#bio fit review

[review-feel-great]

BIOFIT - Biofit Review -⚠ [[BIOFIT it Work]] ⚠ -Biofit Weight Loss Suppl...

[mantisgodsdomain]

Concept for your desire to do a specific bracket tournament that isn't weighted against OCs: EVERY character is represented by a Picrew or a stock image, and EVERY character has the name of their source work written without any indication if it's actually published (if the WIP does not yet have a title, a placeholder title is used without indicating that it is such). Voters won't know if the character is from something published that they simply haven't heard of yet

The problem with this is that it would still have the issue of things being weighted towards popular characters - people still know who The Knight from Hollow Knight is, even if we don't use an official image and instead used a stock image of the void or painstakingly reconstruct them in a Picrew. The main thing that gets people to vote in a tournament is connection - knowing the character or the people attached to them.

The thing that biases things against OCs in this tournament is, primarily, their limited spread - the lack of people who would be familiar with them. Though more well-known OCs can circumvent this enough to stand on firm ground with characters - someone like spotsupstuff's Three Sparrows On A Wire, for example, might have a solid chance in a tournament with canon characters, there will still be less people invested in Sparrows than there are, say, people invested Humans-B-Gone!'s Sophodra.

Because the thing with canon characters is that, by definition, you've already seen them in action. They already have a story that you can readily access, compared to an OC, where the creator has to write and present the story themself - and a story that's never been written is very, very difficult to invest people in. You can't put the emotional impact of someone you've followed for a million words up against the emotional impact of a cool design you saw in the interwebs, and if you have to create emotional investment in the space of a bio, you're naturally going to fare worse than someone who's had hundreds of pages to win you over.

Really, the only way we can see it working well is something like that @guess-that-ship's format of "text only, can't name anything that would give the game away in regards to who it is", and for obvious reasons, that's... not quite going to work the same way.

[hahaifolded]

141 x POC!GN Intelligence Operative - The Contract (Long Drabble) Author's Notes: Once again playing with something new. Not gonna lie, hated this because this was more work than I had expected. Next one will be more narrative for my sake Warnings: MDNI, Angst (ALSO PUT YOUR AGE IN YOUR BIO CAUSE I DO BLOCK)

Contract of Employment - Intelligence Operative Name: [Retracted] Address: [Retracted] The basic terms and conditions of your employment are outlined in this Contract of Employment and the Employee's policies. Duration of Contract: Your employment with the Employer under this Contract started on [Retracted] and will end after 12 months after the initial date. Contract can be renewed after the Employee ends in good standing with the Employer after the 12 months and the Employee deems it a good fit.

Job Title and Hours 3.1: You are employed as INTELLIGENCE OPERATIVE for [Retracted] reporting to "the Captain." 3.2: You are expected to perform all duties outlined below starting at 0800 (8:00am) to 1700 (5pm) Monday through Friday. 3.3: You must be available for any extenuating circumstances past these hours. All emergencies will be informed by "the Captain" and "the Captain" only.

Price: Need you to review the plan for the next mission before the meeting tomorrow.

Ghost groans after reading the message. Price just had to ruin his Sunday night. Realizing that his plan to sleep in was just ruined, he decides to text you. Seeing that you normally got in around that hour, maybe you could join him?

Did he deserve that? God no. But, he missed you. So he sends the text and waits... and waits... and waits...

Next thing he knew, his alarm was ringing, signaling the new day. He checks his phone and sees there are no new messages. It didn't matter. He'll see you around soon enough.

But soon enough comes around and you're nowhere to be seen. Were you running late? Shit, your car. Maybe you were walking again? He sends you a text, but again, no response. He's so worried that he can't even focus when looking over the plans. It's not until he sees you walk in for the meeting exactly at 0800 that his mind eases. Surprised to see you walk in late, he decided to check up on you after the meeting.

Knock, knock

You glance up from your monitor. "Lieutenant?"

Lieutenant? Sure, that was his title, but you always called him Ghost. Something didn't feel right.

"Sorry, I just wanted to check up on you."

You stop typing and completely turn towards him. "Why?" Your tone is accusatory.

He stumbles a bit. You were never short with him. "C-cause you came in late toda--"

"I did not come in late. If you look over my contract, you would see that my start time is 0800, exactly the time I clocked in today." You turn back to your monitor and continue to work.

Ghost takes a big gulp. "Oh. I- uh... I sent you message last night and this morning."

You let out a heavy sigh and stop typing. "Was it an emergency?"

"No, but--"

"Good. I can't waste any time here, have to make sure I put all of my energy in my work. So if you don't have anything else of importance, you can leave." And with that you continue to type.

Ghost walks out of your office and closes the door. Why did it feel like it wasn't just your door that was closed here?

Job Responsibilities 4.1: You are responsible for all work that requires intelligence which includes analysis, gathering of intel, and presentation of said intel. 4.2: You will not participate in work that falls outside your jurisdiction.

After today's meeting, Gaz was weary of the plan. Despite being checked by Ghost, he couldn't help but feel like it needed to be discussed further. He kept in his thoughts during the meeting as he wanted to process them further.

Now after thinking about it all morning, he realizes he needs one more brain to help finalize his thoughts. Not just any brain, however, yours. If he wasn't so caught up in his thoughts, he would have realized that he no longer had any entitlement to your help. But alas without a second thought, he rushes to your office.

He knocks on your door and walks in before you have a chance to say anything. "Hello, hello!" he chirps. And, instead of being greeted by your warm smile, he is greeted by nothing. You don't even bother to glance at him.

Without removing your eyes on the screen, you say with no emotion, "Sergeant Garrick, what do you need?"

Sergeant Garrick? Ewe, that sounded so wrong coming out of your mouth. You always called him Kyle... Gaz if you felt cheeky. Feeling nervous now, Gaz hesitates to speak.

"Sergeant, I really don't have time for your shenanigans. Do you need something?" You quickly glance up and shoot him a sharp look.

That look brings Kyle to the present. "Sorry, yes. I was hoping you would..." You finally look at him, but instead of easing his nerves, it only exacerbated them as you looked at him with annoyance. "If you can, obviously, help me go over the plans for the next mission. Something about them just seem off and I could really--"

You interrupt him. "I have to stop you there. No." And just like that, you turn back to your monitor.

"Why?" he asks without thinking. He catches the way you took in a sharp breath.

Without looking at him, you respond, "I have never been in the field so what use do I have for you? Besides my job is in intelligence and in intelligence only."

He cringes at his own words. He tries to get another word in, but you're clearly not listening. Feeling defeated, he walks out your door.

"Sergeant?" you call after him. He quickly whips around. Maybe you changed your mind?

"Close my door."

Job Responsibilities 5.1: You have jurisdiction over all work that deals with intelligence. 5.2: You have complete authority to discipline officers of lower ranking or similar rank if their actions interfere with your responsibilities.

Soap doesn't know how it happened. He has been in his office all day, working. Sure, maybe he spent more time than he should have thinking about you, but everyone else does it. Now he was scrambling, trying to finalize the schematics for the explosives needed for the next mission.

Low on time, he rushes to your office to beg for your help. He knew he was in deep water with you, but he really had no choice. He hoped your caring heart would pity him this one last time.

He barges into your office, calling your name out. You immediately shoot up from your seat, worry apparent in your face. You hurry to the front of your desk to reach the panting Scotsman.

"Sergeant MacTavish, is everything okay?" Johnny can hear the worry in your voice. Good, you still might care.

"It's an emergency. I need to finish these blueprints by today or Price will kill me! Help your favorite Scotsman out?" he begs. Soap nearly whines when you take a step back from him.

You scoff. "Are you being serious right now?" Okay, maybe you don't care.

"I know, I know. But I wouldn't ask if I wasn't desperate," he cries. His entire body shudders when you scoff at him once more. You shake your head in disbelief and return to your seat.

"Please, get out."

"Please, it's not even a lot. Just go over--"

"No, Sergeant. I have my own work to do."

"It won't take a lot of time, just--"

"NO!" you stand up again, slamming your desk. "Sergeant MacTavish, it is not in my contract to babysit fools like you." He winces. "If you cannot handle the work that comes with being in Special Forces, I recommend you to consider other careers. So leave my office before I write you up for insubordination," you hiss.

Soap quickly apologizes and leaves your office. He bumps into Price on his way back, but it doesn't phase him. Your utter disappointment in him plays back in his head over and over and over again.

Breach of Contract 8.1: If Employer deems the work of the Employee as unsatisfactory, contract will immediately be terminated. 8.2: If Employee deems the Employer is breaching any of the parts outlined above, Employee has the right to terminate the contract without any repercussions

John didn't take Soap crashing into him personal. It was clear his sergeant was lost in his thoughts. What did pique his interest was where he walked out of. It seemed like every member on his team had a chance to pop in your office today, but him. Refusing to let any of those muppets get in your good graces before he does, he decided to pop in.

Since Johnny left you door open, he just knocks on the doorway before letting himself in. "Hopefully, I'm not disturbing?" he jokes. The clacking of your keyboard stops and you slowly turn to look at him. You take in a deep breath, almost as if you're trying to contain yourself.

"Captain Price," you announce plainly, "do you need something? I'm almost done with today's report."

"No, not at all. Just wanted to check up on you. See how you're doing?" He doesn't quite catch what you mumbled under your breath. "Sorry?"

You roll your eyes. "Nothing," you pause. "I'm fine. Just trying to get my work done before 5pm."

"5pm? Have an appointment or something?"

You stare at him for a bit and remind him of your contracted hours.

Assuming that you were worried about not finishing on time, John assures you that you can always stay in late or pick up again tomorrow. "It happens to the best of us."

Your eyes go cold. "It wouldn't have happened to me if your men and yourself weren't adamant in harassing me with matters that frankly do not pertain to me." You readjust yourself in your seat. "I advise all of you to go over my contract to avoid further misunderstandings. I would hate to leave mid-mission."

John goes cold. You... leaving. He looks in your eyes to see if there was any hesitation. There’s none.

Employer Signature: [Retracted] Employee Signature: [Retracted] Date: [Retracted]

After that day, the 141 realized what they had done. They had completely crushed your spirit and pushed you to be the epitome of professionalism. You were still a phenomenal Intelligence Officer, but you were just that. You were no longer their team mate... their friend.

