#buddy... idk how else to tell you this but its just scientists doing their job???
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couldn't reblog fast enough i am literally all of these things wahoo
I was being cancelled because apparently it was classist to put feathers on dinosaurs.
Both dream me and irl me were very confused.
#i have unfortunately seen people like this before#its actually so strange like-#how tf is reconstructing dinosaurs with feathers gay what are you even connecting here??? they are really different things???? huh#like in most cases it's literally just palaeontologists trying to recreate what a prehistoric creature would of looked like#if there's evidence it might of had feathers then the artist might interpret the creature with feathers#buddy... idk how else to tell you this but its just scientists doing their job???#idek what to say to these people#please touch grass#paleontology#nottrek
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how in the world am i just reading this now and THIS PISSES ME OFF SO MUCH
i'm just going to go ahead and say it. actress/model mj > reporter mj.
making her the generic Reporter Girl Next Door Girlfriend With Modest Clothes So She Automatically Has Agency trope misses the magic of what made comic book mj great and honestly the whole 'let's reinvent mj bc she can't be both beautiful and an actress THAT'S NOT EMPOWERING' thing is just internalized misogyny demon doing its work.
comic mj is fun. she's glamorous, vain, confident, obnoxious, independent, and LOUD. she's not your plucky Relatable™ down to earth girl who's clumsy and wears ponytails or whatever.
she's steals every scene, is proud of her looks, doesn't care much about 'intellectual' subjects and sciences like peter and gwen do, dates around, and refuses to be committed to a person. her personality has always been larger than life and her comfort with her sexuality is either too attractive or too uncomfortable for people. you either love her or hate her, but she wouldn't change for you. despite her bravado, she has so many gaps and struggles i still related to.
i think one of the main reasons why mj as a character gets some unfair (mostly sexist lbr) criticisms is because she's just the type of female character not everyone will like.
but there's also a reason why she had a huge popularity when first introduced - she was the first woman in comics representative of 60s counterculture. especially at the time where silver age comic women were..well, silver age.
60s was where second wave feminism began and women were challenging the outdated notions of women having to marry and be domestic. they were also opposing the system of work discrimination alongside fighting for their reproductive/sexuality rights. it's no surprise how a character like mj who refused to ever get tied down, was unapologetically sexual, and was working her ass off with her career to the point she's been living independently with her own apartment at just 19/20, became the breakout character in spider-man at that time.
and honestly the PS4 writers' logic annoys me because a female character being a reporter doesn't make her immediately 'strong' or have 'agency'.
why do these people attach a woman's worth to a job? when idk, women are MORE than that.
the implication that mj needs to be 'fixed' because apparently comic mj is not feministy enough for them?
mj breaking model/actress stereotypes and having the determination to be something in the entertainment industry because it's her true passion even when she's been called stupid/dumb/airhead her entire life, and even knowing that this is the industry where that sexism and stigma is prominent the most, makes her a FEMINIST CHARACTER.
mj fighting to get complex roles for female actresses and challenging people who want to typecast her as a one dimensional love interest who's just there to be pretty, makes her a FEMINIST CHARACTER.
mj being unashamed about wanting to be famous and loving the arts without ever compromising her traits that make people uncomfortable, refusing to be anything but HERSELF while people might deem her pursuit 'shallow' or 'worthless', makes her a FEMINIST CHARACTER.
mj being obnoxiously unapologetic of her sexuality and her hundreds of crop tops and love for attention and apathy to academia AND still being a well-written, complicated character with such character strength and flaws MAKES HER A GOOD, COMPLEX FICTIONAL WOMAN WHO DOESN'T NEED A 'REINVENTION'.
you know what doesn't count as feminist?
going to the cliche 'reporter girlfriend' route because you're too lazy to take the challenge of integrating an actress/model as a playable character to a game where radioactive spiders and scientists with psychokinetic tentacle arms exist.
implying that mj taking a culturally accepted 'empowering' job such as journalism gives her agency because apparently being passionate about acting/modelling means you're nothing but a stupid, talentless bimbo who depends on looks. ALSO, and according to them, being a reporter who's in the action side is better because being an actress/model means you just sit pretty and wait in the house for your boyfriend despite the fact that comic mj has beaten the shit out of some rogues and saved peter's ass more than twice.
making mj 'dress down/tone down' and removing her outlandishness because you want her to be more 'fit' to peter and you only accept one type of Strong Female Character which is the Generic Likable Fantasy Girl Palatable To Men. a girl who's sarcastic but not aggressive or else she's just a bitch, pretty but not TOO pretty or else she might be a shallow hag or whatever.
reporters are saving the damn world right now but that was never the reason why people rooted for mj, despite whatever ps4 or ultimate wants to tell me. using the 'reporter' as a plot imposed excuse just to put her in the 'spider-man' action side is a disservice to mj's history - an ambitious, proactive woman who was so driven to be an actress/model despite the barrage of mockery and sexist stereotypes thrown at her, who diversified the spider-man world BECAUSE she wasn't a reporter that gets shoved into the action plot. she was separate from that part and we get to see her own, individual story.
and personally, to strip those traits is to lose a large part of what made her stand out as a unique and interesting character.
i enjoyed mj in the game very much, but i can't stand the reasons, the laziness, the plain ignorance, and misogyny behind it. adaptational changes are normal but at least bury your arrogance somewhere 💀 thinking a 'fixed,' now 'empowering' mj is groundbreaking? buddy, comic mj has been that for 50 years.
