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revolutionsingingintherainnn · 1 day ago

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fangirling and finances 𓂂 𓇼˚｡ •

Summary: offical merch is expensive. the men who sell it are rich. doesn't mean i won't go in a rant about it.

✿ ln x desi!reader ✦

✿ fluff + humour ✦

masterlist ☾☼

monaco glistened in the mediterranean sunlight, a playground for the global elite. y/n, though, had another purpose. no need for the designer stores; she was tracking lando norris. she gripped her phone, praying she could take a photo if she managed to get close enough. her wardrobe? a much-worn "lando 4" t-shirt, a copy she'd bought from a street stall back home in india. official f1 merchandise prices would make her cry – genuinely, who could possibly afford those prices? seeing a known face by the casino square, y/n's heart leaped. it was him! taking a deep breath, she walked over, attempting to look as casual as possible. "mr. norris, may i have an autograph?" lando grinned, always the professional, and autographed her phone case. as he returned it to her, his eyes fell on her t-shirt. "cool shirt," he said, "but why not get the official merch? the quality is so much better." that was it. the floodgates opened. "are you kidding me? official merch is highway robbery! i could practically fund a small road trip around europe with the cost of one of your official hoodies!" lando blinked, a glimmer of amusement in his eyes. road trips? he was more used to private jets. "uh-huh," he said, clearly not understanding the financial reality of budget travel. y/n was going strong. "see, a good official t-shirt will cost you about 80 euros, okay? that's, like, 7,200 rupees! i can buy at least five of these fake shirts for that kind of money, and they're not half bad! or, let's look at it this way, that's enough for, like, 140 big mac meals in india! imagine the food coma!" lando stared at her, confusion and fascination warring in his gaze. big macs? he lived in michelin-star restaurants. but she was so vivid, so evocative with her words; the sheer incredulity of her comparisons swept him up in their wake. "right," he answered slowly, "big macs. got it." y/n, unaware of his millionaire thinking, was only just beginning. "and those caps? don't even get me started! 40 euros for a cap? that's 3,600 rupees! i could buy a good pair of running shoes for that! shoes i could use to run away from those ridiculous prices!" lando, however, was undergoing some weird phenomenon. it was akin to "cuteness aggression," but rather than having the urge to squeeze a puppy, he simply wanted to continue hearing her. her furrowed brow, the frantic maths on her phone, the very universality of her money troubles – it was all oddly charming. casually, he suggested, "so, if money did not matter, what pieces would you most want?" y/n, without hesitation, recited her fantasy wishlist: a team polo, windbreaker, the limited-edition monaco hat, even the official team backpack. she listed the prices both in euros and rupees, not even catching lando's discreetly opening eyes at the sum. "and where are you staying?" he inquired, attempting to be casual. "how long are you in monaco?" y/n, still enthralled by her merchandise fever, replied eagerly, sharing information about her budget hotel and the last few days of her journey. lando listened intently, taking it in. "i'll… uh… i'll see what i can do with those prices," he replied with a small smile, well aware he wasn't going to negotiate with the official merchandise vendor. the next morning, an unassuming van arrived outside of y/n's hotel. a delivery man appeared, holding an enormous, unorthodox-looking package. on the inside, wrapped in tissues, were every item y/n had listed. the monaco cap, team polo, windbreaker, even the backpack. in a side pocket was stuck a tiny note, scribbled in pen: "look at the prices… adjusted ;) - lando." y/n gazed at the box contents, her mouth agape. she couldn't believe it. lando had actually… he'd listened to her rant! she messaged her friends immediately, telling them the tale in wide-eyed wonder, exaggerating the details just a little for dramatic effect. the question now was: what next? would this be an isolated act of kindness, or the start of something bigger? she had no clue, but she couldn't help grinning. this was certainly a vacation to remember.

⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆

tf, why do i like this? dee, this is for you. anyways, i hope you like this! this is my prompt list, so y'all can select a number, give me a driver and i will write it as soon as possible! i also have a google form for a taglist if anyone's interested! you can sent in your requests here :)

taglist: @maketheshadowsfearyou ; @anamiad00msday ; @imlonelydontsendhelp ; @peterholland04 ; @justaf1girl ; @greantii ; @nocturnalherb16 ; @phobiccneel ; @winkev1 ; @alexxavicry ; @hiireadstuff ; @opastries81

#f1 #lando norris #formula 1 #ln4 #formula one #f1 imagine #lando norris fanfic #lando norris imagine #lando norris x reader #lando norris x you #lando x you #lando x reader #lando imagine #lando fluff #lando norris x y/n

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worstjourney · 1 year ago

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The Millennials' Polar Expedition

A year ago today (23 Nov 2022), I launched Worst Journey Vol.1 at the Scott Polar Research Institute. This is the text of the speech I gave to the lovely people who turned up to celebrate.

As many of you know, my interest in the Terra Nova Expedition was sparked by Radio 4’s dramatisation of The Worst Journey in the World, now 14 years ago. The story is an incredible story, and it got its claws into me, but what kept me coming back again and again were the people. I couldn’t believe anyone so wonderful had ever really existed. So when I finally succumbed to obsession and started reading all the books, it was the expedition members’ own words which I most cherished. These were not always easy to come by, though, so plenty of popular histories were consumed as well. Reading both in tandem, it soon became clear that, while there were some good books out there, there was a lot of sloppy research in the polar echo chamber as well.