But you're still here so that's fine... right?

Word Count: 1732

More Thoughts - Next Thought

[worldsover]

link in bio top 0.1% creator ft. Jiheon

length ✦ 7.6k

genres ✧ sex toys; lazy sex; cockwarming; camgirl!Jiheon

(sequel to [PPV] BG SEX...mp4; for @co-reborn)

✦✧✦✧✦✧

“So, how do you think it came out?” Jiheon asks. She’s in your lap as you sit on the couch.

You take a second to process the words, with Jiheon interrupting the review of the footage. All that’s in your brain is the delightful sight of her deep in pleasure while you fucked her from behind, as well as the delightful feel of her thighs squishing under your fingers right now—you love the way your touch can make her giggle.

“I think it’s a good start,” you say. “Once you get a better set up, I think it’ll be even better.”

In your mind, it’ll only be better when your cock is buried in her again, not just nested between her ass cheeks as they are now. 

Things unfortunately don’t get better as Jiheon leaves the warmth of your embrace. Turns out your judgment was flawed, however, when she ties her hair into a messy ponytail and gets on her knees between your spread legs.

She looks up and smiles. “Now for your payment, Daddy.”

You grab the phone.

This one will be on camera.

✦✧✦✧✦✧

"Holy shit. Fifty thousand dollars." Jiheon is scanning the financial dashboard; her channel, creamandheonni, has blown up, and it's only been three weeks, having only posted the sex scene, a quick blowjob, and a few flirtatious pictures. Your understanding of this new porn paradigm is tangential at best, through surface-level conversations with fellow actors who had this much more lucrative side hustle; you're aware regardless that Jiheon's frankly absurd growth can be attributed to her filling a niche, a rare intersection of natural prettiness and genuine enthusiasm.

"That's great news." From behind, you pull Jiheon into your arms. You were content with your life, or maybe just unwilling to diverge from the routine of mediocrity. You kiss the top of her head and bury your nose in her sweet-smelling hair, only tinged with pink as it'll soon fade back to black—more and more now, you want to entirely eschew routine. "You're going to be so successful," you say.

She's still scrolling through the dashboard, checking out her comments and likes, though she makes herself comfortable by leaning into your neck and humming. "Should I move out now?" Jiheon asks. "I mean, this place is a little cramped, and you have a nice house, right?"

Your fingers rake the ends of her hair. Deep breaths, your nose catches coconut, honey, a bit of jasmine. As Jiheon settles into your torso, her silky hair makes your neck feel fuzzy. You consider your next words carefully.

"If you want… you can move in with me while you look for a better apartment. No hurry, okay?"

There are people whose eyes you look into, deeply, yet feel nothing—for one, everybody you work with in a porn studio. However, Jiheon is not one of these people. She tilts her head back to look at you, and your heart trips on a bump on the floor and it bumps. Her fake blue lenses make her wide eyes shimmer like calm waves in a summer sea, or a cool drink on that same balmy day. 

"You'd really let me stay with you? Are you sure?"

Hold her tighter; she coos. "Yes," you say, more confident now. "And if you need a partner for any more videos..."

"I was just gonna ask that," she says with a sly grin. She turns around, straddles your lap, and puts her arms around your neck. "So you don't mind me moving in?"

"Not at all."

Jiheon kisses you, her lips soft and plump against yours. She starts to grind into your lap, your cock hardening under her ass.

"And you really, really don't mind helping me film?"

You laugh. "Whatever you need, baby."

✦✧✦✧✦✧

Whatever she needs. Apparently, it's much, and you're unsure how she fit her life in that shoebox.

As if she's always lived here, Jiheon has taken up half your house. Your fridge isn't a textbook example of a single male's diet anymore, gaining a whole variety of side dishes inside and its door now plastered with notes—mostly advertisements for new restaurants to try, though occasionally something more sentimental. Your bathroom has turned into a storage closet, filled with all kinds of self-care items, nail polishes, and beauty masks. You even come home one evening to find a pink coffee machine sitting pretty on your countertop. She's managed to snatch up your master bedroom, relegating you into your guest bedroom, a quaint empty room now home to a vanity with lights. But that did not bother you, because you sleep together most days, and now you sleep a lot better, and wake up much earlier, with Jiheon wrapped around you every day.

The title of the film is Jiheon Fucks Her Landlord For Rent, and you don't need the script. Read it thirty times already. It's true that you're being exploited for money, but consider this: Whatever. This is top-shelf content you're having the pleasure of starring in, even if it's something like unpaid overtime. You come home from shoots to Jiheon sprawled naked on the bed, and your job cannot compare. With her petite ass out and her laptop open in front of her, she picks out songs to listen to while she edits clips to put up for sale. Then she would pounce on you, pushing you onto the mattress and riding you until you're both spent, and you would only hope she remembered to put a camera somewhere.

There is one fundamental problem for you, though—she is a fucking monster when it comes to fucking, and that's why, no matter how many times you fuck her, no matter how much cum you deposit inside her, no matter how tired you are, she always wants more.

Tonight is no exception. She saunters up to you while you're watching television, plops herself down right into your lap, and wiggles her ass over your crotch, a position that's become domestic.

"Hey," she murmurs, her arms around your neck, "whatcha watching?"

Not even a token effort to lean to the side so that you can keep watching. You shrug as your hands land on her back. "Not sure. Some sport. Volleyball. Tennis?"

Jiheon leans forward to nibble your ear. "Doesn't sound exciting. How about we do something more exciting?"

Your hands end up moving down to cup her ass—inevitable. "Mm, yeah? What'd you have in mind, baby girl?"

She grinds into your dick, hardening in haste. Jiheon pulls back to smirk at you, her eyes dark. "I was thinking… hmm, maybe Daddy could film me getting railed?"

"You just want enough money to buy a new toy," you say, laughing. Jiheon has accumulated quite the collection ever since setting up her OnlyFans, and you're still working out how to handle taxes and expenses with all that.

"Guilty," she chirps, pecking your lips. "But c'mon. I'll make it worth your while."

"Jiheon, today I had sex with three girls. Three." Your voice is as blank as your expression. "They were all just like you, new to porn. What more do you think I'd want?"

You're trying to tease her, and indeed, she sticks her bottom lip out. But there's genuine exhaustion there because as stated, three girls. Unstated is the hours standing around, waiting for them to get ready, ultimately ending in a sickeningly faux excitement

Jiheon stares into you. "Maybe you'd like spitroasting me? I've been talking to one of your porn dude friends about it."

You perk up. The image of Jiheon's face distorted, tears flowing down her cheeks, with two, maybe three dicks in her, is an enticing one.

Then you scratch your head. "Sorry, wait, 'porn dude friends'?"

"Yeah, your coworkers, you said you only like a few of them. And I talked to one of them and we've been coming up with a video idea."

As usual, you can never guess where she would be headed next. "Well, now you have me curious as to who."

She crosses her arms. "Mmm. Maybe I'll tell you after you fuck me."

You slouch. "Jiheon, I'm serious. I'm exhausted."

"You're shooting four scenes today," Jiheon says, sternly, and with her directorial tone, maybe she does have a career behind the camera too. "Trust me. We can do something relaxing. You know, nice and slow, maybe use this new toy I got. You don't have to pound me like rice flour into mochi. Or like some random girl who's gonna wash out of the porn industry after five scenes."

You counter, "You did in one."

Her lips tugging at a smile again, Jiheon slaps your chest. "Shut up, you know what I meant. Anyway, I'm just trying to suggest something new here. You can stay completely still inside me, and film me cumming over and over while I keep the new vibrator on me."

You close your mouth tight. The only thing your penis ever has to say about the topic: the more, the better; it says this in hardness. Jiheon giggles, knowing she's already convinced you.

"Besides, you could get some practice, lasting longer, without the pills," she says. "And then there's the whole thing about 'getting to cum inside the tightest pussy you've ever felt after years of being a porn star, honestly' but maybe you're taking that for granted now. Hmph." You'll never understand how she can look so cute while saying such immodest things, but Jiheon's pouting is undeniable. "I'm seriously excited about the vibrator though," she adds in that same breath.

However, you turn up your nose. A few spanks to Jiheon's ass, and you say, "And here I thought you only needed your Daddy to fuck you."

"Well, apparently Daddy is busy all day fucking three girls, so he's all tired by the time he gets home." She pouts, leans over, bedroom eyes, and whispers, right into your lips, "I have needs too, you know. Can't you take care of me properly?"

"Fine, fine. Let me shower first, you kinky little..." You trail off, searching for the right insult.

"Slut? Whore? Addict for Daddy's cock?" she supplies as she weighs down into your lap. "You're not going anywhere. I want your cock all sweaty and musky and used by some other girls."

"Alright, I get it," you say, peeling Jiheon off your thighs. "You're a kinky little slut whore addict for my cock. Let me at least get the cameras."

Jiheon grins, giving your cheek a kiss as you stand up. "Can't wait."

She runs back to her room to change clothes, finding a few things, a cock ring, an adorable thin black choker, and the newest addition—a blue bullet vibrator. You consider sneaking to the shower anyway, though before you make up your mind, she returns to the living room, setting up her laptop.

You've already prepared the three cameras, including a POV camera as well as the microphones, and you return seated to the couch. She checks all the lighting ("Natural but nice, not too bright," she said, giving her a leg up on most studio directors), the framing of each shot, while skimpy black underwear hugs her tight ass. How did Jiheon become such a detail-oriented person? This certainly doesn't seem like the same girl who was cum drunk in your lap after her debut scene. But you know how these amateur scenes always end—the sort of mess that makes a viewer need to watch the whole way through.

Jiheon starts the scene in earnest as she often does: one clap to mark the scene, then she shows off her outfit, this time a pink crop top and a black thong. She takes off her clothes slowly, then she cups her breasts, her nipples hardening under her touch. Jiheon finds her own delicate touch inadequate, desperate to pinch at the delicate pink buds under her top, and she moans quietly in response—moans grow louder with her other hand between her thighs, digits toying with her slit through the underwear. She's already soaked. The familiar shape of her pussy lips reacquaints itself with the light. It's where the theater would applaud. As she pulls away, licks her fingers clean, Jiheon lets out a little whine. You know it's genuine because you see her lips turn downwards for a split second, pouting at her self-induced lack of touch.

