#blueyyyyyy đ
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@blueywrites some td&tc inspo đ€đ€
#im genuinely so excited to hurt for this next chapter#td&tc#eddie munson#eddie munson x fem reader#fic rec always#blueyyyyyy đ
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WE STAN A SWITCH EDDIE ALWAYS !!
God little subby ed's gets to me knowing he can give it right back tenfold bluey why you doing this to me đ„”
kind but cruel
so I've been seeing this make the rounds today, and I have some thots to share. 18+, bondage, marking, biting, rimming.
I'm thinking about Eddie. Eddie with his wrists bound to the headboard, tendons popping on pale forearms as he strains against his restraints. He's blindfolded, with his chin tucked toward one shoulder, chest down against the bed. His knees are spread wide, as wide as the tight black jeans bunched down around them will allow. His once-pale skin is exposed: his thighs, his cute little ass, the small of his arched back.
But the skin isn't so pale now that you've worked on him. You've decorated his thighs with pretty marks, reds and purples mottling the expanse - over their backs and their tender insides where his skin is most sensitive. His heavy balls are soaked, shiny with your spit from when you'd sucked and rolled them in your mouth until he filled the bedroom with little sounds made just for you. And his ass is pink, pink from affectionate little lovebites and smacks that he likes just as much as you do. Spanking him, biting him, marking him up - it all makes his fat head weep just as much as it makes your pussy drip and drool when he does it to you, all eager and needy, begging for more.
And now, everything is pulled so tight - muscles bunched, biceps straining; breath ragged in his heaving chest; black t-shirt worn soft and spread over his flexed shoulders; cock painfully, achingly hard; long, wild curls trembling as he strains and huffs and moans for you.
Eddie's back is still arched, but his pelvis is low now, low enough to let him grind his cock desperately against the scratchy sheets. "Jesus f-fucking Christ-" he whimpers, and you smile languidly between his cheeks as you feel his sack jump against your chin. After working him up with your bites and stings and slaps, now you soothe him with your tongue, lavishing your attention on his puckered hole.
And it's kind, the way you're treating Eddie, because he loves it so, so much. But it's also cruel. You're making it very hard for him with the way your soft hands are spreading his cheeks, the way your hot wet tongue is lapping at his ass, sometimes pausing to poke pointedly against that tight ring until he's whining and straining harder.
You're making it so very hard for Eddie, because he can't decide whether to rut himself against the sheets to finally fucking cum, or neglect his aching cock and push his hips back against your face to beg for more of your wicked tongue.
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Everyday more and more farmboy!Eddie content makes its way to my fyp and it just makes me want to reread td&tc @blueywrites
Farmboy!eddie smiling as he sees you coming up the hill to meet him.
Shoutout to @hellfirehottie420 for putting the idea of farmboy!eddie into my head đ
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Beautiful as always @blueywrites
By the time the buds awaken again, you will have what you wait for . đđ
FARMBOY EDDIE FOR THE WIN ALWAYS !
Fun fact: my favorite book has always been the outsiders and sodapop was my whole heart. I'm telling you now every time I imagined him he was everything I dreamed Eddie Munson turned out to be when his beautiful face blessed our screens â€ïž
Your writing is so eloquent and perfect, to me it's like reading the outsiders for the very first time again. Thank you my love truly.
wildflowers: what if?
a turtle dove & the crow blurb
1940s Farm AU, featuring bsf!neighbor!eddie x fem!reader
I was inspired to write this in part because of this lovely Eddie drawing that was brought to my attention a couple of days ago. I'd describe this little blurb as dark chocolate - a teensy bit bitter, but mostly sweet. enjoy!đ»
this takes place at the very end of the wildflower scene in part two. minor spoilers below! cw: 18+. allusion to sex.
masterlist | playlist - I recommend Honeybee by Mountain Men for this blurb.
The sun has sunk past orange and blue to deep violet and pink, the oaks and hickories now nothing but shadows, signaling that it's time to return home.
Yet, what if it were not?
If there were no need to sneak and hide, you would not look up at the shifting sky and feel compelled to stir from the sea of wildflowers you've been wading in with your beloved. Instead, you would watch the fading light play on the planes of Eddie's face. You would see how the setting sun deepens the honeyed contentment in his umber eyes, how the violet shadows sharpen the angles of his pale features just as they soften the supple curves.
Eddie would cleanse your skin of the remnants of him, wiping away his spend from between your thighs. Now tended by his careful hand, you would settle on your back beside him, basking in your shared contentment. Your skirt and apron would billlow up from your legs, caught playfully by the breeze, dragging against the flowerheads and collecting pollen; the honeybees would dance around you, and you would regard them calmly, at peace with the universe that surrounds you.
If there was no Mama waiting up for you at home, Eddie would lift his arm and point toward the sky, guiding your gaze with his hand and your imaginings with the rasp of his brash voice, weaving patterns for you in the chaos of shadowy clouds. You would listen to his murmuring and nuzzle your nose against his shoulder, breathing in the tang of his sweat, the warm hush of tobacco, and beneath them, the precious musk of petrichor - that summer storm that brews in Eddie's blood and seeps from his pores as if only to tantalize you. You would splay yourself against him comfortably, and as your hair tickles his nose, he would huff and sputter dramatically until you push his face away with teasing, affectionate fingers.
Together, you would make up lives for the cloud creatures drifting across the sky. Miss Mouse dreams of being an actress, he'd propose. Mr. Elephant is running away to Panama to escape the draft, you'd offer. Mr. Hippopotamus needs to clean behind his ears, Eddie tells you. That's not Mr. Hippopotamus, you'd counter, that's Mr. Deer with a bad case of gout.
