#bosspedal

[ricfreak]

My gear as a 16 year old......🥰

The BCRich has gone through some upgrades but the Takamine bass is totally stock.

[jumpdafuckup]

Pequeno trecho da música "Change (In the House of Flies)" do Deftones. @deftonesdedication @deftonesfansworldwideunited-blog @deftonesfreek

[pedaloftheday]

Let's all take a look at the BP-1W Waza Craft Booster/Preamp from our friends at BOSS today!! This one gets you access to a couple of classic preamp circuits, only previously available in rare, vintage pedals from decades past - now you have 3 tonal options to push and shape your tone… Full Demo on YouTube, enjoy!!

[aaronkraten]

Space Island

10″ x 8″

mixed media on wood

by Aaron Kraten

[jupiterskyy]

Fender Jazzmaster 2018 60th Anniversary

EHX Holy grail

EHX Memory boy

BOSS DD7

EHX Small stone

EHX Big Muff

BOSS HM2W

IBANEZ TS9DX

ARION Octave MOC-1

BOSS AW-3

BOSS TU-3

[la-renna-della-jungla]

View this post on Instagram

A post shared by ReNNa (@la_renna_della_jungla)

How to make a mess with a modded toy keyboard:

- Choose a random preset - Shake your 4$$ - Tune it down - Slow it down - Add a bit of filters - Tweak all that $h17 up - Put your signal in a modded #commodore64 that you are using as a synth brutally because you are a nerd - Fix the volume - Add some magic and slice all the $h17 up with #sl2 - Shake your 4$$ again - Fill the loop of a #rc5 - Shake your 4$$ for the 3rd time - Pick the guitar to make some noise - Add a little bit o #metal - Shake your 4$$ another time awkwardly - End everything badly because you have no idea what you are doing

[guntersounds]

Applying Compression to my Tascam DP32SD Tracks

The Dilemma: As much as I love my Tascam DP32SDs (I use two of them), they're missing one key feature – compression. Very often, when tracking, the audio levels are inconsistent (that would be an 'operator issue' on my part). I don't particularly like compressing as I record. In the past, I've always compressed during the mixdown, using the dynamic compression inserts on my mixing board. But things are different now, and I just don't have multiple inputs and outputs to feed into my beloved analog boards.

The Challenge: My usual suspects for recording the majority of my tracks involve a combination of my Roland TD-50 drum module, an Optimus MD-1200 keyboard, Carvin X1 amp pedal and a Boss IR-200 cabinet simulator. This pretty much covers a whole band – drums, bass, guitar, keys. They sounded great with the proper levels, but what they really needed was a bit of compression to bring them to life. The DP-32SD, for all its merits, doesn't come with the tools for this job. I thought about upgrading to the later (and yes, very sleek) Tascam Model24s, but the thought of spending over $2,500 and having my faithful DP32SDs collecting dust? This is not practical for a number of reasons and I'm sure I'll arrive to this explanation on a later post.

My Strategy: As much as I avoid Digital Audio Workstations (DAW), I needed something to tame and brighten the dynamics of my raw audio tracks. Now I would never tell a person how to manage their equipment, or which tools to use, but I personally believe that understanding DAWs is necessary and we should maintain access to one. This could be an inexpensive DAW with limited features. This is why when it comes to computing, I use open source software and my DAW of choice is REAPER. Years ago, I could have given you all kinds of tips on Cakewalk Guitar Tracks Pro and Sonar, but notice how they no longer exist? Okay, I'm jumping the shark again- I'll talk about this in another post.

Exporting Tracks: The Tascam records all files in WAV format, and I have them defaulted to 16-bit. These files can be exported separately by use of the DP32SDs "Audio Depot." The Audio Depot is a reserved directory found on the SD Card used for your recording sessions. I exported all my raw tracks to the Tascam Audio Depot in the defaulted WAV format.

