#but I don't think he'll play any important role in the story

[another-goblin]

I like the metaphor of Dr. Ratio being a doctor who tries to cure the disease called 'foolishness'. It helps understand the character better.

First, let's not forget that he's actually a medical doctor:

But he sees himself as more than that (and Screwllum agrees):

That alone can say a lot about him, and that's why I don't agree with some of the ways some people interpret him.

Would a doctor get angry at somebody for being too ill? (they probably would for not using the medicine the doctor prescribed, or not taking their condition seriously.) Would a doctor be disgusted and abandon somebody for being too ill? Would a doctor take pride in being healthier than their patient?

......

But is this metaphor warranted? Doctors save and improve lives; what does education do?

We know how dangerous ignorance can be. Our real world gives us a lot of examples of that.

Besides, Ratio himself found a cure for some terrible disease threatening humanity and resolved "the energy crisis of the century."

So I'd say that education can save and improve a lot of lives too.

......

What exactly does he 'cure'? The words he uses, like 'foolishness', sound very vague. But if we interpret it as ignorance, then his work as a teacher makes sense. He also gives lectures seemingly outside his curriculum (remember that series of faux movie posters where he looks super excited to give a lecture about astronomy), organizes conferences (his voiceline about the Express's archives), and urges us to go to university and join some debate event. That's a lot, but these are some conventional things you'd expect from an educator.

On the other hand, this looks more like life coaching or counseling:

 It's basically the idea that humanity should start thinking by themselves and not rely on geniuses who don't care about them (btw he holds a similar position about the Aeons; people shouldn't rely on them too).

This is very different from these things I listed above.

So he sort of does both, I guess?…

......

Another thing is, there is a big difference between a physician treating an individual patient, and a researcher curing a whole disease (the way Ratio himself eliminated that actual disease). And again, he seems to do both, with both his conventional educational activity and, well, 'life coaching'.

What he did on Herta station is a good example. For the researchers on the station, he showed that despite the presence of 2 (or 3) geniuses on board the station, only our TB could help them; that they could have discovered the truth by themselves if they weren't so dependent on the geniuses.

And at the same time, it was a lesson for the TB about how if we really try, if we don't rely on people just telling us what's happening and what to do, we can make sense of a complicated situation by ourselves.

......

BTW he reminds me of Dr. House (from the show 'House, M.D.' Do people remember that show? From 20 years ago? oh god…)

I don't think they have a lot in common if you dig deeper, but there are some similarities on the surface, that can help you understand Ratio a bit better.

They don't mince their words and don't care what other people think about them.

House is dismissive of people who bother him with trivial problems. (reminds me of Ratio's "Don't ask a question if there's already an answer" and "If you have a problem, are you sure you can't solve it yourself?")

House is the most rude to other doctors for not doing enough (the same way Ratio is extremely critical of other scholars - people who are priveleged to have access to knowledge but don't do anything worthwhile with it. And, in a smaller degree, to his students - people who already have access to higher education but don't take it seriously enough, in his opinion.)

But he will cure those who really need his help, whether they want it or not.

[fuckyeahisawthat]

Said I was not gonna make Dune Messiah predictions but here I am making Dune Messiah predictions. Because I've been thinking about how smartly Part Two used all the characters around Paul to embody the different forces pulling on him, and I wouldn't be surprised if we see a similar thing in Dune Messiah.

I think Irulan's role will be more or less the same as in the book--she'll be plotting against him. She represents the interests of the Bene Gesserit and the other Great Houses--all the various other imperialist powers that Paul pissed off by upending their carefully laid plans.

Chani will definitely be there but she will not have spent the intervening years with Paul. It's much more of a punch in the feels for her to pop up as a plot twist partway through the story and for us to see their reunion happen in real time. I've seen some predictions that try to like...bend Paul and Chani's relationship back into a shape approximating what's in the book and I am saying now that that ain't gonna happen. Spending years hanging around the imperial palace trying to get pregnant and soothing your dictator bf's existential angst makes no fucking sense for movie Chani. She will be organizing against him. If she "forgives" him and spends any amount of time with him it'll be a ruse in order to spy on him or something like that. I think it would be a great source of internal conflict for her to discover along the way that she still harbors some compassion for Paul as a person, but there is no way she will compromise her political principles; that is the bedrock of her character. She will serve much the same role as she did in Part Two: she gives voice to Paul's conscience, his better instincts, and the interests of the Fremen independent of what various imperial powers want from them.

The twins will still be born, because that is central to why Paul does what he does at the end of the story, and that is part of "leaving the door open" for any fool who might take a crack at directing Children of Dune. (I think Children of Dune can work just fine as a movie but anyone who does it will be Not Denis and therefore setting themselves a formidable task.) But like...Paul and Chani only have to have sex once for that to happen.

The role that Chani plays for a large chunk of the book, of being Paul's loyal confidante and the person he allows himself to be most human around? That role is gonna be filled by Alia.

Alia...doesn't really have a lot to do, plot-wise, in the book of Dune Messiah, and this is the perfect place to put her. She is the only person in the Known Universe who maybe sort of a little bit understands what Paul's experience of reality is like now. She's the perfect conduit to voice all the philosophical stuff about prescience that's in the book but hard to work into casual dialogue. The book is full of people saying stuff about how Paul and Alia are so close they seem like two halves of the same person but we don't really see it that much on the page, and this is the perfect chance to add that stuff in. (I could very much see them borrowing not necessarily the actual plot points but some of the weird incesty vibes from the Children of Dune era.) I wouldn't be so surprised if some of the moments that happen between Paul and Chani in the book get handed off to Alia (blind ornithopter ride maybe??) and Chani gets a whole new storyline, independent of Paul, that's not in the book at all.

It kinda fits with the rhythm of the films, too. In Part One Paul's most important interpersonal relationship is with Jessica. In Part Two, he's in conflict with Jessica and his most important relationship is with Chani. In Messiah, I think he'll be in conflict with Chani and his most central relationship will be with Alia. (And ghola!Duncan probably, but I think that will be another surprise reveal that happens later in the story.) And at the end of Messiah, he won't end up in conflict with Alia exactly. But he will leave her behind.

[antianakin]

Out of curiosity: do you believe Anakin was truly was the Chosen One or was it Luke the whole time?

Anakin. 1000% Anakin. I believe it's Anakin as per Word of God, as well, but I don't have the quote on hand right now.

Part of the weirdness over this is because of how the films were released, Luke is obviously the main character of the original trilogy of films, he's the one on the hero's journey, and there was never any mention of a prophecy in those films. So when the Prequels came out and made this whole prophecy thing for Anakin, it's understandable that people sort-of looked at it and went, "But if Anakin was the Chosen One, why is Luke the hero in the end still?" Which has obviously led to a bunch of theories that it was Luke all along, that Qui-Gon misunderstood the prophecy or just misapplied it to Anakin, or even that Luke BECAME the new Chosen One when Anakin fell (all of which are made worse by Rebels sort-of validating this take by having Obi-Wan claim Luke is the Chosen One). I get it.

But the entire purpose of Anakin's story to me only works if he IS the Chosen One and he just... fails. Anakin fails. He defies his own destiny and it destroys an entire galaxy. One of the BEST things about the Prequels is how hard they work to subvert certain tropes and narrative expectations. Padme and Anakin are forbidden lovers, but it's a toxic unhealthy love and the relationship is forbidden for good reason. Anakin is willing to burn down the world for Padme, but it's not at all romantic when the world is actually burning and it's going to burn both of them down with it. Prophecies exist, Chosen Ones exist, but prophecies can be DEFIED and Chosen Ones can fail if they're making selfish choices. You only get the happy ending from the prophecy if you're making the right choices.

So Anakin DOES end up destroying the Sith and bringing balance to the Force, but only when he makes a choice that's primarily SELFLESS in nature. He MIGHT'VE been able to destroy Palpatine the Sith way, but then he himself would still be a Sith and so the prophecy isn't actually fulfilled. There would be no balance in the Force while Anakin remains a Sith. So until he figures out how to leave his darkness behind, he'll continue to defy his own fate.

And that is a FASCINATING way to represent a prophecy and apply a destiny to someone without completely removing their agency or making all of their choices unimportant. Anakin's choices literally define the fate of the GALAXY because the prophecy only gets to come true when he makes the right choices. Theoretically, Anakin could defy this prophecy until he dies. Personally, I think that this is something that could happen. Anakin could make that choice, he could literally just defy the prophecy FOREVER and it would just never happen. It doesn't mean he ISN'T the Chosen One, he just chose incorrectly and so the prophecy never actually gets to come true.

I also like that this leaves room for other people to achieve the same end without being part of the prophecy. Theoretically, Palpatine could still be killed in other ways, even while Anakin's alive. The prophecy isn't stopping someone ELSE from killing Palpatine (or Anakin), it's just a LOT harder. We do see people more attuned to the Force kind-of stepping back from something they can feel is perhaps someone else's destiny or following someone specifically because they have a destiny for something, but the opportunity is there for regular people to step up where a Chosen One has failed. And it's one of the things I love MOST about the Star Wars universe, I love the way this worldbuilding works.

Luke is still a hero, obviously, he plays a major role in Anakin ultimately making that final selfless choice, his faith in Anakin and his refusal to kill Anakin and his adherence to Jedi compassion are what eventually help lead Anakin towards making the choice that allows the prophecy to finally be fulfilled. I'm not downplaying Luke's importance or his heroism at all, but I think it kind-of makes all of his choices even MORE heroic if he's NOT a Chosen One. He doesn't do these things because he was destined to do them, but because he's a good, kind, brave, strong person making the choice to do heroic things. He's choosing to do what he believes needs to be done for the greater good. He's just a regular person, with no prophecies to fulfill, having to step into the shoes of a hero because his father failed and threw the galaxy into chaos. How is that NOT more interesting than just saying Luke was the real Chosen One all along?

So you'll never catch me saying the Chosen One was anybody but Anakin in canon. It's absolutely Anakin and it'll always BE Anakin. You remove SO MUCH of the best parts of Star Wars if you take away that part of it.

[miraculouslbcnreactions]

Adrien Agreste and Why Motivation Matters

One of the most important things you can gift a character is a motivation that correlates to their intended role in the story. It's a big part of how they truly come alive. And if they have a motivation that doesn't correlate to their role? That can make them come across as a total ass!

A few days ago I got an ask about Lila. I ended my response with this:

I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation.

This got me thinking about motivation in general and how much it plays into the show's poor writing. I talked about Lila above, but I wanted to point out how much it's responsible for Adrien's issues, too.

Motivations are one of the main ways you create strong characters. You come up with the thing they want and then keep that in mind whenever you're writing them. Motivations can be very simple and straight forward (I want to get home) or extremely complex and nuanced (a person wanting to create a new government with a very detailed idea of what that means). A character can even have multiple motivations!