#mary jane watson#spiderman ps4#this got too long for my liking but im so angery shut your mouth about comic mj#long post tw
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Holy Dimensional Gateway, Batman! | 2/?
chapter 2 of this.
tw: a bad guy gets stabbed a little bit, and shot. Also some angsty-ish discussion of superhero sidekicks at the end but idk if that’s really a trigger
rated: T
The klaxon is still blaring, red lights flashing and a swarm of SHIELD scientists scrambling to assess the damage done to their base. Tony, for his part, is doing an astounding job of staring blankly at the newly rearranged portal and moving out of exactly nobody’s way.
“So,” he says, glancing sideways at Steve. “Was it just me, or did the portal kind of fold in on itself when Barnes dove through it?”
“It did,” Steve says, his jaw set in the patriotic way that it does when he dissociates from reality. Behind him, one of the scientists gently unpins a shriveled vine from the wall, letting the arrow clatter to the floor.
“So,” Tony says, slowly. It’s not that he’s still processing what’s happened, it’s just that he’d prefer to delay saying it out loud for as long as possible. “Barnes, um. He might not be in the same place as Barton. Right?”
“Right.” The unflinching void of space has nothing on the empty expression Steve’s wearing right now.
“Maybe he’s, um. Not even in the same time. And. And, the portal rearranged itself again after he went through, so…” Steve hasn’t blinked for a while, and Tony’s starting to get a little nervous about the state of his remaining teammate as well.
“So.”
“So, well. So, fuck.”
“Fuck,” Steve echoes.
>>==========>
>>==========>
>>==========>
“I want you to know,” Bucky shouts over the roaring wind, “If any pictures of this get back to my universe, I will actually shoot you.”
Superman just laughs, continuing his scientifically impossible flight towards their undisclosed location. He has his arms hooked under Bucky’s armpits, and while Superman seems to be tiring not a bit, Bucky’s having a hell of a time not sliding out of his grip. He’s self-aware enough to know what an idiot he looks like. He feels like a toddler trying to splash his way through a kiddy pool with nothing but those dumb arm floaties on. If Clint were here, he’d probably make another stupid comparison to that one Angry Cat or whatever. Bucky considers, for all of two seconds, telling him about it once they find him.
“Not to throw a wrench in your plans or anything, but I’m kind of indestructible.”
“Nothing’s indestructible, buddy,” Bucky says, trying to pull himself up just a little, but really only managing to kick around like a petulant child. “And for a guy that claims to be, you’re kind of slow.”
“Well,” Superman says, his voice still pleasant and cheery, “if I was flying at full speed, your brain might actually liquify.” His grip suddenly becomes a hell of a lot tighter, and Bucky feels very much like a puppy that’s been grabbed by the scruff of the neck. “Also, I don’t entirely trust you. I certainly don’t trust you enough to just drop you off at a friend’s door without spending a little time getting to know you first.”
“Okay,” Bucky says, because Superman has a grip of steel and it actually kind of hurts. “Lunch date?”
There’s a sudden flash from the ground below, and Superman stops short as an ear-splitting boom makes its way to them.
“There’s a great diner in Star City.”
“You’re buying,” Bucky says. Or, tries to say, because suddenly Superman is barreling down through the clouds and it’s all Bucky can do not to pass out.
He’s never seen Star City on a normal day, but he assumes there’s usually less general carnage and debris. Shards of shrapnel litter the section of highway Superman touches down on, and a lot of the piles of junk are still smoking from the recent explosion.
“How nice of you to join us,” someone says with a sinister sneer, and Bucky turns to find himself directly in the middle of a stand-off.
On one side of the highway, there’s a guy in a blue and orange body suit, the eyes of his mask and the sword strapped to his back pinging something familiar in Bucky’s head. He’s got some kind of tricked out semi-automatic in his hands and seems ready to shoot right through Bucky to get to the other guy.
The other guy, who’s got a bow and arrow, drawn and ready.
It’s not Clint. Bucky knows in an instant it’s not Clint. This guy is wearing green, a hood and domino mask helping to obscure his face. Even past the costume, his stance is different. When Clint draws his bow, he’s a study in serenity. Bucky knows for a fact his bow of preference has got a draw weight of two hundred and fifty pounds, but the strain doesn’t show. When Clint’s got a target in his sights, he might as well be made of stone. Nothing can touch him when he’s got an arrow at the ready, and the set of his shoulders says he knows it.
This guy? This guy looks almost feral, like a tiger ready to pounce. He’s on the attack and defense all at once, and maybe his form matches Clint’s in any technical measurement, but where Hawkeye is all tranquility, all patient tension, this guy is carefully channeled rage.
Superman is gone.
