#bl drama challenge

[theside-b]

BL Dramas + "Postcards from 2024 — Vol. 1"

[my-rose-tinted-glasses]

LOVE IS LIKE A POISON 🍏 Episode 6

for @twig-tea 💚

[lurkingshan]

The Miracle of Teddy Bear Saved the Gays

Last weekend, both @twig-tea and I had time off and were in the mood to binge something, so Twig suggested we finally watch The Miracle of Teddy Bear. Both of us had missed it while it was airing live (because it didn’t have international distribution) and had been given the impression by others that it had a sad ending that included some anti-queer messages. It was also very long, so we were not exactly rushing to get to it. But we are stubborn and like to judge things for ourselves, so we decided since we had the time and the show was now available, we should jump in. And imagine our surprise when we found out everything we had been told about it was wrong (we have our theories about why). This is one of the best queer dramas we have ever seen, with phenomenal acting, writing, and direction, and we have so much to say about it. The post that follows is co-written by the two of us. Strap in, folks, because it’s a long one.

If you haven’t seen this show yet and don’t want any spoilers, stop reading this right now and head over to YouTube, where international fans can now watch it for free with English subtitles. We’re going to go deep on the show below, and because this drama is designed to slowly reveal information in a very deliberate way, nearly everything counts as a spoiler. We’ll try not to give too much away in the early sections, but be warned!

The Story

The Miracle of Teddy Bear is the tale of a deeply traumatized gay man in desperate need of healing, and the teddy bear who comes to life to help him. In the process of taking care of his person, our bear uncovers deep family trauma and many secrets and lies, accidentally solves crimes, makes lots of friends, heals a family, and saves several lives. He is a very good bear, and through this adventure he contemplates his own existence, learns how to be human, and discovers what it means to truly love someone. 

This is primarily a family drama with important things to say about queer truth, and while it includes several bl storylines, it is not a romance. Intertwined with the family drama is a bl show within the show and a series of interrelated mysteries that slowly get unraveled as the story goes on. One of the things this show does best is parcel out information from various perspectives at the perfect time to keep the viewer one step behind—we found ourselves constantly almost guessing what the show was going to do next, but it always chose a direction a little to the left and surprised us in the best way. 

In the end, every question we asked was answered, and every time we thought a character’s motivation felt a little too shallow, we were given more. The experience of watching this show was deeply satisfying and really made us feel seen. This show gets us. 

The Characters

The Bear: Tofu

Tofu is the titular teddy bear who comes to life via drama magic and does his best to support his person. He starts the series incredibly innocent, and the show and his actor, Inn Sarin, do an incredible job of depicting the change in him as he lives life as a human, becoming more complex and less naive. Tofu is the heart of the show, and it is his love and kindness that enable the growth of the other characters in this story. 

The Core Family: Nut, Na, and Kuenchai

Nut is our protagonist, and his struggles with life as a gay man are the soul of this story. He lives with his mom, Na, and their dog, Kuenchai, and Tofu is his beloved teddy bear. Yes, Nut is a cranky ass grown man with a beloved teddy bear. It will make sense eventually, we promise. Nut is a bl novelist working through old trauma via adapting his work for the screen. Na is a woman who has been Going Through It, and while we start the story with only the vague sense that something is not quite right with her, we spend a lot of time on her history as well as her growth in the present until we get the full picture. The way Nut and Na’s stories are tied together gets to several of the core themes of this show (discussed more below). 

The Sides: Gen, Song, Prib, and the nosy neighbors

Our cast of friends and allies who support Nut and Tofu and have romantic trials and tribulations of their own. Without giving too much away, we’ll just say this: all of these characters have satisfying arcs, and some of them may have caused us to squeal in delight. 

Specters of the Past: Neung and Tarn

Telling you literally anything about them is a major spoiler so just know they are here and they are important and you will fully understand why and how by the end. Oh yeah, and Neung looks exactly like Tofu (or should we say Tofu looks like Neung?) for Reasons (which are explained! We love this show).

Villains: Saen, Sib, Jan, and Parit

Expect these four to show up often and cause a lot of trouble. Their motives and exact crimes are revealed over the course of the show.

Other Elders: Anik, Juea, Kanya and Sittha

They are mostly here to serve a few key plot functions and represent a spectrum of parental figures (related by blood and not) and acceptance of queerness.