Composing herself, her big smile returns, and she gets down on her knees to crawl: destination—camera A to the side of the couch, pointing toward the center of the living room. Though you're not the target on the tripod, your view is pretty great. Jiheon's back is arched, her chest low, and her pert ass jiggles subtly with each step. Your eyes are glued to that edible little treat, and your hands are itching to grope and squeeze, but you resist. Jiheon is much more of a natural at this than you—when she reaches her destination, she gives the lens a kiss, then turns around, showing off her ass and wiggling her hips.

"Cut." She repositions the camera to face you on the couch, then she claps. Despite the clear marker, and though you know all this 4K 60FPS footage is going to make your new server room in the basement whine, you keep recording. Jiheon has a history of going off-script.

One example: she has two perfectly good feet, yet she's crawling back over to you, and before you can say anything, she's already got her lips against yours. Jiheon kisses you passionately, her tongue running along your lower lip and making you groan. It's the sort of footage you can put in a bonus reel. 

She points out the cock ring and the vibrator on the table."We can start with the POV camera. Show off putting the vibrator on me and the cock ring on you. Then camera B for the penetration, and camera A for the full body." Then she's back to kissing, sitting on your thigh, and did you always have a Pavlovian response to directorial whisper or did she instigate that is a new question.

Jiheon picks up the vibrator, turning it on as you position the camera on your shoulder. Her head is down as she fiddles with the settings, and you take the opportunity to cup her breasts. Jiheon lets out a moan, a low sudden noise, looking up at you with a mischievous glint in her eyes. She turns around, places her legs over yours, and pulls down her thong.

"Daddy, can you help me put this on? I'll suck you off as thanks," she says, her voice sweet as sugar.

You take the toy from her hands and press it against her wet entrance. Wetter now. She shudders and whimpers. Her thighs tense. When you turn it on, the toy buzzes against her clit and she lets out a heavy groan, what a symphonic cacophony. You tease her folds for a moment, circling the toy around before pushing it inside. The small thing disappears completely within Jiheon's cunt. You attach the blue wire coming out of her cunt to a strap around her thigh, then you play with the vibrator's settings on your phone, making Jiheon squirm.

"Oh, Daddy, fuck." Jiheon's legs clamp together, trapping your hand between her thighs, but it's only the second-best trap inside something greedy; your cock's becoming jealous of the vibrator inside her. 

Riding your palm and fingers, she rocks her hips back and forth, her back arches, and her adorable tits sway enough to get your mouth watering. She leans back against you, her hands gripping your arm.

"Fuck, you're so good at this. So good at getting me off." Jiheon turns around, her lips brushing against your ear.

You would attribute most of it to the machine doing work inside of her, but you don't want to ruin her video, so you simply kiss her neck, sucking on her soft skin. You can't ever get your lips off of each other's bodies. Her taste, a little sweat, a little heat, is not just a once-in-a-while dessert anymore—it's rice; it's water; nipping at her flesh is a staple, a daily need.

Jiheon sighs and purrs and grinds harder when your cock hardens against her ass. Your hand speeds up, trying to keep up with her hips, and you hold down a groan. You know the character you're supposed to play, played it plenty of times before. The silent catalyst, the tabula rasa, the self-insert.

It's easy to avoid stealing undue focus from the true star. Jiheon needs no help at center stage: the camera and her are lifelong acquaintances, already friends, lovers, married, divorced. With subtle expressions and not-so-subtle wails, she's an actress at heart.

In the backdrop, on the inside, the vibration toying with Jiheon's pussy stays constant. Even as the scene rapidly evolves—bodies shifting, her back arching like a violin, your hands plucking at her strings—the small toy is still consistent and patient. Its mechanical insistence is punctuated by erratic wet sounds, and you harken back to the trial and error you've gone through with microphones, trying to find a balance of quality and durability. Well, water resistance.

Jiheon wrestles some control of her arms, grabbing the hem of her pink crop top and pulling it over her head. The sight of her perky breasts has your tip leaking precum onto her already-drenched underwear. 

But there is no contesting who's closer to the brink of climax. Her panting increases in frequency, her thighs crush your hand in its soft wet prison, her movements get faster, her breathing becomes heavier, her muscles tense up, and her entire body shudders. It's like it's all happening in slow motion, each second drawn out longer and longer, and you watch intently, unable to tear your eyes away from her orgasm.

You push the toy deeper inside, and she squeals, vibrations reaching the most sensitive spot inside her. Her inner walls begin their spasming, and the increased urgency of Jiheon's grinding makes that more than apparent. Her desire spikes, sharp, hard, to her own breaking point. Between clenched teeth, her words come out stuttered, a fractured melody.

"Fuck, fuck. Please, close, cumming, please... so, fucking, good, fuck."

Jiheon's face twists as she screams out and throws her head back. Her orgasm rushes through her—the first of many to come, you're well aware. She pulls you closer, nails digging into your arm, and shakes into your chest. Her nectar gushes out, ruins her panties, cascades down, overflows, drips onto your wrist and cock and thighs, dribbles down her legs, and you can hear dripping onto the floor and only hope the camera picks up the puddle below.

Eventually, her back crashes down onto you as her eyes flutter, staring off at nothing. You, meanwhile, can only admire your handiwork, naked, her breasts heaving as she struggles to catch her breath, her cheeks flushed, her eyes wide. She lets out tiny mewls, her tongue occasionally darting out to lick her lips.

Anyone else would be done. Jiheon is still hungry and needs more.

She takes a few deep breaths before turning around and looking at you. "I think you deserve your reward now." 

Jiheon grabs the cock ring off the table and slides off your lap. She positions herself between your legs, staring up at you with big eyes, then her tongue flicks across the tip of your dick, and you sigh. She's teasing you; are you happy, or are you frustrated, or are you shifting back and forth? Her hands cup your balls to massage them slowly. Jiheon presses her lips against your shaft, leaving wet kisses all over your cock. It's pleasure and torture, the slow pace that she's going.

A look of realization, she gestures for you to stop the vibrator.

"Wait a minute," she says, frowning, as she pushes the silicone ring on your cockhead, "you're too hard to put this on. Won't fit. Why do you have to be so big, Daddy?"

The two of you laugh. "You know, you saying that won't help."

Jiheon pouts, leaning forward. She gives your cock another kiss, her tongue slipping out and licking at your head. You groan, and she wraps her lips around you, sucking gently. Jiheon's mouth feels so warm and wet, and she's bobbing her head up and down your cock, taking more and more of you each time.

"Alright. After you cum inside me the first time and get soft, we can put it on."

The first time is an inaccurate assessment. That'll be your fourth orgasm of the day. She's going to milk you dry. You watch her take you deeper, her tongue swirling around your cock. You hear her gag as she pushes further, her lips brushing against your pelvis. She's going to milk you dry; send your complaints to her throat—it's the only place Jiheon's going to listen. Your hips buck forward, your hand grabs the back of her head, and you bury your cock completely in her mouth.

She's a mess. Tears streaming down her face, her makeup smeared, and a dazed expression, it's almost like she isn't fully present. Jiheon pulls back, coughing and spluttering, spit and precum dribbling down her chin. She's a mess; why bother cleaning at all, wiping her face, when she knows she'll just be covered again? At most, she licks her lips clean, and you're not sure it has anything to do with being clean. Her hand wrapped around your cock, Jiheon smiles while jerking you off slowly.

"God, your dick is so yummy. Even after you've fucked so many other girls today, you still taste so good. Or maybe it's because you fucked them? Mmm, whose pussy am I eating right now, Daddy?"

Her words are poison, hypnotic, said with the sincerity of a saint. She leans forward again, recapturing your tip. Jiheon sucks, her cheeks hollowing as she looks up at you, eyes watering, yet unbothered by it. Once more, she pulls away, and now the saliva running down her chin drips down onto her tits. You reach down to smear the mess across her chest, then you smear the sticky bead of semen on your slit across her lips; she accepts happily.

You brush your thumb against her cheek. "You're so good at sucking my cock, baby girl."

Jiheon preens under your praise, pressing her face against your hand, and her tongue darts out to lick your palm, her eyes never leaving yours—well, the camera, but close enough. Her tiny fingers continue their work on your cock, rubbing it against her cheeks; they squish like mochi against your tip. 

In her own world, she's playing like a pet, and your cock's her favorite toy, but soon enough, she refocuses. When Jiheon mouths "vibrator," you comply, turning it back on. The buzzing grows louder as you turn the setting up, making her squirm.

"Can't believe you want more," you grunt. Your thumb hooks into her mouth, prying her lips open. "You're so fucking spoiled."

Her tongue swirls around your thumb, her eyes closing, and she lets out a muffled moan.

"I know, mmh, I know, Daddy, thank you."

Jiheon sits back on her heels, moaning as she fingers herself and relishes in the toy's vibrations while leaving your cock between your lips. She repeatedly moans and hums out "thank you" against the tip of your cock, making messy bubbles of spit and precum. You go back to well-established techniques of holding back your orgasm, tensing up muscles, and looking away, while Jiheon has her own second climax swelling forth. However, try as you might, the sound of the vibrator pulls you back in, and you end up focusing on Jiheon's body as it quivers, her face as it contorts, her open mouth as she comes undone once more, her juices soaking her fingers.

Knees shaking, she clambers back up onto the couch, straddling your lap. You can empathize with how she's withering, her limbs jello; your arms are tired too, the POV camera still on your shoulder, and your cock is achingly hard and ready for its release. However, her boundless energy returns soon, and that right there is the problem/perk of working with Jiheon—she doesn't know when to stop.

She presses her body against yours, burying her face against the nape of your neck. "Please, Daddy, I need you inside me. I'm so wet right now," she whines, looking up at you with puppy dog eyes. "Please?"

You chuckle, grabbing her hair and pulling her towards you. Jiheon moans as you slide her across your lap. You rub your dick against her thighs, against her pussy lips—from which a thin blue cord exits—and then she rolls her hips forward, eager as ever. Your tip drags against her clit a couple of times, and Jiheon whimpers, her cunt clenching at the small vibrator inside, desperate to be filled.

"Fuck, please," she says again, gasping. "Please Daddy, inside, in, in... my pussy's so, so needy, please. I promise, it'll be so, so good. You'll be so, so full inside me."

