#blood everywhere I'm Normal.

[butchford]

Kabumisu is soooo something to me. Kabru literally did not have to do All of That. Keep him alive for a week, sure. But. Gestures. Tailing after him, even. Knocking him out for his own good, which is kinda mirrored by Mithrun slapping him out of a panic attack. There's a weird sort of mutual footing to be had there. Kabru even somewhat drops his excessive use of charm around Mithrun on account of the guy not giving a fuck. They're both sole survivors of nightmarish shit. Crushing sense of responsibility. There's weird mutual attachment. Kabru was so deadset on not letting the guy give the fuck up on everything after expiring his purpose he managed to help give him a will to Keep Going with the help of the Canaries. They're like if the base definition of "partners" was gay was a qpr was some secret third thing. Understand me.

[princehendir]

That was actually the best/easiest dental appointment I've had in years. I'm sorry for complaining.

[steakout-05]

as an Australian you American blokes have got to stop talking about huntsman spiders like that. don't diss my weird little lanky wallclimber friends, they're not horrible awful freaks of nature who chase you and bite you on contact. they're actually very docile and timid and they're very reluctant to bite. like, all they really want to do is hang out on your walls or your ceiling and eat bugs all day. huntsman spiders are way more likely to run away from you and go hide away in your pantry than they are to go out of their way to bite you. biting you would probably put them in even more danger than if they just ran away, and if you are messing with a huntsman spider enough for it to bite you, you were likely being an asshole to it. they do not want to bite people! they don't chase you either, not on purpose anyway. the reason it might seem like one is running towards you is because huntsman spiders have pretty bad eyesight and literally cannot see you properly. it can absolutely be frightening and jarring, yes, i would understand as i have arachnophobia and have expereniced the fear of a huntsman unintentionally jumping or sprinting towards me, but they do not want to chase you or scare you. they are trying to run away. they are in the same boat as you, they're scared out of their wits and are trying to avoid danger. huntsman spiders are not these horrible dangerous freaks, they're just little (and sometimes not so little) guys. they can be scary, but all the miconceptions about them are not warranted or deserved in the slightest! and anyway, they're not even "only in Australia". we are home to many huntsman spiders, but they are also present in Asia, Africa and some places in America. they're not even exclusive to this country so i don't get why "only in Australia" gets hurled at them a lot.

actually, the whole attitude Americans have of Australia having weird and dangerous wildlife and the same old "only in Australia!!1!! kill it with fire lol!!!!1!" reddit drivel is pretty shitty overall tbh. every continent on the damn planet has weird and dangerous wildlife, why are we acting like it's JUST Australia you should stay away from???? America has some fuckin strange animals living there, you don't see as many people making a big stupid spectacle out of that. Australia's wildlife is unique and beautiful and wonderful, no Australian wildlife slander in my notes.

[astertimberwolf]

I really don't want to sound creepy saying this but- Northflowo / Excessive-Moisture, you are my spirit animal and role model. Please never stop making animations and being your weird self.

It comforts me that I am not alone in my feral crazy behaviors. 🤣😂💯💖

Normal everyday clumsiness. 😌

[sentient-stove]

"Oh my god he’s dead- we killed a vigilante, OHMYGODOHMYGOD—" A hysterical voice screeched out, decidedly feminine and loud enough that the comn line picked it up.

"He broke in here for no reason first! We have probable cause as to why you brained him with our wok!" The second interjected, calmer than the first, but there was still a line of tension, like they were uncertain about what they were saying.

"Oh my god, oh god we’re literally so dead Batman’s literally going to murder me and you and us and—"

"We're already mostly dead, he can't kill us. Although I thought he had a no killing rule anyways, so maybe we’re safe? Ancients, that is a lot of blood. You think we should call an ambulance?" Static filtered through the comn line before stabilizing again and wow. The residents of the apartment were really just having a full conversation over an unconscious Nightwing- in earshot of a microphone recording every word- like this was a normal occurrence. Maybe it was a normal Friday night for them, Barbara couldn't exactly judge.

"I'm not calling an ambulance, they might arrest him. Hell, they're probably gonna arrest us! Danny, we're fucking unresgistered metas in Gotham, I’m a clone—"

"—Not metas and I won’t let anyone arrest you—"

"—It's the same thing to the government at the end of the day. You're right though. I think I hit him too hard, we're going to lose the deposit with the amount of blood getting everywhere. Head wounds bleed a lot right? Maybe he's not dead."

"He's not dead, we'd know if he was."

"Oh. Right. Man. That is a lot of blood, our IKEA rug is ruined. I liked that rug, you think we could ask him to buy a new one when he wakes up or is he on the normal vigilante salary of nothing?"

“Mhm. I'll go get the med kit, you handcuff him to the table so he doesn't jump us when he wakes up. Keep the mask on- I don’t want to piss off whatever buddies he’s got listening in.”

[teslacoils-and-hubris]

*gore and body parts everywhere, just absolutely drenched in blood* yeah I'm being normal about people misinterpreting a fictional character whom I enjoy a normal amount

[signedkoko]

Alastor | Stolas | Vox [Comfort]

In which the two of you bump into your abusive ex who just arrived in hell.

You and Alastor always went on walks through hell together, since you enjoyed exploring the outdoors and he enjoyed people watching

Normally things were relatively peaceful, most, if not everyone, knew the radio demon down to every detail, and avoided him at a mere glimpse

He enjoyed telling you about things that reminded him of his past, or encounters he'd had just down the street, while you listened and observed with awe

Unfortunately, your usually peaceful walk was rudely interrupted by an obnoxious shout in your direction

There was someone who looked severely out of place, likely having just fallen, stumbling towards you with a seething grin

Alastor was already annoyed the moment anyone interrupted him, but even more so at the fact that this individual was shouting obscenities at his darling

Nevertheless, he stood stoic by your side, only glancing down at the shorter individual with an animalistic twitch in his eyes

" Can't you hear me, fucking bitch! You're the slut who put me down her- "

Once your hand gripped onto Alastor's wrist, tugging him, the man's head was sliced clean off, smashing into a building across the street and leaving a visceral splatter

Alastor was already removing his wrist from your hand to wipe the blood from his cane with a handkerchief

Once the body hit the ground with a thud, he had his arm around your waist and lifted you over it, continuing his walk as if nothing had occurred

" And that impeccable diner over there! I just have to take you, it reminds me of my many evenings after the late shows! "

Stolas had heard enough about the life you lived on earth, each momentous day and each sad tale that made up your story

He knew he was never able to protect you up there, and vows to do so now that you are by his side in the afterlife, offering an eternity of protection

Inevitably, he understood some people who had hurt you would eventually find themselves down here, and that some may try to hurt you, so he refused to let you wander alone for too long

It didn't even have to be him, so long as someone he knew could protect you was nearby

Unfortunately, the first to find you was the worst possible individual

The one who had raised their hand so many times to you, and left you with scars Stolas wished he could erase along with every worry

It was one of your date nights, visiting some upper class restaurant after having washed a romance in theatres

You were both dressed to the nines, laughing in one another's company and waiting for the cab you'd called since you'd finished sooner than expected

The both of you climbed in, only for the doors to instantly lock, tearing off without any word or signal from either of you

Stolas laughed it off for a moment, asking the driver if he already knew your destination, though he stopped when he noticed your eyes locked onto the rearview mirror

" Already moving on to someone else? Think I'm not good enough for you? "

The voice was calm but eerie, aimed directly as you

You looked horrified, and Stolas' heart raced as he connected the pieces together

One moment, the car was racing down the road, and the next, you were in the royalty's arms being carried away from a totalled car burning up in flames

You'd only blinked your eyes

Stolas held you tighter that evening, and refused to let go for weeks after

Vox was an extremely busy person

So unfortunately your intimate time together was rare

Despite that, Vox always invited you into his studio with him while he worked, so at least you'd be near one another and he could know you were safe

I mean, you were always safe so long as he could reach you, and modern tech was everywhere in hell nowadays

But he was extra protective since he'd learnt your ex had entered hell

Had he told you? No. Did he feel guilty about it? Yes.