I also discovered that no adaptation had attempted to get across the full scope of the expedition. There has never been a full and fair dramatic retelling, all having been limited by time, budget, or ideology from telling the whole story truthfully. I was determined that my adaptation would be both complete and accurate, and be as accountable as possible to those precious primary documents and the people who wrote them.

So the years of research began. I moved to Cambridge to be able to drop in at SPRI and make the most of the archives. Getting to Antarctica seemed impossible, but I went to New Zealand to get at least that much right, and on the way back stayed with relatives in Alberta, the most Antarctic place I could realistically visit. I gathered reference for objects wherever I could. Because Vol.1 takes place mainly on the Terra Nova, which is now a patch of sludge on the seabed off Greenland, I cobbled together a Franken-Nova in my mind, between the Discovery up in Dundee and the Star of India in San Diego. I spent a week on a Jubilee Sailing Trust ship in order to depict tall-ship sailing correctly. I’m sure I’ve still got loads of things wrong, but I did all I could, to get as much as I could, right.

But still, everyone I met who had been to Antarctica said, “you can’t understand Antarctica until you’ve been there, and you can’t tell the story without understanding Antarctica; you have to go.” So I applied to the USAP’s Antarctic Artists and Writers Program, with faint hope, as they do “Ahrt” and I draw cartoons. But I must have blagged a good grant proposal, because a year after applying, I was stepping out of a C-17 onto the Ross Ice Shelf. The whole trip would have been worth it just to stand there, turn in a circle, and see how all the familiar photographs fit together. But the USAP’s generosity didn’t stop there, and in the next month I saw Hut Point, Arrival Heights, the Beardmore Glacier (including the moraine on which the Polar Party stopped to “geologise”), and Cape Crozier, and made three visits to the Cape Evans hut. Three! On top of the visual reference I got priceless qualitative data. The hardness of the sound. The surprising warmth of the sun. The sugary texture of the snow. The keen edge on a slight breeze. The way your fingertips and toes can start to go when the rest of you is perfectly warm. The SHEER INSANITY of Cape Crozier. The veterans were right – I couldn’t have drawn it without having been there, but now I have, and can, and I am more grateful than I can ever adequately express. With all these resources laid so copiously at my feet, all I had to do was sit down and draw the darn thing. Luckily I have some very sound training to back me up on that.

Now, this is all very well for the how of making the book, and, I hope, interesting enough. But why? Why am I putting so much effort into telling this story, and why now?

Well, it means a lot to me personally. To begin to understand why, you need to know that I grew up in the 80s and 90s, at the height of individualist, goal-oriented, success-driven, dog-eat-dog, devil-take-the-hindmost neoliberalism. It was just assumed that humans, when you get right down to it, were basically self-interested jerks, and I saw plenty of them around so I had no reason to question this assumption. The idea was that if you did everything right, and worked really hard, you could retire at 45 to a yacht in the Bahamas, and if you didn’t retire to a yacht, well, you just hadn’t tried hard enough. Character, in the sense of rigorous personal virtue, was for schmucks. What mattered was success. Even as my politics evolved, I still took it as a given that this was how the world worked, and that was how people generally were – after all, there was no lack of corroborating evidence. So: I worked really hard. I single-mindedly pursued my self-interest. I made sacrifices, and put in the time, and fought my way into my dream job and all the success I could have asked for.

And then I met the Terra Nova guys.

What struck me most about them was that even when everything was going wrong, when their expectations were shattered and they had to face the cruellest reality, they were still kind. Not backbiting, recriminating, blame-throwing, defensive, or mean, as one would expect – they were lovely to each other, patient, supportive, self-sacrificing; in fact the worse things got, the better they were. They still treated each other as friends even when it wasn’t in their self-interest, was even contrary to their self-interest. I didn’t know people could be like that. But there they were, in plain writing, being thoroughly, bafflingly, decent. Not just the Polar Party – everyone had to face their own brutal realities at some point, and they all did so with a grace I never thought possible.

It presented a very important question:

When everything goes belly-up, and you’re facing the worst, what sort of person will you be?

Or perhaps more acutely: What sort of person would you rather be with?

It was so contrary to the world I lived in, to the reality I knew – it was a peek into an alternate dimension, populated entirely with lovely, lovely people, who really, genuinely believed that “it’s not whether you win or lose, but how you play the game,” and behaved accordingly. It couldn’t be real. There had to be a deeper, unpleasant truth: that was how the world worked, after all. I kept digging, expecting to hit bottom at some point, but I only found more gold, all the way down. How could I not spend my life on this?

Mythology exists to pass on a culture’s values, moral code, and survival information – how to face challenges and prevail. Scott’s story entered the British mythology, and had staying power, because it exemplified those things so profoundly for the culture that created and received it. But the culture changed, and there were new values; Scott’s legacy was first inverted and then cast aside. The new culture needed a new epic hero. You’d think it would be Amundsen, the epitome of ruthless success, but “Make Plan – Execute Plan – Go Home” has no mythic value, so he didn’t stick. The hero needed challenges, he needed setbacks, and he needed to win, on our terms.