You try your best to restrain your own voice—as always, her pussy feels so warm and tight around your shaft, and her walls clench around you; however, this time, you feel the odd sensation of the vibrator against your cock, her pussy an even more snug fit for you. She lets out many whimpers as she writhes above you, though eventually, she sits still and adjusts to your size and the novel vibrations against her womb. When she opens her eyes, they shine with tears as she sniffles.

"This feels, oh, god, so good, Daddy." Jiheon's voice is barely above a whisper, her breath hot against your skin. "Mnh, just stay like this."

You and Jiheon fight the same battle, the urge not to move at all. Nestled close together, pleasure washes over you at its own accord. Try your hardest, but the reality is that one of you must succumb, and the next will follow suit. 

Every minute or so, she shifts and fidgets, or your cock twitches, its desires well known: to piston Jiheon's tight body up and down your length. Despite the soreness from your previous orgasms, every bit of self-restraint is necessary. The warmth of her cunt, the light panting into your ear, the vibrations resonating along your whole length—it exceeds the effects of any pill. All this effort to exert no effort.

Jiheon lets out an incoherent whine, probably about your throbbing cock's growing hardness, or its leaking precum. No matter how hard she tries, she shivers and squirms in your lap, her needy cunt too impatient. 

This very impatience gets her in trouble. Right now, her face twists, lips twitching to a frown while little pleasured sighs and groans escape. How sensitive and on edge she must be. This very impatience got her a career.

Jiheon closes her eyes tight, as though that'll distract her from the persistent toy or your throbbing cock inside her. Her legs wrap around your waist, her heels digging into your back, and she settles down onto your cock further. Whisper-subtle motions, they're more reflexive than a reaction. It's a miracle that Jiheon isn't bouncing on your shaft. You know your fellow star too well. She would love nothing more than to ride your cock right now, to make a mess of your lap again, to stuff and unstuff her tight cunt full of you, to milk you dry again—but she made a promise. She must wait. With her jaw unhinging, wide, only the whites of her eyes there, this seems the hardest thing she's done in her life.

This is the hardest in yours. Sweat-filled photoshoots, keeping yourself erect during a gangbang, even working through flus are nothing in comparison. The seconds tick by, both seemingly endless and insignificant, and you wait, and wait, and wait.

Jiheon's heart beats against your chest, tits pressed into you, and you keep her steady with a palm on her sweaty back. Her head drops onto your shoulder and her hair tickles your neck and her warm exhalations send shivers down your spine. It's hard to tell where your bodies separate, how much is you and how much is her. You melt into each other, one being, joined together by heat and time and pressure. With this vibrator inside, time withers away Jiheon's endurance. While you're teetering on an unstable edge, you're not surprised that she slips before you.

One small change, one little sigh, her face eases out its tension, lips parting, and before you realize it, she's moving. Lazily, sure, yet unmistakably. Jiheon moves her palms, slides up her thighs, caresses her flat midriff, caresses her pert breasts, pinches her hardened pink nipples.

You're getting dizzy, your vision blurring as Jiheon's walls begin suffocating your numb shaft.

"C-cum, s-soon, Daddy," she stammers, her words coming out in between shaky breaths, and hearing her voice soothes you, somehow; the sound of Jiheon speaking reminds you that you're not just in some dizzying endless vibrating cockwarming dream-fall-flight-story-recording— "Oh, fuh, fuck."

"Go," you murmur into her ear. "Cum. For me."

Despite the delirium, the agonizing climb to the top of the rollercoaster, Jiheon manages to look into the side camera. With the perfect image of her mouth open and her eyes rolling, you realize you're not a professional compared to this woman. Was that all an act? Regardless, you're lucky to be here, to witness her, to be a part of this. She's gorgeous, and she's coming apart at the seams, all around your cock, a mere happy bystander, or maybe instrument is more apt.

The vibe makes Jiheon spasm at first, and then she growls out a groan as her toes curl and her fingers squeeze, thighs completely clenching around you. Her pussy spasms and squirts around your cock. Her ass shifts upward, and she fucks down against your length, grinding your sensitive cock against her vibrator. You make sure the POV camera is trained on her face, blissed out as it is, her lips parting for moans.

Jiheon leaks all over you while her hips roll to and fro aimlessly. After she lets out a long hum of contentment, she dips her head into your shoulder and inhales deeply.

"Did you cum inside me?" she asks quietly.

You shake your head.

She scoffs. "You really are spent. Tsk. I might just have to fuck that out of you." She raises her hips, and immediately, her face contorts. "S-sensitive. Never mind. Oh, fuck, lower, lower it, vibrator."

"Yup," you chuckle, reaching for your phone, and Jiheon collapses into you, her body twitching.

You grab her midriff to pull her off, but she stops you. "No, no, stay. Stay, I'll keep warming your cock, Daddy."

Smiling, you kiss her temple.

"Thank you." Jiheon adjusts her position, moving her feet up onto the couch, trying to get as comfortable as possible—as comfy as can be with the tenderness of yet another climax, with your cock still inside her, with the vibrator still going at its lowest setting. You grab her ankles, spread her legs apart, and massage her thighs; happy, she hums, locks eyes.

You hold her close to you while your eyes wander over her facial features. Jiheon's lips and cheeks are flushed red, sweat drips down her neck, hair a complete mess, and there's a shimmer in her gaze. Hard not to get lost in such vivid blue pools—the lenses suit her well.

It's cinematic. It all happens in slow motion. You should've trusted the directorial vision. She leans forward, her forehead brushing against yours. You connect lips, then your tongues seek each other's mouths, while her fingers rake your back. Maybe Jiheon is finally learning to take things slow, taking her time as she kisses you gingerly, languid movements of her mouth, and soon her lips stay pressed against your throat.

She's panting against your skin, her body warm against yours. "Mm, feels good."

"Yeah?"

Jiheon nods, her tongue circling around your Adam's apple. She nibbles at your neck, making you groan.

"But, Daddy," she says as she sucks hard, bites down on your flesh, and leaves her mark on you, "I need you to breed me. I can cum around your cock again if you need that too. If my pussy with a vibrator isn't good enough."

"It's definitely good, baby. It's not just me. I'm honestly afraid I'll break you if I thrust." Your hands wander to her ass, groping her soft flesh and spreading her cheeks apart. With all these overwhelming sensations, you focus on kneading her soft skin, and she wiggles her ass, looking down at you.

You don't know what set you off. It's the sound Jiheon makes when you firmly sink your digits into her butt, a whimper, then a needy moan; it's the heat surrounding your still erect dick; it's the low rumble from the toy's vibrations, reverberating through your entire cock; it's her lips against your neck, pressing kisses into your pulse point; and it's that glacier-melting smile as Jiheon looks up, delirious and satisfied. You love it, and you love her, and you love the noise Jiheon makes when you turn up the vibrator with a swipe of a finger; you love feeling her tense up as you grab her ankles to place them on your shoulders; and you love her teeth biting down hard when your hips rut up into her cunt on reflex—years of porn experience telling you to fucking piston every woman on camera like machinery. 

She looks up at you, her eyes hooded, and then the damn smile again; how can a woman go from completely disheveled to such an angelic expression within seconds?

"Break you." You're out of breath, but doing it, breaking. Whether it's her or you, something must. You can feel it—at your wit's end.

Whatever energy stored inside Jiheon floods out as she's consumed in her second orgasm. She stops trembling and drops her legs down, yet you don't relent, totally fucking her through her high. Pound away (bring out the wooden mallets). The more Jiheon writhes around you, the more she pushes you over. Her cunt is slick and quivering, her girl cum drips down your shaft, and when she cries out for you, her whimpers quickly give way to screams. Make do with your ending.

With a hard shove and the encouragement of a whirring vibrator against your shaft, you cum how a drunk drives his vehicle: hazardously, sloppily, careening. Slumped forward against Jiheon, you thrust wildly, hips jutting as spurt after spurt spills inside. A mindless haze comes over you as you ride out this climax to the crash against the wall, and you're only vaguely aware of your arms and thighs burning, your heart beating faster and faster and faster. It's a fucking mess inside of Jiheon, and it's quickly a mess outside, warm viscous cum frothing out and bubbling at her lips, coating her thighs, dropping onto the cushions. You continue to move, a dying animal, muscles firing with no signal. Through this, Jiheon is getting rawed so rough she has tears forming, sniffling through every "please, give me everything, Daddy" and "want all your cum". Forget your previous orgasms today; Jiheon's greedy pussy has you pulsing shots of semen over and over like you never made a career of it. The vibrator continues to buzz loudly against her soft walls, your throbbing and aching cock, not giving up just because it's been submerged under a Neptune of cum.

Hazy, and your body a bundle of nerves, overstimulated, overworked, you try to push Jiheon off of you—she takes a handful of spilled seed from under her legs before they latch around your torso.

She looks at the camera to the side and licks her cupped palm. You can tell every single motion for her is agonizing, the toy still going at it—you sympathize as you realize you're still issuing weak bursts, so you take your phone to the side and turn the intensity down.

Jiheon breathes out shakily, closes her eyes momentarily, then focuses on regaining her bearings, on your warm sticky cum shooting into her deepest. When she's gotten enough brainpower back, she holds your face with both her hands, making you look up at her and kiss her pouty lips, where you taste yourself and Jiheon's sweet juices.

"I've got a few more in me," Jiheon says.

You're gasping and wheezing for air. "I guess... I guess I'll just fucking pass out and you can use my cock or whatever."

"Hold on, you forgot something." Keeping your cock inside her ass she turns around, Jiheon reaches for the cock ring on the table. Facing the camera B as she leans back against your chest, she finally addresses the camera that was behind her: "Daddy says he's done, but I know he's got so much more for me."

For once, you feel freedom.  The vibrator falling out, Jiheon slowly unsheathes your soft and spent cock from her cunt, which absolutely drips with your creampie—thick ropey cum clinging and breaking onto your crotch, her legs, the couch, and the floor—and now your flaccid member just lays against her sloppy lips.

"I know my pussy makes a great cock ring but…" She holds the cock ring up to the camera, showing it off, no doubt with a smile.

With an almost clinical detachment, Jiheon swiftly attaches the cock ring onto your slick shaft, an action even more devoid of romance and eroticism than switching one sex toy to another, to be honest. After clasping the cock ring on the base of your cock, she brings the cum-covered vibrator to her lips, licking you off your fluids that stuck to its surface. She hums and moans as she takes in every drop, sucking it clean.