But he just didn't want you to have to worry, and seeing you happily working away at a new project or hobby without a care in the world was just so, so...precious

Eventually he knew he would have to crack the news, but he hadn't anticipated your ex would find you so soon

It was a late night in the studio, with Vox overlooking several large screens as countless information transferred to and from his own database, analysing every media and algorithm

You were behind him, sat in a leather armchair, reading one of the many books that lined the book shelf he kept around as decoration

People came in and out of the floor through an elevator, though as the time got later, the frequency dwindled down severely

When it dinged for the first time that hour, neither of you were too bothered, Vox continuing without a flinch and you looking up for just a moment

Your gaze never went back to your book, though, stuck on the face that had a hateful sneer aimed straight at you

The phone in your pocket dinged with an alert, something about your heart rate increasing drastically in too short a time, and the information registered into Vox in milliseconds

" Finally, I fucking found you! "

One step out of the elevator, and the door clamped shut around their second leg with a loud crack, forcing your ex down onto one knee

Vox only turned to you, ignoring the wailing figure

" Oh man I really should have told you they were here! You can yell at me after. "

The suited man then walked towards your ex as the doors slowly released, kneeling down in front of him with a cackle

" Pathetic. Freak. "

Vox kicked them back into the elevator, and you heard the thing drop at high speeds back down the skyscraper

Security would handle the mess

Author's Note - I wanted to write for some of my favs to get us started off, and went for a prompt I see pretty often. If you like what I do, please consider sending in a request 🖤

[norrisleclercf1]

Mafia Lestappen when reader gets into a car crash

A/N: And if I add a child? Then what????? Also Monaco is a lot bigger in this fake world soooo yeah maybe twice as big as it normally is

"Mommy, sing," You baby girl giggles as you drive her home from 1st grade, you hate dropping her off there, but it was safe and good for her to socialize with other children, and with her life and who her fathers are you knew letting her be herself safely was best.

"Adie," You sigh, but you can't deny those sea green eyes as you turn up the old Disney music and start to sing with her. She giggles happily as you look in the mirror and smile, 'MOMMY!" Adeline scream rings out as you look back in front of you and gasp, before everything goes dark.

--------------------------------

"Should be home soon," Charles sighs, finally home from a long day at the office, Max trudging in behind Charles wanting to just curl up in bed with his family. "I know, I hate she goes to school, but it's best," Max grumbles, always missing his little girl and Charles was no better.

When she was younger the two of them would break her out all the time but you put your foot down, stating that school would be good for Adeline. Charles hums and pets the cats and then Leo, his dog and moves grabbing his phone as it vibrates and he smiles as picture of you and Adie pop up.

"Mon cher, when are you going to be-" "Mr. Leclerc, this is Dr. LaRouche, I'm the emergency room attending here at Grace Kelly Memorial Hospital, I have your daughter and wife here, they were in a very serious accident," Charles feels his blood run cold as he turns to stare at Max whose bent down petting his cats. "What?" Max asks, looking up.

"Charles, what is it?"

---------------------------

"I just want Mommy!" Adeline sobs, the pediatrician and nurse trying their best to calm her down. "I know sweetie, but we've called your fathers, they'll be here soon," The doors fly open as Max charges in like a bull, eyes wild before the settle on his baby girl. "ADIE!" "DADDY!" She sobs and moves as he rushes over and captures her in his arms.

"I'm here, I'm here," Max repeats as Charles collides into them holding his baby as well. "Mommy, mommy was hurt," She sobs and Max refuses to move from her side as Charles looks around their guards everywhere as the staff move carefully around them. "Someone tell me where the fuck, our wife is?" Charles ground out and a nurse stands, walking over quickly.

"You're wife and daughter were involved in a head on collision, the man was running from the cops and hit your wife. She sustained a head injury and a lacerated spleen and they needed to take her to surgery to remove the spleen as it was bleeding and unable to be repaired. You can see her in a couple hours when the surgery is over, please, just stay with your daughter," The nurse calmly explains and Max moves lying on the bed now.

"Charles," Charles turns around and sees Adie crying softer and looking at him with his own eyes. "Oh, my poor bebe, you must've been so scared. You were so brave," Charles praises softly kissing her head as Max looks over her only seeing little scratches and scruffs, the only thing that concerns him is the cut on her forehead.

"Does your head hurt my little star?" Max whispers pulling her into his lap and holding her close as Charles blocks them from the lingering eyes in the Emergency room. "Just a little, they gave me yucky medicine to help," She explains, "Papa, can I play a game on your phone?" She asks, blinking and Charles quickly gives her his phone.

"Mr. Verstappen, Mr. Leclerc?" They turn as a doctor approaches them. "Your wife is out of surgery, we can't let you in the room, but you can see her," Charles and Max move, Charles taking Adie into his arms and kisses her head gently as they walk through the stale hospital hallways and stop at your window, the sound of candy crush going low from Charles's phone.

"She's good, just sleeping, we'll continue to monitor her, but luckily her car is....military grade, if her car wasn't like that then it would be much worse," The doctor says and pats Max's back who nods as Charles squeezes Adie close unable to imagine what would've happened.

"Told you it was worth it," Max whispers and Charles sighs resting his head on his shoulder. "Not now, Max,"

[paper-mario-wiki]

Could you explain how Ambrosia is able to come back after dying?

1

Sure yeah, I'll give it a shot.

[Fursona Lore/ Mild Existential Horror presented in charmingly primitive MS Paint style under the cut]

2

[At the top of the panel there is the label "conceptual space (currently being created. The middle is labeled "THE UNIVERSE, REALITY (the other)". The bottom is labeled "CONSCIOUSNESS, REFLECTION (the self). The very bottom of the panel reads "OTHER, FREAKIER BUT LESS IMPORTANT STUFF" ]

To keep it brief, a person is when a certain amount of consciousness slips upwards into reality. Consciousness is, like the laws of thermo dynamics [sic], a fundamental property of the universe.

3

I'm sure you've heard of the sticking-a-pencil-through-paper metaphor for theoretical wormhole travel, right? Staying within that visual metaphor, imagine the moisture in the air around that "piece of paper" as what consciousness is. It creates tiny, imperceivable changes in the surface and makeup of the paper. Imagine a microscopic rain cloud making a tiny fraction of the paper a little bit soggy. That's what you are in the universe. A tiny soggy fraction of a massive piece of paper. (That's why you feel so small btw).

Of course, putting it into that metaphor IS greatly simplifying it, since in real life things like time and space sorta overlap, ya know? Because they're entirely separate dimensions of measurement. Consciousness is the same, it is everywhere in the universe all at once, but only after it seeps in from a place that is exactly where we are, but elsewhere. 4D stuff is complicated sorry if that's not super clear ha ha.

4

Normal people happen when a bunch of that stray potential-consciousness starts stacking more and more layers of reality on top of itself. Sort of like those pastries that you fold butter into and then fold it like 10 times and that makes it so theres like a billion layers of butter and dough and butter and dough and butter and dough and on and on and on. But with, uh. The other stuff. Consiousness and matter from the universe.

Speaking semantically, that's all the little tiny organisms that work really hard to make you alive. Like the biome in your gut, or the bacteria in your tissue and blood cells. Look it up, 43% of the human body is made of bacteria. Like, that's just on google.

Anyway, all their effort culminates in an increasingly complex meat shell that constitutes a person.

5

For the sake of practicality, we can imagine the way consciousness "seeps in" to the universe is like heat coming off the sun. The two overlapping infinite planes radiate into each other like heat radiates off the sun.

That clear? Heat from the sun. Remember that, it's important for the next part.

6

I'm sort of like a solar flare.

My consciousness, in its raw form, was so concentrated that it was like a tiny shooting star straight from the source.

Also kind of like a kidney stone, I guess.

7

Since my consciousness (which, to be clear, is approximately the same "amount" of consciouessness as anyone else, just all smooshed together into a single clump) is smooshed together into a single clump, the shell forms naturally as "reality" settles onto it. The "shape" the consciousness takes is basically the same as your body or anyone else's since the framework of both entities are the "same" on the "outside". Thus the "shells" turn out "similar" too.