Shackleton! Shackleton was a winner! Shackleton told us what we knew to be true and wanted to hear at epic volume: that if you want something badly enough, and try really hard, you will succeed! (Especially if you can control the narrative.) Scott, on the other hand, tells us that if you want something badly enough, and try really hard . . . you may nevertheless die horribly in the snow. Nobody wants to hear that! What a downer! I think it’s no coincidence that Shackleton exploded into popular culture in the late 90s and has dominated it ever since: he is the mythic hero of the zeitgeist. I am always being asked if I’ll be doing Shackleton next. He has six graphic novels already! That is plenty! But people still want to tell and be told his story, because it’s a heroic myth that validates our worldview.

That’s why I am so determined to tell the Scott story, because Scott is who we don’t realise we need right now – and Wilson, and Bowers, and Cherry, and Atch, and all the rest. The Terra Nova Expedition is the Millennials’ polar expedition. We’ve worked really hard, we’ve done everything we were supposed to, we made what appeared to be the right decisions at the time, and we’re still losing. Nothing in the mythology we’ve been fed has prepared us for this. No amount of positive attitude is going to change it. We have all the aphorisms in the world, but what we need is an example of how to behave when the chips are down, when the Boss is not sailing into the tempest to rescue us, when the Yelcho is not on the horizon. When circumstances are beyond your power to change, how do you make the best of your bad situation? What does that look like? Even if you can’t fix anything, how do you make it better for the people around you – or at the very least, not worse? Scott tells us: you can be patient, supportive, and humble; see who needs help and offer it; be realistic but don’t give in to despair; and if you’re up against a wall with no hope of rescue, go out in a blaze of kindness. We learn by imitation: it’s easy to say these things, but to see them in action, in much harder circumstances than we will ever face, is a far greater help. And to see them exemplified by real, flawed, complicated people like us is better still; they are not fairy-tale ideals, they are achievable. Real people achieved them.

My upbringing in the 80s milieu of selfishness, which set me up to receive the Scott story so gratefully, is hardly unique. There are millions of us who are hungry for a counter-narrative. My generation is desperate for demonstrations of caring, whether it’s activism or social justice or government policies that don’t abandon the vulnerable. We’ve seen selfishness poison the world, and we want an alternative. The time for competition is past; we must cooperate or perish, but we don’t know how to do it because our mythology is founded on competition. The Scott story, if told properly, explodes the Just World Fallacy, and liberates us from the lie that has ruled our lives: that you make your own luck. What happens, happens: what matters is how you respond to it. My obsession with accuracy is in part to honour the men, and in part because Cherry was the ultimate stickler and he’d give me a hard time if I didn’t, but also because, if I’m telling the story to a new generation, I’m damn well going to make sure we get that much RIGHT. It’s been really interesting to see, online, how my generation and the next have glommed onto polar exploration narratives, not as thrilling feats of derring-do, but as emotional explorations of found family and cooperative resilience. We love them because they love each other, and loving each other helps get them through, and we want �� we need – to see how that’s done. It’s time to give them the Terra Nova story, and to tell it fully, fairly, and honestly, in all its complexity, because that is how their example is most useful to us. Not as gods, and not as fools, but as real human beings who were excellent to each other in the face of disaster. I only hope that I, a latecomer to their ways, can do them justice.

#scott expedition #terra nova expedition #the worst journey in the world #captain scott #polar party #robert falcon scott #birdie bowers #edward adrian wilson #bill wilson #character #millennials #polar exploration #heroic age #adventure #sociology #neoliberalism

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bitletsanddrabbles · 4 months ago

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But What If I Wasn't Rich?

Right. So. With revisions on Stolen Child going well, I've tried to start gearing up for my next big project, which is what I'd planned on working on this month. It's a very different tone - lots of zany hijinks with a group of idiots going through the jungles of India looking for biologically impossible flora - so I figured it shouldn't need too much in the way of research, especially since I'm avoiding politics like the plague. Don't know how much I'll manage, mind, since the only reason I can think of for Thomas's cousin to be in Bombay is military, but I'm pretty confident I can just say that and let my historically well informed audience fill in their own blanks while I concentrate on more important things, like cobras that spit hydrochloride acid at people*.

For all of that, though, I am having problems right off the bat with the research. Why? Because I need to get a disgraced-with-no-reference Thomas from Downton Abbey to Bombay, and I need to do it via a land route (or mostly at any rate), because he needs to start the whole thing off by crashing into someone in a train station. I suppose it could technically be at a port, but the train station just seems more likely given that the person in question is trying to get to the Congo.

This should not be difficult to figure out, right? A couple of Google** searches and you're done.

Well, not so much. When I search for how to get from England to India in 1920, the search engines seem to think I'm curious about immigration in the late 1800s. The closest I've come is an article that outlines the sea route around Cape Horn that was utilized the early 1900s...and stops there.

There was one (1) Reddit thread that popped up from someone with a similar problem who had the route mostly mapped but was just missing a bit in the middle. It started with the Orient Express.

