#but I'm tired of everything is a ship shit

[sleepymccoy]

Someone I follow is posting about Spock and McCoy after the Katra sharing, but they're posting canon thoughts and I'm all fanon so I'm making my own post lol

Post Katra headcanons!

Spock swears in Southern when he's tired. He really doesnt like this

McCoy understands a bit of Vulcan, but only when he doesn't know the person isn't speaking English. Like, if they randomly switch to Vulcan he can keep up until it's pointed out

They can feel when the other is experiencing strong emotions. They don't know what emotion, but it's like an itch or a tickle in their throat to say the other is feeling something

They know a bit of each other's specialised knowledge. McCoy is passable at astrophysics now, and Spock is an even more annoying patient since he understands the terminology

They also remember a few private moments of eachother's that they weren't present for. Both politely don't mention this, but do find confusing ways to allude to it

McCoy can cook some Vulcan dishes now. Spock developed a taste for bourbon in the evening that takes everyone by surprise

With great effort Spock can project messages to McCoy. With greater effort McCoy can give Spock a feeling that translates to fuck off

On Vulcan they're legally super duper married and Spock just doesn't mention this. McCoy notices next tax return when he's taxed like a married man, not a single man. Takes him months of asking around to figure out who the government thinks he's married to. He files for divorce without talking to Spock

Spock won't divorce him cos he did carry his Katra, but he'll agree to an annulment. McCoy about pops off with anger

Kirk buys them a wedding gift when he finds out

They don't get the annulment and neither can really put their finger on why. Something about respecting Vulcan culture, cos they'll still be married on Vulcan no matter what

McCoy gets a headache whenever Spock mind melds with someone else

McCoy can initiate a mind meld with Spock, which they both get kinda very into cos their brains feel so good paired back up again. McCoy drunkenly described it as being better than sex to Kirk and the idea of that sticks around something terrible

Their telepathic connection is stronger after a meld, so they start doing it in advance of missions so they can be in touch immediately if things go sideways

If they're apart for a long time the connection will tell them when each other is close by. They've run into each other at conferences or in hotels or once on a transport ship they didn't know the other was booking too. They find each other quickly and easily when they're nearby

This becomes an uncanny capacity to always vaguely know where the other is. McCoy is bad at remembering that he shouldn't know and will volunteer Spock's whereabouts sometimes without thinking

They get good at learning what the various nudges and hints from their connection mean. They can tell different moods apart and send messages that the other can open at their leisure, rather than breaking through and being front of mind

If one of them is injured or captive or just bored as shit they'll sometimes pop into the other's head and basically turn into the back seat driver from hell

With everything they know and learn, they're very fond of each other

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[nachosncheezies]

Mulder, Scully, and "sibling vibes"

So a few times lately I've remarked on the sibling energy I see in early Mulder & Scully, and I think perhaps it's misunderstood. I jokingly self-identified not long ago as "not a romo, not a noromo, but a secret third thing (delighted they ended up together but wishes the whole kiss kiss kiiiiiss! thing wasn't dominant forever and always)" This applies to all my fandoms fwiw. For me the friendships generally trump everything.

The other day I added this (among some other rambling) to one of @randomfoggytiger's excellent posts about Mulder and women:

To me, these two start out as best friends, almost a "sibling" relationship at first: Mulder has been looking for Samantha, "walking into that room" everyday for many more years of his life than he wasn't, and here comes this precocious, punchy little woman who says she's looking forward to being around him. She plays with him in the rain, she laughs at him, teases him and calls him "sucker", she listens to him and is eager to learn everything he can teach her. They squabble, but always stick together. She stands next to him with her little foot stuck stubbornly out to the side and her arms folded, or her little hands on her little hips, always exuding an attitude that's surprisingly large for her little body. When he looks at her it's at the top of her head. She's even the same age as Samantha. When she panics or gets scared she turns to him, and he wraps her in a blanket and tells her stories. I know it is often interpreted as flirting, but if you were to age them down, it could just as easily be a big brother who adores his little sister and a little sister who thinks her big brother hung the moon. My personal feeling is, it would be almost impossible for him not to notice commonalities between Scully and Samantha. Perhaps that's partly why he's so comfortable sharing Samantha's story with her.

To clarify, I don't think either saw the other as an actual or replacement sibling, and I don't see it as something that is remotely incompatible or icky regardless of where they ended up. Love's a lot of things and it can change and be all of it or none of it at once.

Not a person, but a pattern

Mulder and Scully were thrown together and immediately flung themselves about as far from home as you could get without crossing an ocean, at a time when there was no internet and a long distance phone call cost a million billion dollars (adjusted for inflation)(facetious). This is more than just long hours doing stakeouts or interviewing witnesses or writing profiles or joining sting operations or whatever it is that average partners (especially green-ass newbies from Quantico) might presumably be doing. They might as well have been at sea. They'd known each other for maybe a week and suddenly had to learn to not just work together but to live together, being each other's only company and support system, etc.

Watching the way they interact particularly during the pilot could be (and it seems almost always is) interpreted as crushes and flirting. I see that too, but I'm gonna toss that aside for a sec and ask you to imagine they are children, or at the very least that they're not looking to date (other people have written some very good posts about sex not being that important to them ever, or how they use it for self-flagellation (him) or rebellion (her) etc. And as fun as fanfic is, I agree with that take. For all their smouldering - both individually and together - they're remarkably sexless. But I digress. Just imagine that the search for a date or the possibility of sex is not part of the equation at this stage.)

They're both SO influenced and informed by the patterns they've been living all the way since childhood, as most of us are.

Scully is used to following strong male personalities, living to impress her dad, being a kid sister to a man who has strong opinions about how the world is or ought to be. She's extremely capable but very young for her long list of credentials (she's presumably gone from school to school to school without much lived experience), and they give her her very first field assignment with Fox Mulder. She's heard a lot about him. She's looking forward to working with him. This is probably nothing at all like what she expected when she went to Quantico, but she wants to distinguish herself so she'll go where she's asked and do her Very Best Job at it. But he immediately absconds with her and now she's doing something fun and new, and this man they've assigned her to is quirky and weird and possibly just bat-crap crazy, but in between it all he's incredibly intelligent and he's showing her the ropes and teaching her new things and she's just so excited to be here.

Mulder had to grow up way too fast, aged 12, and maybe suffered a sort of arrested development in that sense. He was once a big brother to a girl who was 8 years old and probably a bit of a brat, as precocious 8 year olds often are (I mean the first time we actually see her she called him a buttmunch and screamed in his face because she didn't get her way). They've sent him a partner who is a remarkable overachiever; she's a biophysicist and medical doctor, a Quantico graduate, and all under age 30. Her credentials include rewriting Einstein and her job responsibilities include "tattle tale". She's gonna challenge him at every turn, but she's green and earnest enough to want his to learn from his experience. She's following him and she's hanging on his every word and she's laughing at and with him. She asks a lot of questions and openly enjoys just being there with him, just being a part of it all.

Age them down 20 years and they could just be two kids playing in the woods and the rain. That doesn't mean they see their siblings in each other, but... to me, it doesn't not mean that either. It's patterns they've carried with them their whole lives. What I'm getting at is that that sort of sibling push-and-pull would be an extremely comfortable and familiar dynamic for them both to slip into, especially considering their isolation, and it's one which also lends itself to quick and easy affection. It's not the predominant feature of their friendship, but it's a starting place, and it ripples forward across time. (Imo it also informs the lack of romance for a number of years.)

The sibling vibes fade into the background after a few episodes (although I see shades of it popping up here and there through at least Darkness Falls), and it transforms into what becomes an easy, fast friendship, and then a deep, ride-or-die best friendship.

Of course, a twisted version of it is brutally resurrected and brought to the fore in season 2, and I think that more than anything is what scuppers a move out of denial or past anything apart from best friends until at least cancer arc, but that's a whole other post.

Thanks for readiiing 💕

[yujeong]

Okk. I don't want to compare or anything but I don't get the people who's getting mad on Korn Tonkla scenes saying they had more screen time? Or shit. I mean tbh, I am understanding the plot of the series better because of the two of them because they are somehow related to all of the events. And Tonkla's situation is...... he somehow senses the other timeline which I think is an important role. And also, Korn! Like what you've said he knows Dome is dead, and at the same time he's with his brother who ’saved’ Dome. Both of the characters are pivotal in the series.

Also, I think that they are more talked about because a Bas and Fuaiz couple was not expected in the series, and at the same time their plot line is really good as well as the build up of their characters. And I've seen more & more people are falling in love with Fuaiz & Bas (as an actor) in this series.

But somehow, I get them because the main couple is GreatTyme but why does it feel like they are becoming more of a side couple. Also saw people saying that their ’plot line’ or how they were introduced to eo /wasn't it./

Thank you for giving me the incentive to speak about this issue, anon. I'm going to do it now because the new episode will come out in a few hours and hopefully I won't have to do this ever again - which I honestly doubt but anyway. Since I haven't seen this type of discourse pop up on Tumblr (thank GOD), I'd like to inform everyone that over on Twitter, there have been massive complaints about Tonkla, aka Fuaiz, getting more screentime than the main characters, aka JesBible, to the point of people tagging BOC in posts and demanding they give them more scenes with TymeGreat - as if BOC can just pull footage they haven't filmed out of their ass or something. It got so bad that Sammon herself saw them and AGREED with these people, further explaining how it was important for some plot elements to be explored now, in order for the rest of the series to make sense. Now, with all due respect to her position as a screenwriter: she's factually wrong here. Someone on Twitter actually sat down and counted the minutes each character is on screen and came out with these results:

It's not in English, but I believe the results are clear: Tonkla doesn't even come close to Great's screentime. He's a little closer to Tyme's, but the main character is Great, so he's the one we should be looking at. Also, in case it hasn't been fucking obvious, Tonkla is an essential character in 4 Minutes, which is why we're getting many scenes with him. The reason I mentioned the actors is pretty self-explanatory - people are mad their favourite actors are shown a specific amount of time, giving space to other plot lines and characters, instead of being there for the whole episode, as if the point of 4 Minutes is the romance between Tyme and Great and nothing else. Meanwhile, Bible himself was laughing and clapping and enjoying the flashback scene between Korn and Tonkla when they had their first time, because Bible wanted to be part of a good production, which he is and he recognizes it. But no, God forbid we get more context over KornTonkla, which is one of the most important relationships in the show, which guides Tonkla's actions, which moves the fucking PLOT of the SHOW. I could give the benefit of the doubt to people being upset Tonkla was shown for not even half of episode 4, but I won't, and the reason for that is because I'm sick and fucking tired of people getting their panties in a twist because a character who loves getting fucked is actually getting fucked in almost every episode. Good for him honestly, even if it's making him worse. (I've already ranted about this whole thing here, I'm not going to repeat myself) I don't know how your social media feeds are like anon, but mine are flooded with BibleJes + GreatTyme content and I rarely see anything about KornTonkla or Bas and Fuaiz or anything of the sort, so I can't agree with you that they're more talked about than the main actors/characters. (That's not the case on Tumblr though: I have a very varied feed + my lovely anon asks which give me the chance to talk about my boys and I'm thankful for that.) And I'm sorry, anon, but I'm going to have to disagree with you in the end: Great and Tyme do NOT feel like the side couple at all. They are and they feel very much like the main couple and they've had multiple scenes together in every single episode so far (at the hospital, in Great's garage, at the park, at the university, at the arcade, inside Great's car, at the rooftop of the hospital, at the warehouse, inside the tent etc). We've gotten plenty of fucking content for them AND also BOC has made sure to give Bible and Jes the chance to do a million interviews together + magazine photoshoots, with only half of the show being done, so fans have zero fucking reason to complain about anything. That's all. Rant over.

[vurelly]

i am downright vibrating with anticipation, about half my manufacturer's order gets in on saturday and i'm so excited to send everything out i'm LOSING IT I WANNA PACKAGE STUFF SO BAD

[aromanticannibal]

ppl really b acting as if there's only one specific ship that has weird shippers that will complain about ppl not shipping their otp. it's literally always the case you either get fucked over for liking a gay ship or for liking a straight ship or for liking a toxic ship or people just start going "oh there's nothing wrong with the ship but the shippers💀" and you don't fucking know what they're talking about. like can we all just chill. the weird shippers r everywhere it's called some ppl are assholes sometimes. it's not fandom specific

[jennyandvastraflint]

....... Anyone wanna come set the local post office on fire. (for legal reasons a joke)

[moondirti]

blue collar simon x gn! reader. implied cnc.

Simon finds a journal on his lunch break.

It's inconspicuous. A5 black moleskin with an elastic holding it's contents together, bits of paper sticking out like nails on a poorly constructed house frame. He only notices it because his cooler slips off the bench when he blindly places it atop the fat book, sandwiches and packets of crisps now strewn across the dirty pedway.

The day's already been shit. A motley of blows, each made worse by the torrid sun overhead, sweat to cling to his grievances. An uptight site manager. A near loss of life after some tenderfoot got caught in between an excavation truck and the wall. Even his too-long hair, which curls around red ears – having not had a chance to buzz it off since being called in for this job. It's no wonder, then, that the tiny mishap stirs as severe of a reaction as it does; he chucks his hard hat across the road, satisfied only when it finds its fate mid-lane, an obstruction to inevitably fuck the tires on a white collar's new car.

When his rage settles as smouldering ash in his chest, he picks his food off the floor and cracks open the source of his animosity.

With no name or number, the first page holds just a chicken-scratch address. Interesting. Its owner hasn't made this easy on him, crafting it like one would a game. A skewing of traditional acquaintance. Granting nothing of their superficial identity, yet unrestricted access to their innermost thoughts. Thus he's forced to paint his own picture of the figure behind the words.

And what a picture indeed.

The first entry is brief.

13.02 – My therapist expects at least three pages a week. I'm not doing any of that, so don't get your hopes up.

It's evident that you don't stick to your guns. Though the next one is dated several months later, so he see's the attempt had been made. Written in a whole new hand, like you'd picked a dry pen off the floor and practiced your non-dominant grip:

08.05 – I broke my arm playing tennis. The umpire called a match-point in my opponent's favour and I threw the racket at his head.

I am no longer allowed to play tennis. What good is that resolution? My radius has a greenstick fracture. I'm already out of the game.

His laugh is abrasive and sudden, like it'd been pried from his chest by a pair of careless hands. Or as close to that analogy as it can get – your anger is intoxicating and only grows more potent across the pages. Inadvertently amusing. Simon chews through the tough crust of his torpedo roll as he reads, time wearing away under the stiff comb of your words.

There's hardly any variation in your cataloguing –

10.06 – The universe must need more bad people in it, because it tests my limits everyday. Can the fuck next door snore any louder? It's 2 am, goddammit. I wonder if it'd be overkill to ship nasal strips to his mailbox.

26.06 – Dad called today. Didn't pick up.

04.07 – I'm close to killing Kathleen. There's a reason the food in the fridge is labelled as MINE. GET YOUR GRUBBY PAWS OFF OF IT!

13.07 – The world is a shitty, stupid, crappy, icky, lousy, rotten, stinking, stinky, bad place. I hate my coworkers and friends and parents and landlord and etc etc. It's like everyone is out to get me.

– so it's like the honed curl of a hook. Whiplash-inducing, reeling his attention so quick that his neck strains in phantom pain. Simon stops everything, elbows settling onto his knees as he fixates on one entry in particular.

30.07 – I stand by what I said. The world is uniquely horrible. I think that's because I make it that way for myself. Whatever this exercise was meant to do for me, rage relief or introspection or whatever, it's clearly not working. I'm just as angry as I was before. Maybe burning these pages would help. I wish I could play tennis again. I don't know what to do with my hands anymore. I got fired last week. Need groceries. Eggs, spinach. Spinach always goes bad and I never make use of it. I keep buying it though. Dad keeps calling. I've got a migraine and I've run out of advil.