Sorry for all the quotation marks, it's hard to talk about concepts outside of the third dimension in third dimensional terms, and like. I also am not super sure about this stuff either. I'm only relaying what I've learned from the scientists but some of it goes over my head.

I like to think I'm clever but like. I'm not a genius.

8

So here's the part where me and you are different: When your shell breaks apart (when you die) it's because the consciouessness had been escaping your shell, like air from a balloon, and the physical structure can't support itself anymore. Or, like, maybe you just fall over and hit your head on the concrete one day and pop the balloon all together.

Either way, the consciousness escapes from the pressure, and either goes back "down" where it came from, or goes upward into conceptual space, which is sorta being constituted through forces exerted in the physical universe. Well, I mean, really it's more of a product of a reaction between consciousness and physical space. Whatever I'm getting off topic.

The point is the shell breaks cuz the balloon pops. I think that was my point.

9

Now that you get all that, you can probably deduce on your own how and why I'm able to keep "coming back".

It's cuz I'm not really "coming back", I'm still here! The shell representing me here was just lost.

10

And while the facade may not look precisely the same every single time...

11

I remain the same.

[magicalmilly]

I'm crying at Persona 3 Reload.

They managed to get the entire character of the MC said in less than 1 second of gameplay.

It is midnight, the world has plunged into darkness. Everything has turned an evil shade of green, blood is everywhere.

And other than him checking that his MP3 was okay, he doesn't even blink.

You get control of him, you discover you can look at objects:

He is literally standing in blood. the world is green. he is more interested in a construction site wall.

You go to the next screen, where they introduce the coffins that normal people are in during this time (though he doesn't know this yet)

He does NOT give a FUCK about that coffin. He just wants to know the bookstore hours. Who the FUCK is this man.

God I LOVE the P3 Protagonist.

[davrinassan]

i need help with vet bills (again).

hi. for those of you who remember, earlier this year i asked for donations to help me afford toos' vet bills, who we found out through your help had kidney failure, and again with your help we got her on medication for it. unfortunately it wasn't enough, and we lost her. and then shortly after, dexter began deteriorating, which we put down to his grief of losing toos - she kept him young, he followed her everywhere, he only played because of her, he only ate when she ate, etc. without her he just stopped. and then he started to have seizures and fits daily. we got him blood tests, but he was suffering so badly. we made the decision to put him down. i didn't ask for donations this time, because i was so deeply embarrassed to ask for help again. but we are still recovering financially from that, as well as the parts of toos bills that didn't get covered from donations. my mother hasn't worked for a very long time, she's disabled and very sick, and she receives PIP from the government that only covers her monthly medications that are not covered by the NHS. my father retired early to become her full time carer, and we are living off his pension. i am too disabled to work, but because my mother already receives PIP and i live with them, the government are resistent to giving me any help - so i have zero income, and rely entirely on my parents.

this is jenny. she's a 14 year old cairn terrier, who loves when we garden because she wants to help dig holes. she helped us bury dexter and toos, digging their graves for them with my dads help. she's an angel, and loves people so much she likes to escape under the fence and join other families for awhile. one time she got into someones back garden and asked to come in as they were eating lunch. she really hates flies, and will try to bite them out of the air (she has never succeeded but i believe she will one day). she will rub her face against you until you start stroking her, and will growl and even bark if you stop! we don't have the money to take jenny to the vets, for a checkup or for anything they may want to do. this has been an ongoing issue, but toos and dexter took priority, and it hasn't been a bother to her. she existed as normal for a long time, but that's since changed.

jenny has this lump in her mouth, it is larger than the picture shows, but she is a nightmare to force open her mouth since this got so big, i think it's uncomfortable or painful for her. she can't properly close her lips now, and it has pushed all her front teeth away, misshaping her mouth, and sometimes it bleeds profusely. eating has become difficult for her, she can't eat anything hard, and currently will only eat soft human foods like rice, scrambled egg chopped up so small she doesn't have to chew, and things like soups and gravy. she's lost a lot of weight, and i'm getting frightened. to add onto it, i've found lumps like this across her body. i've done as much research as i can, and i believe it to be an oral tumor, it fits, and it looks right, and it spreading across her body is called 'full staging'. and going by all i've read - they will want to remove them in surgery. according to my research, this will cost anywhere from £585 - £4,740 for just the lump in her mouth. that's not including any checkup/test costs, or the other lumps on her body.

she hasn't been to the vet yet, i don't have any secure goal or bills to share, just my assumptions and beliefs from researching myself online. my parents refuse to take her because we can't afford it. i want to save up money, have it in my bank, and show them that we can help her now, before it gets worse, or it's too late. as i said before, i don't have any income, so the only way i can do this is with help.

here's a link to my paypal.me

the icon is a little mouse, and the @ is rivellon

i struggled so badly posting the first post like this for toos. i felt so guilty and embarrassed and ashamed. but i have no choice again, i want to help jenny. i don't want her to suffer. and selfishly, i can't handle losing another dog so soon. this year has been waking nightmare, and i need your help to stop it getting even worse.

please reblog and share, even if you can't donate.

thank you for reading.

[letorip]

kiss with a fist [ii]

"Blood sticks, sweat drips, break the lock if it don't fit, a kick in the teeth is good for some, a kiss with a fist is better than none"

===+++===

pairing: tara carpenter x reader

summary: you signed up to help tara with her stupid plan. not whatever the hell one would call this.

warnings: implied sex, use of alcohol, puking, arguing loudly and wrongly, curse words(?)

word count: 5.2k

A/N: sorry to make you wait so long, but here's the second part. there will probably be a third, so fear not, the story doesn't end here. i originally thought i would be able to just end it off right here, but it’s going kind of really well and i think a third or maybe even a fourth part is more reasonable

===+++===

===+++===

For almost the entire walk to the frat house, Tara didn't actually say much. It surprised you too, the way she just glanced around the city that passed as you walked and fiddled with her nails. It wasn't an uncomfortable silence, but you were so used to Tara having something to say that it made you speak instead.

"Wow, for once, you're speechless," you commented as you passed under a streetlight. Tara shot you a glare, shoving her hands into her jean pockets.

"Would it kill you to shut the hell up?"

“There we go, back to normal. Why are you being weird?”

“I’m not being weird,” she scoffed. “Mind your own business.”

"I'm just saying."

"Well don't say. Don't say."

===+++===

The party fucking sucked. It was quintessential college, with frat boys who attempted to yell over the loud music that rattled your eardrums. Coolers upon coolers of shitty, cheap beer sat against the far wall, and a crowd had gathered around them to pick off all the free alcohol they could. Maybe a year ago this would’ve been fun. Now you found yourself disenchanted with the ordeal.

Tara was off god knows where, doing god knows what, which you figured was the point of the arrangement anyway. You weren’t too concerned with tracking her down, especially if situation also presented itself as a pleasant bonus— not having to put up with her.

Chad had wandered out of the room when he saw you and Tara arrive together hand in hand, going deeper into the party without a word. He was usually the one you hung around with at these kinds of things, but he had been a sad little dog with his tail between his legs since you and Tara announced you were meant to be a few days before the party. It seemed some of your friends were still adjusting.

The immediate reaction after Tara said “soooo, we’re together,” was to laugh, like you two were doing a bit. It got less funny when they saw you both blankly staring back at them and then Tara grabbed your hand and held it up with a forced smile.

The whole group was going through a somewhat awkward seven stages of grief thing. Chad was avoiding you completely, Quinn was a bit annoyed you were off the market now after an egregious few months of hitting on you, and Ethan was the only one to be a bit normal, even though it was clear he too had a crush on Tara and was disappointed with the matter.

When Mindy had gotten over her disbelief, she dove right into an endless game of questions, only occasionally staved off by Anika. "So who confessed first?" had been one of the first ones, accompanied by a glint in her eye. Tara jumped in before you could even open your mouth, eager to answer.

"(Y/n) showed up on my porch, all sweaty and disgusting looking, just smelling so unbelievably bad it was overpowering-”

“I had been working out,” you rolled your eyes. “That’s why I was sweaty."

“Mhm, whatever. Anyways, apparently they were just being such an asshole because they were in love with me," Tara said, with a wide, shit-eating grin. "Right?"