And we cannot forget: The inanimate objects

In this show, inanimate objects can come to life under a certain set of magical conditions, and they are Tofu’s friends and helpers along the way. Some of their stories are shockingly touching! They also add some needed levity to the show, especially the grumpy ones. Special shoutout to the cactus and the spare blanket, our crime solving MVPs. We have to admit, the animation for these took a bit of getting used to, but within a couple of episodes we were cheering these creepy blinking eyes on. 

The Themes

And here is where we start to get into spoiler territory about specific character arcs. This show had so many clear and well-articulated themes, and they stayed consistent throughout the story.

Queer people can be happy

This is stated explicitly as well as demonstrated through multiple storylines: gay men can love each other, have good relationships and fulfilling sex lives, and get their happy endings. Those who argue that people should fight against their queerness because it will make their lives harder and keep them from happiness are not just wrong, they have it backwards. 

Queer people can only be happy by living their truth

This is perhaps the main thesis of this show, and it comes across in so many ways over the arc of the story. We see this theme exemplified in particular through Nut, Tarn, Song, and Gen, with each of them representing different versions of the queer experience that shape who they are and how they show up in the world. Even before the story tells you, it’s clear what kind of experiences each has had from his relationship to his own queerness and his general demeanor and outlook on life. Nut has survived an abusive homophobic father, and that shows up in his anger, his self-protective rejection of others, and his struggle with emotional regulation. Gen has been raised by loving and accepting parents who support his choices in all ways, and this shows in his good humor, balanced perspective, and confidence to be himself. When we say good media should show, don’t tell us its point, this is a fantastic example of what that means. 

Accept and love your queer children or pay the price

Relatedly, this story is very interested in the consequences for parents who fail their queer children, and explores a whole spectrum of acceptance from enthusiastic support to negligent ambivalence to misguided suppression to violent bigotry. We see so many different parents and parental figures react to learning about their gay sons and gain insight into them by how they respond—and only the ones who manage to get it together to love and support their kids get to keep their families. Critically, the adults who fail their queer children are convinced they’re acting in their best interests at the time, and we are along for the ride as the redeemable ones go through the stages of first admitting they were wrong but still thinking their intentions justify the pain they caused to fully acknowledging the damage they have done and making amends. 

Be patient with others, you never know what they’ve been through

That said, the show also invites us to stop and consider what might be behind aberrant behavior before judging it. Tofu is unfailingly patient with others, and even with the worst people in this story, he always seeks to understand why they are behaving a certain way before giving up on them. The show slowly and methodically reveals information that recontextualizes things we thought we understood and encourages us to keep digging for empathy and missing context. People in this story behave very badly and make a lot of mistakes, but a lot of it becomes more understandable once you have the full picture.

Unprocessed trauma will prevent you from healing and cause you to perpetuate harm on others

Speaking of bad behavior, so much of what’s wrong in this story is driven by unprocessed trauma of one sort or another. Nut’s anger is at its core a deep hurt from being betrayed by the person he trusted most to be on his side. Na’s refusal to live in reality causes her to continue to hurt herself and her son. Saen’s denial about his own actions leads to far-reaching consequences he could not imagine. And the healing process depicted in the show is not linear; people who have made mistakes in the series make them more than once and advance and regress as the situation around them changes. 

People are responsible for their own actions and inactions

And while the show is clear that trauma is the source of the bad behavior of these characters, it is also clear that this is not an excuse. Everyone in this story is held to account for the things they do, as well as the things they don’t, no matter how understandable their reasons are. The people who refuse to heal face serious consequences in addition to seeing the damage their unprocessed trauma causes others. 

Noble idiocy leads to everyone being unhappy

One of the biggest sources of said unprocessed trauma in this story is characters making self-sacrificial choices for the ostensible benefit of others and bringing misery to everyone in the process. We love a drama that recognizes noble idiocy for the selfish and destructive act it truly is and clearly says you have to communicate with your loved ones if you don’t want to make a mess of everyone’s lives.

You can’t appease an abuser

No amount of hiding who you are or making yourself small will convince an abuser to treat you better or guarantee your safety. This theme is most obvious in the main storyline between Nut, Sib, and Na, but Jan is another example of a manipulative and emotionally abusive character who other characters continually try to play nice with, to no avail. She takes every opportunity to be cruel, whether the person she’s talking to is kind or combative in return. The show reinforces that abusers will always find an excuse to justify their behavior; changing yourself for them is pointless. 