She weighs into your chest, easing you to lay onto your back. Jiheon places your cock in between her thighs, nestling her slit along your shaft, then supports herself half-sitting up by putting two hands on the couch. You hiss as Jiheon rocks her hips back and forth, her pussy lips giving way and sliding against your soft and sensitive dick, her ass rubbing against your thighs. She takes a moment and spreads her legs to reach between them; you can't see, but then you feel the vibrator pressing against your balls, and you let out an embarrassing groan. Jiheon giggles as she looks down at you, amused.

"You sound so good, Daddy. Let's keep filming, alright?" Jiheon kisses your forehead.

"Mhm," you manage, swallowing thickly, throat dry. You're not sure how long your mind will last, but you'll at least keep your eyes open, trying your best not to fade out. Jiheon adjusts her position above you, squatting on the balls of her feet, knees together, her feet planted on the couch, and your cock sandwiched between her thighs. She's putting little pressure on you, yet your breath hitches.

Jiheon begins moving again: her hips sway back and forth, her pussy lips rub against your cock, and her ass bounces. As her pace gradually increases, her movements become more erratic while her gasping grows heavier. You can't do anything other than lay back and watch Jiheon riding your softness. She keeps pressing the vibrator against your balls, waves of pleasure coursing through you.

You thought it was over. That the video would end with a fade to black as you fade to black. However, by some miracle (which is a fair title to give to Jiheon), your erection returns, albeit weakly—yet she notices immediately, turns around to sit on your thighs, facing you again. She smirks, places the vibrator at the bottom of your belly, so you try your best to keep your face straight. Leaning forward and placing a hand against your chest, her nails dig into your skin. 

"Not so tired after all, hmm? You must really like my wet pussy rubbing against your cock, don't you, Daddy?"

A small part of you wants to die and join the rest of you already dead. There's no way you'll get through the night; you've never cummed this much in your life. Not even the fake semen tube dispenses this much. Jiheon is testing you and pushing you—but yet.

She positions her body against you again, her cunt pushing down against your length as it hardens slowly. And you can't help it, you find her body begging, enthralling. Thighs meet your sides. palms press against your chest. As Jiheon rubs up and down, your shaft finds itself either between her slick pussy lips or her asscheeks. She bucks when she feels the firm cock ring against her, squeals whenever the vibe brushes against her. You remember to put the vibrating toy back inside her, and Jiheon cries out.

"Oh my god! Shit!" At this point, she's dripping onto your cock, thick cream trailing down, living up to her username. "Fuck, yes, Daddy, fuck." She pants as you relax with your hands behind your head. "I fucking need you again, please. Cock, inside. Put it inside. Please, please, I don't care, how, how sore. Don't need to walk, or move, tomorrow, put cock, in, in."

She trembles above you, so desperate to stay upright. This view never gets old—it never can. As her orgasm rocks through her, Jiheon nearly loses her balance.

You know one way to keep her in place: your cock, now fully rigid, slips out from her slippery thighs, the perfect stand-in for support. Jiheon grabs your shaft, squeezing tightly, making sure you don't move as your tip presses against her cunt. Folding against your torso, you feel her pussy spasming around your cockhead. "Mmgh! Fuck!"

She slides her hips back and forth, trying to catch your length, and though her motions are stunted by jolts of ecstatic heat, she eventually finds home at the root of your shaft, ass against your crotch. You aren't moving—no need. The vibrator continues its whirring, and you can feel it going wild. But it's different now, as the constant stimulation now makes you painfully aware of your cock's rawness. Jiheon sits upright, arches her back, presses her hips down as she moans.

The position is killing you, your cock buried deep inside her, nestled safely between her slick walls—you don't feel safe. You're a prisoner. These are her walls; these are her rules; your cocks her's to do whatever she wants. Jiheon's hands ball into fists, her nails leaving small red crescents in her palms, as she tries to steady herself. Her eyes are shut tight, her teeth grit as she groans, her legs shaking as she continues to twitch, her entire body electrified. 

At some point, you're not sure when one of Jiheon's orgasms ends and the next one begins. Hell, you're not even sure if you're cumming at all, or if that's all the fluids from earlier sloshing around in her as you stir it up. Whether or not you've creampied Jiheon once or a dozen times, seed seeps out, even as you plug her pussy snug. You could pull out, any moment—no, you can't; stop lying. Your throbbing dick is trapped, trapped, trapped. A feeling of powerlessness, of vulnerability, of ultimate surrender washes over you, followed by a sense of unbridled gratification. Jiheon is overwhelming—and instead of seeking to overpower her, you want nothing more than to let her take all of you.

You're something. You're nothing. You're teetering on the edge between the two.

When Jiheon collapses, falling flat against you, you're certain you've passed out, maybe. Jiheon hums, kissing your shoulder, her chest rising and falling as she catches her breath. The vibrator will probably run out of battery. You should definitely take off this cock ring. Clean up. Clap (though roaring applause would be more fitting). Shut off the cameras before you end up filling up the server and losing your footage somehow.

You feel something, your eyes opening. At some point, Jiheon unhooked the cock ring and pulled the toy out of her pussy, and now she's just laying on top of you, hugging you tightly. She's breathing peacefully, her face buried against your neck.

You raise your arm. Resting your hand on Jiheon's head, you can feel her heartbeat, its quickened pace becoming calmer and calmer. She sighs, and you begin playing with her hair, fingers tangled in her long pink locks, and she seems to enjoy this as you hear a quiet moan escape her lips. Your other arm wraps around her waist, pulling her closer, and Jiheon presses herself against you.

The two of you stay like this, lying together silently. Eventually, Jiheon lifts her head, leaning forward, her face only a few inches away from yours.

"We should really shower and clean all this up," she whispers.

You shake your head. "Five more minutes."

Jiheon smiles before placing her head back on your shoulder.

You're going to need much more than five minutes. It's only fair that you procrastinate—when Jiheon can pay off your mortgage several times over, and she still hasn't looked for a new place. Might have something to do with that satisfied smile.

✦✧✦✧✦✧

AFF, AO3

Also extremely inspired by Jiho's scene in @ggidolsmuts' Part 12: Stud(y)ing - Oh My Girl.

[sleepytoycollection]

Barbie Dream Besties "Brooklyn": A review

Barbie Dream Besties is a newly released doll line by Mattel, and is a spin off of their main Barbie line. Looks wise, they seem to be a spiritual successor to My Scene, Ever After high, and the more recent Barbie Extra/Barbie Extra Minis. Also trying desperately to compete with LOL and Rainbow High.

They are $20 USD each retail.

I was interested in these for three reasons: 1) I liked Ever After High and My Scene. 2) They have much more quality outfits than I tend to see from modern Barbie. 3) @queenofsquids enjoyment of them made me hopeful I'd like them too.

So do I? Let's find out.

I choose the character Brooklyn as I like her face up the best.

Her packaging is the standard plastic clam shell that seems to be all over the doll aisle anymore. I can't say I love it. I miss the cardboard boxes, so much easier to open and so much less plastic.

This box isn't super great aesthetically either. There's a lot going on in the service of nothing.

Which is a shame, because I do really like the actual character art on the box. It's super cute and matches the dolls really well. It would pop even better if the rest of the box was a smidge simpler. Sometimes less is more.

The back of the box.

We get more of this delightful artwork, showing of the full set of characters available at the moment.

We also get a short character bio for Brooklyn. She wants to be a choreographer, loves making dance routines, video editing, and creative writing. Despite her favorite color being listed as pink, she has no pink in her outfit and only one pink accessory.

Here is the box without the cover. This is what I meant when I said the box design was doing a lot for nothing. Over packaging isn't just a problem with Mattel dolls of course, MGA is arguably worse, but it's still frustrating.

Brooklyn herself is very pretty though. I tried very hard to pick one without a wonky face, but the way she's posed makes it very hard to tell.

I think one of her eyes is slightly bigger than the other. It's not enough to bother me at least. That said, so many of these were VERY wonky at the store. I would not buy these online unless you can see the specific doll you're getting. The QC is all over the place.

Here are all the accessories she comes with.

I do appreciate that all her accessories tie into her interests and character. That said, these are hit and miss.

The purse is nice, and does open.

The dog is okay, but I don't really care for these types of doll pets. It looks more like an in-universe toy than what's supposed to be an animal.

I initially liked that the phone and case were separate, until I tried to put the phone in the case and it didn't fit. It will not go in there. If I force it in, it just pops right back out.

It's a shame because I liked the 80's Barbie logo case, but without the phone in it, it looks weird when the doll is holding it.

At least the phone fits into the ring light stand.

May I also say some of these accessories feel really flimsy? The phone and Ipad are VERY thin plastic.

The boom box in hollow and unpainted.

I wish instead of having seven mid accessories we could've had two or three really good ones. Or nixed all of them and given her a stand. The doll herself is nice enough to deserve a stand I think.

Let's look at Brooklyn. She's pretty darn cute. She stands at the standard 11", and has saran hair with tinsel.

Her outfit isn't my favorite though. Mattel stop giving your dolls ugly fur sleeved varsity jackets challenge. This could've been so cute as just a regular varsity jacket.

Despite being ugly, the jacket is made pretty well. Though a button was already falling off mine. That poor QC strikes again.

Though I suppose it's moot as I doubt I'll ever put this jacket back on her ever again.

Now that she's free of that ugly thing, you can see how nice the rest of her outfit is. I didn't realize how much I missed dolls getting to wear neutrals until I saw her plain denim skirt and white tank top.

It's simple, but she's dressed like a real person. Plus, I can easily pair these pieces with a lot of other outfits. Doll wardrobes need pieces like this for mixing and matching.

Body wise she's a bit smaller than Barbie, and her feet are a little bit larger. This body reminds me a lot of the current bodies for the Disney Princess line now that Mattel has it back, though those have larger feet. If I can find the one I have, I'll do a body comparison to those later.

Her sculpt in three views. The Ever After High comparisons are very apt, though the screening itself is more reminiscent of My Scene mixed with a little bit of G3 Monster High.

For comparison, here's an actual EAH doll next to her. Brooklyn's head is just a smidge larger, but balanced out better with larger eyes, thicker brows, and bigger lips.

After this, I got Brooklyn redressed with just a few changes...