You had to hide your glare behind your solo cup. "Mhm. I was just overflowing with it. I have so many things to say about you."

“All nice things,” Tara corrected.

“Yeah. That’s what I said.”

“Was it?”

“Uh huh.”

Mindy’s questions followed you everywhere she did. Who kissed who first? Who’s more cuddly? Have you guys slept together yet? They volleyed back and forth and you and Tara fought for the first word each time to pin it to the other with gleeful sadism. Of course, it was then flipped around once the next question came and you would huff in annoyance at the other for being an asshole.

It wasn’t as bad of an arrangement as you had dreaded. You only had to be couple-y when other people were watching you two interact, or when Sam would glare in suspicion. Hold hands a few times, smile, share a glance. Other than that, things stayed mostly the same. The group probably appreciated you both not acting head over heels for the other and you liked it because it meant you didn't have to pretend to like her.

Tara had a brazen way about her that made you roll your eyes. She never took no for an answer, had a teasing remark for anything, and always felt the need to be doing something. Other people seemed to find themselves charmed by it. Others, but not you. Never you.

The walk there had been about all she could take of your personality, and the moment after you two were seen together, she ditched you at the door and wandered off to the dance floor. After that you had lost track of her, and ended up splitting your time between the kitchen, the bathroom, and the front room, away from the crowd. Mindy found you there, tugging Anika along with her.

"Cut the bullshit," She said with an eye roll, sitting right down on the couch in front of you. Anika plopped down next to her. "There's no way in hell you got together with Tara."

You grinned, sipping your beer and partially using it to block your expression. "No, we're together. I really like her."

Mindy scoffed. "You're a terrible liar." Your cheeks warmed and you tilted your head to the side.

"We have to separate you two like warring chihuahuas every time we hang out together," Anika said. She leaned forward and narrowed her eyes in a study of your face. "You're not confessing your undying love."

"I did."

"You didn't!" Mindy said, and she threw up her arms.

"I did."

"You didn't," Anika snorted.

"I...," you looked at them both, "...are you guys going to snitch?"

"Snitch to who?" asked Mindy. Now they were both leaned in, like eager children around a campfire. You swallowed.

"Sam." Mindy blinked. Then she sat back.

"What the hell did Tara get you involved in?" she asked. As much as Sam was part of your group, it was known not to fuck with her, and that's exactly what Tara was making you do.

You frowned. If anyone was going to ruin the plan, it probably wouldn't be Mindy or Anika. "You can't tell Chad, but we're not actually together."

Anika raised her eyebrows and shot Mindy a glance. "That didn't take a lot of brain power to figure out." You shrugged.

"Well, we fooled Sam. Tara needs a fake partner so she can go to parties and see people and stuff. And, well, you know how Sam is about that stuff."

Mindy crossed her arms. "And you said sure?"

You shrugged. "I mean, I didn't really see why not. Plus, she was being super annoying about it. Showed up at my house. She was begging, almost."

"So, you what, took pity?" Anika asked, giving you a look. You rolled your eyes.

"Trust me, it's not because it's fun. She's way too annoying and she'd probably say the same thing about me."

Mindy frowned, looking out the doorway and into the booming party. "Chad wouldn't like it."

You sent her a worried look. "Please please please, don't tell Chad. I know he's upset by the whole thing, but Sam would literally kill me if she knew I was helping Tara run around town."

"I don't know...," she said. "I know Tara wants freedom, but this is kind of bullshit, (Y/n)."

"It won't be for long. She just wants to meet someone. When she does, it's over. Life goes back to normal."

"Do you guys have a target in mind, or something?" Anika asked, a bit amused.

"Not even a little a bit. It’s like, her second party ever,” you shrugged. “I don’t know if she’s really dead set on a person yet.”

“Well… she better figure it out soon.”

“Mhm.” You looked out the same glass door and into the booming party outside. Through the jumping crowd, you could see in the distance Tara, who was dancing with her eyes shut and a smile spread wide across her cheeks. She looked happy like that.

You took a swig of your beer.

===+++===

The boom of a fist on your door shook the thin walls of your apartment, and you jolted awake to hear three more hit the wood.

“OPEN UP (Y/N), NOW!”

Immediately, a headache washed over you and you groaned. You tried to smush your head into the pillow to make it go away but there were the banging fists again, and you sat up, letting your legs dangle off the edge.

“OPEN THE FUCK UP,” came the voice again, and you blinked. Oh shit. You knew that voice. You clambered to your feet and stumbled out your bedroom and down the hall in a dusty pair of shorts and shirt. “I’M NOT KIDDING! OPEN THE—”

You pulled the door open like a deer in headlights, seeing Sam seethe on the other side with her fist raised. Nostrils flared, forehead creased, eyes narrowed. She looked about ready to rip your head off.

“You,” she said, spitting the word. You flinched. “Where the fuck is Tara?!”

Shit shit shit shit shit. Had she not gone home the night before?? Things felt a little bit fuzzy still. You remembered grabbing another beer from Ethan and flopping down in an armchair, then another and another, and then maybe wandering home while the sun started to rise. Had you seriously lost track of the attempted murder victim on her first night out???

You blinked, already aware that your cheeks were a dusty pink. "I, uh... she, um..."

Her hands went to her hips, glaring at you expectantly. "Well?! Where the hell is my sister?!" When you were still staring like an idiot, she threw up her arms. "I fucking knew I shouldn't have trusted you with her! This is what I get"

You stared, feeling a lie (though probably a clunky one) come to your brain. "I think her phone must've died, but she just left."

Sam's eyebrows rose, but you weren't sure if it was in disbelief or even more rage. "What do you mean?"

"We, um," your eyes went to the floor, feeling her glare laser itself into you as you spoke. "We got super drunk last night at the party, and I brought her back here and we both fell asleep," you looked back up to see her giving your pyjamas a once over, nose wrinkled. You flushed. "No! No— we didn't do that. We just fell asleep."

Sam looked at you for a moment, then crossed her arms. "I waited all night for her, you know," she said.

You nodded. "I know. I'm so sorry, it won't happen again."

"It won't." Sam repeated. "When I don't hear from her for a whole night, you know what I assume happened, right? You know how that feels?"

You swallowed. "I do."

She sighed. "I'm really trying here. I know she doesn't want me worrying about her, and I know she wants freedom. So I'm trying, (Y/n). Don't make me regret it."

"I won't, Sam." It felt like a giant wedge in your throat, and you tried to smile at her but she continued to frown, and she turned around and walked off. The moment she was gone, you spun around and slammed the door. You dashed through your apartment, grabbing your phone off your nightstand and quickly pulling up her contact.

Little Shit (do not pick up). You pressed the button and put it up to your ear, wandering over to the nearby curtain and lifting it to look out onto the city. "Come on, come on," you pleaded aloud. "Fucking pick up, asshole."

After the third ring and a good prayer to god even though you weren't especially religious, it stopped ringing and you could hear her grumbling.

"Tara??" you rushed. "Tara, where are you?"

"Mmm," she groaned, "the hell do you want so early?"

You scoffed. "Tara it's almost noon." There was a pause on the other end of the line.

"What?"

"Uh huh," you grunted. "Your sister just almost ripped my door off it's fucking hinges because she doesn't know where you are. And you know what, neither do I!" There was some shuffling from her end, and then what sounded like running footsteps.

"I went home with this girl last night, I just woke up," she rushed. "Sam is going to kill me!"

"She almost killed me!" You almost yelled into the phone. Now that the worry had subsided you were left with anger. "She almost killed me because you wandered off and didn't go home."

"It's not like I meant to fall asleep," she argued back, and you could hear some talking in the background in faint voices. "I must've slept through my alarm— wait, what did you tell Sam?"

"That your phone died, and you were on your way home."

"WHAT?! (Y/n), this girl's apartment is at least fifteen to twenty minutes away," Tara said into the phone.

"Well it's not like I knew that, now is it?" you shot back, scratching your arm, "considering I didn't know if you were even alive until you picked up."

"God, not you too. I'm fine, drama queen."

"Drama queen?"

"Yeah, drama queen," Tara repeated, and more noises flooded in. It sounded as if she was in the city now, walking, "you sound just like Sam. I picked you because I thought you knew I didn't need a babysitter."

