#brothers menaechmus

[local-queer-classicist]

Why does Plautus taunt me with his casual vocabulary that wasn’t in my textbook and abnormal grammatical constructions that weren’t covered in my textbook and untranslatable jokes that I wasn’t prepared for by my textbook

[thebeautifulfantastic]

reading log | 2024

1. let the right one in -> jack thorne (jan 23)

2. night of the living dead -> lori allen ohm (jan 25)

3. oedipus rex -> sophocles (jan 31)

4. open: an uncensored memoir of love, liberation, and non-monogamy -> rachel krantz (jan 8 - feb 10)

5. lysistrata -> aristophanes (feb 8 - 14)

6. heartstopper: vol. 5 -> alice oseman (feb 15 - 19)

7. the brothers menaechmus -> plautus (feb 20)

8. the second shepherd’s play -> wakefield master (feb 27)

9. the taming of the shrew -> william shakespeare (mar 26 - 28)

10. life is a dream -> pedro calderon de la barca (apr 4 - 8)

11. doubt, a parable -> john patrick shanley (apr 11 - 12)

12. assassins -> stephen sondheim (apr 12)

13. shades of rust and ruin -> a.g. howard (jul 12, 2023 - apr 14, 2024)

14. hamlet -> william shakespeare (mar 7 - apr 15)

15. the misanthrope -> molière (apr 23)

16. acts of service -> lillian fishman (apr 18 - jun 5)

17. coriolanus -> william shakespeare (jun 8)

18. dance nation -> clare barron (jun 12)

19. the wolves -> sarah delappe (jun 13 - 28)

[taiglife]

did i ever say how much i love the prologue to the brothers menaechmus

[history-of-europe]

Bits of history about literature of classical antique

Question: Ever wondered about the roots of our literary heritage and the timeless themes that have shaped the human experience? Join me on a journey through the captivating history of literature during classical antiquity, a period spanning from the 8th century BC to the 5th century AD. In this exploration, we'll uncover the literary wonders of ancient Greece and Rome, delving into the works of iconic poets, playwrights, and philosophers that continue to resonate through the ages.

I. The Golden Age of Greek Literature

Epic Poems by Homer: Homer, a luminary of this age, crafted two foundational epics, "The Iliad" and "The Odyssey." These masterpieces delve into themes of heroism, fate, and the human condition. "The Iliad" recounts the epic Trojan War, while "The Odyssey" follows the adventures of the clever Odysseus on his journey home.

Tragedies by Aeschylus, Sophocles, and Euripides: In the realm of tragedy, luminaries like Sophocles presented "Oedipus Rex," a profound exploration of fate and consequences. The protagonist, Oedipus, grapples with a prophecy foretelling his tragic destiny, epitomizing Greek tragic storytelling.

Comedies by Aristophanes: Aristophanes, a master of satire, gifted us with "Lysistrata." This comedic masterpiece takes a satirical jab at war and gender roles as Greek women withhold intimacy to end the Peloponnesian War, infusing social commentary with wit and humor.

Historical Works by Herodotus and Thucydides: Herodotus, often hailed as the "father of history," penned "The Histories," blending myths and anecdotes to narrate the Persian Wars. This work not only shaped historical narratives but also provided insights into diverse cultures.

Philosophical Dialogues by Plato and Aristotle: In the realm of philosophy, Plato's "The Republic" stands out. This Socratic dialogue explores the nature of justice and the ideal state, laying the foundation for ethical and political philosophy.

Lyric Poetry by Sappho and Pindar: The emotional depth of lyric poetry is exemplified in Sappho's Fragment 31. This ode to the power of love showcases the intensity of human emotions, leaving an indelible mark on Greek lyricism.

II. Distinctive Features of Greek Classical Antiquity Literature

Well-Defined Literary Genres: The Greeks meticulously categorized their literature into distinct genres, including epic poetry, tragedy, comedy, and philosophy. This formal categorization laid the groundwork for a diverse and structured literary landscape.

Theatrical and Oral Traditions: Greek theatre was a communal experience, with performances at festivals like Dionysia. Emphasizing the spoken word, the oral tradition contributed to the dynamic and performative nature of Greek literature.

Influence on Later Literature: Dante Alighieri, in his "Inferno," drew heavily from Greek and Roman themes, showcasing the enduring influence of Greek literature on later works.

Additional Note: The Greek emphasis on oral tradition and theatrical performances laid the foundation for a dynamic literary culture. This tradition not only shaped the form in which literature was initially consumed but also influenced the performative nature of Greek dramatic works.

III. Roman Literature: Embracing and Innovating

Influence of Greek Literature on Roman Culture: Romans recognized the literary excellence of the Greeks and translated works like Homer's epics into Latin, incorporating Greek themes into their own literary tradition.

Development of a Rich Roman Literary Tradition: Plautus, with works like "The Brothers Menaechmus," introduced Roman audiences to New Comedy, infusing it with Roman cultural nuances.

Notable Contributors to Roman Literature: Virgil's epic, "Aeneid," commissioned by Emperor Augustus, narrates the founding of Rome, reflecting Roman values while drawing inspiration from Homer's epics.