At that, Eddie would wrinkle his soft nose and laugh - a husky, goofy thing that squeaks brokenly at the height of his amusement, a vestige of his waning boyhood - and you would fall even more in love with him. You would think there is no way to love him more, to let him take up more space behind your ribs than he already does, but somehow, you would find room.
If there was no Pa to sneer at the wild boy next door, you would pluck stems of coneflower and ironweed, offerings of the earth that you select with care. You would lay them out carefully on Eddie's chest in lines of gold and red and indigo, looking at him giddily, and he'd read your girlish intentions in the curve of your lips. He'd huff and groan, protesting that boys don't wear flowers in their hair, but you'd know that secretly, he is pleased to have you adorn him. You'd straddle his waist again, though innocently now, and you would comb your fingers through the soft frizz of his curls, arranging his bangs against his forehead first before patiently working out the tangles in that length of ink spilled across the grass. You'd weave the flowers you'd plucked into the hair above his bangs, creating a line of lushness that blooms and floats on that dark, roiling sea.
If he were not a crow, and you not a turtle dove, Eddie would feel along the powder of those petals when you were done. They'd kiss his roughened fingers like the whisper of a mouse's whiskers, and he'd stroke them with the tip of each one, tentatively exploring what he cannot see. As a blush pinks the apples of his cheeks and spreads to warm his ears, he would look up at you almost shyly, as if perhaps your gaze might be a mirror he could see himself in. Eddie would look at you as if he hopes he truly is as pretty as your adoring eyes tell him he is - so heavy and soft and glassy as you regard him. And when he finds the truth there, he would abandon his blind exploration of the blooms to instead take your face in his broad palms and kiss your lips, dropping his gratefulness and adoration there so tenderly that you'd feel your heart might burst with the welling of sweet joy that floods there.
But Eddie is a crow, and you are a turtle dove. There is a Mama waiting up for you at home, and there is a Pa who sneers at the wild boy next door. There is a need to sneak and hide.
So you must rise from the wildflower field and part from Eddie Munson with lingering glances and yearnings for what could be if only things were different.
Yet, do not fuss, Turtle Dove. You will get these things in time. You need only to wait.
So you will wait. You will wait. You will wait.
And then, my love, by the time the buds awaken again, you will have what you wait for.
You will have it forever.
#blueyyyyyy đ#eddie munson#td&tc#farmboy eddie#eddie munson x fem reader#need him#if only he were real
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Well I never miss Bluebelle Marie !!!!
Can not give you enough praise hunny bun ! Amazing as always .
These glimpses into how our turtle dove and crow came to be make my little southern heart happy đ
The black eye đ đ Wayne is a good man forever and always bless his whole heart .
When she asked him how was she supposed to help if she didn't know what size bugs to look for ..... Me and best friend did that everyday for a whole summer straight when we were ten .
I'm in love with this little Eddie verse you've created and I'm so happy you let me bother you with all my little one off ideas and theories of what could have been to what could be đ€đ€
turtle dove and the crow, interlude 1930
A 1940s Farm AU, featuring bsf!neighbor!eddie x fem!reader
story tags: 18+ (minors dni). smut; true love; unexpected pregnancy; angst, angst, angst; parental issues; corporal punishment; scheming, plotting, and betrayal; hurt/comfort; period-typical stigma regarding unwed pregnancy; angst with a happy ending.
Set in 1930 - ten years before the events of Turtle Dove and the Crow - this interlude is the first of two glimpses back to their humble beginnings.
masterlist | part one | part two | part three | interlude | part four | part five | epilogue | playlist
INTERLUDE 1930: MUSIC BOX (5.7k)
Thereâs a music box in the bedroom
Itâs playing songs from 1922
And if you listen for long enough
Youâll fall asleep and might wake up
Walking in a wonderland
Music Box â Leith Ross
Before he was your crow, and you his turtle dove, Edward Munson was the strange new boy next door.Â
The morning he arrives is colored the clear blue of late May. Itâs one of those first few days after school has let out for the year, and youâre stuck half in a daze, acclimating to a sense of freedom that has not yet seeped entirely in. That irreality keeps you inside for now, and thus, youâre perched in the formal sitting room, occupying one of the stiffer chairs chosen for its proximity to the window offering a view of Mr. Wayneâs front porch. Your eyes are fixed not to its neat row of balustrades standing proudly from the white-painted decking, or even the gnarled branches of the forsythia where some yellow petals still cling stubbornly despite the lateness of the season. Instead, youâre looking at the lattice that protects the porchâs underside, at the place where it meets the corner of the houseâs red clapboard. The wood there is broken at one criss-cross, leaving a small gap.
From there, a rabbit is slowly emerging. Breath catches in your throat as it shimmies its small russet body from beneath the broken lattice into the open air. Your eyes widen; tiny fingers find the window pane, leaving tiny, heedless smudge marks on the glass. Raptly, you watch its nose wriggle, head dipping to the grass and nudging around before coming up again. It ventures forward with staccato little hops before halting with its head perked high.
You hear what has alerted it a second later: a muffled rumble begins to permeate the glass between you and the rabbit. The sound grows gradually louder, and your eyes dart from the red house to the yard and then to the dirt road beyond, where the source is now visible. It begins as a vague blue shape, sharpening slowly but steadily until it resolves itself, finally, into a familiar truck. The truck putt-putt-putts gradually up the dirt road before turning with a crunch of thick dirt and gravel into the unpaved drive of your neighbor.Â
The rabbit stretches its neck and freezes warily for a long, tense moment, legs bunched and ready to flee. Interestingly, though, it never does. Even when a metallic creak draws your attention from the rabbit back to the parked truck, it eases back into the grass, seemingly unbothered now.