Love is wanting the best for someone, even if that means letting go 

This is really the show’s core point where romance is concerned: being with you may not actually be what is best for the person you love, and if your love is true you have to accept that. The people who could not see this—Saen and Jan—were the ones who continued to cause harm to their loved ones and themselves, while the characters who honestly worked towards the happiness of their beloveds even if that happiness was not with themselves—Tofu, Tarn, and eventually Prib—were rewarded by seeing that happiness play out and ended our story truly content. The MVP of this theme is Tofu, whose pure teddy bear love for his person became more complicated and selfish as he became more human. But in the end, he held to the truth at his core that Nut’s happiness was his happiness.

You can have more than one great love, and one doesn't tarnish the others

Which brings us to one of the most beautiful takeaways from this show, and something that dramas so rarely do well. Nut loves two different men, neither more than the other, and he never chooses between them. They both hold important meaning in his life and he honors that whether they are with him or not. When Nut is with Tofu, he remembers his past love with fondness but he is clear that these memories do not make his love for Tofu any less real. A lesser show would have had those moments where Nut was thinking about his past cause him to distance himself from Tofu. But in this show, Nut sharing his past and working through his lack of closure was when he and Tofu had some of their closest and happiest moments together. This show is extremely clear that we can have happiness with more than one person over the course of our lives, and it is not only okay but encouraged! 

The Resolution

From here, we will be talking about the ending, and so by necessity will no longer be avoiding major spoilers. If you’re intrigued by the above and want to avoid being spoiled fully, stop now! One of the things that is so brilliant about this show is the way information is slowly revealed, so if you think you would like this show we recommend experiencing it for yourself. If you’re still not convinced and need to know the ending before you decide, read on. 

In our view, this story ends exactly as the show signals it will from the very beginning—and the way it should—and the ending is unambiguously a happy one. Tofu realizes that he and Tarn’s life forces are tied together, that it was Tarn going into his coma that caused him to awaken, and that as long as he continues to live as a human, Tarn will not recover. We and the characters have come to love Tofu in his guise as a human, but the truth is he does not belong there—he is a teddy bear, and for him to stay by robbing an actual human being of their life would be wrong. The story took pains throughout to show us how tenuous and restricted Tofu’s existence is, because he is not a real person and thus can’t live a full life (for example, he can’t get a job or safely leave the house because he doesn’t have documentation or any life experience). We also see Tofu struggle so much with the added complexities of the human experience that he becomes ill with overwhelm multiple times. He repeats to us through the whole story that all he really wants is to be a comfort to Nut. While he finds value and joy in being human, it does not change who he is at his core. And so he allows himself to be poisoned by Jan, sacrificing his human existence to bring Tarn back and exposing Jan and Saen’s crimes in the process. 

With this decision, the other characters get the chance to mourn him and move on. Nut grieves, finally makes the connection between human and teddy bear Tofu, goes to therapy (!), makes peace with his mother, and writes his love story with Tofu as his next show. Tarn wakes up and begins his recovery, and he and Nut slowly reconnect and rekindle their relationship over time. Na finds joy in her lucid moments and enjoys time with her family, finally free of the hell Saen and Sib unleashed on her life. Gen and Song get their happy ending with acceptance from Song’s dad, and Prib’s fixation on gay men becomes clear when her new female love interest enters the scene (let’s go, lesbians!). We get confirmation that the nosy neighbors are, in fact, an elder gay couple. Even Kuenchai and some of the inanimate objects have character arcs! Kuenchai is instrumental in making sure Nut is reunited with bear Tofu, and we get to see a slipper gain some independence from her other half and a grumpy bolster cuddle in to comfort her people when they need it.

We end our story with several happy families who love their gay children and a call for marriage equality via Nut and Tarn deciding to marry whether it’s legal or not. Tofu is a bear again but his human life is very much not forgotten—Nut speaks to him every day, honors the love they shared, and talks about him openly with Tarn. And we even hear from Tofu again, see a final moment between him and Nut in a beautiful dream, and are reassured that Tofu is happy to still be with Nut in his original form and to see him living so well. It’s everything he wanted, and he made it happen. He truly is the very best bear.  