Enduring Impact on Western Literature: Shakespeare's "Julius Caesar," drawing from Plutarch's "Lives," exemplifies how Roman literature influenced Renaissance writers and continues to resonate in modern Western drama.

Additional Note: The Roman assimilation of Greek literary traditions led to a distinctive Roman literary identity, marked by a nuanced relationship between emulation and innovation.

IV. The Cultural Impact of Ancient Greek and Roman Literature

Influence on Society during Classical Antiquity: Aristophanes used comedy, as seen in "Lysistrata," to engage with political and social issues, reflecting and shaping the values of Athenian society.

Educational and Philosophical Significance: Aristotle's "Poetics," a treatise on drama, has influenced Western literary theory, providing insights into the principles of tragedy, mimesis, and catharsis.

Language and Literary Tradition: Greek literature's impact is evident in the works of English writers who often drew upon classical themes, shaping the foundation of the English literary tradition.

Additional Note: The educational and philosophical significance of ancient Greek and Roman literature extends beyond the literary realm. These works served as foundational texts in the intellectual development of societies, shaping not only literary traditions but also educational methodologies and philosophical discourse.

V. Enduring Legacy and Influence on Modern Society

Development of Western Literature: Chaucer's "The Canterbury Tales," drawing from classical mythology, showcases the ongoing impact of classical literature on Western literary development.

Exploration of Human Emotions and Actions: Greek tragedies, like Euripides' "Medea," continue to resonate by exploring complex human emotions and actions, providing timeless insights into the human psyche.

Realism and Everyday Life in Roman Literature: Cicero's speeches, such as "Against Catiline," capture the political intrigues of the Roman Republic, contributing to a tradition of realistic portrayals of political life.

Inspiration for Modern Literature: Shakespeare's "Titus Andronicus," influenced by Seneca's plays, demonstrates how Roman literature continued to inspire later writers, contributing to the evolution of Western drama.

Additional Note: The enduring legacy of ancient Greek and Roman literature is evident in its pervasive influence on modern society. Beyond shaping literary traditions, these works continue to serve as reservoirs of inspiration for contemporary authors, ensuring their relevance across centuries.

Conclusion: As we journey through the pages of ancient Greek and Roman texts, we uncover the roots of our literary heritage and a profound connection to timeless themes that continue to define the human experience. The literature of classical antiquity stands as a testament to the enduring power of storytelling, philosophy, and artistic expression, shaping the course of Western literature and inspiring readers and scholars alike.

[24studying]

Plautus would probably be that one fandom author who writes crack fics that everyone has read at one point

[tess-or-no]

The Brother’s Menaechmi/Menaechmus Characters as John Mulaney Quotes:

Menaechmus I:

or alternatively

Menaechmus II (Sosicles):

or alternatively

Messenio:

or alternatively

Erotium (the Mistress):

Uxor (the Wife):

Peniculus (the Parasite/Sponge):

The Mother/Father:

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[rrloading184]

The Pot Of Gold Lar Familiaris Characters

Perimede, wife of Licymnius. Plot summary Lar Familiaris, the household deity of Euclio, an old man with a marriageable daughter named Phaedria, begins the play with a prologue about how he allowed Euclio to discover a pot of gold buried in his house. AMPHITRYON PLAUTUS PDF Plautus - Pot of Gold, the Prisoners, the Brothers Menaechmus. Study Questions 21 Pot of Gold 1. The Lar appears first on stage and provides an introduction. The Lar has not liked any of the members of Euclio's family for three generations - thus he has not revealed the hidden pot of gold. The Pot of Gold Plautus. Course:English Literature 3(ii) (DEL-ENG-015) The Pot of Gold: Plautus. Institute of Life long Learning, University of Delhi.

The Pot Of Gold Lar Familiaris Characters Chart

Hello, readers! Hope you are liking our blogs so far. It has been almost two months since Just Reader Things have started and we met our readers. Today, this blog will talk about another play, The Pot of Gold, written by Plautus.

Let’s start with a brief introduction of Plautus. He was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived the entirety.

Now let’s start with the play, The Pot of Gold. This play revolves around a pot of gold. It belongs to Eucilo. He is one of the main character of the play. He is a miser. He loses all his sleep and peace, when Lar Familiaris, the household deity, told the secret of pot to Eucilo. He even fears that someone will steal his pot of gold. He doesn’t even tell her daughter, Phaedria, about the pot of gold. He is the pater-familias but he does not care about her daugter. He thinks that she is a virgin but in reality, she is pregnant with the child of Lycondies, who seduced her at the Harvest Eve. He is the nephew of Megadorus, Eucilo’s neighbour. Megadorus wants to marry Phaedria as he thinks she is a virgin. You can now analyse being a virgin, at that time is so important, that even your inner beauty does not matter. Eucilo thinks this marriage as a way for Megadorus to steal his pot.