Bucky was so caught up in taking in the scene that he almost didn’t realize the big blue guy dropped down in the middle of the standoff and disappeared before anyone could blink. He catches sight of a blue blur on the edges of the battlefield, pulling back any civilians that haven’t already made a run for it, dousing fires that are spreading dangerously close to abandoned vehicles. Bucky wishes Superman could’ve at least pointed out the bad guy before fucking right off, because now he’s stuck between bizarro-world versions of Hawkeye and Deadpool with no background information whatsoever.
“Look, Robocop. Either make a move or get out of the way,” Robin Hood says, and Bucky hopes he hasn’t ended up in a universe where Tony Stark is blond and has even worse facial hair.
“Even a fancy arm like that won’t do much to stop a bullet,” Not-Deadpool says, which makes Bucky’s mouth quirk up just a bit.
“I’m trying,” he says, raising his arms slowly in a hopefully multiversal gesture, “to figure out exactly whose side I should be on here.” Nobody relaxes, but Robin Hood at least makes a short sort of snort.
“Well, I am Green Arrow, Hero and Protector of Star City. If you can’t pick between that and ‘Deathstroke the Terminator,’ I’m not sure I want you on my side anyway.”
Bucky turns to Deathstroke then, doing his best not to expose any weak points to either of them. “Deathstroke” is no “Deadpool,” but he figures it’s close enough to stake a guess on.
“You got a counterpoint, Wilson?”
Deathstroke doesn’t falter, doesn’t fumble with his gun or relax his stance, but the last name catches him by surprise, and Bucky only needs a split second of hesitation to draw his weapon. The bullet goes clean through Deathstroke’s shoulder, hitting at the same time as an arrow latches onto his gun, blowing the thing to pieces with the force of a small grenade.
Whatever knockoff brand Deadpool this guy is, not knowing when to quit seems to be Wade Wilson’s universal constant. He draws his sword, charging at Bucky with a speed that’s definitely enhanced. Bucky blocks the blow with his left arm, and the clashing metals send a supernatural clang through the air like a shock wave.
“What-” Deathstroke starts to say, and Bucky goes straight for the Ka-Bar on his belt. He aims a stab at Deathstroke’s side, but whatever’s in the guy’s body armor makes the blade glance off harmlessly. Deathstroke tries again with the sword, aiming a slash at Bucky’s thigh that he just barely dodges.
“Well,” Bucky hears Green Arrow shout from the sidelines, “I’m not gonna lie. I’m a little turned on right now.”
“There’s room for a third,” Bucky says through gritted teeth, ducking as Deathstroke gets a solid swing. His blade sings as it cuts through the air, and Bucky doesn’t want to know what kind of vibranium clusterfuck of an alloy the thing is made of. He drops lower, trying to knock Deathstroke off his feet by sweeping his legs, but he just sidesteps like telegraphing his movements is ever a thing Bucky’s been accused of.
Three arrows go whistling past Bucky’s head in rapid succession, but only one manages to nick Deathstroke’s shoulder, more of a papercut than anything else. It’s not for lack of trying. Green Arrow’s aim is true, but Deathstroke seems to dodge the arrows before they’re even loosed.
“Nice try, Emerald Archer,” Deathstroke sneers, and his next swing actually scrapes against Bucky’s arm before glancing off, the reverb sounding like some hellish version of nails on a chalkboard. “I know where those arrows will be before you do.”
Huh. That changes things. Bucky was thinking telepathy, but if this guy is just using some limited form of precognition, that’s something Bucky can work with.
“What about this knife?” Bucky says, just to draw Deathstroke’s attention back to him. He leads with the Ka-Bar in his right hand, swinging for the face. Deathstroke dodges easily, and if Bucky had to pick a counter move, he’d go for a sucker punch. He ducks before Deathstroke can even finish drawing back his fist, activating the retractable knife in his left arm and slicing at Deathstroke’s thigh. The body armor is lighter in his legs, and the knife cuts deep. Deathstroke lets out a shout, stumbling back. His rhythm is thrown enough for Green Arrow to let loose another explosive arrow, and the impact sends Bucky skidding back on the asphalt.
Deathstroke is gone when the smoke clears, which is a shame because Bucky was just getting into having a worthy opponent. He hears Green Arrow swear behind him, like that’s the end of that, and Bucky hasn’t taken half a step toward the vacant side of the highway before Superman is suddenly blocking his path. He’s radiating ‘disappointed mom’ in waves and the fact that his feet aren’t touching the ground does nothing to tone down the intimidation as he towers over Bucky.
“Well,” he says, squinting down at Bucky and pressing his lips into a flat line. “I’d be interested in knowing how someone from another universe knows the identity of one of our world’s deadliest mercenaries.”
He should probably be shitting his pants right now. Bucky’s getting the sense that Superman isn’t quite human, and beyond faster-than-light speed and a seemingly unlimited amount of strength, he’s still not sure what Superman meant when he called himself “indestructible”. Unfortunately, his intimidation technique seems more based on scolding than actual threats, and Bucky Barnes had to face down Captain America’s “disappointed in you” talk back when he was a teenager.