"That's not being babysat, Tara. That's making sure you're not dead," you rolled your eyes.

"Well, I'm not."

"Good."

"Great."

"Fine!" you shot back.

"Awesome."

You sighed into the speaker. "Pick up some flowers or something on your way back. Claim that's why you're late."

"Good idea, actually," Tara hummed.

"I know." And you hung up.

===+++===

You found yourself at an identical party the very next Friday night too, and the Friday after that, and after that too. The walls were just as stained. It smelled just as full of mold. This one didn't have a front room for you to barricade in, so you sat at the bar top instead, in the kitchen with your chin rested on the cool granite.

It had taken a whole night to get rid of the hangover from a few weeks before, and in doing so you had remembered why it was exactly that you didn't find these things too fun, anyways. You hadn't gotten anywhere near as drunk since. Mindy and Anika had decided on date night instead, and Chad and Ethan were off to watch a movie that originally you would've been invited to, had it not been for Tara.

It was painful, that Chad was ducking you. The irony wasn't lost, that the more time you spent with your fake girlfriend at parties and outings like a couple, the closer you got to actually repairing your relationship with him. You still would've rather gone to the movie, though.

You could actually see Tara, from where you sat. Through the bar window in the kitchen, she was on the dance floor, moving along with the rhythm of hard EDM as best she could. It was a giant mob of people, all clumped up and hopping around in excitement, and you didn't especially want to be out there.

As you watched, a guy came up behind Tara, tapping her on the shoulder and smiling down at her. You thought nothing of it, until you got a longer look at the guy's face. In the revolving, multicoloured lights that hung over the crowd, you recognised him in an instant, standing straight up and weaving your way through the party.

"You having fun, Carpenter?" He asked, with a douche-y smirk on his face as he said it. You rolled your eyes, coming up behind Tara and standing right behind her.

"I—" but you interrupted her.

"She is, Frankie," you shot, staring at him and crossing your arms. Tara whipped around to you with a glare.

"(Y/n), go away," she whispered loudly. But you stood your ground.

"Tara, literally anyone but him. I mean, anyone—"

"That's not your decision."

"Sam tased him in the balls last time. I mean, come on, you have to know he's a douche."

Frankie scoffed. "I'm sorry, who are you?"

"(Y/n) is just a—"

"—We're dating," you interrupted again. "So fuck off."

"No, we aren't," Tara shook her head. "Not really."

"Yes, we are," you nodded at Frankie. "Please leave. She's not sleeping with you tonight." He frowned, but started to walk off.

"That's not your decision, asshole!" Tara scowled and she reached out an arm to stop him. "Frankie, stay. You know what, I wasn't going to, but I will now."

"Frankie, leave. I mean it, you creep." You turned to her and glared. "Tara, listen to me, you—"

"No! Frankie, stay. Maybe I need the company," she shot back, narrowing her eyes. Frankie looked between you both, as did a few other people in the room who were starting to notice.

"They literally call him Date-Rape-Frankie, Tara. There's no way in hell you're sleeping with Date-Rape-Frankie. Frankie, leave."

"Frankie, no, stay. Well, what if I want to?"

"Then you're being stupid."

"Bold choice of words coming from you! You're not my mother."

"I'm not trying to be your mom, Tara. I'm using basic common sense. That guy is a creep and a perv," you pointed to him.

"Hey!" Frankie interjected, raising a hand to your shoulder.

"Fuck off!" you and Tara said in unison, dismissing him to glare right at each other.

"Well maybe I deserve the freedom to sleep with weirdos and whoever I want! I mean, who are you, the fucking sex-Nazi?"

"I don't have a problem with literally anyone else, Tara, but he's a weirdo!"

"Well then let me make that call! I'm not five. You don't need to baby me, I know he's a weirdo!" People were definitely staring now. You were both shouting, but a lot of it was drowned out by the EDM. It didn't stop others watching you point in each others faces and scowl.

"It's not babying you, Tara! It's basic caring! You have no clue about this shit, this is like your fourth party ever!"

"I've managed this far, haven't I?!"

"What, you want a cookie?!"

"Yeah, maybe I fucking do! I'm an adult, asshole! Let me do adult shit!"

"Wow, it's so adult and mature of you, to sleep with creeps and get hungover every Friday. How adult."

"Well, maybe it's not, but who gives a shit! I'm having fun for once! I'm being free without a fucking serial killer on my ass! I know you can't relate, but Christ, take the stick out from your ass!"

"Real nice," you shook your head. "This is what I get for helping you. Of fucking course." Before she could reply, you turned around and headed out the sliding glass door, into the fenced-in backyard. There was a pool back there, and you collapsed into a wrought iron pool chair, right near the edge.

People watched you warily, as you sat out there, but within minutes, the party was resumed. Even from outside, you could hear the thumping bass shake the windows gently as the glass moved in the panes.

There was a faint scent of petrichor from the small patch of grass out there, and the sky rumbled in the distance. It was peaceful out there, with small hanging fairy lights and the pool in front of you. You propped your legs up on the glass table and tried not to scream.

This was exactly what you should've expected, from Tara. Of course she would be selfish. Of course she would be brash. A part of you wasn't surprised. Disappointed, sure. But not surprised. You just sat there and tried to cool your breathing, watching the city lights in front of you.

You must've sat like that for an hour or two, just watching the city. It didn't feel like long enough. You might've even felt at peace, until you felt a hand on your shoulder.

"Um...excuse me?" You craned your neck around, looking up in your chair to see a concerned guy looking down at you.

"Are you (Y/n)?" He asked, awkwardly scratching his neck. You nodded, confused.

"Uh, yeah? Do we know each other?"

"No! No, I was asked by Tara, I think was her name? She wanted me to get you. She's your girlfriend, right?"

The worry came back, and you stood up. "Why, what happened? Where is she?" Sam was really going to kill you.

"She's in the guest bathroom, I think she's sick."

===+++===

"Tara?"

"(Y/n)?" you heard a very uneasy voice on the other end.

"Can I come in?" you asked, and when there was no response, you let yourself inside. She was on the other end of the massive bathroom, leaned up against the bathtub with her head close to the toilet bowl.

Tara looked absolutely green, with her hair sweatily stuck to her forehead and eyes barely open. "Christ Tara, how much did you have to drink?" you asked in worry, coming to stand over her.

"Oh, just—" she gagged like she was about to puke and you bent down to grab her and tug her towards the toilet bowl. You spun back to the guy in the doorway, who stared at you both with wide eyes.

"Can you get me some crackers and Gatorade?" you asked him, sending a hopeful glance. He nodded and closed the door, and you turned back to Tara, who was bent over the toilet bowl.

You moved her gently and lifted the toilet seat up. "Are you okay?" you asked with a frown. You felt like an idiot the moment it left your mouth.

She raised her eyebrows. "Do I look okay?" Tara mumbled.

"Well, no."

"Thass' good," she slurred. "I had too many," she hiccupped. You nodded.

"I'd say so. How much did you have Tara?"

She giggled. "This many." She held up four fingers with a giant, toothy grin and slumped with her arms encircling the toilet bowl.

"Since when?" you blinked.

"Since you got allllllllll pissy!" You sighed, hands going to her hair and pulling it back. She wrinkled her nose at you. "Why are you touching my hairrrrr?!"

"So you don't vomit all on it, idiot," you replied, shaking your head. Tara huffed.

"I'mnuh gonnuh puke."

And then Tara puked. Everywhere.

===+++===

You both sat there, that way, for about ten minutes. Tara vomited three times, during that span, and when she was done, you handed her the crackers and Gatorade and told her to do her worst.

She downed them in another fifteen minutes, sitting in the bathtub and eating while you sat leaned up against the bathroom wall, across from her, just in silence. The sounds of the party seemed to have died a little bit as the night droned on, and by now people would be wandering home or to someone else’s place.

While you waited, you shot Sam a text, letting her know you’d bring Tara home and that she was okay. Sam didn’t reply but she saw the message, and you figured that was good enough. When you checked the weather app, Tara finally spoke, coming to her senses a bit with more food in her system.

“Thank you,” she said quietly, staring down at the package for the crackers in her hand. “Thanks.”

