#bird-incage reviews

[bird-inacage]

This is finally my review on GMMTV's wildly popular 'Only Friends' which saw out 2023 in style. I do realise this is almost a year since it's release, but I find that time often allows for more objectivity.

Let me start by saying that the buzz and anticipation for this show was immense. The raunchier offering was a departure from GMMTV's typical affair, paired with the understandable hype over a powerhouse of a cast. The excitement reflected an obvious appetite for messier queer relationships to be explored on screen.

I personally had a great time overall with this series, and was highly entertained throughout by the drama. The story isn't airtight, but the plot packs in plenty of twists and turns to keep you on your toes (and I was repeatedly caught off guard). I give kudos to any show that can keep me guessing. The pacing is mostly consistent, with a lot of story packed into 12 episodes. It allows for sufficient character trajectories to be explored and concluded. The final Boeing arc could have made a bigger impact if it had been signposted sooner.

The main couple here are Mew and Top, but both SandRay and BostonNick get a decent distribution of screen time. I've found the general consensus to be that Mew and Top's relationship is the least interesting of the three, and I would agree. You do get very different flavours and conflicts with each couple, as well as complex layers across this entangled web, so there's likely something for everyone.

The lessons learned by our characters is what I feel this show does really competently. We follow them as they royally fuck-up, they fail, learn and grow. The arcs depicted feel very relatable. How can you continue to love someone after they've hurt you? Should you allow your feelings for someone to determine your own self worth? Should you try to change yourself for love? What does it mean to love selflessly, or selfishly? Can friendship and love exist hand-in-hand?

Out of three main couples, two survived. I think Boston and Nick going their separate ways was the only satisfactory ending they could've gotten. Mew choosing to no longer stay friends with Boston was also incredibly valid. When people hurt us, sometimes they can be forgiven, but sometimes they cannot - and that's a valuable lesson in itself.

This is a very strong ensemble cast. The standouts for me are Khaotung and Neo. Khaotung's range is masterful to watch. Neo gave us one of the best villains I've seen in a while. Boston was an absolute joy to hate. What I loved about their performances is you could tell how much fun they were having. I also have to shout out Force, who did a brilliant job of making me utterly loathe Top. But I must stress that it's a real treat to have a cast where everyone pulls their weight.

The series also makes the effort to portray many side dynamics that I hugely appreciated. I thought Ray and Mew's friendship was told beautifully. I adored Nick and Sand's platonic affection for one another. I liked seeing the healthy parental dynamics Sand and Mew have with their respective mothers. Yo's friendship with the younger cast is lovely. The only player I think was glaringly under-utilised is Namcheum. Her character fell really flat in comparison, and didn't add much value to the friendship group. Considering she was one of our few female characters, her presence was rather forgettable.

I'll do a special mention on First and Khaotung, as they are my faves.

Acting Performance: What I commend First and Khaotung on is the ying/yang extremes of Sand and Ray. Sand is a role that requires a lot of restraint. First was told by P'Jojo on a number of occasions that he couldn't cry. To hold in and hold back, and still emote with range and nuance is super challenging. While Ray needs the opposite treatment; to be outwardly explosive across all his emotions. Khaotung put himself through the absolute wringer to bring Ray to life, and it shows. Their fight scene in Episode 10 still gives me goosebumps every time I watch it. (Note: I can't get over how suitably giddy P'Jojo looks when watching them act).

Pairing Rating: [A FIERY ROLLERCOASTER] This pairing is all about peaks and troughs, ups and downs. But ultimately we see two people who truly complement each other and balance one another out.

P'Jojo has a very distinctive voice in terms of direction, which really permeates in every element of the show. He had a clear vision and that intent translates. Stylistically, this was right up my street, and is very palatable for today's audience. From the visually dynamic sets to character styling, there's individuality but also cohesion. The music choices are superb. The opening and end credits were striking.

Editing: This show does some playful things with the way it edits, especially when it comes to montages. The 'interview' shots at the beginning of the series offer us an efficient insight into Mew's POV, but is not utilised again. At times these choices can feel experimental.

Music: Khaotung's OST track 'Let's Try' is a bonafide banger. Khao really is out here to prove his astounding range, as I had no idea this was him when I first heard it.

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FINAL THOUGHTS: This series isn't one I've rewatched from start to finish since it's release - though I have returned to Firstkhao's scenes again and again. Rewatch value is always an interesting factor I like to ponder - especially the why. I think this is one of those shows where it's impact hits most on first watch, but doesn't pack as much punch a second time round. Some people hope there will be a Season 2, but I'm not sure if that would be a good idea, considering our characters have come to a comfortable conclusion in their arcs, and any further disturbance to their stories may feel unwarranted.

(Disclaimer: These are just my own opinions. It goes without saying that one still can enjoy a show for all its successes as well as recognising its shortcomings).