Okay! Time to look up the Orient Express! And we get...

An absolute ton of information on the very big, very famous luxury liner of trains! Yes'sir, the Orient Express got you from Paris to Istanbul in style like you wouldn't believe! All of the rich people were lining up to bask in the lap of luxury as they made this cross land trip!

...

...which was probably beyond the budget of a newly sacked valet...

Pretty certain.

So we start looking for other ways to get from Paris to Istanbul in 1920 and apparently you could...walk? Or something? Maybe hitch hike?

Yeah, there's nothing. I can not come up with a search that does not tell me about the Orient Express, but unless Thomas ties himself to the roof, I don't see him getting aboard that one.

So! Are there any travel experts out there who have insight? Or people who have faced this issue in their fanfiction? Researchers with a hyper fixation on Agatha Christie? Banana cream pie? I'm kinda hungry, I could go in for some banana cream pie.

Heck, I'd settle for a less politically volatile reason for Thomas's cousin to be in residence, although I'm going to have to at least touch on the BEF*** for plot reasons.

*our fauna is as biologically impossible as our fauna

**or, well, Duckduckgo, but that doesn't roll off the tongue as nicely

***at least I assume that's who was stationed there. Again really, really not interested in politics. At all. Ever. Plague on the planet.

#downton abbey #thomas barrow #downton abbey fanfiction #research #help!#writing problems #1920s travel #old train routes

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salvadorbonaparte · 9 months ago

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Would you mind sharing your views on backpacking? 👀

Take all of this with a grain of salt because I'm mostly just bothered by backpacking content on Instagram.

I think the concept is fine. I'd actually like to do some backpacking some time.

But backpacking content, as well as most overland* content, always has a really weird vibe. It almost feels like cosplaying poverty if you know what I mean??

It's almost always young people from the so called "West" and almost always they're somewhere in South or Southeast Asia. The most popular backpacking destinations I'm seeing at the moment are Bali (exclusively that part of Indonesia for some reason), Thailand, Vietnam and Sri Lanka. The algorithm has recently also started showing me content from Pakistan, India and Afghanistan.

Since flights to these destinations are usually quite expensive, and many of these people stay abroad long enough that they might need a visa and that accommodation and food would also add up, it can be safely assumed these people have a certain amount of financial stability. Some of them are full time influencers too.

And while travelling with a backpack instead of a suitcase makes sense, and while you want to have an "authentic" experience, the vibe on those videos is often sooooo weird.

They're always like "I just spent 45h standing in a cramped bus without AC because it was only $1. I'm sleeping on the floor of this abandoned building that costs me $4 a night. I only carry 2 t-shirts with me, can't find a laundromat and I'm travelling for 3 months. Yesterday I got scammed and got food poisoning."

And I'm like why are you doing this? Is it really more "authentic" just because it's a foreign country? You can find the same uncomfortable situations and people who live like that all the time in your home country, but when you're abroad it's cool and authentic and #humbling #eatpraylove. Meanwhile there's also people in that same country you're backpacking through who, like, have a comparable standard of living you're used to. Your holiday doesn't have to be luxury resorts but it also doesn't have to be absolutely god awful.

And of course there's also the factor of adrenaline and stepping out of your comfort zone but with these videos it seems like they're almost glamorising having an awful time in an "exotic" country because that's what it's supposed to be like? I guess?

Idk I feel like I should get the opinion of someone living in one of those backpacking hotspots to make sure I'm not just getting annoyed at nothing but I think the vibe is off.

*overland content as in "travelling from XY to YZ without flying - Day 420" type videos. They're often interesting and I follow some of those people and I actually have some ideas for cool overland or long distance train trips but some of the accounts also have a weird vibe. Most of the ones I saw were men and they're like hitchhiking through some desert somewhere and I'm like oh this would feel so unsafe to me as someone perceived female. And obviously they also make lots of content where you know they have lots money because they've been travelling for several months but it has that same fake low budget backpacker vibe.

I hope this makes sense. I'm not sure it does.

#Comparable standard of living as in no two places are the same #And climate and the overall economy of the country and so many other factors can make a difference to how people are living #But there are people in Vietnam Thailand etc who are just. You know. Leading a normal life. Who have comfortable flats.#There are also rich people everywhere obv #There are hotels and bnbs in every price range everywhere #There are cheap restaurants or street food stalls that locals also go to that won't give you food poisoning #I've never been to any of these countries but like logically #And based on what I've seen from other people #But backpacking content is always like omg these natives are so nice and humble 🥺#Asks

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surffaresbookings · 2 months ago

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taxiservice223 · 2 months ago

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bouquetface · 7 months ago

Note

Hello, thanks for providing free readings.

DOB- 03 December 2000

Time- 12:35 pm

Location- Thane, Maharashtra, India

Location i will spend majority of this year - Thane, Maharashtra, India

Thanks in advance ❤️

2024:

You may experience a disruption in higher education or travel. It may be sudden and surprising. You may feel like switching colleges or programs/majors. If you are planning a trip abroad, things may not go as planned. It’s hard to say exactly what it will be since it is suppose to be a sudden & surprising event. Conjunct the vertex, indicates this moment is fated. You must experience this disruption to help you lead you to your destiny.