Unfortunately, all motivation are not created equal. There is such a thing as a bad motivation and I'm not talking ethics or morality here. I'm talking about picking motivations that match the character's intended role. For example, Gabriel's motivation is fine! It perfectly suits a villain. On the other hand, Adrien's motivation sucks because it makes him into a terrible hero.

Adrien's motivation as given in the show seems to be this: win the heart of my Lady. Later on, that motivation changes to: date Marinette and be the best boyfriend possible. And that's it. He has no other overarching motivations. Individual episodes might give him a one-off motivation to jazz things up for a bit, but generally speaking, romance is all he cares about. It's why we get baffling moments like this one from Dark Cupid:

Cat Noir: Falling for me already, my lady? (pulls Ladybug down next to him) I need to talk to you. Ladybug: It’s gotta wait. Dark Cupi- Cat Noir: (hushes her) I swore to myself that I'd tell you as soon as I saw you. Ladybug, I-I... Look out! (Cat Noir spins around to shield Ladybug, and is struck by one of Dark Cupid's arrows.)

Or this one from Oblivio:

Nadja:(from a helicopter) Looks like Ladybug and Cat Noir are struggling today. (Ladybug is rapidly spinning her yo-yo to deflect Oblivio's blasts while Cat Noir sits down casually.) Ladybug: And stop calling us a couple!

These are just two out of many examples I can pull from, but they highlight a reoccurring issue: Adrien often doesn't take akumas seriously. He's been shown to happily prioritize flirting over fighting and, as a result, he's put himself, his Lady love, and all of Paris in danger.

It also gives us things like Kuro Neko and Kwami's Choice. Episodes where he quit without any concern for protecting his loved ones or even just protecting the freedom that comes with being Chat Noir, things that he only really cares about in the realms of fanfic. As far as the show is concerned, Adrien doesn't care about his loved ones or his freedom. His only constant driving force is his current crush.

Don't get me wrong, he's going to react if he sees Nino in danger or if his father bans him from going to a party! But in terms of what generally guides Adrien's actions? His father, Nathalie, Nino, Chloe, and Alya are out of sight, out of mind. And being able to leave the house? Well, who cares about that? He'll happily sacrifice freedom for a date. Outside of Origins, I think we only ever see him sneak out or otherwise break the rules so he can have a date.

You'll note that Marinette doesn't really have this problem*. While dating Adrien is a big motivation for her, she has a second motivation: protecting Paris. Sometimes those motivations clash, leading her to make poor choices, but that story never treats this as a good thing the way it does Chat Noir's endless flirting. Instead, Marinette's crush is treated as a character flaw or an interesting source of conflict like Volpina threatening to kill Adrien, making Ladybug having to chose between her two main motivations: love and duty.

This is why I've had several posts where I offhandedly mentioned Adrien needing a second motivation. It's also why I've mentioned that Gabriel should have been claiming that akumas were the main reason that Adrien was getting locked up because that's a really simple way to give Adrien personal stakes in the fight. Are those stakes selfish? Sure, but that's okay because it's a selfish motivation that doesn't go against being a hero. If Marinette was only being Ladybug for the sake of her parents, her motivation would be selfish, but still suited to a hero because it doesn't stop her from being heroic. It actually drives her to be heroic. As written, Adrien's motivations do the opposite. Whenever Ladybug or Marinette are seemingly safe, he will do very unheroic things because romance is his only main motivation and that's a problem. To make him work in his intended role, he needs to match Marinette and have (or discover) a motivation that suits a hero.

*To be extra clear and hopefully save myself a salty ask or two, I'm NOT saying that Marinette never does questionable things in the name of romance, she absolutely does. I'm saying that it's extremely rare for her romantic motivation to get in the way of keeping Paris safe because keeping Paris safe is her second motivation and it overrides the romantic one most of the time. Once an akuma is on the loose, she's usually all business. It's one of the reasons Passion (the episode where Nathalie becomes Safari) is so awkward. They did a full role reversal for Marinette and Adrien and it really doesn't work on Marinette's end because it feels out of character for Marinette to ignore the akuma threat in favor of flirting. She never did that for Adrien or Luka or even Catwalker. The worse we ever saw was a crush distracting her from making the right call, but even then, she was always at least trying to protect Paris. Compare Desperada (Viperion's debuted) to Passion and you'll see what I mean.

[cbrownjc]

Hey :) just saw your post with your speculation about how much Eric/Daniel will be in S3. And while this isn't a definitive answer or anything, Rolin did address the question of whether or not Daniel would still play a part in the story post-s2 in this interview for the A.V. Club: https://www.avclub.com/rolin-jones-interview-with-the-vampire-season-2-finale-1851566667

I kinda feel like this means we'll see him more than just in a couple of scenes here and there, even in S3 (though he didn't specifically say "in season 3". But I feel like "still" implies this?)

Only it's difficult to judge because any present-day storyline they do with him is a big question mark since they seem to have departed from books (where he only gets turned shortly before the concert and does not part from Armand). What Armand is up to in the present-day is also a question mark imo. At least until the story converges at the concert.

I mean, I'll be real I'm also just trying to convince myself he'll be in it more because I'll miss him otherwise 🥲

Hi!

So, first I want to say that I think the two major pieces of casting that still need to be done are obviously Gabrielle and Marius. And I've long speculated that Marius is already playing a huge part in Daniel's story because I really do believe that Marius was the one to erase Daniel's memories of his past relationship with Armand.

Yes, Marius plays an important role in Lestat's life, but he plays an even bigger one in Armand and Daniel's as well, especially going by the books. In the books, Daniel lived with Marius for almost 30 years -- first healing from his mental issues, and then as companions -- before getting back together with Armand during the Prince Lestat era. All that, plus given what Rolin Jones already said about Raglan James, I don't think Justin Kirk is secretly playing Marius. So Marius still needs to be cast, and I very much expect him to be deeply involved in Armand and Daniel's storyline, going forward.

I just don't see that happening much in Season 3, however.

Because Season 3 is Lestat's story and focus, primarily. Just like Season 1 and Season 2 were mainly focused on Louis.

There is really only one episode in those two seasons where you can say Daniel was focused on -- outside of just interviewing Louis -- and that was episode 2x05. And even then, Louis factored heavily in that episode as well.

Armand and Marius play major roles in Lestat's story. Daniel doesn't. So if Daniel has any type of major storyline in Season 3, it will have to be with those two characters, IMO; as well as the Talamasca, since they were the ones to publish Daniel's book in the first place, and Rolin already said they and Raglan James will play an even bigger role in the show than they did in the books.

But without an episode count yet, I just can't see it being a huge focus. Mostly because characters like Marius still need to be fully set up and established. Also, I already think Armand is being set up to be a false Big Bad in Season 3 (since he's pretty much a villain in The Vampire Lestat), so I think whatever of Armand's POV that we get in Season 3, in the present day, will be very limited too, IMO, if we get it like we did in episode 2x03.

And yet, IMO, the only way we are looking at getting another episode like 2x05 in Season 3 is if it's told from Armand's POV. Because, again, Armand actually ties into Lestat's story, both in the past and in the present. And I think for sure that whatever Armand is up to in the present will have something to do with Daniel, as well as whatever else might be going on in the setup for Akasha rising.

Heck, if my theory is right that Marius was the one to wipe Daniel's memories of his and Armand's past relationship, Armand and Marius might have a present-day scene together, likely discussing Daniel (along with what Lestat is doing).

And yes, while Eric might still be in the top five for the call sheet going forward, that really doesn't say much IMO without knowing the Season 3 episode count. I mean, I'm sure Sam Reid was top 5 on the call sheet in Season 2, but if you look at his screen time in Episodes 2x01 and 2x02, it really wasn't much. And we didn't see him at all in episode 2x05, only heard his voice. And he didn't appear in episode 2x06 until the end.

I thought they found a way to work Lestat into the story of Season 2 very well, expanding on things from the book. But he still wasn't in the first few episodes very much.

And Daniel is even more different because he's not mentioned or referenced in The Vampire Lestat book at all.

So wrt Daniel in the present day, I'm tempering my expectations. Because yes, whatever is going on with Eric's Daniel in the present day is completely off-book. But, with every other facet of the story, the show has very much been on-book, in a rather strict way. Lestat's story is the main story of The Vampire Lestat and therefore will be for Season 3 IMO. And I think, whatever happens with Daniel in the present day is going to have to tie into that story. And that can't really happen via Daniel directly.

Louis' story is already being set up to tie into Lestat's present-day storyline directly, with his challenging all the vampires in the world to come for him if they dare. One of the reasons Lestat even became a rock star in the first place was to try and protect Louis by drawing attention to himself in an even bigger way than Louis' memoir drew attention to Louis.

But there are only two ways I see Daniel's story drawing directly to Lestat, and those are not in a way that directly has to do with Daniel. Because Lestat doesn't even know Daniel, has never met him before or interacted with him. (No I don't think they changed that from the book.)

So it's only through Armand, possibly Marius, and the Talamasca that Daniel ties into the larger story of what's going to be going on with Lestat in the present day. (Maybe a bit of Louis too, but the vampires we heard talking at the end didn't seem to be threatening Daniel, only Louis. Curious.) And, again, without an episode count yet, I just don't know how much time that focus can really get, especially when you have to set up Marius as a character; as well as probably having to set up the Talamasca even more as well; as well as maybe not revealing too soon what Armand is up to in the present day to keep his motives as mystery and have non-book readers wondering if Armand is the Big Bad villain they think he is or not.

And having to do all of this, plus laying preparation for adapting Queen of the Damned next. The book where Daniel actually does get a lot of focus.

And this also lines up with what Assad let slip about Season 4 being when we would see Armand's backstory. (Which is when QotD would start being adapted if TVL isn't split into 2 seasons like IWTV was).

And Rolin Jones flat out said people need to stop jumping ahead because Devil's Minion was "3 books ahead" of where they were now in adapting (which at the time was the 2nd half of the IWTV book), and to "slow down" about it.

So for now, I'm going to listen to RJ and just "slow down" about this.

So, in doing so, while I think we'll see Daniel in the present day in Season 3, I still don't think we'll see him much. And I think when we do, one of the episodes we'll get will probably be a stand-alone episode in the vein of episode 2x05 that focuses on what happened in the past. (Which I think will be an episode that focuses on why Daniel once woke up in a parking lot in Milwaukee not knowing how he got there). And I think for sure he'll be in the Season 3 finale. But other than that? 🤷🏾‍♀️ Again, I'm slowing down and tempering my expectations. Especially if we only get another 7-8 episode count again.

Because right now, for Season 3, Lestat's story is the main focus. Not Daniel, not Armand, and not Devil's Minion. And Daniel's character can only tie into Lestat's story via other people, which is rather limiting but can't be helped.

[starzioo]

𝐏𝐄𝐑𝐅𝐄𝐂𝐓. 𝐃𝐑𝐀𝐂𝐎 𝐌𝐀𝐋𝐅𝐎𝐘.