You shrugged, staring at the toilet in front of you. It probably reeked in there, but at this point you were nose blind. “For what?” You meant for that to be it, just a small little acknowledgment, but Tara shook her head.

“Thank you for that. For being here.”

She stared right at you when she said it, and you knew she meant it with conviction. You nodded. “I know we don’t always get along, but I had your back, back there.”

“You have my back?” she asked, smiling a little and grabbing her Gatorade from the edge of the tub.

“I agreed to help you, didn’t I?”

She paused for a moment, then nodded. “You did, yeah.” Tara looked over at you, then tilted her head to the side. “I still don’t get why, though.”

“You were honest, for once.” It came from a surprising place, and you said it before you entirely knew you were speaking. You didn’t completely know what it meant either, until after you said it, but the words passed between you almost like a new understanding.

A few moments of silence came and went, before she spoke again. “I walk silently places at night in case I hear I’m being followed. By Ghostface. Same thing as when I’m home alone. I don’t do it as much anymore, but I still do it sometimes. Don’t tell Sam, please please please. She’ll make me go to therapy.”

“Okay,” you said, nodding gently. You leaned your head back up against the wall, craning it up to look at the ceiling.

“Why are you being nice to me?” She asked. You laughed, tracing the popcorn pattern of the roof with your eyes.

“I’m not the devil, Tara.”

“…Neither am I.”

“I know,” you said, and you reached your arm out for a cracker. She gave you one and you crunched down on it, while an especially large bass hit came from the speakers outside. “God, this music fucking sucks,” you groaned.

Tara nodded. “It’s really hard to dance to.”

“Well,” you shrugged, “it didn’t seem like you were struggling earlier.”

Tara frowned, then tilted her head in curiosity. “What’s your favourite song?”

You raised your eyebrows in amusement. “Why?”

“Just wondering,” she said.

“Okay… you’re going to laugh, though.”

“Am I?” she grinned. You nodded.

“Do you know that one song, The Promise, by When In Rome? It’s from the 80s, it’s super cheesy?”

She stared off for a moment, in thought, then shook her head. “Don’t think so, how’s it go?”

You rolled your eyes, but began to quietly sing it in a tone that wavered in between spoken word and humming. It was terrible and you were tone deaf, but it was the song. “If you need a friend, don’t look to a straaanger. You know in the end,” your voice broke a little at the low note, and Tara giggled but you continued, “I’ll always be thereee.”

“Wow.”

“Mhm. And then it skips a little bit and the chorus goes, ‘I’m sorry but I’m just thinking of the right words to say, I know they don’t sound the way I planned them to beee.’”

She cut you off with her hand, laughing hysterically. You felt your cheeks flushed, and in any other time you would’ve been annoyed with her laughing at you. But this didn’t feel mean. You just smiled right back.

“That was good, actually,” she managed, between small laughs. “Why is it your favourite?”

“Um,” you shrugged, “my brother used to sing it to me, years ago when I was scared.”

“I didn’t know you had a brother,” Tara said, leaning her head on the tile wall of the tub.

“I have six.”

She blinked, then sat up straight. “Since when?!”

“Always, Carpenter,” you shrugged. “Everyone knows.”

“Everyone who?”

“Chad, Mindy, Anika. Even Quinn.”

“I didn't know. How come you never talk about them?”

”I just don’t,” you frowned. Tonight was definitely not the night to get into that. Instead, you pivoted topics. “Why, what’s your favourite song? I showed you mine, now you’ve got to show me yours.”

“I’m ninety nine percent sure that’s not how that saying is used,” she laughed, “but fine. When I was crying as a baby, my mom sung me this song, called Baby, I Love You by The Ronettes.”

“Don’t think I’ve heard of it.”

Tara shook her head. “Probably not, but they’re the same group that does that one song Be My Baby?”

“Oh, yeah.”

“Apparently my mom had Baby, I Love You playing in the hospital, when I was born and everything. It’s kind of comforting. When I miss her, I play it.”

“How often is that?”

She shrugged. “More than you’d think, considering she’s a giant asshole.”

"That's always how it is."

"Mhm... and just so you know, I know Frankie was a creep. I wasn't actually going to do anything with him. Just flirt. Have fun."

"I know. I wasn't trying to babysit you, I just wanted to warn you. That creep has so many stories."

"I know. I just don't like being told what to do, sometimes. It's a whole thing. I'm working on it, seriously."

You didn’t know what to say to that, so you didn’t say anything at all. You both sat in what you assumed was a prolonged silence, until you looked down finally to see Tara’s eyelids falling heavy.

You stood up with a sigh. “You should go home.” There was no reply, and you checked out the small window in the bathroom to still see it was pitch black out. It was definitely too late to send her home this sleepy, and after the incident a few weeks ago, there was no way Sam would let her stay at yours. “Tara,” you nudged her.

She groaned, rolling over in the tub and snuggling up. You rolled your eyes, then looked out the window one more time with an annoyed grumble.

===+++===

The longer you had to walk with her on your back, the more you regretted this. Her arms were wrapped around your neck, face pressed onto the back of your shoulder and knees held up by your hands. You couldn’t see her, but you knew her eyes were shut and she was super close to being actually asleep.

"We make a good team, you know," she mumbled into your shoulder. You knew she was being funny, but you were too tired to laugh as you trudged up the hill. Carrying a drunk girl home was not at all what you had anticipated of the night, and though it had been shitty at the beginning and shitty until almost the very end, you could definitely say it wasn't shitty right then.

When you arrived at her apartment complex, Tara was soundly asleep and Sam came out to meet you both, taking her sister from you and stumbling with her towards the door. In the distance, right over another hill, the sky was already beginning to lighten up a bit.

Right as both Carpenters reached the door, Tara stopped for a moment to turn back to you with a smile. "Thanks, babe," she said with a cheeky grin that was only half awake. You smiled back.

"You too, babe."

Sam rolled her eyes, pulling Tara through the door. It was a pleasant night, still with the same faint scent of rain oncoming. In your weird, newfound peace as you walked home yourself, you didn't see that Quinn was watching you from the upstairs window.

===+++===

so that was fun lmao. anyways there will be a part 3 but you and tara are kind of maybe friends now? now it's time for feelings 😈

[steakout-05]

for months now i have had this little story idea bouncing around in my head for an AU of Jetpack Joyride where Barry is stuck inside a big expermental time loop conducted by Legitimate Research to create an army of randomly selected time-travelling soldiers. the idea is very much still rough and i dunno if and when i'll develop it into a bigger thing, but it's a pretty cool idea and it's a twist on the JJ game that i've never really seen much exploration on.

basically, it focuses on Barry, who is the sort of Patient Zero of an experimental concentrated time-fuckery technology LR is working on. every single day, at exactly the same time, Barry goes out to work his salesman job, discovers the jetpack, breaks into the laboratory, takes it for a joyride, eventually gets hit by an obstacle and dies. the next day, Barry goes out to work his salesman job, discovers the jetpack, breaks into the lab, takes it for a joyride and dies. and he does the same exact thing the next day, and the next day, and the next day, and the next day... he's pretty much stuck in a loop of the exact same events happening repeatedly every single day, and he has absolutely no idea about it. that is, until there's a glitch in the system, and Barry progressively becomes a lot more suspicious and paranoid about the situation he's in. the rest of this post is gonna be REALLY spoilery (like i literally just explain big important chunks of the story for several paragraphs) if i ever make this into a full-fledged fanfic, so i'm gonna put it under a keep reading thingy. also it is... quite long and convoluted lol.

as the story goes on, it focuses more on the mental degredation of Barry as he starts uncovering all these weird clues, slowly trying to piece together what's going on and driving himself insane, because every time a reset occurs, his memory of the previous loop ever happening is completely wiped and everything he did that day goes all the way back to square one. since the malfunctioning of LR's technology though, Barry has been getting little nuggets of deja vu and half-remembered fragments of dying before a reset. this eventually becomes him repeating things to himself, little phrases and codes over and over and over in hopes that it will persist into the next reset. this eventually becomes symbols stuck up on the walls of his room and then progresses to entire rituals to help him remember and little behaviourisms like tics and stims to let him know he's in another loop. he becomes more and more panicked and unsettled, paranoid that someone - or something - is watching him closely. additionally, he keeps having disturbing dreams in the early hours of the morning before he gets up to go to work, ones that are symbolic and prophetic, as if they're trying to warn him about something. i've had concepts of him waking up on top of a pile of millions of mangled carcasses that all look exactly like Barry, and having on them them forcefully grab onto his leg and pull him down with the rest of them. it's kinda like the nightmare Woody has in Toy Story 2, but like, dead guys everywhere, lol.

the backstory of this whole thing is kinda insane. basically, Legitimate Research is a sketchy government funded facility that's doing secret time experiments to create the strongest beings for a purpose that's somewhat similar to Brains' Zomb Bomb plan from AOZ (i haven't fully decided yet). Barry is someone who has been randomly selected for their newest version of the concentrated time loop experiment, where patients will be put under looping tests to extract data about their strength, agility and performance and decide what they need to supplement them with in order to create the perfect soldier.