There could be hostility in the home or family environment. In the workplace and at home, you could be fighting with authority figures. As a result, you may feel mentally or physically isolated. You may feel you or others are short tempered this year.

2025:

This is a year where you are likely to have a crush or relationship. This person may be met in the workplace or in a professional/formal setting. They may be a talkative, witty/clever and hardworking person. You could enter a committed relationship with this person. However, this may be money related and not romantic. You could be working hard to make money in 2025. You could be making big purchases too. Be cautious of not being reckless in money. Venus conjunct Venus can indicate being overly indulgent.

Unfortunately, it is likely to still be fighting with the family. They may very critical of you in 2024. The arguments may be very triggering.

If you already have a real plans (not dreams) of leaving, you may leave the home in 2025. If you do not leave the home, I can see you feeling trapped. You can have experience poor mental health because of home life in 2025. More than in previous years.

In 2025, you must be cautious with your finances. Be cautious of not getting yourself in debt. Make smart choices. Don’t overspend. Maybe consider creating a budget. Or begin saving now if possible.

Please leave feedback. thanks

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nearestroom · 24 days ago

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Comfort Stay Lodge in Thrissur – Your Home Away from Home

A comfortable lodge in the heart of Thrissur, offering a peaceful stay with easy access to temples, culture, and nature. Perfect for travelers and pilgrims.

Thrissur, often referred to as the cultural capital of Kerala, is a city that blends tradition, spirituality, and natural beauty. Whether you're visiting for pilgrimage, leisure, or business, finding the right place to stay is essential for a comfortable trip. Comfort Stay Lodge in Thrissur is designed to offer a homely yet luxurious experience, catering to budget-conscious travelers, families, and pilgrims alike. With its prime location, well-equipped rooms, and excellent service, this lodge ensures a relaxing stay while providing easy access to the city’s most famous attractions.

Prime Location for a Hassle-Free Stay

One of the standout features of Comfort Stay Lodge is its strategic location in the heart of Thrissur. Being close to major transportation hubs, restaurants, shopping centers, and tourist attractions, this lodge is an ideal choice for all types of visitors. Guests can explore the city's vibrant markets, indulge in authentic Kerala cuisine, and visit renowned cultural and spiritual sites within minutes.

Nearby attractions include:

Vadakkunnathan Temple – A UNESCO-recognized heritage site and a must-visit spiritual landmark.

Guruvayur Temple – One of the most revered Krishna temples in India, just a short drive away.

Thrissur Zoo and State Museum – Perfect for history and nature lovers.

Shakthan Thampuran Palace – A glimpse into the royal history of Kerala.

Athirappilly Waterfalls – A breathtaking natural wonder within reach.

Comfortable Accommodation for Every Traveler

Comfort Stay Lodge is designed to suit a wide range of travelers, from solo backpackers to families and business professionals. The lodge offers different types of rooms tailored to meet various needs:

Standard Rooms – Perfect for budget travelers looking for a cozy and affordable stay.

Deluxe Rooms – Spacious and well-furnished rooms with modern amenities for a comfortable experience.

Family Suites – Ideal for families or small groups, offering extra space and privacy.

Executive Rooms – Designed for business travelers, featuring a work desk and high-speed Wi-Fi.

All rooms come with:

Air conditioning

Comfortable beds with fresh linens

Free Wi-Fi access

24-hour room service

Attached bathrooms with modern fittings

Television with satellite channels

Daily housekeeping service

Budget Stay with Premium Comfort

One of the highlights of Comfort Stay Lodge is its affordability without compromising on quality. Whether you're a budget traveler or a family looking for a reasonable stay, this lodge offers great value for money. Guests can enjoy premium amenities, friendly hospitality, and a clean and secure environment at an economical price.

Dining and Local Cuisine

Thrissur is a paradise for food lovers, and staying at Comfort Stay Lodge puts you in close proximity to some of the best local eateries and restaurants. Guests can savor authentic Kerala delicacies like Puttu and Kadala Curry, Kerala Sadya, Karimeen Pollichathu, and more. The lodge also offers an in-house dining facility that serves delicious and hygienic meals, catering to different dietary preferences.

Facilities and Services

Comfort Stay Lodge offers a range of facilities to ensure guests have a pleasant stay:

24/7 Front Desk Assistance – For all your queries and requirements.

Free Parking – Secure parking space for guests with vehicles.

Travel Assistance & Sightseeing Arrangements – Helping guests explore Thrissur with ease.

Laundry Service – Hassle-free laundry solutions for long-term travelers.

Doctor on Call – Ensuring guests' safety and well-being.

Perfect for Pilgrims and Spiritual Seekers

Thrissur is home to many famous temples, churches, and spiritual centers. Pilgrims visiting the city will find Comfort Stay Lodge an excellent choice due to its peaceful ambiance and proximity to major religious sites. The lodge offers special services for pilgrims, including early check-in and late check-out options to accommodate temple visit schedules.

Exploring the Cultural Capital

Thrissur is synonymous with vibrant cultural festivals and traditional arts. Visitors staying at Comfort Stay Lodge can experience:

Thrissur Pooram – One of the grandest temple festivals in India, featuring magnificent elephants and fireworks.