Hiii! This is a DracoxFem!Reader one-shot! In this story you are a ballerina. I saw this post of the Slytherin boys x a ballerina and I could just imagine Draco being absolutely in love with her. So here it is I hope you like!

WARNINGS: NONE <3

You sit on the stage of the Royal Opera House in London. Tightly wrapping the dusty pink ribbons around your ankles. Today was your rehearsal day for the production of The Nutcracker. You had been casted as the Sugar Plum Fairy. Most people would take this role as being easy and simple. But oh no, they would be terribly wrong. The movements you made had to be fluid and effortless, while also being regal. You sigh before standing back up and fixing your rehearsal tutu. You head over to your starting mark and give the signal to the director to start the music.

=

DRACO POV

I get out of the muggle-car behind my father. 'Muggles really think that this is the peak of transportation?' I think to myself as I look back at the black car behind me. "Good morning Mr. Malfoy. It's a pleasure to have you here again! Mr. Evan's is in a meeting right now and told me to tell you that he'll meet with you as soon as possible." A woman who I assume is Mr. Evan's assistant spoke to my father. "M'Alright." My father says obviously annoyed with the muggles tardiness. "Right this way then." The woman says with her smile not faltering. She walks a couple paces ahead of my father while I linger behind him. We step inside of the building. The interior looks to be made for royals. The architecture being elegant. She leads us down a couple hallways before stopping at a big door. "You may sit and wait here. Mr. Evan's will be here shortly. If you would like any refreshments or if you have any questions just head down the hallway and my desk is right there." My father only nods in response. She flashes her smile once more before heading down the hallway. Me and my father sit down on the waiting chairs. "Why are we here? Better question why am I here?" I turn and ask my father who's reading a muggle newspaper. He doesn't even look at me, "Because Draco. We are here on important business. It's about time you start learning what lies ahead for you." His tone still cold as ever. I can't even speak back, I know i'll be silenced. All I can do is huff. I stand up and just walk the opposite direction of him. I don't hate my father but sometimes I just can't stand how he seems to have my entire future in the palm of his hand.

Walking down the large hallway I can start to hear the elegant music that I can only recognize as music from The Nutcracker. When I was little my mother used to take me to a muggle theater around Christmas time. Although my father urged that we don't celebrate muggle holidays. She would always sneak us out and take me to see the Nutcracker. Not only did she love ballet but I loved to see the story play out through the graceful dancing. Of course as I grew older the tradition stopped but I never forgot.

I continue down the hallway and I can hear the music growing louder. I turn one more corner to see a double door way with a sign above the entrance that says 'MAIN THEATER' in gold lettering. The doors were slightly cracked open. I slightly peek into the theater to see a girl dancing on the stage doing the sugar plum fairies variation. I quietly slip into the room and sit down in the farthest back row to watch.

Y/N POV:

I had already rehearsed my routine twice but my director kept critiquing every little thing I did. I mean of course that's his job but I swear he was acting as if everything I did was wrong. I was in the in the middle of my third pirouette when my coach suddenly stood up and started walking to the back of the theater. I continued my pirouettes until I heard my coach speak. "I'm sorry sir but you aren't allowed in here while rehearsals are going on. I must ask you to leave." He said as he ushered someone who was sitting in the back of the theater out of the room. The man stood and I caught a glimpse of him. He was tall and had icy blonde hair. I paused my variation and stood to watch. The blonde man then spoke, "I'm sorry for interrupting sir. I had no clue." He said before then exiting the theater. My manager turned back around after closing the doors to the theater. "Alright Y/n from the top!" He said as he gave the tech people the signal to restart the music. I didn't complain. I rushed back to my starting mark and started my routine from the beginning.

DRACO POV:

As I sat in the back row I admired the ballerina on stage. Her movements were so elegant, mesmerizing even. With every turn and step she took her tutu bounced. Her arms stretched out with grace. I'm instantly snapped out of my daze when an official looking man comes up to me. "I'm sorry sir but you aren't allowed in here while rehearsals are going on. I must ask you to leave." He said as he turned to open the door for me. "I'm sorry for interrupting sir. I had no idea." I said as I stood from my seat. I walked to the door and took once last glance at the ballerina.

Y/N POV:

After the man had left the theater I ran through my routine nearly a half a dozen more times. Each time my coach giving me more pointers and critiques. As the music stopped and I finished my last variation my coach stood from his seat, "Y/n you need to keep your back straight and your knees pointed on that last part!" My coach shouted clearly tired of me not being able to perfect my solo. I just huffed and wiped my forehead with the back of my wrist. "Can I go get some water?" I said with my hands on my hips. My director sighed, "Yeah, be back in five." He said as he wrote something down on his clipboard. I hurriedly sped walked down the stairs that were on the far end of the stage and headed towards the theater entrance. I took a turn then walked down the long hallway. I stop at the end of the hallway when I see that man who got kicked out of the theater and another man who has long icy blonde hair, they're both sitting down on the waiting chairs outside Mr. Evan's office. I shake my head of any curiosity about the two and hurriedly walk past them to go to Adeline's desk. I notice the short haired boy look up at me as I walked but I continued. "Hey Adeline, could you please get me a water?" I asked to the woman. "Yeah just give me a second." She said with her usual smile, as she stood and went to another room. A couple seconds later she reappeared and had a water bottle in hand. The water bottle had a custom logo on it that said The Royal Opera House in gold letters on a dark red paper. "Thank you Ade, I'll most likely be back soon." I said as I turned around while simultaneously taking a drink of my water. As I turned I practically bump straight into a brick wall.

But it wasn't a wall it was that same blonde boy. And I had now just spilt water all over him. "Oh, i'm sorry! That was my bad!" I said frantically as I tried to wipe the water off of his black button down. "No, no, no, don't worry about it." He said laughing lightly as he grabbed hand to calm me, after a few seconds you let go. "I was just coming to compliment you. I saw you back in the theater and your dancing was truly beautiful." He said as his ice blue eyes practically pierced yours. "Oh...thank you." —I laughed softly—"But my director would say other wise." I said as I began to walk past him, I turned back around to look at him once more to find him with his eyebrows furrowed. "Well it's basically his job to tell me what I'm doing wrong, but it feels impossible to get my routine perfect." I sighed. "Well...regardless of what that oaf thinks I think you dance nothing short of perfection." He said slightly playfully. I let out a small laugh. "Well, I've got to get back to rehearsing. It was nice meeting you...?" I questioned having never learned his name. "Draco." "Draco?" "Draco." He confirmed. "Well it was nice meeting you Draco." I said nodding my head before turning to go back to the theater. "Wait what's your name?" He calls out to me as I was walking away. I turned around once more then gestured to a poster on the wall, then finally walked away.

As I gestured to the poster Draco immediately examined it. It was a picture of you in your sugar plum fairy costume and a title below it. It said, 'Y/n L/n as The Sugar Plum Fairy' Draco let out an airy laugh as he admired the poster when Lucius appeared behind him. "Draco I would like to not have to come look for you as if you were a lost puppy. Mr.Evan's is ready to see us now." He said coldly then turned Draco following behind.

=

You had went back to the theater thoughts of Draco lingering in the back of your head. Draco had went to sit in on the meeting between Lucius and Mr. Evan's. To Lucius that meeting was very important to the future of his shares in the theater, but to Draco it was merely an hour wasted listening to rubbish. You had finally wrapped up your rehearsals for the day and it was time for you to go get food and go home.

DRACO POV:

"Draco you can sit outside while me and Mr. Evan's wrap this up. Don't wander." Lucius spat. I didn't respond he simply just got up and left the room. I sat outside on the chairs until I heard a voice. "Yeah, I'll see you on Thursday?" She said as she walked out of the theater. There she was, Y/n. All of my attention was on her. She was no longer wearing the tutu and leotard. She was now wearing a baby pink off the shoulder knit sweater with grey flared leggings. She has a white knit scarf around her neck and she carried grey bag, what I assume was her ballet stuff. Her hair was in a low bun making her headphones she had in visible.

     When she turned to walk out she paused when she saw me. "Hey, you're still here?" She said softly as she walked up to me while taking out her headphone. "Yeah, i'm just waiting for my father and Mr. Evan's to get out of their meeting." "Well, I could wait with you?" She said as she rocked back and forth on her feet. "Yeah, sure. I don't mind." She sat down next to me setting her bag on her side. "So why are you here? To see Mr.Evans I mean." She said as she looked up at me. "Well I wouldn't say that i'm here to see him. My father is.  Something that has to do with his shares. I honestly don't know. The only thing i've gotten out of coming here was seeing you dance." I laughed a little, and so did she. "I didn't know I was that good." She smiled. "Whatever your director was yelling at you, he truly is wrong. I thought you danced perfect." I said avoiding eye contact with her. I could see her out of the corner of my eye just staring up at me. "Why thank you good sir. I'm glad you liked it." She giggled. "Have you ever seen The Nutcracker?" "Yeah, quite a few times actually." "Oh. Would you like to see it again maybe?" She asked this time not peering up at me, but now fiddling with the loose ends of her scarf. "When?" She stop and looked back up at me. "Uhmm,—she hummed— Opening night would be December 10th, I could get you tickets if you would like?" "Yeah, yeah, although I don't know when I'll see you again?" I asked. She laughing softly, "I guess whenever you want to see me again." She smiled.

DECEMBER TENTH

DRACO POV

Today was the day, the day I get to see her again. I don't know why I'm so...entranced? By her. Something about her just makes me fascinated. Ever since last week she's all I could think about. Of course in order to be able to go see the show I told my parents some bullshit excuse. My father would never let me go to London by myself, especially just so I could go see the ballet. Not only that a muggle girl.

I had made my way to the theatre early so I would be able to avoid all the people there for opening night. I stepped out of the taxi, it was cold the winter air crisp. I entered the building and walked up to the concierge. "One ticket for The Nutcracker, please." I said slightly rubbing my hands together trying to warm them. "I'm sorry sir, but I'm afraid we are all sold out for the night." He said with pity. "What? No, I have to see the show tonight." "Like I said, I'm sorry. But I can sell you a ticket for-" "Oh! Mr. Malfoy I wasn't expecting you so early!" The concierge was interrupted by no other than Adeline. "You were expecting me?" I turned to her. "Well yes? I expected that Ms. L/n made you aware of your visit?" She said with her usual smile. "Well yeah, but- you know what never mind. Why were you expecting me?" "Of course, because she was very adamant that you got the best seat in the house!" She said ushering me down the hall, then to an elevator.