This is when you see him for the first time.
It's a silent affair, his arrival, but the new boy next door rolls in with all the beautiful violence of a summer storm. Face wedged between your Mamaâs gauze curtains, you watch the passenger door of the truck pop open to allow the chaos inside to tumble out in a whirl of thrashing limbs. And those limbs become a boy. Pale and jagged, thin and angular, he stalks ahead with clenched fists and a strange backward tilt to his upper bodyâ a posture which implies that, while his feet may carry him toward the front door, the rest of him wants nothing more than to rebel. His face, what little you can see of it from this distance, is contorted into a fierce scowl. It cuts pale beneath a wild mop of dark cloudlike curls, slashed by red lips snarled open as if in the middle of a tantrum.
Yet you cannot hear him. Mr. Wayne catches up to him quickly despite the stiffness of his hips; he dwarfs the smaller boyâs roiling shadow, containing his tempestuousness with a hand on his shoulder and guiding him to mount the porch steps before him. You hear the creak of the wood under their feet, and you hear the crack of the screen door as it bounces off red clapboard, and you hear the vague rasp of your older neighborâs voice before the gentle click of the handle closes the red house up again behind them. But the boy does not make a sound.
Strange.Â
In your eight-year-old mind, strangeness does not beget caution; it beckons curiosity.
For that reason, Mama doesnât have to drag you reluctantly with her to deliver a peach pie welcome, though she still plies you with one of her little decorum lessons nonetheless. âItâs the polite thing to do. And never go empty-handed,â she informs you as you slip your hand into the crook of her elbow without resistance, shuffling alongside her across the grass. Together, you mount those same steps youâd watched a summer storm thunder up yesterday; the recollection causes wonderings about the strange boy to whip through your mind like wind touseling your hair. You end up too sluggish for Mamaâs taste, and she gestures impatiently for you to knock on the door for her since her hands are occupied. You rush to comply, rapping quickly but for a little too long, so that she has to shoot you a sharp look to get you to stop.
Your curiosity mixes with both wariness and excitement as you hear movement from within the house, and you find it bubbling over as the sounds come imminently closer. Anticipation thrums as the bolt clicks and the knob turns, but when the door finally opens, Mr. Wayne stands there alone.Â
Your neighbor, Mr. Wayne, has always seemed a calm, steadfast presence to you. Itâs a combination of his homely, dirt-dusted clothes, his tanned forearms and weathered knuckles, his thinning hair that leaches color too fast for his age, and his downturned mouth that feels comfortingly familiar but is also a shade less severe than your papaâs. You arenât unhappy to see him now, but your insides sag as your expectations are thwarted.
Above your head, you watch the adults exchange pleasantries, but the specifics of their conversation are lost on you. Youâre consumed by that sagging disappointment; youâd been so sure youâd see your new neighbor standing beside Wayne like you stand with Mama, or perhaps half-hiding behind his legs, had he a shyer disposition. You could forgive that easily. But only a glance is needed to tell you that heâs nowhere in the vicinity of the front door. Perhaps, you suppose, heâs concealed behind a nearby wall to listen without being seen. Or maybe he is loitering at the bend in the staircase, too hesitant to come closer. Itâs possible; you begin to hope it is so, and your hope emboldens you.
The pie plate has passed from your motherâs hands into Mr. Wayneâs, but you donât see that because youâve begun inching your nose past the threshold of the doorway, craning your neck around Mr. Wayneâs sturdy legs as you search for a peek of that tumultuous boy. You donât get far before Mama is tugging you back with a sharp yank of your collar, and you stifle a surprised yelp as you yield to her quickly. She clears her throatâ a clear chastisementâ and as your face creases with remorse, Mr. Wayne huffs with amusement.Â
âNo harm,â he rasps, and your motherâs squeezing fingers drop from your neck upon seeing the easiness in his crinkled blue eyes. âWhy donât you both join me for a slice oâthis pie? Looks might fine.â
You brighten visibly, which makes Mr. Wayne chuckle again; when your wide eyes meet your Mamaâs, the surge of your excitement is clear, and she is left with no choice but to accept the invitation. Her tiny wry sigh, fond and exasperated, is likely borne of the false assumption that you are excited by the prospect of dessert. That is, in fact, not what has you excited at all.
Your head whips this way and that in search of that elusive boy. You crane and twist, peeking around corners as best as you are able without slowing down as Mr. Wayne guides you toward the dining room. But your seeking yields no results. You plop at the table without having claimed your prize, feet swinging in impatience as a slice of pie is placed in front of you. The large fork is clumsy in your fist, but you manage to eat your desserts with dainty bites that Mama would approve of as she continues to exchange more pleasantries with your neighbor. It doesnât take long for them to begin discussing the new arrival, and your eyes dart between them intently as you grasp for explanationsâ who the strange boy is, where he came from, why he wasnât at the door to greet you, anything to sate the curiosity that has been growing since your first glimpse of the storm.
It quickly becomes clear that there is little for you to glean listening in on this conversation. You grow disinterested with their murmuring, their painstaking way of speaking as if each word must be turned over like fruit to appraise, and each each possible selection must be examined slowly before being settled on. Your disappointment returns with a tinge of frustration as the discussion continues on nonsensically, growing less clear with each successive comment.Â
âIâd give Joyce and Lonnie a ring,â your Mama suggest to Wayne, her hands wrapped around a steaming mug with a tiny chip along its rim. âTheir older boy is goinâ through a spurt, outgrowinâ his clothes quicker than they can keep up with.âÂ
You crinkle up your nose. What does that matter? You canât understand them, and you give up trying soon enough.
