#branching out comic idea

[itissadbutitsmy-artblog]

this is the deb family lore in my heart

hes desperately trying to keep them all straight in his mind but their name modifiers to cadebra are all just "aunt" or "uncle"

[fulcrvm]

Last Line Tag Game

Thanks for tagging me @teejaystumbles ! A really nice surprise!! :D I am indeed contemplating writing two Dead Boy Detectives fic right now, but they're both in the very early 'being-outlined-in-my-head' stage, haha. They both revolve around post-s1 Edwin pining for Charles, one where Edwin takes matters into his own hands and one where he decides to have a chat with the Cat King about it. Not sure if they'll ever be written but they're intriguing!

But for the sake of the tag game, here's a lengthy bit from a Dreamling wip I've slowly been chipping away at for a few months!

A scene from Every Little Thing (Working Title)— In which Morpheus is a figure drawing professor who has just been fired from a film production based on his comics, and Hob does part-time figure modeling and is determined befriend the aforementioned professor.

Morpheus picks his class schedules wisely— he runs two first year general figure drawing classes, at 8 a.m. and at noon on Mondays and Thursdays. He helps the uni’s live figure workshop club on Wednesdays and Fridays at 6 p.m., and meets his sister for lunch on Wednesdays. All other free time was dedicated for his industry work. That wouldn’t be a concern anymore, would it. By the time Morpheus unlocks the door to the studio, sets his bag down by his desk, and starts fiddling with the ceiling studio lights pointed at the model stand, all of Morpheus’ thoughts have reduced to pure spite. Fine, maybe the big studios don’t want him. They don’t deserve him, then, their loss. His portfolio and repertoire are infamous in the industry, they’ll be crawling back to him in no time. Too bad, maybe he would have started his own production studio and he’ll end up with the next ground-breaking animated film. Maybe— Morpheus’ thoughts are interrupted by a knock at the door. He shakes himself out of it, calling, “Come in.” A glance at his watch tells him it’s only 7:48, perhaps it’s an overeager student here early. It’s only the second week of the semester, they grab every opportunity to prove themselves with a spirited step that Morpheus might be slightly envious of. “Hello, Morpheus Endeles?” Hearing his full name startles Morpheus, and he turns from the lighting settings to the door. “Yes?” The man who steps into view can only be described as radiant. He can’t be much older than Morpheus, not much taller either but wider in the shoulders. His hair is cropped just above his shoulders and he sports a neatly kept beard. Morpheus registers this all first simply because of his profession but— he gets caught on the man’s brilliant smile and deep brown eyes. There’s something there that knocks all thoughts clear out of Morpheus’ head. The stranger smiles warmly, smiles like he already cares. “I’m here to model for the morning and noon figure classes?” The man says. Morpheus clears his throat and steps forward, “Yes, this is the right studio.” He extends a hand, “Robert Gadling, I presume?” The man takes his hand— god, he’s so warm— and shakes it steadily, “Please, call me Hob! All my friends do.”

I'm a sucker for the 'Morpheus catalogues Hob's appearance during their first meeting' trope in most Dreamling human AU fics, I couldn't not do it too :]

Besides this, I've also got a Dreamling Velvet Goldmine-ish AU fic that I want to get done this summer. I'm a very slow and ruminative writer so let's see if I can commit to any of these fics now that I've posted about them lol!

No pressure tags! I have no idea who's been tagged recently so-- lol. @hardly-an-escape @valeriianz @moorishflower @amielot :)

[liquidchocolatecake]

currently captive audience to a knock down drag out fight in my brain between desire to respect the wishes of the creator and not look for anyone redistributing the comic and god i fucking miss wonderlab i miss wonderlab so much you have no idea i want wonderlab back so bad

[hyperionshipping]

did u know the meta-crisis doctor and rose have a little girl named mia together!!

UM NO I DID NOT!!

Oh my God they had a kid together.... A little baby girl. A babe. Oh that is everything to me

[mirabritart]

Writing is literally so embarrassing. At least when I draw a viewer could potentially be like “I don’t get it but I like her hair :)”. At least when it’s a comic there’s colors and shapes and stuff. When I’m writing it’s like UGH here’s my NARRATIVE and THEMES with no colors or shapes over them! Don’t look at me!!!

[hairupintheair]

Hahaha Branch knows how to deal with JD being JD -- smack!

Coming Out

Aka: The inherent queerness of changing your musical genre.