The classical music played lightly in the elevator, the ride up two floors wasn't awkward, it was actually quite pleasant. This was an elevator ride I had been on countless times before, it was nostalgic in a way. The elevator dinged before the large metal doors opened. We were on The Donald Gordon Grand Tier. It was technically the third floor of the theater. She led me to row A which was in the very middle and front. "Ms. L/n was very insisting that you get this specific seat sir. She said it was the best seat in the house and you deserve nothing less!" I stood there for a moment and blinked at the seats in front of me. That feeling of nostalgia had now been explained. I was sitting in the exact same seat my mother would always sit in when we would come to the theater. "Mr. Malfoy, are you okay?" Adeline broke my trance. "Thank you Adeline, for everything." I thanked her as I sat down. "No problem! Feel free to come down to my desk if you need anything!" She smiled before walking away.

I sat there for maybe 30 minutes before hundreds of people started sitting in the theater. Of course by courtesy of Adeline I was able to avoid the crowd. After about another 30 minutes the lights in the theater had dimmed. That's when I heard the oh so familiar tune to the mystical music. There was something about the story of The Nutcracker that always fascinated me. Maybe it was the playful but yet elegant dances that were done. They were so complex but yet so smooth and graceful. Or perhaps it was the fact that I was able to watch a story come to life in front of my very eyes. As I watched the ballet I found myself the same way I was many years ago. Only blinking every few minutes to be sure I didn't miss any parts of the show. My mind fully clear, only focusing on the ballet dancers below. I was entranced by the story all over again.

Now, we were in act II. After Clara and the Prince have slayed the Mouse King, the snowflakes have led them to the Kingdom of Sweets. As the enchanting music transitioned to a more sweet sounding melody it hit me. She was going to be dancing soon. Clara and the Prince arrived to the gates of Kingdom of Sweets. The Sugar Plum Fairy reigns over the Kingdom of Sweets. I sat up in my chair. Then there she was, graceful as ever tip-toing across stage. Her costume was beautiful a light pink bodice and tutu with gold accents. Her hair was elegant and she wore a gold tiara. She was covered in glitter, but what shined the most was her eyes. She was so passionate in the way she danced. Her moves were liquid smooth enchanting the audience. She placed a tiara on Clara's head then commenced a day of festivities in honor of Clara saving the Prince from the mouse king. First came the Chocolate from Spain, then the Arabian Coffee, the Chinese tea, and lastly the sweet French Marzipan.

But then the flowers came, and they preformed a great waltz. The Sugar Plum Fairy came back with her cavalier and did a mesmerizing duet. Although they were doing a duet me and the whole audience could only look at one of them. Her. She danced with a great passion. Not that he didn't. There was just something about her that made you believe that she was born to be on that stage. Born to shine. Even with the light shining down on her, she was the light. Soon after she and her cavalier finished their dance Clara is guided back home. She tosses and turns in her sleep, she wakes up to find out it was a dream? A fantasy. Nothing more.

And Suddenly I was pulled into reality. The audience erupted in roars. Not one person in that theater wasn't clapping. Roses were being thrown onto stage by people sitting on the lower floors. The people around me whistling and cheering. I quickly stood up and headed down to Adeline's desk. "Excuse me, Adeline. I had a delivery made here, did it arrive yet?" I said as I leaned on her desk. "Yes, Mr. Malfoy. Just wait one second while I go grab it. She disappeared into a room before coming out with the custom bouquet I had delivered. Freshly picked Frutteto's. The baby pink roses were dusted with gold glitter, they were perfect. "She's gonna love them you know?" Adeline asked snapping me out of my trance. "Yeah...yeah, I know. Do you know when she'll be out?" "I'd say maybe 30 minutes? In the mean while you're more than welcome to wait here." She said as she sat back down at her desk and started flipping through a book.

I sat there for what seemed like forever. I inspected every flower to make sure they were nothing short of perfection. Just as I was picking off a petal that was too pink to fit in with the rest I saw her. She was already on her way out of the glass doors. I quickly rushed after her, "Y/n, wait!" I yelled after her as I caught up. She turned around her nose being a light shade of pink from the brisk winter air, the soft snowflakes landing in her hair. "Draco, you came? I didn't see you come in before the show?" "I got here early, don't worry I watched the whole show. You were...amazing. Oh, I got you these." I quickly handed her the bouquet, "They're beautiful." Her face lit up, "Perfect, they're perfect." She cradled them in one arm while the other fiddled with the petals. "Thank you." She said with that sweet smile of hers. "My pleasure, I knew you'd like them." I really didn't, I was actually terrified she wouldn't like them. "Hey...would you maybe..." Her eyes glistened in the street lights as she looked up from the flowers, "...would you maybe like to go to dinner with me?" I was a bit taken aback by the sudden question. I paused, "Yeah, I would love to. But it's my treat." "You don't have to i'm the one who invited you." She said lightly laughing. "Well, I would like to treat you after your amazing performance tonight. Where do you wanna eat?" "I know a great place! It's called Bancone, it's an italian place, is that okay?" "Whatever you want is fine with me." I smile. "Okay, uhh, hold on let me call a cab!" She turned and walked to the road. She hailed us a cab.

We both sat in the back of the cab, watching the snow glitter down from the sky. "How far is the restaurant?" I asked turning to her. When I looked at her she was simply smiling down at her flowers. "Oh, we should be there any minute! Actually we're here! Thank you!" She said as she scooted out of the cab. I paid the driver then got out. I was surprised to find she took my hand and led me inside.

We stepped inside and I was taken aback by the olive tree that was planted in the middle of the restaurant. The interior was classy but casual. "Hi! Welcome in! Table for two?" A hostess came up to us. "Yeah, uhm, could we be seated at a window table?" She asked as she dusted off the small pieces of snow she had in her hair. "Of course! Right this way!" The hostess led us to a table in the front of the restaurant. I pulled out her chair for her, "Why thank you good sir." She softly laughed. I sat down. "Can I get you started with any drinks, or would you like a minute?" "Could we get a bottle of the house red? And then I would just like a glass of water." She asked the hostess. "Great choice, and as for you sir?" "I would just like a glass of water, thank you." She handed us our menus then walked away. "What do you think you're gonna get?" I looked up from my menu. "For sure the bucatini, i've been craving it all day." I laugh lightly, "I don't know what I want" I said as I studied the menu, "What do you think?" I looked up at her to find her already looking at me. "I personally think you'll like the duck ragú, I had it last time I came and it was heavenly." She laughed. "Okay I guess it's settled then, wait what about dessert?" "Oo! They have these cannolis! They're covered in hazelnuts you have to try them." Just then a waitress came to the table, "Here is your house red, and waters." She said as she set down our water and presented the bottle.

She opened the bottle with a pop, then filled our glasses. "Thank you" we both said nearly in unison. "Are you ready to order your entrees, or would you like another minute?" "We're ready. I'll have the bucatini and as for dessert we'll do two orders of the hazelnut cannolis." She said as she handed the waitress her menu. "Sure thing! And as for you sir?" She turned to me, "I'll have the duck ragú, that'll be all, thank you." I handed her my menu. "Okay, i'll be back with your food shortly." She smiled then walked away to another table. "You know what I realized?" Y/n said as she twirled the wine in her glass. "What?" "I barely know anything about you, but yet here I am at dinner with you." She tilted her head slightly. "Well, I don't know anything about you either." I laughed, "What do you wanna know?" "Anything! But skip the basic things, I just really wanna know you" She took a sip of her wine. What was I supposed to tell her? That i'm a wizard and that I went to a school to learn sorcery? "I honestly don't know where to start? Just ask me anything, anything." "Mmm, what's your favorite childhood memory?" She said as she took off her scarf.

I took a breath "I would have to say...probably going to see The Nutcracker with my mother." I laughed, she looked up at me curiously. "Ironic isn't it." "Very." "See my father isn't big on...fun. Or anything really. So every year my mother would sneak us out of the house and we would go see the show. As I got older the whole tradition kind of just...stopped. But you know what's crazy?" "Hm?" "The seat that you picked out for me, was the exact same seat my mum would sit in when we would go." She looked at me like I was crazy. "She always said 'it was the best seat in the house' the whole thing felt like a dream." "That's...just...wow. That's a big coincidence huh?" "I know huh, I was so confused. But what about you? What's your favorite memory?" "My grandmother she was absolutely amazing when it came to playing piano. As a little girl she would play the Swan Lake piano arrangement while I danced. We would do this for hours and hours till my mother told us to take a break. I've always loved ballet. What I would give to re-live those memories." She looked out the window and played with the hem of her sleeves as she spoke. "That's...beautiful. So you've been dancing since you were young?" "Yeah, kinda like you my mother took me to see the ballet when I was little. But instead we saw Sleeping Beauty. I was absolutely fascinated by it. For weeks I begged my mother to put me in classes, I guess she just got annoyed of my constant begging and just gave in." She laughed softly. "Well it definitely paid off." I smiled.

We got to know each other all night long. Even though we had already finished our food long ago, we sat there and just talked. About everything. She was just so captivating. Every detail about her was intriguing. Each one of her stories just led me to wanting to know more about her. The way her eyes sparkled a little when she would talk about something she was passionate about. All of her was just perfect. I told her a lot about myself. Maybe more than I should've. Everything about me surrounded the one thing I couldn't tell her. Most of the stories I told her had gaps but I don't think she caught on. I felt almost...bad? For not being able to tell her what could possibly be the biggest detail about me. But seriously how do you just tell someone that. 'Oh yeah, by the way i'm a wizard. And there's millions of other wizards around the world.' And plus even if I wanted to tell her I couldn't. And it was killing me.

We stayed at the restaurant until the waitress told us they were closing soon. "I guess we should get going huh?" She asked as she lightly laughed. "Yeah, I guess so." I slightly frowned. I paid the bill, then we left. We stood on the side walk as the snow continued to fall from the dark sky. Street lamps lit the road, illuminating it with golden rays. She wrapped her scarf around her neck and carried her flowers with both hands. "Could I have your number by the way?" She asked. "Oh, yeah. Here just put your number in and i'll text you later." I handed her my cell. I got a muggle cell phone, specifically for this reason. My father would never approve of me having a device like that. But for her it was worth whatever trouble it could cause. In all reality the reason I asked her to put her number in my cell was because I had no clue how. "Okay, there." She smiled as she handed me back my phone. I looked down, Y/n xx , is what she put as her contact. "I should get going now, I have to be back at the theater early tomorrow." She said as she fiddled with her flowers. I took a breath, "Okay, tonight was really great. When can I see you again?" "Like I said, whenever you want." She smiled, I laughed. She turned out to the road and hailed a cab. "Goodnight!" She yelled out to me before turning back to the cab, she paused, then turned around back to me and ran back to me. She gave me a kiss on my cheek and then a small hug, "Goodnight." "Goodnight." I said a bit surprised. She ran back to the cab and got in. I watched the car disappear down the road, out of sight.