DAW Integration: Next, I brought these tracks into REAPER, my Rocky Linux digital audio workstation and this is actually a simple process. Shut down your Tascam (save your work!) and move your SD card from the Tascam to the DAW. From this point, you use the REAPER graphical user interface (GUI) to add each raw WAV file as a track. A beautiful feature about the Tascam Audio Depot, is that every file you export to the depot is the exact same time length. This makes it VERY easy to align your tracks in your DAW to play the tracks in sync.

Applying Compression: REAPER has a native set of plugins that are arguably industry standard, especially if you don't rely on audio effects exclusively. Each plugin name is prefaced with "Real," so I chose the RealComp VST compressor and applied one instance of this plugin to each raw track. This compressor reminds me of the outboard Behringer Autocom Pro and some of the other ART, Alesis and Nady compressors from the 80s and 90s. The developers built out numerous presets, so I was able to choose "Rock Snare" for the snare, "Rock Bass Drum" for the kick, etc. I was also able to apply similar presets to the guitars and the keys. Fine-tuning each preset was very easy to do by adjusting the threshold or even a ratio adjustment. Each track ended up with its own perfect compression setting.

Rendering and Returning: REAPER uses the term 'render' to finalize a mix. Rendering will basically 'play' the track internally and record this mixed version to a new file. This can all be done under the File -> Render section. Once I had all my tracks dialed in with the right compression, I rendered each one separately to their own dedicated tracks. Now when you render your tracks in REAPER, it's a good idea to set up your naming convention. Under the Render options interface, I was able to auto-name each track to be the same as the name of each track on the REAPER virtual mixing board. Examples of track names could be: 01-BD (track one, bass drum), 02-SN (track two, snare), 11-BASS (track eleven, bass guitar), 12-GTR1 (track twelve, guitar 1), 13-GTR (track thirteen, guitar 2)... Once this was complete, I copied these files to the DP32SD SD card's Audio Depot directory (delete the old files first!). Eject the SD card, and place back into the Tascam.

Re-importing to Tascam: The final step was bringing these compressed tracks back as a new song on my DP32SD. You create a new song and then under the song options, select IMPORT. IMPORT takes you to the Audio Depot and you can simply add each track according to the naming convention you used. 01-BD would be imported to track one, and 13-GTR1 would be imported to track thirteen. At this point, you have a brand new song with your files compressed and ready to mix.

The Outcome: Immediately, I noticed my audio levels to be much easier to work with. I almost felt like I was mixing tape! I think the biggest takeaway regarding recording digitally, is that your digital recorder is going to capture sound much differently than your older analog tape recorders. I remember so many times in the past, when I would set up a couple microphones on some instruments and run them through a mixer to tape, and the dynamics were much easier to manage. My opinion on this is that tape itself does have a natural compression and saturation, which makes the levels easier to work with. Many engineers like to use tape to ride the red lines on the VU meters. Unfortunately for us, these are expensive glory days for us to reflect on. We do have to adapt to the economics of technology by convenience, and this is not a complaint. A good adaptation is adding minor compression to your tracks. The challenge is what is the best way to do this? Well, you could compress as you track, but depending your project, you many need a rack of compressors and preamps. This is a space, resource and price problem. And once your track is recorded with compression, you can't change what was recorded. So, compressing after in a DAW seems to be my current method. This will change in the future. Tascam is continuously making improvements, especially in the newer Model24 series. I'll eventually get to write about why the Model24 isn't quite where I want to be in terms of an upgrade. So for now, the DP-32SD is still my choice of platform. The process of compressing my files in REAPER took about two hours and that included the learning curve, and other interruptions, but within a couple hours, my tracks were transformed. They sounded incredible, like they had been given a new lease on life. So this wasn't just about avoiding an upgrade. It was about taking control of my sound in a way I hadn't imagined before. The Model24s might have been a neat upgrade, but the Model24s also have their own issues. I will likely discuss this on future episodes of the guntersouds.NET podcast.

Reflections: The developers who contribute to REAPER's VST plugins should be awarded Medals of Honor. Think of the contribution that these unknown heroes have made! I strongly recommend a donation to the REAPER team when possible. What I learned from this whole process is that usually, the best gear is what you already have, combined with a little ingenuity. It's about marrying the tactile, hands-on feel of analog with the endless possibilities of digital. In the end, not only did REAPER help me resolve my compression issue, but I also discovered a new and exciting way to prolong the lifespan of my Tascam DP-32SD.

