s emotions like an open-book, but couldn’t connect the dots until after he realizes how much Jamil’s hated him says something too. And when I say “realizes”, I mean “chooses not to ignore” how much Jamil’s hated him. Like,, it’s not like Jamil sleep-talked his backstory to Kalim while he’s passed out. Nor does anyone acc see the backstory except for the viewers + Jamil. And this can explain why Kalim didn’t really change how he interacts with Jamil at the end, if he knew the hate was coming but just didn’t want to acknowledge it. Then again, he does have limitless optimism here so there’s that.
But,, we’re talking about the only person Kalim’s ever trusted at all, betraying him and going off in one of the worse ways possible. I’m with the tweels here, I’m a bit mad because after what Jamil did, Kalim had no excuse to not get angry with him. He didn’t even get to punch him smh, but he did call him traitor so babey steps. Octavinelle teaching Kalim to be a little more harsher has me very very happy. (But miscommunication is strong in Scarabia, and with slow burn character development, I can see Kalim getting gradually more and more self-destructive poison anyone? chapter 5? and internally cynical and Jamil gradually regretting the time lost between them because, also according to the end of Scarabia, he doesn’t really mind an optimistic Kalim because like Kalim only had Jamil, Jamil really only has Kalim now after the tomfoolery he pulled in this chapter.)
So do I like Jamil more now than I did before? Kind of,. I had hopes for Scarabia (I’m sure a lot of people did with all the hyper analysis we did :p) But,, Jamil literally just got me angry this whole chapter. The backstory was nice, and Kalim praising Jamil and Jamil telling Kalim to stop (the way he screams ;;..) everytime gets me going. But esp with that piece of information, hating and blaming Kalim over something neither of them could change just,, recked them both. I can’t blame Jamil for building up resentment, but I can’t blame Kalim either for wanting to believe they were friends because he was trying to make the most out of their situation. Until Kalim realized the only way to do that was to just tell Jamil to stop being his servant and start off as equals to be true friends now. To which Jamil says no to the second notion profusely, but he also implies he’d rather be with Kalim than wth Azul, so. No more master/servant dynamics. And the ending was written off so sloppily but I think it was supposed to leave Jamil’s true feelings about Kalim end off on an ambiguous note imo. Again, sloppy, but sure.
Kalijami/Jamikali just seems really really toxic to me now, and I figured it would end up like that which is why I ended up reading other Scarabia ships (very into flokali and kaliver rn :p). I don’t usually see Japanese media fleshing out happy characters all too much, but with Kalim as literal Scarabia poster boy even tho he doesn’t represent the villain, I can see what direction they’ll take to develop Kalim now. Hopefully not how they developed Soma. (Ofc I wanted overblot!Kalim but,, I’m personally glad they didn’t do it rn, y’know? And the fact that we didn’t get introduced to an RSA counterpart for Scarabia at all has me,, thinking some things now...)
...dm if you want me to rant about oasis maker and rsa cause please I need to feed someone ;0;
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words | lena luthor x fem!reader
a/n: i love lena so much and i don’t appreciate what the supergirl writers are doing to her character
warnings: mentions of abuse. sexual references - just kissing tbh & a little morning after
word count: 2.7k
masterlist | request list | request rules
r is a political journalist and works at catco. she is working late one night on her article about the presidential debate when lena notices her and interrupts her
i do not give you permission to repost or translate my fics on any platform - likes/reblogs are okay and are much appreciated
“12:37am”
Looking at the time on your phone, you sighed. You’d been here longer than you had intended to. You didn’t think writing your article would take this long but once you’d started, you hadn’t stopped. To be fair though, if you were home, you would probably be doing the exact same thing.
You often worked late, mainly staying up to all hours of the night working on your articles at home but tonight, you decided to stay at work.
You’d been in Washington, DC all week, interviewing politicians left, right and centre and had only just stepped foot back in the office earlier this afternoon. The majority of your notes were here anyway so there was no point in you going home yet.