Kathakali & Mohiniyattam Performances – Traditional dance forms that showcase Kerala’s artistic heritage.

Kerala Kalamandalam – A renowned center for learning classical arts.

Safety and Hygiene

Comfort Stay Lodge places a high emphasis on hygiene and guest safety. The premises are regularly sanitized, and strict cleanliness protocols are followed to ensure a worry-free stay. The lodge also features CCTV surveillance, trained staff, and round-the-clock security for added peace of mind.

Easy Booking and Affordable Packages

Booking a stay at Comfort Stay Lodge is hassle-free, with multiple options available:

Online booking through the official website and travel portals.

Walk-in reservations.

Customized stay packages for families, business travelers, and pilgrims.

If you're planning a trip to Thrissur and looking for a place that offers affordable luxury, comfort, and easy access to the city's cultural and spiritual landmarks, Comfort Stay Lodge is the perfect choice. With its well-equipped rooms, excellent service, and budget-friendly rates, this lodge truly feels like a home away from home. Whether you’re here for a spiritual journey, a cultural exploration, or a relaxing getaway, Comfort Stay Lodge ensures a memorable stay in the heart of Thrissur.

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tilbageidanmark · 2 months ago

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MOVIES I WATCHED THIS WEEK #207:

In a week full of many wonderful movies, India Donaldson's minimalist debut feature GOOD ONE was my most precious experience. I've seen all her previous shorts before, and I sensed this will be a 'good one'. And indeed it was. I hope she'll continue to tell super-realistic character studies like this for the rest of her career.

A middle-aged father, his perceptive 17-yo daughter, and another mess of a divorced buddy of his are going on a camping trip in the Catskills. That's the whole simple plot, but it's told with the maturity and eye-for-details of somebody who had intimately known all three. Not much is said, everything is subtle, quiet, and understated. The girl, Sam, got it all together, and the actress who plays her with such raw intelligence is a revelation. One of my best films of the year. 10/10. [*Female Director*]

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2 INDIAN CLASSICS:

🍿 "Forgive me, my son"...

In HOTEL SALVATION (2016), a 77 year old man dreams that his time on earth came to an end, and he's about to die. He decides to go to the holy city of Varnasi, and his son is forced to set aside his office job, in order to accompany him on his last trip. It's a serene, spiritual story, with none of the big events shown on screen - they are all subtle, because they are peacefully inevitable. The director was 25 when he made his debut with this. 💯 score on Rotten Tomatoes.

🍿 DEVDAS (2002) is pure hokum. A classic big-budget Bollywood song-and-dance excess, larger than life soap opera, with 3 mega-stars at their peak: SRK, Aishwarya Rai and Madhuri Dixit. A silly romance defeated by society prejudices, but played in the foreground of elaborate and opulent sets. The music numbers (for example Dola Re Dola, Maar Dala, Silsila Ye Chahat Ka, Sheeshe Sa Sheesha Takraye) were spectacular, the budget for glycerine tears must have been huge, but the super-melodramatic plot was ridiculous.

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For a while now I had planned to re-visit the work of 94-year-old documentarian Frederick Wiseman, but his usual grim subjects deterred me. His latest 4-hour (!) saga MENUS PLAISIRS - LES TROISGROS is a good refresher why this is my type of story telling: Captured footage that observes and don't propagate, and most importantly, no voice-over, no narration, no interviews, and NO FUCKING MUSIC in the background to drown everything you see.

The fact that it's a happy topic, light as a bird song, is a huge help. Like Ken Burns' recent documentary about Leonardo, this is Wiseman’s first outside of the USA. Both of them must have felt they ought to look elsewhere to Europe for shreds of sanity and coherence today.

It's an inside look into the French Troisgros restaurant "empire" in the Loire valley and "how it works". From their spacious kitchens, tomato and cheese suppliers, smokehouse, philosophy, beekeepers, vine cellars, taste making, goats, desserts and the three Michelin stars that they’ve earned for over 50 years. it's an absolute delight from start to finish - the anti-Netflix food-porn destination.

(When I was a chef, I collected about 400 cookbooks, and my two most valuable tomes were (Salvador Dalí: Les Diners De Gala, and) the big book by The Troisgrois Brothers...)

Another one with 💯 score on Rotten Tomatoes.

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3 BY CZECH ANIMATOR MICHAELA PAVLÁTOVÁ:

🍿 Her ŘEČI, ŘEČI, ŘEČI ("Words, words, words") was nominated for an Oscar in 1991. A terrific wordless film about communication, very much in 'Yellow Submarine' style. In a busy cafe, speech bubbles float from people's mouths into others ears in a humorous musical patterns. 9/10.

🍿 Apparently, much of her work focuses on sex. REPETE (1995) open with the act, and then musically returns to it in many different repetitive forms. Uniquely erotic.