The Purpose

We wanted to take some space to get a little extra meta and talk about why this show matters so much in the broader queer media landscape. First, it was a landmark queer television event in Thailand—please read this post by @flowerbeasblog to get the background on its significance in the cultural landscape. This show was broadcast very intentionally to educate and send a message to a broader audience in Thailand than is typically reached via bl dramas. And that’s why understanding and taking its themes seriously is so very important.

This is a story that is deeply rooted in queer truth, written by a queer man who wants people like him to be seen and understood. The show puts forward an unapologetically pro-gay message on broadcast television (on a major national network! during primetime! that does not shy away from the sexual component of queer love!) and embeds important political commentary in a fantastic and engaging story in a format familiar and comfortable for the Thai audience. It’s not meant to be received as a romance, and its nuanced and mature take on love and relationships is certainly not designed for ship wars. The writer even turns directly to the camera and underlines this in the final episode: while he respects the importance of bl in the media landscape, he has a bigger agenda in mind for this show and important things to say.

And that’s why some of the discourse around this show is so frustrating. A small portion of international fans who watched this show live seemed to misunderstand it deeply and created such a false impression of it that it caused others to stay away. Contrary to some of the takes out there, this show does not have a sad ending, Tofu’s resolution is not remotely anti-queer, and there is no woman who ends up with Nut (we are so confused that this was anyone’s interpretation; Nut at every age and several times within the show explicitly shouts about how very extremely gay he is). To see this story as a tragedy because Tofu “dies”—which he doesn’t; his human body disappears but he returns to being a conscious and content teddy bear—is to misunderstand Tofu’s character journey, his narrative purpose, and his agency. We can only assume that shipping got in the way of comprehension here, and people who wanted to see human Tofu and Nut end up together focused on that to the exclusion of pretty much everything this show was saying and doing.

At the end of this story, Tofu is happy. To think that Nut was better off with Tofu than with Tarn is to not allow for the complexities of human experience; Nut did love Tofu, but he loved Tarn, too, and their relationship was a positive force in his life both before and after Tofu entered it. And Tarn was an actual gay human man in a coma who could not wake up while Tofu existed. Tofu was the creation of Tarn’s love for Nut; his existence was limited, and he found being a human extremely difficult. All Tofu wanted was to be Nut’s teddy bear and stay with Nut forever. He wanted Nut to be happy, because Tarn wanted Nut to be happy, and during his time as a human he worked to enable that happiness. He was instrumental in moving forward several stuck characters and uncovering many secrets, all of which were necessary for Nut to get to where he ends up at the end of the show. Being in a relationship with Nut was a bonus. He enjoyed the experience of being in love with Nut, but in the end he chose to sacrifice his human life so that Nut could have a permanent, lasting happiness with someone who was real. Tofu’s human death is not an example of the bury your gays trope; in fact, it is a total rebuke of it. Tofu, and this show, saved the gay men in this story and gave them full and happy lives. We cannot recommend watching and supporting this show enough.

[gunsatthaphan]

(´｡• ᵕ •｡`) ♡

[fan-fricking-fiction]

Pit babe ft. textposts (5)

other Pit babe posts <3

[lukaherehelp]

Mr. Phuwin Tangsakyuen, I need you to stop being the most beautiful motherfucker on this earth, I cannot keep acting like I'm reading the subs of anything you are on when in reality I'm lost in your eyes.

[liyazaki]

you're about to catch feelings [threat]

MY SCHOOL PRESIDENT | EP. 9 [2022-2023]

[wanderlust-in-my-soul]

✨ before & after coloring challenge ✨

🥰 Thank you so much for the tag @aejeonghae 🌸

The last one I made was a while ago, so I had to try how to do this again 😅 And I like to connect those callenges with my tropes-collection - I always have enough stuff to work with without the need to collect new content 🙈

Most of the times I just try to be realistic with my coloring. Even when I try to be a little bit adventurous, I can't really do it and I come back to what I know. The sharpening makes quite a difference and often helps with slightly grayer/foggier videos. Most of the times the gifs look soooo much better just with the sharpening. And after that I play with everything I have in my repertoire…including Selective Color, Vibrance, Curves, and if the image is too dark I prefer to work with Exposure rather than Brightness/Contrast. With series like "Lita" or "Ghost Host, Ghost House", which have a strong yellow basic setting, I try, before the actual processing, to take out and weaken something of the yellow.