You were currently transcribing your interview notes with your former boss, Cat Grant, who was the White House Press Secretary. You were happy for her, she seemed to really suit the job.
Then again, you think she just liked telling people what to do.
Laughing to yourself, you thought of the time when you used to be a junior writer working under Snapper. Miss Grant had given you the role but only because you had seized the opportunity to ask for it.
She always did like people who spoke up for themselves.
It was hard to say you miss her though, considering you saw her almost every other week. But now, her job had been taken over by James Olsen.
You were good friends with him, having known him when he worked at the Daily Planet. When he got the role, you celebrated alongside your other work friends, Kara and Winn.
Kara was now a reporter, a great one you might add, who always seemed to be getting exclusives with Supergirl.
That was funny to you because you knew she was Supergirl.
She didn’t know that you knew but the glasses didn’t exactly conceal much.
She was also very good friends with your new boss.
Lena Luthor.
You smiled at the thought of her. Whilst you were slightly intimidated by her, you did admire her. She was a very powerful and intelligent woman. And the fact that she was beautiful too didn’t hurt your perception of her. She was also the CEO of two major companies. That was impressive.
Glancing over at the large open office, you noticed the light on in the room.
It had to be Jimmy, you thought.
He did tend to stay over quite late; it gave him a reason to be out late when he conducted his Guardian business.
That’s right, you knew his secret identity too. He and Kara weren’t really good at hiding it, you thought.
Shaking your head, you clicked play on your tape recorder and decided to focus on completing the task at hand: finishing your article on the upcoming Presidential Debate so it could published for tomorrow’s evening issue.
Lena lifted her head at the sound of typing. She had been so focused on finishing the cross analysis reports for both CatCo and L-Corp that she hadn’t realised anyone else was in the building. Well, apart from the night team but they operated from a different floor.
She stood up and moved from behind her desk so she could see who the person clacking away on their keyboard was.
She stood in place, crossing her arms when she saw the woman hunched over at her desk, headphones plugged into her ears, typing furiously on her laptop, occasionally stopping to make brief notes on a piece of paper beside her.
Lena frowned. She had made it a personal mission of hers to interact with everyone on the floor so she could get to know her employees better. But she had never spoken to you. And she definitely would have remembered speaking to someone so dedicated to their work that they stayed in the office till this late at night.
She contemplated going over to interrupt you and introduce herself but decided against doing so. She began walking back to her desk before swiftly turning around, changing her mind at the last second.
As a reflection of the extraordinary nature of the Democratic field, New York Rep. Alexandria Ocasio-Cortez, better known as AOC, has-
You stopped typing when you felt the soft tap on your shoulder. Removing your headphones, you spoke, “Yeah, Jimmy?”
Turning around, you were shocked to see the person standing above you.
“I hope I have no resemblance to Mr Olsen.” The woman joked.
“I-Miss Luthor! I’m sorry-I thought-I mean. Why are you here so late?” You said, surprised.
The raven-haired woman chuckled as you fumbled over your words.
“Well, if my employees are going to be here this late, then why shouldn’t the following apply to me?” She smirked, accentuating her red-painted lips in the process.
“I believe we haven’t been introduced. I’m Lena Luthor, as you are already aware.”
“Y/N L/N.” You replied, standing up to shake her hand before leaning against your desk.
“It’s nice to meet you, Miss L/N.”
“Call me y/n, Miss Luthor. I feel like a teacher if you call me ‘Miss’.” You corrected, smiling lightly when Miss Luthor laughed. It was a genuine laugh, one that seemed to reach her eyes.
“If we’re ridding ourselves of formalities then please, call me Lena. So what are you doing here so late?”
“I’m finishing my article on the new Presidential nominees. I’ve been in Washington all week with Miss Grant and other politicians so I haven’t had a chance to complete my article.”
“That explains why I hadn’t met you.”
“Yeah, I’m constantly up and down the country, following the political story as it were.”