As they continue talking, Mama and Mr. Wayne cast you occasional glances as if theyâre assessing whether you will react. But youâre preoccupied now with sweet peach filling and flaky crust, which coats your lips until you rub it off with the back of your arm. Once youâve consumed the entire slice and licked up all the crumbs, you manage to sit quietly for a minute or so before your curiosity, without that distraction, grows too insistent to ignore. In typical fashion, youâve just barely conceived of a question before itâs already being voiced.
âIs your son gonna come eat pie with us?â you ask baldly.
Mama stiffens beside you, but Wayne remains unruffled. âHeâs my nephew,â he corrects you gently. âAnd I donât reckon he will.â
The next questionâ âWhy not?ââ is begging to burst from your mouth. But one quick look at your Mamaâs face tells you youâd be in for it if you give in to that impulse. Mr. Wayne must read the discomfort in your pouted lips, so he offers you a morsel to tide you over.Â
âHeâs not up for visitors just now,â he explains, and his blue eyes leave you to fix on your Mamaâs in a weighty way. âMâtryinâ to get him settled in here first, make sure heâs comfortable. Then yâcan meet âim, if heâs willing.â
Thereâs a silent conversation then that passes between their gazes. There is a shade of fear and hesitation in the blue, a hint of vulnerability burdening the short silence following that vague explanation. Itâs met with empathy across the table, with tinges of experience and reassurance offered without reluctance.Â
âYou will, Wayne.â Your Mama sounds decisive, and your eyes follow the movement of her hand as she reaches across the table and pats him briskly on the hand. âThe boyâll be fine.â
You are ignorant to the significance of these things. All you know is that youâve been denied that which you want, and you will need to wait to get it. You manage to contain your frustration until you reach the sanctuary of your bedroom; only then do you let your limbs flail against the comforter and pillows, beating out your impatience like rain pattering a roof.
On the third day after the boyâs arrival, you awaken the way you fell asleep: to the melody of a song. But itâs not the soft plinking of the music box your Mama always winds to lull you to sleep at night. Instead, itâs some twangy, uneven notes, starting and stopping in awkward cadence. As daylight streams in warm stripes across your comforter, they filter through wood and glass to rouse you from your slumber.
Itâs the first evidence you have, besides Mr. Wayneâs word during your visit, that your new neighbor is actually still residing in the house across the way and that he was not, in fact, a walking daydream conceived by your own boredom. You havenât seen hide nor hair of him since heâd tumbled from the truck; youâve been spending many hours outside now in the midday, and you know beyond a shadow of doubt that he has not ventured into his front yard, and likely not into his backyard either. There has not been even a ruffle of a curtain, or a silhouette in a lit window, or a slivered door opening through which he might peer out to provide evidence of his existence.Â
But now, you can hear him. You hear him in this indirect way, in the fumbling of his fingers on some instrument, a sound that has you rising early despite the lazy minutes you could steal before Mama expects you to start on your morning chores.
Itâs almost worse now that you can hear his invisible presence because it makes the silence of his arrival feel even more frustrating. And the more elusive he is, the more you want to see him. You find yourself looking toward the fence that separates your properties as if compelled; you walk slowly on your way to the goat pen, eyes tracking the gaps between the posts, desperate for a glimpse of dark curls and pale angles. This endeavor has yielded nothing but the vague unease of unfulfilled wanting.Â
Your curiosity can never settle. It haunts you, sustained by the knowledge that as you close your eyes at night, drifting off to the sound of that dainty music box, you will awaken to a twirling of staccato notes too intangible to grasp.
It isnât until May has eased into the sticky warmth of June that you properly meet your new neighbor. As youâre cutting through your sitting room, slinking toward the kitchen in search of a covert midday snack, you catch a glimpse of him through the flimsy gauze of that same window which afforded you a view of his arrival. The sight is so unexpected that it nearly gives you a fright, and your heart thuds wildly until you realize what that vague shape must be. You stare until your eyes blink clear and reveal a boy hunched in the front yard across the way, pale and topped by a wild mop of wayward dark. That swooping of fear quickly gives way to familiar curiosity, and curiosity then to eagerness. Soon enough, the slight rumbling of your stomach is forgotten entirely as you find yourself turning sharply on your heel and redirecting toward the front door.
The grass is soft as it creases under your small bare feet, and you cross the yard with your eyes fixed on your prize, who crouches in front of the leafy forsythia lining his front porch. He doesnât seem to notice you, occupied as he is in his task, and you seize the chance to drink in every detail you can as you approach. The boy wears gray pants, which have been gathered at the hems into thick, sloppy rolls but still drag across the grass like he doesnât have any feet. He wears a rumpled white shirt, slightly yellowed from age and wear. His curls dust the nape of a gaping collar, which sags even farther open as he leans forward to poke around in the bushes. From this angle you cannot see his face properly, only the slope of a soft nose and the suggestion of dark lashes above it.
Your appraisal ends when you grow too close to continue. You stop a short distance away, looking down at the crown of his head as you watch him push aside branches. This yields a new observation, which is that his hands appear too big for his thin wristsâ overlarge, they twist and grasp, long bony fingers moving restlessly as if searching for something in the greenery.
