#but I think in some ways they might have liked things which were a bit like that

[draculasstrawhat]

I can’t remember if I said this last time it came round, but it’s also worth noting that some of these turns of the discourse are a response to (and overcorrection of) the existing ideas against these things, which in themselves are sometimes a response to previous justifications.

For example, the idea that women are soft, fragile, and more morally pure is a reaction against earlier ideas that women were more earthly, lusty “fragile vessels”.

And obviously, these things aren’t always linear - there’s a backing and forthing of discourse around them, while the wider discourse shifts gradually over time.

Like, there has been longstanding discourse over whether homosexuality (particularly male homosexuality) is something that one does, or something that one is. With the justification shifting periodically from “it’s okay if it’s a thing you do sometimes” (“I think there’s no crime in making what use of my body I please,”) to “actually, if you choose it it’s wrong, because the act is a sin/assault/tempting other men.”

To which comes the defence that, well sure, if you choose to do it, it’s wrong - but if it’s an innate urge or problem you have, you can’t help it. (“it seems cruel to punish that defect with death”).

From which, the idea that it’s a “defect” is countered with eugenicist and “moral hygiene” ideas that it’s a mental illness/moral weakness that needs to be removed from society.

Against which comes the idea that, no, it’s generally caused by circumstances, and is often phase (psychodynamic interpretations) and that in itself it’s just a conduit for human tenderness/sexuality (C.S Lewis) - however objectionable one might find the ‘vice’. The idea, that perhaps it shouldn’t be encouraged, but left alone it will probably go away in favour of “more wholesome” pursuits.

From which comes the idea that “encouraging wholesome pursuits” will stop people having “homosexual desires”, that “it’s just a phase”, and that not “growing out of it” is a sign of emotional and psychological immaturity. (The popularity of this interpretation happened to coincide with the AIDS crisis, which gave it a degree of urgency and force in many people’s minds.)

In response to which, we had the “Born this way” movement as a necessary counterbalance to things like conversion therapy, and then idea that one could “turn it off,” which in turn lead to the search for “the gay gene” - presumably to eliminate it.

From which we got the “everyone is a bit bisexual,” and the “love is love,” and other more recent queer history - which I’ll not bore you with right now.

My point being that what, to our ears, might sound like a less progressive position (“they can’t help it. There’s something wrong with them,” or “oh, it’s just a phase, I think, and there’s no harm in it.”) can historically lead to someone being more supportive in practice than someone whose understanding of it aligns more closely with our own - but who draws very different conclusions. (Eg, “that’s two people making a choice to follow their sexual urges with their bodies. Which is disgusting, sinful, and wrong.”)

Genuinely 90% of historical fiction would be so much better if more writers could get more comfortable with the fact that to create a good story set in a different time period you do actually have to give the characters beliefs & values which reflect that time period

[cobaltperun]

Darkest Part (6 - Finale) - Like a Bullet

Astrid Deetz x female Reader

Summary: You will never, in life or afterlife, if such a thing exists, meet anyone as infuriating, rage inducing, entitled, or frankly awful, as Astrid fucking Deetz. There isn’t a single thing you’d like more than to never be around her, but as your luck would have it, you just can’t stay away from her.

Masterlist / First part / Previous Part

Word count: 5.3k

-I don't know what it is that you do to me baby, if you knew would you tell that you feel the same way that I do-

A few days following the craziest night of your life you were finally back home in Manhattan. You never thought you would be missing this place. Not that you disliked it, you just never thought you’d get this nostalgic after less than a week. Granted, after everything that happened seeing the old buildings you got so used to felt like the most comforting sight in the world. “Home sweet home,” you said, breathing out a sigh of relief, as you stretched right outside of Lydia's car. They were kind enough to drop you off.

“So eager to get away from me, are you?” Astrid reached out through the window and nudged you slightly with her fist.

“Of course! What did you think? I can't stand being around you, you damn Chihuahua,” you smirked as you said that, at this point you were both just bantering because it came as a second nature to you. To some people it might seem like a genuine argument, but what was going on between you was more of a habit rather than anything, and there was absolutely no malice behind any word you spoke. Still you leaned into the car through the window and took her hand. “The deal remains, right?” you asked with a tiny bit of uncertainty in your voice. “We are meeting on Saturday at eleven in the morning?” that was the plan at the moment, you would meet up in the park go to a café and well, you would see where things go from there.

Astrid squeezed your hand and smiled, reassuring you without a single word. She still spoke up, “Of course, you better impress me, Barnacle.”

You rolled your eyes at that. “Please, you need to earn being impressed,” you replied with a cheeky grin on your face.

Astrid suddenly reached up and pushed a strand of your hair back behind your ear “Oh, do I?

Really?” Lydia must have turned the heating up to the max because it suddenly got really, actually really hot in the car.

“No, of course you don’- wait no, you actually do I changed my mind! You do, you absolutely do,” you pulled away from the car and pointed at her. “Just for that stunt you have to actually earn being impressed, because you’re, well you are- ah, fuck,” your brain just wasn't working. “You’re being you! Yeah, that works, I’m going with that,” and all the while Astrid was laughing her ass off.

Astrid got her laughter under control far too quickly for your liking and gestured for you to come closer, which you did as if drawn in by some spell. She smiled and patted you on the cheek. “Sure, whatever makes you sleep at night, Barnacle.”

You pulled away from her because you just did not deserve to be teased like this. Not when you felt so powerless against her. Why was it easier to deal with Astrid when you were at each other's throats? All the time your thought getting along would make things easier for you, that you already had everything figured out, but no, you were a stuttering mess whose brain constantly failed to deliver a proper response to Astrid’s consistent and tireless efforts to get under your skin.

And the worst thing about it?

She was damn near 100% successful.

No, forget damn near. She was 100% successful.

~X~

You were fucking late and somehow that made you feel like something like this has already happened. It was like you were reliving a day from a while ago, sleeping in, getting ready in a haste, skipping out on breakfast, on a surprisingly sunny November day, and rushing to meet up with someone in a small café in the middle of the park. Only this time you were meeting up with Astrid, instead of with Alex. Huh, their names started with A as well…

Too many coincidences, but you couldn’t think about that right now. You ran through the crowd, narrowly dodging people as you weighed your options. You could jump over the fence and save a couple of minutes, or you could be a civilized human being and take the proper path.

You hated being late too much.

You jumped over the park's fence and ran like hounds of hell were chasing you. Considering everything you went through just a week prior that would actually be tame.

You did not want to be late to your kinda date with Astrid. Hell no! You would not allow that.

And then it happened.

In your haste you didn't pay attention to your surrounding and, honestly you should be surprised it wasn't happening to you more often, you ran into someone and reflexively caught them before they could fall.

"Sorry," you and the person said at the same time and you blinked, looking at Astrid as she regained her balance and held onto your shoulders much longer than necessary. Granted, your hands were on her waist as well and if ignoring that you ran into each other one could be forgiven for mistaking the way you were for an embrace.

But it wasn't that detail that made you freeze.

You suddenly felt like you were transported to the last year, to that day you were meeting up with Alex. To the first time you met Astrid, just like this.

Instead of an apology, what left both of your mouths back then was a simple 'watch where you're going,' even as you were both to blame. Next thing you knew, you met her again at the library and the hate between you properly began.

"Guess neither one of us wanted to be late," Astrid laughed and then she just... hugged you and you pulled her closer, loving how perfect it felt to hug her like this.

"I don't know about you, but I heard first impressions are hard to fix," you whispered in her ear, and she squirmed a bit, she was probably ticklish, and your breath tickled her. That was a theory you'd be testing at a more appropriate time.

"Mhm, Barnacle," she reluctantly pulled away and took your hand, leading you toward the café.

The two of you went inside and somehow you forgot how cozy this place was, it had this rustic feel to it, and it was certified eco-friendly, which was important to Astrid, and to you to be perfectly honest. This was the kind of place you want to one day help create among many, many other things.

Astrid took you to a corner and instead of sitting on the opposite side of you she sat down next to you on the bench so that meant your thighs were nearly touching. The warmth of the fireplace in the middle of the café, the soft music playing, and the dim lighting made this all feel a lot more intimate than you were intending. And it was definitely more intimate than a supposedly definitely friendly date you were on.

The two of you ordered your coffees and then just fell into a comfortable silence, not really sure how to interact with one another when you weren't bantering. It didn’t escape your notice that you didn’t mind being silent with Astrid, it felt comforting, and you had no need to fill the silence. Besides, the somewhat shy smile on Astrid's face told you she didn't mind the silence one bit either.

“So, architecture, right?” she finally broke the silence and you could see that it was something she was curious about for a long time

You cleared your throat, not really used to talking about your passion to anyone other than your mother and Alex and sometimes, though very rarely, Delia while she was still alive. Hell, Astrid probably heard about it from Delia, if the drawing she fixed didn’t give her enough clues. It was actually a relief, that Astrid asked about something you genuinely cared about, it would definitely calm down your nervous heartrate. Or so you hoped. “I've always loved drawing, I guess,” you began, shrugging a bit. “More than that, well, I think that's the most efficient way to changed things on a smaller scale, you know change the everyday living habits and try to counter the climate change like that. Make a small difference one building at a time,” you thought you’d get less nervous, but all of a sudden you weren't exactly confident in your words having never truly expressed them to anyone other than your mom.

Deep down you knew you really wanted to get Astrid’s approval on this. You could only hope Astrid would understand and the smile on her face calmed you down in an instant. She understood, and surprisingly you could see an undeniable admiration in her eyes. And even then, you still felt like she was the one who deserved admiration.

“I think that's amazing,” she replied, actually sounding a bit excited and then it was as if she got self-conscious about it as she looked down at the table. “Sorry, It's kind of weird to be talking like this when we've spent a year at each other's throats, I'm kind of struggling to keep myself from just blurting out things I've been apparently secretly thinking all along,” Astrid confessed with a blush on her face and then, she leaned a bit closer to you, closing the distance as she turned a bit and placed for hand on top of yours. She took a deep breath. “I have admired your talent ever since I saw your drawing for the first time, and Delia did mention we would get along if we just talked. I never realized she was this right.”

This time it was your turn to squeeze her hand in reassurance. “It took some time, but we got here,” you smiled and that seemed to work as she squeezed your hand back. “And come on, whatever you want to say can't be as bad as all the things I blurted out under that truth serum,” you both laughed at the memory of that and listening to Astrid laughing, well, it truly was one of the most beautiful sounds you ever heard. “I could listen to you laughing all day long,” you quickly covered your mouth “Damn it! Am I still under the influence of that thing?!”

“I think it faded, it's just you being a goofball,” Astrid laughed and there was just something in her eyes that pulled you in as you were leaning closer. And you were very much aware she was leaning in as well. “You know there's nothing friendly about this, don't you?” Astrid asked as her breath mixed in with yours, as your lips inched closer with every excruciating second that passed.

“I know,” you whispered and in a burst of reckless disregard for consequences that you really couldn't think of right now, you closed the distance between you and kissed her. And her lips felt like the softest thing your lips ever touched. She kissed you back immediately, her hands reaching and caressing your face and back of your head as she held you closer. You rested your palm, slightly sweaty from the nervousness, on her thigh as your other hand slipped around her to the middle of her back.

Astrid hummed as you ever so slightly deepened the kiss and as you basked in the warmth of her lips and the feeling of her touch on you you realized that this passion you were already feeling was just as strong as the one you felt when you would banter any chance you saw one another.

When you separated out of the need for air, you still remained close, your lips still just slightly touching. “We should have done that a long time ago,” Astrid confessed as she kept you close, committing every touch, every feeling and sensation to memory.

“We really should have,” you replied and pulled back slightly. “So is this, uh, second date, fixing your impression on dating?”

Astrid pecked you on the lips once more. “You know, I think I'll just ignore what happened. I’ll just call that what it really was, a trap. So, it's fair to call this my very first date,” she decided and smiled. “This was my first kiss, just so you know,” she was blushing as she said that.

“Mine too. Both, the date and kiss,” you admitted as well. You felt nervous about the date last night which was probably why you overslept and now you felt dumb for being nervous. This was Astrid! You knew her, even when you were enemies you deep down knew her.

The smile on Astrid’s face widened, and you had no doubt in your mind, a part of her was satisfied with finding out she got your first kiss. “That ghost tried to kiss me, but there was an infuriatingly difficult to get rid of face that popped up in my mind, so I didn't. I couldn't kiss him when I was there thinking about you,” you could see what she was doing, evening things out after all, you did spill your guts because of the truth serum so here she was returning the favor one bit of information after another.

And you were absolutely thankful for it.

~X~

You couldn't remember the last time your apartment was this busy, this all over the place! You've actually been kind of anxious over the past week ever since you basically, and by pure nervous accident, invited Astrid and Lydia over for a dinner, and you've been in that panicked state ever since.

“Mom, can you please just go and lay down?” you pleaded with your mother as she continued cooking preparing yet another dish. “Please! We could feed ten people and it's only the four of us!” you said it, but you were clearly seeing that she was just as nervous as you were.

“What if they don't like something here? There needs to be a backup and the backup for a backup because there's always a chance you make two things someone doesn't like,” yeah she was nervous even more nervous than you.

And that was damn difficult to accomplish!

“That's not going to happen, mom. Even if it does, well if they don't like it they don't like it. Come on, it’s just my girlfriend and her mom coming over!” you cried out, trying to reason with her. Astrid and Lydia would be here in two hours and the kitchen was a mess, and your mom was still cooking and not the soups and main dishes, but the side dishes that you had no way of naming. Where did she even pull all those recipes out of?

“That’s exactly why!” she pointed a wooden spoon at you. “Your girlfriend is coming over, and you've never had a girlfriend before, and you are just two weeks into the relationship,” actually three but you were too embarrassed to tell your mom you got together with Astrid barely ten days after you stopped hating her so you only told her after the third date. “And she's coming over with her mother for dinner, so we can get to know each other, so it's serious and I need to make sure everything is perfect,” with her health she would be bedridden for the next weekend and you really should have just taken them to the restaurant, but no, your mom was too proud for that! She needed to cook food to show off her cooking skills, which she had, she was an amazing cook, but she wasn't healthy enough to do all of this, yet here she was doing exactly that!