[multishipper-baby]

Didn't know what to draw today so I just drew a fence with some grass to practice drawing inanimate objects. Maybe I should do that more nowadays, since I don't really feel like drawing characters that much lol

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[majimasleftasscheek]

I've been thinking, about how you would make sea creature kazumaji... do you already have headcannons for that or is it something more new?

a lil mix of both 🤔 I originally drew eeljima for MerMay and was gonna leave it at that but I got really attached to the idea of kiryu and his dumb fish boyfriend so I rolled with it kdlsjfddsf. I got a few ideas tho 👀

majima's an eel - nothing specific but I leaned to electric since the rpg games give him electricity as an element. also, knifefish (what a coincidentally convenient name 👀) have spots that remind me of his snake's spots so that fit well with his overall theme plus they're related to eels so even better >:D saejima's also a fishdude, a grouper specifically because they're huge and chonky but also gentle uwu

kiryu's a silly lil fisherman guy, one of them commercial types that goes out on a boat to get big hauls. nishiki's there too being the saddest wettest little beast. other characters make up part of the crew in similar ways the canon families are set up. so like kazama and kashiwagi for example are captains of the crew

I have thought about if they were fish too if I wanted to do a branching AU of this and kiryu could maybe be a thresher shark - because they got that big slappy tail but also their huge beautiful eyes™. OR a betta fish because I think the colors would really compliment his heat colors. nishiki can be a koi because of course

kiryu and nishiki live in a lil shack on the shore. nishiki hates it but kiryu likes the simplicity and being close to work. nishiki would move closer to the city but frankly all the haircare product he buys is so obscene that he can't afford a place on his own ✌

majima and saejima (+ yasuko) live in some nearby kelp forests/coral reefs. merfolk tend to stay away from humans and live further out in the ocean, deeper underwater but these three take advantage of all commercial fishing going on to get some easy food. but being so close to fishing trawlers, this leads to majima getting caught in a discarded net, being trapped and beached where kiryu finds him 👀

merfolk can breath air and go on land but it is as awkward as you can imagine. when majima hangs out with kiryu, kiryu drags him up the beach to enough dry land where the tide isn't a problem. merfolk do have to be moisturized often so majima's either doused with a bucket of water or gets a big ass lathering of lotion. whether or not that'd actually be realistic doesn't matter to me I just think it'd be funny for nishiki to be very suspect of the comical amount of lotion kiryu suddenly starts buying

majima's fav thing to do with kiryu is have him fry up some fish since he's never had cooked food before and thinks it's the bee's knees. kiryu will often go into town to buy all sorts of things for majima to try or majima will catch some wack fish from who knows where for kiryu to fry up. they pick secluded beaches as not to be disturbed but kiryu is ready to fling majima into the ocean at a moment's notice just in case

majima has a second set of jaws normally not visible unless he's snacking on a fish. sometimes he pops em out for a smooch and kiryu is wary but willing to try anything 😤 nishiki is often very worried about the numerous weird bite marks kiryu comes home with but kiryu chalks it up to clumsily falling face first into some coral. you can tell by now I'm very into the trope of person dating a cretur is very bad at keeping it a secret dsklgjk

majima tends to have electrical flare ups when he's feeling emotional so kiryu ends up getting zapped a lot. it's not enough to be dangerous but kiryu has since avoided touching light switches and makes nishiki use them first

rarely kiryu will take majima out on the town in a wheelbarrow covered in a blanket and everyone's like *squint* but eventually gets used to his funny lil friend who seems fascinated by literally everything

there's defo some tigerfish action at a later point once nishiki eventually decides to follow kiryu to one of his little secret beachside escapades to not only find out kiryu's being a weirdo as usual but now with a weirdo fishguy. on the other side, saejima is eventually convinced that there is not a bunch of people on the shore waiting with harpoons and nets and joins majima for one of kiryu's fish fries and finds out hey maybe humans ain't so bad if they can put up with majima for more than five minutes

[saltycharacters]