“I hope I haven’t disturbed you.”
“No, of course not. I was almost finished anyway. So, how are you finding it here?”
“It’s interesting. I’ve never really been involved with journalism. Been on the receiving end of scathing articles about me and my family, yes. But running a media empire, definitely not.”
“I do hate journalists sometimes. They just go with the crowd and join in on hating the new person of the week. People don’t realise that someone can grow up with their family but turn out completely different to them.”
Lena’s eyes narrowed, she appreciated your thoughts but knew there was more truth to it than it just being about her.
“I hope I’m not being too forward here but would you like to grab a drink from the bar down the street?”
You failed to hide your shock. You had only just met Lena and here she was already asking you out, as if she had known you for years.
“Yeah, sure. I would really like that Miss-Lena.” You said, correcting yourself.
***
“She didn’t?!” You gasped, holding your laugh.
“She did! She asked me if I was baptised and I just laughed and said no.” Lena chuckled. “She said she only sleeps with good Catholic girls.”
“Oh my god.” You couldn’t hold your laughter and almost spilt your drink in the process.
You and Lena were currently at the bar, hands nursing your respective drinks. Lena, much to your surprise, was drinking Scotch, and you were drinking Macallan Whiskey.
It was currently 3:30am and you had spent the past few hours chatting away, talking about your failed relationships among other things.
“So, y/n, tell me, what brought you to CatCo?” Lena asked, her chin resting on her hand.
You were about to give her your usual prepared answer that you gave everyone else who asked the question. But whether it was the fact that you had been drinking, or the fact that you had a beautiful woman sitting in front of you, you decided to actually tell her the truth.
“Truth be told, as much as I loved writing, I was actually studying to be an accountant.”
“Really?” Lena said, shocked.
“Yeah, my father always said journalism wasn’t a feasible career choice and pushed me towards accountancy so I could look after the family business. Don’t get me wrong, I enjoyed maths. It was reliable. There was a right and a wrong. Just plain facts. But, I don’t know.”
Lena listened intently as you continued.
“There was just something about writing. With words, you have this...this power where whatever you write can actually influence someone. It allows someone to see themselves in your work. And that’s what CatCo was to me. I started off at the Daily Planet but I think I knew that it just wasn’t for me and it was the same with James. So Jimmy and I both moved here and never looked back.”
You looked up at Lena when you had finished and saw her brows furrowed.
“I’m sorry. That was such a long explanation.” You began apologising before Lena interrupted you.
“No, don’t be sorry. That was just...very truthful. I appreciate your honesty, y/n.” Lena smiled, her eyes staring deeply at yours.
“Thank you. You’re one of the few people who do.” You added under your breath, as an afterthought, but Lena had heard you.
“What do you mean, y/n?” She reached over to place her hand on your arm and you felt your stomach clench. Such a simple embrace, but so caring.
“My father. Let’s just say he didn’t appreciate my change of career, among other things.” You stated, not really wanting to explain further but when you looked into Lena’s eyes, you saw truth and understanding and the next thing you knew, you were spilling the entire story.
You told her how your mother had died when you were young, leaving just you and your father. You explained how he pushed you to be the best at everything and how any failure was punished. How he controlled your life, preventing you from socialising, and instead, made you focus on work and furthering yourself in accounting. How, when you had told him that not only were you pursuing journalism but that you also were bisexual, he had slapped you and disowned you.
“It was for the best,” you shrugged, “don’t get me wrong, I’m grateful for the fact that he pushed me to always be the best, but I’m glad that we no longer speak.”
“I’m sorry about your father, y/n. He sounds like a horrible person to me.” Lena said, both horrified but also with understanding as she was treated similarly by Lillian.
“Thank you.”
Lena almost screamed then. You had explained how awful your father was and here you were, thanking her for sharing your sentiment and for believing you. She reined in her temper and brushed her thumb against the back of your hand.
“I’m really glad you decided to follow your dream, y/n.”
