#britt robertson edits

[ariadnethedragon]

THE LONGEST RIDE (2015)

Dir. George Tillman Jr.

[fanofspooky]

Scream Queen - Britt Robertson

Requested by anonymous

[inspirationfandream]

TVD!Book fancast x Show: Elena Gilbert x Stefan Salvatore

(Crackship Gif: Britt Robertson x Paul Wesley)

[famousdaily]

BRITT ROBERTSON ━ 20th Century Fox November 2014 ph. Sarah Dunn

[isaacsdevil4108]

The Secret Circle │Cassie Blake & Adam Conant

[daddyswhoresworld]

I love that you got daddy issues, and i do too.

[originalwitchedits]

CASSIE BLAKE (THE SECRET CIRCLE)

[fulfillingbineeds]

[karihighman]

Soooooo obviously this is my first time making one of these fan edit videos for a ship haha. Brensen FTW!! 😄🫶 hope you enjoy!!

[pochunts]

CIERRA RAMIREZ GIF PACK

— ✰ on the page linked below in the SOURCE LINK, you will find ( ONE HUNDRED AND TWENTY ) gifs of CIERRA RAMIREZ sourced from her role as LINDSAY in THE RE-EDUCATION OF MOLLY SINGER (2023). cierra is 28 but was 26 while filming this movie and is of mexican & colombian descent, so please cast her accordingly. all gifs were cropped at 245x145 and were made from scratch by feifer for roleplaying purposes only. therefore, i am taking full credit for these.

gifs feature: Zach Scheerer, Ty Simpkins, Britt Robertson, Nico Santos.

warnings/triggers: Partial nudity, alcohol (beer, tequila), strobing/flashing lights, beer pong (and other drinking games), kissing, conversation/dialogue surrounding death.

RULES FOR USAGE:

DO: LIKE or REBLOG if you found these helpful or have any intention of using these.

DO NOT:

add or compile into other sources ( gif hunts, gif sets).

edit or claim in any way (redistribute or resize into smaller forms - gif icons. giftangles, etc).

use to portray the faceclaim in smut rps or real-life celebrity groups.

use these gifs as imagery/visuals for smut writing.

[angiemcalisters]

britt robertson in the rookie: feds (2023) 🌻 if you click in the source link or go into my gif directory, you will find a link to #62 gifs of britt robertson in the rookie: feds 1.22. you can edit these as much as you would like, but please link back & tag me if you redistribute them! thank you & enjoy !

[fanofspooky]

scream queen britt robertson

Scream Queen - Britt Robertson

[uservicky]

britt robertson in a mouthful of air (2021) 🌻 if you click in the source link, you will find #16 gifs of britt robertson (b. 1990) in a mouthful of air. you can also find a free payhip link for a zip file of these here. you can edit these as much as you would like, but please link back & tag me if you redistribute them! thank you & enjoy !

content note: hospital setting ( nothing too obvious, but she is in a hospital gown )

[boroughshq]

SHERRI LOWE ( CARLSON YOUNG ) is looking for their (1/2) ROOMMATES. they should be 26-36ish and look like Willa Fitzgerald, Kaylee Bryant, Sean Teale, Tommy Martinez, UTP you DO NOT need to contact the player (@withbitterness) before applying.

TYPE OF CONNECTION: platonic

SUGGESTED FC: FC is UTP, but here's a list of some personal faves! Bex Taylor Klaus, Willa Fitzgerald, Maya Hawke, Caitlin Stasey, Raymond Ablack, Anya Chalotra, Henry Golding, Candice King, Dylan O’Brien, Sean Teale, Zion Moreno, Bianca Santos, Jenny Boyd, Paul Wesley, Priscilla Quintana, Blair Redford, Nathalie Kelley, Britt Robertson, Alex Saxon, Ricky Whittle, Samara Weaving, Harry Shum Jr., Lily James, Jessica Parker Kennedy, Alexxis Lemire, Victoria Justice, Camila Mendes, Aria Shahghasemi, etc.!

DESCRIPTION: These muses are Sherri’s roommates. Sherri lives in a 3-bedroom, 1 bath apartment in the Bronx, in the Park Place Suites. For the layout, I am very much stealing the layout to the New Girl apartment for this apartment, only with Schmidt’s room disappearing from it. Here’s an edit of what that would look like. Sherri lives in Room B (Jess’s Room) because even though it’s not the largest room, it has the best closet and lighting in her opinion.

Room A: Open!

Room C: Open!

Sherri has lived in this complex since June 2017 - whether these roommates have also lived with Sherri for this long, or are recent roommates who saw an ad online or smth and moved in after an old roommates moved out is UTP. I just imagine that out of the current tenants, Sherri has been there the longest. Any kind of personality or relationship type (gets along great, act like siblings, always at each other’s throats, constantly warring for bathroom space, the best of friends, etc.) is welcome for her roommates!

Here’s a bit about Sherri’s living tendencies: She is a perfectionist and a workaholic whenever she books a gig, so when she’s booked, her roommates are always aware. And when she’s auditioning, her roommates are also always aware. She sings and dances and practices lines all the time. She can cook. She’s health-conscious and works out regularly. She can be rude and blunt, as well as easily annoyed, but also surprisingly kind (if not nice). When it comes to her clutter, she is paradoxically clean in the kitchen but messy in the bathroom. She’s tactile with roommates she’s close to (if she considers you a friend she will lay on you while watching movies it’s just going to happen). She’s self-centered and talkative and will monopolize her roommate’s time if she has something she needs opinions on (will happen often). She’s a little shit and says she doesn’t like chaotic roommates while, in fact, BEING a chaotic roommate.

