#but I am so much not complaining

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[lotus-pear]

two mimir.. 🤲🏼🤲🏼

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[bubbarnes]

“... I'm a nobody. I can't even remember anything. Nothing. Not even my name.”

[cyanide-sippy-cup]

Okay, I've officially watched Arcane. Might be at risk of becoming a LoL fan. But I gotta say, people really misundersood the sex scene. It is one of the most thematically conclusive scenes in season 2. Cait finally lets go of her Jinx obsession, allowing herself peace while also helping the woman she loves. She wanted Vi to be someone who would agree with her, who would reinforce her ideals and actions. But in this moment, she shows that she accepts her. Her past, her flaws, and whatever the future holds. She chooses her over revenge. And in Cait accepting Vi, we have the opposite. Vi begged her not to change at the beginning of the season and yet she did. She forced herself to focus on revenge until it swallowed her whole, and Ambessa molded that into a fine weapon. But Vi changed her for the better. To someone who could find peace and make the changes they both wanted. And when Vi kisses her, it's a show that she accepts her too. She accepts the changes. And she's embracing the one thing she wanted this whole time- a family. Instead of chasing something she'll never get back, she accepts that things have changed and embraces her future. In a way, she's accepting her own life.

Also, the scene literally occurs in a jail cell. Yknow, the setting where they met to begin with. It represents new beginnings for them both. A moment in which they embrace each other and all the flaws and struggles that come with. They have plagued each others' minds all season and now they literally start over, allowing each other to focus on the battles ahead of them.

[konohamaru-sensei]

ah. it hurts

[dreadfuldevotee]

Wow, you guys🤩

[aromanticannibal]

while I see the appeal of izuku calling kacchan katsuki I think if he does katsuki should be allowed to burst into tears immediately

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[calamitoustide]

james potter as a line cook who blasts songs like Yeah! by USHER in the kitchen at 10 am every single morning and regulus as a server who's just trying to get through his shifts without crying in the walk in

[hanzajesthanza]

i read a take about the witcher online that i disagree with

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[sforzesco]

xenophon and socrates, sometime early on

there’s some back and forth about the identification on whether or not that one guy in raphael’s school of athens is aeschines or xenophon (there’s a lot of back and forth on a lot of things wrt to that painting), but I’ve decided to read it as xenophon because garrigues’ notes on identifying everyone in that painting annoys me 💕

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[starcorvid]

They're quantum buddies

Headcanon rants and Gabbro without the bg/lighting under the cut!!

I read @2isted-chocol8-art's ADORABLE comic abt little Gabbro (hope it's okay i tagged you!!) and it made me think, what if their ears were made a bit funky and they can hear a version of the quantum fluctuations? Kinda like how we can hear higher and lower pitched sounds when were younger. So I wanted to draw them playing along with their shard buddy!! I think they're harmonizing pretty well ::P

[quaintpanic]

"oh just let people have fun let people enjoy things"

no. everyone has to do what i want forever. no fucking fun allowed no enjoyment. things are only socially acceptable if i personally approve of them. fuck you.

[beanhusk]

the doctor took donna's memories as she cried and begged him not to. she would rather die than forget. still, he robbed her of agency. he played god and betrayed her trust.

here he finds himself, lifetimes later, caught between saving a city and keeping her alive. what she wants is to give her life and save her family, save millions. why does it have to be this?

he listens this time. without argument, he returns what she lost. he honours her choice. and if she dies while he holds her, she dies remembering. smiling. the doctordonna forever.