#bourree

[gasparodasalo]

Johann Sebastian Bach (1685-1750) - Suite for Lute or Lautenwerck (Lute-Harpsichord) in e-minor, BWV 996, V. Bourrée. Performed by Elizabeth Farr, lute-harpsichord.

[mikrokosmos]

J.S. Bach - Orchestral Suite no.3 in D Major, BWV 1068 (c.1730)

I want to say I was listening to this one in my rocking chair next to my books on music. Or with wine and cheese at someone's party. No, I put this on while I washed the dishes. I thought I'd share my old post on this same piece but realized that I'd never written about this suite. And I don't have anything profound or introspective to say about it. It made taking down this mountain if dirty dishes feel like a grand accomplishment. It's a reminder that this music was written for the audience to enjoy. It doesn't have to be treated like music theory homework. That being said, I do like looking at the history of the orchestral suite, which would develop into the symphony. What can we hear from Bach's Proto-Symphony no.3? The Orchestral Suite was a carryover from France's Ouvertures. It would start with a slow section to draw in the audience, and then a lively counterpunctual exercise. After the "heavier" opening movement, the rest of the pieces are light dances, galanteries (minuets, bourrées, courantes, sarabandes, gavottes, allemandes, gigues, etc.). Because the German political elite had a taste for French art, they would have music played during their banquets and parties. Bach had no real interest in this kind of music (which would be a decent income source) because he was already dedicated to writing church music. But what few he did leave behind (we only have four Orchestral Suites attributed to him) sounds like great party music. The Suite in D Major is scored for 3 trumpets, timpani, oboes, violins, viola, basso continuo, giving it a louder sound than the others. The Ouverture starts with the slower grand statement announced by the trumpets and timpani. As you'd expect from Bach, this opens into a counterpunctual explorations of the melodies that developed out of the opening, but with the vibrancy of Vivaldi's fast paced concertos. The ending section cuts back and ends with a more subdued coda. The Air of this suite has stuck in our culture through films and TV, popular for its beautiful melodies. I remember first hearing it in the most ironic example I know; played during the library scene in Seven (or "Se7en") from the 1995 film. The ugliness and depraved misanthropy in the film is contrasted for a moment by the idealized "beautiful music" by an idealized "Great Composer". I thought it was showing the spectrum of human minds, that the "greatest" Baroque composer comes from the same human family as a lunatic serial killer using the Christian "Seven Deadly Sins" for gruesome punishments against his victims. Listening to it now I think it's fascinating that someone could have been touched or moved by the gorgeous Aria without words Bach wrote for whatever party or occasion, and she would have no idea that the same music would be heard again as so many of these festival pieces were back then. The latter dances show off the trumpets to make each one boisterous and lively. Two Gavottes with heavy emphasis on the beat, an upbeat Bourrée, and ending on the always fun and swaying Gigue. Of these dances I think I love Bach's gigues the most because they're always densely woven with his long waves of counterpoint across each instrument to create a dance that makes me think of old pub drinking songs or sailors dancing and drinking at sea. Another reminder that this music is supposed to be fun and enjoyable for anyone, and you can turn your own living room into an 18th century court for fun.

Movements:

Ouverture

Air

Gavotte I/II

Bourrée

Gigue

[biglisbonnews]

Paul McCartney shares 'Blackbird' classical influence (2005) The "Blackbird" guitar accompaniment was an adaptation of a classical melody, says Sir Paul McCartney, In this clip, he shares that the 1968 Beatles' tune pulls from Bach's "Bourrée in E Minor," a well-known lute piece. In a 2008 interview with MOJO, he said this: We had the first four bars (of the Bourrée in E minor) and that was as far as my imagination went. — Read the rest https://boingboing.net/2023/03/29/paul-mccartney-shares-blackbird-classical-influence-2005.html

[mitigatingchaos]

Tull Tuesday #9 (Happy Birthday, JS Bach)

By nothing more than a stroke of luck, I am able to combine a “Tull Tuesday” along with a birthday tribute to J.S. Bach, who had he still been alive, would turn 338 years old today. Bourrée  (aka The 5th Movement from the Suite in E Minor for the lute, BWV 996) has been a Jethro Tull concert staple for decades.  This version features a 28-second bass solo by Jonathan Noyce, along with a fun…

[habken]

"add some flare to your application and stand out with a video cover letter :)" this is a minimum wage job I am not doing all that

[strixhaven]

thinking normal thoughts about carys bourree and of course my darling wet cat iziador who was born in a cardboard box all alone and loves blood

[sionwondernoise]

BOURREE ON THE BOARD - SION EDM Remix -

[rhysdoesstuff]

I take my foot

my little foot

and with my foot

I start to dance again

*cue aggressive tap dancing*

[beachboysnatural]

Bach will write the worst second minuets/bourrees you could ever imagine playing

[ash-soka]

ballet teacher: do we remember superman spiderman?

us: no and also it sounds made up 😔

[gasparodasalo]

Johann Sebastian Bach (1685-1750) - Cello Suite No. 4 in E-flat Major, BWV 1010, V. Bourrée I & II. Performed by Pieter Wispelwey, baroque cello.