“There’s a Wade Wilson in my universe too,” he says, not even trying to act nervous. “The codename and the costume aren’t exactly the same, but I only needed him to let his guard down for a second.”
“Well, good work,” Green Arrow chimes in, and Bucky turns to see him counting the arrows left in his quiver. Apparently being escorted by Superman is enough of a character reference in this universe, because Green Arrow’s bow is strapped to his back instead of held at the ready. “Slade Wilson doesn’t let his guard down for almost anything.”
“Huh. That makes a couple more differences between him and the guy I know.”
“I’d like to hear more about the differences in your universe,” Superman says, a note of suspicion still in his voice. “I believe we had plans for lunch?”
“Cheeseburgers are on me,” Green Arrow says.
>>==========>
>>==========>
>>==========>
Batman, it turns out, is a lot more friendly when you’re on the same side.
Well, friendly is relative, but Clint thinks the provided Advil and glass of water have to count for something. He perches on the ledge next to Batman’s ominously gigantic supercomputer and wonders what it says about his life that the Venn diagram of people who have tied him up for interrogation and people who he considers his closest allies has a lot of overlap.
“Start talking,” Batman orders, his eerily pointed gloves clacking against the keyboard. “I want to know exactly how much our universes match up.” He pauses, turning towards him, and Clint gets the sense that he’s being scanned through the opaque eyeholes of the mask. “Your name wouldn’t happen to be Oliver Queen, would it?”
“Nope,” Clint says, rubbing absentmindedly at his still sore wrist. “Try Barton, Clinton Francis.”
One quick search later and the computer yields no matches, which puts Clint more at ease than Batman. It’s nice to know there’s not another one of himself running around in this dreary universe, but Batman doesn’t seem quite satisfied.
“You don’t know who I am, but you aren’t phased by the cape and the mask,” he rumbles. Batman’s toned down the demon voice to a low growl, but he’s still got a hoarseness that could rival Wolverine. “You’ve seen plenty of our kind before. Who are the heroes of your universe?”
“Well,” Clint says, weighing his options for all of two seconds. Batman still gives him some major heebie-jeebies, and rattling off intel on his teammates might not be the best tactical move, but he needs to earn some trust here, not to mention his Earth has dealt with way worse threats than some guy in a bat suit that spends his nights beating up old-timey gangsters. “That’s kind of a loaded question.”
Batman leans back in his chair, crossing his arms over his chest. Clint gets the sense that there’s one raised eyebrow behind his cowl.
“You mean you don’t have good guys? Sworn protectors of the common people?”
“Well, when you put it that way,” Clint huffs, because it kinda seems like the guy that lives in a Doctor Doom lair and dresses like a vampire on super serum is accusing his world of too much moral ambiguity. “There’s all the Avengers, obviously. Iron Man, Captain America, Thor, Black Widow. Our roster isn’t really set in stone, you know? And there’s the Young Avengers, the Defenders, the Guardians, the X-Men, the Fantastic Four, A-Force, the Howling Commandos, New Warriors, the Thunderbolts, uh, sometimes. Alpha Flight, if we’re counting Canada. Then there’s-”
“That’s enough,” Batman says, which is probably good because Clint hasn’t even gotten to the spin-offs yet. “No Justice League, then?” Clint snorts.
“That’s a little on the nose, don’t you think?”
“The Avengers?” Batman says flatly. “The Defenders?”
“Well it’s not the Vengeance Guild, is it? It’s not the Group of People Who Defend Things.” There’s a muscle twitching in Batman’s jaw, and Clint remembers a little belatedly that he’s not exactly a welcome guest. “So, um. No overlap, I’m guessing?”
“Not with the names you gave,” Batman says. He pauses, and his next words come out more cautious. “You’ve never met Superman, then? Or Wonder Woman?”
Clint tries really, really hard not to smile, because what is with this universe and names? Something must show on his face, though, because Batman sighs wearily.
“‘Captain America’ and ‘Iron Man’ aren’t better.”
“Yeah, I bet Superman’s name is a holdover from the World War II propaganda machine, and Wonder Woman is just a big fan of Black Sabbath.”
“You haven’t given me your name,” Batman says, more gravel edging into his voice. “What is it, Purple Arrow?”
“That’s just lazy,” Clint says, hopping down from his perch so he can puff out his chest properly. “No, you’re in the presence of Clint Barton, AKA Hawkeye. The world’s greatest marksman. The people’s avenger. The greatest sharpshooter known to man. The-”
“The public knows your identity?”
Clint deflates a little, because he was really just getting warmed up. Batman’s not the most expressive of people, but Clint’s spent enough time around super spies to notice the genuine surprise under his growl.
“Sure.” He gives Batman a one-shouldered shrug. “The public knows the identities of a lot of heroes. Steve Rogers, Tony Stark, Natasha Romanoff, Bucky Barnes, Bruce Banner… I guess Spider-Man keeps his a secret. I’ve got absolutely no clue who that kid is.”
“You aren’t worried about what villains might do?”