[themovieblogonline]

The Re-Education of Molly Singer Review: A Half-Hearted Comedy

The Re-Education of Molly Singer, directed by Andy Palmer, attempts to blend the familiar tropes of college comedy with the story of personal redemption. Starring Britt Robertson as the titular character, the film promises a quirky journey of self-discovery and transformation. Unfortunately, what ensues is a lackluster narrative held together by clichés, leaving much to be desired. https://www.youtube.com/watch?v=yzypF35o6f8 At its core, the film revolves around Molly Singer, a hard-partying attorney faced with the challenge of saving her job. The plotline, while inherently promising, unfolds predictably, adhering rigidly to the time-tested formula of college comedies. Molly decides to reenroll at her old alma mater, a setting that should have been ripe for exploration and depth. However, the film squanders this opportunity, reducing the college experience to a mere backdrop for worn-out gags and uninspired storytelling. Britt Robertson as Molly attempts to infuse life into her character but is limited by the superficial script. Her performance feels forced, as if she is struggling to breathe life into a character that lacks depth and nuance. Ty Simpkins as Elliot, one of the most socially awkward movie characters you'll see in a long time, delivers an average performance, failing to evoke genuine empathy or interest. The chemistry between the two leads, a vital element in any successful comedy, falls flat, further diminishing the film's impact. The supporting cast, including Nico Santos as Ollie, Cierra Ramirez as Lindsay, and Holland Roden as Trina, add some color to the otherwise mundane narrative. Santos, in particular, manages to inject occasional moments of humor, but these instances are few and far between. The interactions between the characters lack authenticity, with dialogues that feel contrived and unconvincing. The attempts at humor often resort to juvenile pranks and cheap laughs, failing to resonate with a more mature audience. The film's portrayal of college life is disappointingly one-dimensional. The hall monitors are portrayed as stereotypically stuck-up, the frat brothers as predictably boozed-up, and the antagonist, an old enemy of Molly, is reduced to a caricature devoid of any real menace. The campus setting, which could have been utilized to explore themes of friendship, identity, and growth, is instead relegated to a series of hackneyed situations that do little to engage the audience. One of the film's major shortcomings is its inability to create genuine emotional stakes. Molly’s quest to save her job and Elliot’s transformation from social outcast to campus hero are presented in such a formulaic manner that they fail to evoke any real investment from the audience. The emotional arcs of the characters lack depth, leaving viewers indifferent to their fates. As a result, the film's attempts at heartwarming moments come across as forced and manipulative, falling short of eliciting the intended emotional response. Furthermore, the film's pacing is inconsistent, with scenes that drag on unnecessarily and others that feel rushed. The editing fails to smooth out these disparities, resulting in a disjointed viewing experience. The lack of cohesion in the narrative makes it challenging to stay engaged, leading to frequent moments of disinterest. The Re-Education of Molly Singer struggles to rise above its formulaic approach to college comedy. While the premise holds promise, the film is marred by a lack of originality, depth, and genuine humor. The performances, although earnest, are hindered by a weak script that fails to provide the actors with material to truly shine. Viewers seeking a lighthearted, mindless comedy might find fleeting enjoyment in the film's antics. However, those expecting a more substantial and meaningful cinematic experience will likely be left unsatisfied. The Re-Education of Molly Singer ultimately falls short of delivering the in-depth, engaging narrative it promises, leaving audiences with a forgettable and unremarkable viewing experience. Read the full article

[byneddiedingo]

Britt Robertson in Tomorrowland (Brad Bird, 2015)

Cast: George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key, Chris Bauer. Screenplay: Damon Lindelof, Brad Bird, Jeff Jensen. Cinematography: Claudio Miranda. Production design: Scott Chambliss. Film editing: Walter Murch, Craig Wood. Music: Michael Giacchino. 

A critical and commercial flop, Tomorrowland is a little too much a film for kids to satisfy sci-fi geeks, and a little too heavy on the sci-fi to hold the attention of kids. It has a few good things going for it: the presence of George Clooney and Hugh Laurie in its cast, and nice performances from two young actors, Britt Robertson as Casey and Raffey Cassidy as Athena. (It's particularly good to see a sci-fi movie for kids with girls as the protagonists.) Unfortunately, the screenplay by director Bird and Damon Lindelof, with contributions to the story from Jeff Jensen, is dauntingly overcomplicated and more than a little preachy. The premise is that somewhere after the 1964 New York World's Fair, with its glittering images of the future, our culture took a turn toward pessimism. We no longer believe that we can progress toward a more equitable society or that we can solve environmental problems with collective application of science and technology, and this pessimism creates a kind of self-fulfilling prophecy. Those of us who were old enough in 1964, after the Kennedy assassination and at the beginning of the Vietnam War, may remember the mood a little more darkly than the film posits. But even granted the premise, it seems unlikely that our contemporary malaise is going to be lightened by launching into another dimension a cyberpunk spaceship designed by Gustave Eiffel, Jules Verne, Nikola Tesla, and Thomas Edison. Keegan-Michael Key has an amusing bit as the proprietor of a sci-fi memorabilia shop who says his name is Hugo Gernsback, an in-joke for science fiction fans. (His partner, played by Kathryn Hahn, is named Ursula. As in Le Guin, perhaps?)  The special effects are elaborately routine CGI stuff.