I replaced her jacket with this vintage Barbie and the Rockers one, added a necklace, and hey! Now she gets to wear her favorite color.

Final thoughts?

It's a good doll, but the quality control issues, on top of the same BS Mattel throws on all of it's dolls anymore, is dragging it down.

The fact you have to look through every single one of the shelf to make sure you're not getting a crappy one is exhausting. Plus, kids don't do that. They're going to get home with their new doll and then realize as they open it something's wrong. Kids don't deserve that.

The accessories are mostly cheap and not special enough to justify their existence. The purse, phone with case, and ring light would've been enough if they were made a bit better.

The outfit is well made, and a huge improvement over what I see in the main Barbie line, even if I don't like all the design choices, but again, that's if you get one without QC issues.

The doll herself is super cute though, and screw it, I like the tinsel. Fight me.

Overall I really love this doll, I just wish picking one out wasn't a hassle. Hell, I even bought a second one already.

I got inspired enough I wanted to repaint one, so I purposely bought this wonky Renee because she had the worst face up out of everyone at the store.

So I think there's definitely potential here. If this line continues, I hope they can improve the way G3 Monster High has improved from it's first wave.

I hope this can be the start of Mattel revitalizing it's Barbie line as well. It needs it. See ya next time.

[ragnvindrgf]

i love nerdy ajax <3

☆ pairings: tutor!childe x bimbo!reader

☆ warnings: unprotected sex (wrap it before u tap it fellas), creampie, reader refers to childe as ajax, not totally proofread

ajax watches as you idly flip the pages in the near 10 pound textbook on marine biology, clearly not even pretending to at least skim the pages. this was going nowhere. 

“so, uh, valentine's day is coming up. any plans?”

you roll your eyes, “valentine's Day is just a commercial scam. i don't waste my time on that lovey-dovey crap.”

“oh, well, i was just curious. anyway, let's focus on these aquatic biomes.” 

you sigh and turn to look at the ginger next to you and pause. ajax’s eyes are shifting between everything in the room, the damn textbook, the wall, the door, everything but you. you weren’t unaware of the effect you had on guys, what with your tiny tube tops, miniskirts and shiny lip glosses.  unfortunately, there was more to life than shiny and revealing clothes and you desperately needed to pass this marine bio midterm. so, you enlisted the help of ajax, the nervous mess next to you, he’s top of the class and surprisingly not at all bad looking. easily over 6 ft, lean build, bright orange hair that was messy but like in a good way, and god those gorgeous blue eyes. 

“y’know, you're cute, ajax. maybe there's more to you than just textbooks.” you rest your chin on your hand and peer at him.

“um. what?” ajax’s brain nearly short circuits at the fact that the very hot girl next to him just called him cute and to make matters worse you’re now staring at him and leaning close and- oh, you smell like flowers. and your lips are plump and pink, pursed in a thoughtful, expressive way. he wonders what they would taste like, would they taste like the strawberry flavored gloss you applied a few moments earlier? 

“i thought nerds were like, all glasses and braces and total virgin looking but you're actually pretty hot.” you smile flirtatiously, watching ajax’s cheeks pinken as he shifts in his seat. 

screw it, you're not getting anywhere with this review and god knows your pretty little head could use a break.

ajax’s eyes widen when he feels your lips crash onto his. one of your hands on his shoulder while the other rests on his knee. he was right, your lips do taste like strawberries and he can feel the sticky residue on his own lips. his own hand comes up to tentatively cup your cheek, accepting that this really was happening and leaning deeper into the kiss. 

eventually, you both need air and briefly break apart. you waste no time in removing your baby tee, shivering at the cool air hitting your bare skin. ajax stares in awe at your plush tits and hardened nipples and quickly follows in removing his own shirt. you gaze appreciatively at his toned stomach and move over to sit on his lap and latch your lips together again. this time you grind down and moan softly at the friction of your clothed cunt and his very hard bulge. ajax’s hands are gripping your waist and his head is reeling. frankly, he can't even think right now, all he knows is that his dick is practically trying to burst out of his jeans from the hot girl’s pussy on him. which you can definitely feel.

“aww, I’m flattered. looks, or should i say feels, like we’re on the same page here,” you giggle reach in between you two to undo his belt. 

“i-um,iI don't have a condom,” the ginger murmurs into your neck.

“no need for that, i’m on the pill,” you reassure him and make work of his zipper. you lean back on the desk just enough to tug his boxers down so that his cock springs out. it slaps against his stomach and your mouth waters at the sight. he’s so fucking big that you briefly wonder if it’ll even fit, you wouldn’t have thought someone like ajax was hiding something like this in his pants if you hadn’t seen it for yourself. and it’s pretty, the prettiest cock you’ve ever seen, thick and flushed red at the tip. there’s a bulging vein running along the side that’s begging for your tongue to run over it. 

ajax squirms anxiously under your eyes, “is it…okay?”

“ ‘okay’? ajax, i can't believe you’ve been hiding this from me,” you press a chaste kiss to the corner of his lips, “i definitely need you in me now,” and with that you're standing up and removing the rest of your clothing. ajax watches with hooded eyes as you pull down your tiny shorts and your panties with them. even from your frontside he can see how plump your ass is. 

and then you’re guiding his cock in between your folds, slowly sinking down and wincing from the stretch. ajax’s hands wander and squeeze your ass, gripping it so hard you’re sure it’ll leave red marks. but it's worth it with the way ajax sounds and looks so good under you. his head is thrown back with a loud groan falling out his lips. with the way you’re bouncing on his cock and squeezing around him so deliciously, he’s not sure he’ll last very long. his tip is hitting up into your cervix repeatedly, making you whimper sweetly. 

“fuck— you feel so good,” Ajax gasps in between his own moans, you laugh breathily, you could say the same thing.

his brows furrowed together as he feels a familiar coil in his stomach beginning to tighten, “i’m gonna- you should get off before i- fuck,” his hot cum spurts deep inside you before you can even tell him that no, there's no way you're going to let this man pull out of you. instead, you moan at the feel of his cock twitching inside of you as your own orgasm washes over you. you sink down on him one last time before your cunt’s squeezing around him and you're crying his name into the air. 

your legs are shaky when you try to stand up, his cock slipping out with ease and a blend of his and your cum starting to leak down your thighs. ajax stuffs his dick back in his pants when you move to grab your shirt, ignoring the uncomfortable gooey mess. 

and he surprises you when he stands and grabs your hand and pulls you back in for a kiss. It’s sweet and gentle and you’re both smiling. “um, thanks, i think,” He grins sheepishly against your lips. 

your eyes widen at such simple words, no guy has ever kissed you after sex, much less thanked you, they just used you as a method to get their dick wet.

taking Ajax’s face in your hands, you lean in to connect your lips one more time, lips moving in sync before breaking the kiss with a smile.

“thank you, you just made learning about fish a whole lot more interesting.” you giggle as realization flashes over ajax’s face when he notices the abandoned study materials on the desk. he chuckles and shakes his head, “not like you were doing much before i guess.”

“that’s true,” you smooth your hands over your clothes when an idea pops in your head, “but, we still have time until my test… maybe we can get together again wednesday night?”

ajax looks over your cute, hopeful face, “wednesday.. like valentines?”

you shrug nonchalantly, trying to suppress the butterflies in your stomach, like i said, just another day.”

[darkficsyouneveraskedfor]

Endurance 1

Warnings: this fic will include obsessive behaviour, possible non/ducbon, bullying, and other elements which may not be specifically triggered. Please be cautious in continuing on to the story.

Character: Walter Marshall

Summary: A fellow gym go makes your workouts even more taxing.

Please reblog and leave some feedback, preferably in a reblog but you can always drop by my asks. I always love working in y'alls ideas with these AUs so I am so excited to hear from you.

As always, take care of yourself <3 be kind and be patient. Love you.

No tag lists. Please review my pinned and bio for guidelines.

You come out of the changing room and peek at the wall mirror as you pass. You admire your new bubblegum pink leggings and polka dot top. It’s a bit out there but you’ve seen neons in this place that make your retinas burn. Besides, you’ve never been shy when it comes to fashion. It’s not just your passion, it’s your job. 

It’s late enough that the bodies there are far and few between. You prefer the nights when the gym feels like a ghost town. The air is quiet but not stagnant.  

Your water bottle swings on its handle from your hand as your bouncy steps keep in time with the boppy music thrumming in your earbuds. Your workout mix is a nice blend of retro and contemporary bass hits. You catch yourself humming and stamp it down. Sometimes, you forget other people can perceive you, not that there’s many around to so.  

You find an empty mat. They all are. You put your bottle down and start your stretches. Your late night sessions help clear your mind though it never really stops. In your mind, you’re seeing pleats, seams, and ruffles. 

Your body moves without thinking. It’s all muscle memory. You’re no gym rat, you don’t go that hard, just enough to loosen up your muscles. Your note overly swoll as the young ones call it. You’re fit enough for a light jog and the stairs don’t leave you winded like they used to. 

After your stretches, you slurp loudly from the straw of your water bottle, walking with it still between your lips as you head for an elliptical. You can just let the repetitive motion take over. You pop your lips off the tub and slip the bottle into the little plastic holder on the side of the machine. 

As you climb up, you see another figure across the floor. The man sits on the end of a weight bench. For a moment, it looks, even feels, like he’s watching you. From there, you can’t see very well. You don’t wear your glasses in the gym since you lost a pair to a hungry leg press. 

You can make out dark hair and his burly form. Hazy but wide enough to clock. Most people around here are stacked. You’re too casual for all that. And you like a piece of tiramisu with your Friday lattes. 

You pick your speed and start to climb. You cling to the machine and rock your head to the music. Once more, your throat vibrates and you have to remind yourself to stop. You can’t help it, you love Destiny’s child. Does that date you? For someone working in fashion, you can’t ever risk that. 

You zone out, vision blurring as you let your body do the work. The sweat speckles and slicks across your skin. Damn, you might just be bootylicious after this work out. 

Your fitbit rumbles and you look down. You’re in the zone. You keep going until you hit thirty minutes and slow down. You cool off for ten minutes and swipe up your bottle, sucking on it greedily as you head back to the mats. 