🍿 TRAM (2012) is perfect. A full bodied conductress drive her all-male passengers, and with every rhythmic vibration of the trolley, her fantasies gets hornier and she lets herself go. 10/10. (Full Film Above). [*Female Director*]

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Another gen from ol' Czechoslovakia, THE DEATH OF STALINISM IN BOHEMIA, my 4th by mad surrealist Jan Švankmajer. A piece of modernistic agitprop about his country's history from 1948 to 1989. His most political satire, and as usual, full of bloody cut organs made out of exploding clay played to nonstop disgusting slurping, guttural sounds.

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5 BY CROATIAN DAINA ONIUNAS-PUSIĆ:

🍿 In anticipation of her new, heralded A24 debut feature, 'Tuesday', I watched all her earlier shorts:

THE BEAST (2016), is a very odd look at familial abuse. A 75yo woman is angrily taking care of her invalid 100yo mother. Their relationship is uniquely cruel and unpredictable. That is before a mystical bat flies in and settles under the old woman's bed. Super weird!

🍿 WE FIGHT, BUT YOU'RE FABULOUS (2020) was made entirely of stock footage. A terrific pandemic story told only in voice over: A mother and her gay son keep bitching and complaining to each other.

🍿 RHONNA AND DONNA (2015) had an outrageous premise: One teenage sister plays Juliet in their Shakespeare school play, and her conjoined-twin doesn't want to... The mother, in this one, was just drinking wine while doing her yoga.

🍿 PRESS YOUR LIPS TOGETHER, (2011), her early film school work was also about a mother. This mother got bad news about her 13yo daughter. Slight and juvenile.

🍿 So finally, TUESDAY, another tortured saga of unusual mother and daughter relationship. First of all, it's chilly and ambitious, probably like the nightmare baby of Lynch's 'Eraserhead' [which I haven't seen yet] and 'Everything everywhere all at once'. For a young filmmaker making her debut, it's a bold 'Must see'. Mother Julia Louis-Dreyfus can't cope with the upcoming demise of Tuesday, her terminally-ill teenage daughter. A metaphorical Angel of Death, in the shape of mystical black macaw, visits her to help with her pain before he takes her away - and that in the middle of a zombie outbreak. Like 'Alice in Wonderland', their sizes changes, so they all grow and shrink all the time. Etc.

But it was too horror-like for me, and I couldn't connect. 3/10. [*Female Director*]

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"Judicial errors don't exist."

'Somebody is killing the supreme court judges of Palermo, Sicily' in the 1976 ILLUSTRIOUS CORPSES. Tough guy police inspector Lino Ventura is sent from Rome to solve a series of high-profile assassinations, and uncovers collusions, political conspiracies, and corruption at the highest order of society. For me, it mostly evoked one of my favorite kinks, the leisurely sights and sounds of mid-70's Italy, as depicted on film: Dark piazzas, the half-empty alleyways, the paranoia of the communist movement...

(On a recommendation by my friend HootsMaguire.)

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A WOMAN INTERVIEWED IN ONE CONTINUED SHOT X 2:

🍿 I never heard of the 1993 French masterpiece EMILIE MULLER, but as soon as I finished watching it, I had to watch it again, and then a third time! A young woman arrives for her first ever audition where she's asked to show the contents of her handbag. 10/10. It reminded me very much of another of my French favorites On S'Embrasse?

🍿 In BETTY TELLS A STORY (1972) a woman remembers how she once bought an expensive dress that she couldn't effort and never got to wear, and then tells the same story again, but this time focusing on her feelings about the events she described. 8/10. A seminal feminist work. It was later selected for the National Film Registry. [*Female Director*]

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2 ABOUT PAINFUL MUSLIM TRAUMAS:

🍿 BROTHERHOOD is a very powerful Tunisian short that was nominated for the 2020 Oscars. A simple goatherd family in some remote area experiences painful upheavals when the older son return from Syria with a Burka-clad young wife. 9/10.

The young director, Meryam Joobeur, expanded this story into her latest 'Who do I belong to'. [*Female Director*]

🍿 LISTEN (2014) is a terrifying story of spousal abuse. In a small interrogation room at a Copenhagen police station, a burka-covered woman is begging for help . Her husband had beaten her severely and is now threatens to kill her. Her desperate appeal is repeated again and again but is completely misunderstood, since she only speaks Arabic. 9/10, if you can manage to watch it.

It was made in Danish and Arabic by two directors; One Zambian-Welsh, and the other Finnish-Iranian...

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For the biggest Beatles fan that I was 60 years ago, and the Beatles completist that I've became since, the new Disney documentary BEATLES ‘64 doesn't offer much new. A few unseen clips on-stage and off, David Lynch goes off about the power of music, an editing decision to connect JFK idealism and death to the joy that The Beatles "brought back" on their first US tour. One thing that is painfully obvious from all that old footage: The media blitz that fueled their rise at that time was "SO" shallow, the interviews so inane, the TV and radios just unintelligent.

I hope that they improved since. /s

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DIRECTED BY DANNY DEVITO X2:

🍿 Danny DeVito produced a bunch of movies (Erin Brockovich, Get Shorty, Gattaca), but he also directed 15 movies (including Hoffa, The war of the roses, Matilda, Throw momma from the train). The last one he finished, CURMUDGEONS, became the first ever Vimeo Stuff Pick in 2016. A wonderful surprise about a grumpy 80yo man in an assisted living facility. I had to see it twice in a row! Highly recommended! 8/10.