“I'm going to start washing the dishes,” at this point there was no use in arguing and you needed to get this mess cleaned up.

Exactly 2 hours later the doorbell rang, and you jumped like you got burnt even though you were tired and sore from everything, but at least the dinner was ready and absolutely perfect.

You opened the doors to see them standing there, with Astrid nervously messing around with the leaf of the rose she was carrying. Why was she like this? This-this- you just wanted to squeeze and hug her and never let her go! Lydia seemed to be quite nervous as well, seeing as she was almost bouncing from one foot to another, so, overall all four of you were just nervous messes and it showed.

Astrid immediately hugged you and that helped. It helped both of you a lot as you just relaxed into the embrace. “This is either going to be a disaster or a great night there won't be an in-between,” Astrid whispered to you as she gave you the rose and you couldn't agree more so you hoped it would be perfect.

“Hope for the best, prepare for the worst?” you whispered back and thanked her for the rose befo turning to greet Lydia as well.

“That smells delicious, did you and your mom make the food?” Lydia asked as you stepped into the apartment.

“Mostly mom, I hate to say this, but cooking isn't my strongest suit,” you admitted sheepishly and placed the rose in an empty vase. You immediately led them right into the dining room because your mom would already be getting the table ready.

“You actually looked cute as a kid,” Astrid commented offhandedly and your eyes widened, there shouldn’t be any photos of you hanging on the walls! They were all in the photo albums so where did she even see that?! And then you saw it too, the picture of you when you were a kid and worst of all it was the most embarrassing one ever taken of you, the one from the Halloween where you were dressed as a pumpkin. “Orange suits you,” Astrid teased and all you could do was glare at your mother who traitorously hung the photo on the wall while you were distracted by everything else that needed to be done.

“I’m going to find some embarrassing photos of you, just you wait,” you grumbled and that suddenly gained you a surprising ally in the battle, as Lydia patted you on the shoulder.

“Oh, I can show you lots of them,” Lydia promised you and maybe this night would be perfect after all, despite the embarrassing start.

“No! You can't!” Astrid tried to intimidate the Lydia into backing down but you were already leaning closer to the woman.

You put your hand up, as if you were about to whisper, but you spoke loud enough for Astrid to clearly hear you. “I would be very, very happy to exchange the embarrassing photos I took of Astrid enjoying the cutest things imaginable when we were at the amusement park for those photos that you just mentioned,” you proposed, much to Lydia’s liking and the two of you shook hands. It was a deal, one that would benefit both of you.

“I've been betrayed,” Astrid dramatically lamented.

“Oh, don't worry, dear we can have our own little exchange,” you froze when you heard your mother saying that.

She did not just suggest that to Astrid!

“Mom!” you cried out, genuinely afraid because not only did your mother have the pictures she was more than willing to share the stories.

“You know, I had to ask Alex what your name was because all she,” your mom pointed at you, “would ever talk about was Chihuahua this, Chihuahua that, ever since the two of you met. She had a crazy crush on you, I'm telling you,” and your mom wasn't paying any attention to your protests and was instead having the time of her life embarrassing you and revealing your secrets.

And the damn Chihuahua was eating it all up.

Like the hungry demon that fed on embarrassment of unfortunate people.

“How about you just sit down and we can eat?” you suggested and pulled the chair out for Astrid to sit down on. And you chose that chair on purpose, because it was the furthest from your mom, so you could do damage control.

Astrid, instead, took one look at the seating plan you had in mind and took the seat next to the one you so carefully chose for her.

“I think your mom and I have a lot to talk about,” Astrid gave you a quick kiss as a consolation for what was about to transpire, and you just stood there, ready to say goodbye to your dignity. At least you could do the same to her and listen to her embarrassing stories from Lydia.

“This means war, Chihuahua,” you promised, but she just grinned.

“My dear Barnacle, whatever you learn won't be half as bad as what I'm about to learn,” she was so sure of that, and to make things even worse, you were sure of that as well. This was, truly, a war you couldn’t even hope to win.

~X~ Five months later ~X~

Astrid’s birthday was quickly approaching and you had the best idea ever! The most fitting gift for her birthday! Nothing, absolutely nothing could have worked as well as the gift you had in mind, and the grin on your face was something you could not suppress even if you wanted to, so here you were working at the library with the most ridiculously happy grin on your face.

If you weren’t in a library you were sure you’d be whistling or singing with how happy you were.

“You're actually a bit scary when you are this happy, you know that?” Alex suddenly commented there was no malice in his voice, he was just stating the fact.

“I figured out the perfect gift for Astrid,” you told him and you just knew that he would have whistled if you weren't in the library.

“I know I keep saying this and I’ll keep saying it for a long time, but I don't know whether it's wild or actually to be expected to see you two together. Last year you were at the each other's throats and now you are girlfriends,” he was right, you and Astrid have been dating for almost half a year now and it just so happened that her birthday was next week. “So, lover girl, what do you have in mind?”

You leaned in and whispered the answer into his ear and his eyes widened almost comically large as he turned to look at you. “No, no, Y/N,” your grin just got even bigger. “No, you can't.”

“Yes I can, yes I will,” there was no talking you out of this, the gift was too perfect!

“I have 3 words for you,” he suddenly got completely serious.

“Yeah?” you were almost worried to hear them, but your mind was set.

“Rest in peace.”

And it didn't matter that you were in the library you laughed your ass off. He was being too dramatic, surely Astrid wouldn't kill you.

Right?

~X~

Lydia couldn't remember the last time she was this at ease. Free from her show, having a healthy, repaired relationship with Astrid and with her dad and Delia occasionally haunting her. Everything was peaceful and quiet as she sipped on her coffee.

"I'll kill you, Barnacle!" Astrid shouted from her room and Lydia barely nearly choked on her coffee. You and Astrid still bantered, but this time Astrid actually sounded serious with that threat.

"Think of all the cleaning!" your half-panicking, half-amused shout came next, and Lydia honestly prayed that you didn't do anything too stupid to get Astrid to banter with you. Actually, she was probably hoping for too much, you had a strange fixation with making each other as annoyed and willing to banter as humanly possible and it went for both of you. She did not want to think about what the outcome of all of that frustration was or would eventually be especially seeing as the two of you would start living together once you started going to college.

You ran down the stairs as fast as humanly possible and jumped over her sofa to hide from Astrid. Well, hide was generous, as you snickered next to Lydia. Really, Astrid only had to come downstairs and she would find you immediately

"Y/N, don't provoke her on her birthday," she lightly chastised you, but she would be lying if she said she wasn't amused. A bit worried and maybe a tad bit concerned but amused, because as annoyed as Astrid would seem during the banter she could see that glimmer in her daughter's eyes. She knew Astrid was having fun even if she wouldn't readily admit it.

"Not my fault she has no sense of humor. The gift is perfect," you whispered, barely holding back from laughing.

Before Lydia could further question you, she heard Astrid running down as well. "Get this demon spawn pretending to be a dog back where it belongs! Right with you in the deepest depths of hell!"

A chihuahua. You got Astrid, a chihuahua.

Lydia laughed as she looked at her daughter. Despite the anger in Astrid's voice the youngest Deetz couldn't resist actually petting the puppy and it somehow seemed to like her which would probably mean that the rest of you were doomed.

“See, she likes you!” you laughed as well and pointed at the Chihuahua.

“Nonsense,” Astrid said but the blush on her face gave away how she actually felt. Lydia remembered how much Astrid wanted a dog as a child and maybe Chihuahua wasn't the first choice her daughter would have made when she was a child, but she would have been happy regardless of the breed. And seeing her with a dog now brought a smile to Lydia's face.

“I guess I have to keep it,” Astrid tried to play it cool, as she looked at the puppy. “I'm going to call you Barnacle, Barny for short so we don't confuse both barnacles,” she said the second part while glaring or at least trying to glare at you as you went and bravely walked over to her and instead of killing you as she promised she would Astrid just lightly kissed you on the lips.

“See, that's perfect,” you pet the puppy only for it to bite you or at least bite you as hard as the puppy could. “See and she hates me just like you did! Truly a perfect gift if I can say so myself,” you pointed out.

The three of you just laughed at that and that's how Astrid got stuck with the dog.

~X~

If a year ago someone approached you and told you that you would no longer be working for Delia because she went and got scammed and died out of embarrassment, yes you were going along with that version of events, and that you would actually be moving in with Astrid as you were getting ready to start college and that you would be together and having a Chihuahua named Barnacle you would have just laughed at them because it would have been the most ridiculous story you ever heard.

But that was a year ago, back when both Delia and Charles were alive and well, back when Astrid was the most annoying, infuriating person you've ever met instead of just being the most annoying, infuriating person you loved and things really were a lot different.

You spent the day unpacking, which was actually kind of nostalgic given packing and unpacking was part of your job while you worked for Delia and now the apartment you and Astrid were renting was pretty much ready for you. Well, aside from the bedroom, that was the last room to deal with. There were some interior design choices to be made but overall the apartment really was perfect.

“Your passion for architecture is paying off, this looks amazing,” Astrid commented as she stepped inside the living room from the kitchen. She was busy unpacking everything meant for the kitchen. All the while you were busy arranging the living room mixing everything that both of you loved. So, now the living room didn’t look like one person's living space, but rather the combination of the two of you.

You snorted and looked at her. “Sure, tease. You know what that'll get you later,” you couldn't hold back a smirk as she blushed. You sat on the sofa and turned the TV on letting it fill in the silence because neither you nor Astrid were all that talkative unless there was a proper conversation to be had.

If one of you got passionate about something, then yeah you were talking and yapping and basically wouldn't stop speaking but otherwise it was fairly quiet with occasional communication done mostly through glances and silent signs.

“What can I say? You are rather fun to tease,” she told you and even though you you weren't looking at her right now you could tell what was on her mind.

"Heh, Chihuahua," you grinned, leaning your head back and closing your eyes. The sofa sinking slightly next to you made your grin widen.

A shiver ran down your spine when you felt a perfect nail gently, almost tantalizingly teasingly, go down your forearm. "Mhm, how about you shut me up then? If it annoys you so much?" Astrid whispered and you swallowed hard. Since when did her voice have such an effect on you? Right. Since you got together.

You turned slightly to look at her. "Now that's just barbaric," you whispered back, only now noticing how close to you she was, mere inches separated your faces, and you had to resist the urge to look at her lips, fearing that glance would be your undoing. You both still had work to do. The bedroom wasn't ready, because you decided that would be a task you would finish together.

Astrid pulled back a bit, but she placed the tip of her finger on the corner of her lips. Fucking chihuahua, knowing exactly what she was doing as you looked down and instinctively leaned closer to her. "I wouldn't mind, if the approach is correct and what I'm saying isn't important," she looked so confident, raising her hand and caressing your cheek before sliding it to the back of your head and pulling you closer.

You stopped resisting and turned, getting on your knees and leaning over her with your palm pressing right next to her head, and you could see in her eyes that she had you exactly where she wanted you. "Everything you say is important," you could feel her breath against your skin as you both leaned closer.

"Even when I annoy you?" she asked, so close now you could feel her lips against yours. She looked so confident. So sure of herself, but the tremble of her hand gave her away. The bedroom would have to wait.

"Especially when you annoy me, just means I should listen more carefully," you closed the traces of the distance left and kissed her, humming at how soft her lips were.

"Mhm, Barnacle," she relaxed, holding you close, hands slipping underneath your shirt.

"Yeah, that's very romantic, Chihuahua," you chuckled, peppering kisses from her ear to her jaw Taking in the sound of her soft breaths as sheep gave him to her needs and desires.

"It is," she laughed, slightly out of breath as you tugged at her shirt and lifted it up a bit "It means you're hard to get rid of, and that's exactly what I want. To be unable to get rid of you for a long, long time," she said and never before did that word sound so sweet.

Taglist: @alexkolax @osnapitzmel1 @bee-keeping @nebthetautora @lololauser

@nwestra @rroyale-109 @gemz5 @social-pomegranate @mirage018

@the-thing-withfeathers @hello-mtf @leafanonsforest @jaxon-nathaniel-drake @niqmandu

Masterlist / First part / Previous Part

A/N: And that's another story complete. I hate to say this, but Astrid really wasn't as inspiring as I hoped she would be, still, I'm satisfied with how the story turned out.

