#but I love thinking about all the moral questions in this show

[rmadridcore]

Boyfriend Headcanons

Pairing: Jude Bellingham x Reader

Requested

Word Count: 1K

Author's note: Another request, thank you anon! Enjoyyy 🫂🩷

He’s not joking when he says it was love at first sight.

That boy saw you and you knocked the wind out of him. Like, every single cheesy love song suddenly made sense to him. Not that he’s complaining.

“Babe, I saw you, and I was done for.” And he means it. Really means it.

Jude is a serious simp. Like, on another level. No shame though.

He is the sweetest, most thoughtful boyfriend in the world.

He is the type of boyfriend to leave little notes in random places, like in your bag or on the mirror.

“Missed you already” or “You’re my favorite part of the day” in his messy handwriting.

He has your favorite snacks on hand 24/7, tucking them in your bag when you’re not looking. He gets so excited picturing you reaching in later and lighting up.

He’s the biggest tease in the world, not letting a day pass without some good natured ribbing.

Everyone knows he’s extremely competitive. You would think that he would be a gentleman and let you win when you two play games but no. He lost? Oh, he’s pouting until you bribe him with kisses all over his face.

Jude is low-key so overprotective. He keeps you close in a crowd, hand firmly laced with yours.

Also, Jude 100% knows the sidewalk rule. He always makes sure you walk outside of the sidewalk.

He’s the type of boyfriend to show that he cares for you in the smallest ways.

Always peeling the straw for you, sliding the salt over in case you need it during dinner, adjusting your scarf if it’s chilly.

By the way, you only bring your wallet for decoration when you’re out with him. He’s got you covered, period.

He’s the most supportive boyfriend ever. Whatever you’re passionate about, he’s right there. Cheering you on, sending encouraging texts before a big day, asking hundred questions about it.

He’s also the definition of impulsive gift-giver.

You remind him the color of that sweater? He’s already bought it. Found a mug with a cheesy pun you’d love? Done. “Can never have too much,” he says with a smirk.

He’s absolutely obsessed with the bond you have with his family. His parents adore you and he couldn’t be happier about that but, but, truth be told, he finds the fact that you and Jobe are always ganging up on him very annoying.

He’s an actual cuddle monster. Literally. If you’re with him and he doesn’t have his arms wrapped around you, what is he doing?

He swears his arms were “made to hold you,” but he also loves resting his head on your chest, loving when you play with his hair. The little spoon sometimes is his spot.

He says he loves to cook but that is the biggest lie known to a man. He just loves being in the kitchen while you’re cooking. He’ll sing into the spatula, mess with the ingredients, and kiss your neck until you end up doing most of the work.

“Just here for moral support,” he’ll say, grinning while you roll your eyes.

Subtle PDA is his specialty. He doesn’t go overbroad, but he’ll lace his fingers with yours in public, place his hand on your lower back, squeeze your thigh and lean in just close enough to let everyone know you’re his.

Good morning texts, guaranteed. Whether it’s his sleepy face selfie from bed, a quick snap from training, or a random shot of something that reminds him of you, he makes sure you start your day with a smile.

He asks the most random questions at the most random moments. You could be lounging on the couch with him and he’d be like “If animals could talk, which one you reckon would be the rudest?” Or, “Who do you think would win in a dance off, me or my coach?”

You both have tons of inside jokes. Sometimes it takes a one look or a one word and you’re both cracking up uncontrollably.

He is actually obsessed with snapping candid shots of you. Whether you’re laughing with friends, squinting at the menu, or lost in thought, he loves capturing you in your most natural moments.

Jude has this adorable habit of kissing your forehead at the most random times. If you’re talking excitedly about something, he’ll suddenly lean over, press a kiss to your forehead, and say, “I love how passionate you get about this.”

When he does it in public, he’ll pull you close with a slight smirk, like he’s silently telling everyone around just how much he adores you.

He’s memorized exactly how you like your coffee and surprises you with it just the way you like when you’re feeling lazy in the morning.

If you’re still in bed, he’ll bring it to you, placing a gentle kiss on your shoulder to wake you.

Sometimes, he’ll try to make cute designs in the foam but laugh when they look more like blobs.

He’ll randomly offer you a piggyback ride, even if you’re just walking a short distance. He claims it’s because he’s “keeping you safe” but really just loves carrying you around.

If you’ve had a long day, he’ll give you a piggyback ride all the way to bed, tucking you in with a soft kiss on your forehead and a cheeky, “Lucky I’m here, huh?”