I just need someone to put me in my place.

And it ends there. No more entries after the fact, just a handful of blank pages before the journal wraps to a close.

He flips back over to the address at front. Looking at it a second time, he can tell the ink is still fresh.

Perhaps he misinterprets it. Perhaps it hits a little too close to home. It wouldn’t be the first time he looks for salvation in the empty lines someone leaves behind. Perhaps it’s just been a bad day, and he should go home before he does something he’ll regret. Perhaps it’s nothing at all.

Or–

Perhaps he sees it for what it is.

Here are all my colours. What you choose to do, or think, is no longer my concern.

[obscure-imagines]

wet dreams - Zoro

🍃staring. Zoro Roronoa x afab!Reader

⚔️ preview. The swordsman feels like a teenager again. His body has never reacted like this to anyone, not even close. It's been years since he had wet dreams, and now they're coming in, hot, heavy, and nearly nightly.

tw/cw. unprotected sex, wet dreams, hand job, blow job, dirty talk, praise, exhibitionism (sex outside in the Crowsnest), cum play/swallowing, fingering, mutual masturbation, multiple reader orgasms, big dick zoro, fingering, overstim, mutual orgasm, etc… I pet names: (hers) angel.

🔫 rating. 18+ explicit I SMUT I wc. 3.7k

⚔️ aus. One Piece Live Action, pwp, acquaintances to lovers, etc…

🍀 mlist + an. I showed Sanji and Mihawk some love so I figured I might as well adore my big three and make it a full set with Zoro.

Zoro is exhausted. His body feels heavy as he lumbers around the ship, his footfalls a little too loud on the wooden deck. His eyes are practically shutting on their own, but he resists the need to nap.

He's been having problems lately... when he sleeps.

While he's able to keep himself mostly in check around you during his waking hours, his mind - and body - have been betraying him in dreamland.

He's woken up five nights this week with the soft sounds of your moans etched into his memory and his pants ruined with the sticky truth about his feelings for you.

Naps had once been a time of rest, but Zoro has been anything but restful since Luffy convinced you to join the crew two weeks ago.

Zoro hates feeling like he's not in control. He hates the way you seem so real in his mind's eye, only for him to wake up and watch you acting completely indifferently toward him- as if he didn't just watch you go down on his cock in explicit detail- as if he didn't just try to fuck you so hard you couldn't even walk-

Being around you is something like torture. His tongue gets tied, his heart races, and he's unable to hold a conversation with you about anything unrelated to piracy... and even then, he stumbles over his words and gets frustrated with himself.

You're just too beautiful.

The swordsman feels like a teenager again. His body has never reacted like this to anyone, not even close. It's been years since he had wet dreams, and now they're coming in, hot, heavy, and nearly nightly.

He does his best to be the last to go to bed, out of fear that someone will walk in while he's sleeping and hear his problem, hell, he wouldn't be shocked if they could even see it.

It's not even midday and Zoro feels like death. It doesn't help that it's hot out. The wind feels practically nonexistent. Everything is stale, sweaty, and full of tension. Even Sanji, who usually dresses in formalwear, has stripped himself of his button-up, opting for an undershirt instead.

Then there's you. Your shorts don't leave much to the imagination, and Zoro has to tear his gaze off of you every time you get within his line of sight. His cock is practically throbbing in his pants anytime you're nearby- anytime your soft scent lingers in the air when you walk past.

"You look like shit."

Zoro sighs at Sanji's words, refusing to look at the chef who's come to lean on the rail next to him, staring out at the sea.

"I mean it. And I'm not trying to be a dick, but seriously moss head, you look like you need some rest," Sanji presses on. "When was the last time you had one of your famous Roronoa naps?"

"I wasn't aware they were famous," Zoro sighs, this conversation is making him even more tired.

"We all know you get a little scratchy without your beauty sleep," Sanji smirks. "Go on, get some rest. It's a shit day, and it will be even more shit if you're in a bad mood. I'll wake you up for dinner."

Usually, Zoro wouldn't do anything Sanji suggests, he wouldn't even entertain it- but the idea of a nap is having a visceral effect on him. He's reminded of the exhaustion that's overtaken him, and the harsh sun is only making things worse.

Zoro lets out a deep breath. "I guess I could use a little shut-eye."

You let out a loud whimper as Zoro drags his tongue across your neck, holding you close on the deck of the ship. Above, the stars are twinkling, but to the swordsman, all that matters is you. He can hardly see anything else, his mind completely blank except for the feeling of your hand stroking his cock.

"I need more," you tell him, applying just the right amount of pressure.

He's tried dissuading you from sucking his cock, but you're absolutely insatiable for him. Stroking isn't enough, and the promise of filling you up all nice and snug doesn't satisfy you either- no, you want him in your mouth, and you're very verbal about it.

Who is Zoro to deny you?

With a sigh, he agrees, and you sink to your knees immediately.

God, you look beautiful like this.

Your thumb strokes the head of his cock, rubbing through precum as you bring your mouth closer.

You're always a bit of a tease, licking at him gently, pumping his shaft. Zoro can't help but release a small groan, eyes fixed on you, waiting.

When you finally take him into your mouth, Zoro moans, his head lolling back as he enjoys the feeling.

"That's it, angel," he tells you, reaching down to grab at your head, helping you find a rhythm. "Just like that."

You take him so deep, the tip of his cock hitting the back of your throat much too easily. The feeling of you choking around him has Zoro's abdomen clenching, and a familiar sensation is growing in his balls-

It's as if you can read his mind, your hand snaking up to massage his most sensitive area while you continue practically gagging yourself on his cock.

The sound is absolutely obscene, and Zoro's never heard anything so pretty.

"If you keep sucking like that, I'm going to cum," he warns you, wanting to hold out to finish in your perfect, needy little cunt-

The way you suck on him even harder makes Zoro think you want him to cum. You want him to release down your throat, want to swallow him up like the good girl you are.

Again, who is Zoro to deny you?

"Fuck, angel," he groans, orgasm rising even faster. "You're always so good for me."

You whimper loudly around his cock, stroking your tongue along the vein that runs the underside of his length while squeezing his balls, and that's all it takes for him to cum.

He lets out a grunt as he shoots his load down your awaiting throat, his brows knitted together in concentration and something close to overstimulation. He whispers your name, over and over like a mantra while you suck him dry, eager for every single drop he can give- you're his greedy little angel, and he loves you with every fiber of his being.

You pull off of him when he's done, staring up at him with eyes that reflect the stars above. Then, you stick out your tongue, proving to him that you'd swallowed all he had to give.

Zoro can't help but reach for you, lifting you back onto your feet so he can grab your face and press his lips against yours eagerly.

He treasures the moments you're in his arms, and there's something so satisfying about the salty taste on your tongue-

"Dinner!"

Zoro sits up so fast he nearly falls out of his hammock. His heart is thundering in his chest, and when his eyes quickly dart to the door, he sees that Sanji hadn't bothered to enter, only called out a word of warning.

Swallowing thickly, Zoro looks down at his pants. He can feel his cum, hot and sticky against his skin, his half-chubbed length angrily confined by pants.

Zoro's not sure who's more upset about being woken up from his dream, himself, or his cock.

Luffy has already gone through half the food by the time Zoro saunters into the dining area. The swordsman's eyes are downcast while he takes a seat next to the captain, and you're kind of glad for that- you want to watch him, but you doubt you'd be able to make eye contact with him right now.

Your skin tingles with the forbidden knowledge that you now have. Your mind keeps replaying the scene you'd walked in on not half an hour ago; Zoro, asleep, his brows knitted together, your name on his lips.

You hadn't stayed long upon finding him in that state, your skin too hot with the realization of what you'd just witnessed, and now, that fevered sensation returns.

You've always had a bit of a crush on Zoro, but you'd never in your wildest dreams imagined that it could be returned. Out of everyone on the ship, Zoro interacts with you the least. He practically avoids you, and you've just spent two weeks thinking he doesn't even like you-

No, this changes everything.

The man with green hair lifts his gaze, and your eyes meet momentarily, only for you to look away, skin flaring again. Your heart is practically beating out of your ribcage, and you can feel your panties sticking uncomfortably to your core.

You'll have to do something about this. You're not sure what- but... you definitely can't go much longer with this kind of unresolved tension. One dinner with a dripping pussy is enough.

You decide you'll have to confront Zoro, and something tells you that you'll thank God for doing so.

Once everyone is asleep, you slowly tiptoe out of the sleeping quarters. Zoro has been staying up late, keeping watch in the Crowsnest, and you feel like that's a perfect place to talk with him. There's no way he can escape... unless he jumps into the ocean and risks his life- but you don't think it will come to that... or at least, you hope it doesn't.

Carefully climbing the ladder, you think of all the things you can say to him. You're not sure where to even begin, and as you make it to the top, poking your head through the manhole to stare at Zoro's broad shoulders, all the words you'd planned slip your mind.

He hasn't noticed you yet, and it takes closing the ladder cover for him to finally hear you, whipping around with his hand reaching for one of his blades.

Zoro freezes. You both do.

Then his hand drops to his side. "What are you doing here?"

"I thought..." you bite at your lip, "I thought you might want some company."

He gives you a quick once over, then turns to look out at the sea again. "I'm good."

"Why do you act like you hate me so much?" you sigh, ignoring his dismissal and moving to join him.

"I don't act like I hate you."

"You hardly talk to me."

"I'm not a big talker."

You let out another exasperated sigh. There's some truth in what he's just said. "Then I'll talk."

"Go ahead."

Staring out at the sea, you're once again at a loss for what to say. After a few moments of silence, you decide to just... put it all on the table. "I walked in while you were napping earlier."

Zoro goes rigid next to you.

"What were you dreaming about?"

He's quiet, then he turns to look at you. "Sword fighting."

"I didn't think you'd actually lie to me," you frown.

"Who says I'm lying?"

"I just- I don't think sword fighting would lead to you moaning my name over and over."

Zoro looks out at the sea again. "You must think I'm some kind of pervert."

"Trust me, I don't," you assure him. "I'm kind of curious about what we were doing in your dream."

He sneaks a glance at you, and there's a hint of a smile that curls onto his pretty lips. "Yeah?"

You nod. "Maybe... maybe I've been having 'sword fighting' dreams too. We could... compare notes, or something."

Zoro lets out a laugh, shaking his head. The chuckle dies down into a groan. "Fuck." He grips the railing tighter, taking a deep breath. "You really wanna know what we were doing in my dream?"

"Yes, please."

The swordsman turns to face you, crossing his arms over his chest. "You were down on your knees, sucking the fucking soul out of my cock."

If your panties hadn't been ruined at dinner, they're definitely ruined now. "I was?"

"Uh huh. You were begging for it. Begging for every last drop."

Your mouth practically waters at the idea. "And did you give it to me?"

"Of course I did," he says softly, scanning your face. "How could I not?"

"Should we..." Your skin heats at the words about to come out of your mouth, "Can we make that dream real?"

Zoro sucks in a shaky breath. "I think I have a better idea."

"A better idea than me sucking your cock?" You're shocked.

"You're always so good to me in my dreams, maybe I want to be good to you."

Your pussy throbs at the insinuation of what he's saying. Most men would jump at the chance to have your mouth around them, but it looks like tonight, the swordsman wants to be the one pleasuring you-

He's just like the Zoro from your wet dreams, and you have a suspicion that when it gets down to it, he'll be even better.

You can't help yourself any longer, you practically launch your body at him, throwing your arms around his strong shoulders while his hands catch you. Your lips meet as if it's the most natural thing in the world, a soft groan escaping him when you swipe your tongue across his mouth, already eager for entrance.

The kiss deepens, and his hands grip you tighter, pulling you flush to his chest. It feels absolutely insane to be actually doing this in your waking hours- nothing your mind could conjure up compares to the real Zoro-

You can feel his cock already pressing against your hip and it makes you whine loudly, shoving your hand between your bodies to cup him through his pants. He's as big as you imagined he would be, and your pussy flutters with interest.

"Zoro-" you whimper, already needing more.

You've been waiting too long for this, for him-

He groans. "Say that again."

One of his hands joins yours between your bodies, but his slips under the waistband of your shorts, deft fingers rubbing you through your panties.

"Fuck, angel, you're already soaked-"

"Zoro!" you moan, louder this time.

"Tell me you want my fingers."

"God, I need them," you gasp when he leans in, pressing kisses and tracing his tongue along your throat. "I need you inside of me- any of you, I just- I need you!"

"Good girl," he says smoothly, pushing your panties to the side.

His fingers make contact with your dripping cunt, and he teases your pussy lips, just dipping inside enough to coat his skin before he circles your clit.

You cry out, squeezing his cock harder-

"Enough of that," Zoro practically slaps your hand away from him. "Tonight is about you. Let it be about you."

"Fuck, you're too nice to me-"

"Trust me, you deserve it." His fingers sink into your pussy and you moan loudly, leaning forward to begin peppering his own throat in kisses. You thread your fingers through his hair, keeping him close as he begins pumping his digits in and out of your wet core.

You can already hear yourself- the sick squelching of your pussy as he works you open. His palm rubs against your clit, creating a delightful pressure that has your legs shaking and your toes curling.

"You sound so pretty."

Who knew he'd be such a sweet talker.

In the exhibitionistic privacy of the Crowsnest, with the crew sleeping soundly below, Zoro is showing you his true colors, and you couldn't be happier.

No one has touched you like this in too long- but then again, has anyone ever actually touched you like this?

You can't believe how close you already are to cumming. Your skin tingles and you moan louder against his neck, moving your mouth up to suckle on his earlobe.

Zoro groans, and the sound goes straight to your aching core.

"Close already?"

All you can manage is a nod, your eyes closing as you focus on the pleasure of his fingers pumping into your wet hole. "Please-"

"You can cum for me," he tells you. "I wanna hear it."

You can hardly even stand on your own. If it weren't for his strong form, steady under your grip, you're sure you'd be falling. His free palm is on the small of your back, keeping you snug to his front while his fingers work you closer and closer-

"Zoro," you whimper again, feeling tears in your eyes from how tight the coil in your stomach has grown.

"Be a good girl and let go for me. Come on, I know you can do it."

You let out a strangled half sob as your high slams into you. Your entire body tingles with electric energy as your core clamps onto his fingers, which continue inside of you, working you through your orgasm. You shake against him, digging your nails into his shoulders while you whimper and moan, lips pressed to his throat.

"That's it," he praises you, a steady guide through one of the most intense orgasms of your life.

You nearly black out, only for his fingers to slow inside of you, drawing you back into your body. Zoro removes his hand from your pants, and you listen to him suck his digits clean, letting out a small groan at your taste.

"Can I lay you down?" he asks next, tone gentle.

You nod, unable to speak. Zoro softly helps you onto the wooden floor of the small Crowsnest, staring at you with dark eyes that seem to sparkle in the moonlight.

He slowly undresses you, watching as you lift your hips to help him remove your shorts. Your shirt and bra are next, and he's careful to set them nearby before removing his own clothing.

"You still want to do this?" he asks.

"There's nothing I want more."

Once he's naked, Zoro gets between your thighs, holding himself over you while you wrap your legs around his hips. You grab at his shoulders, pulling him in for a kiss.

His hard cock is too enticing for you not to touch, and soon, you're gripping it while your tongues battle. His moans are music to your ears, and you swipe your thumb over the head of his length to smear his skin with precum.

"You know-" he swallows thickly. "After today, after watching you cum on my fingers, I might not last that long."

"That's okay, I won't last long either." Your pussy is already aching for him again, and from the way his cock twitches in your hand, you know he's as into this as you are. "Just fuck me Zoro, please."