“Not really,” Clint shrugs again. “Secret identities are hard to maintain, and it’s not like I can’t handle myself if a villain shows up in my apartment.”
“What about your family? What if they go after them?” Batman sounds almost accusatory, like he’s been looking for something evil about Clint through the whole conversation and just found it. Clint kind of flails for a moment, and it takes a second for him to realize why the question is so odd to him.
“I don’t- The Avengers are my family. Or, the closest thing I’ve got. If someone tries going after any one of them, well. It wouldn’t work out too well. I’m pretty much as weak as the links get on that team.”
Batman steeples his fingers together like he’s a villain in a Bond movie. The wash of cold blue light from his giant computer screen doesn’t help soften the image. Clint tries not to fidget under his stare, feeling a little like a bug pinned up on a wall.
A moment passes, maybe two, and suddenly something in Batman’s posture shifts. He doesn’t relax exactly, but Clint gets the sense that a judgment has been passed. Something’s been decided.
“It’s almost dawn,” Batman says, and suddenly his voice sounds a hell of a lot more like a normal human being. “You should eat, and rest. We’ll get you back home as soon as we can.”
>>==========>
As it turns out, Batman’s enormous hell cavern is just the basement to a sprawling, gilded mansion.
Batman doesn’t say anything on the way up, and they both pretend not to notice when Clint almost passes out as the elevator shoots upwards. The mansion is still dark, still ominous as fuck, but the shadows thrown around Batman aren’t as terrifying when he’s surrounded by polished hardwood and plush carpets.
Batman leaves Clint in an expansive kitchen without a word, so Clint prays that at least the coffee in this universe is the same, and sets to figuring out the entirely too complex machine on the marble countertop. It’s a mess of buttons and light up touch displays, and Clint’s headache is coming back full force.
“Jarvis?” He calls, just in case. “Friday? Any fancy computer butlers around that can tell me how to work this thing?”
“Tragically, no.” Clint nearly jumps out of his skin at the very human voice, whirling around to see a man standing in the doorway to the kitchen.
“Uh, Batman?” He’s not the right build, but that’s something that a well-built suit can always remedy. The voice, though. That accent is all wrong.
“Wrong again, I’m afraid.” The man reaches out, and Clint gets about halfway through figuring out how to weaponize a Keurig cup before he realizes the guy is just turning on the light switch. Light floods the kitchen, rudely reminding Clint of his recent head trauma, and he nearly laughs because it hadn’t even occurred to him that Batman’s house would have light switches.
The man crosses the room to the coffee machine as Clint continues to blink the black spots out of his eyes. The machine gurgles to life, and Clint has to keep himself from hugging what he’s now realized is a much older man.
“Hi,” he says when he notices the room has lapsed into silence. “I’m Clint.”
“Alfred Pennyworth,” the man says, starting to pull cups and plates down from the cabinets. “Master Bruce will return shortly, and then I’m afraid you’ll have to meet the rest of the Waynes as well.” He offers Clint a smile over his shoulder. “I hope waffles are acceptable.”
Clint opens his mouth to say that yes, waffles are acceptable, in any universe, probably, but he’s cut off by another person entering the kitchen.
“Spare him the grand tour, Alfred. Our friend here needs food and then rest. Possibly with medical attention in between.”
The man is dressed in a robe and house shoes, like some kind of millionaire heir from the fifties. With the dark, slicked-back hair and classically handsome face, all he’s missing is the cigarette and three future centerfolds hanging off his arms.
“Um,” Clint says. “Batman?” If he asks every guy roaming the mansion halls, eventually he’ll get it right. Right?
“You can call me Bruce. Bruce Wayne.” He’s almost effortlessly charming, all dazzling smiles and sweeping gestures, but Clint didn’t spend the better half of his life among criminals and spies not to notice the way Bruce pauses for a split second to scan his face, checking for a reaction at the name.
“Nice place you’ve got, Bruce,” Clint says. The coffee machine beeps and Alfred hands him a freshly steaming mug. “Excellent butler. Basement could use some work, though.” He blows on his mug, watching the steam swirl outwards. Just the smell of coffee is already easing his headache. “Is it just the two of you?”
Alfred gives an amused sort of hum as he sets about making breakfast. Bruce’s mouth quirks into a smile. “Well-”
“I missed this,” another voice announces, because apparently dramatic entrances are a necessity for living in a mansion. Clint makes a mental note to go easier on Tony next time he requires fanfare for walking into a room. “Good coffee, Alfred’s breakfast.” The newcomer is dazzling in an entirely different way than Bruce, and Clint takes an uncomfortably hot gulp of coffee to hide his blush when bright blue eyes meet his. “Bruce picking up strays.”
“This is Clint,” Bruce explains, settling down at the kitchen island and opening a newspaper. Clint’s not sure if the paper was on the countertop, or if it just came with the outfit. It doesn’t matter, because startlingly attractive mini-Bruce is now offering Clint a hand to shake.
“Dick,” he says, and it’s not the bluntest offer Clint’s ever gotten, but it’s up there.
“Yeah,” Clint says. “What?”