[ID: Artwork mainly featuring Serizawa Katsuya and Reigen Arataka from Mob Psycho 100. The first is a doodle of Reigen and Serizawa sorting through papers, with Serizawa's head resting on Reigen's lap while he cards his fingers through his curls. Next is a drawing of them middle-aged, Serizawa now 50 with a ponytail, purple suit, and a bit more facial hair, and Reigen, now 48, has a prominent grey hair streak, less hair, and a yellow tie. Following that is a page with Reigen and Serizawa drawn over the two guys on a bus meme, but the two guys are facing the sunny window and holding each other. This is labeled as "serirei angst fics (with happy ending)". Below is a short comic with Reigen and Serizawa at a bar, with Reigen, after having one drink, saying, "Just wanted to say I have a crush on you bad. Been feeling this for montgs now and I think it's time I told you about my feelings fr". Serizawa, in shy awe, responds with, "oh... Wait who's that other guy?", to which Reigen clarifies, "Oh he's here for moral support", panning to Shinra also at the bar. Dimple floats above him saying, "LMFAOOOOO be so fr rn" as Shinra says, "I'm here for you. Do yo thing". This is labeled as serirei Reigen-gets-drunk fics. Final drawing is a comic with Serizawa and Reigen eating at a table, and as Serizawa notices Reigen wearing his Season 2 hanten, says, "Oh hey! You found my old hanten!" to which Reigen responds, "Yeah, dug it out of some boxes from under the bed". Serizawa, extending a hand, says, "I was wondering where that went! Give it here, I'll go ahead and get rid of it. No use having it take up space since I no longer-" then pauses what he's saying as he sees Reigen clutch the hanten in a death grip and stare at him with a scary aura. Eventually, Serizawa sheepishly looks away and amends, "O-or... we could just... keep it..." to which Reigen exclaims, "GREAT idea 'Tsuya!". End ID]

Needed to post some final Serirei b4 pride month ends

-----

Don't forget, help Palestine:

-> arab.org <- Click once a day for free

-> gazaesims.com <- Instructs how to donate esims

-> gazafunds.com <- Randomly selects a fundraiser for you to support

-> Fundraiser spreadsheet <- Lists Gazan fundraisers

-> Operation Olive Branch Spreadsheet <- Lists other ways to support

-> Resource link google doc <- Has tons of information and links

[thewebcomicsreview]

You know, it's always struck me as a little odd how little most webcomics actually attempt to adapt to their medium. There's basic strips, the old 2k era 4-square, the endless scroll of Webtoons, and a few weird experimental things like Homestuck, but most webcomics I run into tend to stubbornly stick to conventional portrait-oriented page layouts.

It's… readable, I guess, but that format doesn't seem to work very well for either desktop or mobile viewing. It wastes a lot of screen-space, and usually makes it impossible to actually view the full page without making the text too small to read.

Have you encountered any interesting webcomics that experiment with more landscape-oriented layouts? I'm kinda curious about how well that would work.

So, there's this dude Scott McCloud who wrote about comics in the 90s. His first book, Understanding Comics, is literally the book on comics, it's the one schools make kids read. This third book, Making Comics, is a pretty good practical advice guide I'd recommend, even if it's not his groundbreaking seminal work. In between those two books was one called Reinventing Comics

Reinventing Comics, written in 1993, was basically a book of predictions about how this newfangled Interweb was going to revolutionize the art of comics creation. Like a lot of early-90s stuff "Wow the internet!" stuff, it has a lot of inaccurate predictions, and thus isn't super well remembered (though, unlike a lot of early-90s predictions of the internet, it at least vaguely resembled reality).

Anyway, one of the big things from that book was the idea of the "infinite canvas".

Which was basically the idea that a comic didn't have to be constrained by the size of the screen because you could scroll it. And this was a big idea in early webcomics, you heard this phrase a lot. And you'd see infinite canvas techniques like "What if the characters are falling and the comic is really tall to sell that?"

(Read Narbonic)

Which is basically the one and only example that actually took off, because it turns out that scrolling horizontally sucks and no one really wants to do it except as a one-of gimmick (as Homestuck does). The much bigger impact of the internet was that a webcomic could be infinitely long and still reasonably expect it's readership to have read it all, but I think McCloud missed that one. So while there were a bunch of "landscape" webcomics where you scrolled horizontally, none of them took off, and even the ones that were well received are long gone.

Adams himself would make Zot!, which is a vertical scroll comic that had a bit of a gimmick with parallel story beats being literally parallel. I think he even did some branching paths, and experimented with comics that you could read in different directions or that looped back on themselves.

But then Homestuck just did that better because, as I mentioned, infinite depth ended up being a lot more impactful than infinite width. It turns out that making a comic really wide calls a lot of attention to itself and makes the comic annoying to read. And it doesn't mean you can't do it (Homestuck did it!), but it does mean it can't be the gimmick you hang your comic up on unless you've got a really good reason for doing it.