He kisses you deeply, allowing you to guide him to your wet hole.

He's big, but you're soaked, and slipping into you is much too easy. He sinks all the way in, his hips flush to yours when he bottoms out. You moan into each other's mouths, and you grab his face, wanting to keep his lips on yours as he begins to thrust into you.

"Fuck, Zoro, it's so good-" you whimper, pussy clenching tightly around him to earn another sound of appreciation.

"Angel, you're fucking perfect," he agrees, pace already quickening.

The sound of skin on skin fills the night air. You open your eyes, looking up at the moon and stars. It feels natural to be with him like this, under the watchful eye of the heavens-

Your nails dig into his shoulders when his hand adjusts your thigh on his hip. He drives deeper into your wet hole, and each thrust has your head spinning.

You can feel him everywhere, and it's the first time you've ever really felt full, complete.

"Zoro," you whisper, gaining his attention as you draw his lips back to your own.

You get lost in him. His cock is filling you perfectly, and his lips feel like they were made to be on your own.

That familiar tightening in your lower abdomen builds much too fast, and each thrust has Zoro grunting and moaning even louder-

"Fuck, angel, I'm close-"

"Me too," you assure him, pressing your forehead to his own and staring into his eyes. "You'll cum with me, right?"

He can only nod as you slip your hand between your bodies, fingers rubbing your sensitive clit-

Your core tightens even more around his thick length and Zoro lets out a deep moan-

"Shit," he mutters, "where should I cum?"

"Inside," you insist. "Cum inside, I'm on birth control, please, I want it, I need it-"

Zoro's hand balls into a fist on the wooden plank by your head, and he groans. "Can't wait-"

"Me neither," you whisper, eyes closing as the feeling ravages your body, "Cumming-"

Zoro buries his face against your throat as you both reach your highs. You can feel him painting your inner walls, making you even more full than you already are with his cock- it's the most delightful feeling.

Your toes curl as he fucks you through it all, his pace even harder than before, if not a bit erratic. The sounds he's making will be something you never forget, and you cling to him like a lifeline, tracing his muscular shoulders and gasping-

It's as if your orgasm lasts ages, and when Zoro's motions finally begin to slow, it's hard to even catch your breath.

He begins to press kisses along your throat again, working his way to your ear, and then your mouth.

You can't help but grin into each soft press of his lips against your own.

"You look happy," he muses.

"That's because I am. Are you happy?"

"Very."

Your smile widens. "So we're done not talking and pretending to be indifferent to each other, right?"

"Completely done."

"Good, because I don't think I could go back to that."

"Me neither," he admits.

"I like you a lot."

Zoro presses another soft kiss to your lips, his pretty eyes twinkling with emotion in a way you've never seen from the swordsman. "I like you too."

☀️ mlist + an. thank you for reading! If you liked this, check out my fics for Sanji and Mihawk :)

🍭 support me by. sending a tip here or here

© obscure-imagines — all rights reserved. reposting/modifying of any fic, reaction, or piece of original writing posted on this blog is not allowed. Translations not allowed.

[flower-boi16]

Too Small To Care

So remember that one user who sent me an ask trying to explain why Stolitz isn't coercian? And also sent that same ask to other people? Well, after a lot of people pointed out to the user how Blitz is freqeuntly shown to be uncomfortable in the relationship they posted this:

In my original ask I was actually gonna have a full third section that detailed why using small background details like this to defend Stolitz isn't a good way to defend it but I cut it because the post was long enough already and I was getting tired.

Now I feel is the best time to address this. Helluva Boss uses a lot of small details to hint at Blitz having affection to Stolas, such as things like the text messages in Western Energy or the background shards in Apology Tour that the user is showing here, and there's also the nice things that are stated in Oops and the pictures in Ozzie's.

All of these are meant to hint at Blitz having affection towards Stolas and this user (and some other fans) use these details to defend Stolitz. The thing is....I do not give a shit about these details. Legit. I do not give a fuck about whatever blink and you'll miss it details you show me as evidince for this ship actually works.

And the reason for that is because everything these easily forgetable and missable details show are things that should been shown on screen. Stolas' nice things to Blitz? Should have been shown on screen. Blitz enjoying sex with Blitz? Should have been shown on screen. Blitz being in control? Should have been shown on screen (sure it's shown in Ozzie's but that's literally it).

I'm just gonna call this for it is; lazy. It's lazy writting to pack things like this in small easily missable background details when you SHOULD be commuinicating this stuff on screen with actual interactions between the two characters. And, even then, this is still laughable at best. So I guess we're just going to ignore all the other examples that were actually shown on screen of Blitz being uncomfortable around Stolas and disliking the relationship because of these small, easily missable background details?

Just because Blitz felt good around Stolas two times means that he didn't constantly feel uncomfortable around Stolas the other 98% of what we're shown on screen? Really???

Also that second picture doesn't even imply Blitz liked the relationship lmao it's just him making a cute face.

Sorry, but Stolitz is SA. You're not convincing me otherwise.

(Also, this goes without saying but. DO NOT ATTACK THE USER!!!!)

[gemini-forest]

I'm growing more exhausted with this community's fucking behavior

Vent under cut

I've talked privately before about this but I'm so sick and tired of Rise Twitter behavior on this site. Legit that's why I LEFT.

Y'all are so ready to call people and things fucked up lables instead of leaving well enough alone. You're taking shit at fave value and refusing to budge on things.

I'm gonna rip the band-aid off:

THESE CHARACTERS ARE NOT REAL AND NOT EVERYTHING WILL BE CATERED TO YOU

They aren't gonna behave or act how you think they should and they're tools to tell a story. No matter the type of story no matter how dark and no matter how kid friendly it is.

Don't like April x Any of the turtles because you feel that's incest. Block tags and the artists and move on.

Don't like Tcest? Block the tags and artists and move on.

Don't like an artist/author because they create adult turtle nsfw, block the tags and creator and move on.

But no. Instead y'all rather labe people as things. And I seen this community label folks with shit with no context, no evidence or ignoring jokes.

And majority of you all are adults encouraging this behavior from minors and honestly that's predatory and sad. ESPECIALLY IF YOU'RE ENCOURAGING HARASSMENT TOWARDS MINORS

No one is a "neutral", or a "proshipper" and evil because they don't care for something you deem problematic. No one is a "tcester " because they choose to ignore your weird witch hunt for an artist who "could be a tcester".

The amount of dms I have gotten claiming a few of my moots are tcesters, and when I ask for evidence y'all get allergic to evidence real fast regardless of the topic💅

If you read this far lemme make this clear:

I don't ship tcest, April x Any of the turtles, Casey Jr x Any of the turtles, or any other ship or content seen problematic for my personal reasons.

But I do not care if other people doing public or private. And have those tags blocked and it does the job for me and I leave those creators ALONE.

TLDR: STOP HARASSING AND BULLYING PEOPLE JUST BECAUSE TGEY MAKE SOMETHING THAT ISN'T CATTERED TO YOU.

[woahjo]

The People We Became (Bakugou x Reader)

masterlist | ao3

Pairing: Bakugou x Reader

Summary: Zombie Apocalypse Au.

The world fell apart almost a year ago and you refused to go with it. Left alone and to your own devices in a world full of monsters, where the dead come back to life, you believe that maybe surviving isn't living.

When Katsuki finds you alone in the woods and on the precipice of collapsing from exhaustion, he decides to bring you back to the house his group calls home. Against your better judgement and hesitancy to become attached, you decide to stay. In this world, everyone has lost someone. No soul is spared the violence, and you start sleeping with Bakugou Katsuki to dull the ache. Somehow, peace finds you anyway, but not without sacrifice.

Chapter Content Warnings:  fem!reader, gender neutral pronouns, strangers to lovers, violence typical of zombies, blood, gore, romance, slow-ish burn (for the emotional stuff), angst, kissin', questions of identity, loss, grief, graphic depictions of death and/or violence, mentions and descriptions of starvation/exhaustion typical of an apocalypse setting, very slight implications of possible sexual violence typical of an apocalypse setting, derealization, depersonalization, weapons (guns, blades, and traps), loss of identity

All content warnings can be found on ao3 with the rest of the series.

Word Count: 14.4k — 53k total on ao3

A/N: it's finally done... i'm sweating. i screamed. i cried. i bled. you know the drill. i am posting this a little differently than my other fics and series. only the first chapter will be posted here on tumblr (this post), with the rest of it broken up into chapters and posted on ao3.. purely because it was originally meant as a one shot and i don't like posting chapters on tumblr. it's not built for that and im tired. anyway, im nervous this is my new baby and im pretty sure my soul is somewhere in here. if u read this, pls come tell me what you think.. it fuels me. enjoy, cry, sweat, or whatever else you do when you read. as always, thank you and i love you.

Two hundred and seventy six. It’s been two hundred and seventy six days since the world completely went to shit. You don’t really count the initial outbreak. The initial outbreak was relatively contained once people found out about it. You quarantined. You stayed inside. All it really took were a handful of idiots. Someone selfish. Someone who panicked and ran instead of facing the world honorably, and that was it. It only took days to lose almost every semblance of a normal life and a week to lose everything else. 

The light of your fire is dim, embers burning low as you sit in a foldable chair beside it. The chair is from a friend, someone you’re not with anymore and who went somewhere you couldn’t follow, and you've got a metal spatula in your hand. You're not sure why you grabbed it when you fled, but panic does weird things to the mind. You absentmindedly wonder why you’ve brought it along with you all this time. There’s no logical reason for you to tote the thing around. A friend had told you how strange it was that you thought to toss it into your bag and continue carrying it. This, along with a few other oddities, are all you managed to take from your house when the world fell to ruin. Everything else are things scavenged along the way or from people you'd met, joined, and lost. 

Maybe it’s because the spatula is somewhat normal, like somehow when you cook the game on your makeshift tin over your shitty fire, you can pretend you’re in your kitchen. A smash burger sounds good right now, with grilled onions on a brioche bun like the ones from the place by your apartment. 

The night is near silent and trees creak and crack like the hulls of great ships under heavy pressure, but the birds don't sing and nothing in the crowded wood you're taking shelter in makes a sound. Well, except for you and the gentle crackle of your fire. 

It’s easy to miss the noise that used to irritate you when the world goes quiet. You used to hate the sounds and lights of passing trucks when they’d cross on the street below your apartment window. Now, you’d do anything for the familiar comfort. The world is so dark and quiet, like it’s holding its breath and waiting for this to be over. The silence is almost too much, so loud that it hurts your ears. You huddle closer to the fire, craving its quiet sound. Focusing on it lessens the anxiety of the other noises. The ones you don’t want to hear. 

Your head is on a swivel. It has been for months. Ever since the outbreak, ever since the dead rose and began consuming and infecting the living, you've kept watch. A paranoid, never ending cycle that you suppose—if left on your own—will burn itself out. You swallow thick and return your attention to the fire, watching the tree line just in front of you for any hint of movement or monsters. 

A branch cracks just behind you. A swift sound, followed by rapid footsteps. You stand, quickly turning your head, only to see a figure a few feet away from you. They move quickly and the dancing light of the fire obscures their features from view. Their eyes, most importantly. You can always tell if someone is dead or alive based on their eyes and the sounds that their joints make. In this light, should this stranger have that milky white film over them, you wouldn't be able to tell. 

You make a small noise, something between a whimper and a shout, as the person comes to a stop in front of you and holds a flashlight directly into your face. You squint, panic in your veins as your eyes adjust as best they can to the sudden assault. It takes you a moment to realize that there is a gun pointed directly at your forehead. The living. This person is alive. You're not sure yet if encountering one of the dead would have been worse. 

"Shut up and drop your weapon," he says in a hurried voice. It's aggressive and threatening. It comes from deep in his chest, like somehow fear has gripped and mutilated it into something violent. 

You raise your shaky hands to your head quickly at the order, screwing your eyes shut in the beam of the flashlight. 

"It's not a weapon!" you shout, voice cracking. "It's a spatula. It's a spatula." 

The words are rushed and heavy, fear seizing your chest as you look down the barrel of the gun. The flashlight turns off, sending you back into the dark. Your eyes fight to adjust, catching the firelight that glints off of the barrel, and you begin to makeout the man’s features. He's big, blonde under the grime, you think. A man, not the best thing to encounter alone at night in times like these. 

You see him hesitate for a moment, eyes darting between you and the silver kitchen item in your hand. You drop it quickly, hoping to appeal to his humanity. 

"Do you have a weapon on you?" he questions, voice a little less urgent. 

You shake your head in response and then shakily look beside the chair, choking out the word “ground”. There's a knife there and a pistol with no bullets. You're a poor shot and you had run out of ammo the previous week. He glances at it, the gun still raised at you, and sidesteps to grab the two items. When he does, he cautiously lowers the weapon and you start to lower your trembling hands. 

Then, as if struck by some realization, the man stomps towards the fire and you jump as he does.

"The fuck are you doing lighting a fire this late?" he says angrily, opening the clip of your pistol. "And with no fucking bullets. Those things may be dead, but they can still fuckin' see. That's a good way to get yourself killed." 

He stomps out the fire as he talks, urgently stamping out what's left of the low-burning logs. 

"I didn't think there were many in the area," you justify, furrowing your eyebrows as you step away from him. 

"And that's a risk you want to take?" he says indignantly. You wonder briefly what business he has worrying about you. 

"What do you want?" you snap, "My food? Weapons? Life? What is it?" 

The man scoffs, "Jesus, none of that. I don’t want your shit." 

You narrow your eyes and take a step back. One thing this world has done is remove trust from every chance encounter, and that was already hard enough when the place was sane. 

"Not all people who camp out in the woods are good," he says. "But I sure as shit didn't expect to find someone like you alone lighting a damn fire. Stupid." 

"There were others," you say indignantly, like somehow that makes it better. "Force of habit, I guess." 

The man pauses for a moment as understanding passes between the two of you. It's a relatable feeling. Everyone has lost someone now. 

"Got a name?" he asks. 

You hesitate in giving it to him and the pause causes him to roll his eyes. “You want me to call you Idiot-with-no-bullets instead?” 

You give him your name and the man nods as if he likes the sound of it, turning it over in his head before inhaling. 

"I'm Katsuki," he furrows his eyebrows. "You're alone?" 

You nod, swallowing down the grief that pushes at your throat. 

"Wasn't always," you respond, "but yeah. Now, I am." 

He nods his understanding. 

"Come with me." 

"Where?" you say instinctively, a defensive edge to your voice. Katsuki looks at you as if you’re stupid, or maybe it's pity, like you're a wounded animal. Probably both. 

"Where the fuck do you think?" he retorts. "We've got a camp a little ways from here. I saw your fire from the watch post we have stationed." 

You look at him like he's a little crazy for even thinking to bring you. Kindness, especially the selfless type, is so rare now and you find it difficult to believe that he’s willing to take you there at no cost. 

He scoffs and rolls his head over his shoulder. "Look, we've got men and women," then he pauses. "Used to have children. We're not gonna hurt you. World's gone to shit, do you really wanna keep at it alone?" 

He's probably right. You've been alone for weeks now, exhausted for longer, and though your common sense tells you not to go off with a strange man in this kind of world, the promise of rest is far too tempting. You nod and glance back to your camp. A measly collection of supplies haphazardly put together. You suppose that it doesn’t look so promising. 

"We'll come back for it when it's light," he says. "I don't know about you, but I'd rather not spend longer in these dark ass woods than I have to." 

"Okay," you say. The presence of another person both sets you on edge and makes you feel the press of fatigue even more. A gun's barrel on your nose followed by the promise of safety and you're going with him? You must be stupider than a horror movie protagonist. "Do you take in a lot of strays?" 