[arbezcra]

playing my guitar like the harp

[demonicmachines]

#pedalboard #guitarpedals #meme #memes #dankmemes #lmao #legos #legostagram #jhspedals #guitar #fender #strymon #bosspedals #guitarist #tcelectronic #walrusaudio #earthquakerdevices #dank #mxr #dunlop #jhs #lmfao #music #legominifigures #hilarious #guitarporn #tcelectronics #ehx #electroharmonix #legophotography https://www.instagram.com/p/Cp6K5g-ubBE/?igshid=NGJjMDIxMWI=

[elnuevopulso]

El mago.

[effectsdatabase]

Last week's top 20 videos (2023, week 27)

Top 20 videos last week (July 2-8)

Dr. Robert 'Unknown Pleasures' Pedal - Limited Edition | Official Video (by Aclam Products for Guitar)

10 Years of Bliss ? A Retrospective (by Chase Bliss Audio)

Understanding Guitar Effects Episode 7: Tremolo (by StompboxTV)

Vibroverb Cesar Diaz - Pushed using the Tone Of The Gods Pedal (by JD Analog)

Doom Metal Pedals: EHX OpAmp Big Muff (by Fuzzlord Effects)

T-Rex Binson Echorec (Demo Video) (by T-Rex Engineering)

Beetronics Octahive V2 (by AndyDemos)

50 Year Old Heathkit Fuzz Pedal!!! (by Frantone Electronics)

??? ?????? Zoom 707 ? (by Chas Stompboxes)

Where should YOU spend your money? TC vs UA vs Strymon vs Walrus Audio (by EytschPi42)

Walrus Audio High Gain Comparisons (by Walrus Audio)

The most POWERFUL OCTAVER ever created! (by BassTheWorld)

Morley Chorus / Flanger Tel Ray CFL (by Argie Amps)

Good Isn't Always Super Expensive... | TC Electronic Jims 45, DC30 and Combo Deluxe | Thomann (by Thomann)

Analog Alien Rumble Seat Pedal - Quick demo. (by Analog Alien)

L'histoire de BEETRONICS et de son fondateur (by Tone Factory)

Limited Old Hag Fuzz/Oscillator (Rock Am Palast support) (by Occvlt Pedals)

Boss CE-1, CE-2, CE-3, CE-5 Back to Back #guitar #pedals #choruspedal #bosspedals (by Jason Ayala Spare)

Can The HX Stomp Do Everything? (LINE 6) | Working Class Music (by Working Class Music)

Dual Control + Ableton Live Looper (by VZtec)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/46CJsoe

[pedaloftheday]

Need more BOSS Pedals?? No Problem! Today, we're looking at another classic circuit that's been revitalized by the Waza Craft Series - come along as we investigate the SD-1W SUPER OverDrive!!

[soundcityestudio]

Behringer Phaser PH9 com Mod - Transforme seu Som com o Phaser Essencial para Guitarristas

Behringer Phaser PH9 - Transforme seu Som com o Phaser Essencial para Guitarristas

Desperte a magia dos efeitos de phaser clássicos e modernos com facilidade - Assista ao nosso vídeo de demonstração!

O Behringer Phaser PH9 é o seu bilhete de entrada para um universo de efeitos de phaser envolventes, tudo isso com o toque de um botão. Com sua operação descomplicada, você poderá criar instantaneamente tons de fase vibrantes e hipnotizantes que deixarão sua audiência cativada.

Este é o segredo para adicionar trinados espaciais e redemoinhos hipnóticos à sua música.

O controle de "Taxa" ajusta a velocidade do efeito, enquanto a chave "Swirl" alterna entre os modos de fase "vintage" e "moderno". No modo "Vintage", você obtém aquela fase suave e orgânica, enquanto o modo "Moderno" oferece um toque mais agressivo e contemporâneo.