You swing out your arms and stretch your legs in slowly lunges. You bend forward, touching each toe with opposite hand, lingering with your ass up as you brace your hips. A sudden clang has you standing straight so fast you nearly topple onto your butt. 

You throw out your arms to catch your balance as you let out a pathetic, ‘woah-oh-oh'. You look over at the man as begins reps with the heavy dumbbells. You’ve never gotten above the tens. His blue eyes flash in your direction and you give a sheepish smile. 

You don’t want to seem weird so you return to your stretches. Arms up, lean to one side, then the other. You hear a strange rumble, like thunder, and look over at the man as he continues to work his traps, staring at you. You could even call it a glare. 

You tap your ear bud as you face him, “sorry?” 

“Do you have to make that noise?” He snarls. 

Your brows pop up. We’re you humming again? Oops. 

“Sorry, I didn’t realise I was,” you smile and before you can tap play, he scoffs.  

“Typical,” he grumbles as alternates to biceps. 

He’s built. He’s arms are bigger than your head. Probably. You don’t think he’d let you compare for scale. You drop your hand without tapping. 

You get down and extend your legs in front of you. His breaths underline your movement as you bend one leg over the other and push your straight arm against it as you twist. As you do the other side, facing him, his gaze flicks over again. 

“You put more time into choosing that outfit than you do working out,” he shakes his head. 

You blanch. Oh wow. You must have been really out of tune if he’s that grumpy. You give a tight-lipped smile and keep going. He’s not the first grouch you’ve dealt with. Your editor is a chronic miser. 

You straight arms and legs and bend to touch your toes. You then pull your arms back and plant your hands. You lift your pelvis and torso and lean your head back, raising yourself in a straight line as you hang your head back. 

“Form is off,” he mutters. 

You lower back down and look at him again. 

“Oh, uh, do you have any tips?” You ask curiously. He grimaces. You push your shoulders up and tilt your head, “well, if you think of any, I'd be happy to work on it. I’d hate to hurt myself.” 

You get to your knees and groan as you push yourself to your feet. He tuts as gets down to plank, still gripping the weights. He lifts the left and puts it back down, then the right. You watch him for a minute, impressed by his strength. Your wary of lifting too much, you don’t trust yourself. 

“You think your cute,” he sneers under his breath. 

“Um, sometimes,” you hover across from him, “I just thought you might know more than me--” 

“Of course I do,” he puffs between lifts. 

“Mm, okay, well, I’d love to learn--” 

“They got trainers for that,” he snips as he finishes his reps and puts his knees down. 

“Right, um, sorry to bother then. I was only... asking,” you turn and grab your bottle. 

You flip the top up again and slurp. You get to the bottom, sucking air loudly up before giving up. He huffs and stands with the weights, slamming them back on the rack. 

“Do you have to make so much goddamn noise?” He stands straight and turns to you, crossing his thick arms. You stop short and part your lips. 

“It’s empty, I didn’t--” 

“It’s not the only thing’s that empty,” he taps his skull, “go back to the mall, girl.” 

You scrunch your nose, “you don’t have to be rude, mister.” 

“Honesty is a gift,” he snorts. 

You pull your chin back. You didn’t mean to annoy him and you apologised already. You’re a nice person but you don’t appreciate his tone. 

“Well, if I’m being honest,” you put your hands on your hips, “you’re not very nice.” 

He chortles as a crease forms in his forehead, “and you’re not as cute as you think.” 

“What does it matter what I think I am?” You challenge, “I didn’t ask you.” 

“No, you just float around like some airhead and disturb everyone else,” he accuses. 

You peer around, “there’s no one here.” 

He drops his arms and lifts his chin. He steps forward and you waver, just a bit, put off by his size.  

“I’m here,” he says. 

You blink. What does that mean? 

He takes another step and you stare at him, necks and cheek burning. His words strike an epiphany. It’s just you and him. He’s a lot stronger than you. 

Another step and you put your hands up, “mister, you better not come any closer.” 

He scoffs again, “or what? Are you going to cry?” 

You pout and shake your head, “no, but I... I could scream. Or bite.” 

He shakes his head, “what do you think I’m gonna do, girl? That’s what you do, isn’t it? Make yourself the victim. You need the attention to make you feel special.” 

He’s getting closer. 

“I said stay away,” you project your voice as best you can, “I’m not afraid of you, mister.” 

He chuckles and tilts his head. He stops, just a step away from you, “aren’t you?’ 

Your eyes meet his and you stand trapped in the snare of his glower. His blue eyes are deep and fiery, his chiseled face is framed by dark curls and a thick beard, and his chin is cleft handsomely. He’s fearsome, a bear in man’s flesh. You’re no more than helpless hare. 

You back away and his mouth slants in triumph. He’s won. You turn and gulp, gripping tight your bottle as your sneaker squeaks loudly. You scurry away, buzzing with adrenaline. 

“That’s right, you run away, girl, run as fast as you can,” he calls after you, “not very, I’m sure.” 

You keep a brisk walk as you hurry towards the locker room and push inside. Your heart is hammering and your breathless as you reach your locker. You put the bottle on the bench and clutch the sides of your head. You’re dizzy as you try to get a rein on your frazzled nerves. 

You thought you left the bullies behind in high school, over a decade ago. In that second, you’re right back in your teenage years. Your eyes sting with tears and your stomach churns with humiliation. That glimmer of insecurity creeps back into you. 

No, no. You’re an adult. You’re a grown woman. You have a job and a life you love. You’re nothing they said you were. You proved them all wrong and you will prove that butthead wrong too. 

[hotvintagepoll]

Welcome to the HOT AND VINTAGE MOVIE STARS tournament! We are now finished with the Hot & Vintage Men Tournament; The Hot & Vintage Movie Women Tournament is ongoing. Submissions for hot vintage women are now closed, but we are accepting propaganda for those already in the bracket.

Round 1 of the Hot & Vintage Women Tournament began with 540 hot women in prelims. Round 1 starts Saturday, March 2nd, with posts going up over several days. All polls—including ongoing polls, previous rounds, old tournaments, the various shadow brackets, and fun mini polls—can be found in the #hotvintagepoll tag. Every poll in the Hot & Vintage Women Tournament will be tagged with the hot woman in it if you need to search for a hot woman in particular.

FAQs:

“Where is [my favorite hot woman]?” It depends. Are all the Round 1 polls up yet? Have you checked all the polls in the tag? Have you done a tag search for her? If you still haven’t found her, either nobody submitted her or she did not fit the criteria of being a movie woman from 1910-1970.

“Can I still submit hot women?” No, the submission window has closed. Please do not send in women you wish had made it into the bracket. I can’t do anything with those asks and they just make me sad.

“I have additional propaganda for the hot women!” Great! Send me an ask or reblog the poll and add your propaganda to it. If you see a separate post that relates to your hot woman, like a fancam or a gifset, you can tag me in it. I don’t boost all the propaganda I see or receive, but I try to boost the best of the best.

If you’re submitting propaganda for your hot lady, I don’t accept propaganda that’s from beyond the end of this tournament’s era (ie don’t send me pics of them from before 1910 or after 1970). I also don’t accept propaganda of TV appearances unless it’s clearly a cameo where they’re playing themselves. If you have a TON of photos to submit, please send a few asks instead of one long one. I watch every video I receive so I can add trigger warnings, so please don't send long videos—I don't have time to review them.

I don’t post or boost negative propaganda about any hot woman. If you really hate that a certain hot woman is winning, send me positive propaganda for their hot opponent. If you think a hot woman shouldn’t even be included in the tournaments because of scummy things she did in her lifetime, please read my take on it here.

If I see repetitive, trolling, and/or bigoted remarks in the comments, I may block you from this bracket. If you want to point out a hot woman’s flaws or misdemeanors, that’s fine, but if I see consistent bad-faith trolling, you will be blocked.

The views expressed in the propaganda are not my own. I don’t submit my own propaganda, and I don’t change what’s submitted beyond fixing spelling mistakes. If you hate a poll bio or a pic, let me know and send me something I can use instead. Thoughtless bitching will get blocked.

"Where are the hot men?" Most of them are in the shadow realm! Toshiro Mifune was crowned the winner of the Hot & Vintage Men Tournament, and the rest were banished where the sun never shines. You can find all the round 1 matchups here (thank you @markwatnae!), or you can search the archive by tag to find out more about what happened to all the different hot men.

"Why didn't my propaganda make it into the poll post?" Either I couldn't open the link, or there was so much submitted I could only pick a few. Because this tournament is so much bigger than the Hot & Vintage Men one, I'm limiting propaganda to 5 pics per hot lady for Round 1. I know, a bummer! I have to do it this way to keep myself sane. If you have a photo you really want the world to see, follow the propaganda guidelines above.

“My FAQ isn’t on here :(” send me an ask! I love hearing from you guys—just please check these basics first.

Thank you for being here! Enjoy the tournament.