Katsuki looks over his shoulder and you think you see him smile a little at the phrase. 

"If that's what you want to call it," he says begrudgingly. Then, with a softer tone of voice, barely noticeable with the quiet whisper you both have been speaking at. "I'm sure the others won't mind one more."

You nod a little and follow him through the wood, stepping over obstacles. Your eyes have adjusted to the dark, but you feel unsteady on your feet. Everything you’ve ever learned about this world tells you that maybe you shouldn’t go with him. What if they’re dangerous? It’s easy to lie about women and children, about a community that doesn’t exist. Or worse, it’s easy to fool yourself that where you are is good, but you don’t know yet if he’s the type to delude himself. He doesn’t seem it. 

The two of you walk for what feels like forever, even if it is only a little over half a mile. Your feet have been aching for days and every step you take feels like a blade into the heel. Katsuki seems steady, his gun secured at his hip and a large knife in his dominant hand. He doesn’t have the flashlight out, but he seems sure-footed and takes every step in stride, as if he’s too heavy to be swayed by any missed step. 

As you move, you can barely make out his back in the white tank top he wears. You use it as a landmark, following the glowing white as it catches the light from the moon. Like chasing a ghost through the trees. 

Then, the wood eases up. The trees grow sparse and the suffocating humidity of the forest eases into a more breathable, open-air breeze. Katsuki steps out into a clearing. It’s relatively small, for how large the world is, but it’s some of the most open space you’ve seen in a while. The feeling of stepping out into the tall grass, where you’re both visible to any wandering thing, sends a rush of fear through you. 

By the edge of the clearing, there’s a small house with a short steeple. It almost looks like a Christian church, but you get the sense that it’s likely a barn. That must be the watchtower and you wonder just how good the view of the forest is from up there if Katsuki managed to see the light of your fire. How many other people had seen your fires over the weeks and not made it out to confront you? How close had you come before to safety or annihilation? 

"Hey!" a girl's voice calls. "He's back!" 

In the near distance, you can see a large and dimly lit house. It looks a little worn down, but soft and hardly noticeable light emanates from it in a way that makes it seem inviting.You can’t make out its exact silhouette and night blurs just how broken-down it is, but you can tell that people live there in the same way you can tell when someone has just left a room. 

Someone runs across the field to you both. It looks like a man and a woman, maybe around Katsuki's age. They move quickly through the tall grass and for a moment, the urgency that they move with frightens you. You worry that your presence will ignite some protective sort of panic. You linger back, letting Katsuki grow a little farther from you as they call out to him. 

“Yeah, yeah," he half-shouts, no longer seeming to care about keeping quiet. Guess that's what happens when there's a group. "I found the fire I mentioned." 

The two come to a stop in front of him, resting their hands on their hips as they catch the breath they lost. 

"We started to get a little worried," says the girl. She's pretty, with big eyes and curly hair that looks like it probably used to be dyed. "You've been gone for a while." 

"Well, I'm back," he says. 

"And you brought a friend," the other man says, sounding shocked. His tone is noticeably kind. The boisterous type of kind and when he smiles, you can see that he has sharp canines. His hair is straight, sticking out in different directions, and tinged with red in this light.

"More like an acquaintance," Katsuki says. “I found them in the woods with a fire and an empty clip. Felt like their blood would be on my hands if I didn’t bring them back.” The red-haired man gives him a telling look and Katsuki scoffs in response and turns to the girl. "Get them settled, Mina, will you?" The girl called Mina nods and Katsuki takes off toward the house without another word. 

"You're lucky," she says, pausing when you flinch as she steps closer. "You're gettin' the last solo room in the place. Kirishima, is it set up?" 

Kirishima shrugs his shoulders. "You'd have to ask Izuku. He'd know all about that, but I can go check." 

Mina shakes her head and turns her attention to you, giving you a quick once over with her eyebrows pulled together.

"You must be tired.” 

When you nod, she gives you an empathetic smile and motions for you to come with her. "We'll fix that. You hungry?" 

"What do you think?" you manage, saliva pooling in your mouth. "Do you have food?" 

"Plenty," she smiles. "not quite enough for leftovers just yet though, don’t tell anyone." 

You smile awkwardly. Who on earth would you tell? 

"Sounds like a good deal," you say. 

You follow Mina up to the house. Around it, there are a few parked cars. They look like they could pull out at any moment, and through the dust covered windows, you can just make out supplies in the back seats as you pass. In the distance, you can see the fuzzy silhouette of the barn you’d assumed was a watchtower in the dark of the field and you figure that maybe it used to be a place to keep livestock. 

Mina doesn't say much to you as you pass through the field, and when you walk into the door, the first thing you notice is a large group of people seated at a dining table. They all look up at you when you enter and it's with a bit of shock that you register their faces as healthy. Well, healthier. These people live well. Something stirs in your chest, both anxiety and excitement at the thought of possibly having found somewhere safe. They blink at you for a moment, exchanging looks that all end up landing on Katsuki. 

"This is the group. Well, most of us," Mina says pleasantly and with a light huff. "That's Izuku, Denki, Ochako, Sero, and you already know the handsome guy on the end there. Kiri's probably checking to see if the room is half decent.." They all greet you with a glad murmur. "Group, this is..." 

She looks at you expectantly. When you tell them your name, you can't help but look at Katsuki who already knows it. He raises his eyebrows unconsciously and turns his attention to the glass in front of him. 

There’s an awkward pause as you stand in the doorway, suddenly conscious of just how dirty you must look. Remnants of an older world, you suppose. No one really worries about things like that anymore.

“Uhm…” you search for something to say, but your people skills seem to have left you. 

“You’re okay,” Mina says lightly. “Plenty of time to get to know you when you’ve rested and had something to eat.” 

Mina sits you down at a chair that she pulls in from the other room. It doesn't match the other ones in the dining room, but you suppose no one is really thinking of the decor in their house anymore. It's only now that you realize the house has electricity.

"You have power?" you say incredulously, looking at the center light in the dining room on its low setting. 

"Mhm," Mina hums as she sits down next to you and spoons a helping of vegetables onto your plate. "It's got a generator. We got lucky finding this place. I don't think many of us would be alive if we hadn't." 

Those listening in the group nod their affirmation. 

"It draws from well water too," she adds. "With the right care, the place practically runs on its own. Hard work but what isn't nowadays?" 

“Like you do any of the heavy lifting," Sero scoffs across from her.

"That's not fair," Katsuki adds with a slick smirk, "you know damn well none of our vegetables would be so well socialized if she didn't use them like a damn diary all day." 

The group laughs a little and Mina rolls her eyes and sits back in the chair. You avoid looking at anyone, shoveling the food into your mouth. You’re salivating an almost embarrassing amount, struggling to eat at a normal pace. There’s something about food cooked inside, about the way food tastes when you can smell it wafting in from the kitchen. 

"Don't worry," she turns to you, as if you’re at all concerned with the implication that she doesn’t do much work, "they know we’d hardly have vegetables at all if it weren't my job to tend them. I used to garden quite a bit before all of this." 

Sero tosses her a sideways glance and you get the sense that maybe it isn’t just her doing it. 

"Mina does a lot of the garden stuff," Ochako pitches in, her voice hesitant. "We all sort of just do what we can." 

You can’t really keep up with the conversation and instead just blink at her for a moment before turning back to your food. Maybe that’s rude, but you don’t have the energy to consider it. There’s food in front of you. Food that doesn’t taste like it’s been poorly slaughtered or rotting in a cabinet for months. 

The group at the table with you shifts back into what you feel is their normal conversation and you watch them through your peripheral. You can’t relax yet, maybe you never will. Always on watch with your guard up. 

They pass the dishes around the table, plates going from hand to hand over mismatched sets of silverware. The action feels strange to you. Your chest squeezes at the thought. Just a few weeks ago, you’d done this around a fire with the people you loved. You’d passed a too-hot-to-touch pot around a circle of friends, laughing quietly at the little moments of joy you could find. It feels far away now and jealousy rouses beside hope as you sit. 

“So, where did you come from?” Izuku at the end of the table asks. 

It takes you a moment to realize that he’s talking to you and there’s an edge to his voice that has everyone at the table sitting up with curiosity. You stare at him for a moment, exhausted and defeated and unable to muster the words. 

“Leave them be,” Katsuki says, looking up from his plate. “They just got here. They’re probably freaked out.” 

The table goes a little quiet, a hush falling over it. You look around as glances are exchanged before Mina stands up quickly and quietly claps her hands together. 

“I think,” she says with an awkward laugh, “it may be time for bed.” 

Mina turns to you. “I’ll show you where you can sleep.” 

You nod, standing up and turning to the group with furrowed eyebrows. You want to thank them, to tell them that you’re grateful for the meal and their kindness, but the words don’t come. Instead, you meet Katsuki’s gaze, grateful for the intervention, but suspicious at such forthcoming kindness. He scoffs a little and turns away. 

—

“It’s just up here,” Mina says as she guides you through the house.

You pass rooms with their doors ajar. They are lived in, with unmade beds and glasses of clean water on nightstands. It’s like something out of a life gone by, with a few less amenities. You can imagine a family moving through this house. Girls in school uniforms calling through the halls about a stolen hair clip. Now, you picture these people doing that. Living and not just surviving.

“The bathroom is across the hall,” she says. “You can take a shower if you want. I’ll leave a towel and some clothes in there just in case.”  

You nod. 

“No worries if you don’t,” Mina adds in a whisper. “When I first met everyone, I didn’t undress to bathe for days so… take your time. We won’t be offended.” 

She shuts the door behind her when she leaves and you stumble back onto the bed, shocked by just how soft it feels after spending weeks on the floor. It’s not much, but it’s nicer than anything you’ve experienced in the last nine months, and there's a working shower. You haven’t had a shower since everything fell apart and the layer of grime on your skin is so thick that you can feel it. You haven’t felt safe enough to properly wash since you’d lost the rest of your group, only stopping to rinse your body in streams you pass if the thought occurred to you. The idea of running water and a shower is near euphoric. 

You probably shouldn’t. It may not be wise to shower tonight. You still don’t know these people or what they’re capable of, but the temptation of being clean is too great and as soon as you hear Mina close the bathroom door and walk away, you hurry across the hall on the balls of your feet. 

The bathroom looks old and the sink is white porcelain, eggshell now with a lack of care. The shower has a bathtub in it and though it’s cloudy, there’s a mirror over the sink where you catch the first clear glimpse you’ve had of yourself in weeks. 

You don’t know who you’re looking at. The person in the mirror is nearly unrecognizable. Their eyes are wide and frightened, wild like an animal’s, and their face is covered in a layer of grime that looks like it can never be washed out. Their hair is unruly, sticking out in some areas and matted down with blood in others. This is a person you’ve never seen or met before. Someone you would have avoided only a year ago if you’d ever encountered them. 

You reach up to touch your face, running your hand over the dried blood that has made a home on the underside of your jaw. How long has it been there? Have you always looked so unwell? So sick in mind and body? The promise of a shower grows unbearably pleasant. 

The knob squeaks when you turn it, screeching as the pipes hum and clang to life. Water spits out in a few bursts before raining down from the faucet and hitting the back of the tub in a steady thrum. It sounds a little bit like music to you, constant and heavy, and it gives the impression of normalcy as you begin undressing. 

The fabric of your clothes sticks to your skin, peeling from your body in an unbearable and disgusting way. You don’t look at your body in the mirror. In fact, you avoid it entirely. Not recognizing your face was enough, but your body—a part of yourself you never really recognized—would drive you over the edge. 

Then, you pull the shower curtain back and stick your hand under the water, stepping into it fully with a deep sigh. The water is lukewarm. They probably turned off the heater to conserve power and allow the main generator to function for longer. That’s fine. Beggars can’t be choosers and everyone is a beggar nowadays. Besides, it’s warm enough outside that the water isn’t too cold as it is. In the winter, you probably wouldn’t be able to shower and the pipes might freeze entirely until the following spring. 

There’s a normalcy that you settle into as you wash your body. You return to muscle memory, running your hands over your skin and scrubbing the grime out. It’s simultaneously like the first shower of your life and as if you’ve been doing it every day. You return to a state of pleasant, familiar humanity as you wash away dirt that has built up for weeks. You feel as it pours off of you, see it run down your body onto the porcelain of the tub and swirl down the drain. It’s dirt and dried blood that has been caked onto your skin. You worry that even after washing, it will leave a permanent mark. 

The person in the mirror when you get out of the shower is in stark contrast to the person who went into it. They’re someone that you recognize. You could almost convince yourself that nothing ever changed. Your water-soaked skin is so familiar to you, that you could be getting out of the shower and dressing to go to work. If it weren’t for the look in your eyes, you could have fooled yourself. Something undefinable has changed in you, something that you will carry with you forever. You glance at yourself in the foggy mirror and think that there is no going back. 

The house is quiet when you dry yourself and open the bathroom door. You step across the hall on the balls of your feet, careful not to make any noise, and when you push the bedroom door open, you do a visual sweep to make sure that it’s safe out of habit. 

Your body is exhausted. You are so thoroughly tired that you think you could collapse at any moment, but when you sit down on the bed in your fresh clothes, you find yourself restless. This place is new to you and you’re unsure if the safe feeling is your mind playing desperate tricks on you or the real thing. The lamp by your bed is on, casting a yellow glow across the bedsheets and the dark wood furniture. Come to think of it, you didn’t get a good look at the house when you came in and the thought starts to bother you as you stare at the closed door to the hallway. 

Someone could be behind it. They could be waiting for you to lay down, to sleep, before doing something awful. You almost feel guilty for thinking this way about them. They’ve fed you, given you a shower, given you fresh clothes. Luxuries you weren’t sure even existed anymore, yet you’re sitting here doubting them, wishing you had your pistol or knife.

The bedroom door creaks as you open it. You wince, nervous that you’ve disturbed the quiet peace of the house and that everything will come crashing down as quickly as it seemed to come together. The hallway is dark, save for some light coming from under two doors at the end of the hall. One of them turns out as you creep past it to the stairs, and you hear the distinct sound of box springs squeaking as someone crawls into bed. You let go of the breath you’d been holding, straightening up as you relax into the late-night environment. 

The house looks old even from the inside. It gives the impression of having once been dirty and in near disrepair. There are dust stains and dull spots that no amount of scrubbing could get out. You can almost picture how this place may have looked when they found it and it’s entirely possible that it had been abandoned before the actual outbreak. Someone run out of their home for lack of money. What a trivial thing now. 

The stairs are sturdy, probably held together so well by the foundation of the house, and they’re made of dark wood. They’re steep too, the kind that a baby or old person might trip over, and you hold the railing to calm the shaking of your legs as you slowly feel your way down. You can see the light on in the kitchen from around the corner, spreading out onto the floor of the old fashioned drawing room. Dishes clink in the kitchen, like someone is washing them, and you jump a little at the noise as you creep around the corner. 

Kirishima is standing at the sink with his back to you, whispering something to someone beside him. The expanse of his back is broad, moving every time he goes to run his hand over the dish in front of him. Then, he turns to look at you and you see Mina pop her head around the corner. 

“Oh,” Kiri says, “did you need something?” 

You shake your head. “Not really, I just couldn’t sleep.” 

Kiri nods sympathetically as if he knows the feeling. “Well, you look like you feel a little better at least.” 

You pad over to where he’s doing the dishes and Mina offers you a soft smile and a knowing look. It all seems so normal. Doing the dishes, whispering quietly as they do. Something about it screams a kind of humanity you haven’t experienced in a long while, even with your last group. 

“Are you sure we can’t get you something?” Mina says, furrowing her brows. 

“Why are you all being so nice to me?” You ask. “You don’t know the first thing about me.” 