O Phaser PH9 é construído com componentes de alta qualidade e é excepcionalmente resistente, garantindo anos de uso confiável. Alimentado por uma bateria de 9V ou uma fonte de alimentação externa, este pedal é projetado para durar.

Não deixe escapar a chance de elevar o patamar do seu som com o Behringer PH-9 Pedal Phaser PH-9.

Experimente a versatilidade e a qualidade sonora que somente a Behringer pode proporcionar!

E tem mais! Esta versão inclui um mod da Sound City Estúdio Pedais e Acessórios, com uma entrada/jack estéreo para conexão de pedal de expressão passivo, como os Sonicake VExpress (entrada de 10K ohms). [Nota: A guitarra ou qualquer fonte de energia não deve ser conectada à entrada do pedal de expressão. Consulte o vídeo para detalhes - A Phaser with expression pedal? Extreme fun #bosspedals #guitarpedal #pedalmods #guitarpedals - YouTube .]

Adquira o Seu Agora e Eleve sua Música ao Próximo Nível!

Visite nosso site hoje e garanta o Behringer PH-9 para uma revolução no seu som de guitarra:

LINK DE VENDA - Pedal Behringer Phaser Ph 9 Com Mod Para Pedal De Expressão (mercadoshops.com.br)

Não deixe de compartilhar essa descoberta com outros músicos que valorizam timbres únicos!

Se surgir alguma dúvida, não hesite em entrar em contato conosco.

Especificações

Entrada Conector ¼" TS Impedância 1 Mohms Saída Conector ¼" TS Impedância 1 kohms Fonte de Alimentação 9 V, 100 mA regulados BEHRINGER PSU-SB EUA/Canadá 120 V, 60 Hz Europa/Reino Unido/ 230 V, 50 Hz Austrália China/Coreia 220 V, 50/60 Hz Japão 100 V, 50/60 Hz Conector de energia 2 mm DC, centro negativo Bateria 9 V, tipo 6LR61 Consumo de energia 10 mA Físico/Peso Dimensões aproximadas 56 x 113 x 69 mm (H x L x P) Peso aproximado 0.24 kg Palavras-chave e tags:

Behringer Phaser PH9 Pedal de guitarra Phaser Efeitos de fase Vintage Moderno Rock Blues Música Eletrônica Psicodélico Ambient Space Rock Prog Rock Funk Soul Fácil de usar Componentes de alta qualidade Construção robusta

BehringerPH9 #PedaldeGuitarra #EfeitosdeGuitarra #Música

Certifique-se de incorporar essas melhorias em seu site e de acordo com as melhores práticas de SEO para aumentar a visibilidade do seu produto e impulsionar as vendas.

[raccoonpointstudiosavm]

Check out our demo of the Boss ME-50 pedal! This pedal offers a variety of effects that will add a unique touch to your guitar playing, no matter what genre you're into. #pedal #guitarpedals #pedalboard #guitar #pedals #guitareffects #guitargear #pedalboard #bosspedals #effectspedal #pedaldemo #guitarpedaldemo #electricguitar #effectpedal https://youtu.be/nIx4YcSmih8

[justscottmusic]

What does your pedal board look like? This Memory Man was the best purchase!! . . . . #guitar #guitarist #guitarplayer #guitarpedal #guitarpedals #pedalboard #guitarpedalboard #synthwave #synthpop #synthpopmusic #indiemusic #indieartist #indiepop #newwave #newwave80s #newmusic @bosspedal @guitarcenter @ehx @rolandglobal @rolandsynthandaira (at Shelter Island) https://www.instagram.com/p/CopQP_HrRgh/?igshid=NGJjMDIxMWI=

[evilmatt762]

#theargonaut #spacemetal #scifimetal #horrormetal #dfwmetal #metal #dallasmetalscene #spaceslam #multiversemetal #deathmetal #blackmetal #progmetal #symphonicmetal #ibanez #marshall #spectorbass #kiesel #kemper #bosspedals #darkglass #fishmanpickups #thereturnofxall #albumtwo #recording studio