“Me too.” You smiled softly.
It was getting quite late, well, technically early, so Lena had called her driver and was insistent on dropping you off home.
You were now outside your apartment so you turned to face your boss.
“Thank you, Lena. I really enjoyed tonight.”
You moved to give her a hug and kiss her cheek but when you pulled away, you both sat there, faces inches away from each other.
Her eyes flickered down to your lips for a split second, but you caught it and just stared at her. Before you knew it, her lips were on yours, soft but demanding.
This time when you pulled away, Lena huskily whispered in your ear, “Come home with me.”
You considered the consequences.
She was your boss after all.
Lena placed a gentle kiss on the corner of your mouth and then brushed her thumb against your lip, most likely removing her red lipstick.
“Well?” She breathed out.
Her hand slid across the back of your neck. Sending a hard shiver down your body but not forcing you close to her. That was exactly what you needed to close the distance once again.
You pulled back and murmured “yes” causing Lena to smirk and tell the driver to take you back to hers.
***
You woke up in Lena’s bed, moaning lightly at the feel of Lena’s soft silk sheets against your skin.
You felt arms wrapped around your waist and then slowly remove themselves from you. You turned in Lena’s arms and smiled.
“Hey.”
“Hey, yourself, beautiful.” Lena said, making you blush.
“I’ve been called into work early but you can sleep a little bit longer before you have to go into work.”
“It’s alright. I’ll leave with you. I have to go back to my apartment anyway. But I’ll meet you at work?”
“Sure.” Lena chastely kissed your cheek before you both got ready and left.
***
After Lena dropped you off at home, you showered and got changed. You sat down on your bed and thought about the night you had spent with Lena.
You did have a few doubts because of the fact that she was your boss but she honestly was one of the most honest people you had ever met.
And she was great in bed too. All you would say is that she’s very giving.
You stood up, deciding to make your way into work.
***
Walking onto your floor, the quiet of the lift was immediately eradicated and replaced with the ringing of phones, people typing on laptops and a lot of chatter.
As you made your way to your desk, you saw a familiar blonde sitting in your chair.
“Hey, blondie.”
Turning around, the blonde jumped up and hugged you.
“Y/N! I’ve missed you. I’m so glad you’re back. How was DC?” Kara asked, pushing up her glasses.
“I’ve missed you too, Kara. It was quite good actually. I’ve just been so busy. But I’m going to be staying for at least a month now before I need to travel again, so that’s good.”
“Oh my god, yay. I’m so happy. Hey, you can start coming to game night again now that you’re back.”
“Oh, the iconic game night. How I’ve missed you.” You said dramatically, making you and Kara laugh. “Is it the same old gang?”
“Mostly yeah. Alex and Maggie will be there, as will Winn, James, Sam and Ruby but now Lena comes along.”
At the mention of the latter, a light blush rose to your cheeks, luckily going unnoticed by the superhero.
“Oh that reminds me, Lena wanted to see you. She’s in her office.” Kara said, nodding her head in the direction of the large office now occupied by the business woman.
Giving Kara another hug, you made your way to Lena’s office where the former was sitting on her sofa. Upon seeing you, she gestured for you to sit beside her.
“Y/N, how are you?”
“Well, thanks. And yourself?”
“Very well. Especially after last night.”
Another blush rose to your face but this time, Lena noticed and smirked.
“Do I make you blush, L/N? It’s good to know that I have an effect on you.”
“I really enjoyed last night, Lena. I know that you’re my boss and that it’s not exactly appropriate for us to have such a...personal relationship.”
“I know, y/n. But after last night, I don’t think I can keep my hands off you. You’re a very caring person, y/n, and I really would like to get to know you better. I think we have something between us.” Lena explained, placing her hand on yours.
“I do too. I can feel something between us but I don’t want it to be awkward in the event we don’t work out.” You said, expressing your worries.
“I don’t think it will. But how will we know unless we try?” Lena countered.