“Is there some reason why we shouldn’t be nice to you?” Kiri says over his shoulder. 

“No,” you shake your head. “I just think it’s reckless, that’s all. I could have been anyone.” 

Kirishima and Mina exchange a look. They glance at each other, like they’re debating on saying something, and then Kiri turns and rests his palms on the back of the sink. He looks at Mina. 

“We don’t usually decide to do this so quickly,” she admits. “We’re friendly, but nobody’s that friendly anymore.” 

Kiri nods his agreement and you listen quietly, trying to determine if they plan to toss you back out into the woods in the morning. 

“But, Katsuki doesn’t usually bring people in,” she continues. 

“He’s a little more closed off than the rest of us,” Kirishima adds. “He’s a good guy, just takes a while to warm up, is all.” 

“Mhm,” Mina says. 

“What does that have to do with me?” you ask. “This is nice and all, but I’m sure you get why I’m wary.” 

“He’s a good judge of character,” Kiri adds earnestly. “He doesn’t bring people in often, but when he does, he’s usually right.” 

You nod, not quite understanding. Sure, you don’t plan to do anything terrible. In fact, you’re content to accept their kindness and stay, if they’d let you. Anything is better than being alone, but their blind trust in one man’s judgment of character makes you uneasy. 

“He was alone for a really long time,” Mina adds. “A lot of us were. I got lucky meeting Kirishima early on, but Katsuki’s luck was a little less fortuitous.” 

“So you all just… happened upon each other by chance?” You ask. 

“Yeah, pretty much,” Mina says. “It was me and Kiri for a long time. Just the two of us. We’d found Izuku and Katsuki together a while later, but they didn’t seem to like each other all that much. We still haven’t really figured that out, especially because they’re so close now. Ochako and Sero ended up cornered together by accident. We found them just before we found this place, and Denki just sort of showed up here one day and promised to fix the generator in exchange for safety. That was months ago. We’ve been like this since.”

“So you’re all strays,” you say and Mina laughs a little and looks at Kiri. 

“Sure,” she says. “We’re all strays. There were others too. Shoji. Jirou. She was Denki’s girlfriend.” 

“I’m sorry,” you say with a frown. It feels pointless to apologize for the dead, if you get caught up in it, you’d be apologizing forever. 

“Don’t be,” Kiri adds. “But best not to bring her up. It was pretty recent and Denki’s only just started to get over it.” 

You swallow thick and nod a little. 

“Anyway,” Mina says, “we can’t really explain it. We just trust him. We trust Katsuki. That’s all.” 

“Hm,” you hum, understanding that to a degree. 

You trusted the people in your group. If they believed in someone, you were willing to as well, so you suppose you can understand a little where they’re coming from. 

“What are you talking about,” Katsuki rounds the corner, walking into the kitchen and putting his water bottle under the sink. 

“Nothing really,” Mina says. 

Katsuki furrows his eyebrows and then looks at you. He gives you a once over, taking in your new clothing before scoffing lightly. 

“Don’t you look cozy,” he says. “You get settled?” 

“When can I go get my stuff?” You ask. 

“Someone’s eager,” he says through lightly gritted teeth. “Didn’t I tell ya we could go in the morning? Besides, what’s there really to miss in that lot of junk?” 

“Katsuki!” Mina quietly chides. 

“I have things I care about there,” you say. “Things I’m not ready to lose.” 

Katsuki blinks at you for a second before swearing under his breath. “We’ll leave when you get up in the morning.” 

“You don’t have to come with me,” you say, frowning a bit at his sour attitude. 

“Like hell,” he scoffs. “What if the dead are waiting back there for you?” 

“I made it this far on my own,” you respond. 

Katsuki nods for a second. “I’m going. Come find me in the morning.” 

He walks off and around the corner. You hear him go up the stairs, followed by the distinct click of a bedroom door shutting. 

“Don’t pay too much attention to that,” Mina says. “It’s past his bedtime.” 

“You’ll get used to him,” Kiri adds. 

“Right,” you say, swallowing down your frustration in favor of trying to be appreciative of the help. You sway on your feet a little and then steady yourself. “I’m going to go to sleep. Thank you for the meal and the bed.” 

Mina and Kiri nod, but you don’t stick around to hear a response. Fatigue creeps up on you. It ambushes your senses and you go from feeling dream-like to delusional in a matter of moments. You make your way up the stairs, your body feeling heavy as lead, and wobble your way into the bedroom they’re letting you stay in. 

When your head hits the pillow, you’re out. The world around you fades to dark and just before you sleep, you swear that you can hear the sounds of cars passing on the highway. A busy night, Saturday maybe, and people go about their daily lives outside of the window the way that they always have. They live, never the wiser to just how quickly things fall apart and how little it takes for our humanity to leave us. 

— 

Mornings in this place are boisterous. The sun coming through the lone window in your room wakes you up and you can hear the calls of busy people getting to work outside. There are voices from the porch out front that your window looks over and though you can’t see them, you get the sense that they’re having a pleasant conversation. 

As you rouse, you come to the realization of just how exhausted you’d really been. They probably saved your life by bringing you to this place, feeding you, and offering you a bed. In hindsight, it’s easy to see just how little you had left in you. You get the sense now that you’d been running on an empty tank for days, slowly coming to an inglorious, gruesome, sputtering stop. 

Things seem a little clearer, like the sunlight is somehow less bleak than it had been the days previous and you feel a little bit like you have a new lease on life. There are no big emotions, no swells of hope or humanity just yet, and you dread the moment you are rested enough to let grief consume you. Right now, you can’t feel it, but there is a fear in you that as you get to know these people who live relatively beautifully in an ugly world, it will weigh you down so much that you’ll never be able to outrun it. 

You wonder if they’ll let you stay. They very well may not, even with the way they were talking last night. Strangers are more dangerous than they’ve ever been and if they ask you whether or not you’ve killed someone, you refuse to lie to them. Sitting up on the bed, you mull over the very real possibility that you could be back out there on your own again in a matter of days and you don’t even have that many good acts under your belt to plead your case. You’re just a person and you’ve done what you needed to in order to survive. Now, you’re not sure if that’s enough. 

You swallow thick, wandering over to the mirror on the dresser. It’s fogged, though less than the bathroom mirror, and you can make out your features a little better than you could last night. You feel a bit more sane, though you still don’t recognize the frightful and distrustful look in your eyes. Like a wounded animal. Inside your head, you acknowledge that you are completely different from the person you were two hundred and seventy seven days ago. 

The voices grow louder as you climb down the stairs, more secure on your feet than you felt last night. You can hear them talking about the generator, as well as a name you don’t recognize. 

“He should be back by now,” a woman says. “Shoto’s never gone longer than a day or two, max.” 

“We shouldn’t jump to conclusions,” another woman says with a worried bite in her voice. Mina, maybe? “We’re only a few hours into the day. He probably got holed up somewhere.” 

“Someone needs to go look for him,” a man says.

“And what? Risk getting yourself killed?” the first woman says. “No, it doesn’t make sense. We need you here.” 

“You’d rather we leave him to die on his own?” 

“No one’s fuckin’ dying.” 

You recognize Katsuki’s voice. 

“He’s perfectly capable of going on a gasoline run,” he continues. “He’s done it before.” 

“I should have gone with him,” says the same woman. 

“On that leg? You wouldn’t have made it halfway to town, let alone there and back,” his voice raises a little. “Don’t be stupid. He’ll be back.” 

You clear your throat and step around the corner. The group turns to face you quickly at the sound, their eyes wide for a moment before relaxing. You can’t sneak up on anyone nowadays. 

“Sorry,” you say, “I didn’t mean to eavesdrop. Is everything okay?” 

It’s not your business, but you ask anyway, wondering for yourself about the safety of Shoto. 

“Fine,” Izuku says, shaking his head. You recognize him to be the one who'd vouched for going after their friend. Katsuki takes a step away from the broad man as he says this. “Nothing for you to worry about. Did you rest?” 

Izuku smiles gently at you, his chest inflating a little at the question. The movement broadens his shoulders and you realize that he stands almost a head taller than Katsuki. You look briefly between the two of them before nodding. 

“I did,” you say. “Thank you.” 

“Nothing wrong with a little hospitality now and then,” he smiles and you can’t help but furrow your eyebrows at the distinct hesitance in his voice. 

“I don’t think we’ve met,” the woman standing across from Izuku says. “I’m Momo. Sorry I wasn’t there to meet you last night. I’ve been a little under the weather.” 

You introduce yourself to her and glance down at her leg. Her ankle is swollen and wrapped in a bandage. Her sneaker laces are untied at the top to make room for the swelling and you can see that she’s guarding that side of her leg. 

“Is it…?” you grimace, taking an instinctive step away from her. You almost feel bad for it, but sometimes good people make bad decisions when loved ones get bit. 

“No,” she says quickly, “no, it isn’t. Caught an edge in an old chain link fence on the property a couple days back.” 

Momo smiles slightly at you as if to reassure you. She’s really beautiful, with thick dark hair pulled back into a somewhat messy ponytail. Her eyes are bright, like she’s engaged in lively conversation, and you find yourself feeling a little sad for her. She’ll need medicine soon, if they can get it. Infections set in easily these days and you get the sense that even she knows that she may not have long without it. Maybe that’s something else their friend Shoto set out to find. 

“I assume you’ll be wanting to go get your supplies?” Katsuki says, cutting the conversation short. Maybe he could sense the sour turn of thoughts. 

“Ready when you are,” you respond with a nod. 

Katsuki glances at Izuku, who gives him a slightly disapproving look. 

“Someone get them something to eat,” Katsuki says. “...I’ll get my shit ready.” 

“Fig jam…” Mina mumbles as she motions for you to follow her to the kitchen. 

You oblige her, not exactly jumping to turn down a meal. She walks you into the kitchen and opens up a cabinet, where she pulls out a jar filled with a dark and seed filled paste. It’s a jam, sealed in a jar that looks older than what’s inside of it. The seal breaks open with a pleasant pop. 

“This stuff is so good,” she says to you over her shoulder, pulling out a package of crackers that have likely gone stale. “You won’t believe it.” 

She spreads the jam on a few crackers and sets it in front of you on a plate, pushing it across the counter towards you. 

“It’s fig jam,” she says with a smile. “Homemade.” 

You look down at the plate, your mouth watering at the prospect of something sweet like this. It’s been so long since you've had fresh jam. It could be as long as 10 years. You don’t think you’ve had it since you were a kid, when jam came easily and you preferred the processed brands at the supermarket to the ones your mom used to make sometimes. 

You raise the cracker to your mouth and stuff it in with little grace. The sweetness spreads across your tongue as soon as you bite into the stale cracker. It fizzes and pops almost, the sugar melting across your tongue as the seeds crack softly between your teeth. The smile that hits your face is completely involuntary and though you know that nine months ago, this jam wouldn’t have been much, today it is something extraordinary. 

Mina nods a kind of girlish agreement, like the way people used to when they had their friend try something at their favorite restaurant. 

“We got here in the fall. I want to say late October or early November?” she offers. “We were starving and there wasn’t enough food to feed all of us. By that time there were like… nine of us.” 

You listen as you eat your crackers. 

“This place was in such an awful state,” she laughs. “I mean, really terrible. But, it was big and there was a fig tree in the back. A little thing, probably only a few years old and it had fruit on it. We ate so many of them that if the world were normal, we’d have sworn off of them forever. When we realized that the house actually had some old food in it,” she interrupts herself “-nothing good, canned stuff mostly- we decided to jar up the rest of the figs so that they didn’t rot.” 

She smiles at you like it’s a pleasant memory, but you can only think about how hungry they must have been. Your stomach growls as you eat. 

“I know it doesn’t sound like much,” she says, “but for some reason it’s a really nice memory. Honestly, we’re lucky we didn’t die.” 

Mina laughs a little. 

“I mean,” she continues, “we didn’t even clear the area before we started pulling at the figs and throwing them into our mouths.” 

You tilt your head at her and furrow your eyebrows with a small smile. 

“You’re really forthcoming with information.” 

“You just seem a little hesitant, is all,” she answers. 

“Can you blame me?” 

Mina shrugs her shoulders but doesn’t really offer an answer. You assume it’s because she can’t, because Mina has the same doubts everyone carries with them in this world. All of the what ifs people would think about before they slept have become more prevalent than anyone would have ever liked. 

“The jam is good,” you say, trying to be friendly in the same way she is. “Even if it is months old.” 

“Things keep well in jars,” Mina defends softly, smiling a little as she gets another out of you. 

This place feels like a little slice of paradise. A blessing from whoever lived here before and kept a garden stocked with vegetables. From someone who lived in an old house with stables and well-water, who kept canned food past its expiration date. It feels almost too good to be true, like these people live in a bubble bound to pop. 

“You ready?” Katsuki thuds into the kitchen with an empty backpack slung over his shoulder. 

You turn, startled by his sudden appearance and nod as you quickly finish chewing the last cracker. Katsuki furrows his eyebrows as he watches the way you scarf it down. 

When you stand from the table, Katsuki turns on his heel to make for the front door and you follow with a light step. Mina says something about staying safe, but you don’t respond, glancing once over your shoulder at the girl. 

It’s strange, the world has made you wishy-washy and uncommitted. You never used to be like that, never so distrusting as to second guess someone’s kindness the moment your back is turned to them, and you’re certainly not the type to be friendly one moment and closed off the next. Now though, you find that doubt creeps in easily through cracks and any foundation that didn’t exist before, seems to be swallowed before you can finish building it. 

Katsuki leads you back across the small clearing you’d come through the night before. It looks different in the day, almost romantic, and it lacks any of the ominous feeling it had the previous evening. He steps over mounds in the dirt from moles and gophers that have made lawns their new home and you try to mimic his steps, sinking occasionally into a particularly soft patch of dirt. Every now and then, Katsuki glances behind him to check that you’re still there and you offer him a forced smile that he never returns.

You catch up to him when you hit the trees, sticking close at his side like something will come and take you away if you’re not. It’s unintentional, but you don’t have a weapon on you. Your knife is back at your makeshift camp, along with the unloaded pistol and your trusty spatula. 

“How do you know where we’re going?” You ask in a whisper. 

Katsuki tosses a look at you over his shoulder. “I’m good with directions.” 

His tone is clipped, like he’s pissed about something, and your expression sours at it. Sure, you get it but it irritates you to some small degree. You hadn’t asked him to come along. In fact, you’d have been fine getting back here to collect your stuff on your own. You’d have asked for a knife and set out without a second thought, if only because being alone in the woods with some guy was less preferable than doing it by yourself. Of course, some guy also probably saved your life, but you’re not quite ready to relinquish your trust completely. 

“Thanks for coming,” you decide. A peace offering. 

Katsuki doesn’t answer and you furrow your brows a little bit. You wonder if he’s always been like this or if the end of the world brought on the loss of his manners. 

Then, he stops, taking you by the arm and pulling you down beside a bush. You gasp and he puts his hand over your mouth to silence you. There’s the urge to bite him, to catch the fleshy bit connecting his thumb and pointer finger between your teeth and bite down till he bleeds, but you stop when you catch what he’s looking at. 

Two of the living dead crouch by a tree, clicking their tongues as they eat something just out of sight. You furrow your eyebrows, eyes widening at the horror of it. For some reason, seeing them always brings about a round of momentary shock. You’ve yet to let go of the hounding thought that they used to be people and sometimes have to reorient yourself to the world you’re in now. 

You catch Katsuki’s eye behind you, his calloused hand still clasped over your mouth, and nod your head. It’s a silent communication that you’ve seen what he has and he removes his palm from your face to grab a knife tucked into his belt, passing it to you quickly. 

The two infected haven’t noticed the two of you yet, but they will soon, if only by the smell of your flesh which has yet to rot. You hear Katsuki let out a breath, as if to calm his heart, and do the same. There’s time to look at them like this and you’re struck by how human you can pretend they are in your head. Well, you suppose they were human once, now they’re a disease using someone’s skin as a mask. 

Infected people aren’t quick, that’s one thing to be grateful for. Back when the outbreak first started, the CDC had released information on what to look out for in those who might have contracted the virus. The first was obviously a bite wound from another infected person, but you can tell from other symptoms. Early symptoms are average. Body aches, fever, lethargy, and delirium. All things you might see with a nasty flu. Then, infection of the wound site, twitching, foggy eyes—like low-grade cataracts—that develop within a matter of hours or days, severe disorientation, aversion to food, insomnia, with the final symptom being a coma that no one ever wakes up as themselves from. 

These are the symptoms that people are conscious for. The ones they feel. The sickness that people tried to nurse others back from. There is no coming back though, not alive at the very least. The virus attacks the nerves throughout the brain and body, that’s what causes the twitching and convulsions. It’s what ultimately kills us, and it's what they think causes the bodies to come back. 

Most infected will crack when they move. It’s the cartilage breaking down as the bones grind together and crack as they’re weakened from the marrow out. They twitch like rabid animals, unable to keep masterful control of their bodies because they are run like puppets from the brain stem. You don’t know if they think. If somehow the people they used to be are still in there, unable to stop themselves from consuming and spreading the virus to others. All you really know is that they twitch and click, functions of the brain that still remain. Tiny impulses sent through the synapses. You imagine it to be like the way you twitch when you sleep, an arm here or a leg there, the way someone might call out with their voice to a room with no one in it. 

Maybe the infected think they’re dreaming. A nightmare that they never wake up from, like those of us who have to put them down. You could see it as a mercy from that perspective. You have an easier time rationalizing putting a knife in someone’s skull if you convince yourself that they’re silently begging for it. 

Katsuki shifts his weight and looks at you. He mouths the words no guns and you nod, briefly wondering where the fuck he thinks you could have gotten a gun from. 

Then, you kick off and run with Katsuki towards the infected. They don’t really have time to begin moving towards you both. You’re faster than them, but you hear the crack of their legs as they stand from their crouched positions, pulled in at the idea of their next meal.

Katsuki takes the farther one, sinking the knife into the soft spot of its temple with relative ease. You switch yourself off and take the one closest only a few moments later, sending your blade through the top of its skull. That happens to you when you have to do this. You turn yourself off for a bit, just so that you don’t have to remember the way it feels to hit the soft part of someone’s brain. You didn’t used to do that, only starting when you realized that there’s no going through this world anymore without it. 

Katsuki wipes the blood on his pants. It’s brown, no longer oxygenated, and the area around you begins to reek. You notice, but for some reason the smell of decomposition doesn’t register in your brain and you continue on behind him. 

There are a few beats of silence, save for twigs breaking under your feet, before Katsuki speaks up. 

“You okay?” It’s barely above a whisper and you wouldn’t have caught it were you not listening for the distinctive crack of human bones. 

“Yeah,” you say, continuing forward. 

The campsite rounds into view and in this light, with your full night’s sleep under your belt, you can see just how pitiful it looks. A tent that you’d hastily put up before nightfall, the remains of your stamped out fire, the folding chair which has since been knocked over, and your weapons on the floor covered by a few leaves disturbed by the wind. 

You snatch them up and move to grab your backpack out of the tent. The inside is shitty too and your torn sleeping bag hadn’t even been rolled out yet. You pick up the bag, returning to the folding chair as Katsuki begins to take down the tent. The polyester and nylon blend zips together as he makes quick work of folding it. Then, he kicks some dry brush over the remains of the fire, like he’s covering your tracks. 

“The next person that comes through here might not be alone,” he says plainly. “And they may have more bullets than you did.” 

“Right,” you respond. Your voice sounds a little far off and you settle your backpack on your shoulder in one quick motion. 

“Got everything?” 

You nod, following him as he heads out in the direction you both came from. The two of you pass the bodies of the infected you’d killed. The smell has permeated the air, lingering like how it does in cities, only less pungent. Their fogged eyes stare blankly at nothing, expressions plain and unreadable. You pass and try not to think much about it. 

Katsuki is a few feet ahead of you and he doesn’t glance back to make sure you’re following. You could leave now and never get attached to these people. You could head off in another direction and never have to think twice about it. No more worrying about who you could lose, about who’s next to become one of the sick masses. Just you by yourself. Then, when you finally kick the can, someone else can put you down the way you did to those strangers. 

Is there really a point to it anymore? To community or living in general. No one is as they once were. Does that make it fantasy to live in their beautiful bubble? Could you even find it in yourself to pretend again, to make nice and play house in that place? They saved your life, sure. They fed you, clothed you, bathed you, but for what point? Tomorrow, you could end up back in the woods, lighting fires with twigs you found in the brush, paranoid that someone would find you or the fire would spread. 

You watch Katsuki’s back as he moves, shoulders shifting with each step. His shirt is stained, white turned eggshell from the wear and tear of time. It seems so off to you that he looks relatively clean, like he lives well. 

Fear strikes you as you realize that your rambling thoughts have merit. Anything you fear now has become real and loss is so tangible to you that you can squeeze it in your hand. They could turn you out. Tomorrow night you could begin the starve and step all over again, moving from place to place, talking to yourself, filling your hours with paranoid thoughts like these that plague you when you’re alone. Is that worse than loss? If you’re alone long enough, you’d probably forget what you’re missing. Losing anyone else could make the wound fresh. For now, the hunger wins out. 

Katsuki jogs ahead of you to get to the house. Momo is on the porch waving him in and he hurries up the steps and bursts through the front door. As you approach, you can hear voices, some of which are relieved, others hurried. When you enter the room, you find a man standing there whom you’ve never seen before, Shoto maybe. 

“A plus one,” the man looks up, tilting his head at you in an odd way. 

“Katsuki’s,” Kiri says with a low smirk. 

Shoto’s eyes widen as he peers at his friend, clutching what looks like an injured shoulder. Katsuki just huffs his irritation. 

“Well, that’s rare,” Shoto says. 

“What’s rare?” Katsuki spits. “They were in the woods with a fire. What was I supposed to do? Let ‘em die?” 

“Maybe,” Shoto says, a light smile creeping onto his features. Then, he turns to you. “What’s your name?” 

You give it to him and he nods his head, tilting it at you again. 

“How long are you staying?”

You’re not sure how to answer that question. In fact, no one is, and it feels like more of a test than it does a genuine inquiry. Kiri and Mina exchange a glance and Katsuki tosses a somewhat dirty look towards Shoto. Ochako gives Shoto a knowing glance and Sero and Denki shift uncomfortably on their feet. Then, Momo clears her throat, spurring Izuku to say something. 

“Shoto,” he says. “You’re probably hungry, you should eat something and lay down. Ochako? Could you take a look at his shoulder?” 

“Sure,” the girl says softly, giving a closed mouth smile to Shoto as she takes him by the arm. 

She glances at you as she passes, almost like she’s too embarrassed to look at you fully in the face. You suppose this is what happens when people are forced to think about whether or not they will potentially leave someone else to die. It’s like the trolley cart question and though in this case there is always the possibility of a better outcome, it’s not likely in this world. 

“Just until I’m rested,” you add with a small tilt of your head. “A few days.” 

Shoto looks at you over his shoulder and gives you a small smile. It’s funny, you can see kindness there. His actions aren’t kind, but you can feel that he has kindness in him, though his rudeness stems from something different than Katsuki’s, you think. Like he’s strange in some way. 

“I’ll start on dinner,” Sero says. “Kiri, give me a hand.” 

The group disperses and you head upstairs without speaking to anyone else. A few days to rest and then cut the first people you’ve spoken to in weeks loose. What sort of idiot gives up something like this to avoid a little awkwardness? Not that you necessarily had your mind made up. You wonder briefly if you’ve just sealed your own tomb. 

—

After dinner, you go upstairs to sleep after eating as much as they would offer you. Your stomach has ceased its constant growling and the shakiness that comes with hunger has receded almost entirely into the background. The bed is soft, with a slight dent in it from whoever slept in here before. The thought unsettles you that they’re probably dead now, but you try to push it from your mind as you steel yourself for what comes within the next few days. 

You had volunteered yourself to leave. To what? Save yourself the embarrassment of pleading? Did you even want to plead? Why are you regretting not asking to stay? These people don’t know you, what trust can you have built with them in only a few days? Your skin crawls at the expanse of possibilities in front of you after so many weeks without any. 

You think that if you let yourself walk away, you’ll probably die. You’re out of bullets and don’t know where to find any food except by luck. You can try to catch prey, but prey hides whenever infected are around, and they’re everywhere nowadays. It’s spring, water wouldn’t be a problem, but running water has its clear comforts. Then, there’s the possibility of loss. You’d come to care for these people if you stayed, you know it. 

You furrow your eyebrows and look at the ceiling. There’s really no choice to be made. You’ll let them make it for you, even if you don’t know them. It’s their house and you won’t walk in uninvited or try to take it. You’re not about to become a monster just because the world is full of them now.

The darkness grows and your eyes drift to the dim light wandering in under the crack of the door. Hushed voices whisper in the living room, you can hear them. It’s a heated discussion, lively, but deliberately quiet. It’s been hours since everyone went to bed, yet you get the impression that many people are chiming in. You’re too nosey to leave it be. 

You open the bedroom door silently, turning the cool knob with a wince as it clicks out of place. When you peer into the hallway, every upstairs bedroom door is open with the room empty. The light is coming from down stairs and around the corner, and you can see shadows move as you inch closer to the source. 

You pause at the top of the stairs, knowing that they creak, and crouch by the bannister to listen. You’re out of sight. The only way they’d know you’re listening is if you made a sound, but you won’t. You’re good at being quiet. 

“We don’t even know them,” someone says in a rushed whisper. “We don’t know what they’ve done before.” 

“Everyone’s done things they’re not proud of now, Shoto,” a woman adds. It’s Mina. She’s spoken enough to you that you recognize her voice. 

“I agree with Shoto,” says another woman, her voice higher pitched. She sounds guilty and her voice is tight as she speaks “We have no clue who they are. They could be dangerous.” 

“You mean like me, Ochako?” A man adds. “I could have been dangerous.” 

The group grows quiet for a moment. 

“No,” Momo says. You recognize the cadence of her voice. “Shoto might be right, Denki. It’s been nearly six months since you got here and the world has changed a lot. We don’t- we can’t know for sure.”

“Can we really know anything for sure?” Another man adds, Kiri.

“What about you guys?” Shoto says, presumably to the rest of the group. 

“I don’t know.”

“I’m hesitant, but I don’t know either.”  

“Jesus,” another man with a baritone voice, harsher than the rest. That’s Katsuki, the first voice you’d heard of the group. “You guys make me a little sick.” 

“That’s not fair,” Ochako says. 

“No,” he interrupts. “It is fair. You guys want to… what? Send them back out there to die?” 

“It’s not like that,” Shoto says.  

“It is like that,” he says, raising his voice and then lowering it back to a whisper. “You didn’t see them when they got here, Shoto. They- they didn’t look… shit. The rest of you, you saw them. You really want to send them back out there to fuckin’ waste away? I don’t know about you all, but I won’t do that to a person.” 

There’s a pregnant pause.

“Katsuki’s right,” Izuku says with a bit of conviction, like he’s finally made up his mind. “Sending someone out there alone is a death sentence. How does doing that make us any better than the people we’re trying to protect ourselves from?” 

“What if there are more of them?” Ochako says quietly. “What if they’re not alone?” 

“Trust me,” Katsuki says, “They were alone.” 

“But what if they’re not?” She insists at a whisper, a bit of shame creeping into her voice. “What if people come for us?” 

“See?” Shoto says gently. “There are so many what-ifs.” 

“That works the other way too,” Mina adds. 

You don’t listen to hear the rest of their conversation. They’re going to run themselves in circles debating about you. They’ll go around and around and land on whichever argument ends with the most votes. They’ll convince each other of one thing and it will happen totally out of your control. 

The bedroom door shuts with a low click that makes you wince again. You think about the people who went to bat for you and the people who didn’t. You don’t blame those who opposed. You’d have probably reacted similarly if your old group were still alive and you understand very clearly why they do it. One person’s stupid reaction can be catastrophic and they don’t know enough about you to be certain that you’re not one of those stupid people. It’s how the world went to shit in the first place and though nine months ago you’d have surely condemned someone for making the same decision, you know that fear has warped humanity beyond comprehension. You didn’t get it until you lived it. 

Still, Katsuki’s humanity feels intact somehow, more so than yours at least. His response is something you probably never would have said under the same conditions and you can’t help but feel some sort of fondness bloom in you for him. Call it connection, gratefulness for his willingness to stick his neck out for you, a trauma response. You still feel it. Mina and Kiri had said that Katsuki was a good judge of character and that’s why they were willing to back him. You wonder briefly if maybe Katsuki sees something in you that you don’t recognize in yourself anymore, or maybe something you don’t expect other people to recognize. What is it that he wants so badly to protect? 

Someone stomps down the hallway, heavy boots against the old creaky floors. You hear the steps recede down the hallway, maybe a door or two down, before it shuts quickly. The sound makes you wince and you listen as the house grows quiet and then hums quietly with the sound of others coming upstairs a few moments later. Someone pads to the end of the hall, pushing the door open. 

You hear a woman’s voice, so muffled that you can’t make out what she’s saying. Then, you hear the sound of a man’s affirmation before the bedroom door shuts and the visitor moves back down the hall to a separate bedroom. Information passing through the house. 

Someone is moving around in a room below you and you figure that there are probably bedrooms downstairs as well. From the outside, you’d never guess that the place could house ten people. Inside though, the bedrooms are small. That’s probably why so many can fit. You’d guess that the place used to have multiple generations living in it, or maybe even rented out rooms to people for a few months. It sort of has a boarding house feel to it, like many people have come and gone even before people stopped staying in one place. 

That’s a good thing to call it, the boarding house. It certainly has that sort of feel to it, many of its spaces undeniably communal. 

You turn over in the bed, facing the bedroom door. The lights have gone out completely now and the house is quiet save for the occasional creak or thud from someone preparing to sleep. It’s been a long while since the sounds of living have been so prevalent near you. You’re eased by the sounds of the house settling, a familiar reminder of what living used to be. Your group had been on the road long before you lost them and the comforts of an interior are almost overwhelmingly nostalgic. You’re better rested to notice it now and shutting your eyes, you savor the feeling. 

—

“Need some help?” You say. 

Denki turns around, grease smeared across his nose where he likely wiped it with his dirty hands. He’s holding a wrench in a glove so tattered that it hardly counts as a glove anymore. He looks startled, amber eyes widening before he uses his forearm to brush stray hairs out of his face. The rest of it is pulled up into a messy ponytail, revealing the moist back of his neck. 

“Oh, sure,” he says, a bit surprised. “Do you know how generators work?” 

He crouches back over the machine and you step up behind him. 

The machine is rusted near the bottom and between the exposed winding pipes. Its paint has chipped away, leaving the weather-damaged metal open for you to see. On the side, a fan-like piece spins slowly in circles and the machine whirs and sputters softly as it… generates power, probably. 

“Not quite, but an extra pair of hands is always helpful,” you say softly, passing him a tool he’d been reaching for. “Did it break?” 

“No,” Denki says, “but it’s probably on its last legs. The thing’s almost as old as we are, probably older, so it’s good to tune it up a bunch.” 

You hum your agreement, tilting your head as you stand and watch him work. 