===

Mwah I hope you liked! If you did make sure to reblog and leave a note! <3

[longitudinalwaveme]

How to Distinguish the Mirror Masters

So on Reddit, I saw a post that asked how the two Mirror Masters should be distinguished from one another if they were to be used in the same story. Here's what I came up with:

Sam Scudder, the first Mirror Master, is flamboyant, dramatic, and vain. He loves fame and is always angling for it, and his crimes are frequently centered on getting as much attention as possible.  He almost views himself as the lead actor in a movie series about him; he's always trying to come up with interesting stories about himself and trying on variations of his basic Mirror Master role---pretending to be a superhero, taking a self-help course as a regular guy, turning his enemy into a genie in a bottle, live-action role-playing as a cowboy, and even once casting himself as a romantic lead. While he likes money and really likes stealing fancy mirrors for his extensive collection, ultimately fame is most important to him.

In some ways, Sam kind of parallels Barry insofar as they both seem to kind of living out childhood fantasies (Barry is a huge comic book nerd and idolized the Jay Garrick Flash, while Sam was explicitly stated to be a huge fan of cowboy movies in the issue where he disguised himself as an Old West outlaw for a bit.) I think if I was writing the character, I would make this connection a bit more explicit, and have Sam also be a fan of the Golden Age heroes, with the Mirror Master persona being a twisted mirror image of his childhood heroes. 

One side effect of this is the fact that Sam doesn't have any real personal hatred of Barry. He'll do the standard supervillainous death traps and the like, but on some level he enjoys having the Flash around. After all, the Mirror Master looks much cooler fighting the Flash than he would effortlessly avoiding the police.

On the same tack, Scudder almost never endangers civilians, since doing that would interfere with his fantasy life as an over-the-top comic book supervillain. 

Sam is also the genius of the two Mirror Masters. He's the one who invented all the technology and discovered the Mirror Realm, and he's always coming up with new inventions. He's probably the most scientifically inclined of all the Rogues, but he specializes in reflections and advanced physics. I don't generally think of him as having had a lot of education, but he is extremely intelligent.

Scudder is something of a pretty boy; he's extraordinarily vain and spends an inordinate amount of time fixing his perfect hair and looking at himself in the mirror.

Sam is also superstitious (he seems to fervently believe that breaking mirrors is bad luck, which is unfortunate given his gimmick) and can't swim. He's also a chain smoker; he goes through four cigarettes every hour. 

Evan McCulloch chases anonymity as much as Scudder chases fame. After his traumatic childhood and his role in the death of his parents, he wants to be anyone BUT Evan McCulloch, and the Mirror Master is a convenient role for him to disappear into. He doesn't really want to establish himself as separate from Scudder (though his accent and somewhat burlier physique make it somewhat inevitable that most people don't mistake the two of them). In a sense, being the Mirror Master is an escape hatch for him...just as his cocaine addiction is.  

 Evan is a deeply weird individual on many levels. He has a strange sense of humor and a strange moral compass, and he seems to take some enjoyment out of how much he unsettles other people. When interacting with heroes, he's generally quite chipper and genial, something that stands in stark contrast to the lengths he's willing to go to in order to get what he wants. He bears no malice towards the heroes he fights, but he also has very little restraint in fighting them.

Evan is far more dangerous, brutal, and unhinged than Scudder; he was, after all, a hit man prior to becoming the Mirror Master. He also uses the Mirror Realm far more effectively than Scudder does, partially because he's less worried about the potential risks involved in spending time in such a bizarre reality, and partially due to a natural aptitude for navigating it. He is not an inventor, and indeed struggles to understand and repair the technology he uses, but he is more than competent in wielding it.   

Evan does have something of a sentimental streak. He always sends a portion of his ill-gotten gains to the orphanage where he was raised, and he refuses to kill children (Grant Morrison, who created the character, established early on that Evan had a policy against killing women and children, and it's always been a little frustrating that most subsequent writers have abandoned it). But making the mistake of assuming that his sentimentality makes him any less dangerous might very well be the death of you, since Evan has no compunctions about killing generally.   

Evan is exceptionally powerful; indeed, he's something of a Lovecraftian horror. He can go anywhere, attack anyone from anywhere at almost any time, and can launch those attacks without even having to leave the Mirror Realm himself. He's almost untouchable when he wants to be.  

Oh, and Evan is Scottish. He's very, very Scottish (more specifically, Glaswegian), and he takes great amusement from the fact that the Americans around him often have no idea what he's saying.

In terms of physically distinguishing the two, I would have Evan be a bit more built than Sam. He also has much messier hair when the cowl is off, and has freckles and a gap between his two front teeth, which Sam does not possess. Both have brown hair and brown eyes, but Evan's hair has a reddish tinge to it and his eyes are more hazel, whereas Sam's hair and eyes are more pure brown. Finally, I would have them be mirror images of each other in terms of handedness, with Scudder being left-handed and McCulloch being right-handed. 

I would also have Scudder be quite a bit older than McCulloch, with Scudder being 41 to 45 years old and McCulloch being 26 to 33. 

Also, importantly, the primary distinguishing trait between the two is not that Sam is boring. For some reason, there's this common idea in the wider Flash fandom that McCulloch is the only Mirror Master to really have a personality, but that's actually pretty far from the case. Prior to Crisis on Infinite Earths, Sam was probably the most dynamic and interesting of all the Flash's villains, and he was also very popular, as illustrated by the fact that he appeared more often than any other costumed villain, as well as the fan response he got in the letter columns of the day.

For example, in Flash vol. 1 #130 (published in 1962), someone wrote in with the results of a poll they took in their neighborhood:

And in this very long letter from Flash vol. 1 #174 (published in 1967), the writer identifies Mirror Master as his favorite Flash villain:

Granted, Sam doesn't have the depth or complexity of the characters who either survived into or were created in the modern era (since he was dead for almost all of it), but he definitely had a character, and he was a lot of fun.

And then they brought him back in the New 52 and he really WAS boring. But that wasn't because classic Sam had no personality to work with, it's because the writers made him a less interesting version of the Top, and then made him Evan-in-all-but-name-and-accent.

And while we're on the subject of badly-written Mirror Masters, it's very frustrating that DC brought Evan out of his decade-long limbo only to apparently shunt him back into limbo about a year later---especially since it's really, really clear that Evan is the Mirror Master most writers actually want to write about.

It honestly feels like DC thinks that the ideal Mirror Master is the hybrid version. They want the Mirror Master to have Evan's eldritch horror powers and general human disaster personality, but since Evan's Glasgow accent is hard to write and the details of how he got the Mirror Technology require them to acknowledge that there are two Mirror Masters, they use Sam's civilian identity because he isn't Scottish and invented the gear himself. As someone who's a fan of both Mirror Masters, this is very frustrating.

Thanks to @gorogues for the scans.

[acourtofthought]

I have some questions for ya.

For Elain to be the cauldron's favorite, this must lead to something in her book. Are there any implications of being "cauldron's favorite" aside from her powers? If so, what are they?

For Lucien and his identity as Helion's son, how do you think Lucien will find out and come to terms with being the heir of the HL of Day Court? To what extent will this affect his relationship with other characters (himself, his mate, family, Tamlin, NC, Feyre, etc.)

Vassa will return to Koschei, what do you think she can do during her captivity? How does Jurian fit into the narrative? (his role essentially and his potential actions)

Will we see more of Tamlin? Side character appearance to Lucien's story? Potential ending for him?

Lastly, do you think one book can satisfactorily resolve the stories of all these characters? Feel free to be as honest as possible.

P.S. These questions are just hyping me up for the next book because I'm really sure Elain's book is next.

I actually don't think the Cauldron will be a major plot point in Elain's book though I do think it will come into play in the next "series" SJM contracted for (which I think is still part of the ACOTAR world but with a focus on the Valkyrie / Illyrians / Autumn Court, maybe even the Seraphim).

In one of her Live interviews, SJM made the comment that there will be consequences to Nesta changing her and Feyre's anatomy. I think that has less to do with consequences for she and Feyre specifically and has more to do with her actions awakening the Cauldron which might have sent out some sort of pulse into the universe. We know the Midgard Asteri are now dead but they had always been searching for survivors on other worlds. Since we also now know the Daglan / Asteri tied themselves to the Cauldron, it makes some sense that it would act as a Beacon to the other Asteri in the universe, calling them back to Prythian where there is this cache of power waiting for them.

But plotwise, I don't think we're there yet. While I think it's evident SJM is setting up for more world walking, currently the people in their world are still trying to recover after the war with Hybern, trying to redraw the boundaries and territories, trying to secure peace among themselves. Throwing time travel plots into the very next book then wrapping it up with Elain and Lucien, Koschei, Beron and the treaty (things not connected to time travel) seems backwards since world walking / time travel seems a much larger story, a more epic journey that might end in some sort of crossover battle with not only the ACOTAR characters but characters from Midgard, the Princes of Hel, maybe the TOG characters.

So for Elain's book, I don't think her connection to the Cauldron will be a major plot point outside of our knowledge that it wanted to give her gifts and those gifts will be important in helping her resolve the open ended plots in SF (Tamlin, Beron, Koschei, the treaty etc).

I go back and forth on Lucien and his heritage. I think he may have always suspected he was not Berons' son but did not automatically jump to Helion as his father. Helion only became HL of Day UTM, after Amarantha killed it's previous HL and most of his family so I do think Lucien's Day powers / markers of a future HL have only recently been appearing for him. I think there's a chance, since the end of ACOMAF, he's now begun putting things together but still isn't 100% sure. I could see Elain having had a vision of Lucien in Day, maybe she'll be the catalyst for him finally understanding the full truth? Maybe when he and Eris resolve their past issues with one another, Eris will know and he'll be the one to confirm?

As with mostly everything that is thrown Lucien's way, I think he would easily step into whatever it all means for him. He's stepped up even when nobody asked him too and maybe this will finally lock something in place for him, the sense of truly having a purpose rather than being doomed to the life of a drifter.

I don't think there's much Vassa will be able to do during her captivity though I think once freed, she'll definitely play a role in helping defeat Koschei. Jurian, I think, will be with Elain and Lucien on their travels to the continent. He'd play the same role that the IC did for Feyre at times, Gwyn and Emerie for Nesta at times. While I don't think he'll be the main focus, SJM always finds a way to give humans a purpose even when alongside fae or other characters with magic (i.e. Nesryn, Chaol, Yrene).

Yes to Tamlin. Spring has been a main focal point for a few books now, the people without leadership, that Beron is looking to take over it's land, how the NC needs Spring's army as an ally. There is no better time for SJM to resolve his arc than in an Elucien book especially as his relationship with Lucien has been strained this whole time.

At the end of it all, I'm not sure I see Tamlin staying High Lord. He's neglected his people for far too long and if the magic can giveth, I imagine it can taketh away. It's a position he never wanted in the first place and I could see him stepping into the role of general of the Spring army.

