Rustic Pool
Hot tub - large rustic backyard stone and rectangular infinity hot tub idea
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Hot Tub Pool Phoenix
Hot tub - large rustic backyard stone and rectangular infinity hot tub idea
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Rustic Pool
An illustration of a sizable lawn with a rectangular infinity hot tub in the alpine style
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Lap Pool
Example of a mid-sized classic backyard tile and rectangular lap hot tub design
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Beach Style Bathroom in San Diego
Small beach style 3/4 white tile and stone tile mosaic tile floor bathroom photo with furniture-like cabinets, distressed cabinets, white walls, an undermount sink, marble countertops and a two-piece toilet
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Freestanding Home Office
Example of a mid-sized arts and crafts freestanding desk carpeted and beige floor study room design with blue walls, a standard fireplace and a tile fireplace
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Transitional Bathroom - Kids
Small transitional kids' blue tile and mosaic tile mosaic tile floor bathroom photo with quartz countertops, recessed-panel cabinets, white walls, an undermount sink and blue cabinets
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~ Textures | Patterns | Designs ~
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The future unfurling from the past
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#TwoForTuesday + #TilesOnTuesday:
Joseph-Théodore Deck (French, 1823-1891)
Tile Plaques, c.1880
Earthenware with underglaze & overglaze enamel decoration
Each tile: 10 x 10 in (25.4 x 25.4 cm)
Each panel: 40 x 20 in (101.6 x 50.8 cm)
On view at Philadelphia Museum of Art
The vibrant turquoise blue in these works was one of the signature glazes developed by ceramist Joseph-Théodore Deck, who was inspired by Turkish ceramics. The turquoise came to be so closely identified with the artist that it came to be known in the late 1800s as ‘Deck blue.’”
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Jordan Nassar Al-Atlal (The Ruins), 2024 (Glass tile mosaic), at Anat Ebgi, Los Angeles.
via T Magazine:
“Oh, my heart, don’t ask where is the love; it was a monument of illusions, so it collapsed,” the Egyptian musician Umm Kulthum sings in her 1966 lovelorn anthem “Al-Atlal (The Ruins).” The lyrics, which were based on a poem by Ibrahim Nagi, now frame a mosaic work in Jordan Nassar’s exhibition “Surge,” opening on May 18 at Anat Ebgi gallery in Los Angeles. The 60 by 96-inch piece, titled after the song, is made up of glass tiles on foam board. In the middle, a grid of six square images show animals, including a swan and a dog, hovering above a nocturnal mountainous landscape or a mosque. The composition was inspired by a Byzantine floor mosaic discovered by a farmer in 2022 in the Gaza Strip. “There is a very high chance that the mosaic is now completely destroyed — it’d be a miracle if it’s still there,” Nassar says. –Osman Can Yerebakan
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