When he’s away, he leaves you cute, funny voice notes throughout the day. They range from “Hey, miss you” to “Guess what I saw today?”

Sometimes, he tries to make up a song about you, laughing through it because he’s making up random lyrics that don’t rhyme.

Whenever you have a small problem, like a squeaky door, a broken lamp, or your favorite necklace clasp breaking, Jude takes it as his personal mission to fix it, even if he doesn’t know how.

He’s ridiculously proud when he finally fixes something and says he’s “earning boyfriend points.”

Jude often talks about the future with you in it. He’ll casually say things like, “When we have a place together…” or “Our future kids would be the cutest,” and then he’ll get adorably shy, rubbing the back of his neck, realizing what he just said.

In conclusion, Jude Bellingham is a huge boyfriend material.

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[monophobix]

INITIAL THOUGHTS ON ARCANE SEASON 2 ACT 1 (EPISODES 1-3)

(i’m not good at putting my thoughts into words so feel free to give your own opinions, i rlly wanna hear them)

SPOILERS AHEAD///

ok so my biggest critique is the pacing. everything is very quick very fast and a lot is going on. i understand that this is immediately after a large event which of course caused a reaction however it was just very intense and a lot to keep up with especially considering the amount of new and confusing things introduced throughout the three episodes with minimal slow down. it was alittle difficult to keep up. the timeline of the show is confusing and i have no idea how long it has been between scenes. viktor was barely in that weird healing chamber for a few scenes before he was emerging as someone new. caitlyn and vi were going from loving to fighting to understanding to fighting again very quickly with little time to develop independently, their kiss and divorce weren’t even 30 minutes apart from each other. also, who the fuck is this kid hanging around with jinx?? why is she following her, why doesn’t she talk, what’s her name, how long has she been with her?? this lack of time to let things develop has caused these episodes to feel rushed.

with this introduction of many new things some have left me with a lot of questions. my biggest issue revolves around the arcane. i literally do not recall it being mentioned or being an important topic in s1 but all of a sudden jayce knows a fuck ton about it as well as heimerdinger? when did he learn this? i assume it’s from viktors notes and research but that still fails to cover the amount of knowledge jayce now possesses.

HOWEVER THE ARCANE IS VERY COOL AND IM VERY VERY INVESTED. i absolutely love the changes to viktor, his weird apathy and changes are definitely rushed but so interesting to see, his design and behaviour are so very compelling and im very excited to see the development. additionally, this group dynamic between jayce, ekko and heimerdinger is soooooo fun. it offers a break from the intensity with some silliness i think is desperately needed, plus it’s super satisfying to see the trio bounce off each other. that final scene of them in ep3 was visually incredible and i loved seeing the effects upon the hextech weapons during the jinx, sevika vs vi, caitlyn fight. the scene of viktor amongst the shimmer infected was very interesting and it was so cool to truly see the severe effects of shimmer and the inhumanity of viktor is making a clear route towards his glorious evolution which is am keen to watch.

that ambessa reveal at the end was INCREDIBLE. i genuinely didn’t see it coming and it made my jaw DROP. the quiet, smart suspicion from mel is always incredible to see, her political mind and morals conflicting is so very engaging and she’s really developing into herself in these episodes which was a joy to witness. the mystery of her brother is compelling and links well through s1 and s2 to make the storyline fun to follow. i also simply must compliment the designs revolving around the noxians and animal-esque (sorry idk what they’re called) people. the absolute variety and inspiration from real life cultures is beautiful to see. i am incredibly confused about the magic and that one lady (amara?) but i assume that’ll be answered in later episodes.

jinx is not looking good lmao. i love her design being so corpse-like and deathly, it really fits well and really embraces the differences between powder and jinx. but i do wish we saw more of her. i see her actions but i lack understanding for some of them, primarily revolving around the child (isha?) and why the kids even there but the newfound bond between sevika and jinx is refreshing to see. the scene of them in silcos old office brought a smile to my face and the design of that fucking arm is soooo cool i love the clownish purely jinx vibe to it.

caitlyn is probably the stand out character so far (plus maybe viktor). her absolute grief and seeing her facade break down throughout the episodes was heartbreaking, the tentative yet conflicting moments of softness with vi were beautiful yet had that perfect undercurrent of tragedy that arcane masters so well. her rage and break up with vi was easy to see coming yet so incredibly jarring to watch, that harsh and merciless behaviour is so different from s1, the development is well done and a morbid pleasure to see. and that final episode. oh my. the shock to acceptance of darkness was fantastic, ambessa truly is a master at manipulating weakness in even the strongest of people and seeing this duo is going to be so soul crushing that i’m itching for more.