[lolashifts]

SHIFTING ISN'T SPECIAL

please bare with me on this one bc it might be a bit longer than i expected (and excuse my very bad title-naming skills 😭)

in this essay i will try to put down in words exactly what i realised today as i started my first day into reprogramming my mind, something that i’m doing while following reya singh’s method. what is that?

shifting IS easy.

yes, i know everybody says it, but it’s the truth and i’m not telling you this as someone who shifts regularly to her drs, because i don’t (yet!). however, it did just click in my mind why people always say it and mean it. and i feel incredibly stupid for not understanding it waaay earlier than just now, 4 years into my journey.

now, let me walk you through the thought process behind this.

in reya’s 4-day method for reprogramming your mind, she instructs to write a list of your beliefs and non-beliefs. this may sound really silly and kinda useless at first - believe me, i woke up this morning thinking “what exactly am i supposed to do after that?” - but there’s a valid reason for it, which is to help you delete from your mind the idea that shifting is like a superpower that’s simply not for everyone and very hard to reach, when that is not the case at all!

in my own beliefs list, i’ve written “i am capable of shifting” right in between “i can speak english”, “i can write and read” and “i can eat --” (and some other things like “i can’t eat gluten”, bc i have celiac disease, “i can dream”, we all do! and “i can lucid dream”). you see where i’m going with this? i’m putting shifting in the same category as things we all normally do, that we sometimes don’t even think about doing since they’re such a natural activity. to this list i could add “i can breathe”, because we do it automatically, without even realising unless we focus on it. the same can be said for drinking or eating really, if you’re angry or thirsty you just go and get whatever pleases you the most and not dwell on it.

in the non-beliefs list, i’ve written obvious things like santa and the easter bunny (which isn’t common here in italy tbf but yeah) and sentences like “i can’t swim”, “i can’t draw”, “i can’t eat strawberries” and in between them also “i don’t fear shifting”. here, the point is that all these listed beliefs are stuff i know for a fact to be false: i can swim perfectly, i am an artist and i love strawberries + i’m not allergic to them or anything. by placing shifting there, i'm stating that just like i KNOW i can swim or whatever, i also KNOW i'm not scared of shifting.

you’re literally gaslighting your subconscious mind into believing what is real for a fact and what isn’t.

after writing down this list, which can be done on paper just like on your preferred device, i reread everything twice explaining to myself why i chose these things and why they are beliefs or not. that’s how i realised that shifting is easy. when people talk about it “clicking” they weren’t lying!

shifting isn’t special, this is what the list thing tries to prove you. it’s not special because, just like breathing and eating and reading, we do it subconsciously everyday. take your own first language: you speak it naturally without having to doubt it, and if you know a second language well enough like i know english for instance (my mother-tongue is italian) then you can even start talking to yourself and think in that language without having to search up translations.

what’s the difference with shifting then?

the difference is that shifting hasn’t been taught to us in the same way as a language has been, all throughout school. the same thing goes for reading and writing: we read and write naturally because we’ve been taught how to when we were young and it’s now engraved in our brains, just like with learning our first language, which is something we normally do thanks to our teachers, our families and the people around us, of course. this doesn’t happen with shifting in most cases, as we all know, which means it’s normal for it to take a bit to grasp as a concept and existing thing/activity. it’s natural, most of us human beings just don’t know about it, nor that we’re capable of doing it.

this is why i said it’s not special: just like breathing, everybody can do it (and so do you)!

going back to the non-beliefs list; i should also add that as a society we usually are taught what to believe in from a young age, and specifically what is believed to be a fantasy, a dream, or something real. as grown-ups, though, we have the right to believe in whatever we want, like shifting. as a realistic person, i understand that some people may have a hard time believing something as great as shifting could be true, because it genuinely doesn’t sound like it! so yes, this is also a factor that can and does make it harder for someone to trust their guts and expect to wake up somewhere that’s only fictional here.

shifting clicks for everybody at different times, but i hope this post will help some of you here understand it better and know that what more experienced shifters say always has a meaning, you just need the time to properly reflect on it to get it!

when it clicked for me a few hours ago i felt a huge rush of adrenaline and happiness bc yes, i can actually shift. i’m just overcomplicating it for no reason and so many of you are doing the same!

it’s okay though, we’ll all get there <3

(psa: if you saw any grammar mistakes or anything NO YOU DIDN'T and also please don't mind if this rant doesn't sound logical, i tried my best to explain myself like i wanted to 🥲)

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[journalofimprobablethings]

I think the thing about your first response that is provoking knee-jerk reactions (at least, it did for me) is that it implies that character death's only purpose in fiction is to "maximize pain" for the readers, and that any other purpose it might serve can be found through other means. And I don't think that's true at all.

To a certain extent I agree with the OP commenter that it's not necessary to kill a character simply for 'emotional impact' or 'realism'. If an author's main goal with a character death is just to "inflict maximum pain" on the reader, then that's probably not very good writing, and not "necessary". The death needs to do more than just hurt the reader; it should affect the story in some way, either in how other characters react to the death, or how events change because of it.

But I also agree with friskdaferret's argument that some character deaths are necessary for the story that the author is trying to tell. That's the key. Could they choose to write it a different way? Sure. They're the author, it's their story, it's all made up. But then it would be a different story.

I know that you consider the Holes argument to be a bit of a tangent, but for the sake of using an example that's already been brought up, Sam's death in Holes serves a particular purpose in the story. It reflects real-world racism in a very direct way: black men being lynched for having a relationship with a white woman (or after being accused of assaulting/touching a white woman, whether they did or not) is a real fact of American history. It's an ugly fact, and it's something that Louis Sacher decided was important to include in the story. For some kids reading that book, it may even have been their first exposure to that sort of racism. Having Sam leave Kate for other reasons, as you suggest, would change the story, and would make a different point. It's not the story Louis Sacher was trying to tell.

Your argument, if I understand correctly, is that sometimes, the potential pain inflicted on a reader who is very attached to the character might outweigh an author wanting to make a particular point or tell a particular story. How then, do we handle telling stories that are inherently about painful topics? What is the "utilitarian calculus" as it relates to a story like Orpheus and Eurydice which is about grief; or tragedies like Hamlet?

I also think that if you're going to make that argument, you have to consider the other side - that is, what benefit do those deaths, as written, bring to readers? Why has the author included it in the story? What do people get out of it? That answer is going to be different for different readers and stories, but there is a reason that death has been such a prominent trope in human storytelling since forever. Death and grief are inherent, immutable facts of life, and so storytellers are going to find ways to engage with and examine it.

Two examples that came to mind while I was thinking about this post were The Fault in Our Stars by John Green and Babel by R.F. Kuang. Both of those books contain absolutely devastating moments of loss in connection with characters we have become very close to as readers. I don't think I've ever cried as hard at a story as I cried at those two books in particular.

Both of those stories would not be what they are, or say what they wanted to say, if those deaths didn't happen. They are a book about cancer and a book about imperialism and the violence it engenders, respectively. Both those topics are impossible to handle without at least talking about death.

Now, would I give people a warning before I recommend those books to them? Absolutely, because it's the sort of thing you probably want to be in the right headspace for. But do I think that those books should have been written differently, just because the stories were painful? Absolutely not.

I don't know that I agree with any sort of utilitarian argument about the potential effect of a character death on readers vs its function in the story, in part because that sort of thing is impossible to quantify. How would you ever possibly judge what was "too much"? It's entirely subjective, and in the end, authors do not have control over what a reader's reactions to their story will be.

I also think that to a certain extent, readers are responsible for their own reading experience. If a person does not want to encounter painful moments in their reading, that is their responsibility to tailor their reading accordingly. If they as a reader know they are prone to making deep connections with characters such that it might genuinely hurt them if that character then dies, they can take steps to avoid those sorts of stories, or to use sites like doesthedogdie.com to check whether a story has something that they don't want to/can't engage with. But it's not an author's responsibility to tailor their story so that it doesn't make anyone sad. That's not the point of fiction.

Fiction is a reflection of life, and a way for us as humans to examine and process all aspects of it, including the aspects that hurt, that are awful, the parts that don't make sense. It's perfectly valid for someone to not want to engage with challenging fiction, but to say that authors shouldn't be writing it at all because it might somewhere cause someone grief? I can't agree with that.

im starting to think you guys dont like it when stories make you feel things

[bitchslapblastoids]

interesting but predictable how some of the inherent uncanny valley strangeness of bringing something that exists in the chronically online space into the real world can manifest. I’ve noticed this at all the other tours of theirs as well - some people can have a hard time separating internet behaviors from irl behaviors, and the sudden merging of these compartmentalized ways of being (online vs offline) can be hard to navigate.

I think it can also make people uncomfortable to see their comedic silly billie faves being serious, and there’s a dissonance to seeing them, these characters who live on our screens, along with the audience around you who are typically just avatars and usernames shitposting in lowercase, all suddenly in the same physical room. And suddenly that often completely disparate, scattered, semi-anonymous community needs to adapt to social mores and group norms in a new social context. It’s taking a community with its own set of rules that were designed for and in response to a digital landscape and plonking it into a completely alien environment. And yeah, we’re all humans who exist in public outside of our internet lives, but it’s different when that happens but you’re still in the context of the phandom.

Which I think is what leads to things like shouting out rly profane, out of pocket things during the quieter moments of their shows. because if you comment something like that online, you won’t rly be interrupting anything. you might be ignored, you might get some laughs, maybe you’ll get a notice bc haha unhinged right. Or like treating an evacuation drill as a lol pass the tea yas mommy daniel moment instead of an oh we’re actually here in real life moment.

I went back to my tatinof review bc I remembered writing this - “someone behind me kept screaming at them to "GET NAKED" (particularly during silences in the 7 second challenge) to which everyone in my area responded with claps and laughter.” During my second TIT show, there were people around me who wolf whistled and shouted “kinky” and “ayo ok freaky” during totally inappropriate moments. I remember during Dan’s quieter bits of WAD people could not seem to just stay silent. (I have suffered complete amnesia when it comes to ii so I can’t speak to any part of that experience lol.) after the preshow and during intermission at tit, I heard separate people at separate times making a range of critical comments about Dan and Phil’s bodies in ways that were downright shocking and not how I hope they’d typically feel comfortable speaking about other humans.

I think on the whole, phannies are so lovely and kind to one another. I feel deep gratitude for this community. And I know this isn’t just a phandom thing; I think how we treat one another in public spaces has generally really eroded, and concert etiquette has become abysmally poor. But phandom, as always, is a little unique, because of the sense of mutual understanding and the co-created dynamic between us and d&p. It dissolves the boundaries, so when Dan tells you to shut up, your online brain tells you that’s just a chance to be funny with your fave. When you have a chance to be heard, your online brain provides a memey shitpost joke and your irl self shouts it out even though that ain’t the move in a theatre performance unless invited to do so.

No real conclusion here, just some observations about the rly unique dynamic this all creates!

[talenlee]

What Is Truth (in game worldbuilding)

The question to start with: How do you present information as truthful in your world?

Okay, there’s a lot going on here, and it involves defining in order to get some specificity. The principles might be universalisable but I sure ain’t gunna pull it off here. This is primarily considering world-building for a game, and not the world-building for a conventional narrative explanation like a story or web serial or whatnot. Those are worlds where you can, amongst other things, go back in time and change the setup you have for the story you want.

And you should.

That’s what editing is.

But in the making of a world for a game, you have to make a way for people to interact with a playful space that gives them boundaries and things to interact with (that are cool and fun or ‘engaging’ if you want to be technical) and that means you need to confer the reality to these players in ways that you, the person building the world, may struggle with depicting.

The task of depicting truth is different in storytelling for a conventional narrative and for a game. Particularly, games have an interface layer that typically speaking, players have to have some reason to believe they can trust, and the job of the interface is to serve as a window between the reality of the game (ie, you are a player interacting with a playful device) and the fiction of the game (there are fuckin DRAGONS man).

See, one of the easiest ways to convey ‘true’ things to your players is to describe ideas in an entirely objective sense. This is this, this is that, and then you use objective measurements as much as you can, in the objective voice of a narrator. This is fine, this works out just okay, and I don’t want you to feel bad in any way about doing this this way, but when you present information like that, you have presented that information as reliable. That creates a sense of trust which you then can just poop down your leg when you have to explain that something you told them isn’t true.

Obviously you can be okay with this, I mean it doesn’t matter if a Metroidvania videogame has to indicate that an early message log was a lie. It needs to be done with a bit of care though because say, if a game opens by telling you that you’re using a stun gun to knock people out through the whole game, and then reveals, shock horror, that actually it’s a murder gun that has been knocking people into death with kill bullets, then the result isn’t going to be a player feeling an emotional distress at the realisation that they were doing something wrong because they trusted the wrong person, you’re going to have a player rejecting the experience, falling out of the fiction and going: this is bullshit.

(Because it is bullshit.)

I think on this because I think about how I present information from Cobrin’Seil. Cobrin’Seil is a D&D setting. It’s meant to be made for people to play in in a setting that is primarily mechanically oriented, where the world can be represented by reasonably reliably systems. Wizards in the top of the world and the bottom of the world can both cast spells that are similar and those spells may work differently under the hood, within the fiction, but are still reasonably coherently reliable things. The same is true that the followers of a death god can heal people with spells that may look entirely different to the spells of a god of the harvest but in the end, the people experiencing the outcome still wind up healed.

I think that the world of Cobrin’Seil is more interesting and more rewarding to write about if there is a strict delineation between the concrete and reliable — rules information — and the social and communicated — things people talk about in the world. That is to say, if you need to roll a few d6 or d8s for a thing, that’s rules information, segregated, and, thanks to 4th edition’s excellent trade dress (the way the books are designed to look) we have a good standardised way to express that. But if you want to know about the world, the things in the world and the way they relate to one another, then that’s where you talk to people and people have biases, and all the information presented in the world is presented as if it is being told to you by a person.

When I’m discussing the world of Cobrin’Seil, then, I know that it’s easy to state questions from a near-objective narrative position, but to deliver answers it should always have an attribution, a source. That source then gets to be someone potentially wrong, and to bring in their own biases and their own opinions.

I know that in Cobrin’Seil, I am biased towards presenting wizards who study things and write things down as a useful source of studyable information. I also know I don’t necessarily verify that information or make it widespread. Sometimes I like that because there are some things I want to be objectively true. For example: Wizards can prove that racism is based on nothing meaningfully true. On the other hand, that doesn’t mean people don’t believe in racism or engage in it, but that there is some objective authority in the universe that can say ‘look, this is a social system that sucks, and ‘detect racism’ spells won’t work.’

Otherwise, though? Things like how magic works? What gods can do? How fairies can manipulate reality? That stuff is all competing theories, maybes, possibilities, and I try to make sure it’s always at least three competing theories.

That bias remains, though, right? And it stands to reason, I, a person working in academia who is working on higher education, would likely see the advantages to and potential authority of a system like that. But that also demonstrates something of my biases towards, you know, things being written down. I could have it so that there are shamanic songs and lyrical poetry that carry important narratives of truth… except I’m not good at writing those, so I don’t.

This is what you need to be mindful of. There are ways to represent what’s ‘true’ in your worldbuilding, in the information you present to people, but you need to also be mindful of your biases. You need to maintain a sense of truth that players can engage with and you need to be mindful of where it’s okay to lie to them.

Check it out on PRESS.exe to see it with images and links!

[awriterinthenight]

"I Have What?"

requested: @narkissistikos

words: 3267

warnings: swearing, suicide references, reader gets attacked, (I know the title is kinda bad, but if you read the story, then it's kinda funny), Miranda is actually a bitch like I hate people like her

summary: You're a mortal who keeps seeing weird monsters, but everyone thinks you're crazy, so when you're at an amusement park and get attacked by a monster, you meet the one and only Luke Castellan

Everyone said you were crazy, that none of it was real. Your parents didn't believe you, they thought you just had a wild imagination, your friends tried to ignore the weird things you told them about, and everyone judged you when they would you talk of monsters. Monsters weren't real was what everyone told you, but you would swear on the gods that they were, and that you could see them.