“My name is Dick Grayson,” Dick Grayson says, his friendly expression turning a little concerned. “How hard did he hit you?”
“Who?”
“Bruce. You took a hit, right? Are you okay?” There’s a lot of concern there now. Concerned is a good look for Dick Grayson. He’s got the same blue eyes and jet black hair as Bruce, but Bruce doesn’t make them look nearly as pretty. Maybe if he grew his hair out more. Dick Grayson’s has the kind of hair made for shampoo commercials. It looks almost as soft as Bucky’s does.
Clint realizes with a start that he’s still clasping Dick’s hand, and drops it awkwardly.
“Sorry,” he says, and then clears his throat and tries again. “Sorry. I’m- maybe about to pass out.”
>>==========>
>>==========>
>>==========>
“It’s too early in the morning for cheeseburgers,” Bucky says, glaring down at the diner menu. He’s glad Clint doesn’t have to hear him say it, although if getting in an argument over In-N-Out as breakfast food is the trade-off for knowing Clint is safe, he’d take the heat in an instant.
“In your universe, maybe,” Green Arrow says. He’s still in costume, as is Superman, and their waitress seems to be having a hard time dealing with that. She has to use both hands to steady her coffee pot while Superman beams at her. “What, you have somewhere better to be?”
“Yes, actually,” Bucky growls. Superman seems to be stalling on his promise to take Bucky to his ‘friend.’ Stopping a firefight on the highway is one thing, but Bucky’s pretty sure “cheeseburger breakfast” isn’t a solid excuse in any universe.
“Bucky’s looking for a friend of his,” Superman explains. “A guy that got pulled through a wormhole by some sentient vines.”
“Ah,” Green Arrow says, sipping his coffee contemplatively. He gives their waitress an appreciative wink as she moves on to the next table. “Bats.”
“And associates,” Superman says, and Bucky wonders if glaring at them harder will make his vigilante acquaintances any more coherent. Instead, Green Arrow just knocks their shoulders together.
“Aw, look. He’s pouting.”
“I’m not pouting,” Bucky says, but his voice sounds pissy even to him. He grits his teeth as Green Arrow knocks their shoulders together again. “I’d just like to find my teammate as quickly as possible, and I don’t see how cheeseburgers will accomplish this.”
“If your teammate is half as good in a fight as you are, I’m sure he’s fine.”
“I don’t doubt it,” Bucky says. He’s seen Clint MacGyver a semi-functional bow and arrow out of paperclips and pocket lint when faced with the alternative of actually paying attention in a debrief. He’s pretty sure Clint would find a way to survive in the vacuum of space with just the clothes on his back if he had to. It still doesn’t change the nerves that have been buzzing in his stomach ever since he watched Clint tumble into the black void. “I’d still prefer it if I could see him for myself.”
“Two’s a couple,” Superman says. Bucky blinks, feeling the color rise in his cheeks.
“What?”
“Two’s a couple, not a team. How many more ‘teammates’ do you have?”
Oh.
“Two on the other side of the portal. More could get called in, I guess.”
“But just you went through after him?”
“It was a tactical decision,” Bucky snaps. He’s not sure why he feels so defensive. He’d probably be asking the same questions if the roles were reversed, and not nearly as politely.
“I think it was a good call,” Green Arrow interrupts, not even being subtle about defusing the situation. “You got me out of a pickle, anyways.”
“I’ve faced worse than Deathstroke in my sleep,” Bucky says, still more aggressive than he should be towards his gracious interdimensional hosts. Green Arrow opens his mouth to respond, but he’s cut off by a loud tap on the diner window.
There’s a girl standing outside, knocking impatiently on the glass. She has loose blonde hair and an outfit that looks like the skimpy Halloween store version of Superman’s onesie. Bucky would peg her for a fangirl, but Superman just raises an eyebrow at her through the glass.
“Kara?” he says, at a normal volume.
“You aren’t busy, are you?” The fact that there’s an external wall between her and Superman doesn’t seem to be bothering Kara at all. Bucky can just make out her voice through the glass, but the way Green Arrow is rolling his eyes tells Bucky he’s not in the enhanced hearing club. “There’s trouble on Stryker’s Island.”
“Luthor?” Superman asks. Kara shakes her head.
“Not exactly. I’ll explain on the way.”
“Wait,” Bucky says, because he’s not wasting any more time on his mission. Especially not alone with Green Arrow. “What about finding Clint?” Superman looks apologetic, and Bucky’s stomach drops.
“I can take him,” Green Arrow says, and if the stakes were any lower, Bucky would just resign himself to a couple more hours sitting right here in the diner. “I’ll call in the gang. I haven’t been to Gotham in a while.”
“Great!” Superman says, clapping his hands together like that settles it. Bucky buries his face in his hands.
“We can take the Arrowcar!” Green Arrow says, and Bucky spreads his fingers apart enough to glare at Superman.
“I want you to know that you’ve made an interdimensional enemy today.”
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Clint wakes up in a bed.
It’s a very comfy bed, and he almost considers rolling over and going right back to sleep. Something’s nagging at the back of his brain, though, telling him there are things that need doing and the bed must be left to do them.