[gods-favorite-autistic]

Things I remember from each recital dance I did

Ballet year 1: My hat fell off during rehearsal and the teacher had to grab it off stage

Ballet year 2:

Ballet year 3: We were roses in the Wizard of Oz

Musical theatre year 1:

MT year 2:

MT year 3: First song from Seusicall, I had Gertrude’s line, I fell over once during class while we were running through the song

MT year 4: We did We Go Together from Grease, I had the line with a bunch of noises and I hated it, year of the Pandemic™️

MT year 5: most of it (‘twas last year), I got a long solo instead of it being a group line cuz I was the only one doing any acting (tbf I was also the 2nd oldest in class)

MT year 6 (this year): I have literally no idea what me and this other girl are doing in one part cuz everyone else is choreographed during that part except for the girls who are singing ☠️, my sister choreographed the last part, the costume is cute as hell, I’m like the only one in the class that doesn’t have the shoes for the dance

[littledollll]

Ok but manipulative obsessive ballet teacher larissa keeping her star student after hours so they can focus on her technique in more ways than one

AND YOU JUST KNOW SHE’LL HAVE HER HANDS ON HER STUDENT AT ALL TIMES

It’s to help your form she says, definitely not just to see how flustered you can get

Private lessons

Ballet teacher!Larissa x ballerina!reader

A/n: is this becoming a thing? I think it’s becoming a thing. I’m kinda obsessed, could be a little AU for us?👀 also I’d like to note that while I’m not gonna specify age in hopes of inclusivity, reader is around their mid 20’s.

HAH I wrote that back when I thought I was gonna have the ideas and motivation keep writing. Anyways, this is my last draft. Hope you enjoy!!

Warning: unhealthy teacher/student relationship, touching, sexual undertones, little bit of mean Larissa

_______________________________

“I will say this once and only once. At this level none of you should not need me walking you through every little step like the girls from baby ballet!” Larissa spoke loud enough to fill the room, before signaling the pianist to begin playing.

Everyone ran to form a line across the back of the room, you ending up fifth in line for the exercise. Perfect spot. Only four in front to watch, and be done quickly.

“However you’d like to start, give me four pique turns to the center, four changing fouettés, pas de bourree and close with a triple.”

One by one each student went. Some being sent back to start from the beginning if they messed up, some going without comment, very rarely did she praise anyone.

Your turn came, you started in a simple fifth position, spotting towards the diagonal which just so happened to be exactly where Larissa was standing. You had no trouble keeping your eyes on her.

“Thank you!” She said in a very clearly annoyed tone. “Finally someone who knows how to spot correctly. The rest of you should learn a little from this starting position. Go on, my dear. I apologize for interrupting your start.” You gave a short nod and began your sequence. Everything was going perfectly until the final part, where you failed to complete the third turn, but saved it by landing on fifth.

You quickly got up and were about to scurry back to the beginning but Larissa spoke up. “No need. You were perfect till the very end and at least saved it. Back of the line.”

You smiled, Larissa smiled back, giving you- a wink? Oh you must have been seeing things. She wouldn’t. What an odd thing it would be for her to do. Regardless, you nodded, looking down as you walked past her only for her to stop you in your tracks and tilt your chin up with her pointer finger. “A ballerina walks proudly. She floats with a straight back and gentle steps. Chin up, my dear.”

Surely she could see the dark red blush covering your cheeks, she nodded you off to continue walking, a smile still on her lips.

When she turned to continue the class, her smile fell, and the strict teacher was back.

When everyone was done with diagonal, she called back to center. “That will be all for today. Applaud yourself for the effort and I will see you all tomorrow.” She locked eyes with you as she spoke, before turning to talk to the pianist while everyone packed up and left.

“You. Stay back, my dear.” A few girls looked back, but she was very clearly talking to you. Her direct tone made it seem like you were in trouble, making your heart race.

“O-okay. Should I keep my pointes on?” You spoke as you stopped in the middle of untying the ribbon. “Yes, please do.”

“Is something wrong, ma’am?” You asked softly as you noticed her staring, watching you. She shook her head with a smile. “Nothing at all, darling. You’re a great student, I’d just like to give you a few pointers.”

By the time you finished tying your ribbons back on securely, and stood, walking over to her, everyone else was already gone, even the pianist. And Larissa had closed the door with the last one out.