Barry was 22 years old when he was selected. he was actually a relatively normal local Fish N' Chips vendor living in New South Wales, but one day, when he recieved an exciting letter in the mail about a new ambitious job opportunity, he completely disappeared without a trace and seemed to have been entirely erased from the minds of everyone he had ever known. Barry had actually been kidnapped and ensnared into a mind-experiments facility of the laboratory, where they proceeded to wipe his mind, proof of his existence and his entire personhood up to this point, and replaced all of it with fake memories to fill in the gaps. he was then placed in stasis and to be injected with high doses of strength drugs as they crafted a new life for him behind the scenes. a new house, in a new state, all with new stories and memorabilia meant to be lived out by new person. now, he was Barry Steakfries in Queensland, a rough-around-the-edges guy with a passion for action movies and destruction. he was a revel with a thirst for chaos and freedom, but he just didn't have the means to achieve it yet. it was all according to plan.

a big part of the story i want to tell that involves him is that at some point, Barry tries to break free from the time loop by doing something different. this takes a lot of pre-planning, memory rituals and repeating details to himself, but after he wakes up from a reset and gets out of bed, he hesitates, choosing to go to a different place to sell his gramophones that day. he deliberately tries his best to avoid Legitimate Research's headquarters as much as he can, and while he doesn't completely remember why he's doing it, he has a deep gut feeling that he should stay away from them at all costs. so he does. and at first, it goes well. the day is different, his choices seem to actually matter and for once, the feeling of deja vu isn't tearing him apart... until a crazy freak accident happens that forces Barry to die and reset the time loop again, wiping away everything he had done that day. Legitimate Research is now forcefully trying to stop him from knowing what the hell is going on by forcing him to die with each now discovery he makes, and Barry has to figure out more and more creative solutions to averting their surveillance and trying to get the hell out of the loop.

Craig will also be involved with the story too!! i'm not exactly sure what exactly the events leading up to Barry discovering and meeting him would be, but it'd be kinda halfway-late-ish into the story where Barry manages to cut off LR's surveillance of him, breaks into the laboratory and searches through its archives for anything relating to time. during this raid, he accidentally discovers the true Patient Zero to this time experiment: a broken, decrepit shell of a man who has been hooked up to a set of wires and locked away deep into the laboratory, never meant to be discovered by anyone, only known simply as #000 'Craig'. Craig was the very first human they used to run an early prototype of these experiments, but through malfunctions in the threads of LR's technology, he ended up knowing too much and tried to break free from his time loop, which resulted in him being dragged out of reality and becoming completely detached from his own time, stopping his aging process completely and practically allowing him to exist forever and persistently through every reset unaffected. LR relocated him and considered him a catastrophic failure, locking him away in a cell deep in the bowels of the laboratory before destroying and erasing every archive of him ever having existed in any point in time. and now, the same thing is about to happen to Barry if he doesn't figure out a way to stop what's happening quickly. Barry, outisde of LR, is the only one who is aware of Craig's existence in this timeline. Barry makes a vow to make sure that he will never ever forget Craig, no matter what happens to him, no matter how many times his timeline gets reset, because he is the only other person on the whole world who truly understands what he's going through.

at the very end of the story, when Barry finally escapes the time loop and is about to enter into a new reality where none of this ever happened, he reaches out a hand to Craig and offers he come with him to live. Craig, however, rejects the offer, sadly confessing to Barry that because of his disconect from the threads of time progression itself, Craig must stay behind and be erased along with everything inside this one and let Barry live his life. Barry protests, insisting that his life wouldn't be complete without him and that they've already gone through so much together, but Craig assures him that this is the best for the both of them, and that Barry must leave him soon before the window to escape closes. Barry gives Craig once last goodbye, holding him close and basking in his presence for the final time. he closes his eyes, presses his head against Craig's and whispers "I promise I'll never forget you." before he slowly lets him go, not breaking their locked gaze on each other for even a second as he steps into the portal and ventures into an entirely new reality, never to return.

i want there to be an epilogue part where Barry starts his new life and goes looking for a place to stay, and he comes across the place where LR used to be, which is instead occupied with a big square fence plot and a sign that says "UNDER CONSTRUCTION: NEW RESTAURANT TO BE BUILT". Barry stares at it for a moment and reflects on everything that has happened. all the hellish experiments that were once held inside this very plot of land, all the trauma he went through to get to this point, Craig's sacrifice, everything has lead up to him standing here, in the right place, at the right time, to finally live the life he should've had to begin with. eventually, he turns away, continuing to walk down the street. he should go check that place out sometime.

(insert "what a fucked up dream for a baby to have" ending from 'then what' here)

[schattenhonig]

The A in LGBTQIA+ doesn't stand for aspec because they're not repressed!

(please read the disclaimer at the end of this post)

Ummm, excuse me? Would you mind telling me what your definition of repression is, then?

Because I feel repressed when a doctor asks me about my sex life, and if I say I have none, it gets marked down as a symptom without being asked if I suffer from it.

I feel repressed when my gyn tells me I can't get a hysterectomy yet despite losing so much blood on every period that I need to take iron supplements all the time, because I could change my mind about not wanting children (which is a whole other post, I know, but it's most likely linked to sex).

I feel repressed if I can't use dating apps or platforms because my sexuality doesn't even exist there, and the one time I tried, I got called names because I didn't want to meet for because it was clear where this date would go, despite my explicit "what I'm looking for".

I feel repressed when I think about how recently a paragraph was finally abolished in my country that considered sex a vital part of a marriage, basically entitling the spouses to having sex with their partner (both gender neutral, because entitling people to having sex with somebody else by law is wrong. It's basically a rape permission).

I feel repressed when I can't watch any film or show without it being about love and/or sex, no matter if it fits the narrative and furthers the plot.

I feel repressed when I plot my own stories and automatically put a romantic couple in there as main characters, even though I have no idea why this would be important for the plot. Not even my own stories, my own thoughts are mine.

I felt repressed when I was asked accusingly in a relationship if I wasn't missing something before I even knew asexuality as a spectrum was a thing, and having to lie about this being a side effect of my medication instead of genuinely not feeling attracted to someone in this way.

I feel repressed when I can't tell people I'm not sexually attracted to them because they will take this personally no matter how well I explain myself.

I feel repressed when everywhere I look there's advertising relying on naked skin, suggestive posing and objectification. Why are expensive cars still presented by women considered beautiful and tempting? It's not like that's necessary to convince people of spending so much money on a thing that gets you from A to B. Couches with women in smart dresses and high heels. That's not what a normal person looks like on a couch. But the worst is a truck in the town where I live: it's from a small fruit and vegetable stand, so whenever I see it, it comes from the warehouse, delivering groceries. On it is a woman clad in very little, presenting fruit. I'm sorry, but why? Does a misogynistic picture convince you of the necessity to avoid scurvy?

I feel repressed when I tell people and get the answer "you just haven't found the right person yet", because there are two possible assumptions from that point: I'm either not trying hard enough (so it's basically my own fault) or something about me is not right, appalling even (which circles back to I'm not trying hard enough or frames me as a victim of my genetics, upbringing or circumstances to be pitied).