vi felt very rushed to me and alittle dry? idk why tho i can’t really explain it. i understand her choices but it felt like something was missing until that final scene with cait. that was an absolute masterpiece. seeing her realising that the horrors of war is corrupting everyone around her and pleading for it to please not happen is so so SO fucking sad and my heart was breaking. i loved seeing her moral strength and solidity to her values which has always been a key part of her character so i appreciate the consistency. idk why something about her was just… different.

the opening scene was incredible. the absolute horror of it was so clear and i was literally shaking the entire time. 10/10 opening.

overall, i hope things slow down alittle but i greatly enjoyed season 2 and im very excited to see the characters develop and to see even more of this beautiful world.

[suffarustuffaru]

Genuine question do you think there's a chance that Julius could be into Subaru? Because I only really hear about Subaru being into Julius when it comes to Juilsuba

(no arc 5+ spoilers in this post)

short answer: yes, i think there’s a chance. a pretty good chance. but whether you want to interpret julius as being Romantically into subaru is up to you. however theres no denying that subaru is special to julius and that julius Loves this guy.

long answer: so i will give the following disclaimer to this, which is that i can only really speak for my own interpretations of the text. for this ask i talked a bit with a few different mutuals about this (bc while i really enjoy julius and julisuba A Lot i wouldnt consider myself an Expert so—peer reviewing it is :3) but—yes im speaking for my opinions here, so in general i recommend looking over the text/media yourself to see what you think too 👍👍

and i think in general like. i wish we saw more subaru ships from the non-subaru lens of it!! :o speaking as someone whos made shippy content from both subarus pov and the other pov, while im not perfect with it either, i just think that it’s always important to get that other pov. and sometimes its kind of a forgotten part !! :< i just think its interesting 1. seeing someone fall in love from subaru, 2. getting that outside pov of subaru, and 3. it makes the dynamic truly equal to focus on the other side of it too 👍 i dont have a lot of julisuba content atm (this will change eventually) but in the past ive rambled a bit about julius’s side of julisuba in one of my….. bdsm……………… posts :3 but anyway ill summarize what i think is going on with julius’s side here:

for julius, his prim and proper knightly persona is pretty like. i get the vibe that hes really Cultivated himself into this over time, especially bc he wasnt involved with nobility until his parents died and his uncle took him in and joshua started trying to shape julius too into what he is now. julius used to be a bit of delinquent (dont know How delinquent he was exactly but just that he was) and of course theres a big switch into julius learning noble and knightly ways and norms, julius trying to keep that armor around his heart, according to subaru. it’s learned behavior and now he struggles a little taking it off. being a knight is entrenched into julius’s familial and personal values, and julius Always strives for perfection. julius seems so put together that we kinda forget he too has his flaws but similar to subaru, he can be a bit pushy, a bit oblivious, a bit reckless. looking at the world in slight rose colored tint. pushing for More. accidentally stepping over others, maybe, but striving for strength in their own ways. Greedy. they’re kindred spirits in that way.

on the flipside of that, subaru inspires imperfection out of julius. repeatedly. subaru inspires julius to get that part of him from his childhood where he was this earnest overzealous passionate little kid and let it out again instead of being prim and proper 24/7. “juli”.

julius steps in to save subaru during arc 3 also bc julius sees himself in subaru—a passionate kid who fumbles in every single direction but that heart is there, and subaru is a walking whirlwind bc unlike julius, he can’t slap a prim and proper persona over it. he wears everything on his sleeve. he’s misguided, in the wrong, but still. his Heart is a tempting sight, and it hits julius a little personally. subaru was a mirror of julius, the part of julius that julius tried to hide a little all while subaru Offends the knights and says shit like how the knights cling to their father’s names (when julius almost kinda does cling to his family name and his knightly ideals to make himself into something Bigger and Grander), but of course julius has Morals and cant let subaru get hurt to the other knights. and sacrifices his reputation in the process—

(these are from the Arc 3 interlude that shows Julius’s side of the duel aftermath)

“did you find his tarnishing of your knightly pride unforgivable to that extent”…… and of course julius readily accepting punishment 👀👀

“the very symbol of his pride as a knight”…. yeah that duel meant several things to julius, and it sets up the entirety of julisuba from here on out. julius treasures idealism—

(hooray juliemisuba crumbs!!) but… julius noting how this duel wasn’t enough to break subarus spirit 👀👀 “It would not be such a bad thing to trade swords with a fool full of idealism once more.” “As for an annoyance… perhaps he was that, a little bit.” fucking hilarious but also so true—bc julius himself is Also a fool full of idealism. naturally, he takes a liking to subaru quickly which then leads to him declaring subaru his friend in later arc 3 <3

“It is truly in Lady Emilia’s nature to cause pain in others…. That very nature is what allows her to live as nobly and beautifully as she does. I do not deign to wish her to change. Thus, all I can do is hope that she lives more righteously, more genuinely, without anything to be ashamed of.” / “Does that go for the boy, too?” / “It goes for everyone…. It is for that very reason I wield a sword.”