Well, the before are the lower sections without any editing and my after are the upper sections with sharpening and coloring.

Bed Friend

Ghost Host, Ghost House

My School President

My Beautiful Man 2 / Utsukushii Kare 2

Why R U

Innocent

Love in the Air

The Promise

History 4

Nitiman

The Kiss on the hand (Part3/?) as part of my favorite bl-tropes collection, in no particular order.

As always with my tags, I am sorry if you already have done this challenge - just ignore me :)

I am tagging: @ueasking @sunsetandthemoon @maxescheibechlinichacheli @jyuubin @pharawee @talays-portkey @smittenskitten @laowen @taeminie @earthfluuke @earthpirapat

This was fun 🥰

[dribs-and-drabbles]

@pickletrip gave me the BEST pre-easter present today (not that I really celebrate mind you, I just appreciate the long weekend off 😏) by pointing out an unexpected early appearance of a shirt on the Thai Communal Wardrobe list in Love By Chance season 2.

I'm not updating the original post with it yet, though, because it's also going to be worn in Deep Night at some point, but I can't tell you how happy it has made me. This shirt has been worn seven times now, with 3.5 years between the first sighting and the most recent.

Anyway, this brilliant news spurred me on to do a scroll through of LBC 2 and I was pikachu-faced when I saw this dinosaur shirt on Can...

...because it's one that's stood out for me from another well-known series that I've always wondered if I'd see it again (to be fair there are a lot of items of clothing like this for me 🤭) AND NOW I HAVE!

So, before I make a post about this new item, I'll give 1000 bonus points to whoever recognises where else it's been used/worn 😁

[waitmyturtles]

The Old GMMTV Challenge: The Master Post and Explainer

Updated: December 2, 2024

Hello! Welcome to The Old GMMTV Challenge (OGMMTVC), my personal syllabus and journey through the most important, and/or impactful, and/or seminal of Boys Love (BL)/Series Y dramas from Thailand.

I started watching Thai BL series in 2022 with the airing of KinnPorsche. From there, I dallied with shows that were referenced across Tumblr -- but I didn't dig into learning about the genre as a whole until I watched 2021-22's Bad Buddy, and was thoroughly moved by it in countless ways.

I subsequently learned that Bad Buddy was, in large part, constructed to communicate with tropes and expectations established previously by the genre. In order to get to a point where I could appreciate Bad Buddy in all of its historic glory, I therefore decided to start from the top -- to watch Thai BLs in chronological order so as to help me better understand the tentacles of this young genre. I was also impacted by a post from a BL Tumblr lifer, @absolutebl, who talked in 2022 about current shows by the GMMTV network, the biggest producer of BL dramas in Thailand, that were answering for mistakes made in the early Thai BL days.

Bad Buddy is a GMMTV show -- but in order to learn fully about the genre, I've created a syllabus of shows and movies that spans well outside the GMMTV network and sphere of influence. In the spring of 2023, I crowdsourced information about Thai BLs from the INCREDIBLE BL community on Tumblr, and came up with the syllabus below.

This syllabus is ever changing, especially as this young genre (which was arguably born in 2014 with the airing of Love Sick) continues to explore itself outside of its male-and-male romance genre boundaries, by centering women and/or non-binary individuals, and even leaving romance behind for horror, suspense, mystery, crime, and more.

Besides watching dramas on this syllabus, I'm also in the process of reading English-language books and articles about the Thai BL genre and its influences in Thailand and across Asia on queer and non-queer communities, as well as on the most marketed-to BL audience in young women. Links to reading materials are below the syllabus.

If you're looking to learn more about BL, this is but one resource to use. There's an incredible community of bloggers here with vastly more knowledge than me about the history of this genre. This is only my path, and I encourage you to explore the corners of Tumblr to create your own Thai BL journey!