[loupy-mongoose]

Well....

I seem to have found my new fixation.

But it's not Pokemon.

It's something else entirely.

Back in 2022, I had a similar bout of art/writer's block. I found a random plot generator and started getting stuff...

I eventually ended up with this;

I was hooked.

(That's old art from '22 btw)

First off, I have to say that while the story itself covers very heavy and dark topics, this post here doesn't have anything like that. So here you're safe, and I will of course apply all the necessary warnings and tags going forward! ^^

I fixated hard on that story, writing up a loose outline of basically all of it. And thankfully, I wrote most of my best ideas down, because, as tends to happen, the fixation faded after a while.

I came so close to starting it on DA back then--A prologue comic ready and everything. But I fell just shy of the courage I needed to actually publish it.

Well, now I've fallen in love with it all over again... with a new life.

I've taken the wolves' story, and merged them. :>

The characters are gonna be my plush wolf fellows/werewolves. This does mean their wolfiness will probably fall second banana to everything else going on, but... I want it to be, darn it. I'm having way too much fun with the idea! XD

Anyway, I have concept arts!

Here we have Timber (gray haired man), one of the wolves I mentioned here and the druid in this story, and Eirwen (white wolf/young girl), who is the Necromancer. :>

And the staff... One of my personal favorite new additions...

It's a creature called a Staffwyrm.

Instead of magical staves, mages in this world get magical creatures. :3

Staffwyrms are a breed of dragon specially bred to assist mages in channeling their magic. A mage acquires an egg and incubates it; meanwhile, the hatchling reads the magical signature of its soon-to-be master, morphing to appear like a branch from a symbolically relevant tree. However that symbolism applies is up to the powers that be. :)

Staffwyrms are highly attuned to the wishes of their master, and can instinctively stiffen to meet their needs. A hook to climb or grab something? Of course! A sturdy step to reach something or see higher? Might take some figuring out, but they got you! A backscratcher? Sure, why not!

A loyal pet and companion? Absolutely. <3

@puzzled-zebra commented that it had a boop button, so I had to. X3

Anyway, I've been having a lot of fun cooking up this story again. As sad as I am to apparently be taking a true break from Pokemon stuff, I'm very proud of this story and happy to have something to muse about. ^^

[st-froy]

I only ever knew you as the guy that made funny bone men do funny men things I was so bamboozled when I saw that really serious looking comic you have no idea. Anyway what the f u n does the comic mean if I can ask

Heyo! I’m glad u remember my main mo lol. I just wanted to branch out and fulfill my childhood dream 😭😭😭

And what the comic means that I LOVE ANGST YEAHHHHHHH !!! We are getting GOOPIFIED here bby !!

[doctorbunny]

The Jackalope Guide [spoilers for both novels]

I skimmed through the first manga, second novel, side S/W and my memories so hopefully I've not forgotten anything important [text version under cut]

Jackalopes of MILGRAM:

Novel 1

Female/described as having a "woman's voice"

Uses atashi/アタシ pronoun (pretty bog standard feminine pronoun)

Goes by "Jacka"

Requests Es call her a jackalope and not a rabbit [note: there is a Jp equivalent of the phrase "flying pig" 亀毛兎角 kimoutokaku "turtles with fur, rabbits with horns" referring to something impossible, this phrase may be linked to jackalopes]

Newer at her job (compared to other Jackalopes in the series)

Works from a branch office of MILGRAM HQ (reports back to her boss remotely via big TV)

Sadist who enjoys human bloodshed (at one point even giving a stressed out Nervous a box cutter to self harm with, just like the kind she used to use, so Sumi could see who )

Likes organising MILGRAMs with "aesthetic" (IE all of Sumi's prisoners being involved in her death)

In order to prevent information being spoiled too early uses powers to stop the prisoners breathing until they stop trying to talk

Accidentally allows Twoside to give away information too early, spoiling her own MILGRAM

Her and her MILGRAM considered failures (punishable by purging)

Her 'vessel' is chained up by another jackalope (probably youtube jackalope) at the end of the novel then purged but the person was able to escape (because she was in the Branch Office)

Current location/situation unknown (but said to be alive)

Novel 2

Male/described as having a "young man's voice"

Uses jibun/自分 pronoun (slightly unusual as a main pronoun feels kind of soldier-like)

Also goes by "Jacka"

Has run many successful MILGRAMs in the past (allowed to take risks like Torch being the Es of Novel 2)

Works at MILGRAM HQ

Takes smoke breaks after trials

Talks to boss during smoke breaks

Boss is probably Youtube Jackalope

Hates bloodshed and doesn't care about the aesthetics or drama of a MILGRAM

When Tatsumi tried to kill Torch, Jacka retaliates by using his powers to take control of Tatsumi's body and make him strangle himself

He stops when Tatsumi passes out/Torch says he doesn't want Tatsumi to die, but if not for Torch, Jacka would've killed him

Hates his job/boss

Relieved to hear that Jacka1 escaped purging

Despite working at milgram for many years, did not know there was a branch office

At the end of the novel he defects from MILGRAM, forming a collaboration with Torch and showing/taking him through the secret exit

Asks Torch how he'd feel if someone he loved was judged guilty by MILGRAM (possibly implied to be something that happened to him?)

Youtube

Male/"Speaks arrogantly"

Uses Ore-sama/オレ様 (comically self important)

Internal monologue in Side W/S uses watashi/私 (significantly less arrogant)

Only goes by Jackalope

Insulted if you call him a rabbit

Appears at the end of the first novel to punish Jacka/judge Sumi

Appears during second novel's post-trial smoke breaks (human form in milgram HQ)

Was the one to approve Torch being a guard even though he didn't think it was a good idea

Hates smoking and asks Jacka2 to not do it

Highly values the aesthetic/elegance of a MILGRAM

Wants a "pure" milgram with the fewest possible distractions in the judgement of sin

Used the same kind of memory erasure on Es that Jacka1 used on everyone

Believes Es needs to trust him for MILGRAM to work

Probably responsible for Es' barrier (the 'hypnosis' lines up with other jackalope's mind/body controlling)

Views end of 2nd novel as the worst event in milgram history

Cooks the food for the prisoners (sheds lots of fur)

[triglycercule]

i think the creators in the undertale multiverse is SUCH a creative concept and even though it's fourth wall breaking it's so amazing that it deserves to break the fourth wall

everytime other medias and games or stories break the fourth wall it's either taken unseriously (like pinkie pie from mlp or family guy cutaways) or people shit on it for being out of place and just a deus ex machina or something (hi3 i will NEVER hate you for including the players in the final arc) but the undertale multiverse completely subverts that. actually the entire MULTIVERSE is BASED on the concept that people are willing to make media and art and writing and that is what keeps these ocs and worlds and creations going and alive

the utmv isn't even a real thing. like it's not a fandom that spawned from a book or a movie or a show or game or comic. ok well it technically is but the undertale fandom and the undertale AUs fandon are two different things i think. like undertale aus ofc came from undertale but that's a whole seperate branch of things and sometimes those aus have NOTHING to do with undertale (looking at you dreamtale. and others.)

but the fact that a whole seperate branch of a fandom was created just because people wanted to expand on one tiny game and had so much love for it that it spawned this clusterfuck of a fandom is just so amazing to me. i don't think any other fandom has THIS extensive of a multiverse with aus where the people holding the pencils and typing words are so heavily engrained into the lore (ink and error i will forever love you for being aware of creators I AM AWARE OF YOU TOO!!! I LOVE YOU!!!!)

in other fandoms there's a strict canon for medias but in the utmv a lot of aus are just a brief concept and maybe some charactization and that's it (dusttale ily 4 this. dusttale is peak fiction). and if you like the concept enough you can make another concept based on it. and if someone else likes your au enough they might make another au based on it or write headcanons for it. and it's so cool that this fandom is kinda self sustaining in a way. undertale's probably never gonna get another update or game and even though deltarune has its connections its a completely seperate thing. but somehow the fandom is alive and still pumping out tons of amazing content

and the fact that we control all of these character's actions is so daunting but also so cool. like these characters do these things because we basically script them to do. we as creators are the ones drawing the angst or writing the shit posts. if a character is self aware of the creators that's just because we MADE them aware. so are they really aware or are we just pretending that we are. if a character is powerful that's just because we made them powerful. if a character hates the creators we made them hate us. if a character destroys aus we make them do that. but they don't actually feel that way or do those things, that's just what we tell them to do and i think that's really cool

ive yapped a lot about this topic (i still have so much more to say) but i'll hold it back and just talk about one last thing and that's headcanons and interpretations. I LOVE PEOPLE'S INDIVIDUAL INTERPRETATIONS!!! I LOVE PEOPLE'S HEADCANONS FOR CHARACTERS!!! i love seeing how other people think the mtt (or other characters but i am a murder time trio fanatic) would interact or how they would act. i love seeing people's dumb comics of them bickering or making out (errrmmmmm) because it's all different. all these people came up with their own ideas and thoughts on how to expand these relatively basic concepts and it's all different because everyone's different and gone through different things <333

all in all i love you undertale multiverse. this fandom is one of the most unique i've ever had the joy of being in and i hope it never dies out (if it dies out what will happen to all of the amazing creations and worlds and people we've made 😕😕😕 ink will be sad. so pls don't die utmv)

[archeo-starwars]

You wouldn't happen to have an extensive layout dissection of the Jedi Temple on Coruscant? Or even a list of all notable and obscure sections of the Jedi Temple? OR or even labelled areas that are public and reserved for only temple residents. Both from canon and legends, please and thank you!!!

The best I managed to find comes from Star Wars Complete Locations - you may check out the whole archived version here. The “zoom in” option is pretty good for reading details. Below the pages (I suppose the best is to open them in new tab for better reading):

As for the list of locations, I recommend wookiepedia's list. Plenty of data, both for Legends and New Canon.

Additional sources worth to check out:

Jedi Temple Locations & Jedi Temple History - both published as official material on star wars.com in regard to prequels and New Canon sources. Pictures and references to various places inside Temple.

Star Wars.com's The Clone Wars episode guide + videoclips from the series, like

A) Jedi Archives Tour (the entrance to one of the most restricted areas of the temple: The Holocron Vault).

B) Layout of Jedi Temple Library (source)

C) Jedi Temple funeral room + environment illustration by Tara Rueping (source)

Old Data Bank for Jedi Temple

HoloNews mentioning "a mob of 20 university students attempted to infiltrate the Jedi Temple" and "managing to get as far as the Second Atrium Lobby"

Star Wars Battlefront (2) game wiki provides some map and location description

and if you have time (and patience) you can watch gameplay from 501st Legion's mission in Jedi Temple for reference, like this one

The wookiepedia's articles should give enough good idea of the rooms, their location and functions, but I'm adding a few source pages:

STAR WARS: FACT FILES #36 provides a lot informations what and where was inside the Temple and some general data about visitors, security, Grand Balcony, Grand Corridor & Towers. Not all is super specific, but worth checking out for sure.

The Complete Star Wars Encyclopedia mentions this:

and for Jedi Temple entry:

As for the named locations that are public or reserved for only temple residents, there is definitely a division like that, however I'm not sure if this issue was very well explained. The source gives us some ideas, like for example, Jedi Archives have data accessible only for Jedi with rank of Master or higher (thus most likely separated areas to study). At the same time, Fact Files #25 says that Jedi Archives offers an "excellent resources to researchers, including star-map hologram consoles", but also an access to entire scientific and historical knowledge of the Republic

so non-Jedi were allowed to use Jedi Library/Archives for their own research and work-related needs. We also must remember that the Jedi Order had various scientific branches, including archaeology, exploring unknown regions, and medicine, so logically thinking Jedi worked with other, non-Jedi specialists of many fields.

We also know from various sources, that politicians and important guests were invited for various occasions. We could see in Republic comics series that Bail Organa, Mon Mothma and senator Ask Aak were allowed to listen to Jedi reporting before High Council about his last battle

or attending Jedi Funeral like Duchess Satine and Padme Amidala did for the (fake) Obi-Wan's one or just visiting as a friend/comrade-in-arm

I would need to make more research about this issue as there is plenty tie-in material to Jedi Temple on Coruscant that would take a lot time to study, but at this moment, I think the best is assume how far a non-Jedi may walk into Temple will depend greatly who is that person and what is nature of their business with Jedi.

At the same time, Purge: Seconds to Die has this line "Clone Troopers? This deep in the Temple? Not permitted."

The Jedi was in Archives herself, so it is worth to take into account that clones could have more limited access to Temple than the average guest before war did. At the same time, clone troopers could make a report before Yoda and Mace Windu/High Council, as was presented by Star Wars Tales (Honor Bound):

so it is not like they were outright forbidden to enter the temple either.

Hope it will help!