“That’s very true. I think you’re right. We’re both adults and we can see where this goes. And last night...Wow. But I do have to tell you one thing about last night.”
Lena raised her brow, trying to hide her concern.
“I’m sorry to tell you, but I’m not baptised.”
Lena burst out laughing causing you to laugh too.
“Oh god,” Lena said, trying to stop herself from laughing.
Once she had, she gave you a sober look, “I know we’re at work but-”
She cupped your cheek to bring you in for a sensual kiss which you happily reciprocated.
Pulling away, a wave of shock hit you as you realised something.
You were dating Lena Luthor.
#supergirl#supergirl x reader#lena luthor#lena luthor x reader#kara danvers#kara danvers x reader#maggie sawyer#alex danvers#winn schott#james olsen#sam arias#ruby arias#supercorp#sanvers#catco#cat grant#cat grant x reader#c: lena luthor#c: words#s: mine
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I want to express an unpopular opinion. I hope for your understanding, because such things don't like to listen. Why does everyone think that Hawks is a bird? I couldn' fit my logical arguments into the askbox :( (about how he sits on a pole "like a bird", supposedly likes jewelry and so on). Even his quirk is called Fierce Wings, not a Hawk, not a Red Bird. Do you remember the names of the quirks of Hound Dog and Tsuyu-chan? We haven't evidence to believe that Hawks is behaves like a bird.
I do believe very much he’s a bird, and if you would let me friend, I would love to try and prove it to you because I think the evidence is overwhelming. I’ll make a TL;DR at the end but I’d really like to take the opportunity to perhaps teach others at least one method for literary analysis since it can be a really dry and boring subject to learn in school but is SO useful not only for getting good grades but getting into colleges as well as interpreting both entertainment and genuinely important information like the news, history, laws, and scientific papers. Using fiction - especially such a rich, engaging one like HeroAca - is a great way to try it out without the pressure of a grade. I don’t have the qualifications to teach in any formal capacity, but as a “peer” tutor I hope I can be helpful.
I’m going to put everything under the cut from here because this is going to get LONG, but I promise the TL;DR at the end will be very easy to read. If you liked this sort of unofficial tutorial please let me know. I’d love to help make “academic” skills like this more accessible for those who might benefit from it and enjoy it, but it doesn’t make sense to put in all that effort moving forward if I’m garbage at it.
Before we get too into things, I want to lay out a few notes to keep in mind as we go.
I will only be using the official translations from Viz’s Shonen Jump website when available. Fan translations are more than close enough to casually enjoy and follow the story, but professional translators are paid to know and get various nuances correct and some of the trickier cultural background behind certain phrases (for example, the phrase “where the rubber meets the road” might make zero sense in a foreign language if translated literally, so an equal cultural phrase should be used instead) that give more exact information. Rarely is this too important, but sometimes it helps, plus it supports the source material.
If you’ve followed my blog for a while you might know I’m very fond of doing this kind of thing in my spare time and that I’m a huge fan of YouTube channels like Game/Film Theory, Overly Sarcastic Productions, Extra Credits, and Wisecrack that do this kind of thing with popular media as well. If you like this sort of content, may I encourage you to check them out after this to see how else you can apply these kinds of analytical skills to things that aren’t homework.
My writing style tends to meander, but I do my best to cut out the fat and only include relevant information so even though there’s a lot of information here, please know that I’m trying to be thorough and explain things to the best of my ability. If I seem to go off on a tangent, I’m trying to set up or contextualize information to explain why it’s relevant and then come back to the point. In other words, please be patient and bear with me as I go.
Now, to start, I want to explain at least my method for analyzing a text/piece of media. There is a set order and number of steps to take, and it’s as follows:
Read the material all the way through.
Come up with a hypothesis about something you’ve noticed when reading it. (In this case, it’s “Is Hawks actually supposed to be a bird?”)
Collect as much relevant information as possible and test the evidence to see if it supports the hypothesis we’ve made.
