#bridegroom photography

[avanthikaphotography]

Essential Shots to Include in Your Wedding Photo Shoot in Hyderabad

Your wedding day is a once-in-a-lifetime event, and capturing its essence through beautiful photographs is essential. With the picturesque backdrop of Hyderabad, you have the perfect setting for creating timeless memories. To ensure that you don't miss out on any crucial shots, let's delve into the must-have shots for your wedding photo shoot.

Essential Shots to Include in Your Wedding Photo Shoot in Hyderabad

The Grand Entrance

Your journey towards a beautiful union begins with a grand entrance. Capture the anticipation and excitement as you make your way to the venue. The moment your guests catch the first glimpse of you is pure magic.

Candid Moments with Loved Ones

Nothing beats candid shots with your loved ones. From the laughter to the tears of joy, these moments are precious. Pre Wedding Studios Hyderabad excels at capturing these heartfelt interactions.

The Exchange of Vows

The exchange of vows is the heart of your wedding ceremony. Ensure that your photographer captures the emotion in your eyes as you promise a lifetime of love and togetherness.

The First Kiss

Seal your vows with a kiss that speaks of love and commitment. This shot is a classic and a must-have in your wedding album.

Bridal Portraits

Your bridal attire deserves its moment in the spotlight. Schedule a session with Pre Wedding Studios Hyderabad to capture stunning portraits of the bride in her wedding gown.

Groom's Swagger

Don't forget the groom! His confidence and charm deserve their own set of photos. Showcase his style and personality in the best light possible.

The Ring Exchange

The symbolic exchange of rings is a pivotal moment. Ensure your photographer captures the gleam of the rings and the affection in your eyes.

Dance Floor Delight

Let loose and dance the night away with your guests. Candid shots on the dance floor are always a hit. Pre Wedding Studios Hyderabad knows how to capture the energy and excitement.

Family Portraits

Gather your families for memorable group shots. These photographs will be cherished for generations to come.

Sunset Silhouettes

Hyderabad offers stunning sunsets. Make the most of this natural beauty with romantic sunset silhouettes.

Floral Details

Don't overlook the intricate floral arrangements. Close-ups of the bouquet and floral decor add elegance to your album.

Cake Cutting

Cutting the wedding cake is a delightful tradition. Capture the joy on your faces as you share the first slice.

Walk Down the Aisle

Your walk down the aisle is a fairy tale moment. Ensure it's documented with grace and style.

Guest Reactions

The reactions of your guests during the ceremony are priceless. From tears to smiles, these candid expressions are a treasure.

The Departure

As you bid farewell to your loved ones, capture the bittersweet emotions of departure.

Fireworks Finale

End your wedding on a high note with a dazzling fireworks display. These shots will leave a lasting impression.

Bridal Details

Your attire is full of intricate details. Ensure your photographer captures the lace, embroidery, and jewelry that make you shine.

The First Dance

The first dance as a married couple is a cherished moment. Let your photographer freeze this beautiful moment in time.

Venue Beauty

Hyderabad offers stunning venues. Showcase the architecture and natural beauty in your photos.

Candid Guest Shots

Guests play a vital role in your wedding. Candid shots of them enjoying the festivities add a personal touch.

Family Blessings

Seek blessings from your elders and capture their heartfelt blessings in photographs.

Special Moments

Every wedding has unique moments. Let your photographer capture these surprises and unexpected joys.

Emotion-Filled Shots

Weddings are emotional roller coasters. Ensure your photographer captures the highs and lows with sensitivity.

Fun with Friends

Your friends are there to celebrate with you. Capture the fun and camaraderie with playful shots.

Conclusion

Your wedding day is a celebration of love, and your photos should reflect that. By including these essential shots in your wedding photo shoot in Hyderabad, you'll create a cherished album that tells the story of your special day. Remember, hiring experts like Pre Wedding Studios Hyderabad can make all the difference in capturing these moments beautifully.

[lotusinjadewell]

Ninh Bình. Credit to Kiến’s Collection.

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The Royal Bride and Bridegroom at Buckingham Palace

British vintage postcard

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[anon-e-miss]

Shaping You - Seen

Prowl was not eager to see Punch again but his originator in law was king of Polyhex and as long as Prowl lived in his court, interacting with him was unavoidable. He had made a bad impression on him, in more than one way and his title hunting procreators had made a worse one. It seemed that the king was no more eager to see Prowl than Prowl was to see him as he never once summoned Prowl nor Jazz to dine. It troubled Prowl that he was playing a role in estranging Prowl from his originator. Unlike Prowl, Jazz seemed to have always been close to his originator and it was terrible to be the cause of that bond breaking. As Jazz guided him to a carriage, Prowl hoped that this tour and the gift of his bridal armour to his citizens might ease some of his distaste.

Jazz had insisted they wait until Hotwire had completed his proper armour, though the mock up had served Prowl just fine, the final product was cut of thinner metal and painted the richest blank paint and the most perfect iridescent white Prowl had ever seen. It gave the effect of appearing as if it had been carved of crystal and not of metal. If Prowl had not known better he would have expected his chest plate to be transparent. This was armour sculpted by an artist, a striking contrast to the gaudy thing he had worn to his bonding. It in this Prowl felt like the consort of a prince, more than he had in his bridal armour.

“Hotwire smelted yer armour ‘n molded it into bricks,” Jazz explained as they set off, after she separated out the gems. “Got enough that ya don’t gotta worry ‘bout leavin’ anyone short.”

“Thank you,” Prowl replied. “That is easier than donating panel by panel, and less crass than handing my pelvic girdle to a school or museum.”

“Yeah, I didn’t dig that image,” Jazz replied. “Nothin’ crass ‘bout ya but don’t mean others ain’t ‘n I don’t want ya gettin’ anymore grief.”

“Never fear,” Prowl replied. “I will come to some manner of grief by my conduct alone.”

“Yer conduct is perfect,” Jazz assured him. It had not been but it was kind of Jazz to reassure him.

His new armour was snug over his belly. Dipole insisted on spoiling him by experimenting with Praxian cuisine and Prowl was indulging more than he ever had under his originator’s supervision. Beyond that, Jazz was diligent in doing his duty as a bridegroom and he flooded Prowl’s gestational tank at least twice a mega-cycle, if not thrice and thus Prowl’s belly was kept round with the proof of his virility. If Prowl did not kindle soon it was clearly a fault in his spark and not in Jazz’s efforts.

“Since we got a ways to go, why don’t we keep busy?” Jazz suggested.

“Oh?”

“Oh! Oh! Oh!” Prowl squealed.

His flaccid spike hung between his splayed legs. Jazz’s spike battered his transfluid duct, ringing his reservoirs dry. Prowl knew that medics routinely drained Praxian brides when they became… congested, this was most certainly not how it was done back home. A froth of transfluids and lubricants oozed from Prowl’s well fragged valve. His belly jiggled as Jazz fragged his aft and Prowl could not imagine would his originator would make of such a sight. Jazz had him wailing in overload and the thought vanished in the white burn of ecstasy.

He was the picture of the blushing bride as they stepped off the carriage. They had spent the entire journey making passionate love and Prowl could not keep the flush from his face as he walked along next to Jazz. His swollen folds and aft rim rubbed against the lining of his armour. This must have been why Dipole had put that absorbent lining in; she knew how Polyhexian grooms were expected to be, insatiable. Prowl thought the crowds gathered at each stop along the tour were surprised by his appearance. He was far more rotund than the photography from the ceremony and parade would have suggested but no one scorned him, at least not outwardly.

Polyhexians in Darkmount wept at their gift, they received the largest share of ununtrium as Jazz believed they had the most need and seeing the bombed out shells of buildings, Prowl agreed completely. They needed a medical centre, schools and every other government service returned. Prowl heard talk of Empties and insisted on going to the Dead End to see the situation. Victims of EMP weapons that had broken their processors and their frames, the Empties were shunned by their own framekin out of fear their madness could spread. No one entered the Dead End except to harass the poor wretches and as a result the shattered district was a restricted zone with armed guards at the gates. When Prowl entered the gates with guards grumbling at his back, he was struck dumb by the devastation. It was as if the district had been smelted where it stood. The buildings looked like they were melting even now. Many of the Empties had a similar appearance. Prowl saw one planting seeds in what must have once been a traffic circle. From the way the soil looked, Prowl did not believe anything would grow here again. He knelt next to the mech and planted seeds with him.

“Ratchet?” Jazz’s voice broke Prowl from his reverie. “Whatcha doin’ here.”

“I have a clinic here,” Ratchet explained. “I’m doing what I can to make them comfortable.”

“Hello Ratchet,” Prowl greeted the medic.

“You’re looking better,” Ratchet declared. “Much better.”

“I am pleased you approve,” Prowl replied. His own kin would not. “Is there any ununtrium left to donate to Ratchet’s clinic?” Prowl asked.

“Yep,” Jazz replied. He waved a servo and their escort left to fetch the donation from their carriage. “Consider us yer official patrons, Ratch.”

“Mecha will tell you that you should put your shanix to better use,” Ratchet replied.”

“‘N those mecha can kiss my aft,” Jazz replied.

Prowl prayed the weapon that had done this damage to the Dead End and its residents had been destroyed and its blueprints tossed in the smelter. It was so terrible, so terrible what it had done. War in general was terrible but the Empties had been damaged in such a hideous way. Even vorns after the weapon had detonated, the damage continued to spread in the frames and processors of the survivors. Empties who had appeared physically undamaged in the beginning had developed deformities. This was why their neighbours feared them. They feared it was contagious. Ratchet said it was not and Prowl believed him.

“Y’er perfection,” Jazz told him when they returned to the carriage.

“How do you mean?” Prowl asked.

“Their own kin shun ‘em,” Jazz said. Some o’ those sparks got livin’ kin ‘n they don’t claim them ‘cause o’ the Affliction ‘n ya planted seeds wit one. Ya didn’t argue it was a weird place to plant, ya just… joined ‘m. Ya saw ‘m.”

“They deserve to be seen,” Prowl replied. “The seeds will not sprout. The soil has been as devastated as the buildings, but perhaps in time it will be restored. I saw a tree growing out of the wall of a temple in Petrex. How it sprouted there, who could ever know, but it did and maybe something will sprout here again.”

“Perfection,” Jazz declared. “Y’re perfection.”

Pictures of Prowl planting seeds with an irradiated Empty replaced those of the bonding in the media. Prowl was uneasy, it was clearly socially unacceptable to interact with Empties and he had made enough missteps already. Dipole called him a saint when she showed him an article she had saved to memory glass. He did not feel like a saint. If anything, Prowl felt like a fool for acting without thinking. Though he did not regret gardening with the mech, Prowl feared what the king would think of him endangering his heir by abandoning the itinerary.

Trying to calm his battle computer, Prowl walked the palace’s haggard garden. It must have been splendid in its time but the vorns of civil war had not been kind to it. He saw an amethyst sapling leaning and looked about for something to use for stakes. Branches from the dead try that might have propagated the sapling remained on the ground nearby. Prowl used them to hold up the sapling. It would probably be pulled up whenever the palace hired gardeners again but for now it would hold.

“What would yer procreators think o’ that scene?” Punch asked. Prowl flinched. He should have seen the king coming. Stiffly, he turned around and prostrated himself as the Polyhexians did, lowering his crest to the ground.

“Which scene, Your Majesty?” Prowl asked. Punch scoffed and Prowl flinched again.

“The one all o’er the news,” Punch said when Prowl did not speak further.

“Where I gardened with the poor mech?” Prowl asked. “They would have been less than enthused.”

“Why?”

“The castes do not mix in Praxus,” Prowl said, never lifting his helm. Though they hope to climb above theirs, it would not be permitted to step below mine.”

“Hypocrites,” Punch grumbled. “Go on, get up.”

“Thank you,” Prowl said as he did as he was told. He gestured to the sapling. “I do not think to make a claim on it. I just thought that as long as it was here, it should have some support.”

“My great great great grandgeni planted this garden for his bride ‘cause he was homesick. The amethyst trees were the first thing he planted. It’s nice to see a part o’em lives.”

“I see,” Prowl replied. “That was considerate of him.”

“Ya ain’t a fool,” Punch said. “Y’re procreators bragged ‘bout yer test scores ‘n they were impressive. Ya didn’t do anythin’ wit’em.”

“They considered it unseemly for me to seek a true function,” Praxian brides may dabble but they do not work.”

“In that armour, how could they?” Punch asked. “I know what ya ‘n Jazz did, donatin’ that o’er priced scrap were it’s needed. That was yer idea, wasn’t it?”

“Yes,” Prowl replied. “I thought it could be put to better use.”

“‘M not inclined to like ya, mechlin’ but ya don’t make yerself easy to hate?”

“Oh?” Prowl asked before his processor caught up with his mouth. “It came easily enough to my caste mates.”

Punch laughed and Prowl flushed.

“I can see why Jazz ‘n Dipole o’ taken a shine to ya.”

[ulkaralakbarova]

Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good. Credits: TheMovieDb. Film Cast: Tess McGill: Melanie Griffith Jack Trainer: Harrison Ford Katharine Parker: Sigourney Weaver Mick Dugan: Alec Baldwin Cyn: Joan Cusack Oren Trask: Philip Bosco Ginny: Nora Dunn Lutz: Oliver Platt Turkel: James Lally Bob Speck: Kevin Spacey Armbriester: Robert Easton Personnel Director: Olympia Dukakis Alice Baxter: Amy Aquino Tim Rourke: Jeffrey Nordling Doreen DiMucci: Elizabeth Whitcraft Tess’s Birthday Party Friend: Maggie Wagner Tess’s Birthday Party Friend: Lou DiMaggio Tess’s Birthday Party Friend: David Duchovny Tess’s Birthday Party Friend: Georgienne Millen Petty Marsh Secretary: Caroline Aaron Petty Marsh Secretary: Nancy Giles Petty Marsh Secretary: Judy Milstein Petty Marsh Secretary: Nicole Chevance Petty Marsh Secretary: Kathleen Gray Petty Marsh Secretary: Jane B. Harris Petty Marsh Secretary: Sondra Hollander Petty Marsh Secretary: Samantha Shane Petty Marsh Secretary: Julia Silverman Jr. Executive: Jim Babchak Jim: Zach Grenier Dewey Stone Reception Guest: Ralph Byers Dewey Stone Reception Guest: Leslie Ayvazian Cab Driver: Steve Cody Dewey Stone Receptionist: Paige Matthews John Romano: Lee Dalton Phyllis Trask: Barbara Garrick Barbara Trask: Madolin B. Archer Hostess at Wedding: Etain O’Malley Bridesmaid: Ricki Lake Bitsy: Marceline Hugot Bridegroom: Tom Rooney Trask Wedding Orchestra: Peter Duchin Trask Secretary: Maeve McGuire Tim Draper: Timothy Carhart TV Weatherman: Lloyd Lindsay Young Bartender: F.X. Vitolo Clerk at Dry Cleaner’s: Lily Froehlich Heliport Attendant: Michael Haley Helicopter Pilot: Mario T. DeFelice Jr. Helicopter Pilot: Anthony Mancini Jr. Trask Receptionist: Suzanne Shepherd Rhumba Guy (uncredited): Matthew Bennett Staten Island Secretary (uncredited): Trish Cook Pretty Brunette Office Girl (uncredited): Priscilla Cory Cyn’s Aunt (uncredited): Marilyn Dobrin Trask Executive (uncredited): Kevin Fennessy Receptionist (uncredited): Anita Finlay Office Worker (uncredited): Tom Sean Foley Staten Island Ferry Commutor (uncredited): George Gerard Secretary (uncredited): Dhonna Harris Goodale Young Businessman (uncredited): Daniel Henning Office Party-Goer (uncredited): Eric Kramer Secretary (uncredited): Elisa London Secretary (uncredited): Karen Starr Petty Marshall Secretary (uncredited): Alison Wachtler Film Crew: Director of Photography: Michael Ballhaus Editor: Sam O’Steen Screenplay: Kevin Wade Costume Design: Ann Roth Makeup Artist: Joseph A. Campayno Makeup Artist: J. Roy Helland Art Direction: Doug Kraner Director: Mike Nichols Unit Production Manager: Robert Greenhut Set Decoration: George DeTitta Jr. Casting: Juliet Taylor Executive Producer: Laurence Mark Producer: Douglas Wick Hairstylist: Alan D’Angerio Gaffer: John W. DeBlau Production Design: Patrizia von Brandenstein Location Manager: Richard Baratta Supervising Sound Editor: Stan Bochner Transportation Captain: Tom O’Donnell Jr. First Assistant Camera: Florian Ballhaus Production Supervisor: Todd Arnow Boom Operator: Linda Murphy Still Photographer: Andrew D. Schwartz Assistant Costume Designer: Gary Jones Camera Operator: David M. Dunlap Sound Re-Recording Mixer: Lee Dichter Art Department Coordinator: Samara Schaffer Transportation Co-Captain: Louis Volpe Script Supervisor: Mary Bailey Assistant Art Director: Tim Galvin Production Coordinator: Ingrid Johanson Production Sound Mixer: Les Lazarowitz Music Editor: Patrick Mullins Sound Editor: Marshall Grupp ADR Editor: Michael Jacobi Property Master: James Mazzola Cableman: Mike Bedard First Assistant Director: Michael Haley Stunt Double: Vic Armstrong Original Music Composer: Carly Simon Stunt Coordinator: Jim Dunn Stunt Coordinator: Frank Ferrara Stunts: Phil Neilson Stunts: ...

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In photography and in life, always look for the light, if you don’t see it, bring i

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Thitikarn Srisap (deuan fhm)

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Untitled (Full-length Portrait of Two Adolescent Bridegrooms). (Nagda, Madhya Pradesh, 1987. Print from Celluloid Negative. Image courtesy of MAP, Bengaluru.) The Archives of Suresh Punjabi

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London, October 2020