#but I'm glad it ended up an accidental reference to Ellen McLain

[victorluvsalice]

AU Thursday: Valicer Severance AU Time, Part II!

Welcome back -- I hope you're all rested and refreshed! Let's dive right into the second half of my Valicer Severance AU --

-->Eventually, after the Innies have all been there about a year, Victor decides that Smiler would be a much better Team Lead than him and politely asks Miss Glados about surrendering the position. Miss Glados has him submit a formal request to his Outie -- but the person who actually sees the request is Nell. Who is so annoyed by Innie!Victor daring to try and "demote" himself that she sends back a video blasting him and informing him that he is not a person and that he'll do what he's told until such time that they shut him off. Victor is very upset by this, as you might imagine --

So upset, in fact, that when he goes to leave for the day, he actually considers hanging himself in the elevator just to go out on his own terms (and stick it to both his Outie and the horrible woman supposedly speaking on his behalf). He gets as far as bringing a trash can into the elevator with him to use as a stool -- but before he can go any further, he spots a trio of blank Post-It notes Smiler stuck up on the wall earlier just to be silly in blue, yellow, and red. He takes them down, looks at them a moment -- and then bursts out crying as he realizes that he can't strand the people he loves on the severed floor without him --

-->And then he switches, and Outie!Victor is like "...why am I holding blank Post-It notes? Why is there a trash can in here with me?? Wait, was I crying???" He gets so distracted by this last question that he absently shoves the Post-Its in his pocket when he leaves...

-->Cue Caroline wondering if those Post-Its were some sort of attempt by the Innies at communicating with the outside world and heading to the Van Dort mansion to question Outie!Victor about them. He is like "they're just Post-It notes, I don't know why they were in there," so Caroline activates something called the "overtime contingency" --

And Innie!Victor suddenly finds himself in a strange new place (the study his Outie was practicing piano in) with "Miss Glados." He is naturally quite startled. XD Miss Glados grills him about the Post-Its as well, and he truthfully tells her that they weren't a secret message, just Smiler having some fun, and that they helped convince him that he didn't want to quit. He then realizes "wait a minute, am I at home?!" --

And Caroline quickly cuts off the overtime contingency, thanks Outie!Victor for his time, and flounces off. Outie!Victor is very confused by the whole thing, especially the realization that they can activate his Innie outside the severed floor --

-->And Innie!Victor is utterly rocked by that same revelation. He drags Alice, Smiler, and Wheatley into the storage closet the next day to tell them about what happened (and to apologize for being a mood the previous day and for possibly getting Smiler in trouble by telling Miss Glados where the Post-It notes came from). They are just as shocked as he is that there is technically a way for the Innies to go outside, but aren't sure how to use it to their advantage. Wheatley says he'll see what he can do later, and they go to work, a little wound up and wondering what's going to happen now --

-->And then Miss Glados sends them all home a half-hour early, as Aperture is hosting a gala this evening that she needs to prepare for (and that their Outies need to prepare for, as it's to celebrate a year of severed work and they're all going to be in attendance, but she doesn't mention that bit). After they're gone, Wheatley asks if he can attend the party, because after all he is a supervisor --

And Miss Glados not only tells him no, she rudely mocks him for being the stupidest core she's ever met, saying that his purpose should have been "intelligence dampening" and that his supervisor position means nothing. And then twists the knife by saying she plans to eat a whole PLATE of waffles at the party. A furious Wheatley says he doesn't care, he'll be doing Important Supervisor Things while he's down here -- like organizing the Post-It notes! Counting the pencils! Making sure the computers are all turned off --

And, the minute she rolls her eyes and leaves -- "Figuring out that overtime contingency!" [zooms off]

-->Cut to the gala, where the Outie versions of the trio are not exactly enjoying themselves -- Alice is stuck between two armed guards, watching her for escape attempts; Smiler is stuck with Miles Cedars, watching them for escape attempts; and Victor is stuck with his parents, who inform him that he's expected to give a speech on how awesome severance is to everyone. Victor, who is NOT a public speaker, flees to the bathroom to try and calm himself down, pausing just long enough to ask their driver, Mayhew, if he can get his sketchbook for him so he can look at the pictures to see if that will help --

-->And then. While Victor's splashing his face with cold water, Alice is wondering when she gets to go back to her nice quiet prison cell, and Smiler is debating whether they try to let anyone know what's going on with them (and coming to the conclusion no one at APERTURE would care, especially not with Dr. Kelman in the room with them), Wheatley manages to access the computer that controls the overtime contingency, "hacks" a few options that he doesn't need, then declares "Enjoy your vacation!" as he activates the OC -- and suddenly the INNIES are the ones at the party

-->Innie!Victor, naturally, is like "...why is my face wet?" He quickly realizes what's happening, though, and goes exploring -- only to nearly bolt in a panic when he discovers the incredibly busy party outside the bathroom door. Mayhew catches him first though, and hands over his sketchbook, and Innie!Victor is unable to resist the urge to look through his Outie self's artwork. Most of it is sketches of butterflies, along with a couple of sketches of Victoria and Emily (the last one unfinished :( ) -- but near the end, Victor finds a sketch of a meadow -- stretching out from behind a very familiar vending machine surrounded by pieces of paper ("!!! You do remember some things from being me!"). Unfortunately, his journey through his sketchbook is then cut short by him meeting William and Nell --

And realizing "that asshole on the label of the tuna fish sandwiches" and "that bitch who told me I wasn't a person" are his parents. He is not pleased by this, as you might guess -- and even less pleased to learn that William is planning on introducing severance for his own employees at his flagship fish canning plant. He's also "reminded" of his upcoming speech -- but before he can do anything about that, he spots a slideshow being set up with biographies for everyone to read on himself, Alice, and Smiler. He goes to read the information being projected on the big screen (saying "it'll probably help me with my speech") and learns his own tragic backstory first -- and then the slide flips to Alice and reveals that she's in prison for murder --

-->Cut to Innie!Alice, being like "I -- I was joking?! About that?!" Fortunately her guards are used to her acting weird, and take her shock over this (and her general sudden "holy shit this is a lot of people") in stride. Innie!Alice doesn't think her day can get any more bizarre after that --

-->And then the slide flips to Smiler, and cut to Innie!Smiler mentally going "KELMAN'S MY FATHER?!" They read the slide in stunned horror, unable to believe that they would willingly sign up for this --

And then reassess their situation -- namely, this weird nervously-smiling guy keeping a VERY close eye on them and telling them things like, "Just go ahead and ask for the haircut; Kelman will loosen the leash a little then, I promise!" and realizes that maybe their Outie didn't sign up willingly for this. D: They're not sure exactly what they can do about it, though --

-->And then Victor is called upon to make his speech. And after some badgering from Nell about how he has to make a good impression and how she won't tolerate him making an utter fool out of himself again, he strides up to the podium (still carrying his sketchbook in its shoulder bag that Mayhew also brought), calls his fellow severed employees up to the stage (who are allowed to go up, because they wouldn't cause a scene up THERE, would they?) --

And proceeds to tell the entire crowd that being a severed employee is HELL. Smiler and Alice are absolutely delighted to discover that they're all in Innie form and back him up as he talks about how horrific it is to be stuck at work constantly and how they're psychologically tortured and all of that. Nell attempts to get Victor to shut up, but he turns on her, calling her a bitch and letting her know that he is a person, damn it, causing her to realize that it's the Innie version of Victor that's currently in control --

-->And causing Caroline to realize that too and make a guess at what's happened. She tells the security team to get things under control as she sprints to the severed floor to shut down the overtime contingency --

-->But the Innies are not going down without a fight. Literally -- Alice nails one security guard in the crotch as he tries to take them down, and when Kelman comes for Smiler, they punch him and tell him, "You may have taken everything else from me, but you didn't get my fucking pronouns!" The guards eventually resort to activating the turrets in the ceiling (because of course this version of Aperture has that), and the Innie trio flees before they can be shot. There's a brief scramble through the halls as they search desperately for an exit (very annoyed to discover that they're still in the Aperture building as they do) --

-->And then they come across their elevator, guarded by Rick, and realize that Wheatley's still downstairs -- and they can't just leave him there. So they get Rick's security keycard off him, and Alice uses it to activate the elevator so they can get down and grab their friend (snapping it off inside the reader to buy themselves more time). However, as they head down, Smiler has a thought -- "Wait a minute -- the elevator is what turns our chips on and off normally, right? So what happens when we're already activa--"

-->Aaaand cue the elevator sensors overriding the overtime contingency, and the Outie versions of Victor, Alice, and Smiler suddenly finding themselves crammed into an elevator together. As you might imagine, they are very confused. XD Victor, due to his experience with the overtime contingency the previous night, is the first one to realize that the Innies might have been activated at the party, which deeply annoys Alice and Smiler -- mostly because they believe their Innies are cheery corporate drones who live to work. They all assume that the Innies just tried to go back to the office when they were activated, and realize that this is a great opportunity for them to actually see where they work...

-->And cue the Outies discovering the severed floor and all its weirdness! After being confused by their office ("why is it so big if all the cubicles are in the middle of the floor?") and what it is they do for a living (Smiler: "...we sort numbers based on vibes?" Alice: "Maybe they told us the work was mysterious and important."), they check out the kitchenette --

And cue Victor seeing the vending machine and being "!!!" He shows Alice and Smiler the picture he drew of it and the meadow, and says that he just thought his art was getting more surreal as a weird side effect of the chip, flipping to the next page to show them another example --

Cue Alice going "Cheshire?!" as she sees his rendition of her version of the Cheshire Cat (which, naturally, Innie!Alice told Innie!Victor about). And then the next page is Victor's take on Smiler's swirly-eyed smiley face, which he says just -- makes him feel better when he looks at it for unknown reasons. Smiler goes "I guess we're friends down here?" which both Alice and Victor admit they did not expect --

-->And then they hear a noise, and realize that if they're caught down here, they might be in trouble. They quickly try to find somewhere to hide, and after an abortive attempt to go into the Break Room (which ends with all of them frozen in nameless terror outside it -- and holding hands, which really throws them), they find their way into the surprisingly-empty security office. After noting that it looks like Aperture likes to just make people THINK they're being watched constantly, they start poking around out of curiosity --

And find various "incident" videos. Specifically, Innie!Alice trying to break out with the fire extinguisher; Innie!Victor threatening his fingers with the paper cutter (and revealing in the process he has no idea what his own last name is); and Innie!Smiler ripping the cubicle wall. Cue the trio realizing in horror that their Innies aren't drones, they're prisoners (with Victor in particular being extra horrified because he's the one who had the most choice in the matter about doing this to himself). It's generally agreed that they cannot keep working here, but they also don't know what to do about their Innies --

-->And then Rick the security core finds them and zooms off to sound the alarm. Smiler hastily downloads a bunch of videos onto a USB stick (as proof the Innies are being tortured), and they start looking for a way out, which brings them into the Johnson Memorial Wing. (Alice: [upon seeing the giant head] Are we in a cult?? Smiler: I'm not ruling out the possibility.) They start looking around, trying to find at least a spot to hide --

-->And then a glowing green rectangular portal appears on a nearby wall -- and out pops one Chell! Who is as surprised to see them as they are to see her, frankly. Before either side can figure out what's going on, though, someone comes stomping into the wing -- Caroline, carrying Wheatley and making various threats against his person while he needles her right back with lame insults. She is naturally very surprised to see the trio there, and starts talking to them like they're the Innies --

And then Victor calls her "Ms. McLain??" and she realizes the OUTIES are in control and have probably seen too much. And holy shit, is that CHELL?! Wheatley is like "you know this weird lady?" which makes Chell realize that he's forgotten her --

-->And inspires Caroline to try mind-wiping the trio and Chell, because that IS one of the options built into the programming of the severance chip. There is a moment of horror as she tells the computer systems to activate the "Clean Slate" feature of the chips --

And then the announcer cheerfully informs her that her request cannot be completed because everything is filled with garbage code. Wheatley crows that he "hacked it all" and follows up with "how do you like them waffles?!" Causing Caroline to get so mad --

-->She attempts to smash him on the floor. Which, as you might imagine, infuriates Chell. She scoops up her friend (now babbling with a cracked optic) and books it through the green portal nearby, indicating for the Outie trio to follow her --

And it's at this point you may be going, "what do you mean, green portal? The portals in the Portal series are orange and blue, at least in the single-player campaign." And that's true -- but Chell's not using her own portal gun; she had to leave that behind during her escape (threw it at a pursuer, in fact). Instead, Chell is using the portal gun from the one Portal fangame I've played -- Portal Reloaded. Which has a three-portal device, including a green portal --

That sends you through time. Twenty years ahead, specifically. Chell thus leads everyone into a wrecked version of the Memorial Wing that happens to have a hole open to the sky in its ceiling, with a good view of the moon. And when Caroline attempts to grab Wheatley away from Chell, going on about how she's going to make sure that she's put back on the testing track no matter what, Chell shoots one orange portal at the ground --

-->And one blue portal at the Moon. Cue a portal opening up into fucking space, and the Outie trio having to hold on for dear life as everything starts getting sucked through -- including Caroline, still hanging onto Wheatley (who, naturally, is pretty terrified). She begs Chell to pull her back through --

And Chell answers her pleas with a boot to the face. Cue Caroline sailing off into low moon orbit, and Chell dragging Wheatley back through before closing the Moon portal. Everyone is naturally a little, uh, stunned by all this --

-->But there's no time to sit and process, as the alarms are starting to go off in the present Aperture facility through the time portal! Chell quickly uses some regular portals to climb the sides of the walls, then provide a path up top for the Outies, where they find a random portal-able wall section just -- lying on the ground. Chell uses a time portal on this to bring everyone back to the present --

-->Where they find the wall chunk being watched over by a mystery woman with curly brown hair, who is like "Chell, what happened -- wait, is that Victor Van Dort, Alice Liddell, AND Mamaduke Kelman?!" Before any explanations can start, though, a short teenage boy in a leather jacket and fedora comes tearing around the corner, chased by a bunch of Aperture security guards --

-->And cue chase sequence #2, as the Outies find themselves running with these weirdos in a desperate attempt not to be recaptured and maybe have their memories wiped. An attempt that is briefly put off-track by Wheatley, recovering from his shock/smashing and actually getting kind of excited about being able to talk to the "other" versions of his friends/employees, doing this:

Wheatley: It's so cool to be able to meet you! We always wondered what you were like! Hey, do you guys like yellow, red, and blue too? Do you not trust pudding either? Alice: I don't think this is the correct time to be having this conversation-- Wheatley: Do you guys kiss as much up here as you do downstairs? Alice: [spins around so fast she falls over and lands on her butt] Smiler: [also whirls around, just barely managing to keep their feet] Victor: [whips his head around in shock and promptly runs headlong into a tree]

Yeah, uh, that's a surprise to the Outies. XD But again, no time to process, as not long after that a big white van pulls up and the back pops open, with a man with a shock of white hair and a redheaded woman with a ponytail urging them to "get in!" The woman, teen, and Chell all clamber in immediately, but the Outies pause for a moment, considering the fact that they'll be getting into a weird van with complete strangers --

And then considering the fact that their other option is continuing to work for Aperture and either knowing their Innies are in trouble or having their brains wiped and getting into the van. XD One security guard (Human Rick, in fact) manages to catch up to them as they're getting in, but Alice slugs him and announces "We QUIT" before slamming the back doors and telling the driver to hit the gas.

-->And so the great escape from Aperture is a success! The Outie trio take a moment to catch their breaths (and find themselves holding hands again, which -- makes slightly more sense in light of the "kissing" thing Wheatley mentioned), and the residents of the van introduce themselves -- in addition to Chell, we have Clara Clayton (the woman from before), her husband Dr. Emmett "Doc" Brown (the guy with the white hair), his assistant/best friend Marty McFly (the teenager in the jacket), his girlfriend Jennifer Parker (in the driver's seat), and Ellen "El" Brinkman, former Aperture Test Subject 4509 (the redhead). Their whole deal is that they're an Anti-Aperture group, with Doc being a former scientist working for them (in fact, he helped create the three-portal device's Time Portal tech) until he discovered just how unethical they were and left. He's teamed up with his old colleague and fellow escapee Doug Rattmann to help take the company down. Chell found them while trying to figure out how to deactivate her severance chip, and they were at the party for two reasons: one, to help Chell rescue Wheatley; and two, to see if they could somehow get Alice away from the police and convince her to let them take her and work on reintegrating her (figuring she'd be the safest one to take and the easiest one to convince, given she's in JAIL and all). Alice is like "well, now you have all three of us, and I think we're all agreed that we don't want to be severed anymore" (Victor and Smiler: [LOTS of nodding]). Marty also recorded Victor's speech and shares it with them when requested -- Victor is horrified that his Innie self called his mother a bitch, while Smiler is thrilled their Innie self punched Kelman. XD

-->With that sorted, Clara and El take Wheatley to go through his internal systems and wipe anything that Aperture can use to track him, while Doc explains to the Outie trio that they'll be doing a similar procedure with their severance chips -- but, since they only expected to have ONE severed employee, they will have to do it one at a time. The Outie trio discuss what they'd like to ask each Innie self as the machine is set up --

And then El finds a video file marked "First Date" in Wheatley's systems and asks "the fuck?" -- and it's revealed that, rather than just deleting the footage of the "picnic," Wheatley saved a copy because "come on, it's cute!" He shares it with them at their request, and the Outie trio find themselves weirdly touched by the whole thing (even as they find it hard to parse kissing these strangers next to them). El ALSO finds some files in Wheatley's memory banks that weren't properly deleted, just hidden, and restores them at Wheatley's go-ahead -- and it turns out that they're his memories of Chell! He is absolutely thrilled that she came back for him, and they have a lovely reunion. :) Made a little more amusing by Chell showing off that she's partially-reintegrated and able to switch between her Innie and Outie at will, moving to Outie mode so she can verbally apologize for not catching him and causing Wheatley to go "?!" over the fact she actually CAN talk. XD

-->And then it's time for all of the Valicer Innies to get activated individually! Victor goes first ("team lead and all"), then Alice, then Smiler. The Innies are naturally very confused as to what's happening, and also rather suspicious of the other two's Outie selves, as they only know that their own Outie situations are bullshit. Fortunately all the Outies are able to convince all the Innies that they're allies, and promise them once they're in a safer place, off the road, they'll make sure that they're all activated together so they can be sure they're all safe.

-->And indeed, after the van awakenings, the next time the Innies are activated, they all wake up together in a hotel room where they're staying with the Anti-Aperture group. They have a big hug-and-kiss session, then remeet Marty and the others -- Marty assures them they're safe, then shows them a video the Outies recorded, where they apologize again for not realizing the situation the Innies are in, and insist they want to make things right, saying that they're willing to give the Innies at least the eight hours a day they would have gotten normally at work while they work on the reintegration thing and asking them what they want to do now that they're out. The Innies are mainly like "we want to know what a shower is like" and "I want to eat anything that's not a tuna fish sandwich" --

And then, partway through, Wheatley asks why there's cloth on the walls, and Chell says they're curtains -- leading the Innies to realize holy fuck, they're in an above-ground room with actual windows. And, even more importantly, a door. They ask if they can go outside, and the others say yeah, with Marty warning them "it's just a parking lot, nothing special." The trio don't care and head out --

And cue them all crying as they see the night sky for the first time and realize that they are indeed out. :)

-->And THAT is where the AU currently peters off a bit -- which I'm sure you're all thrilled by, because holy hell I don't think it's ever taken me this long to sum up an AU. XD But I do have a few ideas of where it goes from there, namely --

A) The Outies give the Innies a "sleepover" of sorts while on the road -- basically a pizza party (with all their favorite pizzas) followed by being allowed to sleep for the first time. The latter experience is somewhat marred by the Innies having nightmares, but gets better once they all curl up together in the same bed

B) Relatedly, once they get to Doug's isolated cabin, the Innies get a proper picnic in the woods nearby, to their delight

C) There's a scene where Smiler and Alice are playing ping-pong at the cabin, bantering over Alice kicking Smiler's ass while Victor watches, amused; Marty shows up and goes, "Hey, I didn't know you guys were awake yet, I thought we were switching you over later" --

Cue puzzled staring, and Marty realizing, "You're still the OUTIES, uh, I have something to do over here." XD Alice immediately goes "probably says a lot about us that seeing us happy makes people think we're the Innies, huh."

D) Of course the Outies also get together in the end -- once they've actually gotten to know each other and recover some from their various traumas, of course. But there's a moment during their time in the cabin where Outie!Alice goes "you know what, my Innie has the right idea" and locks lips with a surprised Victor, who then kisses Smiler, and -- yeah, eventually a video revealing they're together too now is recorded for the Innies, who are thrilled for their Outies (and glad that they can stop feeling awkward about the fact that THEY'RE in a relationship when their Outies were not, despite the Outies saying "it's fine, you can keep kissing, just -- no sex, okay? That has the potential for more permanent consequences")

E) The Outie trio eventually decides that they don't want to pursue full reintegration because, well, they've gotten to know their Innies through video messages back and forth (and probably at least a few instances of only one or two Innies being awake at a time), and at this point, trying to become one singular personality again feels a bit like killing the Innies. They instead settle, like Chell, for getting to the stage where they can switch at will (without needing outside help), have at least some access to both sets of memories, and whoever isn't running the body retains some awareness of what's happening

F) I feel like going back to Aperture and reawakening the original GLaDOS has to happen at some point, in an attempt to maybe get her help in making sure the place gets shut down permanently and getting out any remaining severed employees. GLaDOS is a lot more keen on just gassing the place, but while trying to convince her not to do that (and not kill them as well), Wheatley, trying to hack something, accidentally sets off the self-destruct for the facility. And GLaDOS is like "you know what, that works for me -- I'll mess with the timer to make sure I have enough time to upload myself to a separate location, and you've got however long that takes to get anyone you want out, out." So there's a mad scramble to rescue any remaining severed employees, and at the end, once they're all out, the building just goes BLOOIE -- explaining why it's an abandoned wreck twenty years in the future!

And THAT is, finally, that. *whew* Thanks for sticking with me through all of that! I genuinely had no idea that putting all my ideas together regarding this AU would lead to such long posts. Hopefully you found them enjoyable, at least! Feel free to ask me questions because even after all this, I still had to cut stuff and would NOT mind talking about it!