Eventually you were brought to a doctor, but they also called you crazy, an attention seeker, or that you just had a wild imagination. Everyone thought you just saw these things because you were always cooped up in your room drawing fantasy creatures from old myths. Your doctor recommended going outside, hanging out with friends, and trying to forget all the weird things you believed you say.

So once your parents told your friends, your friends decided what better to do than bring you to an amusement park. How could you not have fun there with the endless rides, greasy food, and the sound of hundreds of screaming kids? So fun (I'm being sarcastic).

You needed this, which was a major lie your friends and family told you. Just like every rich family, they can't have their little screw up who might be crazy, being shown out in public that way. So now here you are, three doctors, a bunch of medication that didn't work, and about 20 cover ups of your "stunts" (as your parents called them), later in your own personal hell, have fun.

"First we should do the Tilt-A-Whirl, then we can go on the bumper cars, then get food, then head to the Ferris Wheel," Stephanie said. With her everything had to be planned out, which wasn't so bad, but sometimes it sucked since then no one could divert from the schedule.

"I think that guy is looking at me. Do you think he's cute? Cause he's cute," Miranda said, looking at something that looked like it crawled onto Earth. Miranda was one of those girls who only talked about guys, and by the time you had a full conversation with her, you'd wish someone would pick her already.

Now you might be thinking, 'why would you be friends with those two if they made you want to jump off the top of the Ferris Wheel'. Well Little Sally, the only reason we hangout with them is because we have to. Stephanie was your mom's best friend's daughter, so if you two weren't friends then apparently your mom's had failed as friends, which made zero sense, but whatever. And Miranda was apparently a package deal (that no one ordered) with Stephanie.

The only decent one in your group was Christina. She didn't talk much, but the glances the two of you sent each other were louder than Miranda's laugh when a guy was around. Christina had been your friend since the beginning of middle school, and for some reason stuck around till now. She was your only real friend in your life, and the only one who cared. She might've thought you were also a bit crazy, but hey, it at least made you funny.

"Let's just get this over with," you said, walking towards the Tilt-A-Whirl.

Miranda groaned, "Don't be such a bummer, we're here to have fun," you and Miranda probably would've murdered each other by now if it wasn't for Christina reminding you that colleges don't accept you if you have a murder charge.

You rolled your eyes, turning away from her as Christina spoke to you, "If you don't upset her too much, then I'll buy you a slushie as compensation."

"Fine, but only if it's blue," you only drank blue slushies, they were like crack to you. You had made it through the Tilt-A-Whirl without hurling the two girls off the ride, and had made it through bumper cars with running them over either, so a wins a win I guess.

You were getting food now, since you were more likely to murder someone on an empty stomach, which was not a good thing when Miranda was around. Christina was busy getting you guys slushies like she promised you, while Miranda was flirting with the cashier when she was supposed to be getting you burgers. You stood in line for cheese fries when something caught your eye.

'Was that a snake!' you questioned yourself, as you swore you saw a snake slither out of the hat the cashier at the popcorn stand was wearing. You tried to slow down your breathing since it sped up from the shock. 'It's just another reason they think you're crazy. Don't let them think you're crazy’ the words everyone told you ringing through your head again.

The guy behind you seemed to notice that you seemed a bit out of it, "Cool shirt," he said, referring to your AC/DC shirt.

It caught you off guard, and you had to look down at what shirt you were wearing, "What- oh, uh thanks," you managed to stumble out, a bit embarrassed since the guy was kind of cute, but you have bigger problems right now.

"Are you okay?" he asked, seeming to be concerned about you in your shocked state. I'll take things that have never happened before for 500 Alex.

You looked up at him, taking in his brown hair and the scar on his face, "I-I'm fine," you told him, trying to think of an excuse since telling a stranger you saw a snake in someone's hair is something only bat-shit crazy people say, "I just witnessed someone sneeze into the popcorn, not something you usually want to see when you're about to eat," you lied, or at least tried to. How the fuck does someone know if their bad at lying or not? Welp, guess it's up the gods if he thinks I'm weird or not, oh look nothing new.

Surprisingly he let out a small chuckle, "I never trust any of the food here, I'm just getting some for my friends," he said.

You nodded, your mind still a bit distant. The strange guy nudged you a bit, "Hey, you're next," he said, since the person in front of you left.

"Oh, thanks, sorry," you said, quickly before walking up to the cashier. That was the last you said to the mystery guy, since he didn't talk to you again after you ordered. You made your way over to your friends, sitting down next to Christina.

"Oh my god," Miranda started, as you started to want to gouge out your eyeballs, "Who was that guy you were talking to? He was so cute, do you think he has a girlfriend?" she asked, then continued to talk about him, asking a million questions that you wouldn't know since you talked to him for not even a minute, and it was a lie you told, so that you didn't look fucking crazy.

"I don't know Miranda. I talked to him for like 30 seconds and it was about some lady who sneezed into the popcorn, by the way, don't get popcorn," you told her, fed up with her million questions.

Stephanie eyed you and said, "You don't need to be so rude, she was just asking," that's it you were jumping off the Ferris Wheel.

Christina could sense the tension, so she intervened, "Did you guys see Evan and Quinn walking around? I didn't even know they were going out," she gossiped, since it was the best diversion to use on the two. You zoned out, preferring to keep you sanity. Which was ironic since when you looked at the lady at the cotton candy stall, you swore she had wings, fangs, and claw-like hands. Okay, maybe you were fucking crazy.

The other weird thing was then when you looked back she looked like a normal person again. Even weirder was that the brown haired stranger looked at her too, then right at you. Something was definitely going on, but you sure as hell don't want to know.

You and your friends were about to head onto the Ferris Wheel, but something inside you told you not to.

"Stop being such a loser," Miranda complained, since she always had to have a problem with you.

"Stop being such a bitch, then maybe I will," you said, walking away. That wasn't your best comeback, but it'll do for now. You stood by yourself against a fence, contemplating why you didn't get on the Ferris Wheel. Was it A) the thought of being high up with Miranda was too tempting to push her off, and you didn't need a felony charge, B) that food was not sitting right, or C) did it have something to do with that the lady from the popcorn stand who now had wings, fangs, and snakes for hair, was about to attack the brown hair boy from earlier. If you picked C) then ding, ding, ding, we have a winner.

Shit.

You ran forward, pulling the boy back by his shirt before she could attack. His friends turned to look at the boy now on the ground, as you felt the greatest humiliation ever. The lady was gone, now making you look like a crazy person who attacked someone for no reason.

"What the hell is wrong with you," he yelled out in anger, dusting himself off as he stood up.

You stumbled back, confused to what had just happened, "I-I," you could barely make out any words, "I swore I...fuck," you said, running into the nearest bathroom to hide in.

You were crazy, you were bat-shit crazy. You were seeing things. Everyone was right. There's something incredibly wrong with you. Why would you do that?

In the midst of trying to call yourself down, you didn't even notice the woman next to you washing her hands, "You're really pretty, it's a shame what I'm about to do to you," she said, making you scared? confused? You didn't know anymore.

"Wha-what," was all you could stumble out, taking a step back.

She let out a breath, "You keep getting in my way, and I can't have that," she shouted at you, before lunging to attack. You had some self defence lessons, plus the skills from random rich people activities like fencing, plus great fight or flight instincts, so before she could rip your throat out, you dodged to the side. She ran into the sink, breaking it which probably hurt like a bitch.

Are you crazy, or are you crazy? Is what you kept asking yourself. The weird lady (more like a creature thing, since she had her wings and fangs back) lunged at you again, but you ran out of the bathroom this time.

You'd made it a good distance away from the bathroom when you accidentally ran into someone, literally. Your face hit their chest, making you stumble back a bit, and you would've fallen if it weren't for someone else catching you.

To your horror it was the boy and his group of friends from earlier. And to make it worse he was the one who caught you, "I got you," he said, "Now where is she?" he asked, his voice sounding rather urgent.

Your brain was still spinning as you tried to process everything, "Wha-what, you can see them?" you asked, entirely confused as to how they knew the things you kept seeing.

"Yes, but that's a conversation for later. Where did you last see her?" the girl of the group asked, and may you add, she seemed a lot scarier than everyone else.

You took a moment to catch your breath, "The bathrooms by the food stalls. It was the one from the popcorn stand, she tried attacking me," you told her, knowing that sentence sounded a bit crazy.

The boy still holding onto you nodded to the rest of the group, which consisted of 2 others, "Stay here," he said, as he started to head off with the others.

You snapped out of your dazed state and caught the boy's hand, "Wait, first tell what those things are," you demanded, finally wanting to know what the things you were seeing actually were.

"Later, just stay here for now," he said, trying to pull his hand away, but failing. Luckily for you (and unluckily for him) you were a pretty strong person.

"No," you said, standing your ground, "I've spent my entire life terrorised by those things, and now I have a chance for answers, so just tell what they are."

The boy seemed to have to bite back a smile, "You're feisty, you know that," he said, only making you more annoyed.

"And you're an asshole, are we going to spend the entire time naming each other's flaws, or are you going to tell me," you retorted.

He let out a sigh before speaking, "Let me go and I'll tell you, promise," he said, you had no other option so you let go, and trusted he would tell you, "Their gorgons, but I'm guessing you've seen other monsters. Do you know both of your parents?"

That was a weird fucking question, but not the weirdest thing to happen to you, "Why would you ask that, what relevance does that have to any of this?" you questioned.

"I-I just-" he said, trailing off when his friends had returned, but this time being attacked by gorgons, "shit." He then left you standing there, as he pulled out a sword from some random object. What the actual fuck is going on.

You watched the three people fight, as the people around you minded their own business, steering clear of the fight. How were they so calm, could they not see what was going on? You were too caught up in your thoughts to notice the dagger coming straight at your face. The boy turned around, a look of horror, then relief washed over him, as the blade went straight through you, falling onto the ground.

At that moment the boy realized you were mortal, and you realized your life is fucked up. Once again snapping out of your daze, you say the girl on the ground with the gorgon about to attack her. Without thinking (let's be honest, when do you ever think) you grabbed the dagger, throwing it at the gorgon. It hit her straight in the neck, causing her to fall to the ground and disappear.

The two boys quickly killed the other gorgon, helping up the girl as they made their way towards you, "You okay?" the brown hair boy asked.

"Oh, you know just another Tuesday," you said, your voice full of sarcasm.

"It's Saturday," the other boy said, not getting your sarcasm.

The girl hit him on the chest, "She's being sarcastic, dumbass. He's not the brightest person."

You nodded, "So, why can I only see the monsters, what are these monsters? Who are you guys? Why could no one see what was going on? Why did that dagger-" you were cut off by the boy with the scars, whose name you still didn't know, which was annoying.

"Woah, calm down," you shot him a glace, since that definitely wasn't the best thing to say in this situation, "You can see the monsters cause you have clear sight," he explained as if that made any sense.

"I have what?" you asked, still confused.

The boy seemed a bit apprehensive about telling you more, due to...issues we won't get into right at this moment, so the girl spoke up, "It means you can see through the mist," which once again did not help.

"That also doesn't explain shit, what even is the mist?" you asked, wanting someone to explain to you what was fully going on.

The other boy spoke up, "Should we tell her everything, or maybe bring her to Chiron?" he asked.

The boy went to speak, but the scary girl spoke first, "We can't just leave her clueless, we have to tell her."

"It could make her life worse though," the brown haired boy said.

They continued to argue until you spoke up, "Are you going to keep talking about me like I'm not here, or are you going to explain?" you asked, frustrated by what was going on.

"Look just let us talk for a moment," he said, before leaning closer to you, "Then we'll tell you everything, I promise," he said, his voice now rather low.

You knew better than to trust the word of a pretty boy, but dam was it hard not to, "Fine, but you better explain everything." The boy nodded, walking over to his friends as they huddled to talk. They weren't that quiet so you could hear almost everything. Something about a camp, and someone named Chiron, and how it would be a lot for you, and blah blah blah.

Their huddle came to an end when the other boy who didn't talk much shouted, "Would your parents care if you were missing for a little bit?"

Normally that would be a weird question, but nothing seemed to bother you anymore, "I don't even think they would notice if I disappeared for a year," you shouted back.

The boy approached you again, his friends standing a little ways away from you two, "We're going to take you somewhere where everything can be explained to you. You don't have to go, but if you want answers it might be your best bet, since it's a lot," he explained.

"I want answers, but why should I travel to some mysterious place, with three strangers whose names I don't even know," you countered, a bit sceptical.

"Fair point," he said, "Then here, I'm Luke Castellan," he held out his hand for you to shake.

The dumb gesture made you smile, something you hadn't done all day, "Y/N L/N," you introduced, still holding onto his hand.

Luke could feel his heart speed up a bit from how you were still holding his hand, and the fact that he made you smile, "Will you come with us now?" he asked hopefully, "I promise you won't regret it."

"That's usually something someone says before they do something regretful, but fine, I'll go," you said, watching his face light up with excitement.

"Great, my friends will get us set up to go, just know the way there may be a bit unconventional," he said, still holding onto your hand.

"I would expect nothing less," you joked, excited about what the future held for you.

You two waited for Luke's friends to come back, and made small talk trying to get to know each other, "I'm sorry for yelling at you earlier," he said, referring to when you made him fall down.

"In my defence I was trying to save you from a gorgon," you said, trying to not be embarrassed by your actions.

"My hero," he joked, as his friends arrived with the chariot.

"I don't think anything can surprise me anymore," you uttered, no longer surprised by the weird things you saw.

Luke let out a chuckle, "Oh trust me princess, there's a lot crazier things in this world that will surprise you," he said, the name sliding off his tongue by accident.

You tried to not let the effect the name had on you show, but you rather liked it. You didn't know what the future held for you and Luke, but you were rather excited for it. Unlike Clarisse and Ethan who already wanted to jump out of the chariot.

Current Taglist (ask to be added)

@almost-gabrielle @scarlett-8 @atashiboba @that1deerpersondownstairs @herondale-lightworm

[celestiamour]

‧₊˚✧ ❛[ kinda like a rom-com! ]❜

ft. scott summers x f! reader — xmen, marvel

╰₊✧ watching a horror movie is the perfect set-up for romance, but unfortunately for the xmen, scott’s a bit of a dumbass┊1.4k words

contains: ooc scott probably, he’s the biggest dumbass ever, i thought this was cute, anyways, fluff, the entire x mansion ships it, descriptions of horror movies, the title & ending probably doesn’t make sense because i don’t actually watch rom-coms but i think it fits because it’s romantic comedy shortened, written before october started

➤ author's note: do people even want scott content?

it’s adorable, really, how a mutant who has faced countless dangers throughout your entire life and bravely battled adversaries head-on was now cowering by his side and covering your eyes with your hands, fingers slightly parted to still allow you to peer at the screen to satiate your curiosity of what would happen next.

“i didn’t think you would be this terrified,” he chuckles.

“i didn’t think we would be watching a horror movie tonight!” you hissed in return. “we usually watch superhero movies, why are we suddenly putting on supernatural stuff when october hasn’t even started yet?”

movie nights were pretty commonplace in the mansion, one of many activities hosted to encourage bonding between the inhabitants just in case being mutants on its own wasn’t enough to do the trick. scott loved these nights, because not only was it a nice break from being a professor who would have just spent this night grading papers, it also let him grow closer to you as you always find yourself in his company one way or another whether it was simply sitting next to each other or happening to hide in the same spot to catch a break from all the screaming children with unpredictable powers. 

little did you know that all of these coincidences were a result of careful planning by your co-workers in hopes that a confession would bring itself closer to the present. from ororo making it rain on the way home to force the two of you to share an umbrella, to jean nudging him during the best times to talk to you after reading your mind and helping him pick out personalized gifts you would love— hell, even logan let him steal two bottles of beers so that he could help comfort you after a bad day (although, it might have just been because he wouldn’t stop begging and shut up until he handed some of his stash over. he brings it up every time they bicker to get a leg up on him).

it seemed everyone aside from you knew about this, like an inside joke you missed out on because even the students had the tendency to giggle when seeing you two interact. the only reason scott hasn’t confessed first was simply due to your obliviousness to your own feelings which would likely end in a rejection. it’s not in vanity where he believes this, but in fact when the redhead telepath informed him that you just hadn’t realized what you felt for him wasn’t platonic. realization was inevitable and bound to hit you like a ton of bricks, and after some squealing from embarrassment in your room, it would only be a matter of time before you sought him out to confess. except, no one has the patience to wait for you to do so organically, hence the constant match-matching that has become so common that they don’t even think before doing so sometimes. everyone plays the part of wingman except for charles who thinks they should wait until you’re ready, but that doesn’t mean he doesn’t find it highly amusing. 

it was actually the wolverine who suggested picking out a scary movie for tonight as he claimed it was “one of the best ways to get a girl all over ya.” scott didn’t quite believe him at first because it sounded too much like something straight out of a cheesy teen drama, but he now realizes that he shouldn’t question the two-hundred-year-old guy who has more experience with such things than he could imagine.

you tightly gripped on his bicep, not even realizing that your nails were starting to dig into his skin, staring wide-eyed at the projector image as another character died in a rather gruesome way. really, these movies always overdid the blood and gore, but criticizing it was the last thing on his mind because you were currently holding onto him with a vice and he needed to plot his next move.

his eyes began to wander around the dark room to find nearly everyone focused on the film playing in front of them and a couple of students asleep, turning his head subtly to look around behind his red-lensed glasses until he spotted the white-haired weather manipulator doing the same thing because she was bored out of her mind. (isn’t it funny how some people were so uninterested in the movie that they are falling asleep or counting how many heads are in the room while you’re unable to tear your eyes away despite looking like you’re about to cry? you’re so damn cute.)

she mouthed something to him while tilting her head in your general direction, completely inaudible in order not to attract attention. unfortunately for her, scott was an idiot who didn’t know how to read lips even though everyone around him assumes that he’s blind and most of the time he might as well be. she rolled her eyes in frustration, wrapping her arm around jean’s waist (who was understandably a bit confused at first but then did the same) and highlighting the action with a simple motion of her hand— signaling to him that he should do the same.

it looked like a fucking lightbulb went off in his head or something when he mutter a silent “oh” before following her example and pulling you close, resting your head on the side of his chest as if to soothe your fears. it worked like a charm, you buried your face into him and held on for dear life as you braced yourself for another jumpscare, trying to focus on his hand patting your back instead of trembling like crazy. 

“it’s not even that scary, chill out—”

“no! don’t say that!”

scott stopped mid-statement, trying to figure out what the fuck that was until he realized it was jean’s voice in his head. “how did you even hear me from where you’re sitting?”

she ignored his question, so he wasn’t sure if he was just being too loud or if she was already reading his mind to make sure he didn’t fuck up. “don’t finish that sentence, she’ll think you’re making fun of her for being more sensitive towards these things. the poor thing is petrified, how about you take her up to her room instead? i don’t think she’ll be able to stomach the ending of this movie.”

he hummed and nodded in agreement, remembering that everyone dies at the end, pulling on your arm to grab your attention and whispering, “come on, let’s get you out of here.”

you nodded weakly and swallowed, not letting go of him for even a moment as he escorted you out of the living room and up the stairs. “thanks, i didn’t think that the movie would be that terrifying… and we’re showing that to kids?”

“just the older kids, all the younger ones are already in bed.”

“and i’m about to join them,” you shuddered, opening the door of your dark room and cringing at the sound of the hinges squeaking. you lingered at the doorway before turning to look at scott, “could you come hang out in my room with me for a bit?”

“what, you want me to check for monsters under your bed?” he laughed.

“s-shut up! i’ll just go look for logan then!”

“no-no-no, don’t do that, i’ll go with you! i’m much better company than that old man— we can watch some rom-coms until you fall asleep and forget about that stupid movie.”

“i didn’t know you were a fan of rom-coms,” you said, turning on the lights and looking noticeably less afraid as the shadows disappeared. 

“well, i think my life right now is kinda like a rom-com…” he slipped, admiring how your bed had so many stuffed animals meticulously stacked so that none of them would fall off. your room was just like you— cute.

“really? how?”

“i’ll, uh, tell you eventually… it’s a… whole thing, i don’t feel like getting into it tonight— anyway,” he quickly diverted the conversation, digging through your stack of dvds before picking one out. “i haven’t seen this one yet— ‘someone like you’— i’ve heard good things about it— the male lead kinda looks like logan if he took care of himself.”

he’ll tell you soon when he finally hears your confession, or if he goes crazy before then because he has to spend one more day without being able to call you “his.” whichever comes first.

[signedaiko]

greetings my fellow human, would it be possible to request some mtmte headcannons? Possibly the reactions of ratchet, rong rung and Cyclonus walking in on their human friend, only to find out they cut their hair. Like, the human had an anxiety attack and in their panicked state, they cut their long hair, thinking they don’t deserve to be pretty.

this just happened to me today, so knowing what kind of reactions my fav transformers have would really help out. Don’t do this if you don’t feel like it, no pressure (I miss my hair 🥲)

Cyclonus | Ratchet | Rung [MTMTE]

In which you have an anxiety attack and cut your hair, and the mechs take notice.

Reader is: Gender Neutral | Human | Autobot. Platonic.

Cyclonus

Finding out you'd cut your hair in such a state, especially as a means of making yourself 'less pretty,' was something they didn't anticipate in humans

In a way, Cyclonus found your actions very similar to their desecration of their face

For that, he responds to it similarly to how he would have wanted others to respond to him: without making a big deal out of it

He thinks you deserve to have nice things and look nice, too, and is vocal that you are just as deserving as any other being that is forced into existence

In Cyclonus' opinion, no one asked to look the way they do, so if you like it, great!

But if you don't, you deserve to feel frustrated about that

But he won't let it go any further than that

Hair removal is painless when cut at length, so he lets it slide, but you will get a demand from him to not stretch any further than hair cutting

Long hair or not, you look fine, and you are still the same person he recalls, and Cybertronians don't even have hair, so why would it change the way he thinks about you?

If you have any hair left from cutting it, Cyclonus might just ask for some so he can sneak it to one of the scientists and see if they can make some kind of regrowth agent

Ratchet

Ratchet just doesn't get fashion at all

When he sees you, he would think you did it on purpose and tell you it looks great

But he'd notice you're not too happy about it not too long after his comment and apologize if that wasn't what you were looking for

The work you did with the craft scissors wasn't exactly even, especially not at the back

He knows your aim was to take something away from yourself, but he also thinks it's silly that you don't think you deserve something as simple as something that literally grows from your own body's work

So he'll find some tools that can do the trick and offer to cut it at least a bit more neatly for you

He's able to get everything to about the same length and in a style he thinks you'll enjoy, so it looks purposeful as it did before and so it won't grow in awkwardly

"What do you think, kid?"

So long as it improved your mood at least the littlest bit, then it was worth getting all those tiny hair clippings everywhere

Seriously, everywhere, he's still finding some in the cracks of his own plating

Rung

Hair is such a curious aspect of human anatomy; it's useful in some ways, but the stylizing and individuality given to people just by the hundreds of thousands of strands on their heads is unique

From what Rung could tell, you cared about your hair and preferred it long

Which is why it was concerning when he noticed you'd cut it all off out of nowhere

Your mood had been decreased recently, too, and all signs pointed to you having some kind of mental break

Rung requests you speak with him, even if not in depth, so he can feel at ease about your health and safety

If you're vocal about missing your long hair and how you felt you couldn't let yourself have something nice, he would do some research

Printing images of hairstyles he thinks you could try, he even makes some hair accessories to go with them from some leftover fabric and pieces he finds around

You spend a session looking through pictures and picking the ones you like

Rung promises the next time they're near an organic planet with a hairdresser, he will bring you himself so they can get it done properly rather than whatever moment of work Ratchet was able to do with his equipment

Authors Note - You know, when I was 13, I had been a dancer, especially in ballet, for my whole life. As I got older, I gained 20 pounds, and my instructor belittled me so much for it. She loved my long, untouched hair, so I took scissors and cut it all right down to my skin!!!

Basically, I did it too, and I had a super cool Skrillex haircut for a long time until I grew it out two years ago. Hair always grows back! Hope you're doing better.

[crossdressingdeath]

One thing I will say for the ending of DAV is that it's made one thing from Trespasser that always confused me a bit finally make sense: the fact that Solas spares even low approval Quiz. Like, the fact that he does that means that affection clearly doesn't come into that decision! He may be nicer about it if he likes Quiz, but he's not sparing them because he likes them. But it makes a lot more sense in the context of him making an enemy of Rook and then leaving them alive when he meets them in Minrathous, just assuming that they'll do what he wants and not get in his way and being completely blindsided by them tricking him even though they have no reason to just go along with what he says. At the end of the day Solas just... doesn't respect either Rook or Quiz enough as equals to see them as a potential threat, and that both explains him sparing Quiz and ultimately leads to his downfall.

I mean, think about it. He killed Mythal. He killed Felassan. Clearly he is not above killing even the people he loves best, the very last remnants of the world he's supposedly in this to save at that, if their survival might get in the way of his plans! You can talk about how much he cares for high approval Quiz, or even how much he loves Lavellan in a Sol@vellan (censored to keep it out of the tags) worldstate, but love demonstrably would not stop him if he determined Quiz to be a threat! He does not love them more than Mythal (he really, really doesn't love them more than he loves Mythal, Christ on a bike the amount of shit he does for Mythal and then refuses to accept her culpability for the fallout of is insane), he does not love them more than Felassan, he does not have more reason to spare them when they say they're going to stop him (whether peacefully or by force) than he did those two, but he still does even if he hates them. Now Solas doesn't like killing (he just has no concept of what counts as actual necessity or willingness to stop when he's going to kill most of Thedas), so it makes sense he wouldn't want them dead if he could avoid it, but if he saw them as a threat he would not spare Quiz where he didn't spare Mythal or Felassan. He's not going to spare a Quiz he hates who's vowing to stop him at all costs where he killed the last remnants of the world he wants to save... unless of course he doesn't think they actually can stop him.

And him not thinking they can stop him makes sense when you his response to Rook, who breaks out of a prison Solas thought was inescapable and by Solas's own admission gets further in dealing with the Evanuris than Solas ever could have himself; he still just completely dismisses them as a real threat, takes no steps to prevent them from turning on him, has no plan for if they find out what killing Elgar'nan will do, and is caught completely off-guard if they trick him with a fake dagger. He sees Rook surpass his every expectation and do better than he himself ever could have, and he still completely fails to realize that they do in fact pose a threat! I do believe that he on at least some level can grow to respect and even care for Quiz and Rook as people who exist, but he always thinks he is ultimately above them. He totally fails to see them as potential threats, and that's what ultimately leads to his downfall: if he'd preemptively killed Quiz at the end of Trespasser, or killed Rook the second Elgar'nan fell and they were no longer needed, or even just made any sort of plan for what to do if either or both of them were in fact the threats they made it clear they intended to be he might very well have won! But his unbridled arrogance and refusal to accept that a mortal could ever outdo the Dread Wolf ultimately gets him locked in the Fade (including the ending where he goes willingly, which only happens because Rook faces down yet another god to make it work). It's a very fitting end for someone who muses about the parallels between him and Elgar'nan and him and Rook and fails to consider what it might mean for him when Rook fully steps into his place in the narrative.

[auroracalisto]

opposites attract, or so they say

simon x gn!reader, 1.9k words summary: simon's got a crush on the sweet little thing down the street. a/n: I love him. I love kyle gallner. send help. tw: lots of cussing but it's mostly because I went with simon's pov and ran with it, simon is buzzed, brief mention of sexual content but like nothing other than the idea

Simon was a lot of things.

Angry. Vile. Crude. A badass punk rocker.

But there was something more to him than just that. There was something deep within him that screamed for release, that just wanted to be a part of his world just as much as the rest of him.

And that, which it's far more simple than you might think, was the need to be loved.

His family was shit. That was a given. Never once looked at him like they were proud of him, which for what it was worth, he couldn't give a shit.

His bandmates were fucking righteous, but what the fuck's that got to do with anything? Love from a bandmate? Right. Weird as fuck. This wasn't one of those half-assed teen romcoms where the drummer fell in love with the lead singer. He'd rather vomit in front of an entire set than have his drummer fall in "love" with him.

And then, there was you. That bitch down the block that made him question anything and everything. Just looking at you made him feel things that he wasn't used to, and it infuriated him.

Sure, maybe he wanted to be loved, but by you? Sweet, little Y/n who'd never had a bad thought in your life? For fucks sake, it was as if the universe was laughing at him!

The universe was always laughing at him.

But who cares? He was in a punk ass band, he always stuck it to the Man, and when it mattered most, his bandmates showed up when others didn't.

But you were always on his mind.

Shit.

He was down bad for you. There was no way around it.

Standing outside your doorstep, half-smoked cigarette hanging from his lips, he knocked rather loudly. If you didn't answer, he'd just leave. God, he hoped you didn't answer. The cherry wine coolers he'd had just moments before weren't doing much to settle his nerves.

Why the fuck was he even nervous?

It wasn't like it was the first time he'd been around you. Hell, he'd smoked a cigarette or three on your doorstep, complaining about anything and everything as you drank a soda, a coffee, or one of those cheap wine coolers he brought you.

It wasn't like he didn't know you.

There's a pause as he sucks in a deep breath of smoke, and the door opens to reveal you. In your pajamas like a good little samaritan, ready for bed at 10 in the evening.

Simon silently scolded himself. Of course you were ready for bed. A goody-two-shoes who most definitely wasn't waiting up for some kind of divine inspiration for a new song. Who wasn't waiting up for some kind of alcohol to finally kick in.

You blinked slowly at him. You knew him—not as well as you would like to, but you knew him. You had a history class together back in high school, and while you weren't that teenager from way back when, you still remember the inkling of a crush you had on him. You knew him way better then than you did, now.

Ethics be damned, am I right?

"Simon?"

Your voice was so soft, so sweet. He just wanted to turn around and walk away, to avoid you so he wouldn't taint you like he wanted to.

Dammit.

"Hey, Y/n," he said, dropping his cigarette and crushing it beneath his boots. "You, uh, got a minute?"

You blinked slowly but gave a small nod, stepping out onto the porch. You closed the door behind you to keep the cool air from going in. Your arms crossed over your chest and you watched Simon closely before he spoke. It wasn't the first time you had done this.

You stood barefoot in front of him, the cold concrete a not-so-welcome addition to the conversation.

"Look," he began. "I, uh, just wanted to—well, fuck, I don't know what I wanted to—"

He was a blabbering mess. What the fuck was this? He was confident, but around you, it was as if every little bit of his brazenness melted away.

"You, me, bar tomorrow night, yeah?" he blurted.

Simple. To the point. Far less embarrassing than what happened just moments prior.

Your eyes widened, and he can see the gears turning in your pretty mind. But you didn't seem adverse.

You smiled a bit. "What bar?"

He blinked slowly. "What bar? The fuck—uh," he looked over his shoulder, clearing his throat. "Sure. Why the fuck not? Bar on Main Street."

"Will I meet you there?"

He scrunched his nose. "Yeah. Meet me there."

"Cool. What time?"

He blinked slowly. "Time? Fucks sake, Y/n, you ask a hell of a lot of questions," he said, snorting softly. "Let's, uh, say nine? Or is that too late for you?" He eyed your warm pajamas.

"I'll be there," you said.

He perked up a bit before he looked you up and down one more time. "Fucking right," he said. "Be there." He took a step back, nearly faltering on the first step of your porch, but then he turned away and without another word, left you behind.

Fuck. Fuck, fuck, fuck. He wasn't stupid. He was smart in his own ways, sure, but what the actual fuck was that?

Girls threw themselves at his feet, especially when he was John Q. Guys did too, in their own ways—hell, he had one guy one time tell him he'd give him a blowjob if he looked at him for longer than five seconds.

He almost took him up on the offer. But that was nearly a year ago, and the way you looked at him tonight made his heart melt in the confines of his beaten chest.

Dammit all, what the fuck was he doing?

Love. What the hell would love give him that he couldn't get from some random fucker down the street?

What in the ever-loving hell was he doing?

Nine o'clock on the dot, he was there at the bar on Main.

Down bad. He knew it, too. Even canceled his band practice just to come and see you. His drummer had nearly cussed him out, but Simon didn't give a shit.

He went straight to the bar and ordered a beer, downing half of it in the first few seconds of having it.

When he felt a hand on his arm, he nearly jumped out of his skin. He looked down, seeing you standing there. You actually came. You weren't pulling his dick, you actually showed up.

His heart pounded nervously in his chest. Shit. When was the last time he was actually this nervous?

"Y/n," he said.

You smiled up at him. Did anyone ever tell you how pretty your smile was?

What. The. Fuck.

"You said nine, right?" you asked. "I'm avoiding my pajamas just for you."

Just for him. Fuuuck.

You were cute.

He shoots a cheeky grin, leaning against the bar counter. He could be suave. He could be confident and not seem as needy as he felt. The pyro was more than capable.

But for some reason, he didn't feel like lying to you. He didn't feel like joking around, or trying to show you something that simply wasn't true.

He'd loved you since that stupid class back in high school—the one with Mr. Fuck-face and that terrible toupee. You had been so nice to him, while everyone else had treated him like a parasite. Not that he blamed them. He knew what he was.

He cleared his throat and looked around the bar. Maybe it hadn't been the best place to ask you to, but the alcohol definitely would help at some point.

"Yeah. I said nine," he said.

You ordered a drink. He doesn't listen to what you say to the bartender. He's staring you down, eyeing you like a fine choice of meat. Fuck, you were, though. Every inch of you was like heaven to him.

Maybe it wasn't love he wanted. Maybe it was just lust that kept him in a chokehold.

Besides, he hardly knew you. Knew you briefly in high school, but the fuck's that matter? How long has it been since the two of you graduated?

Long enough.

Long enough for everything to change, except for him, apparently.

"How've you been?"

Your voice drew him out of his thoughts. He looked at you, blinking slowly, before he shrugged.

"Busy," he said.

"You still playing?"

He blinked slowly. "Huh?"

"In high school. You had a band. You still playing?"

You remembered that? Shit.

"Yeah," he said. "I'm still playing. We play a couple gigs here and there."

Your eyes widened. "Really? Where do you play?"

"Wherever we can get a spot. You, uh, should totally come out to hear it some time."

You smiled immediately. "I would love to," you said.

He stared you down. Either you were lying or you were one of the fuckers who he knew he'd never get enough of. It's looking like it would be the latter.

He looked away from you, taking a swig of his beer.

"You think that—"

He interrupted you, slamming his beer onto the counter. "Look," he said rather quickly. "I don't know what it is, but I need you to take me seriously for a second."

You blinked slowly. "Yeah. What's up?"

He clenched his jaw as he looked at you. He wasn't angry with you—nah, he was angry with himself. Not talking to you sooner, not kissing your pretty mouth, not—

"I think you're fucking tits," he said, taking hold of you by your shoulders. "I'm not about to sit here and tell you I love you, because I don't, but for fuck's sake, I want you more than I've wanted anything in my entire life."

Okay. Lie number one. Starting off strong. But how could you love someone if you didn't truly know who they were? Guess it wasn't really a lie. It just... was a half truth, if that.

Your eyes are wide as you stared up at him. "What?"

"I want—" he began, letting out a labored breath. "I want you. Okay? There. Fuck. I said it."

"You... you want me? How?"

He snorted softly at your question. "I want you in every fuckin' way imaginable, Y/n."

He said nothing more, leaving it up for your interpretation, but clearly, by the way he was looking at you, it was obvious.

"Simon—"

"Nah, don't," he said. "If you're gonna protest, I don't want to hear it."

"I'm not gonna protest—"

"—I've had enough people tell me they don't want me, and it pisses me off."

"But I—"

"—I'm serious, Y/n."

"Simon. I'm not protesting," you said defensively. "I—I feel the same way."

He blinked slowly at you, like he didn't just hear you correctly.

"What?" he asked.

"I like you," you said. "Have for a while now."

"You..."

"Yeah. I do," you said.

"Well shit," he breathed out, looking down at you. "Well that was easier than I thought it would be."

He pulled on a cheeky grin, and those pretty eyes of his bored into yours.

"You should kiss me," you said, smiling up at him.

"The fuck?" he let out a curt laugh, but he took you up on the offer. A hand moved to the back of your neck, and his lips pressed to yours almost instantaneously.

Fuuck, he'd wanted to do this shit for ages. Why the hell didn't he ask you sooner?

[yourstarstruckbeloved]

first glimpse of red

in which seishiro nagi veers dangerously close to the path of nihility.

content/warnings: 1.1k words, blue lock x hsr au??? cross fandom fic— this is not a shipfic!!! acheron is here purely as a guide, a LOT of discussion of nihilism and pointlessness and such, like two mentions of death, acheron might be ooc warning, if there’s anything i missed pls let me know

author’s note: i’ve been OBSESSED with the idea of nihility follower nagi— well, not an emanator since emanators of nihility technically can’t exist, so at least whatever acheron is. this is me trying to coherently put it all into words <3

seishiro nagi rubs his eyes and stretches, yawning as he does so. he boots up his PC once more, and shuts it back off when he realises that even playing another game would be too much effort. nagi is tired. sighing as he closes his eyes, seishiro nagi slumps on his chair. the time blurs into monochrome. 

reason.

what reason did nagi have to do anything at all? why does he wake up in the morning just to go back to sleep at night? he immediately discards the thoughts from his mind, concluding that it would be a hassle to think about them anymore. and unknowingly, he finds himself walking a step closer towards the edge of the looming blackhole in the horizon of existence. nagi isn’t someone who spends his time dwelling on matters like this— he’d much rather get to the root of a problem as quickly as possible and cut it right off, so it would never grow to be a bother again.

nagi doesn’t know what path he treads on. all he knows is he tends to choose those with easy exits and no catches. what does he even want? it just so happens that the easiest path nagi finds himself to be able to tread on is one of listless monochrome. a lot of people have asked him why he finds everything to be a hassle. he shrugs and says that he doesn’t know. it’s true that he doesn’t, but it’s not like he’s ever bothered to find the answer to the question. and it’s not like he’s asked himself why he doesn’t bother.

nagi doesn’t care. he’s been this way for as long as he could remember. 

he meets a purple haired woman in his journey through IX’s landscape. acheron is someone that accidentally stepped into the path of nihility and ventured a bit too far into IX’s shadow. for a fleeting moment, nagi wonders why she couldn’t just have steered course away from nihility, but realises he doesn’t care that much about the answer.

pointlessness.

it finally dawns on him, why he thinks of everything as a hassle. the answer had always been with him, he never had to go look. all of nagi’s actions stem from wanting to eradicate all burden and hassle from his life. he recounts this to acheron, and she comes to the realisation that she and nagi probably weren’t cut from the same cloth; they were two individuals on vastly different courses of life, that happened to intersect at this very moment. unlike acheron who happened to be thrown onto this path completely by accident, nagi seemed like he was destined to follow nihility since birth. he’d always found everything pointless, enough to feel disengaged from everyone and everything around him to some degree, at least. 

but then again, unlike acheron, nagi has an easier exit from this path than she does. she’s carved this one singular path for herself out of the hardest stone, in a resolve to reach the light beyond the black disc of nothingness, and to guide people who cross paths with her by making them pick a certain choice that she offers.

well… calling it a choice offered by her would be putting it in the crudest and vaguely inaccurate terms. she’s not the one steering their lives, even for this fleeting moment; she could never take credit for such a thing. she simply shows people possibilities, and lets them decide for themselves which one they’d like to walk towards.

nagi can articulate now that the basis of his attitude to most things in life is because of the pointlessness he associates with everything. so, what now?

but then this leads acheron to question if nagi truly was someone born for nihility, or if he was just another one of the poor souls that was led astray and accidentally ended up on IX’s monochrome path; because, well, no one’s point of existence could truly be to pursue nihility— anyways, it’s not like the answer to that question matters, she surmises.

there is nothing left for nagi to do in this reality except for think, and so he does. why did he keep pressing on until this moment despite the pointlessness of his existence? well, he wouldn’t say he particularly pressed on to live— had death come knocking on his door, he would’ve followed it out with a shrug of his shoulders. do you keep living despite the pointlessness of it all, or do you actively try to find meaning in your actions?

cut that out, the answer to that question is pointless— humans keep living on, regardless of their answers.

slowly, the pieces of the puzzle come together. some pieces are still missing, but he gets the wider picture. in a first, he asks acheron why humans strive to keep living despite the void of meaninglessness that the universe is based upon. she tells him that red is the colour of existence, and that it will be the first colour that will bloom, only for a fleeting moment in this monochrome universe. she asks him if he would roam in search of that first streak of crimson or if he would pick up a brush and paint it into existence. and when a choice is made, it shall reappear once more. in other words, will you search for meaning, or will you create meaning for yourself?

nagi wonders why her question wasn’t about following the halo of light at the end of nothingness— isn’t acheron a guide to those who walk this path? almost as if she hears his thoughts, she clarifies that it would be a pointless question for her to ask. his mouth opens to question her once more, but the word why? gets caught in his throat, as the realisation hits him like a speeding truck. every life is destined to end with the nihility, no matter what— it’s almost like a primal instinct, the way every being is naturally drawn to the light beyond the nothingness. perhaps, that is why a life that edges closer to death fervently approaches nihility, and further aspires to reach the end of it. so, will you strive to fill your life with meaning, or will you willingly thrust yourself into the meaningless pursuit of the primordial light, like acheron has?

he understands now. he picks up a paintbrush that lies fallen at his feet, streaks and blotches of red trailing with its bristles. he walks, but acheron doesn’t care to discern whether he’s walking towards the blackhole or not. she smiles wistfully, slashing her blade and tearing apart the spatio-temporal fabric of the horizon of existence. seishiro nagi wakes up in a cold sweat, finding himself in front of his PC once more, the words you died plastered in big red letters on his screen.

[sarbear94]

Because Evan-

(It’s a long one…sorry not sorry 😘)

Okay…. I’ve been rewatching some old Buddie scenes because of the potential of Eddie moving back to El Paso and…. excuse my language but…. What the fuck?