Do not tell me how I feel. Do not try to tell me everything is fine and I shouldn't complain or ask for acknowledgement if everywhere I look, I'm reminded of how odd, how weird and how not normal I am. How much it inconveniences you to even acknowledge my existence, let alone respect any of my traits, views and choices.

And while I can only write from my own asexual point of view, I wrote this with all kinds of flavours of aspec in mind, so I'm explicitly including aromantics, aroace people and every shade of the spectrum in this. Not all my examples may apply to you, but I hope you can find something to relate to.

ETA: please feel free to add your own experiences of repression!

[rcmclachlan]

Return of the Mack

For @alchemistc. Hope you feel better soon!

At the fire academy, three things are beaten out of every trainee: fear, a normal sleep schedule, and the social influences that prevent one from intervening in the event of an emergency. Some have jokingly called the third one the Anti-Bystander Effect, because if someone needs assistance—whether it's to stop an assault, run into a burning building, or help a little old lady find a quarter she dropped—a firefighter will immediately rush in to save the day. It's a special brand of classical conditioning that instills an elevated sense of responsibility in every trainee, and it's paid in full by the state of California.

Which is why it's so odd for there to be three capable firefighters standing around doing nothing while there's an old man clearly in need of dire assistance. If the LAFD higher-ups knew they were actively choosing to watch the carnage unfold instead of lifting a finger to help, they'd all be shitcanned. 

Luckily, there's a fourth firefighter on the scene doing the absolute most. 

"I thought we made a pact to keep him from using his powers for evil," Eddie says, taking a dispassionate sip of his coffee. 

"Is it evil if he's actually using them in service of a greater good?" Hen's attention is half on what's going down and half on the Notes app on her phone, where she's typing out the week's grocery list. "You know, the enemy of my enemy is my friend?"

Draped over the railing like his bones have melted, Chimney gives a sage nod. "He's like a one-man Suicide Squad." 

In the apparatus bay, they watch as Vincent Gerrard uses the distraction of B Shift heading home to duck behind one of the engines, most likely to regroup after being thoroughly ambushed the second he stepped into the station five minutes ago. He slumps back and breathes. The moment of weakness costs him: a grinning demon rounds the corner and makes a bee-line for him as though he can taste blood in the air.

"So, which one of you said 'spreadsheet' three times in a mirror?" Ravi sidles up next to Chimney and unwraps a breakfast burrito from Delia's. 

Chimney gives him the stink-eye. "I hope you brought enough for the whole class."

"Nope," Ravi says, taking a cheerful bite.

"None of us summoned him," Eddie says. He leans down to try and catch the conversation being had, but he's too high up. For a second, he thinks he hears the words 'crack whore' but it's probably a trick of the bay's acoustics. "He's everywhere, always, just watching and waiting for you to slip up. Like God."

"Or the Devil," Hen says in agreement.

"Or Santa," Chimney adds.

Ravi chews thoughtfully. "I thought we threw out all the clipboards. Who gave him that one?"

"Tommy," Eddie, Hen, and Chimney say through a simultaneous, long-suffering sigh. 

It's not just any clipboard. It's the king of clipboards. It's the only clipboard that has ever fucked. The thing is a navy blue polycarbonate beast with "Buckley 118" embossed in fire engine red on the back, and the clip looks like it was forged in the fires of Staples HQ. 

At the bi-weekly Beer and Bitch Night last Friday at Golden Road Pub, Tommy had pulled it out of a bag and presented it on one knee like he was proposing, or bestowing a sword to a king. The entire brewery was then given front-row seats to an intense game of tonsil hockey that nearly went into overtime until Eddie threatened to call Athena because Bobby looked like he was seriously reconsidering sobriety.

"Does he know what he's unleashed?" Ravi sounds genuinely curious. 

As if on cue, Chimney's, Eddie's, and Hen's phones chime with three incoming messages. 

T.K. 07:26am: Has it started? T.K. 07:26am: Remember: you promised one of you would film it T.K. 07:27am: I'm offering 3 nights of free babysitting to the first person who delivers

That last one is followed by a gif of J. Jonah Jameson shouting "Bring me Spiderman!"

Hen frowns down at her phone. "Who the hell is that?"

"I'm going to pretend I didn't hear that," Chimney mutters.

H.W. 07:28am: Why are you so desperate for video?  E.D. 07:28am: What 40-something year old still pinky swears? H.H. 07:28am: Clipboard Buck better not be a weird sex thing for you, Kinard

Tommy's typing indicator appears, then disappears. Then appears and disappears again. Then appears—

"Yeah, no." Chimney hastily pockets his phone. "Those two were made in a lab for each other, I swear to god."

Down in the bay, Gerrard has moved to stand almost directly underneath them. While they can't hear what Gerrard says to Melanie Wu, an electrician so talented she could probably take down the entire grid with her eyes closed, that puts such a dour expression on her face, they can hear it when Buck, popping up behind Gerrard like an insane Jack-in-the-box, says, "Don't worry, Melanie! This is something to bring up during Thursday's workplace conflict seminar."

"What seminar?!"

Buck isn't cowed. He taps his clipboard and says, "The one I scheduled with Chief Alonso. You know, the mandatory one we all need to do in order to keep our certification—well, we'll keep it as long as nothing comes up during the seminar that might call into question our ability to do the job."

There's a charged moment where it almost looks like Gerrard might take a swing at Buck, but then he notices the audience hanging above him like a Greek chorus and shouts, "Someone'd better top off the fuel and DEF or—"

"Already done, Cap." Buck makes a show of turning to the second page on his clipboard and lists off, "All fuel, DEF, oil, and coolant are set. Tires have been aired up. Hoses have been drained and cleaned, and re-rolled. Engines were all waxed yesterday, all medical supplies have been inventoried and stocked, and I've made a list of the harnesses and cutting torches that need replacing. Just need you to sign off on everything. Sir."

The ingratiating smile on Buck's face would fool even the wiliest of senior officers, and Gerrard himself looks like even he's not sure if what just happened was disrespectful, but they know better. 

"Diabolical," Ravi whispers, awed. 

Hissing through his teeth, Gerrard spins on his heel and storms away in the direction of the little office in the administrative section of the firehouse where he's taken to holing up like a miserable groundhog until they get a call that forces him back out. If he sees his shadow on the firehouse wall, it's six more hours of bullshit.

As soon as he's gone, all the firefighters that had stopped to watch the show burst into laughter and applause, and Buck cracks up, taking sweeping bows and blowing kisses to his adoring fans. 

Chimney rolls his eyes and looks to see what Hen's expression is doing, because no one gives good face like she does, but she's holding her phone in a way that clearly means—

"You're filming this?" Chimney demands, betrayed.

She gives an unrepentant shrug. "Three nights of free babysitting? I'm not proud."

"You do know this means Buck's going to get laid and be absolutely insufferable about it, right?"

"Three nights," Hen bites out through very audible regret.

Buck looks up, flashes a grin, and the second he clocks the phone he salutes it with the clipboard. Then he struts after Gerrard, calling almost lazily, "Cap, wait up! I wanted to talk about setting up a mock exam for everyone who's planning on taking the TCFP D/O!"

They all watch him go. Silently, Hen sends off the video with the air of someone about to make a drug drop. 

"So, when does Taylor Kelly's exposé come out again?" Eddie makes a dubious face in the direction of the administrative offices. "Because I don't know that Gerrard won't off himself before it does."

"We win either way," Chimney points out. 

"It comes out next Monday," Hen says, slipping her phone into her pocket and elbowing Chimney in the arm on her way to the stairs. "Karen and I are hosting a watch party that night and you're all invited."

Ravi beams. "Thanks, Hen. I'll definitely be there."

"And you'll be bringing dinner from Taco Azteca—for everybody. Make sure you get enough carne," Chimney calls over his shoulder as he follows Hen. 

"I'm not a probie anymore," Ravi whines. "You can't haze me like this."

Snickering, Eddie pats him on the shoulder and says, "You do this and I'll make sure you're not sitting anywhere near Buck and Tommy when Taylor drops the bomb about Gerrard and Ortiz."

"Extra al pastor and buche it is!"

[stellamancer]

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required) || playlist

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? There’s really something odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride.