#bravo to the writers because they managed to make a character so iconic and become my favorite AND most hated

[meeks-just-wants-to-scroll]

I knew Micah wasn’t a great guy but I was a fool to think he had any redeeming traits.

[caredogstips]

Beyond Lara Croft: 30 absolutely fascinating female tournament characters- part 1

From mad researchers to stealthy bravoes, we celebrate the video game women who get situations done

Over the years, there has been no shortage of articles about the best female characters in video games. The difficulty is, what theyve usually represent is the sexiest female attributes in video games, which has drawn for some very repetition and occasionally rather creepy-crawly reading.

For this alternative pick, three women recreations writers have chosen 30 interesting and complex samples, who have more to offering than either looking good in an armored bikini or fulfilling the strong female reputation archetype. And as Tomb Raiders Lara Croft has predominated every talk about women around games for the last 20 times, shes been respectfully jettisoned more.

There will, of course, be other omissions, but our aim is to generate dialogue and get readers to propose their own favourites. Who have we missed? Who has inspired you? We want to know.

Anyway, here we go with part one. Oh, and spoilers. Obviously.

Midna( The Legend of Zelda: Twilight Princess, 2006 )

Midna Photograph: Nintendo

Twilight Princess is Midnas story. Yes, Link is a necessary component, but its truly all about this insolent gremlin, whose creepy gibberish usage( actually scrambled English words voiced by Japanese performer Akiko Kmoto) and desperation to save her macrocosm make her one of the most memorable comrades in any Zelda game. The conclusion to her legend will leave many devotees with a single dramatic weeping wheeling down their cheek.

Wynne( Dragon Age: Beginnings, 2009 )

Wynne Photograph: Bioware

Wynne is a very rare example of an elderly lady who is neither a powerless nurturing grandmothers nor a scary wizened old-time crone. She is older, knowing and compassionate, but “shes been” refuses to stand idly by although the world crumbles around her. Behind the gumption lies a past that involves illicit fantasy and a child taken away from her at birth. She also has an in depth knowledge of fine ales. Would make a fascinating addition to being able to any dinner party guest list.

Amaterasu( Okami, 2006 )

Amaterasu, Okami Photograph: Capcom

Sun goddess, primal father and parentage of all that is good, Amaterasu( or Ammy to her friends) is an unforgettable booster. Taking the form of a wolf, she reveals her personality through a variety of lupine looks, tilted heading, wagging posterior, returning her heading away in dislike. Despite being a lady, when she acts the move Golden Fury, she urinates with her leg conjured, a mode more commonly associated with male hounds. Amaterasu then: cracking gender norms since 2006.

Jade( Beyond Good and Evil, 2003 )

Jade, Beyond Good and Evil Photograph: Ubisoft

An inquisitive photojournalist, Jade is competent, courageous and driven by a desire to help those around her. Through the long process of designing the specific characteristics( if you look at the photographs on the ceiling of Jades room you will see they evidence her in the early development stages ), the games chairman Michel Ancel was determined to create a rounded hero. When we are beginning[ Beyond Good and Evil] the first thing we enunciated was, if such projects is different its because its a female attribute who is driving the storey, he said. Shes not like other reputations who look like girls but act like guys … Most women around competitions are cliches.

Ada Wong( Resident Evil series, 1996 – )

AdaWong, Resident Evil Photograph: Capcom

A mysterious snoop working for an unknown busines, Ada Wong appears at random levels throughout the survival fright escapade, sometimes helping the exponent but always seeming out for her own interests first. Highly smart and often numerous steps ahead of everyone else, she is never short of a sarcastic remark at the expense of slower characters. Although she officially first shall be published in Resident Evil 2, eagle-eyed participates will notice that Ada is mentioned in the Researchers Letter file in the original recreation and her reputation is the password to a crucial computer terminal. From the very beginning she has lurked in the backdrop of this serial, with her own amusing agenda.

Bonnie MacFarlane( Red Dead Redemption, 2010 )

Bonnie MacFarlane, Red Dead Redemption Photograph: Rockstar

A rancher trying to hold their own families business together in a predominantly male situation, Bonnie is tough but attending, helping the booster John Marston on a number of opportunities. If you want to know how hard their own lives been, going to see Coots Chapel where youll find the tombs of her five friends. The headstone for one of them speaks: Never milk a bullshit. Wise terms we can all live by.

Tetra( The Legend of Zelda: The Wind Waker, 2002; Phantom Hourglass, 2007 )

Tetra, Legend of Zelda: Wind Waker Photograph: Nintendo

Leader of a gang of raiders, despite her young age, Tetra challenges respect and gets it. There are numerous ideologies about the inspiration behind her call. It could allude to the tropical fish of the same name; it could be a tongue-in-cheek including references to terra, the Latin word for district, or perhaps its short for tetrahedron, in reference to the famous Triforce. Whatever it makes, with crossed forearms and a winking, she cuts a sassy figure.

Cass( Fallout: New Vegas, 2010 )

Cass, Fallout: New Vegas Photograph: Fallout: New Vegas game

Tough, smart, but down on her luck, Cass drinks what she requires, sleeps with who she craves and generally does what she requires hence her hate for slave owners and those who take away impunity. Devotees of Fallout 2 acknowledged in her as the daughter of John Cassidy, a potential companion. Both Cass and John suffer from the same hereditary center surrounding, making they shun chems even though it is doesnt applied them off the booze. New Vegas chairman Josh Sawyer originally planned a string in which video games supporter could get drunk with Cass, the two subsequently waking up to discover theyve been married by an Elvis impersonator. Thats our kind of video game romance.

Red( Transistor, 2014 )

Red, Transistor Photograph: Supergiant Games

A young vocalist trapped in a decompose digital world-wide, Red has lost her voice this is why we suffer video games through the mysterious Transistor who acts as a narrator and guidebook. Red often travels against his hopes, though, putting her own safety at risk for what she believes is the best course of action. Reading about this reference almost entirely through her acts is a mesmerizing road to experience a exponent.

Brigid Tenenbaum( Bioshock, 2007 )

Brigid Tenenbaum, Bioshock Photograph: 2K Activity

A vexing examine in motherhood, invention and amorality, Brigid is the technical genius responsible for Bioshocks eerie, genetically modified Little Sisters. Diagnosed with high-functioning autism, she was raised by a Jewish lineage, then interned at Auschwitz where she helped Josef Mengele with his experiments, deeming the Holocaust with callousnes. During the game, however, she realises the extent of her misery, simultaneously attending for the Little Sisters and regretting her part in their genesis.

Aveline de Grandpre( Assassins Creed III: Liberation, 2012 )

Aveline brightnes, Assassins Creed III Liberation Photograph: Ubisoft

Born to an African slave mom in 18 th-century New Orleans, Aveline is motivated by the sin of slavery, despite being raised by her prosperous French papa and stepmother. While tracking the templars across America, her ability to change her look, thereby altering how others plow her, is apt for the sequence first dame protagonist. Ubisoft may have run into fus for its posture to female attributes, but at least it didnt become Aveline a mere adore fascinate to Assassins Creed III make, Connor.

Ellie( The Last of Us, 2013 )

Ellie, The Last of Us Photograph: Sony

For most of Naughty Dogs apocalyptic escapade, Ellie is understood through the eyes of Joel, the father figure gradually growing to love her. Thats why the Winter assembly( which is something we gain control over her as she saves his life) is so effective, the ending so grating, and the DLC prequel so welcome. But shes very much her own person throughout: a believably stubborn teenage daughter who fluctuates between foolish comedy and adult decisions, swears like a sailor, and has a crush on her best friend.

Clementine( The Walking Dead, 2012 )

Clementine, The Walking Dead Photograph: Unmistakable Games

Notable for the vast number of survivors she manages to outlive, Clementine is an unbelievably capable young girl, evolving amid the madness of the zombie armageddon. At first shes another daughter representation who needs armour; the developers even adjusted her hasten so that she could be mistaken for lead character Lees biological daughter. But by season two she can and importantly when to usage a gun, how to stitch up a wrap, and how to deal with both the life and the undead.

Vella Tartine( Broken Age, 2014 )

Vella Tartine, Broken Age Photograph: Double Fine

Selected as a human sacrifice to save her village from a being, Vella exists among that class of supporters who provision the only appreciation in a world-wide of amiable gulls. She supports prodigious fortitude and resilience in the seek to escape her determined capacity and save others in the process. Surely more interesting than her sheltered companion Shay Volta.

Faith Connors( Mirrors Edge, 2008 )

Faith Connors, Mirrors Edge Photograph: Electronic Prowess

Well get a new look at sci-fi city courier Faith in the upcoming Mirrors Edge: Catalyst, but we already know that shes a survivor who, despite losing her mom in a rioting and running away from home, still gambles their own lives saving her sister. The attribute was apparently designed to express the elegant minimalism of video games, mixing mode and practicality into an iconic looking that is also perfectly in tune with both narrative and environmental issues. Her reliance on deception and melee combat rather than guns scatters her from a mass of first-person heroes.

Part two tomorrow !

Read more: www.theguardian.com

The post Beyond Lara Croft: 30 absolutely fascinating female tournament characters- part 1 appeared first on caredogstips.com.

from WordPress http://ift.tt/2rXw4dg via IFTTT

[theampreviews]

Favorite Films of 2016

2016 will probably be remembered more for its big budget flops like Ghostbusters, Alice Through The Looking Glass, The Legend of Tarzan, The Huntsman than for any breakout hits, outside of the obvious annual clock-punchers from Marvel and Lucas Film. From a distance a brace of Summer duds can unfairly colour a year, and that’s certainly the case for me. Aside from (and sometimes including) these under-performing, perceived failures, there was some absolute gold among the silt.   

Will Smith (and more to the point, his wife) throwing toys out the pram over the lack of an Academy Award nomination for Concussion [30] took away from what was an admirably thoughtful film about the heath issues plaguing the NFL. Sure, it was always Leo’s year, but he deserved to be in the conversation at the very least (although to be fair to the Academy, not making the final 5 doesn’t mean he wasn’t). 

Paramount continue to deliver under appreciated brilliance with the 3rd in their rebooted franchise, Star Trek: Beyond [29] hit all the right notes for a summer sci-fi blockbuster; fast, fun and frivolous. People complained it felt like an extended episode, but that’s exactly why I liked it, I’ve had enough of world building, just show me a good time. They also had another zinger at the start of the year with Michael Bay’s underrated 13 Hours [28]. Chances are his name alone, attached to a military action/drama, was enough to put audiences off, but they missed a trick skipping this one. He may be off-puttingly jingoistic, but he even managed to temper that somewhat here, whilst delivering action set-pieces that put most others to shame. 

Another notable failure of the year was Natalie Portman’s Jane Got A Gun [27]. It’s one of those “development hell” cautionary tales yet, it didn’t show its scars for me. I’m a big fan of Westerns and this one kept things intimate & lean, and all the better for it. The opposite of that, and another of the years casualties, was Duncan Jones’ Warcraft [26]. A (likely) failed franchise starter based on the oddly popular role play game, this was a hulking great bowl full of cinematic jelly & icecream that few bothered with. It certainly showed that The Hobbit likely killed off any notions of Fantasy’s great comeback. It’s a shame because amongst the ridiculousness, Jones managed to put some life behind the eyes of his CGI characters in a way that is desperately lacking in the craft (I’m staring you straight in your dead Peter Cushing eyes, Disney). 

Far smaller in scale (and finding a far smaller audience) was Elvis & Nixon [25], the Michael Shannon/Kevin Spacey comedy about the meeting behind the most requested photo in the White House archives. Shannon seemed unlikely casting for The King in a visual sense, but he finds ways to convey the spirit of Elvis (from what we know of him) that allows for the lack of physical likeness. Spacey, a familiar face in that room thanks to House Of Cards, is a far cry from finding the depths of Nixon that Anthony Hopkins did, but he’s fun in the role and the two enjoy a great chemistry behind their masks.

Don’t call it a comeback (people will yell at you), but seeing Mel Gibson back on screen in 2016 was a heartwarming delight. Blood Father [24] was a nice beefed-up throwback to the sort of films he made back in the 80s and 90s with one eye on the Liam Neeson market. A story of a loathsome alcoholic putting himself in harms way for redemption may have been a little on the nose for those that have no time for him, but they likely didn’t see it anyway. Nor did many make the trip to see another star of the 20-30 years past take a stab at the aging action hero in Kevin Costner’s batty Criminal [23]. The preposterous story of murderous psychopath being the only viable candidate for a dead Ryan Reynolds memory transplant, Criminal was loopy enough to rise above its own absurdity. It was also filmed in Croydon, adding to the whole whatthefuckness of it all. I had a blast with this one.         

A Bigger Splash [22] is one of those meandering films that does very little but won me over thanks to Ralph Fiennes being absolutely bloody marvelous. I’ve really taken to his latter day renaissance as a fine comedic actor. I’ve also taken greatly to Kiwi Comedy, and Hunt For The Wilderpeople [21] carries on their fine tradition of distinctly idiosyncratic humor that can be as heartfelt as it is hilarious, with a touching and delightful performance from newcomer Julian Dennison. Lenny Abrahamson also managed to balance both the traumatic and the sentimental perfectly, with a standout performance from the mini Jacob Tremblay, in Room [20]. As a huge fan of the …Top Model TV show (Australia, America, Britain in order of preference) I found Nicholas Winding Refn’s absurd psycho-horror The Neon Demon [19] a highly amusing satire on the fashion world. And there’s no denying he creates visually arresting films. I laughed my arse off at the ending, not sure if that was the desired reaction or not, but it worked for me. So to did Ben Wheatley’s immaculate construction of a simple metaphor, High-Rise [18], a tribute to decadence & squalor was one of those films that entertains as it confounds. Hiddleston, Miller and Evans were all superb. 

Hollywood reconstructions of real-life tragedies can often feel clumsy and exploitative but credit where it’s due, Peter Berg kept the glorifying heroics to a minimum (mercifully devoid of slow-mo) with Deepwater Horizon [17] and worked on delivering an effective build up to a chaotic and intense finale. Speaks volumes that the tech-heavy opening half is as gripping as the explosive stuff, if not more so.   For a subject that could feel a lot like homework, Adam McKay also made a bold and brash film out of The Big Short [16] that did a good job of explaining itself in entertaining ways and ended up being an incendiary and surprisingly emotional account of one of recent history’s most colossal financial tragedy. Bale’s Oscar nod was well deserved.

Deniz Gamze Erguven and his superb young cast tackled the depressing truths of life as a young girl in a strict Muslim country in Mustang [15] and breathed a commendable amount life and vitality into it. What could have been a grim tale of patriarchal oppression becomes a spirited bid for freedom. Wonderful film.

Amusing and emotional, the pairing of Michael Caine and Harvey Keitel looking back on lives lived and/or wasted worked wonders for me. A heady mix of regret and sensuality with segways into the sublime and the ridiculous, Youth [14] was a sensory cocktail. Rachel Weisz was the standout, one of my favourite performances of the year.

On paper, Captain Fantastic [13] looked like a Wes Anderson wannabe, touchy-feely cringe fest but, despite appearances, this was one of the most affecting films I saw all year. Put me in a brilliant mood, and that’s worth celebrating. As did The Jungle Book [12]. This was pure joy; an old fashioned story told with the very best technology the industry has to offer, without losing any of its heart or soul. Sets the standard for all future Disney live action adaptions. Bravo, Favs!

With Boyhood leaving me pretty cold, aside from an appreciation of the impressive production scale, I was glad to see Richard Linklater revisit Dazed and Confused (always my favourite of his films) by way of an anthology-style sequel in Everybody Wants Some!! [11]. Following a group of two-track minded Jocks (Baseball & Women) this became a casualty of the super-Woke climate of 2016, but I frigging loved it. Good to see more of the promising Wyatt Russell and a (should have been) star making turn from Glen Powell. One of the best feel-good Comedies I’ve seen in an age.

Hell Or High Water [10] was an incredibly simple story of Cops n Robbers incredibly well told. Sometimes, that’s all it takes. (It also featured the years most satisfying beatdowns)  

Tobias Lindholm is one of my favourite filmmakers to emerge in recent years; writer of The Hunt and director of A Hijaking, two of my favourite films of 2012 (numbers 1 & 3 respectively). A War (Krigen) [09], staring A Hijacking’s brilliant Pilou Asbaek, is a taught drama covering the trial of a Danish Commander accused of an illegal killing (or, civil murder) in Afghanistan. Frustrating and engrossing in equal measure, this is the type of honest, contemplative war films rarely seen in Hollywood.

With all the dust settled on the DiCaprio Oscar Campaign, The Revenant [08] stands tall as a devilishly engrossing revenge thriller that’s as linear and explosive as any Hollywood Action Flick, despite its protestations to be something more cerebral/spiritual. And, for what it’s worth, Leo was fucking great. Films rarely look, sound or feel this good. 

If Blue Ruin made me take notice of Jeremy Saulnier in 2013, this years Green Room [07] ensures I will be there day one for whatever he comes up with next. A brutal, claustrophobic rush of Horror-Realism, this was a huge “Fuck You!” to the bland and predictable schlock that spills out of studios all year. It’s also a punk-as-fuck farewell to the late Anton Yelchin, who’s premature death this year was the biggest gut punch.

For too long Hollywood has paraded The Great White Hope in boxing movies (and still does), so it was great to see the Daddy of them all address the balance by bringing Apollo Creed’s son front and center to carry on this beloved franchise in Ryan Coogler’s euphoric Creed [06]. Michael B Jordan is stellar in the lead role and Stallone gifted one of Cinema’s most enduring Icons a worthy and heartfelt send-off. For people of a certain age, this was their most emotional trip to the cinema in 2016.

Continuing my love affair with Danish cinema, Anders Thomas Jensen’s absurdly wicked comedy Maend & Hons (Men & Chicken) [05] playfully flirtswith horror and pathos in ways I’ve seldom seen. Finding a beauty in the grotesque, this was the most bizarrely fascinating and fulfilling film I saw all year, one that had me going over what I’d seen for hours after as it revealed ever more miniature complexities. It’s also great to see Mads Mikkelsen taking huge roles in two of the years biggest Disney behemoths but still have enough love in his native Cinema to fit something lie this in too. What a guy.

Shane Black’s sense of humor really clicks with me (Kiss Kiss Bang Bang is a Hall Of Famer for me) and The Nice Guys [04] had me rolling. Russell Crowe was game for playing the straight guy to a movie-stealing performance from Ryan Gosling, who, it turns out, is a Comedy Genius. The Year’s best Comedy, hands down, and a film that already appears to have endless rewatchability.

Another film that I’ve had no issues with watching several times last year, despite its hefty run-time (4 at last count) was Tarantino’s The Hateful Eight [03]. Outside of the exceptional run of his first three films, this is QT’s MASTERPIECE. His writing is as good as it has ever been but his growth as a Director is most evident in this film. I feel like I’m in that haberdashery with them every time I watch this; it’s some of the richest story telling I’ve ever seen with a brace of stellar performances.

Then we come to my most contentious pick in all of 2016; Batman v Superman [02]. I’ll never apologise for liking this movie as much as I do, but the amount of scorn thrown its way needs to be acknowledged. The disappointment most people felt with this film seems to boil down to one thing: Zack Snyder. People don’t like him or his style of film-making. I love him. As annoying as it has proved to be to express to people; for me Snyder has made the best Comic Book Movie yet. It’s an absolute tour de force of owning the world you’re creating, not apologizing for it or trying to excuse the inherent absurdities with knowing humor or smug cynicism. Sure, it aims for the Man-Child audience du jour, kids will be bored to death here (as many adults were, yes, yes, bravo) and that’s something I think is a fault with the Genre across the board, but Snyder sets his tone and rides it, hard. Going for broke with the grand mythologizing, Snyder has taken a huge leap with the DCU and, whilst for many he has landed flat on his face, I think he soars. Henry Cavill’s conflicted Superman is the most interesting take on the character I’ve seen yet. The distrust shown him by the people he’s promised to protect making him question his role on Earth gives what has been a rather bland Hero in the past an actual arc, and Cavill is just brilliant. So to is Ben Affleck as an aging and unforgiving Batman/Bruce Wayne. Even Jesse Eisenberg’s infinitely irritating Lex Luthor worked a treat for me. I’m not being contrarian when I champion this film, I went twice to see it at the cinema (regular and IMAX) and have subsequently watched the (superior) Ultimate Cut at home a further two times; my feelings towards it only grow with each viewing. 

And that brings me to my number one, which will be a surprise to exactly no one who has had to endure my gushing over this film since the BFI London Film Festival Gala screening in October of 2015; Bone Tomahawk [01].

This isn’t just my favourite film of the year, it’s my favourite film in over a decade. A brutal Western with Horror trappings starring America’s Greatest Actor Kurt Russell, it felt like this film was made just for me. For all the gold standard performances (Russell is on career best form, Matthew Fox is a revelation and Richard Jenkins straight-up steals the movie) it’s S. Craig Zahler’s screenplay (married to his beyond-his-years debut direction) that sets Bone Tomahawk apart form the pack; it’s an exemplary piece of writing that should be praised until the end of time.

It’s easy to say “I love this movie”, but I legitimately *love* Bone Tomahawk.