#budokan・・・at

[atlantis-area]

TAEMIN - The 1st Stage Nippon Budokan GIFSETS ~ behind the scenes

[yoursweetvalo]

BUCK-TICK, 2021

show after dark in budokan photobook (2021)

scanned by me. 🦋

[dirubtrentfree]

I rewatched UROBOROS - with the proof in the name of living…- AT NIPPON BUDOKAN.

I had forgotten Toshiya's jumps at the end of REIKETSU NARISEBA. 😂 Cracks me up everytime. Like yeah, that's exactly what this song feels like.

So if some beautiful soul out there has already made a gif of it (at 3:15), I need to see it. 🖤

[slapthebass]

DIR EN GREY - LIVE AT NIPPON BUDOKAN - 1998-11-02

↳ Kaoru & Toshiya

[freddiemercurylegendabovelegends]

Today, on May 8th, 1985 - Queen Story!

Queen played the Nippon Budokan, Tokyo, Japan

'Works!' Tour

(August 1984/May 1985)

Pic: Queen backstage

📸 Photographer © Koh Hasebe

[gacktova]

[possession1981-moving]

[xinfinityl0ve17]

Kami

"On stage, I enter an unrealistic world, so sometimes when I see the audience, my excitement can drop, but I don't mean anything by it. By playing catch with the fans, we experience various things together to explore what it means to be human. Fans and Malice are like liquids, and in that, a formal relationship cannot be established.

From the 'transparent field' of 'Ville de Merveilles,' we are exploring one side of them but to be straightforward i try to ask Gackt about the meaning of the overall concept of the live performance. He often says that we get asked about the meaning of the concept but it would get confusing to talk about the answer if you don't understand the problems we are presenting. There's a time lag in our live performances and i think if you watch the performance you will understand what kind of problems we were presenting. Therefore, if you watch the next Budokan performance you will understand what it was last time. There, even if we don’t present the answer you may understand what the theme was. It might be something that you can’t grasp, because it depends on how a person feels. It's not just about watching the live performance having fun and that’s the end of it.

Mana also continues the conversation. 'There might be secrets on the top floor of Budokan. Malice is linked in various places...'

In fact, after this interview ended, Gackt asked me, 'Do we say too many things we can't say?' That might be true but conversely there may not be any other band that provides this much enjoyment in unraveling the mysteries. It could be said that they offer the joy of thinking together with them.

They have held the same unchanging theme of 'what it means to be human' since their formation, but i think they are trying to approach this grand theme from different angles in each part of their activities. If we compare it to a role playing game, if the mysteries scattered around the map were too easy to solve the game wouldn't work. The important thing is to think together with them, to send back the ripple as a mirror and the answer will come later.

In the album 'mer・veillea,' which will be released on March 18 various waves are included and the abundance of 80's electro pop style arrangements caught my attention. When i asked Mana who frequently mentioned the term '80s' this time , about it he responded, 'There is a bit of meaning in the number 80.'

This also allows the listener to imagine more. Finally, I will record a few more words from Gackt to stir even more imagination:

'Ville de Merveilles' is not just something futuristic. The beginning and the end are always back to back.'"

[kizuvisualkei]

キズ 単独公演 「焔」

new look

[yridenergyridenergy]

[muchi-no-namida]

Sayonara Shelter

2022.12.29

[yoursweetvalo]

BUCK-TICK, 2021

show after dark in budokan photobook (2021)

scanned by me <3

[miya-sugar-star]

There can be only one context

[freddiemercurylegendabovelegends]

Today, on 13th February, 1981 - Queen Story!

Tokyo, Japan, Nippon Budokan

A short Japanese 'Flash Gordon Tour'

[gacktova]