The Drama Syllabus and Review/Meta Links

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Love Songs Love Stories: Pae Jai (2015) (Thailand’s first serialized GL) (to be reviewed with GAP the Series) 5) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 6) Make It Right (2016) (review here) 7) SOTUS (2016-2017) (review here) 8) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 9) Make It Right 2 (2017) (review here) 10) Together With Me (2017) (review here) 11) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 12) Love By Chance (2018) (review here) 13) Kiss Me Again: PeteKao cuts (2018) (no review) 14) He’s Coming To Me (2019) (review here) 15) The Fallen Leaf (2019) (not a BL; adjacent to the project as Thailand’s first lakorn featuring a queer/transgender main character) (watching) 16) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 17) TharnType (2019-2020) (review here) 18) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 19) Theory of Love (2019) (review here) 20) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content at GMMTV) (review here)

21) Dew the Movie (2019) (review here) 22) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 23) 2gether (2020) and Still 2gether (2020) (review here) 24) I Told Sunset About You (2020) (review here) 25) YYY (2020, out of chronological order) (review here) 26) Manner of Death (2020-2021) (review here) 27) A Tale of Thousand Stars (2021) (review here) 28) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 29) Lovely Writer (2021) (review here) 30) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here)

31) I Promised You the Moon (2021) (review here) 32) Not Me (2021-2022) (review here) 33) Bad Buddy (2021-2022) (thesis here) 34) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 35) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 36) Secret Crush On You (2022) (review here) 37) The Miracle of Teddy Bear (2022) (review coming) 38) KinnPorsche (2022) (tag here)  39) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist (part 1 and part 2) 40) Triage (2022) (review coming)

41) Honorable Mention: War of Y (2022) (for the sake of an attempt to provide meta BL commentary within a BL in the modern BL era), with a complementary watch of Aam Anusorn’s documentary, BL: Broken Fantasy (2020) (thoughts here) 42) The Eclipse (2022) (tag here) 43) The Eclipse OGMMTVC Rewatch to Reexamine "Genre BLs," Along With a Critical Take on Branded Ships (review here) 44) Khun Chai/To Sir, With Love (2022) 45) GAP (2022-2023) (Thailand’s first GL) (review coming) 46) My School President (2022-2023) and Our Skyy 2 x My School President (2023), Coupled with a Speed-Watch of My Love Mix-Up Thailand (2024) to Comment on GMMTV Trying to Make Magic Happen Twice  47) Moonlight Chicken (2023) (tag here) 48) Bed Friend (2023) (tag here) 49) La Pluie (2023) (review coming) 50) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon)

51) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 52) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 53) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 54) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 55) Ossan’s Love Returns (Japan, 2024) (adding for the EarthMix cameo and the eventual Thai remake) 56) 23.5 (2024) (GMMTV’s first GL) (thoughts here) (I am not finished with this show; I will finish it when I get to it on this list)

Additional Reading Material

Dr. Thomas Baudinette, Boys Love Media in Thailand

Dr. Peter Jackson, Queer Bangkok

Intersections: Gender and Sexuality in Asia and the Pacific -- Issue 49, Thai Boys Love (BL)/Y(aoi) in Literary and Media Industries: Political and Transnational Practices, June 2023

(Fandom reference) "Fan Leaders' Control on Xiao Zhan's Chinese Fan Community," Transformative Works and Cultures

(Fandom reference) "Xi Jingping Versus the Stans," Vox

[25shadesoffebruary]

Challenge Accepted.

[heretherebedork]

A challenge to those who don't know: what is the costume theme of this party?

[gunsatthaphan]

"I promise."

[fan-fricking-fiction]

i am so excited every Friday/Saturday to watch Pit Babe and The Sign, and what do i get?? HM???

BOTH PHAYA AND CHARLIE FUCKING DYING IN FRONT OF THEIR LOVERS?!?!!

thanks for that i am literally dead inside </3

[jyuubin]

OUR DATING SIM (2023) // Ki Tae & Lee Wan ↳ lingered pasts

{ID is in the ALT}

— ©jyuubin

[summerofofelia]

This Love Doesn’t Have Long Beans is truly a romcom and I am all for that but it still feels a little cheap that the only female character functioned essentially as an obstacle for the main couple to get over and nothing more. Every story needs some kind of conflict to create tension and propel the narrative forward and genre specifically with romcoms there’s always something that obstructs the couple from having a smooth run. It’s basically the law of romcoms. It just felt lazy that the ex-girlfriend was basically air dropped in and treated like a roadblock not an actual real human.