It’s like the writers are new or don’t know what to do with Eddie anymore. Or like someway, somehow the episodes are out of order.

In THAT scene, Buck asks “he has grandparents, family” and Eddie reply’s “After Shannon left, they tried to guilt me into giving Christopher to them. It wasn’t what I wanted then, it’s not what I want now.” They then both agreed that no one would fight harder for Chris than Buck.

So WHY THE FUCK haven’t either of them gotten him back yet??

Eddie started season 7 with Marisol and Chris and everyone’s fine. Then Chris is dating multiple girls (Eddie is baffled and doesn’t know how to handle it so he asks Buck for help) and said it has to do with his mom to Buck and we get that EMOTIONAL shot of Eddie devastated after hearing this. Then proceeds to give him a letter to bring about closure for him. Eddie seemed to already have closure or at least repressed it.

Then Eddie meets Kim…. And the Eddie we have loved for 6 seasons is IMMEDIATELY GONE. He does the exact same thing that he told Buck about Christopher was not okay And needed to be fixed (he was BEGGING Buck for help).

Like, my dude, how did you think this was gonna go? You kept everyone in the dark. Your son, your best friend, your GIRLFRIEND and even Kim! What was his end goal? It doesn’t make any sense.

Like I understand that if Gavin wasn’t gonna be around next season, and you need to write him off but have him potentially come back, there were several ways you could have done that but still kept true to the characters. Have Chris go to a boarding school. Or a school trip. Or literally ANYTHING ELSE! Then season 8, keep the Kim storyline, but Chris is already gone and doesn’t witness it. Cause now that whole confession thing with Kim pretending to be Shannon and actually get closure was pointless. If they’d done that with Chris gone, he’d have the closure. Work on the PTSD crawling back up in an empty house, keep the Priest and finding Joy and then keep that for a bit and then heal.

That was a whole side tangent really for the main point I was trying to make, but why does Eddie- lose Chris, grow a mustache, grieve for not having his son, have an episode where a Priest says “let yourself have Joy,” then take it away in the next couple of episodes by saying “I’m thinking of moving to Texas” based on the words of a psycho actor??

Chris is a TEENAGER! Hell- he might still be a preteen, grow the fuck up and go parent your son. You’ve put your foot down before, why is this any different?? After a few weeks, I would have been like “nope, we’re done with this. I get I fucked up, but I’m still your dad so we are gonna talk about this and figure out some common ground.” I understand feeling guilty and not wanting to push him even farther away but you’re not even trying! Phone calls don’t show “I want you here with me,” it says “I’m okay with you being gone.”

You’re thinking moving to El Paso is a great idea… but it’s not. Your parents suck. You know this. YOU MOVED HALF WAY ACROSS THE US TO GET AWAY FROM THEM FOR A REASON! I get you patched things up slightly, but not enough.

ALSO! Why wasn’t Buck an option?!? Because of Tommy? I get because Gavin being out of the show(temporarily?) would have made that impossible but why wasn’t it even mentioned? I mean, He’s run to him before, he’s called him when Eddie had his breakdown and Chris didn’t know what to do. But like THEY HAD THE WILL, why wasn’t it even a factor in this. At the time, it felt like, at least to Chris, that Eddie was incapable of taking care of him, which means that Chris should go to Buck. Not his grandparents.

I just don’t understand what they are doing with these two. E and C. Bucks got his bisexual journey(relationship with Tommy). Bobby has multiple storylines. The Hans had the Mara and new baby storylines. Hen and Karen had the Ortiz/Mara and Denny/Halloween storylines. Athena has literally any storyline involving cops. And all those storylines make sense for each character. Eddie’s and Chris’s doesn’t. They keep pushing Eddie to be sad then happy then making stupid decisions. DEVELOP YOUR FUCKING CHARACTER! You’ve been dropping the ball since at least the network switch. Which I find super funny because yes, he does the emotional scenes super amazing but now it seems like his character is more open. He’s making more funny faces, he’s got the loose hair, he makes comedic jokes. But he’s almost(so close) to reminding me of Buck 1.0.. but it doesn’t fit with the storyline at all. At least to me…

Like does anyone agree with any of this? Am I just seeing things? Did the writers get told Gavin was leaving too late and made this story on the fly and rolled with it? Does Ryan want out of the show and they are keeping it under wraps? Like WHAT IS HAPPENING? Make it make sense!

Ps. I did not proofread this before posting so if something doesn’t make sense, let me know. I was just trying to get down all my thoughts on this. Currently me vvv

[lightlycareless]

I was thinking about your portrayal of Naoya and I was already thinking of a JJK actor au which led me to think of how actor Naoya upon hearing that Y/N was going to be in this new romance movie, I feel like he’d immediately use all his connections(Ofc he could audition but he needs to make this a sure thing plus he’s fs a Nepo Baby XD but at least he’s got the skills too) just so he can be in that movie with Y/N(Maybe the Male lead was gonna be Nanami too!). I bet they’d end up getting together by the end of filming Teehee. You don’t have to write anything if you don’t wanna but I thought you might think this au is fun too if only to just daydream about it :D

Heya anon!!

Thank you for your patience hehe. I have to say, AU’s where Y/N or Naoya are a celebrity is kind of like my guilty pleasure; I don’t really indulge much on it because I don’t have a plot line most of the time, but this was the perfect excuse to see what I can do with it :> I just hope you enjoy it!! Also, this is going to be a two-part oneshot so… yeah hehe.

Btw, thank you all for those who voted for fluff, but we know how this goes so I had to put a little bit of drama somewhere :) it’s Naoya we’re talking about.

Warnings: AU. Naoya and Y/N are actors; he’s an idiot, a nepobaby, womanizer, etc etc, but we already knew all that. What’s interesting is his so called redemption OOF.

Happy reading!

Established actor Naoya that’s quite popular amongst the audience even with the rumors of his difficult work ethic, less than desirable personality, and blatant nepotism, thanks to his good looks and deceiving charm.

Because of his status, whatever project he wants, he gets. Sure, there are some that still have the audacity to require an audition from him, but it’s just a formality that he dejectedly complies to—Naoya knows that even when doing a bad job, he’ll still get the part at the end of the day.

But that doesn’t mean Naoya goes for any kind of role; he’s quite specific about what he wants: a pretty co-star.

And the studios had a variety of reasons to allow such demands, starting from a financial benefit: with a handsome face like his to match with an equally attractive coworker, he’ll only sell-out all functions; and in turn, he’ll get his fair share of enjoyment with his fellow partner of the moment. The same ones he discards immediately after getting bored; careless if they unwittingly got feelings for him—but nonetheless a win-win situation all around.

Such a quick lifestyle has him already setting eyes on his next target, a relatively unknown rising star with a seemingly promising future whom he was immediately smitten by upon seeing her for the first time, just as the rest of the world was.

“Y/N L/N” Naoya would repeat, enjoying how the sound of your name rolled off his tongue—fitting for someone of your beauty: vibrant eyes, rosy cheeks, shiny hair… and to top it all off, a humble yet shy demeanor that just made his obsession for you grow tenfold.

Wouldn't be the first time he’s grown interested in up and coming actresses, because in Naoya’s perspective, they’re much easier to impress, far more gullible to manipulate how he wants…

But it would be the first time he’s ever been so desperately obsessed to be with, for soon after he saw you, you became all he thought about. Causing him issues with his current fling (it briefly grazed the headlines, his team quickly fixed that)and some commitments he almost fumbled, keyword: almost.

Naoya couldn’t explain it; there was just something about you that attracted him, almost like you were destined to be together.

He needed you—one way or the other—and he needed you now.

Per usual, he soon demanded his manager and assistants to get a detailed list of all your upcoming projects, to see which ones he could be part of, and if neither were to his advantage, make those opportunities. Naoya was not to let you go so easily.

”A movie adaptation for some romance series that’s been in the talks for a while now.” His manager highlighted. “It’s her biggest work yet as a protagonist—in fact, development just started because of her.”

”Romance?” Naoya breathed, excited at the implications. “Do they have the male lead yet? I don’t think I need to tell you what I want, do I?”

”Oh, uh, no—you don’t, but… about that—“

”What is it?” It was always frightening to see how easily his behavior oscillated when facing his disapproval, but once already here…

“What?! What do you mean the casting’s already done?! Why wasn't I made aware of this????”

Because as obvious as his womanizing ways were, it would be physically impossible to have him assist every single call in hopes he’d settle with someone attractive enough for his standards.

Besides, this project already had their co-stars in mind way before it was even announced, the studio was just waiting for the right female lead to come along: and when that proved to be you…

Nanami was quickly brought on board, perfect for the role in all ways that mattered: from physical similarities to his character which made the fandom very, very satisfied, to work ethic; his professionalism was always beyond everyone’s expectations, no one has ever complained about him.

Kento was, hands down, a dream to work with—and considering what all of this meant, it was safe to say that Naoya was not happy about it.

”Well, get them to change actors!” He quickly demanded. “Call them and let them know I want the part, should be easy enough considering my status, no?”

”Ah, I— I guess I could but I’ve heard other people tried before and failed… so I don’t want to waste your time if you’re going to face that same result…”

The way how other’s interest in the film is implied behind his words makes Naoya’s eyes widen. Because surely no one cares about participating in that irrelevant series he’s never heard of until now, if it didn’t mean getting to work with you, that is. Everyone’s favorite girl of the moment.

His girl.

Ever the competitive one, it doesn’t take him much longer after that to call who he had to call, bribe who he had to bribe to finally, after many insistences, sign the contract that effectively labels him as your co-star.

Careless if his decision would prove detrimental to the project in the long run, or if it would strain relations between him and Nanami. Naoya never really minded him, outside of being bundled together with some other actors the audience generally cataloged as the most handsome in the country—if this change meant they’d never get to work together, fine! He had obtained a much better reward in return anyways.

Naoya wasn’t to allow anyone to deprive him of what was rightfully his—even if he wasn’t aware of it beforehand—and thus, when the fateful day to start working alongside you finally came along, the moment he’d see you for the first time without the interference of a screen, or through a picture—

His breath ran short. Heart skipping a beat when his eyes fell on your figure: truly, the cameras did you no justice.

You were far more breathtakingly beautiful in person.

So much was his shock, that the smooth introduction he had planned for the moment was limited to a stuttering mess, a shame to someone as charismatic as him.

”You’re—you’re Zen’in—No, I mean, I’m—“ Naoya says, a stranger to the heat forming in his cheeks, inwardly demeaning the weak presentation he must’ve given you now.

But if he wasn't already fixated enough on you, the way you appeared to be indifferent to his nerves completely captivated him. A wide smile on your lips as you greeted him with that same enthusiasm that made the whole world fall to your feet.

”Nice to meet you, Naoya!” You chirp. “I can’t believe we’re working together… I mean, so early in my career! Thank you so much for this opportunity, I promise I won’t disappoint!”

”The pleasure’s all mine.” And so is the curse you’ve seem to have unwittingly placed upon him after sweetly declaring you’d be under his care.

He’s made up his mind, Naoya will make you fall in love with him in less of what it takes to wrap up this movie. He’ll make you his, and will go to any length to ensure so.

Even if it meant ignoring your father’s (your manager, a veteran actor of days past) clear warnings.

”Don’t think I don’t know how your kind works.” Eiichi, your father, threatens Naoya during a short moment of privacy. “And I’m well aware of the rumors that surround you, even if you have your team quiet them. I should’ve known you were up to something the moment you insisted on Nanami’s removal—but I’ll let you know that whatever it is that you have in mind, I won’t allow it.”

”I assure you, Eiichi-san, I have no other intentions with your daughter outside of making our best efforts to have this picture timely done.” Naoya cynically responded, which just made your dad even angrier. Your co-star thinks your manager is an all bark, no bite type of dog. An old dog too, and treats him like such.

“Then surely asking you to act appropriately for once in your life isn’t too much to demand, is it?” He frowns. “Especially for someone who’s barely starting in the genre.”

”Wait—you mean to say—“

If this is your first romance movie, does that mean…

You haven’t done your first on-camera kiss?

Or perhaps even better—you haven’t kissed anyone at all?

Not quite, nor were you ever going to disclose personal matters that truly only belonged to you.

But if your father intended to protect you, he really, really shouldn’t have said that. Eiichi shouldn’t have gone ahead and essentially pushed you further into Naoya’s claws, his words being the last piece of motivation to become completely unhinged and make your time with him… tense, to say the least.

Oh, but how could he not? You were simply too adorable when trying to do your best to fulfill everyone’s expectations: barely putting up a fuss when Naoya got a bit too dramatic to what the script demanded, far more handsy, even when not recording: all for the sake of staying in character, he’d claim.

And when he dejectedly worked on those scenes where nothing of his interest was happening, you didn’t even complain. You kept quiet, submissive, taking the situation as best as you could and kept on working—because that’s what professional actresses do, isn’t it? And you’re nothing but the best.

But things didn’t really escalate until it was time to record that long-awaited kiss; what the script demanded to be the first kiss between their characters, in other words, something sweet, overall a touching scene.

However, Naoya naturally had to blur the line between his work and personal life—and instead of taking this moment as what it was, just two people trying to get the job done, he decided to… mark it as some declaration of feelings.

Confirmation that the time the two had spent together, a few weeks now, had actually amounted to something; aside from figuring out what your soft lips tasted like.

Because to Naoya, those interactions in between breaks, outside of the set, and even during filming, had been quite meaningful to him. To you too, he suspects.

Your shy nature just didn’t allow you to openly affirm it, a little push was all you needed to do so.

”Don’t be nervous, dumpling.” Is the nickname he’d given you upon seeing your excitement for last week's catering. You’ve politely told him it wasn’t necessary to call you that, but he insisted otherwise, calling it their very first inside joke. What everyone does to get along better. “Just follow my lead and I’ll worry about everything else, ok?”

Not exactly the reassuring words you were searching for, but for someone of Naoya’s expertise, alongside the physical hold he had over you at this point, hands over your arms, keeping you close to his chest… it’s not like you could demand otherwise.

And so, after everyone was in position, the director finally signals the scene to begin: Naoya delivers the script with an uncharacteristic perfection, outside of that slight rush behind his words, eager to get to that one particular moment, it’s obvious he’s been looking forward to recording this.