Step back and look at everything again with those points in mind.
Determine if we were right or wrong with the evidence we have.
If we were wrong, go back to step 3 to figure out what fell apart and see if we need to go back to step 2.
If that sequence sounds familiar it’s because it’s the scientific method! Aha, didn’t think we’d be pulling science into all this, did you? Don’t worry, we won’t be putting numbers or formulas anywhere near this discussion - the scientific method is just a way we can observe something and test if what we thought about it is actually true; and it applies to almost everything we as humans can observe - from the laws of the universe, to arts and crafts, to philosophy and religion, and so on! When you think about it that way, whole new possibilities can open up for you when it comes to understanding how the world works.
So with that set let’s (finally) begin!
Steps 1 and 2 are already done. We’ve read the manga and want to prove that Hawks is a bird. (We’re going to try and prove he IS a bird because in the context of the series there’s a lot that *isn’t* a bird and less stuff that *is* which will make our job easier.) So now, we’re onto:
Step 3 - collect data and see what conclusions we can get just from our evidence.
Now, to pause again (I know, bear with me!) there’s a few different kinds of information and considerations we have to keep in mind as we collect. There are four kinds of information that are important to know about in order to determine if it’s good data that will help us with the testing phase in Step 4. The kinds of information to keep in mind are:
Explicit information - this is information that is directly spelled out for us. For example, Hawks says, “I like my coffee sweet.” and his character sheet says “Hawk’s favorite food is chicken.” That’s all there is to it, and it’s pretty hard to argue with. This is the easiest type of info to find.
Implicit information - this is info that isn’t directly spelled out but is noticeable either in the background or as actions, patterns, or behaviors that can be observed. For example, Hawks has mentioned in at least three very different places his concerns over people getting hurt while he tries to get in with the League:
Chapter 191 when confronting Dabi about the Nomu he says, “You said you’d release it in the factory on the coast, not in the middle of the damn city!”
Chapter 191 again in a flashback with the Hero Commission he asks, “What about the people who might be hurt while I’m infiltrating the League?”
Chapter 240 when discovering how much influence and power the League has gained, “If someone had taken down the League sooner, all those good citizens wouldn’t have had to die!”
Hawks never says in so many words, “I never want innocent people to get hurt under any circumstances!” but the pattern of behavior and concern is consistent enough to form a pattern and clue us in that this is a key part of his character to keep in mind.
Peripheral information - this is information that isn’t directly to do with Hawks or maybe even the series as a whole but is still relevant to keep in mind for his character and the questions we’re asking. This may include extra content that isn’t the “series” proper, but is still an official source like interviews with Horikoshi, etc. but it can go even further. For example, while we try to prove that he’s a bird, we should have some knowledge about what makes a bird a bird, some specific and notable birdlike habits/behaviors/features, etc. This is just to show how wide-ranging we need to cast our informational net.
Contextual information - this will be important when we get to Step 4, but it’s good to keep in mind now. This is when we compare evidence against the broader scope of the series and consider the circumstances under which we find the information. For example, if I told you, “Harry kicked a dog.” you might think “What a jerk! What decent person kicks a dog?”; but if I said, “Harry kicked a dog while trying to keep it from biting his kid.” suddenly it re-frames the story. “Is the kid ok? Why was that dog attacking? Harry put himself in danger to keep his kid safe - what a great dad!”
I’ll go chronologically to make it easier to follow my evidence as I gather and give references as to where I found that information. I’ll go through the manga first, and then any peripheral sources that are either direct informational companions to the series (like character books or bonus character information sheets) and interviews with Horikoshi. Please note the categories these details fall into may vary based on opinion/interpretation, but I did my best to list them out for reference.
Chapter 185 - Explicit Type: Feathered wings - regardless of the specifics of his quirk it’s undeniable his wings are made up of feathers which is a distinctly birdlike quality. There are many mythical creatures and even dinosaurs that also have feathered wings, but this is our first big piece of evidence.