“I’ll start with how you failed that triple turn. It shouldn’t be much of a difficult thing for someone of your level…” she mutters.

“Yes, I’m sorry. I don’t know what happened.” You said, lowering your head.

Larissa stepped in front of you, so close you could practically feel her breathing as she once again tilted your chin up. “What did I say about ballerinas, sweetheart.”

You blushed at the closeness, this woman was beyond beautiful, and talented. Having her this up close felt like an honor. You felt so small next to her. “They walk proudly.” You answered.

“Good girl. So you do listen.” She stepped back and you immediately missed her presence so close to yours. “Fortunately for you, I do know what happened.”

She rounded you. “Get into fourth, give me a clean double.” You did as told, a clean double pirouette, finishing back in fourth position.

“Good. Now give me a triple, this time focus on what you’re feeling.” Again, you did as told and just like last time fell on the last turn.

“Do you see the problem?” “Yes- I think so.” She nods. “Tell me.”

“My heel is on the floor by the time I’m in the third turn.” She looked at you proudly for a moment. “Very good. You’re dropping your heel. When you do a double it’s no issue because you’re still high on pointe. But you’re turning in demi at the third. No dancer of mine turns in demi at this level. That’s for the little girls. Tell me miss, are you a little girl?”

“I- well- no of course not.” She hummed, bringing a chair in front of the mirror, centered in the room. She pointed at you to move to the center as well as she sat down, crossing her gorgeously long legs.

Any dancer would die for those. You’re sure she was the envy of the whole school back when she was just a student. “You’re acting like it. You turn like it.” Her voice brought you back in the moment.

“Anyone can do a simple turn. I’m sure the damn pianist could come do one for us. Anyone can do a double too. Any one of the juniors at this establishment could. You’re failing, at this age and this level. I mean you can do it, but you don’t do it well.”

“I can. I promise you I can. I’ve done it before!” You rushed to prove yourself to her. She was the last person on earth you wanted to disappoint.

“Well of course you have. You wouldn’t be in this level if you couldn’t pull off a simple triple turn. So what is it? Are you finding the easy way? Is this you being lazy, in my class, miss?”

You wanted to cry at just the idea of disappointing her.. and this was how she saw you? Some lazy brat in an advanced class while she was God herself to you? That wouldn’t do.

“I’ll help you, my girl. You dance beautifully, you move and project emotions the way no other can. But you’re falling at the basics. All the talent and emotion in the world won’t save you if you can’t pull off a good turn. Try to think of any important role to dance which doesn’t turn.”

“There’s not many..” you said quietly. You wanted to bring your head down again, truly, you felt shameful. You could do it, both of you knew that. But you weren’t, why is that? Larissa wondered.

“Not any, my dear.” She sighed, walking behind you. “I want you to try for four turns with me here. I will spin and support you. Just keep that heel up.” You nodded, getting into fourth, and doing a plié before starting your turns.

Larissa’s hands moved quickly around your waist, guiding you through every turn and stopping at the four count. “You’re very capable. You can spot well, you could turn ten times with me here, I bet. But I trust you know that there won’t always be a pas de deux in every show or every dance. There won’t always be somebody to help you turn.”

“Yes I know, ma’am.” She smiled. “Of course you do. You’re a smart girl, my dear.”

“You trust that I won’t let you fall, yet you’re not trusting yourself.” She said, squeezing your hips lightly as she kept her hands in place. “You have the strength to stay up, no doubt. Trusting yourself is just as important.”

“Let’s try to balance on pasé for a few, hm? Get your body comfortable with staying up for a longer time.” She stepped back.

Her eyes were racking over your body. You could feel it, it only made your blush grow deeper. “Slowly. Take your foot from the ground up to your ankle first.” You moved as she spoke, she seemed to approve of that.

“Up your calf… and above your knee. Do not rest it, now hold.” You were perfectly still once she told you to hold position, settling all the shaking in an instant.

“Your breathing cannot interrupt you. I want it to look like you’re not even breathing. Keep that rib cage closed tightly and focus. Imagine there is a string going straight through the center of your body, pulling you up toward the ceiling.”

You breathed slowly, barely. Not even thinking about uttering a word at this moment. “Turning is much easier than balancing. You have more momentum to stay up, and as long as you don’t move and exaggerated amount you can get away with not being perfectly in center with your body. Though you should be.”

You felt the warmth of her hands again. You could see her blurry in the mirror, trying to keep your face straight. You stared right into your own eyes.

Her hands were under your breasts for a moment, pressing down on your rib cage gently. “Tightly closed. Very good, my darling.. very good.” She whispered.