He cracks his eyes open, wincing at the sunlight streaming through the blinds. There’s a girl sitting on the end of his bed, crouched like a cat. Or a gargoyle.
“Hi,” Clint croaks. His voice sounds like sandpaper, and he wonders how long he’s been out. She tilts her head, short black hair falling in front of her eyes. She doesn’t seem to blink quite enough for a normal human being, and Clint squirms a little under her gaze. Is she a ghost? Batman seems like the kind of guy who would live in a haunted mansion.
“You haven’t missed waffles yet,” she says finally, and Clint’s stomach growls as if on command. There’s something a little odd about the way the girl speaks. It’s not an accent Clint’s ever heard. He’s actually not sure if it’s an accent at all. Clint realizes that whoever brought him to the bed didn’t take out his aids. His ears feel a little gummy from sleeping with them in, but he’ll be damned if he takes his aids out when there are undead spirits on the loose.
The girl gets up, apparently done with the conversation, and heads for the door. Clint allows himself a groan as he rolls out of bed. His head is pounding, but there’s an unfinished cup of coffee in the kitchen with his name on it, and a minor concussion has never come between him and his caffeine before.
The girl drifts through the halls, not bothering to check if Clint is following or not. She probably hears him plodding along behind her, anyway. The place is about as creaky as an old haunted mansion should be, and each squeaky floorboard Clint steps on makes her silent glide all the more impressive. Either that, or it just further supports his hypothesis that she’s actually a phantom.
The mansion is kind of enormous, even now that morning light is creeping through the blinds and banishing whatever lurks in the shadows. Clint never quite got the difference between old money and new. To him, a big fancy house was a big fancy house, nevermind what Tony or Kate said. Now, though, stepping across carpet that seems like it belongs in a museum and eyeing floor-to-ceiling portraits that might actually predate the fall of Rome, Clint thinks he’s starting to get it. Bruce’s mansion feels like a different world, made for the dinner parties of elite secret societies, and full of rooms where men in tuxedos puff cigars in wealthy silence. This is not the lodgings of an ex-carnie thief with a shaky grasp on the timeline of the Roman Empire.
“When do we get to the family crypt?” Clint asks, because if the basement of the manor is just a neverending cavern, he shudders to imagine where Batman’s ancestors have been laid to rest. The phantom doesn’t answer. She doesn’t even turn around. “Are you going to kill me? Where are we going?” Still no answer. They pass another gilded frame, and Clint almost reaches out to run his hands over the placard before thinking better of it. That’s how you turn your peaceful ghost guide into a poltergeist. Clint wishes the carpet was dustier so he could check if she’s leaving footprints.
Ghost or not, their final destination turns out to be the kitchen. Clint can smell waffles and bacon from the other end of the hallway, and he hears voices as they get closer.
Bruce and Dick are still seated, chatting amiably as Alfred works the waffle iron. Clint’s coffee is gone, but Alfred places a fresh mug in front of him as soon as he settles down at the kitchen island. He nods his thanks, taking a sip as Bruce turns to him.
“Feeling better?”
Clint hums an affirmative. It’s not the first time he’s blacked out mid-conversation, and it sure as fuck won’t be the last.
“How long was I out?”
“Only a couple hours,” Dick says. “Alfred decided to turn breakfast into brunch so you wouldn’t miss out.”
“Thanks,” Clint says, scrubbing a hand over his face. “It’s been a long night.” Dick nods, offering Clint a look of sympathy.
“That’s sort of how we operate.”
As if on cue, a teenage boy looking approximately like death stumbles into the kitchen, shuffling immediately towards the coffee machine. Dick blinks at him, like this is a surprise, although both Alfred and Bruce pointedly continue on with their mornings.
“Why are you here?” Dick asks, and the kid spends about a minute stabbing his finger ineffectually at the coffee machine’s touch display before he mumbles out an answer.
“‘M’not,” he says, but only once Alfred has come to his aid and gotten the machine going again. “I’m at Travis Lee’s house. Working on a class project.”
“Oh really?” Dick’s voice is all amusement.
“As far as any commercial phone tracking software can tell,” the kid says, like that’s a normal sentence people can string together while looking like a sleep-deprived zombie. He finally cracks his eyes open long enough to acknowledge Clint’s presence. “Who are you?”
“Clint,” Clint says. He doubts the guy is in any state to handle the full story right now. “Are you guys all… cousins?” He can’t really work the age differences out in his head, but the kid has the same black hair and blue eyes as Bruce and Dick. Bruce and Dick, who both chuckle at the question like it’s a ridiculous idea.
“You should take that as a compliment, Tim,” Dick says, and Tim ignores him in favor of inhaling the scent of coffee wafting from his new cup. “No,” he turns to Clint then, still looking entertained by the concept. “We’re definitely not related.”
“Oh,” Clint says, because that doesn’t sound right. He wonders if everyone in this universe just looks vaguely similar. He tries to remember if any of the gangsters were blond. Is he just a freak of nature here? Should he dye his hair to fit the noir color scheme?