It goes for everyone, julius says. these are values he treasures most in himself and in others, and once he sees it in others, he finds himself drawn to them. (though def interesting how julius doesnt 100% answer ferris’s next question on subaru straightforwardly…) julius comments on emilia here, but its also like. why does julius, the upstanding picture of a knight, follow anastasia, a cutthroat business woman? (other than her being the absolute coolest and the ana camp being a whole family <3)

its bc of greed and ambition. the strive for something greater, to dedicate your life to your passions and devotions. theres a whole ss about how julius is told by ana that she wants the best knight possible and bc of his own insecurity assumes she Must mean reinhard—but no. julius is the finest knight for a reason—bc he painstakingly shapes himself to be that way. of course he sees a similar sort of trait in subaru, how subaru shapes himself to be something greater too, and julius finds himself a littleeee starry eyed. perhaps. pun intended.

anyway. this is my long winded way of saying—yeah, julius is drawn to subaru for a lot of reasons. julius quickly finds himself attached to subaru in arc 3, and subaru coaxes out julius’s imperfection while encouraging julius’s passions.

as far as i know (of course feel free to add onto this if im missing stuff), there isnt anything in canon that reads as particularly homoerotic about subaru from julius’s pov. at least not to the same level as subaru repeatedly checking out julius’s body and saying julius is oh so handsome LMFAO. (though julius’s rainbow spirits are super cool.) so i cant definitively go “julius is 100% romantically into subaru”. especially as im asexual myself so personally romance is fun to me but not always a requirement for every ship’s depiction (or at the very least i Love exploring ships having different dynamics across different iterations of them)—so this is more so me going “theyre so intimate with each other in their own ways !!! i love viewing them from multiple angles !!!” <3 but their friendship and what they have in canon is extremely good foundation for romance. and julius likes subaru a Lot!! theyve gone through quite a bit together and theres More to come !!

[originaltravelerfun]

my biggest problem with hazbin hotel writing after everything

guys do you notice how badly vivzie doesn't want to directly mention the theme of morality?

its always there, it flashes everywhere but she chooses to walk on edges. the redemption, extermination, falling in hell, god we literally have hell vs heaven war with these themes. and after everything the question "is this the right thing to do?" just exists like small stream of wind.

never in the show charlie asks herself "is my redemption plan is right?" she should know that there are very bad people who can also badly hurt others because she is there for a long. but this knowledge never brings up and we have to accept the fact that charlie is just an infantile and too stupid to comprehend evilness despite also knowing what good means. its really weird how the princess of hell who should already know the hellish history and society acts like she for the first saw someone like valentino being evil. SHE DIDNT LIVE FOR LONG IN HEAVEN (what could explain the blindness towards evil nature), SHE LIVED FOR LONG IN HELL, FUCKING HELL. how after many years she cant deal with the evilness of her people and instead just believe in a power of friendship? WHERE SHE WAS SO SHELTERED TO GET THIS MINDSET IN THE END?

its very weird how every theme that is revelant in this show, is literally connected with defining good vs evil BUT vivzie never, never makes us think about that. we just should accept the writing telling us what happened is good or bad, or even worse, doesn't matter and it was just for funnies (like that rpe joke with Sir Pentious).

the reason why this morality thing got in my mind is that im afraid what season 2 brings to us. im afraid that they will never mention elephant in the room: possibly irredeemable people. and hearing another doubtful information makes me scared that viv goes to the route "actually, there is no evil people and it just fault of some metaphoric disease that makes people evil!". and im very afraid of this happening in the future because it seems to be that everyone just ignores the existence of Irredeemableness. like doing evil doesnt really matter and there is just winners/losers side of history.

for some reason Sir Pentious in the past got in hell because of him ignoring the situation. let me mention he is the first to be ascended of all sinners and this backstory makes him pitiful for a reason. of all backstories, they chose the most depressing one. where he is a shut-in who had no will to change the inevitable situation. bro do not tell me you didnt do this to make another point of "innocent sinners"

emily. if not for emily, i wouldn't writing this. she is the angel version of charlie who also promotes "sinners deserve redemption" but also ignores existence of serial killers, rpists and another kinds of "that evil" people. the same problem charlie has but i can understand it at least.