To kiss you, which he abruptly does by suddenly moving his face towards yours and then, captivating your lips onto his—giving more than his interpretation of the character’s desire: it was him wanting to take in your scent, warmth, touch, everything, and bask in it.

Claim it as his own, for those in the room, and the world in due time, to see.

One might’ve even assumed you were fine with his intentions too, given how you didn’t complain nor fight back against his desperate gesture, struggling to follow his lead in a way that appeared he was trying to eat you alive.

Which thankfully didn’t happen once the director cut the scene, and just before you ran out of breath.

”Naoya, while I appreciate the enthusiasm, that was—a bit too much.” The director said; if he was aware of your and Naoya’s fluster, he didn’t comment. “Let’s do it again, from the top.”

Normally, Naoya would’ve retorted at what he considered unnecessary reshooting, apparently his time was far more valuable than the rest even when he was being paid millions to be there… but this time around, he was nothing but obliging, in fact, Naoya even suggested that they’d go at it once more just to be sure they captured the right sentiment. Fulfill his desire.

With each time becoming more and more desperate than the other.

Naoya frequently claimed himself to be immune to any kind of addiction, thought of it as weak for the character, above such “petty” faults—But when it came to you… he just proved to be as human as the rest.

He physically needed to have all of you; they’d have to forcibly pry him away to stop—

Or for you to do so, swiftly placing your hands over his chest and pushing him away when it became too much, putting an end to the scene before the director could and subsequently raising many eyebrows around you.

”What’s wrong, Y/N?” The director asks upon seeing your distraught face—exhausted from the many reshoots, and of course, Naoya’s overbearing ways. “Is everything alright?”

”Ye-yeah, I just… I’m sorry, I think I need a break.” You silently plead, looking over to your manager who was more than ready to step in if your request was dismissed; which thankfully, wasn’t. The director sighing before turning around and stating:

”Alright everyone, take 5.”

The perfect opportunity for Naoya to follow through with his so-called affirmation of feelings, trailing behind you soon after.

“Hey, dumpling, wait up! There’s something I need to—“

”Not right now, Naoya.” You respond, your pace unwavering. You didn’t even turn to face him. “I have to—be alone for a moment.”

”Y/N—“

Your father and sister, manager and assistant respectively, close in on you and break eye contact between the two, allowing you retreat into what he assumed your dressing room—

And leaving him behind to deal with his anger, which he immediately takes out on the director, stomping his way to him and giving him a piece of his mind.

“So you’re just going to let her go?” Naoya hisses, the man, having worked with him on previous occasions, simply sighs.

”What do you want me to do, Naoya? You saw how she ran away.” He responds. “Besides, we’ve been at it all day, I’m tired too.”

”This is just going to ruin the pace of the film, you know that, right? You should, considering your… experience.”

”Look, Naoya— it’s quite obvious what you were trying to do back there, I’ve seen it before; but we’re not going to discuss that.” He adds. “The girl is new in the game, naive, and overprotected. Did you know that her management sent us a long list of requisites after the studio offered her a contract? If it weren’t for her family, she would’ve been immediately dismissed.”

”Requisites? What kind of requisites?”

“None that I can discuss with you, but I guess I could tell you the obvious: you were not part of them. There’s a reason why Nanami was firmly set for your role, but guess that doesn’t matter since you know your way around these things…”

”Is there something else you’re hiding from me? Why bring it up if you’re not going to tell me anyways!” Naoya growls. Why was Nanami brought up again, out of nowhere??

”Just take 5 minutes, Naoya. Clear up your head, we still have a long day ahead.” The director insists. “And if it’s worth anything, Y/N will be back, she’s very dedicated to her work, I’ll give her that. Even with your weird… plays, I’m sure.”

But that wasn’t enough to calm Naoya—not with the way you essentially fled from him.

Your behavior led a part of him to feel… inadequate. Underperforming—stupid.

Rejected.

And he’s never been rejected before.

A dangerous observation to make considering his easily ignited attitude.

The moment you were back, he’d demand an answer. Hear, directly from you, why you’d cruelly dismiss his advances when he had been nothing but nice to you.

… but that moment wouldn’t come today.

In fact, not even in the subsequent ones, for after everyone was abruptly requested to go home, the studio announced that filming would go on a brief hiatus to sort out some… unexpected issues—which Naoya immediately connected to you given your radio silence.

Forcing him to directly reach out to you… but you’d never answer. In fact, all of his attempts were swiftly ignored; your team didn’t even acknowledge them! As if dealing with junk mail.

Naoya’s desperation naturally spiked after that, frantically searching for an answer—

Which he’d get soon enough, but only through a tabloid which probably described the worst case scenario he could’ve imagined unfolding for this situation:

“Y/N to abandon latest project—close sources blame differences between protagonists.”

Naoya’s heart sinks.

Also, I wish to apologize if these little comma things “ appear weird? Like not the right ones at the beginning? I’m currently out of my home so all of my writing is being done through a tablet lol I’ll come back later to fix them :> I hope it didn’t ruin your reading experience :’v

And I might as well comment I didn’t feel like ending part one with just the headline, but at the same time the whole naoya’s heart skins doesn’t completely convince me…. But I don’t know, might be my impostor’s syndrome or something who knows!!!! All that I know is I have to make Naoya pathetic on the second part, so if anyone has any ideas of what you’d like to see send them in hehe I want to make him suffer :) or at least guilty, damn…

Anyways, I hope it was to your liking!! I shall proceed with the following part after I write down a little smut hehe. Thank you so much for sending in this ask, take care and hope to see you soon!!!

[the-thieves-gambit]

That earned a well-deserved eye roll but it was quickly gone with a chuckle as she heard his laugh. Listening, she could see the park before her, and gave occasional little sounds of confirmation to let him know that she was paying attention. "Sounds like you've been skipping leg day at the gym. You should start taking longer walks with Dolly. Might meet some more interesting people than me to bother on your days off." It was a small implanted suggestion that she hoped he would take into consideration.

"I know all you boys have your secrets. I know the CIA's and the Air forces in Nevada and I know you boys have your small subsection as well." Her time in Vegas came to mind and the finger one of the agents, a regular at the club she was dancing at, twitched at the memory of it. Though it had healed well, it still bothered her when the weather was cold and she couldn't fold it completely when making a fist. "If you do you might be partnered up with your Scully. If you are, I will need an invite to the wedding, after all, it was my idea that led you there, so you're welcome future Wally."

At hearing Wally, Dolly nuzzled against Elizabeth's chin wanting to listen in and let out a small ruff at the words he said. With a giggle, she put it on speaker mode so the pup could hear him clearer. "I should be thanking her for the company. And you for letting me watch her. The days seem to be flying by with her around. and she gives me an excuse to finally go exploring around the island like I wanted to." There was something to be said about the way that he was willing to talk about anything else than what she knew would be the biggest thorn in her side while trying to get the office ready for her to leave. So she let herself be distracted by him talking about his day. Letting a groan out at the simple mistakes some people made.

"I'm always preparing, there's a difference. It's like the condom motto, it's better to have one and not need it than to need it and not have it." Cuddling against Dolly she added. "Dolly's different and you know it." Rolling her eyes she added. "Yes, I know they jump, but its better than being kicked by hind legs of a powerful animal or be thrown from one."

Oh, now that was promising. “Well it’s been a while since I’ve been out there, this sounds like the perfect excuse to travel for a bit.” Settling into a kore comfortable position, she sighed. As much as she poked fun at him for being tired, the recent uptake on hikes and walks with Dolly around was tiring her too. “Thanks for that. Can’t believe you were thinking about my case while working on yours.”

Hearing the all-familiar tone of a video call, she shifted around so she was still cuddling Dolly but she had become all too conscious about the fact that she was wearing his sweater. Hoped the fact that she was holding the phone out so Dolly was in front of her would help hide it. Knowing him, he would see it and use it as an excuse to tease her about possibly missing him, which she didn't. She only wore it because it was the coziest thing she had at the moment, he hadn't lied when he talked about how soft it was. It felt like a lot like a hug.

After settling into a position, she let it switch over and it took a moment to adjust seeing how much darker it was on his end. His green eyes shone like twinkling emerald stars, taking her off guard for a second. "The Roosevelt, she only lived there for a very short period of time. If anything she'd be at the Brentwood estate she was found at. I don't know why people can't let that poor woman be. She suffered enough when she was alive." Magnus was an old Hollywood lover and would waste no moment to show her the old movies or tell her what he knew about them. Most of her aliases came from those old movies. The laugh was a small one, it wasn't at him but at the idea of that hallway having a poltergeist. "If that were the case we would all already have one attached to each of us, this planet has been spinning for so long that if everyone became ghosts, by now we would all have one."

It felt like the lighthouse all over again, questions she thought she would be asked or had ever thought about before, that somehow only felt like a Wally thing. Whether it be the agent training or the curiosity he seemed to have, she would indulge for now, he had after all let his dog stay with her. Pondering the question over a moment, she thought about all the times that she thought she saw her dad in places over the years in her travels. When visiting parks that they had visited, mostly in California which he always loved. She remembered Jennifer telling him once that he might be John Muir reincarnated. With a sigh, she replied. "I read once that ghosts are a lot things to people. That sometimes they are a daydream or guilt or anger or even a memory. I think sometimes people wish for someone to be around so much that they can conjure their own ghosts. But," she laughed. "I also come from people who believe in fairies and merpeople and trolls, and ghosts too. So I think it would be silly for me to say that they don't exist in a way. And I guess you obviously do or else we wouldn't be having this conversation, right?"

There was that bit of hair that seemed to always be in his face when he let his hair down. She wanted to reach out and tuck behind his ear as she had before he left but couldn't. "Hey," there was something about not being able to look into his eyes unobstructed that seemed to bother her at the moment. "Sorry, but ," she pointed towards her face as if to mimic the tucking motion. "Can you... I don't know why but it's bugging me." It was then that she realized, as the memory of the last time he was there came back that not only was she sleeping in his hoodie, he had slept in her bed and she was cozying up to his dog while on the phone with him. Something strange stirred in her, but she ignored it chalking it up to just being tired. He'd fall asleep before she did though if she kept him talking. "So what's on the agenda for tomorrow?"

He grinned even though she couldn't see him he still did it. "I was getting to the hello just needed to catch you off guard first." His laughter was easy going and flowed like a river. "A National Park, not just any old one. Lassen Volcanic National Park. The meadows were freckled with wildflowers and those lakes are so crystal clear. I mean, I know I wasn't there for the sights but it was refreshing to see a familiar sight to home. Water wise anyway." He sighed and shook his head. "Truly unexpected way to start Monday morning with hearing grab your boots we going hiking. My legs are killing me though."

Hearing Liz on the other side of the call made him smile. He knew he'd missed her but it didn't click just how much until he heard her voice and consequently her teasing banter. He rolled his eyes as he chuckled and sighed. "He wishes he was this cool. Actually, we do have a UFO department did you know that? Fun fact of the night. I may just request a transfer. Thank you for the reminder. Alien life expert." Wally couldn't help but laugh at his own lame joke.

Getting the picture of his pup made him smile as he chuckled and talked to Dolly knowing she could hear him. "There's my precious girl." he cooed and saved the picture. "Thank you again for keeping her company. She looks very happy and very well loved." That pause made him open his eyes and frown. "That bad huh?" He wasn't sure if it was the tone of her voice or that pause that gave it away to him but he picked up on something in her voice. "For what its worth im glad you got my furry best friend to at least get a smile out of you." His dog was good at that. "Timezones you say, huh it's the first I'm hearing about it."

"Oh that tells me you have not had a moment to sit. Manoa Falls? It has a pretty name. Tell me about it. What did you like the most? A guard dog? Has she already found her new calling? Is this your way of breaking it to me? I'm glad that she's been having a ball of a week so far. I hope that when people asked if she was yours you said yes." He wouldn't have minded it either. Dolly took to Liz so he knew the dog liked her.

Wally sighed and knew that cop bullies usually tended to set their sights on a new target, the ones that came after them first. "I'm sorry. If there's anything I can do let me know." Just by the sound of her voice he knew she didn't want to dwell on this so he switched the topic. "Messy for sure. It turned out that the sheriff for the county lost the paperwork so Sunday when I landed had me at the station waiting for seven hours to see one page of a report that someone actually had saved. The rest needed to be requested from the San Diego office. Not only that but they had three suspects that all had alibis but stories didn't align correctly. So, now we have to trace all three of their footsteps. First guy had us at the National Park. The other was the aquarium and the last one which is my least favorite will have us at a strip club talking to some of the employees there. All this because no one thought to pull fingerprints. One deputy touched a bloody cloth with his hands." Wally sighed. "Upside is that they're all cooperating."

"Why are you so sure that Wildfire will hate you? Do you not trust me? If I had a doubt that she'd hurt you I wouldn't even have you consider this. It'll be like when you met Dolly. Wildfire will fall in love with you. Its not hard to do you know?" he rolled his eyes and laughed. "You are always thinking worst case scenarios. A pony? We can put you on ponies but technically Wildfire is a baby. You're scared of a little baby." His laughter wasn't mean spirited just amused. "It is a ranch. Fine we are adding feeding goats to the list. They jump up just FYI."

His sleepy little laughter rung out and nodded against his pillow. "Mhmm. The big old circle isn't there anymore but that's because city didn't let them build it. Said it was too big. But still there." Her laughter made him hum in content as he had forgotten how melodic a sound it was. "It's actually a funny story. The guy you were looking is friends with suspect number two. They just didn't put two and two together until I saw the report."

Wally switched to video as he had missed seeing her face but could use the pretense of seeing Dolly. He smiled sleepily as his eyes were the only thing visible. "They said it was Marilyn Monroe's ghost but I know that's false. She haunts the Roosevelt and we're so far away from that hotel. I think it's a poltergeist, might be, I hear rustling more than I see any figures pop up. I'm not scared," a little lie. "I just don't fuck with them. What if you inadvertently piss them off because you step on their favorite spot on the floor? And then you have one hanging on you and you have no idea how to begin to apologize." Shaking his head his eyes sparkled with amusement as he moved slightly so his long bang would fall to the side inside of on top of his eye. "Do you believe in them?"