Absent any prior consideration and with the baldness only a child can possess, you announce your presence with a loud question. âWhatâre you doin'?âÂ
The boyâs short curls flop against his ears as he looks up sharply in your direction, and your directness is rewarded with a view of his face. Though he doesnât appear to be startled, there is something close to that in his brown eyesâ something shifty and skitterish. Under the left is a healing bruise a shade lighter than the streak of dirt on his cheek, and his red mouth is a little too wide for his face, moreso when he opens it to answer you.Â
âLookinâ for bugs,â he replies, and his voice rasps like Wayneâs but isnât as deep, nor as pleasant.
âWhy?â
He squints that bruised eye and matches your baldness. ââCause Iâm makinâ âem a home, and I wanna see whoâs gonna be movinâ in before I put together the furnishings.â
âOh.â
As your reply falls flatly into the space between you, the boy eyes you warily for a moment longer before returning to his quest. If he moves a little more brusquely than before, it either escapes your notice or you pay it no mind, and after an extended beat of silence, your next question comes outâ againâ bald and loud. âSo whereâs the house?â
The next look he shoots you is less sharp, though somehow also more impatient, with the way his red mouth is set in a long, flat line. âHmm?â
Itâs not so much a hummed question, more a vague grunt, but you interpret it correctly. You repeat yourself with more emphasis. âWhereâs the bug house? I wanna see it,â you declare.
The boyâs face scrunches up in a scowl then, and he makes no attempt to sweeten his reply.Â
âCanât you see Iâm busy?â he snaps, and youâre dismissed with a shake of those messy curls.Â
You fall back on a hip, crossing your arms as he pushes aside forsythia branches with increased aggression. You huff impatiently. âWell, howâs I gonna help you if I donât know what size bugs to find? I dunno âbout where you come from, but thereâs lots of bugs here.â Dramatically, you grab onto your fingers one at a time as you count, drawing out the words as you recall them. âWe got⊠worms,â you snatch up your index, ârolly-pollies,â you switch to your middle, âantsâŠâÂ
You pause there, twisting your ring finger in your opposite fist as you cast your eyes upward, trying to think of another bug to illustrate your point. The boyâs rolled trouser hems drag against the grass as he shifts restlessly in his crouch, but your next example never comes. Instead, you pull your finger out of your grip, crossing your arms and staring down at him with an air of triumph you really arenât entitled to. âSee? Loads of bugs,â you finish almost smugly.
The boy twists his lips and narrows his eyes at you. He drags those eyes from your bare toes to the top of your head in a slow, appraising path. It feels distinctly like youâre one of the bugs youâd mentioned, and heâs trying to puzzle out whether or not youâll sting him.Â
You want to ruffle up your feathers and squawk your protest, but this brief conversation has not satisfied that yawning pit of curiosity inside you. Instead, you just plant your hands on your hips like your Mama does when Papaâs not listening fast enough. He stares up at you, and you look right back, staring down at your new neighborâs guarded face.Â
This you manage for a fair while. But, inevitably, you cannot contain yourself for too long. Soon enough, your next question of the day sees fit to burst and pop from you like the first bubble in a pot set to boil.
âWell then?âÂ
Your voice is loud; your sass is too potent to ignore. When his scowl returns in earnest, you clamp your lips shut too little too late. Mama always did say you need to be more patient, after all, and now youâll just be left to mourn the permanent disappointment youâll feel when he barks back. Heâll send you away unkindly, and youâll have to retreat with your tail between your legsâ
The boy next door straightens to his full height, and itâs only then that you realize just how much bigger he is than you. He is still lanky and angular, with ill-fitting clothes that donât disguise his thinness, but the sudden shift from looking down into those guarded umber eyes to looking up, up, up âtil your neck cranes is enough to make a teensy twinge of foreboding tighten in your chest.Â
This boy, you realize, is under no obligation to tolerate your sass. He isnât your kin, and though he is Wayneâs, that doesnât automatically speak to his nature.Â
Your composure falters for the first time as he frowns harshly down at you, and you begin to shrink. You shink like you do when Mamaâs caught you doing something wrong and you know her admonishment will be swiftly followed by Papaâs until youâre left feeling hollow and thoroughly castigated. All of you presses inâ your shoulders, your elbows, your knees, your brows where they pucker in the middle of your forehead. Itâs the perfect opportunity for this strange boy to seize hold of the cracks within you and shatter you to pieces.
But at the sight of your breaking, those umber eyes do not harden further as you expect. Instead, the stormcloud clears; where you shrink and tighten, he gentles, and the furrows of his face ease into smoothness. Silently, he jerks his head to the side in a clear indication for you to follow.
You do.
It feels like grace when he bids you to follow him, and you resolve not to waste it. âYâcould use an attitude adjustment,â you think to yourself, and so you let your sass leech through the soles of your feet as you follow the boy around to the side of his house opposite yours. By the time he stops in front of a small mound of rubbish piled near the concrete foundation, your manners have returned. You regard it with a carefully neutral expression in case he happens to look at you as he explains its purpose.
âMâgonna build the walls out of bark I stripped from that big oak,â he tells you. âAnd the roofâll be leaves, so they can eat their way out if theyâre clever enough.â
You appraise the rubbish heap, which, you quickly realize, is not rubbish at all, but is, instead, a carefully gathered pile of supplies meant for building a bug house. A hollow acorn cap catches your eye. âCould use that for a trough in case they get thirsty,â you suggest. You turn wide eyes to him, craning your neck back to look into his face and holding there until he meets your eye. Youâre hoping he can tell from the bright tone of your voice and the earnestness of your expression that youâve left your rudeness behind in the grass.