Chapter 186 - Peripheral Type: Large appetite - birds have an incredibly fast metabolism because flying takes so much energy. They’re constantly eating. Plenty of young men are big eaters, but it was specifically pointed out and works towards our hypothesis so we’ll keep it in our back pocket for now.
Chapter 186 - Implicit/Peripheral Type: Fantastic vision - Hawks senses the Nomu coming before the audience even is able to make out what’s headed their way. It could be implied his wings caught it first, which might be the case, but he looks directly at the Nomu and brings Endeavor’s attention to it. Birds have fantastic long-range vision, especially birds of prey that mainly swoop in from high in the air to ambush highly perceptive prey. Also good to add to the pile.
Chapter 192 + Volume 20 Cover - Implicit/Peripheral type: Wears jewelry and bright colors - birds are well documented to be drawn to bright colors and are known for decorating their nests with trinkets. Scientists actually have to be careful when tagging birds with tracking bracelets because they can accidentally make him VASTLY more popular with the ladies by giving him a brightly colored band to the point they can’t resist him! Male birds are also known for having bright, colorful displays for attracting and wooing mates. While Hawks isn’t the only male character to wear jewelry in the series, he’s the only one (to my recollection) that wears as MUCH jewelry so often both during and outside of work. It may not be obvious, but the illustration on Volume 20 is actually an advertisement for his line of (presumably) luxury jewelry. In other words, Hawks on some level is synonymous with style and flair to the point he can make money by selling jewelry with his name on it.
Chapter 20 Volume Cover - Explicit Type: Hawk emblem on the watch face - If the name “Hawks” didn’t give it away, he’s very clearly trying to align himself with more avian qualities if his merch has bird motifs. In other words Hawk = “Hero Hawks” and “Hero Hawks” = bird.
Chapter 192, 244, clear file illustration - Peripheral Type: birdlike posture. Chapter 244 isn’t quite released yet on the official site as of writing this, but when Hawks swoops in and beats the kids to the punch apprehending the criminals trying to subdue Endeavor, his hands are clenched in a very talon-like manner similar to a swooping eagle. When walking with Endeavor in 192, he holds his resting hand in a similar fashion. On the clear file illustration he’s not only perched on his tippy toes in a pose that has been famously called “owling” (remember that trend/meme, y’all?) but his wings are slightly outstretched to catch the breeze to keep from falling over which a lot of birds can be seen doing when they don’t have great purchase on a surface in a place that’s a little windy. The fact that he seems to gravitate to high places like birds are often seen doing might also be a noteworthy indication.
Extra sources:
Hawks Shifuku: Horikoshi describes Hawks as a “bird person” and says that his initial design was based off of Takahiro from his old manga.
Takahiro’s design:
Current character design: The banner image on my blog was commissioned from a friend of mine who doesn’t follow the series. When I showed her reference images of Hawks, you know what she said? “Oh! His hair is feathers!” Even his eyebrows have that fluffy/scruffy texture to them that his hair has. The markings on his eyes can also be seen on him as a young child in Chapter 191 which means it isn’t makeup meant to tie in a theme or look. He has those dark, pointed eye markings like many birds do. So on some genetic level he resembles a bird.
Step 4: Testing our hypothesis with the gathered evidence.
There’s already a lot of compelling evidence that already closely aligns him to birds which is promising. However, to really prove our point we should try to prove beyond a shadow of a doubt he is a bird. To do that this time around I’m going to see how the series treats people with animal-based quirks and see if it’s consistent with the way Hawks is portrayed.
You bring up Hound Dog and Tsuyu, and they’re fantastic examples. Let’s start with Hound.
He’s pretty straight forward - he’s like a dog. He has a dog face, has dog-like tendencies, and dog-like abilities. Superpower: dog.
And in Tsuyu’s case - quirk: frog, just frog. She’s stated explicitly to have frog-like features, frog-like tendencies, have frog-like abilities, and even comes from a “froggy family.”
So with these two very explicitly animal-like characters the common theme seems to be “If they’re considered to be like a specific animal, they have to physically resemble that animal, act like that animal at times, and have abilities like that animal.” Let’s see if another animal-quirk character matches up and then put Hawks to the test.
Spinner’s quirk is Gecko. Based on our criteria, is he a gecko?
Does he look like a gecko, even vaguely?
Yes, he’s covered head to toe in scales, and his face is very lizard-like.
Does he occasionally act like a gecko?
Unclear. We haven’t really seen any evidence of this, but that doesn’t mean he doesn’t. For the sake of our argument, we’ll just say no and move on.
Does he have gecko-like abilities?
Yes! Though most of his abilities are limited to things like being able to stick to walls, it’s still gecko-like in origin and qualifies.
Spinner hits clearly hits ⅔ criteria and our standards seem pretty consistent, so let’s see how Hawks stands up.
Does he look like a bird?
Not all of his features may explicitly scream “avian” at first, but upon closer observation and with his clear previous inspiration this is a resounding yes.
Does he act like a bird?
Many of the mannerisms and behaviors he displays can just be chalked up to him being a little eccentric, but with the sheer number of them that also parallel birds in some way this is also a pretty convincing yes.
Does he have bird-like abilities?
While most of the emphasis is on his wings and what they can do, it does seem that he not only possesses things like heightened senses which could be attributed to avian abilities but he also very much possess high intelligence and incredibly fast reaction times which birds are also known for.
Even if we only gave Hawks a “maybe/half a point” for those last two, he still meets the 2⁄3 that Spinner did. So we have another question to ask: Does a character have to have an explicitly named “animal” quirk to be considered to be/resemble a specific animal? Let’s look at Ojirou and Tokoyami for reference.
Ojirou’s quirk is just “tail,” but he’s been described by his peers and classmates as a monkey and does seem to share some more monkey-like features. It isn’t lumped in with his quirk because the only notable monkey-like quality he possesses is a tail. He doesn’t have fangs or an opposable toe - he just has a tail. For quirk classification as far as hero work goes, that’s the only important thing to note.
Tokoyami, on the other hand has an entire literal bird head, but nothing else. He has a beak, feathers, and even in illustrations of him as a baby he had fluffier feathers on his head. Even with only those details, he just screams “bird!” However, his quirk is classified as “Dark Shadow” because that’s what sets him apart for hero work.
Back at Hawks we see his quirk classified as “fierce wings” but like Ojirou and especially like Tokoyami, the emphasis on his wings is what sets his abilities as a hero apart. Otherwise, he’s just a guy who looks and acts a LOT like a bird.
But astute observers may have noticed I’ve left out a detail that’s more or less a nail in the coffin on the whole matter, so let me ask a question: Tsuyu in particular has something else of note that solidifies in our minds that she is, indeed, a frog - she explicitly calls herself a frog. Could we say the same about Hawks?
Chapter 199 - Explicit Type
Bingo. Hawks has known himself for as long as he’s been alive. He knows his habits, his impulses, his family/genes, and so on. If he calls himself a bird, are we going to call him a liar? In fact, he calls himself a bird not once, but twice!
That’s pretty much it. With the evidence stacked to that degree, I’d be hard pressed to NOT believe he’s a bird.
That was a long amount of text to get through, so if you’re here at the end thank you for sticking out with me to this point. I really appreciate it. This is more or less the process I use when analyzing anything and everything whether it be HeroAca related or not. Maybe it’ll help you if you’ve struggled with literary analysis, or at the very least I hope you got some enjoyment out of it.
TL;DR If Hawks looks like a bird, walks (acts) like a bird, is based on a bird (character), and calls himself a bird, he’s probably a bird.
#hawks bnha#bnha hawks#hawks#hawks mha#mha hawks#she writes#let's talk hawks#bnha meta#bnha spoilers#mha spoilers#manga spoilers
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