“When’s Steph coming down?” Tim asks. He’s downed half his mug of coffee and looks marginally more alive.
“Steph’s here?” Dick asks, and Clint has to wonder what life must be like living in a house so big you can miss your own family members. Or, whatever these guys are. Tim shrugs.
“Alfred’s making waffles, so I figured. He only does that when Steph’s here.”
“Alfred can make waffles for lots of reasons. He could be making them because I’m here.” There’s a note of hurt in Dick’s voice.
“Nah,” Tim says.
“These are waffles for Steph,” Ghost girl confirms. She’s perched on the counter next to Alfred, sneaking pieces of food every time his back is turned. Tim aims a nod of acknowledgment at her.
“Cass gets it. Steph is his new favorite child, right Alfred?”
“The identity of my favorite child is between me and Miss Stephanie,” Alfred says, and if this isn’t sibling banter, Clint’s really not sure what the fuck is happening.
“I knew it!” someone shouts from the doorway, and Clint turns to watch dramatic entrance number four make her way into the kitchen. Steph is considerably brighter-eyed and bushier-tailed than her non-siblings, and Clint notes with relief that she is very blonde.
“Batman,” Clint stage whispers as Alfred starts to serve breakfast. “Why are there so many children in your house?” Cass follows Alfred dutifully, her arms stacked high with plates that she has no qualms stealing from. Clint carefully relieves her of an untouched stack of waffles.
“Careful,” Bruce answers, winking conspiratorially. “These children could beat you in a fight on your best day.” Clint snorts.
“Doubtful.” Something about Bruce’s words catches in Clint’s head. “Wait,” He says as a thought clicks into place. “Do these children fight crime?” Bruce blinks at him.
“We’re not children,” Steph says defensively. Clint rolls his eyes.
“Uh huh. I’m sure you’re all of legal drinking age. You want more syrup for your waffles?” he pushes the syrup towards her plate. Steph glares at him but picks up the bottle anyways.
“I do want more syrup for my waffles, but that doesn’t mean you have a valid point.”
“They’re skilled fighters, and they understand the risks of the job,” Bruce says, staring at Clint. There’s a heavy finality to his words, like that should be the end of the conversation.
“They’re children.”
“They’re still in the room,” Tim adds, stealing a bite of Steph’s waffles. Cass is staring at Clint in her solemn, unblinking way, so he turns to her instead.
“Okay, you understand the risks, then. Sure. What are the risks?”
“Death,” Cass says simply, which, yeah.
“We all face risks, Clint,” Bruce says. “What do you do with the younger people that want to follow in your footsteps? Turn them away? Ground them? Kids are stubborn. You can’t talk them down from something unless they let you. They’ll always fight their own battles. You might as well give them the tools to win.”
“Nobody wins in a war that children have to fight,” Clint says, and he’s outnumbered here but something about the condescension in Bruce’s voice has set his blood boiling. “You risk a lot worse than just death.”
“The world’s falling apart,” Tim chimes in again. “Kids live in it too. Why should adults be the only ones allowed to save it?”
“Because kids are who we’re saving it for,” Clint says, and he knows it’s a losing battle. “Knowing the risks is nothing next to experiencing them.”
“There are no younger sidekicks in your universe?” Batman asks. “No protégés? No trainees?”
“Not ones that are children. Or, not if I have anything to say about it.”
“Not a single one?”
“There was one, sure,” Clint spits out. Bruce waves his hand, like his point is proven. End of discussion, but Clint’s not going to leave it at that. “I said was. Bucky Barnes, heroic teen sidekick to Captain America himself. They fought side by side through World War II. Led us to victory and everything.”
“And I’m sure the death of one soldier didn’t outweigh the people he saved.”
“Oh, I never said he died.” There’s an uncomfortable hush falling over the room, but Clint plows right through it. “He was blown up, kidnapped, tortured, mind-controlled. Forced to kill for the side he always fought against. They stripped him down to nothing, kept him on ice in between missions so he couldn’t rebuild his humanity in the downtime. He spent seventy years as a puppet. He was a trained dog they sicced on anyone they wanted. We only got him back when they made the mistake of sending him to kill Captain America himself. If there’s one hill Steve Rogers will die on, it’s that no single person should have to be sacrificed for the good of everyone else.” There’s actually a lot of hills Steve Rogers will die on. Clint could name a whole mountain range after Steve Rogers’ opinions, but Bruce doesn’t need to know that. “If kids fight so often in this universe, I’m sure they die often, too. You’re telling me there’s not a single one you would save if you could? You can’t think of one kid who you would’ve turned away if you knew what their fate would be?”
Clint can feel it when he strikes a nerve, the air in the kitchen turning like a flash freeze. Tim suddenly looks wide awake, and Bruce’s jaw is set. Dick looks like he’s forgotten how to breathe. Clint feels his words hanging heavy in the air, and suddenly the waffles don’t seem worth finishing.
“I’m, uh. I’m going to get some air.”
#winterhawk#buckyclint#my fics#Rated: T#this is just the chapter where i love all the robins#i wanted to put jason in here#i think hell show up later though
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