He appears, thankfully, quick to forgive and move on. The boy nods a little too hard in his haste to agree with you, and when his unruly curls flop in front of one dark eye, he blows them out of the way with an impatient puff. âWas thinkinâ that very same thing,â he replies, and thereâs even a touch of warmth in his voice.Â
With that hint of warmth, the foreboding within you finally wisps away as if it had never been. In its absence, the full force of your self returns.
You crouch eagerly to examine the pile more closely, heedless of the way your pink skirt drags over the dirt as you carefully spread out each supply heâs gathered. He wavers nearby hesitantly before joining you near the ground, though he keeps his hands hanging between his knees, seemingly content to let you organize things yourself without interference.Â
âLooks like itâll be big enough for a whole lot oâbugs,â you say, and your voice is eager, swollen with your obvious intent to be generous. âWhich kind dâyou like the most? We can start with those.â
Thus begins the hunt for your neighborâs bug house residents, a venture that occupies half an hour of your young lives and concludes as a resounding failure. You search first all along the forsythia beds and the edges of the porch. When this yields nothing, you move on to the taller grass at the edges of the yard near the treeline, and then even venture into your own yard. But all you and your neighbor manage to find is the husk of an old worm stuck to the lowest step of his porch and some elusive beetles too quick for even him to catch. Frustration builds within you both over the course of that half-hour, a shared irritation at the difficulty of what should, by all accounts, be a fairly simple endeavor.
âYâalways get ants all over when yâdont want them,â you grouse, flopping yourself down onto the bottom porch step and planting your elbows on your knees and your chin in your hands. You quickly wriggle your hips away from that dried worm as he comes to stand in front of you.
âI know!â he exclaims, throwing his hands wide and letting them slap against his thighs. You sigh heavily together, a near simultaneous sound of defeat, and for a moment you listen to the distant cooing of a mourning dove, allowing yourself to wallow in disappointment.
âYâknowâŠâ you say suddenly, looking up at him from the cradle of your palms, âthereâs a bunny livinâ under your porch. Maybe it ate all the bugs âround your house.â
The boyâs soft nose wrinkles with a frown, but itâs not critical like before. âDo bunnies eat bugs?âÂ
You stare at him and shrug, a sharp tug and fall of narrow shoulders. After a moment, the boy shrugs back as if in acquiescence. âWell,â he offers, âwe could just make a house for the bunny then. In case it wants a âchange of scenery.ââ The phrase trips inelegantly off his tongue like itâs something foreign, something heâd heard once and is now repeating.
You, however, pay that no mind, because a blooming of color fills you at his suggestion. Itâs blooming so big and bright and fills you so insistently that the tumultuous boy startles visibly when you leap from the step and scrabble off without a word of explanation.
Some swift minutes later, youâre returning at a trot, your hands laden with a new companion who swings at your side with flopping brown ears and a billowing red cloak. The corner of his eye is caught by your approach; he straightens up whip-sharp and shields his face with an overlarge palm to watch the remainder of your journey back to him, dropping his hand only once you skid to a stop one pace away. Eagerly, you set your bunny doll carefully atop one of the flat rocks lining the garden bed, nudging her arms and legs so sheâll sit there primly without assistance.
Breathless still from the quick run to your house but smiling nonetheless, you explain as if heâd asked, âIf weâre buildinâ a rabbit house, Mopsyâs gotta watch! Sheâs my best friend.âÂ
âMopsy?â the boy asks curiously, âlike from Peter Rabbit?â
Again, you bloom; your eyes light from within as you turn to him. âYes, thatâs exactly it! Oh, Peter Rabbit was my favorite book Ms. Willard read wâme this year!â You blink at him, eyes big and wide and so earnest. âDid you read it too?â
His head tilts just slightly, and the frizzy curls shift across his forehead. âHow old râyou?â he asks in lieu of answering your question.
âMâeight,â you reply, still earnest if not a bit confused at the question. âWhy? How old râyou?â
âEight,â he answers, âsameâs you.â He scratches at the corner of his wide mouth with a dirty fingernail, eyeing you as if he wants to say more but is holding back. You donât know it, but itâs because your neighbor is trying to reconcile how youâve just told him that you read this book with your teacher just this year, but itâs been quite some time since he had need of reading together with a teacher, and even longer than that since he last read Peter Rabbitâ something he very much considers a âbaby bookâ now.Â
You donât know that. But what you do notice is that he seems to be appraising you again, though not in the same way he had when he checked you for a stinger earlier. This appraisal is gentler and over much more quickly; at its conclusion, he changes the subject yet again. âIf weâre building the rabbit a house,â he tells you, âweâll need sticks fâr the walls. Barkâs not gonna be good enough.â
Itâs an adequate distraction, and soon enough, youâve forgotten the dangling conversation about Peter Rabbit as you and your neighbor collect sticks and branches, gather more leaves, and tear long grass from its roots to lay it down for cushioning in the bottom of your construction project.Â
The process is not entirely smooth, as it never is between two people who are still learning to work with one another, but you and your new neighbor share a common desire which helps to ease it. Despite starting your acquaintance firmly enclosed within your own tough shells, since then, common ground has been discovered. As such, both you and this strange boy are reluctant to trample the new seed of friendship freshly planted between you. As you work alongside one another, you tend that seed with the best of yourselves: you resist the urge to insist on your own way, and he resists the urge to assume the worst in you.
You are, as Ms. Willard would put it, acting on your very best behavior.
Mama would be proud.
By the time the sun has reached its highest point in the sky, your makeshift rabbit house has three walls and a soft bed of grass at its center. The leaf roof heâd intended to make was more difficult than anticipated, so you used them instead to adorn the ground and create a path from one side of the red house to the other, with the intention of leading the bunny to the new sanctuary youâve created. How likely it is to take you up on the offer remains to be seen, but you are pleased nonetheless with the fruits of your labor. The gleam in the boyâs eyes seems to indicate that heâs pleased, too, and you watch him begin a meandering circle to admire your hard work from all angles.