And yes, I do think an Elucien book could resolve the major plots laid out in SF and even a few in HOFAS. I think they can secure the peace treaty, restore Spring, kill Beron, and bring back the dying lands of the world (the Bog / the Prison) / cure the illness plaguing the Pegasus, setting up Lucien as High King to maintain the peace across the fae and human territories. I think that would then be a natural way for SJM to transition into the future of the ACOTAR series which would deal with time travel / world walking. Where once the climate in the rest of their world is settled, the NC can deal with the Illyrians, the Valkyrie can continue training not only themselves but other females so they become a true elite female fighting unit (I don't see them having Pegasus of their own until the illness affecting the foals is cured, Helion only has a few breeding pairs and I doubt he'd risk sending them into battle and having them completely wiped out). I think Merrill would be one of the next villains, a catalyst for trying to helping other surviving Asteri / Daglan enter their world and that would prompt some in the IC to world walk in an effort to stop them / joining characters from other series to fight "space" battles so their own worlds remain protected.

[foone]

Has anyone written an official star trek novel about Worf's bar mitzvah yet? (long post on Jewish Worf under the cut)

He was orphaned at age 6/7 and adopted by the Rozhenkos shortly after, so he would have come of age in a Jewish household. As for "would Worf have had a bar mitzvah?", have you met the man? He loves him some rituals!

And if you're not sure if Worf's adoptive family is Jewish, two things: 1. His mother is played by Georgia Brown, a Jewish actress 2. HIS DAD IS LITERALLY TEVYE. THEY COULD HAVE NOT MADE IT ANY MORE OBVIOUS

His dad is played by Theodore Bikel, who got his start in acting by playing Tevye in "Tevye the Milkman", an adaptation of the stories that predates Fiddler on the Roof. In 1969 he started playing Tevye in Fiddler on the Roof, the role he played more than any other.

Anyway I want to get a story about a klingon girl being adopted by a Jewish family as a child, and having her coming-of-age ritual with her new family. Call it "My Bat'leth mitzvah"

You know it's been pointed out that Worf seems to be more invested in the history and culture of the Klingons than most of the raised-by-Klingons Klingons we meet in Star Trek.

There's lots of fan explanations for this (the Klingons have lost their way, and he believed their propaganda about themselves, so he's more Klingon than Klingons, or he's on the autism spectrum) But I want to see it brought up on trek itself.

Someone asks Worf why he's so invested in Klingon rituals, in their history, in their culture, when so many Klingons have forgotten the same, and let it slip away.

Worf explains that he got it from his father, who always emphasized the importance of... *Worf stands up and begins to sing at the top of his powerful klingon lungs* TRADITION!

Three decks away, a startled ensign drops a sample container. Within hours half the ship has mutated into kangaroos and Data has to save the ship yet again while Picard swordfights Shakespeare on the holodeck

I wonder if Worf ever mentioned to Sisko that he was Moses.

Sisko: What. Worf: You're a prophet to a people just out of slavery, one raised by another culture but secretly one of them. G-d spoke to you and told you of your divine mission. Because of your actions you were told you would not enter the promised land.

Worf: Remember when you entered the wormhole and spoke to the prophets to stop the Jem'Hadar invasion fleet? And they did? Well, what happened to the Pharaoh's army when they tried to follow the escaping Hebrews across the Red Sea?

Worf: Even your name! Benjamin, son of Joseph and Sarah. These are Hebrew names! You are Moses.

And how does DS9 end? (spoilers) Oh, Ben is taken into heaven on a chariot of fire. Like the prophet Elijah.

I imagine a young Worf coming to his father, excited to point out a connection to Klingon religion he found while reading the Torah. His dad is excited that his adoptive son has taken such an interest, and asks him to explain.

Young Worf explains that he was reading about Jacob, who met either G-d or an angel, and wrestled him until he was given a blessing. Jacob was from then on known as Israel, meaning "wrestles with G-d".

Worf points out that Klingons have no gods... Anymore. They were killed by Klingons in the distant past.

Little Worf balls up his tiny fists. "Don't worry, father! I shall help you finish what Jacob started!" and runs out to practice Bat'leth in the back yard. Sergey covers his face with both hands, then looks upwards and whispers "he doesn't understand... Forgive him, please!"

He'll ask the rabbi for advice later, and they'll be a very unique conversation.

There are many difficulties with maintaining the faith and traditions in the atheist utopian future of Star Trek, but "my adoptive son read the Torah and now thinks it's his divine mission to kill G-d in his heaven and drink bloodwine over his corpse" is a new one.

little did Worf know that the job had already been done, years before he was born, and with Klingon assistance. Yes, I'm going to bring up Star Trek V...

"God" or at least a very powerful being claiming that title, is trying to kill Kirk on a planet named after the James Bond actor. Kirk reaches the top of a mountain (why is he climbing the mountain?) and he's out of options. BAM, Klingon Bird Of Prey, out of nowhere! DIE, GOD!

But it wasn't a Klingon at the weapon's console. It was Spock! (But he's Jewish too, so it was still someone who Wrestles-with-God)

From then on Spock was known to the klingons as chotwI’Qun: God Killer.

(the grammar is probably wrong on that, but if you try to correct me on my Klingon (don't you mean tlhIngan Hol?) at the end of a post about how Worf is Jewish, I will simply call you a NERD)

[ikemenomegas]

Getou and Kids

Omega!Getou Suguru x Alpha!Reader

replying to this ask: So, can I please have a request for Omega Suguru? How does he behave around kids? We know that he basically adopted two girls, but had he ever wanted to have biological kids? Some of headcanons ❤ Love your work ❤

c/w: omegaverse, mentions of male pregnancy

There's a little bit of irony between Satoru and Suguru's "parenting styles". As in neither of them are good at it, but Satoru puts up too many boundaries with his adopted children and Suguru puts up too few. However, Satoru's kids are able to discern what he will do, call him by his first name, and have some sense of his ethics, versus what little we see of Mimiko and Nanako, they're devoted but Suguru likely treats them to one of the masks he shows to most people.

Around children in general, Suguru is sweet. When they're not his so any pressure of discipline or dealing with them long-term doesn't fall on his shoulders and attempting to make a good impression on people is a second nature, so parents tend to like him.

With his own kids, he's generally the more permissive parent. Without Alpha around, he spoils Mimiko and Nanako rotten and doesn't push their training because he thinks he needs to take on the "protector" role all on his own and he understandably doesn't want them to become sorcerers. He was very young when he found them, and he tried to help them have a "normal life", even though they weren't normal children. It sort of backfires on him later, but the girls grew up knowing that they were loved by someone who would kill to keep them safe so there's that.

Suguru could happily stay home all day, and then the next day, and the next day and the next… as long as the people he likes show up at home once in a while he never feels the need to go out haha. The power of a super introvert. This is worse after he defects because he also hates going out among normal people. The girls drag him out to play games, go get food, go to amusement parks or other attractions. He's attentive to their needs so it's never like they're out of groceries etc, but he hates going out for normal stuff and as soon as he's able never steps into anything as mundane as a store unless the kids beg him for it. That's why the girls grew up so spoiled, Suguru went out of his way to keep them away from normal human things.

When his Alpha comes with him, together they do a better job of balancing the girls' upbringing. Suguru encourages Alpha to became more like a parent and less like a mentor, and they talk through a lot of Alpha's and Suguru's own trauma with the sorcerer mentors they interacted with before enrolling in the technical college so they don't repeat those mistakes. Alpha also is able to take over the girls' education in normal and sorcerer matters when Suguru is away so they aren't ignorant of the things they might encounter while around him.

As a parent, Suguru is the one who the girls will complain to if Alpha sent them to do homework and they don't want to do it. He will get them to do normal people homework because he does know literacy and such is important, but if they beg off sorcerer training he just lets them.

Suguru grew up in a small countryside township, so he likes to take the kids out to the countryside for fresh air and to get away from people for a while. He prefers the city or places with no people at all, too many bad memories associated with small towns, so he'll give the girls money to go buy fresh produce or send someone else out to buy it, but he often cuts up snacks for them himself. It's Alpha the kids beg for junkfood because Suguru is always giving them healthy stuff to eat, and when he realizes, he starts to give them popsicles and stuff.

Suguru has a beautiful reading voice, and he's the one who usually does bedtime stories with the kids or who gets begged to help them with their reading homework.

As an omega, but even before presenting, Suguru always imagined that he'd have kids. He didn't necessarily think about when he would have them or really how many, he didn't imagine an ideal type of person to mate with or what his role would be as a parent. Part of it is social expectations, but he didn't think that he would mind one way or the other if he had children, he thought he's okay having kids if he finds someone he likes.

It does cross his mind that if he got to have you and Satoru, probably he'd have both of your children. Suguru knew that Satoru didn't like the idea of being indisposed for weeks or months if he had a baby and modern technology makes it much easier for less fertile pairings to have their own children. He has a bit of a fantasy about having Satoru's child and then yours. However, again I don't think desire to have children in particular plays into it, he just knows that it will be a requirement and he wants to do it.

If he leaves and the alpha doesn't go with him, he never has children. If alpha goes with him, then the only way he has children is on accident. They don't plan to have biological kids when the situation is so unstable with the cult and Suguru's plans.

In the case of an accidental pregnancy... I imagine he has a boy and you should hope the baby is a sorcerer, because if it's not, Alpha probably has to leave with him. (Not that Suguru would... kill his own infant and the relationship of an adult with their child is different than one with their parents but I don't think Alpha could stomach knowing it could be a later possibility or that Suguru would always be conflicted about a non-sorcerer child. At minimum, the kid would need to be able to see curses and to control their cursed energy. Suguru doesn't care if they have a technique or are even proficient enough to be a sorcerer, I think having a normal human child might just break his brain and a lot of other things.)

[elizaxspears]

Hi ^^ since the William content craving is at an all time high, would you mind sharing any of your thoughts, expectations, theories or whatever comes to your mind about William? I'd be curious to know what other William fans have to say about him :3 If you feel like it, thank you in advance!

Hi! Oh the William contenet craving is very much at an all time high! You get me talking about William and I could go on for hours! As for the question itself, I've always had one theory about William having a bigger role to play near the end of the story.

I swear I'm trying not to be William bias with this but I've always felt he might, reluctantly, team up with the Phantomhive's to stop the Undertaker because part of me thinks he might be the only one who could win in a fight against him? From all we've seen so far, Undertaker is a force to be reckoned with but William also has a great advantage with his scythe being long range if he wanted it to be. Other then Season 2 (which I know, isn't canon) and a little bit of Book of Circus when he confronts Sebastian outside the tents, we've never really seem him fight. We don't know really what he's capable of.

The most recent example I can think of is his most recent appearnce when he gave a smack down to the Bizzare Doll and sort of showed off how strong he has the ability to be because really, we know nothing about William. I mean, sure, we know nothing about the other reaper's as well but we've at least seen what they're capable of. We haven't really seen that with William. He's around enough to make you remember him but he's absent enough that it's hard to get a good grasp on him too.