Larissa’s hands caressed your thighs before reaching your knee, spreading your leg a little more open. “I should be able to see you in one line if I were to look at you from the side. Keep your knee aligned with your shoulder.” She spoke softly, having no need for loud words as she was practically pressed up against you.

Your balance shook as she adjusted you, but she didn’t let you fall. Instead helping you find your balance once more before moving on. “You’re focusing too much on me. I’m not even here. Now rest.”

You sighed in relief as she gave that command, letting your pointe trail down your leg the same way it trailed up, until you reached fifth position and got off pointe, allowing yourself to rest.

“That was very good.. I would’ve been a little disappointed had you not done that. Half the girls would rush, out of sheer desperation but you.. you did that stunningly. A very good girl, you are.”

“Thank you, ma’am.. I’ll be honest, I do my best to impress you…” Larissa quirked her brow. “Is that right.. Well, lovely girl, you do a good job at it. Let’s get those turns right and I’ll be even more impressed, proud, even.” Larissa hummed as she traced down your spine with her long fingers, and then reached your skirt.

Shamelessly, she began untying it, removing the garment from your body and throwing it next to her chair. “That thing only makes seeing the things I need to see harder.” You nodded in agreement, feeling your skin heat up as she held your hips for a few moments much longer than necessary.

“We will work on your left side another time. For now I want to focus on getting that left heel to stay up.” She stepped back, moving around you to be in front now. “Give me a triple pirouette.”

You took a deep breath in, breathing out slowly. You moved into fourth position, doing a deep plié before you started.

This time, you stayed up longer, but let your heel fall by the end. Larissa sighed. “Again.”

It went on for some time. Each time you would get closer to doing it right, finally. “Again.”

“Let’s try something. Think about doing four. Set your mind, we’re doing four turns, but remember you’re closing, cleanly, on the third.” You nodded, feeling anxious about how many tries this has already taken. No doubt you felt Larissa was tired of this.

With the thought cemented on your mind, you went for four. Just keep the heel up for four.

“One.”

“Two.”

“Three, close it!” You landed it right as she finished speaking, closing on a tight fifth position, your arms rounded and lowered around your bellybutton.

“Absolutely perfect. You did perfect, my dear. That was the cleanest I’ve ever seen you turn.”

“Why’d you count?” You said in a whiny tone and Larissa couldn’t help but chuckle. “You all hate it when I count. But it helped you, didn’t it? I’m just guiding you, my beautiful girl.”

You smiled, “yeah it did help..”

“Come, sweet girl.” With hurting legs you walked to her, standing in front of her with little idea of what exactly to do. But she grabbed your hand and pulled you towards herself, wrapping you in a soft hug.

It was certainly an odd thing to do, but her warmth was something you seeked.. and God, was being in her arms delightful.

She rubbed your sides gently, caressing over your soft leotard. “You did very well, my star. I want to see this progress shown in the next class, yes?” You nodded, nuzzling yourself against her neck without even thinking about it. And breathing in.. she smelled expensive, a little woody but also floral. You wanted to bathe in whatever perfume it was she wore.

“Very good, my girl. It’s time for you to get home.” You almost whined as you pulled away from her, and Larissa hushed you. “Change out of your pointes, and don’t forget your skirt. I have to close up here soon.”

You nodded, going over to your bag and quickly changing into your street shoes and some shorts. “Um, thank you, ma’am. For helping me and everything.”

“It’s a pleasure to help such a delightful student like you, always.” You blushed, waving a quick goodbye before practically skipping out of the room.

Larissa smiled as she saw it written clear across your face, she had you wrapped around her little finger. What a good girl you truly were.

[punkxcalibur]

Nine people I'd like to get to know better

Tagged by @castelled-away :)

Last song I listened to: I'm not sure but it might be Everytime we touch by Electric Callboy or child psychology by black box recorder

Favourite colour: green (my blog color)

Last movie/TV show I watched: scott pilgrim takes off

Sweet/spicy/savory? Spicy i suppose

Relationship status: single lol

Last thing I googled: "bourree e minor tabs"

Current obsession: tf2

Tag Nine People: sorry if you didnt want this @kaiirro @actuallygen @xviruserrorx @knightofmordred @scrambleddd-eggs @saurix5 @sparklygraves @threemoonwatchers @mylesmoment

[oc-smashorpass]

Blorbo from my defunct dnd campaign who I miss dearly. He's a Levistan-ish tiefling, Ghostslayer blood hunter. Part of a blood cult that lives in a city filled with the dead and ghosts. He's very chill except for when he's suffering from The CurseTM and then he's paranoid as all hell and anxiety incarnate. Has Texan accent but is, regrettably, fantasy fr*nch. Great partner to have, extremely bisexual in an aro way.

oc by @strixhaven !