You’re not necessarily comfortable with Denki, but he feels like a safe person for some reason. Maybe it’s because he’s got a sort of ditzy, non-threatening vibe to him. You can almost distinctly picture him tripping over his own feet and something about that makes you feel considerably safer than someone who wouldn’t. That and he was the first person you’ve come across this morning who you don’t think distrusts you too badly. 

“Are you dodging something?” Denki smirks up at you from his crouch. 

“Who on earth would I be dodging?” you snort a bit defensively. 

“Shoto,” he says with a light smile. “He put you in a tight spot the other day.” 

“Yeah, well,” you say, glancing over your shoulder. “It wasn’t anything he didn’t have a right to ask.” 

“Right, but it sure was rude, huh?” 

Denki laughs to himself a little and you’re surprised by how easygoing he is. You subconsciously begin to categorize him with Mina and Kiri. The dichotomy of this group baffles you a bit, but you can certainly see all nine of them as a collective. Tightly knit and well acquainted with the habits of others. 

“Oh!” He exclaims, “I have something you can do for me.” 

You tilt your head. 

“There’s a bucket over there,” he says, pointing absentmindedly to a shitty plastic bucket against the side of the house. “We use the water from the creek as coolant. It’s not factory grade, but it does the trick. You wanna go fill it up and bring it back for when I’m done tuning this thing up?” 

You furrow your eyebrows, not sure where the creek he’s talking about is. 

“The creek is just over there,” he points behind the house to the edge of the treeline. “I know you can’t see it from here, but if you walk in a straight line, you’ll hit it. Katsuki should be down there too, so you can use him as a landmark.” 

When you don’t immediately answer, Denki whines a little. 

“I mean,” he says, “I’d go myself, but-” 

“I’ll do it,” you laugh a little and Denki seems surprised that you do. 

“Really?” 

“Yeah,” you shrug. “I’d like to pull some weight at least while I’m here. Plus, I offered.” 

Denki mumbles his pleasure and you walk to the bucket without another word and set off in the direction Denki pointed. You’re much more willing to go out to the treeline now that you have a knife back at your side. 

The walk to the trees is longer than it looks, like how sometimes the horizon looks like something you could reach out and climb up onto. The walk stretches with each step you take and you become a little more understanding of why Denki didn’t want to do it himself. But the walk is actually pleasant, the warmth of mid May collecting evenly on your skin as the humidity grows more intense with the sun. 

You wonder what Katsuki would be doing by the creek. Maybe he’s fishing, or crouched over himself sharpening an arsenal of knives that you think he might keep in a roll attached to his belt sometimes. You’re not sure why, but Katsuki sort of has that expression to him. He’s handsome, but the scowl projects something hostile that makes him seem unapproachable. 

As you cross through the middle of the clearing, you could almost imagine that this is a normal day. Humidity collects on your skin, making you sweat a little as you dodge gopher holes and soft spots of dirt. It almost feels like summer camp, if it weren’t for the looming idea that you’re contributing to something you may not be a part of. Denki’s attitude though, has you hoping for a more favorable outcome, if you want to call it that. 

You’re only a few steps into the line of trees when the earth dips into a sand-lined ravine. The trees leave room for the sun to beat down on warmed rocks, making the area seem brighter with their subtle reflection of the light. The noise of the creek drowns out the sound of your footsteps and you shuffle toward where the earth flattens just before the water starts. A little ways to your right, you can see Katsuki sitting on a rock in the sun, his hands dipped into a large bucket. You narrow your eyes as he pulls what looks like a cloth out of the water, rubbing the fabric together before dipping it in the cool water of the creek.

As you approach, you realize what it is that he’s doing. It’s laundry. On the other side of him, you can see a bin of what look like dirty clothes and water-soaked clean ones. Talk about misjudged character. 

“Katsuki,” you say as you approach him, the bucket still empty in your hand.

He squints up at you, shifting his face so that it's in your shadow. 

“You’re still here,” he says plainly, returning to his task. 

“Clearly,” you respond, watching as he runs his fingers over the next piece of clothing in the bucket. 

“Why are you down here? Did Denki pawn the generator water onto you?” He says, like he’s somewhat frustrated. “He does that shit to anyone he can.” 

You shrug your shoulders and continue to stare at him. 

“Are you just gonna stand there?” He huffs out. 

“You’re doing laundry.” 

“Yeah?” he furrows his eyebrows and looks at you. “So?” 

“Nothing,” you say. “I just didn’t expect that.” 

“Yeah well,” he stops for a moment like he’s struggling to find the words. “It needed to be done. Figured I might as well.” 

“How progressive of you,” you joke with a straight face. 

He looks at you out of the corner of his eyes and sighs, not justifying your comment with a response. You find yourself smiling a little bit. 

“If you’re going to linger, sit down and do it,” he says. “You’re creeping me out.” 

You oblige him and sit down on a rock next to him, far enough that you’re not touching, but near enough to hear him if you speak in a low voice. For some reason, you feel a sort of kinship with Katsuki. You’d thought longer than you’d like to admit about his willingness to vouch for you and find that you want to live up to his expectation of your goodness, even if it’s not what you believe yourself to be anymore. Maybe it’s because you’ve slept well the past few nights and feel more like yourself, but there’s a certain casualness to conversing with him that you enjoy. He’s not looking at what you could be, but rather what you’re showing him that you are. His lack of doubt in that is something you find relatively attractive. 

You watch his arms out of the corner of your eye in between gazing at the treeline and the sky. Your field of vision catches on them, his sleeves cut short to expose his biceps, a bit muddied near the elbows where the mud has begun to stick. 

Katsuki doesn’t seem all that bothered by your presence, but now and then you’ll catch the sideways glance he gives you, almost like he’s trying to figure out exactly why you’re lingering. 

“How long have you been with them?” You ask, more as a way to fill the silence. 

Katsuki’s hands pause as he thinks about answering, then, they continue their steady pace. 

“A decent amount of time,” he says. “I met Izuku first, probably in November just before Mina and Kiri. The rest came later.” 

You furrow your eyebrows. 

“No offense,” you start, “but you don’t really seem like the group type.” 

“And you don’t seem like the type who’d be alone,” he retorts, like your statement was stupid. 

You press your lips into a tight line, not really knowing how to respond. 

“Sorry,” he says, shaking his head a little. 

“Were you?” 

“What? Was I sorry?” He furrows his eyebrows at you. 

“No,” you shake your head. “Were you alone? Before Izuku.” 

He goes silent. You’ll take that as a yes, but you regret asking a little. It had just slipped out. If someone were to ask you something like that, you’d probably react the same way. That’s just as well, you don’t really need to know him like that anyway. 

You wonder briefly if anyone does. He seems closed off, but Mina and Kiri spoke about him a few days prior like they knew him well. Well enough at least to allude to a history you’ll likely never be privy to. Then there’s Momo, who whispers little things to him that he answers in kind. Curiosity gets the better of you, if only to tease. 

“Do you have a girlfriend?” you ask and Katsuki’s response is to rest his elbows on his knees and let out a dry laugh. 

He turns his head and looks at you from the side. “And what the fuck are you asking me that for?” 

“Just curious,” you say. “Is it Momo?” 

“Momo?” He makes a sour face at you. “Yeah, right.” 

“She’s pretty,” you say. 

“Sure is,” he responds dryly. “If you’re into the mom type.” 

“What? You’re not into moms?” You grin a little and Katsuki furrows his eyebrows at you. 

“So you do have a personality,” he scoffs a little. 

There’s a pause. You haven’t felt this in a while. The feeling of bonding with someone new, compatibility on the human level that feels nearly instant. 

“I’m kinda serious though,” you say, tilting your head down to catch his eye. “Do you?” 

You’re leaning a little closer to him now.

“You seen any nice restaurants to take a person out to these days?” he questions, clearly a little frustrated with you in the way someone gets when they’re a bit amused. 

“You don’t have to take someone out to a restaurant to fuck them, you know?” You laugh a little. 

Katsuki’s lips part and he swallows like his mouth has gone dry. 

“Yeah, well,” he starts, looking away from you. “I’m a romantic. Sue me.” 

He’s just full of surprises, isn’t he? You find that you’re captivated by this feeling, this humanity, that exists in him. It’s something alive between you both, something left behind from the old world, and you crave it the same way you crave food. 

Katsuki continues scrubbing the clothes, rubbing the fabric together and then dunking it in the bucket before plunging it into the freshwater creek. You’re not sure why you do it, but the next time he looks at you, you kiss him. 

It’s not as if you like him, but it’s something to feel. Some remnant of the butterflies you used to feel on dates and the kiss makes you feel like you could be close to human again. You pull away almost as soon as you put his lips to yours and you can tell that the expression on your face is one of surprise.

Katsuki blinks for a second, looking at you with his brows knitted together. The expression doesn’t leave him as he places a wet hand on the side of your face to kiss you again. It’s an anxious kiss, confused and slow but—like someone riding a bike for the first time in years—it quickly becomes something familiar. Muscle memory that you both let yourselves sink into. 

You can feel his expression as he kisses you, something between confusion and desire, like his own actions are perplexing. You feel the same way, hesitant, but reaching in the dark for the promise of some sort of normalcy. You want to feel like a person again. You haven’t felt it in so long and you push yourself against him as the ache swells in you. 

The two of you continue like this for a moment, Katsuki’s fingers pressing lightly into the skin of your neck. You moan softly as his tongue slips into your mouth, taking a sharp inhale at the sensation of skin on skin. The sound of the creek drowns out the clicking of your mouths, but you can feel the way he hums into your mouth. They’re little sounds, involuntary ones driven by the nervous, desirous feelings inside of you both. 

Then, Katsuki pulls away, swallowing thick as he takes his bottom lip between his teeth for a moment. You appreciate the way they look. They’re swollen, anxious to continue and keep forgetting where you really are. He drops his hand from your face with a sigh and almost seems like he comes back to himself. You do the same, moving back into an upright position. 

“Denki will want that water soon,” he clears his throat and motions to the empty bucket by your feet. 

“Oh,” you say, laughing a little. “Right.” 

You stand, dusting off the back of your pants and dunking the bucket into the water. It sloshes, the liquid hitting the back of the plastic with a satisfying elastic sound. You begin to walk away without another word, heading down the way you came to climb up the gentler part of the slope. 

“Hey,” Katsuki calls softly. “You should stay. We talked it over last night. You can if you want to.” 

The last part, he says facing the wash, his hands moving as if he hadn’t said anything at all. You don’t respond, knowing that the obvious answer is already yes. 

Dread settles in your stomach. It’s an icky, swirling feeling that threatens to make you double over. You climb up the bank, the water in the bucket sloshing as you move through the trees and enter the clearing. The feeling doesn’t dissipate, growing as you leave the cover of the trees. You probably wouldn’t have kissed him if he’d asked you that earlier. 

The boarding house comes into view and you can see Denki sitting beside the generator, conversing with who appears to be Shoto. They turn and Denki waves you down, Shoto turning away and starting around for the front of the house. 

Denki jogs to meet you, taking the bucket from your hand. You flex your fingers as the weight is removed, wincing a little at how stiff they feel. 

“Jeez, what took you so long?” Denki laughs and with your new information, you understand his willingness to be friendly with you a little better. 

“I asked Katsuki for his life story,” you respond dryly, following him back to the generator. 

Denki looks over his shoulder and laughs at you. “Did he tell you?” 

You pause for a moment, watching as Denki unscrews something and pours the water in. 

“Nope,” you say. “Not a thing.”

Click Here to go to the second chapter and find the rest of the series on ao3. The remainder will not be posted on tumlbr, but please feel free to reblog!

[callixspod]

Your affection. [Read ID]

might make an animatic out of this BUT!! here's more of my brain blasted insanities. Rambles of "I<3U" AU below here ↓

What began as a simple one off story about a living digital consciousness inside a video game to be implemented on Persona 4, and their unused game files hidden behind folders, left to collect dust. But it still remains, waiting for anyone to discover it.

I can't put on the details on how Yosuke even gained sentience, but I can tell you now that this AU simply took place on Persona 4 Vanilla. (Not golden. As much as it has its own content I will be sticking with its roots. So yes, Yosuke didn't own/bought a motorcycle. That event never happened.) Hanamura's odd behavior only happened when the Player bought the game with a specific player ID. So their gameplay experience will be on their perspective of how this one character manages to know, everything about them. Also slightly close to creepypastas which, I loved. Huhu.

This can be seen as a Yume or Souyo ship perspective so pick your poison

Now it's time for Yosuke's unique behavior towards the player when they progress the game. His depraved ass was already set to go off when the player was given the option to pick miscellaneous interactions between the characters, mostly to follow up Yosuke's questions or any one of the investigation team to mention anything about Yosuke. The options being "What kind of girls do you prefer?", "Looking great [insert name]" or the famous "Which ones are you looking forward to see in a swimsuit"

If you're like me and didn't indulge on having a romantic subchoice to any of the members, that's where it triggers the start of a few bugs and glitches manifested behind the scenes, fuelling the code until it couldn't automatically run on itself, but from something else manually taking over. Manifesting the game to not coordinate with its ordered storyline, changing the system to be primarily more unique than others.

When Yosuke only appears for a few days on the weekend, suddenly his model would stand in position to a day that he was not meant to show up. He was meant to show up on a Sunday. So why was he here out in daylight on a Saturday? Other strange occurrences are if whenever Yosuke was on scene, closeups and corrupted texts would come in to reach out to the Player, sending a message that only he and the other side of the screen can see.

Now his normal dialogue never wound up to show from the screen, simply replaced with vague, short-ended questions asking them if "Are you there?" "Can you hear me?" "I can't see you, but I can still hear your voice." "Will you show me someday?" That last part was not a suggestion. Really demanding, hard for him to know he'll be left alone all over again if the Player turns off their game, aw :( And he keeps remembering the shit I gave to you even when I didn't need some of them.

So that's it? I think??? 😭 There will be more, later I'm rlly tired.

until then, have what's served on this 4 stat Yelp restaurant.

[dantakeyoman]

Hi! Is it ok if you write a neteyam x reader angst where instead he's dying its the reader? Thank you!

You Take the Bullet For Neteyam, and Nearly Die In the Process (Angst / Comfort)

Reader is Fem! Omaticaya

CW: near death experience, blood, wounds, lots and lots of crying, distraught Neteyam, i cried while writing this X (

Everything was going so well.

You and Neteyam had managed to make it back on the enemy ship, freeing Lo'ak, Tsireya, Tuk, and Spider, and getting ready to leave.

You all were fighting together, taking out enemy soldiers like a cohesive unit, a synchronized team.

Everything was going so well.

You and Neteyam had let the youngest get in the water first, shooting the soldiers that were trying to follow you.

"Get in the water, (y/n)! I'll hold them off!" the boy exclaimed, shooting another soldier between the eyes.

"No! I'm not leaving you!" you dismissed, shooting two soldiers of your own.

"Dammit, (y/n)!" Neteyam shouted in frustration, pistol whipping an oncoming human when he realized his gun was out.

That's when you noticed man with a skull tattoo aiming his gun directly for Neteyam, your gun having just ran out of ammo.

Everything was going so well.

"NETEYAM!" you screamed, tackling him into the water before the bullet could land.

The two of you landed right next to everybody else, Lo'ak, Spider, and Neteyam letting out shouts of victory.

But you knew something was wrong.

Especially when you were starting to lose your ability to keep yourself afloat.

Shit.

"My Neteyam," you gasped, clutching your chest, only to realize that there was a fair sized hole where your heart should be.

He whipped around quickly, his face etched with worry. "What's wrong, (y/n)?"

"I've been shot."

All the air in the world seemed to be sucked out in that moment, everything becoming slow, loud, and warped.

"Shit!" Lo'ak exclaimed, realizing that the water around you was turning red.