🍿 NEST OF VIPERS (2011) is another comedic gem with a twist, about old rich Tracey Walters on his death bed.

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HOW THE GRINCH STOLE CHRISTMAS (the original 1966 television special). My first watch, and because this photo of Boris Karloff made me curious. Directed by Chuck Jones, and very close to Dr. Seuss original book. A radiant, unironically-gorgeous canvas. Another with 💯 score on Rotten Tomatoes.

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MY FIRST 2 WITH FRENCH CLAUDE MILLER:

🍿 JULIET IN PARIS (1967) - A young student engages with a series of inexplicable and bizarre acts, including a mutilation of a kitten and drinking its blood. Godard-lite. 2/10.

🍿 In connection with the 100th anniversary of the Lumiere Brothers' first motion picture, 40 directors were each given the opportunity to shoot a 52 second film using the original hand-cranked Cinématographe camera. LUMIÈRE ET COMPAGNIE (1995) was the resulting gimmicky anthology, a curios, self-referential homage. The best usages of the limited format were 1. The recreation of the original 'Arrival of a Train at La Ciotat Station'. 2. A couple with Down Syndrome kiss. 3. Zhang Yimou's scene at the Great Wall of China. 4. A couple embrace to music, by Claude Lelouch. 5. An egg being fried by Abbas Kiarostami. 6. Spike Lee trying to get his baby daughter to say 'Daddy'. YMMV.

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THE MOST DANGEROUS GAME (1932) is HUNTING HUMANS! Sadistic count 'Zaroff' explains his perverted lust for killing humans as a prelude to having sex with their women. Very unusual and very much pre-code! With the same set-up and crew of the people who made King Kong a year later. 💯 score on Rotten Tomatoes. But only 2/10 from me.

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AGAIN?!?!? - "Again!!"- IAIN RANNOCH X 2:

🍿 "Does that cover cakes?"...

Everything I repeated 8-10 times already about my favorite 'Black Mirror' episode, HATED IN THE NATION, (last time in January), still stands. It's one of the best dystopian police procedural I know about people being held responsible for their actions. And the only sequel I ever want is the one where DSI Karin Parke and her sidekick Blue Coulson team up again to solve futuristic high-tech mysteries. And that ominous soundtrack note, man! 10/10.

(I re-watched it mostly for the details of the "Hashtag Seeding" twist, which I want to use myself in my next move...)

🍿 'Black Mirror' was built as a loosely-connected universe, where details from one episode are often referred to in another. F.ex. Blue Coulson is the one who cracked Iain Rannoch's 'Souvenir file', which was the reason for her resigning from forensic. And Iain Rannoch was the child murderer in S2E2 WHITE BEAR episode. This one I saw only once before, for a good reason, and I regret seeing again. It's a sadistic torture-porn, a nasty horror story about a woman who's being punished for an unspeakable act. Mean, distressful nightmare of the very type I don't care for. 1/10. Re-watch for both ♻️.

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A BUNCH OF SHORTS:

🍿 THEN COMES THE BODY tells of a Nigerian young man who taught himself how to dance ballet from watching YouTube tutorials and of the ballet school he started in the open-sewer slums of Lagos. It's the Instagram opposite of the Frederick Wiseman's Troisgros pure documentary style from above, but the subject matter is too powerful, so that the manipulation in this one is soon forgotten. You "will" cry! 7/10.

🍿 MILTON (1992) was the original sketch, part of Mike Judge's early, crude drawings which 7 years later he transformed into 'Office Space'. Every line in this short was used in the live-action version. 8/10.

🍿 COLOUR BOX (1935), a lovely abstract British experimental film, which the Nazi labeled 'degenerate'. Excellent Cuban music score.

🍿 WHO ARE YOU? (2019) by Chilean Julio Pot is a great little animation about a novelist with a writer block. Made in a delightful 'New Yorker' Cartoon style in black with red accents, but unfortunately it was dubbed into English, by voice actors that didn't match the story.

🍿 LIFT (2001) was a semi-pointless British documentary. The director installed himself in a narrow elevator of a typical tower block, and for a long period of time tried to engage in conversation with the ordinary folks who use it. A good concept, but it never got beyond random small talk.

🍿 HI-FI (2000), an early, wordless Sean Baker mood piece. 4 teens ride a sedan through New York at night, looking to score some hard drugs. M'eh.

🍿 MADAME TUTLI-PUTLI (2007), a weird Canadian Oscar-nominated stop motion puppetry nightmare. A creepy-looking 1920's flapper girl on a metaphysical night train is running away from something into unexplainable dreams.

🍿 Jack Stauber's 2020 OPAL, an even weirder, more unsettling mishmash of horrifying trops, done in an ugly, off-putting aesthetics. Low-rent Eraserhead.

🍿 FOUR WOMEN (1975), my first by Julie Dash. A choreographed modern dance interpenetrating the Nina Simon song. [*Female Director*]

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THROW-BACK TO THE ADORA ART PROJECT:

Adora loves to cook.

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(ALL MY FILM REVIEWS - HERE).

#movies #czech cinema #czech animation

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