Part of me, for years now, always had it in my head that during the climax of Black Butler (which Yana's getting ready for, WHICH I AM NOT) that he'll play a lot bigger roll. Maybe that's just be hoping because he's my favourtie character, but I feel like he's the trump card. He's strong, he's got the reach with his scythe, he's fast, he's a combination of Sebastian, Grell and Ronald when it came to their fight with the Undertaker during Book of the Atlantic. Maybe he's not a good fighter, maybe he's the weakest of the reapers but we don't really know that because we've never seen him do much outside of Book of Circus or pop up here and there with Grell or to save Ronald (or both of them).

Anyway, before I ramble even more, my biggest theory for William is that he'll become way more important later on and be a key in assisting to defeat the Undertaker. I feel like he's got hidden strength that we've not experienced yet and he's had it up to here with the Undertaker causing such distrubances, he'll eventually step in when the time is right to join the Phantomhives just so he can finally get some work done without being bothered all the time.

HE JUST FEELS TOO IMPORTANT AND UNIMPORTANT AT THE SAME TIME and that leaves me with many questions. I know we'll probably never get the answers about who he is/was, what his past is or why he chose to do what he did but having him as part of the "heros" would make me so, SO, happy.

[i-will-say-what-i-believe]

Okay. Fact time.

OS never cared about Buddie.

All he cared about was him getting importance over everyone else.

Its evident from all his interviews till s6. And now, that fact is just getting justified further.

Guy says he always played Buck as bi. But the fact is, he didn't.

That bi possibility ONLY came out when he was with Eddie & maybe TK. Not with any other man. AND OS was over the moon for mortalia being "THE couch" 🤢🤮 which completely eliminates the viability of his claim that he ALWAYS wanted Buck's sexuality explored.

Guy says the people who don't like Tommy & this plot are people who doesn't know how a story works.

And he does!? Because if he did, he wouldn't just dismiss the loyalty of one of the biggest fandoms after Destiel that kept the show in the forefront of social media all these years. If it was 1 person thinking so, it can be a mistake. There's LITERALLY tens of thousands of fans who have found Buddie on the show. Even when they had no idea about the ship before watching the show & realizing "wait....are they a thing!!??" out of the blue.

No wonder there are a lot of Buddie shippers who are hurt by his attitude, quitting the show. Not because they're h*moph*bic. But because he's been dismissing them & all the subtext that the show has thrown at them all these years without an inch of shame of taking advantage of it for all that time.

If he's so arrogant enough to think he alone can run the show, it won't be long until that ship sinks. Especially when the arrogance is directed to fans, the people who LITERALLY pay his bills, because if we don't watch his work, he'd be jobless.

People have been desperately grasping at straws with all the interviews he's been giving..."he knows something", "of course he can't straight up say he wants buddie... common", "that was a very good way of answering the question" etc etc.

Guess what... it WASN'T the best way to answer SUCH AN IMPORTANT question.

Of course he could say what he wanted. It wasn't like the interviewer asked what was going to happen.

I have always thought his quick answer of "I'm open to it" is SO ODD. Because THAT is not how someone who wants it will talk about it. I have felt it from the beginning. The first Ryliver live. That itself had sealed the deal that ALTHOUGH people desperately WANT Ryan to be the one OPPOSING Buddie (because that's the ONLY way that their h*te towards him will be justified), Ryan was the one who chose the ship name & talked about how Buddie is getting shipped every second. OS kept mum even then. His expressions & body language changed. As if he isn't so into it.

THAT has been going on every damn time Buddie was mentioned in interviews. As if he's not so keen to do it.

Let me say...his body language screams he didn't want to do the Timmy Turner kiss too. He's uncomfortable af. If you remove your "OMG OS is amazing" glasses off & view it as a critic, you'll get it in a second. He just seems to be in it because, again, his character is getting importance.

Among the 911 cast, there's no one MORE concerned about THEIR position, THEIR role, THEIR screen time etc as much as OS does. He'd promote the hell out of the lamest things if it meant he'll get attention . That's what happened in s6. Taking unethical advantage of the fandom's couch theory & promoting the mortalia track like a giddy kid & being over enthusiastic about "in another life"....all were the cry for attention. And the fandom fell for it.

THAT is what's happening now too. Plus he's copying words from other actors to make his "story" more interesting lol.

Anyway....guy has become more arrogant than he already was.

Arrogance NEVER ends well. History has it proved.

PS: People can try grasping at straws to support the guy & put him on a pedestal because he's a tantrum king. But don't @ me on this with your straws. Won't work. I don't like arguing with blind fans because you wouldn't EVER see sense even if it is ALL SHOVED ON YOUR FACE.

Truth is bitter & y'all are just proving it lol🤣

[fireemblems24]

Scarlet Blaze Ch 15 (Final)

Last one, everyone! After this, I finally get to play Spiritfarer which I got on . . . Christmas 2022.

NARRATION

Last chapter. Finally. Killing so many people in this route is really awful. Especially since you just . . . don't in the other two.

I think the last chapter will take place at the monastery.

Oh, great, does this mean I have to protect Bernie's dad in this route? I hope Rhea kills him, like gets this badass cut scene where she cuts him down for perverting her faith by using it as a propaganda tool.

So TWSITD showed up and is attacking Rhea and the Empire.

They're mostly after the "beasts" (aka Nabateans? Or humans?)

I wish this meant that we teamed up with Rhea, but we know Edelgard would team up with TWSITD first.

Catherine and Rhea got a cool moment together though.

Yep, we have to protect Count Varley, gross.

MAP

No side battles! This final chapter will be super quick, which is nice.

I'm VERY curious what the Golden Deer students say after Claude's moment last chapter lamo.

And if any Lions mention Sylvain :((((

OMG, Ignatz is savage. He only cares about painting the battle. No mention of Claude.

Yuri wishes he could kill Varley instead of save him. Good for him. He really feels more suited for AG/AM/SS/VW than SB/CF/GW.

Well, at least Mercedes mentioned Sylvain. And Ingrid and Annette. Saying they died for what they believed in and admires them for it, since she could never.

Poor Ashe is having a crisis. Still had no idea wtf he's doing in the Empire's war camp. Honestly, this game made him so much more interesting.

Linhardt also has no fucking clue why he's here. I swear he does nothing but complain every map (in a funny way) and wish he was doing literally anything else.

Lorenz is more concerned about his future bc of Claude than worried about him. Man, guy really has no one loyal to him lol.

DOROTHEA & CASPAR C

I swear I did a much better job getting supports in GW and AG.

Caspar has a bunch of books, and Dorothea's horrified by the idea that he'll use them in training.

Caspar plans to read them. Dorothea teases him. Apparently Lin made similar comments.

Dorothea makes him promise not to hurt the books. A woman after my own heart.

Caspar's like, did you know my dad reads! Dorothea's like, yeah . . . how do you think he got his role if he didn't.

Dorothea tells a story about an unlearned commander who studied strategy in books and improved to become legendary.

The only stupid part of this is thinking you can read and understand complicated books in 5 days and become an expect in 5 days. For once, Caspar was the smart one being like, uh, I need more time.

MERCEDES & LYSITHEA B

This support is SB locked, but neither characters are Eagles. It may be the only support like that in the game. But, hey, new Mercie content, I'll take it!

Mercedes comes across Lysithea in the kitchen, trying and failing to cook.

The fruits she wanted to use are moldy though. Lysithea has an idea to use something else for the fruit - a sugar syrup.

Lysithea has dedicated her time to learning how to cook because of how good Mercedes' cooking was, so she credits Mercie for the sugar syrup, which she learned because of that.

Baking also helped Lysithea learn the importance of taking breaks.

Mercie calls her a wizened old grandma, lol.

They arrange a tea party.

SHEZ & LINHARDT A

It starts with Linhardt saying they haven't learned anything about Shez's powers. I wonder how funny this sounds if you get it after the special chapters.

Linhardt says it's find because the war is almost over, so there's less need and chance for the powers to go out of control.

Shez pretty consistently wants to continue working as a mercenary after the battle.

He also seems to have no desire to stay in Enbarr lol.

Linhardt wants Shez as a personal bodyguard. Honestly, not a bad choice.

Then Linhardt says something like "spending the rest of my life with some random bodyguard" and then makes an excuse to leave. so he wants to stick with Shez for life. It's kind of sweet.

EDELGARD & PETRA A

Their only support

Edelgard comes across Petra praying to Bigid gods. In Brigid they pray in nature rather than in churches in Fodlan.

Edelgard asks Petra why she's risking her life in the war because it's bad for Brigid.

So Brigid will only be freed if Petra remains alive.

To be fair, it's because she doesn't know the new leader. Still feels a bit icky for Petra.

Edelgard warns about "tricks" the enemy will use. She really has a beef with anyone using tactics.

Petra just says she's happy to fight and can't run while everyone else remains and fights.

Edelgard says she can't back out, which true, but she could've just not started one. But that's in the past I guess.

Overall, came across better than the Houses one where Petra didn't seem like an equal.

EDELGARD/LYSITHEA/HAPI PARALOGUE

My plan is to have Edelgard and Shez make the other two adjuncts and see if I can't beat the paralogue that way.

It's about TWSITD, which isn't surprising given that character list.

God, I've made SB Shez so fucking stupid. Never understanding anything. It's so funny.

So is this about Cornelia? They found one of her old hideouts.

I had Shez shrug about joining. Hapi got offended.

They're talking about Hubert. I wish he was here. He's my best unit.

I wish Cornelia showed up. She's so fun, but sadly she did not.

They didn't find anything. Hapi was mostly chill about it. Edelgard and Lysithea were more bothered.

Shez could show concern or change the subject. Obviously I made him change the subject since SB!Shez is not intelligent.

CASPAR/LINHARDT PARALOGUE

Like the last time, I just plan to adjunct Caspar and let Shez and Linhardt do all the work.

They're arguing if Caspar saw a ghost or not. Linhardt remains unconvinced.

Lamo, their dads showed up and Linhardt's dad called him a "fountain of positivity" when he brought up their could die any day.

Linhardt is also upset that he has to help.

We're hunting down Empire people who've turned against Edelgard.

I had Shez not want to go lol.

The main battle changed to defeating their dads. I don't think I'm supposed to take this paralogue seriously.

Linhardt had no fun.

Bergliez gave Caspar some gaunlets, and I could either be happy for him or jealous. I obviously picked jealous since it's fun to pick the dick answer lol.

FINAL BATTLE

Why is the S rank reward Edelgard's axe? This is the last battle, right? Is there some post game stuff? Because I'm so ready for this to be done (I don't think I'll do it).

Funny, Edelgard is the one defending the monastery this time, and Varley. Imagine your final battle being about protecting Varley. Ugh.

Only 40 points for the final battle?

Just killed Catherine :(

Cyril just showed up. Rhea's so concerned. Not looking forward to killing a child :((( He died too. This is by far the bloodiest route. I swear no one even dies in AG, and in GW it's only Sylvain's dad.