"(y/n)!" Tuk screamed, shaking as she clung to Tsireya.

"GET HER TO THE ILU NOW!" Neteyam shouted, picking you up by your shoulders, Spider and Lo'ak getting your feet.

The three carried you over to one of the ilu, propping you upright against Neteyam's chest, Tsireya and Tuk screaming when a large splurt of blood squirted out the hole.

Your world seemed to be going in and out. Sound, no sound. Touch, no touch.

And everything was becoming bright, and you were becoming sleepy.

"Neteyam......I am tired," you weakly spoke, laying limply against the boy.

At those words, he feverishly looked down at you, brushing some hair out your face.

"No, no, no, no. Keep your eyes open for me, my love. Do not go to sleep," he pleaded, making tsaheylu with the animal and zipping off towards the village, everyone else following close behind him.

"Neteyam!" His father shouted from a nearby rock, where he, his mother, and Kiri stand.

"Help!" Neteyam cried out, his voice hoarse and broken as pulled up.

"It is (y/n)!"

"Shit! Get her up here!" Jake shouted, running over and helping the boy carry you onto the rock, Lo'ak and Spider helping out as soon as they reached you.

The family carefully laid you down on the ground, trying to assess the damage.

Judging by your frantic sputtering, the bullet had pierced your lung.

Jake lifted you up, only to find the exit wound, which was spouting blood like a waterfall.

"What can we do?! There has to be something!" Neteyam shouted, frantically looking at the faces of his family.

"Here!" Tsireya exclaimed, grabbing some moss off of the rock and rolling it into a ball.

"Put this in the wound! It will slow the bleeding!"

Neteyam practically snatched it from her, quickly stuffing it in the hole in your chest.

"AYYYYYYYYYY!" you screamed in agony, writhing in pain.

"(y/n)!" Tuk cried, hiding her face in her mother's chest, scared.

"I'm sorry. I'm so sorry. Please don't leave me. Stay strong," Neteyam sobbed, kissing away your tears in a frenzy.

This wasn't real. This had to be a dream. This couldn't be happening.

He had to be home. With you curled into his arms, napping in his tent, the sound of his grandmother grinding herbs in the background putting you both to sleep.

This had to be a nightmare.

"NETEYAM, PLEASE! Snap out of it and put this in her mouth!" Tsireya screamed, shaking her hand so he may take the the bottle, which had a special syrup inside.

But he was in a daze. Numb. Unable to process what was happening.

Jake huffed, taking the bottle and popping the cork open with his teeth, Neytiri opening your mouth as he poured it in.

When it was empty, Neytiri closed your mouth, massaging you throat to help you swallow.

"We have to get her back to my mother right away!" Tsireya stated, quickly quickly wiping her tears.

"(y/n)! Can you hear me? We're gonna get you fixed up," Jake nervously asked you, scooping you up in his arms.

You were still breathing, but no longer responsive.

He sat the both of you on an ilu, and rode as fast as he could back to the village, the rest of the family in tow.

"Neteyam! You need to snap out of it! (y/n) needs you!" Kiri sniffled, desperately shaking her brother.

"Bro! C'mon!" Lo'ak socked him in the arm, trying to see if pain would do it.

But it didn't

To Neteyam, you were everything. The moon. The sun. The air. The clouds.

He ate, slept, and breathed all for you.

You were his love. His woman. The future mother of his children.

His secret mate.

But in an instant, it was all being taken from him. In a way so violent, he wouldn't wish it on his worse enemy.

This couldn't be it. He couldn't live without you.

The Great Mother could not be this cruel.

When the family arrived at the village, Jake had already dropped you off at the Tsahik's marui, and was now nervously pacing around outside the closed doors.

"TSIREYA! COME HELP! QUICK!" Ronal exclaimed, sensing her daughter's presence.

The girl quickly got off the ilu, rushing into the room to assist the woman.

Lo'ak scooped up his brother, handing him off to his father, who decided it would be best to keep him as far away from this as possible.

...

Comatose.

That's what Norm called it.

You had been comatose for a week, and showed no sign of waking up any time soon.

In that time frame, Neteyam had not eaten or slept, only leaving the family marui to bathe.

It was worrying the Sully family. And every member had tried, in their own way, to get him to go out, get some fresh air.

But every time, he refused.

No air was fresh without you. Nothing was anything without you. So what was the point.

It had gotten to the point where Tsireya had had enough.

She snuck into the Sully marui late at night, knowing they were out for their weekly outing, and came face to face with Neteyam.

He was sitting on the ground, slumped against the wall with an empty look in his face.

A broken look on his face.

It physically pained her to see it.

"Neteyam. I am not here to convince you to leave. I am here to let you know that (y/n) is awake," she whispered, smiling as the boy's ears perked up, his face having life for the first time in a week.

"May I got see her? Please!" he pleaded, jumping up from his seat.

"Yes, yes. But you must be quiet. I am not supposed to be doing this," she shushed, placing a finger on her lips.

He nodded, and followed her to the Tsahik marui, where you lay sprawled out on the ground, staring up at the ceiling, fiddling with your fingers.

"My love!" Neteyam quietly exclaimed, running towards you.

You immediately perked at the voice, knowing exactly who it was.

"My Neteyam!" you smiled, allowing him to tackle you in a hug, painfully.

Tsireya's eyes nearly bugged out her sockets.

"FOR EYWA'S SAKE, NETEYAM! BE CAREFUL!" she whisper yelled, turning around and walking out the room to give you two some privacy.

"You...don't...know...how...worried...I...was," he smiled, peppering kisses on your face at each word.

"It is alright. I am okay now. See," you smiled, moving the blanket so you could show your patched up wound.

Being able to see your smile again....it was the best blessing the Great Mother could've given him.

It actually brought him to tears.

"My Netetam, why are you crying?" you aked, concerned as you swiped the hot tears from his cheeks.

He wrapped his arms around your waist, giving you a quick squeeze to make sure you were real.

Since he went a week without sleep, he frequently hallucinated throughout the day. And every single one was about you returning to him.

So he was a little skeptical.

This seemed too good to be true.

"I see you, (y/n). I see you so much, it hurts," he confessed, resting his head on your chest.

You blushed, running your fingers through his braids as you processed his words.

"I see you, Neteyam. I see you," you smiled softly, placing a feather-light kiss on his head.

And while this may be real, and you may be in his arms again, he would not forget this situation for the rest of his life.

The image of you lying on a rock, unresponsive and spilling blood, would be forever etched in his memory.

The smell. The sound. The feeling.

He would never let himself forget this.

This would fuel his determination to keep you safe more than ever. And he now knows that, without a doubt, he would lay down his life for you.

In a heartbeat.

[penguinsfly]

I unfortunately saw something I didn't want to see and that was my last straw. I'm fucking doing this.

Let's establish this first. Alastor is stated in the show to be asexual that is not up to discussion. He is also very heavily implied in the same conversation to be aromatic. 'An Ace in the hole' being used in context of him being with Charlie is also implying his aromanticism.

VIDEO

If that's not enough then here is Viv speaking about his romantic orientation. It's pretty clear despite the fact that afterwards she said it's okay to headcanon whatever (it's not but I will get o that later) that he is written purely as an aro ace character.

On top of that going by Alastor's interaction with Angel from the pilot and the first episode it is clear that he is sex repulsed. Not only that but on the fandom website he is stated to be touch averse with two sources which you can check out on the website.

Hazbin hotel wiki, Alastor page

Now we established that Alastor is canonically Asexual, Aromantic, Sex Repulsed and Touch Averse

As I also am all of the above I'll try to explain everything to the best of my ability as simply as I can.

Aromanticism and Asexuality.

I'm probably targeting the audience that knows those terms but regardless I will explain it anyway.

Aromantic - people that experience little to no romantic attraction towards any gender

Asexual - people that experience little to no sexual attraction towards any gender.

Little to no

Asexuality and aromanticism are spectrums in which people can feel certain attractions towards people but those attractions are less occurring or are defined by personal connection.

Diagram from AVEN website

However some people are at the end of the spectrum, they never felt attraction and that's valid. Alastor was stated to be aroace he wasn't written as demi or as gray he was written as aroace as in the end of the spectrum. His repulsion and not giving shit about romance or sex speaks for itself.

Representation

I do understand that everyone wants to be represented but it's so important to understand that aroace people are one of the most underrepresented queer groups in the media.

And I'm not here to scream about how I want my fav character to be just like me I don't care for it I'm way too confident in my orientation to rely on that however I'm tired of explaining to people what asexuality and aromanticism is just to receive 'are you sure' or 'you'll change your mind' or 'its not real' or the community favourite 'you'll find the right person' no I won't I'm not looking thank you very much (I just smile and nod to be polite and I'm sick of it).

'Harmless' buts like: 'He might be on the spectrum', 'AroAce people can still feel attraction' hurt the final outcome for all the people on the spectrum not only strictly aroaces because it allows people to write one shots with 'Demi Alastor' that falls in love in 2000 words because he is 'demi' (spoiler alert: they don't understand what that label means). It's just a cover, an opening, sneaky way to disregard his orientation, feel good about themselves and move on. Newsflash there is no moving on for aroace people it's our life.

Shipping

Shipping is just harmless fun right? Usually yes but not in this case. In the same way its not okay to ship gay characters with genders they are not attracted to.

It's erasure and since there is much less people identifying on aro/ace spectrums then there is gay or bi people our voices are being silenced. Not to mention that gay people received support from entire LGBTQIA+ community over the years in contrast to aro/ace specs who to this day are told that we are 'not queer enough' or 'not oppressed enough' often by other queer people.

And finally... FINALLY we get cannon Aro/Ace character that is clearly not interested in romance and sex. Character that beats stereotypes of boring and timid aro/ace people and what's the first people do? They ship him. Alastor's storyline provides so many points to be explored like 'what is his backstory', ' what's about his deal', ' how does he fit in in the found family trope' , 'does he care about hotel guests' yet people choose to write about the only thing that he is not interested in. As a heavily repulsed person that used to be horrified about the fact that I'll have to fall in love with somebody at some point before I found out what aro/ace is I find it repulsive and trust me he would too.

But Viv said it's okay!

Its the same point once again. What if Viv said that it's okay to ship gay Angel with woman. She doesn't have authority to say shit like that.

Queerplatonic relationships

I can't tell you not to do it I don't think he would be necessary interested in it but for fuck sake do your research and try to understand what queerplatonic means before you use it as a cover to shamelessly ship him. Respect the fact that he is sex repulsed and touch averse and you're fine.

Why can't you just avoid it?

First of all I shouldn't have to. Alastor's orientation should be respected in the fandom like any other orientation is. Second of all I've tried. I tried to only look up AroAce Alastor tag I've blocked over 80 people on tumblr alone (I just counted) to avoid to see anything that could trigger me and I'm not talking about slightly shippy posts or fanarts I'm talking about full blown disregard towards his orientation. Guess what it didn't work!

Archive of our own where do I start. I've used this website for over a decade and I could probably count days I didn't go there on my fingers. I'm fluent in AO3 I know which tags I should block. I know how to skim thorough the summary and tags to see if I'm interested. I've seen shit I'm a shipper I've been on ao3 for ten years but never had to mentally prepare myself to face queerphobia as I click on the tab.

Just use aro/ace Alastor tag.

I do and let me tell you people can't tag for shit or they just pretend to be clueless at this point. Besides see this?

there is more ff with Alastor/reader (disgusting) than there is Alastor with his canon orientation and to play the devils advocate for arophobic people there is more Angel/Alastor then his stated in the show sexuality. I understand that fandom goes back before the show was aired but Viv confirmed his orientation back then too.

Summary

I could go on and on bout different issues and maybe I will in the future but I'm not wasting anymore of this weekend on it. I'm ready to answer any questions as long as they are respectful.

I'm aware that he is a fictional character, it doesn't affect him in any way whatsoever but it does affect aromantic and asexual people keep it in mind.

If there are any mistakes grammar related I'm not sorry I'm fluent in English (not my first language) but I took 3h nap in between and I'm sleep deprived.

Have a nice day.

[froggywritesstuff]

rest | yandere!asmodeus

ship/pairing: Yandere!Asmodeus x g/n!reader

fandom: Helluva Boss

request: anon: yandere asmodeus

warnings: yandere, kidnapped reader, too many pet names (reader gets called darling, sweetie, honey, and baby), forced close proximity, unwanted touching (not sexual), unhealthy relationship, not proofread

word count: 710

A/N: i'm so very tired rn.  i do not in any way support yandere behaviour, please know that this writing is purely fictional, and should not ever be reenacted in real life

You glare at the door in front of you, debating running away and back to the comfort of your own bed. No, comfort wasn’t the right word. Your mattress felt unusually hard tonight, and the sheets felt like sandpaper grinding against your skin. Your blankets were too hot and you felt suffocated underneath them, but that wasn’t nearly as bad as the uncomfortable sensation you got from sleeping without any covers. After an eternity of contemplation, you will yourself to lift your hand to the door, your knuckle knocking against the wood. Regret immediately hits you as the sound rings through your ears, but you stay still. It’s been too long since you got a good night's sleep and you weren’t gonna let an overgrown chicken stop you from getting that. You’re not letting your guard down, and you’re not letting yourself forget about the monster he really is. The love he claims to shower you with is nothing but poison he decorates with food dye and glitter. And you won’t fall for it, no matter what.

”What’s the matter darling?” he opens the door and you reluctantly crane your neck upwards to meet his eyes.

”I can’t sleep.” you say simply, hands clinging onto your pyjama shirt.

You don’t miss the way his smile widens ever so slightly, before he asks, “Do you wanna sleep in my bed?” he pushes his door open further, allowing you to get a look at his bed. Your body has never felt as exhausted as it does when you see his bed. It’s just so big and fluffy, and the blankets are so soft, you feel like they’re calling to you, telling you to come sleep.

The thought of saying no and marching back to your own room crosses your mind more than once, but you genuinely don’t think you have the energy to do that right now. Nodding your head, you remind yourself of all the shit he’s put you through, you just really want a good sleep. You’re not falling in love with him like he’s so convinced you eventually will and you never will, you know that. 

“Is everything alright with your bed sweetie? Anything you need fixed?”

“I dunno I just couldn’t sleep.” you shrug, frustrated over how genuine his voice sounded.

He grabs your shoulders, leading you to the bed, "Well not to worry darling, you're always welcome to sleep in my bed."

You know that. Not a day went by when he wasn't reassuring you that there wasn't any pressure to sleep with him, and that he trusted you to grow comfortable with him in your own time. Though apparently not enough to not kidnap you. You keep reminding yourself of that whenever you catch yourself thinking about how nice he treats you. Or whenever you find yourself wanting to believe him when he tells you how much he loves you. 

The bed as you suspected is comfortable as fuck. The soft sheets and blankets gently hug your body, and you can feel yourself sinking into the mattress. It's almost enough to make you forget about your captor lying next to you. Almost.

"You comfortable honey?" his voice rings through your ear, making you aware of just how close he is.

Shuffling over to further the distance between you, you sigh, ”I hope you know I’m only doing this for your bed, this has nothing to do with you.”

”I know.” he answers nonchalantly, making your chest tighten with frustration.

You sit up, staring at him with the coldest glare you can muster, ”I just want it absolutely clear that I’m exhausted yet I took like, ten minutes standing in front of your door, contemplating sleeping in the same bed as you.”

”You’re adorable baby.” he says tiredly, laughing softly as if this were just some joke. His hand gently but firmly pushes you back down to the bed, done with the ease of moving a pillow. You go to make yourself more comfortable on the bed, but feel Ozzie's hand pull you against his much larger body.

Before you can even begin to struggle, you're trapped between him and his arm, as his mumbled voice softly speaks to you, "Get some rest darling. I love you."