I am not scared for saying this. viv seems to be not mature enough to even explore the concept of her show if she is afraid of exploring complete monsters (like exploring undoubtable evil AND NOT MAKING IT CONTROVERSIAL LIKE WITH VALENTINO AND ANGEL) and just stays on the line "of pure good (every main character) and wrongful revenge (VVVs, Adam, Lute and other exorcists, not gonna be surprised of Lilith adding to this group)".

of all characters, i only feel sympathy for lute (and also sir pentious with how he was handled throughout the show). sera was just stupid and wanted bloodshed because of her special placement in an angelic hierarchy. i dont believe this bullshit of her caring about well-being of her people when she went with extermination as it was nothing. all she should have said is that there are very horrible people and hell is not worth of being a threat to her lovely power. well, they didn't go for this route for some reason. now sera got in wrong too and she got in the first group with everyone.

TELL ME

TELL ME WHY NO ONE STILL POINTS ELEPHANT IN THE ROOM AND WE JUST ACCEPT THAT HELL IS JUST MISUNDERSTOOD

This is why I only care about Lute now because she is the only who has brain to acknowledge that there's monsters in hell

im so done with this show bro

[randomite]

Reposting my Viktor rant from reddit. There are spoilers, and this is long. Bare with me please hahah.

Viktors arc throughout Season 1, is about a scientist willing to break rules, coming to terms with his impotence and lack of legacy and choosing not to pursue unethical and dangerous practices to forestall his death.

Sky's death shows that his experimentation doesn't just have the capacity to hurt himself, but others as well. The flashback with Rio in Season 1 is important, it shows that on some level, Viktor does have anxieties about change, he knows there are worse things than death. Combined with Sky's death, Viktor finds himself unable to pursue love, legacy or progress. He turns from the path established by Singed, and forges a new path, where he dies, on his own terms.

The conclusion of Viktors Season 1 arc is him accepting death, and rejecting the idea of transforming into a man like Singed. He will not be the avatar of his own spiritual and moral self destruction. He will not submit to the hexcore. Viktor accepts his lack of legacy. (Depending on interpretation he may see the freeing of Zaun as part of his own, Un-credited, but not unimportant legacy.)

His season 1 arc is accepting his own impotency in the face of death. He chooses to be a moral person, and die rather than become a monster. This is explicitly communicated when he asks Jayce to destroy the Hexcore.

In season 2, Viktor has his carcass thrown around by Jayce, and then he has the hexcore thrown at him.

Completely emotionless he subsequently ditches Jayce, with barely a harsh word, and scampers off to the Under City to start a hippy commune. By all appearances it seems like the hexcore is controlling his behavior or manipulating him heavily.

My question is, where is the anger? Where it the impotent rage Viktor shows both in Season 1 and old League of Legends?

Jayce in Arcane is a Singed parallel. Viktor is the Rio Parallel. What is the point of Viktor being alive if he has no free will. He is naught but an empty vessel for the bloody hex-core. This is the thing Viktor was afraid of in Season 1. He has become Rio. The creature in the jar. He has no choice over his destiny, not did he choose to become the hollowed out shell of who he once was.

It would be frankly awful writing, if in acts 2 and 3, Viktors arc is concluded with him essentially, accepting the changes forced upon him unwillingly. As his puppet-ed corpse becomes some kind of mid season villain, to be violently pelted with a hammer, before he shuffles off screen in the epilogue.

Worse is the idea that a disabled character is 'fixed' by someone, and in doing so essentially stripped of all agency. The fundamental concept of this redesign is messed up.

This new version of Viktor cannot just be a Void Herald.

His arc will be that of a disabled character, becoming little more than a prop, in other characters journey of self discovery and self actualization. His dying request ignored, as he is unwillingly forged into a prop villain, that serves no purpose but filling time, and acting as a poorly conceived parallel to a dying animal.

The point of this analysis is simply to say, that if in Act 2, a major course correction doesn't occur, Viktor as a character may actually end up being one of the most poorly written characters I personally have ever laid eyes on.

For all the doomers out there, Viktor needs to have a point in Act 2 where he is able to regain control. He needs to reject, remove, or gain control of the Hexcore in some way. To assume otherwise is to accept that this version of Viktor is written by idiots who didn't think through the implications of their own story.