This can't be it, right? That was too easy. And Cyril as the final boss makes no sense. I'm betting it's a Thales and Rhea fight.

Rhea turned into a dragon. Badass. Glad she was the final boss poper and not Thales.

Spoke too soon. I think they're both here now.

Think I beat it. We're at a cut scene now. Thales is doing magic shit. Rhea attacked him and just ignored Edelgard and Shez like they weren't worth her notice lol.

Wait, that's it?

Rhea pushes Thales off a cliff? So RHEA's the hero??

There's no way they could've survived that - Edelgard. My girl, Rhea is a fucking dragon and Thales can warp. I have bad news from you. Also, Byleth survived a fall too so . . .

What happened to Dimitri? I don't think I killed Claude either?

Is that really it? The war just keeps going. The war just keeps on with no end in sight. Hahahaha. You mean I played how many hours for THAT? I'm going to laugh my ass off if all 3 routes end like this. What a cheap way to avoid killing any of the lords.

OMG. What a stupid ending.

Except for Rhea. She got the big hero moment lol.

I kept waiting for another battle. Esp since there's an S rank reward that's Edelgard's axe, so Idk what's going on.

OMG, this is going to take FOREVER. They're showing the MVP of every single side battle and not just the main ones. I'm only at ch 6.

There was a lot more variety in MVP than I thought. I thought it would be the Hubert show, but it's pretty varied.

Ok, so around ch 10 turns into the Hubert show. I like seeing battle data though, so I sat through it.

Ok, so you get a letter from the person you get a whistle from. Aww, I eventually won Hubert's trust, and he admits he and the army needs us. Glad I picked him.

Wait, no paired endings? That blows. I hope this isn't a new trend since Engage didn't do that either (I love paired endings)

Ok, so it looks like some stuff would carry over to another playthrough on this file. So, in the future, I'd replay AG over my GW or SB playthrough to at least get 2 on the same one. I can't see myself replaying SB or GW. It's not like the story would matter since I could just skip it, but the gameplay is pretty much the same, so why not play the route with my favorites and the most unit choices on top of that?

So you can carry over supports and even unit level. So I could play Dimitri as the absurd level he's at in level one if I saved over my AG file? Because that would be funny. Probably boring. But funny.

Still feels good. One down. Two to go.

xxxx

[satansleftnutcheek]

Just had like the biggest brain realization about Astarion bear with me I think I'm onto something here. Spoilers ahead for those who don't know about his "condition" or haven't heard about his tragic backstory™

I think people generally overlook the bite scene in favor of focusing on how it reveals Astarion being a vampire, how it can benefit the player if you're trying to romance him, or find an easy way to get him out of your party. I would like to note that there’s nothing wrong with this response! I did the same in my play through because I already knew he was a vampire due to spoilers. I just saw the scene as Astarion looking for his equivalent of a sandwich when it happened.

But why does Astarion bite Tav of all people?

The obvious answer is because Tav's the protagonist. Any important character scenes will happen to or involve them because they're the player character. It's the nature of how RPG stories are told. However, Larian Studios has put a lot of thought into this game, so why not dig a bit deeper?

Assuming Tav has everyone in their camp when this scene is triggered, Lae'zel and Shadowheart are off the menu purely because if things go wrong they'd immediately kill Astarion. Not good! If things go wrong with Karlach he could possibly smooth talk his way out of it. After all, she's a very kind person who goes out of her way to help people. But she's also twice his size and could snap him like a twig, which is not a risk worth taking.

Wyll isn't nearly as much of a threat as the other three, if it came down to it, Astarion could probably take him in a fight. The main problem here is that Wyll happens to have a habit of killing monsters, which would make talking things out really difficult. Astarion's relied on skills like persuasion for the past 2 centuries so he'd probably want to have his best skills be viable options if things go awry. Halsin, much like Karlach, is twice his size and could kill him with ease. Hard pass on that! This leaves Gale as the last, and really only, viable option. I mean look at him, he's frail as hell, always having the lowest HP in the party, and his weapon is a stick. Worst thing that could happen to Astarion is a bonk on the head.

So then why Tav? Why are they the one Astarion bites?

Now Tavs come in a lot of varieties. The player could be doing a Dark Urge run, they could be playing as the embodiment of pure evil, the kindest soul that is second only to Jesus, or somewhere in between. However, the one thing that unites them all is their power. They're the leader of the party and the others (to varying degrees) respect them. Tav is the one that chooses where the party goes, who they help, who they kill, and even how they'll have the tadpoles removed. In a way, Tav controls the party.

Remind you of something that Astarion openly talks about wanting?

For two centuries Astarion hasn't had autonomy, respect, freedom, resources, or control. What he's learned from those centuries is that power always gets you what you want. If you want freedom you need the power to control others. So while biting Gale would be the easy answer, it doesn't have the perk that biting Tav does.

If Tav wakes up during his biting attempt, Astarion could smooth talk his way out of it. If things go okay and Astarion gets to keep his head, he'll have gained more of Tav's trust. This in turn would give Astarion greater power over them as they'd be easier to manipulate, which in turn gives him more control over the others. If he ends up killing Tav then that technically would open up a power vacuum in the party. Whoever fills it would have all the power and control that Tav has. I don't think any of the other characters would let that happen though. Astarion's the person who you don't want to be the leader because he's clearly performing this role for his own self-centered reasons. Also seeing as this scene generally happens early in the game, nobody likes him enough to just let him become the leader.

Now if Tav lets Astarion bite them things get more interesting. It's a possibility that never occurred to him, but he isn't going to turn it down. First of all, it establishes Tav as an easy food source. Astarion has a consenting snack that in the future, might let him bite again. If that happens then Astarion's food source becomes far more reliable and surviving becomes significantly easier. Tav's consent also reveals how much they trust Astarion. From his perspective Tav's shown too much of their hand. Astarion's simple plan to manipulate Tav for the sake of his security has become child's play at this point.

All this being said having Astarion choose to bite Tav over Gale reveals so much about his character. While Gale is the safest choice to make, Tav's position of leadership is what entices Astarion to bite them over Gale. After experiencing two hundred years of mental and physical abuse, Astarion values power so much he'd be willing to risk his ability to not become a mind flare, and his life, in order to gain it. All because this is what he learned from being Cazador's slave for 200 years.

[w1ld-wr1t3r]

I've still got the Transformers/F1 AU stuck in my head so I'm trying to brainstorm a bit more lore! A few things in particular are tripping me up so I'm looking for ideas and opinions. Any input is appreciated, whether you know anything about Transformers (or cars) or not!

First, literally all of the Transformers lore that I know has come from watching clips of Transformers One on YouTube. I'm already planning to play a bit fast and loose with the lore in this AU, but if there's anything really important or essential I should know before fully diving into this, let me know!

Second, to the surprise of no one who follows me, I'm currently planning to make this another Norrix AU (they're my faves, I can't help it!) Of course, this means that I have to pick a vehicle for Martijn. I'm thinking of making him a plane or jet instead of a car since he's a pilot, but I know even less about planes than I do about cars. I'm tempted to make him an F-16 jet (since he flew in one before) but I'm curious if anyone else has any other ideas!

Third, I'm still stuck on car models for most of the grid. I might not even use or mention everyone in the fic itself but I'd still like to have ideas for most of them anyway. The thing is, I just don't know enough about cars, especially high-end cars, to know where to start. I got great suggestions from an anon for a handful of them but still need ideas for the rest of them. I'm kind of tempted to make Max just a literal F1 car but I'm curious if you think there are other cars that would be a better fit for him. I'd also like more opinions on what car Lando should be, since he'll be the main character of the AU. The anon above suggested a classic mini car for him, and I can kind of see the vision for that, but I also still think a McLaren Spider would work for him too. I wanna make sure I fully consider my options, so tell me what you think!

Fourth, I am planning to use the plot of Transformers One as the main inspiration for this story, but with the fates of some characters tweaked or completely changed. Right now, I definitely have Lando filling in the role of Orion Pax and Max filling in the role of D-16, though I am planning to change their story arcs a bit (namely, Max doesn't go evil at the end of the story). Which leads me into my next question . . . thoughts on who could potentially end up as a Prime at the end? Not gonna lie, it would be cool to see Lando as a Prime but at the same time, I think he'd be a bit happier if he didn't have the weight of leadership and the world on his shoulders. So I've been tentatively throwing around Max as a candidate so I can give his character a full redemption arc unlike D-16 (Maximus Prime, anyone?). Thoughts? Yea or nay? Someone else you'd like to nominate? I could be coaxed into doing Lewis instead, or doing Lando after all. Who would you trust with the Matrix of Leadership after undergoing a hero arc?

[greydoesthearts]

Puppet Friends Comic Lore Drop

I know I took a while between the first few comic parts but after blasting through the last couple I need a break from it for a bit before diving into the next bits. So instead here's some lore drop for ya :]

Part 1

As of the beginning of the comic, the puppets are maybe a few months into living at the library. They've had their fair share of acting based trauma (as we see with Yay panicking over leaving the baby dragon) but no real problems arise outside of that.

More below :)

Part 2

We see they're free to roam the library as they please at nighttime. I wouldn't say they have night vision but they're filled with magic, who's to say how they see around?

Ren was hiding his discomfort before, but now we see she kinda really has qualms with things in private.

Part 3

Pip signs 'sorry' on panel 8 (?) despite everyone talking to it so far. He's pre-hearing aids as of this chapter and some into chapter 1, meaning he is not yet able to speak.

(And I've actually had some thoughts about this, that it probably seems like his hearing aids are a magical cure-all to his deafness/disability based on other parts of the story I've done in one-shots and whatnot. They're not. We'll see that just like his signing, he learns to speak after he receives his hearing aids. He is not fully deaf, more hard of hearing, and just like irl hearing aids do not cure any sort of auditory disorder, just helps. This was very important to me to clarify 🫶)

Part 4

I don't think there's anything lorewise I need to talk about here lol I just like her little 🥺 face and I'm glad you guys did, too! :D

Part 5

We'll get more information on the 'History of Puppets' book in further chapters, this whole chapter 0 things was, for me, to set up further stuff.

For this one I wanna talk about the unidentified children and man. The point of this whole thing was to focus on the puppets more than the people until later bits of the story, but these kids still do play an important role. Namely, their adult has broken his arm, oh no! And they've stolen Zero of all puppets? This seems like a recipe for disaster. Remember how I said so far the only trauma they've gone through was the acting stuff? Not anymore from that point forward. Consequences, consequences... the little boy who looked scared shitless will play a bigger role in the future though, I've decided. Not huge, but he'll be back :)

And there you have it! Writing this was a lot of fun, I like explaining my thought process into things, especially my things, and maybe y'all benefitted from it a little bit, too! If you have any more questions, you know where to find me lol 🫶

Puppet Friends!!: @glass-trash-bab @dtaegis @magic-fandoms @andthedolphinsdancedaway