Eucilo also have a slave, Staphyla. Yeah, at that time having a slave is a normal thing. She is the only one who know about Phaedria, being pregnant. Eucilo always mistreat her and often beat her too. Somewhere in the middle of the play, during the preparation of wedding dinner, Lycondies’ slave steal the pot of gold and even Lycondies talked to her mother, Eunomia, about the seduction, pregnancy and convince her to call off Megadorus’ marriage. Eunomia decides to help him and talk to Megadorus about the matter. While Eunomia and Megadorus were talking, Lycondies went to Eucilo and apologized for his mistake (seducing Phaedria) as she was in labour pain, but Eucilo thought he was apologising about stealing the pot of gold. Lycondies helped Eucilo to get the pot back from his slave and Eucilo thought that that the slave has saved the pot from the robber. When Eucilo got the pot of gold back, he was very happy and understands that this pot of gold is not useful for him, so, he gave that pot of gold to Lycondies and Phaedria and he also agreed for their marriage as well.

This was a happy ending for everyone. But you might be thinking how the turning of Eucilo is so sudden? The answer to this question is that the ending of the play originally written by Plautus is lost, so some other writer, imagining a happy ending for everyone, wrote this last scene and also the transformation in Eucilo’s character.

Now, let’s talk about condition of the women in the pot of gold. Phaedria is the daughter of Eucilo. She is never seen in the play. This is because, she has not followed the norms of the society. She is pregnant even before marriage. The reader hears her voice once in the play, when she was in labour and that too were her cries only. His father also does not care for her. He is so pre-occupied with his fear of pot of gold. She has no one except Staphyla, who helped her in her pregnancy. Her father decided to marry her to Megadorus without, even, consulting Phaedria.

Eunomia is the sister of Megadorus and mother of Lycondies. She is a very calculative women. She wants her brother to marry a girl with good financial status and she should be young as according to the society, at that time, the only purpose of a woman is to serve her body to the man and produce children but Megadorus has other plans. He wants to marry Phaedria. Eunomia, after knowing that Phaedria is pregnant with his son’s child, she asked his brother to cancel off the marriage.

Staphyla is the slave of Eucilo. She is very badly treated throughout the play. Eucilo, her master, beats her and even say bad words to her. She is the only one who know about Phaedria’s pregnancy. She also plays a motherly figure for Phaedria. She, in the beginning of the play, wants to hangs herself as Eucilo treats her badly.

Adobe acrobat pro dc dmg. We can easily see that women are treated so badly in this play as if they are the minor characters. Phaedria, the one of the main character is also treated as a minor character. This play brings a light upon the condition of women at that time.

The Pot Of Gold Lar Familiaris Characters Pictures

Hope, the readers, have liked the play and this blog too. Lets get in a discussion about this play in the comments section.

[incredibleanswers]

The Brothers Menaechmus

Please write a 10 to 12-line comment in response to ONE of the questions below. The questions are based on the reading for UNIT THREE (play The Brothers Menaechmus)

1) The Roman playwright Plautus was one of the first Western authors to use mistaken identity plots in his comedies. Why do you think mistaken identity has remained a common source for laughter in comedies for the past two thousand…

[servicesline]

The Pot of Gold and Other Plays (Penguin Classics) http://bit.ly/2KDnGZy https://amzn.to/31Lzm22 Plautus's broad humor, shown in some of the earliest surviving Latin plays, reflects Roman manners and contemporary life. This briliant collection includes:  The Pot of Gold (Aulularia), The Prisoners (Captivi), The Brothers Menaechmus (Menaechmi), The Swaggering Soldier (Miles Gloriosus), and Pseudolus. https://www.instagram.com/p/B1S-vv8Ashe/?igshid=ildy7hnqely8

[concordiairvinetheatre]

The Menaechmus Diaries - Part 2

This “Diary Series” covers observations by CUI student Haley Brown as she prepared for the role of Messenio in our production of The Brothers Menaechmus - a Roman comedy by Plautus .  Her “behind the scenes” view covers theatre at Concordia, preparing a role with masks, and the hazards of a woman playing a man’s role:

I was ready to start rehearsals that night!  But the spring semester was coming to an end and I knew that I had theater camp to look forward to when the summer ended (“Theatre camp” is a magical time when casts return to campus to do nothing but rehearse without pesky worries like homework!). We received the scripts via email and were told to start learning our lines over the summer.

When I first read the play as Messenio I couldn’t help but notice how ridiculously “punny” he was. His humor was all word play, which made me happy because I’ve always enjoyed “intelligent humor” more than “slapstick.” Then I noticed his song.  His song!  I don’t sing. I’m not a singer. Well, this is awkward. I thought:  “Vez knows I don’t sing, right? He’s got a plan, right?” That’s what I kept asking myself.  After finally calming down from that frightening realization I began to fall more and more in love with Messenio. In my mind he was this, charming, witty, loyal, friendly, wise, old man. He may not be as agile physically, but his mind was far more agile than anyone else’s in the show. He may not always approve of Menaechmus, or his actions, but he loves him like a son and will stick by him no matter what. This is a character that I am going to enjoy playing … as long as I don’t have to sing!

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[sunbeamsandmoonrays]

Did I seriously just read “who dat” in a translation of an Ancient Roman play???