There needs to be some level of agency shown in Viktors reconstruction. If not I don't see the point of this character existing. He is just a prop. His VGU may as well transform him into a particularly villainous broomstick.

[i-will-change-this-someday]

Okay, so this has been bothering me for a while now, and I haven’t seen anyone else say it; so I’m going to put an opinion out there and say that Martin and Melanie annoyed me in MAG 199.

(This is also a bit of an analysis of the episode.)

(just so you know, this is very long.)

So first of I should say that I 100% agree with Jon, that they should have trapped The Fears in their world; so just know I’m probably being, at least a bit, biased about it. (not saying killing the world is good)

I think the best way to do this is to start from the beginning of the episode and work my way through it, giving criticism as I go.

It starts with them avoiding the question until Georgie decides they need to talk about it; this is just a minor nitpick, and maybe I misunderstood what he was saying, but Martin says this:

Then later he goes on to say this:

So which is it, Martin? Is it up to Jon or not?

Anyway, then there’s this little exchange:

I know why Martin is so against it, but this just seems a bit obstinate; like I get it, he’s scared of Jon losing himself to The Eye, but you really want to go with The Web’s plan? You know, The Web, the manifestation of manipulation, the malevolent Fear entity, that Web? You want to go with that plan? Really?

And at least Martin has the excuse of caring about Jon, but Melanie? Why is she so against Jon’s plan? Is it really just because she hates him that much? The only possible reason I can think could be that she thinks that Jon will be selfish and prolong others suffering because she knew that he once hid the fact that he took Statements from random people, but even then, I don’t think even Melanie hates him that much.(Considering the fact that she didn’t actually think he murdered anyone, I don’t think she hates him as much as she says)

Next up, Georgie’s trying to talk out all their options and asks Jon about how The Fears will get out:

Martin is, once again, being obstinate here; he is out right refusing to even consider Jon’s plan, making any excuse to go with The Web’s plan.

Georgie reiterates their options so far:

Martin, you just said thousands of worlds don’t matter “cosmically speaking” by your own logic they should keep The Fears contained; because if thousands of worlds aren’t ��even a drop in the bucket” then their world is hardly even a molecule.

Melanie’s in denial or something, because any reality with The Fears, even if it never gets to full blown apocalypse, is doomed; did she forget all the horrible things happening in their world before the apocalypse?

They have the little blame conversation, then Georgie gets to the third option:

Martin’s just agreeing to any option that Jon doesn’t take over the panopticon; he doesn’t care if their world dies or a thousand others do, he just doesn’t want Jon to go to the panopticon.

Then they consider the morality of five people deciding the fate of the world, leading to this conversation:

Despite what Martin says, yes, he is okay with thousands more suffering where he can’t hear; the excuse of saying it’ll be like before the apocalypse makes it sound like their world was good before. Their world was full of horrors before, where people could get eaten by monsters just for having bad luck, and Martin’s okay with giving that to thousands of other worlds.

I’ll put the rest of this conversation in before I continue:

I put (mostly) the whole thing because I wanted the full context, this is the main thing I wanted to talk about; so they're debating if their world is The Fears original world or not. Would killing them here kill them for good? yes, and if they thought it over longer they would have realized it; Melanie and Martin are arguing that The Fears were in their world for centuries before they managed a ritual, but now it knows how to make a successful ritual and escape it. what's to stop it from preforming a ritual, waiting for it to start running dry, then leaving to a new reality? (I say "it" because The Fears are one entity [kinda] with The Web as it's brain)

Melanie is victim-blaming thousands of other people to justify sending The fears to them; "if a apocalypse happens to them it's their fault they couldn't outsmart the embodiment of manipulation, so lets follow said embodiment of manipulation's plan, yeah?

(As a side note, one thing that confuses me is why they think The Fears can go to so many worlds, do they mean at once? Will The Fears multiply? Because how would they get to multiple worlds at once, they need to be together, that's why the rituals never worked, it had to be all of them. I always assumed it meant it could hop from one world and then the next when that one got dry. [like a spider on a web, it can travel between each point, but it can't be everywhere at once])

Jon puts the idea of killing the world faster out there:

No, they'll actually have less of a chance, cause now The Web knows what to do. Basira doesn't want to hear Jon justify killing their world but will justify sending the same circumstances to thousands of other worlds.