Heâs pleased up until the point that tragedy strikes.Â
On the back end of the circle heâs making around your shared creation, an accidental knock of his calf sends Mopsy tipping slowly backward. He feels the impact and spins clumsily, but his scrabbling fingers are too late to prevent her from falling off the flat rock into the garden bed
Mopsy only lays there in the dirt for maybe a second before the boy snatches her up and cradles her to his chest in a crushing hug, holding her close and then yanking her back out to look her over. Yet the damage has been done: dirt is smudged into her red felt cloak, and it also marrs the pale cream of her long ears and the entire back of her head.
The boy tries to clear the stains away with hasty swipes of his hands. But his fingers are dirty, so all he manages to do is streak her with more brown filth. The more he triesâ the more frantic he becomes, desperate to correct his mistakeâ the worse she gets. Helplessly, he turns to you, and you take in the crinkle of his brow, the pinch of his wide red mouth, the panicked look in his eyes as he waits for your reaction.
Itâs not unreasonable for him to assume you will be angry. You had, after all, told him that Mopsy is your best friend, and now sheâs been soiled by his hand. And he has, after all, already caught a glimpse of the impatience, the stubbornness, the hotness of temper that lives inside you. But what he doesnât know is that life has already taught you that accidents happen. You remember all the times Ms. Willard has soothed hot tears, or helped you and your classmates clean up spills. And despiteâ or, perhaps, because ofâ the ire you face when your accidents make Mama and Papa so angry with you, you accept the earnest apology in his expression without any further fuss.
âOh, thatâs all right,â you tell him, and there isnât a hint of sourness in it. When you take Mopsy from his loose fingers and look down at the new stains on her fur and clothing, your expression doesnât even flicker. âSâjust an accident. Accidents happen, yâknow,â you add when the worry in his dark eyes doesnât ease.Â
And then, just to make sure he really, truly understands, you smile at him. Big and wide and uninhibited, you smile.
Though youâre missing one front tooth and the effect is borderline manic, it is so poignantly obvious that the reassurance your smile offers is an instant balm. The worry clears; the boy smiles back, crinkly-eyed and wide. It warms you like a ray of sunshine has overtaken his whole face, like dark clouds have broken to reveal the wild beauty left in the sky after a summer storm has passed.
In the end, that's all it took for inevitability to take hold: a single bright smile echoed on two faces.Â
You donât know the name of the strange new boy next door, but it little matters. Because when two like souls finally find their rest on a common wire, fluttering their wings as they descend to perch together and rest in the comfort of sweet company, what one calls another becomes nothing more than an afterthought.
#td&tc#eddie munson x y/n#blueyyyyyy đ#my loves#my favorite besties#wayne munson is the shit#fic rec always#favorite fic
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Ughhhhhh bluey it's like they read our conversation đđđđ I just need it to be over but the hurt is gonna hurt until the end đ
I would sell a kidney to get some insight on the conversation between Wayne and Eddie following the hayloft incident.
Oooooooooh yes, that was surely a tense conversation!
I do not require your kidney đ I'll put my thoughts below the cut!
When thinking about the conversation after the hayloft, we need to think first about the conversation Wayne had with Eddie following Pa's rejection. I think Eddie confided in Wayne his intentions regarding Dove when he planned the dinner, and Wayne knew what the gesture really meant before Eddie asked for Pa's permission to court Dove. So when Dove and her family left, Eddie didn't need to hide how upset he was at how things went. Wayne comforted him in his gruff way, and if Eddie got angry, he probably let him get all his feelings out before telling him to have patience and that with time, Pa might be able to see how much Eddie and Dove care for one another.
Dove and Eddie, though, are impulsive teenagers. And in his wildness, Eddie is also not very patient. I also think he's sour and jaded because of his past, so he probably didn't believe Pa would ever come around. He forged forward with the plan to see one another secretly without thinking through the consequences, just like Dove did.
Now, Wayne is fully aware of Eddie's past. I think Al and Wayne Munson are pretty obviously brothers, even in canon, so it isn't a secret to Wayne what Eddie went through before he came to live with him. As such, and knowing Wayne's character, he would never take a hand to Eddie. But he was really, really pissed when he found out what Eddie and Dove were getting up to behind his back. I think he probably bellowed at Eddie, yelled at him worse than he almost ever has before, because he's dismayed that Eddie basically ruined any chance he had at winning Pa over once he did that. I don't think he was mad for the same reason as Mama at Eddie sneaking around behind his back. Wayne knows what teenage boys are like. And he would never be cruel - he'd never say anything simply to wound Eddie - but he also wouldn't sugarcoat just how bad that choice has made the situation. He probably said something to the effect of, Now it'll take a 'goddamn miracle' for Eddie to hope to be with her at the end of all this. Wayne may have even been the one to put the idea in Eddie's head that he basically proved Pa's worries about him being wild and irresponsible right by carrying on with her like that.
If you have any more thoughts about this, I'd love to hear them!! Thanks for your ask! đđ·
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@blueywrites I've been having the baby fever all day ..... Tell me about all the morning sickness please get me off edge of the cliff of motherhood đđ„șđ„°đ„°đ„°
OMG omg if your last post means what i think it does then congratulations! (if not then omfg PLEASE ignore this and I'm so sorry for being an idiot)
LOL you are not an idiot, you correctly read between the lines! đđđ Thank you from Bluey, Mr. Bluey, and little eggo!