That's basically the end of the discussion, next is Georgie talking to Jon:

At the very least, Georgie knew that Jon wasn't going to follow the plan. I don't think it's a coincidence that she takes the lighter and immediately follows with an apology; Also she admits Jon couldn't outsmart The Web and it led to the apocalypse, but still goes along with it's plan. (Maybe she just accepts they shouldn't bother trying to outsmart it.)

and now to Martin and Jon's conversation

I kinda do Martin.

(Others have talked about Martin crushing Jon's flowershop/barista fantasy, so I'm not going to talk about it.)

Martin just annoys me in this scene to be honest "well, Jon, you promised not to do anything stupid; oh, and look, here's a plan given to us on silver platter by, none other than, The Web, you know, the one who caused this and traumatized you since you were 8, yeah lets do that. Don't worry Jon, we'll fix this...pass it on? Don't be silly Jon, I'm sure The Web gave us this plan out of the goodness of it's nonexistent heart."

Anyways I'll wrap this up in a minute, but first, one last thing:

I've seen others say this, but why would Martin killing Jonah stop Jon from taking his place? Especially if Jon's standing 10 feet away; if the idea is that whoever kills Jonah will take his place then Martin would just become the very thing he thinks Jon will turn into. And if you think it's because Martin's not tied to The Eye, you'd be wrong, Martin being tied to The Eye is the whole reason Peter wanted Martin to kill Jonah in season 4. If anyone should kill Jonah, it'd be Georgie because she's the only one not tied to The Eye.

Now, just to be clear, I'm not saying that any of this is bad; I just haven't seen anyone talk about it. I'm not saying that the others were wrong for choosing The Web's plan, (ok, maybe I am a little) it's not like I have to decide the fate of my, and many other's, world(s).

I just feel like I've seen a lot of people hold the other characters up on a pedestal while Jon's idea is regarded as the worse possible thing out there (again, not saying his idea was good, just the best out of bad options.)

And just so you know, I'm not saying Martin is selfish for wanting Jon to be safe, I'm mostly just annoyed that he hides it under the guise of caring about humanity (No, I'm not saying he doesn't care about humanity, just that he'd rather "save" Jon than consider the consequences of releasing The Fears) and most people take it at face value.

I have a lot more I could say about the morality of all the characters, but that's another post, if you actually read this whole thing, then congratulations, for sitting through my very long, hopefully intelligible, post. (I'd love to hear what your thoughts are on the episode [or this post])

[shorthaltsjester]

i contain multitudes and can say that i am a little :( about vex and percy being teammates with benefits because i think there’s something particularly heartbreaking about the dynamic that was neither of them ever said a thing even though they both were aware of it and it took losing percy for vex to finally admit it and Even Then, she couldn’t say it to percy’s face when they got him back, percy was the one who had to make the first move (that they were both alive for at least) and he was only able to do that because he’d heard her confession, because he never would’ve thought otherwise. to be clear, i also very much enjoy the story being told, i think i just wish they’d maybe committed more significantly to This Is A Campaign-Inspired Story Rather Than A Retelling sooner in the show so that maybe there would be a bit more grounding or set-up for the storylines the narrative is focusing on (and i understand why they wouldn’t), because i think they’re doing very well with percy’s arc for example, because they started with focusing on his and keeping his beats mostly the same and that seems to be much the same case as some of his second wave of meaty character stuff has arrived. but with vex they’ve aimed for the same character beats but it doesn’t always feel as earned or really feel like much character at all; i think saundor particularly was a bit of an :/, since in the campaign it was really a catalyst for vex interrogating her role in the party and her morality and something she struggled to get over and that haunted her far beyond the walls of that tree, but in the show it hasn’t really had a clear impact on vex beyond the scope of the episode itself — syldor certainly has, but the challenge that saundor presented didn’t really have much weight beyond its moment. and obviously a large part of that’s also probably just, 7 protagonists and wanting to expand the perspectives to antagonists and give more room for side characters is a lot of things to cover. and, i say with love, perhaps a bit too ambitious for a 12 episode per season, ~22 minute runtime show if they want their characters to have the kind of depth that really makes campaign 1 shine the way it does.

[hood-ex]

wait idk anything about the tevis’— why would tommy tevis call dick his son? would you be willing to give a quick rundown

After Dick failed to get himself incarcerated, he became an enforcer for a mob boss named Tommy Tevis. Tommy took Dick in and made him part of his family. Tommy considered him an honorary son and thought very highly of him.

Nightwing (Vol. 2) #107

He even told Dick that everything he had (his home, his reputation, his family, etc.) was Dick's as well. Lynette, Tommy's wife, told Dick that Tommy would let Dick do anything. The whole family loved Dick, including Tommy's 15 year old daughter, Sophia. Sophia actually had a crush on Dick, but Dick acted like an older brother to her, helping her with her homework and such.

While Dick was away from the family for a few days, the cops busted into the Tevis's home. Lynette got killed in the gunfire, Tommy got taken to jail, and Sophia got taken in by the state.

Dick, while mentoring Rose, broke Sophia out of the state home. He got Sophia to help him with the mob. Then, when Chemo fell on Bludhaven, Dick saved Sophia and left her with Amy. When they reunited at the hospital, Dick asked Sophia to leave the mob behind and join a boarding school.

So, yeah, that's Dick's relationship with the Tevis family.

[the-busy-ghost]

Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.

Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).

Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:

Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?

[janeromeroshow]

ough sorry to spam the dash when nobody else is online but i do really wanna write for orin the red, my only issue is i refuse to spoil myself for the ending of act 3 / dark urge stuff until i play it myself...... and i just soft reset my playthrough

[askshivanulegacy]

Actually think he's got ALL the great points. I am LIVING for Sith-centric POVs. The Jedi aren't right and good simply by virtue of being Jedi. I wanna hear what the other side has to say about it.

It's about time we had a sympathetic glance at the Sith. What's gonna happen next? When and what's the shoe that's about to drop?? Will the Sith be JUSTIFIED or will things revert back to ye olde Jedi=Right?

This is what story time is supposed to be about !!

*eats popcorn.*

He do be making some good points though.

[clamorybus]

its not fun to talk about, and i feel like such a dick talking about them like this, but it's fucking sickening how easily swayed my parents are

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[books-and-omens]

Heyyyyyy I’d really like to talk more about the ball, who’s with me.

Because for all its glitter, the ball is dark. No, seriously, it’s dark. It’s eerie, it’s disturbing, and the narrative doesn’t shy away from showing us just how much. 

As in a classic fairytale, mortals are being spirited away into another realm to dance through the night. Here, however, we see exactly who is orchestrating the dance, and why.

And we empathize with him, but watching Aziraphale has never been so painful or so unsettling.

Nina arrives distraught and is immediately hit with the realization that she doesn’t feel distraught, even though she knows she should be feeling it. She confronts Aziraphale and he just tells her: oh yes! :) no long faces tonight! And she is disturbed throughout the ball, thinks she is losing her mind, questions and fights the enchantment… but from time to time, the enchantment still takes hold.

And just—

Aziraphale. Aziraphale, you do know that manipulating people is wrong, don’t you? You… do know that? And yes, of course, neither Crowley’s nor Aziraphale’s approach to morality is human. They are eldritch, they are otherworldly. It was Crowley who changed the paintball guns into real guns in S1, though of course, the humans still had choice in using them.

But the ball is still different.

We’ve never seen Aziraphale do anything quite so disturbing before, or go so obviously deep into his own delusion. There are moments during these scenes when even Crowley, permanently frustrated, is very nearly disturbed. (“Angel! What are you doing?” or “Making it rain is one thing, but a BALL?”)

I fully think that by that point in the story, Aziraphale is not all right. He is in an anxiety spiral, denying reality fiercely, obstinately, disastrously, not listening to any of Crowley’s hissed warnings. Yes, yes, he is giddy, he is in love. It’s so very important for him that everything go RIGHT this night, the night he gets to dance with Crowley. Is he even aware of everything he is conjuring up, of the enchantment he has woven? The humans who step through the doors of the bookshop change: their clothing, their mood, their speech patterns… By this point, is Aziraphale doing this consciously at all? Or is reality conforming to his expectations, forcing everyone into a replica of the nineteenth century while Aziraphale himself, distracted and smitten, works himself up to inviting Crowley to dance?

In the first few episodes, as fear and danger grow, as Aziraphale is faced with the danger specifically to Crowley (I don’t see why he would risk his existence for you, Shax tells him in the car), Aziraphale only denies reality all the more fiercely, only holds on to his plans tighter, only puts more force into them and exerts more control (really, rather like the archangels with their Great Plan).

And the ball, beautiful and otherworldly and eerie as it is, is also a dire warning. 

In the morning, it will be Crowley, not Aziraphale, who will get told off for manipulating Nina and Maggie. Aziraphale won’t reflect on this. He won’t be forced to reflect, and Metatron will manipulate him in turn.

There is a plan to follow. The show must go on.

GOD the ball is so dark.

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.