#đđđđđđ my heart i can finally post about nuggie in reaponse post đđđđđ€#bluey is about to be glowing head to toe#blueyyyyyy đ
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Blueyđđđ
This is gonna hurt like a mother. Can't mama just let them off with a warning ... I know she can't but if I could wish upon a star I'd at least hope to get them to their happy ending unscathed by pa. I'm gonna sink with this ship , I swear it.
an excerpt from turtle dove and the crow, part four
I have been working hard on this next part of farmer!Eddie's adventures with Dove after a pretty sucky week. I know many of us were struggling through it too, so I hope this helps!
Our poor babies are about to go through their own struggles in this next one đ. No warnings for this excerpt, but please read all warnings on part four when it releases to decide whether you are emotionally prepared to read it đ
This picks up in the middle of a paragraph, and you'll get that context when the chapter is posted! Enjoy đ„°ïž
...But no matter how many years pass, you would not forget how your motherâs stare made you feel. In the garden, a heavy stone sank in your gut, sickeningly leaden, steadily crushing your delicate insides with each second you spend pinned by her furious stare.
This moment reminds you of that. But there is no stone of lead in your stomach this time. This time, with the salt tang of Eddieâs seed still lingering on your lips, your entire body turns to solid, petrified rock.Â
Your motherâs face is contorted, screwed up tight with shock and rage. But her eyes are wide, wide enough to swallow you up entirely like a sinkhole would. She traps you. And you remain there, locked tight until the seethe of her voice boils hot from between her lips, blistering the ruddy flesh on its path to you.
 âGit. Down. Here.â
Each word is a spitfire bullet, enunciated so precisely so as not to be misconstrued. The burn rushes down your spine to melt your solid rock into magma.Â
Where one moment ago you were heavy as a sinking stone, now you are unsteady, shaky, like the first time Eddie coaxed you into a rowboat, though you can't grab hold of his rough, broad palm to settle yourself this time. Your muscles are clenched up tight, but the warm pulse once stoked between your legs has deadened.
Youâre thrumming instead with horror. With deep, all-consuming dread.
You donât dare risk a glance at the man still nestled in that soft bed of hay. To catch his eye would be torture of a different kind. Instead, you rush to obey your motherâs command, and your knee scrapes raw against old, splintery wood as you scramble around and dip one foot to catch the rung of the ladder.Â
Itâs a sturdy old thing, that ladder. Good thing, too, because it holds fast as you cling to it with shuddering fingers and legs so wobbly, they clatter against its rungs with each step toward the perilous ground. By the time you reach the floor, the knee youâd scraped has gone numb; you want to turn your chin down, to look and see if your dress has bloomed a crimson flower of blood, but your neck is unyielding. Itâs hard enough to step back from the security the ladder provides. All the will your spirit possesses must be channeled into turning to face the woman looming like a cloud of miasma behind you.
There is no time, really, to brace for a confrontation, but you force your face into as docile an expression as possible before you face your Mama head-on. She is short and portly, hunched up in such a way as to make her smaller in theory but, in reality, itâs more imposing to you. But she isnât looking at you; instead, sheâs got one eye hooked on the edge of the hayloft and her lip caught in a sneer so deep itâs almost a snarl. âYou too, Edward,â she spits, and your throat dries to dust. âDonât think Iâm ignorant of your beinâ up there withâr.â
The silence that follows is stifling, crowding in on you from all sides. The pressure doesnât ease even as that pregnant pause turns to the creaking and groaning of wood, which protests as the weight of an unseen body shifts toward the hayloftâs edge. The thud of booted feet that replaces the woodâs cry is little consolation; in fact, your heart kicks up at the steady plod that commences, matching it in rhythm but pounding twice as fast. You donât dare to turn and look or even fiddle with your skirt nervously. Your hands remain still at your sides as your mother stares above your head, watching Eddie climb down from the hayloft. Her eyes dip slowly and steadily along with the thumping of those booted feet; the final step down to the barn floor is quieter than the rest, and your throat tightens as you sense Eddieâs hesitance in it.Â
As he alights on the ground, Mamaâs eyes suddenly shift. Where once she had been staring almost uncannily in your direction, as if she may or may not have been trying to look you in the eye, a sudden cut and glint make it abundantly clear that nowâ nowâ your mother is gazing directly at you.Â
Itâs all you can do to keep from trembling.
You vaguely hear the shuffle-scrape of Eddieâs footsteps and feel the warmth of his body as he comes to stand beside you. A quick glance reveals the extent of his mortification: his pale cheeks are beet red with a flush that creeps down his throbbing neck, and his eyes are squinched half-shut as if heâs bracing for a blow. His adamâs apple bobs, and unconsciously, you swallow at the same time.
When Eddie finally opens his mouth, all that eeks out is the briefest croak before your mother instructs coldly, âYou best be gettin' home to your uncle now, Edward.â
While the words donât drip with venom, the mention of Wayne is nothing if not a threat, and Eddie recognizes it as so. You would never expect him to argue; in fact, youâd be dismayed if he had, but the thought of facing your motherâs wrath alone covers the frozen dread inside you with a fine layer of poignant sorrow. You are heavy, but now you are empty, too.Â
Weakly, Eddie clears his throat to rasp, âYes, maâam.â Your chin trembles at the sound of his voice, but your eyes only begin to sting when you feel the soft, subtle draw of his fingers across the small of your back as he passes by you to disappear out of sight beyond the barn doors.Â
The touch is one last offering of comfort from your beloved before you both must face the consequence of your transgressions.
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