[transmutationisms]

I read your review of Poor Things and I was wondering if you had any thoughts on the section in Alexandria? It was horrifically executed on many levels but narratively, that part of the film is about Bella learning about class structure. She rebels against the cruelty of society through charity then by working as a prostitute, during which time she has cruelty inflicted upon her instead. Finally, she realizes that God’s creation of her was ultimately cruel, and then she runs away with her ex-husband-father only to realize that her prior self-mother was fundamentally characterized by cruelty, especially to her “lessers.” She then decides once again that she does not want to be cruel, but then she achieves this by taking God’s place as the doctor-patriarch and ruling his household with a new pet goat. The entire film is also about Bella learning about feminism: the arbitrary oppression of women is not only nonsensical, it’s bad! But then the ending has her reproduce almost all those power structures and cruelty she claims to reject, and has the unfortunate consequence of positioning her as ultimately equally cruel/callous as God, the guy she meets on the boat who shows her all the starving people, and her former self-mother, etc. I was wondering if you had any thoughts on why this is or like, what the director’s message was beyond self-contradiction and taking cheap shots at starving people?

so i would quibble a bit with the idea that bella's experience in the maison-close is exclusively or even primarily portraying sex-for-pay as a site of cruelty. i think it's more depicting paid sex as work, and work as unpleasant and repressive, and that's why the maison is the site where bella gets involved in socialist politics—if moral philosophy is the arena by which she responds to the injustice of the poverty in alexandria, then labour politics plays the analogous role where the maison is concerned. her problems there aren't inherently with the idea of being paid for sex, but with specific elements of the work arrangement (eg, she suggests that the women should choose their clients, rather than vice versa). ofc she has some customers who are cruel or thoughtless or rude, but i didn't read the film as suggesting that was universal to sex work, and the effect of the position is more to demystify sex, for bella, than to convert it into being purely a site of trauma or misery. now i don't think this film offers a particularly blistering or deep analysis of sex work or socialism or wage labour, dgmw, but i do think the function of the maison is different narratively to that of the alexandria section.

anyway to answer your actual question: yeah so this is really my central gripe with the film. lanthimos (slash his screenwriter tony mcnamara) spends much of the film gesturing toward bella's growing awareness of several hierarchical structures that other characters take for granted: the uneven nature of the parent/child relationship (god took her body and created her without asking); class stratification (alexandria); the 'civilisation' of individuals and societies via education and bio-alteration (bella's talk about 'improving' herself; her 'progression' from essentially a pleasure-seeking child to an educated and 'articulate' adult). these three dimensions often overlap (eg, the conflation of 'childishness' with lack of education with inability to behave in 'high society'), though, most overtly, it's in that third one that we can see how these notions of improvement and biological melioration speak to discourses about the 'progress' and 'regress' of whole societies and peoples, and voluntarist ideas about how human alteration of biology (namely, our own) might produce people, and therefore societies, that are better or worse on some metric: beauty, fitness, intelligence, morality, longevity, &c. this is why i keep saying that like.... this film is about eugenics djkdjsk.

the issue with the alexandria section to me is, first, it's like 2 minutes (processed in the hollywood yellow filter) where the abject poverty of other people is a life lesson for bella. we're not asking any questions like, how is that poverty produced, and might it have anything to do with the ship bella is on or the fantastical lisbon she left or the comparative wealth of paris and london...? secondly, everything that the film thinks it's doing for the entire runtime by having bella grapple with learning about cruelty, and misery, and the kinds of received social truths that lanthimos is able to problematise through her eyes because she's literally tabula rasa—all of that is just so negated by having an ending in which she bio-engineers her shitty ex-husband, played as a triumphant moment. i don't even inherently have an issue with the actual plot point; certainly she has motive, and narratively it could have worked if it were framed as what it is: bella ascending to the powerful position in the oppressive system that created her, and using her status to enact cruelty against someone who 'deserves' it—ie, leveraging her class and race within the existing social forms rather than continuing to question or challenge them. if that ending were played as a tragedy, or a bleak satire, it would at least be making A Point. but it's not even, because it's just framed as deserved comeuppance for this guy we were introduced to in the 11th hour as a scumbag, so it's psychologically beneficial for bella actually to do the sci-fi surgery to him that literally reduces him to what's framed as a lower life form. unserious

[thephantomcasebook]

I am sooo disappointed in S2 HOTD, and now I understand why you were warning us about S2 writing. I encourage you to watch Ben Shapiro's S2 review of HOTD. Everything he states hits the point as I feel of S2 writing. But I really feel that if Miguel was still on S2 he would basically steer the ship right, as in writing and direction of the story. Sara Hess needs to be fired definitely. But I don't understand why you don't like Miguel, once he gave us a solid S1. If you want audience to understand why Aemond turned evil from S1, then show us when he immediately returned from Storm's End and Alicent and Otto argue the stupidity in Aemond's decision to kill Luke, once Aegon was offering peace terms to Rhae Rhae. Please explain why you hate Miguel.

I hate Spotchnik because he is the sire of all the bullshit of Season 2.

People, fundamentally, don't understand this point. Sara Hess was not on the original writing staff of HOTD. There was no original writing staff for HOTD. There was Ryan Condal and GRRM that wrote all of the scripts for Season 1.

Sarah Hess was brought on by Spotchnik and his wife as a producer to hack up and rewrite Condal and GRRM's original scripts in order to fit with the overall narrative that Spotchnik (and mostly his wife) wanted to tell in the story.

Sara Hess rewrote and reworked elements of Condal and GRRM's scripts during shooting.

Things such as Criston Cole being a thug rather than the most dangerous man in Westros. Turning Alicent and Rhaenyra's rivalry in the original scripts into a closeted lesbian romance.

Example:

A.) In 1x08 there was no rape of a maid by Aegon. Aegon is introduced in the Condal and GRRM script as having to be collected from a brothel and dragged back to the Red Keep where Alicent scolds him for neglecting Helaena and embarrassing her by his frat boy antics in public.

Sara Hess is on record saying that she and Spotchnik did not jive with Aegon just being a whoring, lazy, drunk. And they wanted to make him more villainous in order to show how Alicent is perpetuating "The Patriarchy" by covering up a rape.

B.) There was no fighting pits in 1x09. In the original script by GRRM and Condal. Aegon is abducted from a tavern while drunk by Misaria and is used as leverage by Misaria for more privileges in Otto's service - not to stop the fighting pits.

Sara Hess wrote Aegon to be involved in fighting pits cause it was "Game of Thrones" - which is her excuse for every bad writing decision she made.

All of 1x09 was rewritten and restructured by Sara Hess at the behest of Spotchnik in order to make the Greens bad. From the awful scene between Alicent and Rhaenys, to Aegon's fighting pits, and the Dragon Pit Massacre.

Tom Glynn-Carney told the story about how he had it out with Sara Hess and Spotchnik when they added the rape scene in 1x08 that wasn't there during the table read. He told them them they were kneecapping Aegon and giving him nowhere to go. To this Spotchnik told him to shut up and do his job as he his told to do it.

My point is that Sara Hess was the hatchet woman of Miguel Spotchnik and his wife. She was brought in by them to purposefully fill HOTD with their sanctimonious bullshit political agenda.

Spotchnik was fired, not because of his wife, but because the new heads of HBO after the merger with Discovery and Warner sent back his Season 2 treatment and told him to start again. Spotchnik threw a massive tantrum because the previous heads of HBO gave him free reign to do whatever he wanted with Artistic Freedom. But the new heads of the studio did not agree to those terms. So he quit and cried like bitch on the way out. And HBO did him a solid by not telling anyone how bad his Season 2 treatments really were.

And since I've read them, I can tell you they're some of the most righteous trash you'll ever read.

Everything you hate about Season 2 is a symptom of a disease that Miguel Spotchnik bio-engineered and spread from bringing on Sara Hess to hiring Olivia Cooke and Emma D'Arcy for their identity and political activism rather than talent.

The taint of Spotchnik's and his wife's vision of HOTD remains long after they've been booted. Mostly because they never got rid of Sara Hess who was the main scribe to most of the bullshit in Season 1 that doomed Season 2.

Two heads of the Hydra were chopped off but one still remains to blight the countryside.

[jointhefediverse]

Android Mastodon Clients 🌟

A web client is a software application that accesses and displays content from the World Wide Web. In this particular case, Mastodon (and some other Fedi sites).

These apps are here to bring all of your different accounts into one application for easy posting, browsing, and management.

Below, I've reviewed the ones that I've used myself so far. I encourage you to try as many as you can to find the right fit for you!

Rodent- Very minimalist. Very little customization, no access to profile links unless in bio, no direct access to profile. On Playstore

Focus- Popup ads👎On F-Droid/Playstore

Fedilab- Good! Post draft option, notifications filtering, access to profile links, trending tags, trending posts, schedule posts option, font resizing, icon resizing. On F-Droid/Playstore

Tusky- Lots of UI customization, access to profile links, post draftability, post scheduling, trending posts/hashtags, and notifications filtering. Slightly more legible ui compared to Fedilab, though has mostly same features. On F-Droid/Playstore

Subway tooter- More advanced UI customization (for the people into those smaller details). Same as Fedilab & Tusky in usability but comes with a trending posts page. On Playstore

Moshidon- Very similar to the OG Mastodon app in layout. Comes with a few color pallet options. Simplistic and easy to use. On F-Droid/Playstore

ZonePane- Slightly less intuitive UI but entirely still usable. Includes lots of customization in font sizing/spacing, thumbnail sizing, icon shaping, the ability to hide follower/following counts, the ability to hide other numbers such as likes, RT's, etc. Similar to Cohost in this way. Has Banner ADs!! On Playstore

Pachli- Similar UI and customization to Fedilab & Tusky. On F-Droid/Playstore

Tooot- Has a simple UI layout with very few customizable aspects. Font size adjustment is available, as well as light and dark themes. On Playstore

Trunks- Super clean UI with losts of fun features like pinned shortcuts, an exploration page, a trending page, profiles have an engagement gage, and much more. Just a few of the customizable things to look out for are lots of different font options and the ability to hide muted posts from your timeline. On Playstore

Buffer- Makes you sign up for a separate account to use it 👎

[fantasyfantasygames]

Falling

Falling, 20xx Games, 2015

Falling is a game about having a really, really hard day while being so badly depressed that you literally fall into an alternate spacetime below our own, and your climb or flight back out.

There's a big content warning right at the front of this game - Falling focuses on depression. It was written by someone with chronic chemical depression, the sort that's part of your brain chemistry. It's very good at getting you to understand what that's like. If you also suffer from chronic depression, this game is very explicit about not being the right place to get help.

You make a character by drawing a hand of cards, writing a hundred-word summary of your character (a la some other games I've reviewed), and giving a short explanation of what pushed you into Underspace. During play you use descriptors from your character bio and inciting incident to draw more cards and change the ones you have. You need specific combinations of things in your hand in order to do specific things, so it's not just a matter of "better poker hand wins". Black cards are strength and toughness (both emotional and physical) but also depression. Red cards are connection and wisdom but also either mania or obsession, player's choice at chargen. You might need three red cards for one thing, or a small straight in black, or one very specific card. It's all about adapting to the situation. Go too hard and you'll regret it. XP lets you boost traits by underlining them, or cross out some that aren't helping you and write new ones.

Underspace is a massive vertical shaft, a gaslamp fantasy idea of what an enormous abandoned mine would look like. You encounter its odd denizens, many of whom are part fungus. Some of them will try to help you leave. Others are there to drag you down metaphorically or physically. There's no shortcut to get out - it's step by step. As the name of the game implies, you're probably not going to make it out in one smooth climb. The book details one particular settlement with the idea that you could use it as inspiration for others.

The art aims toward DiTerlizzi. It doesn't quite get there, but the rough lines and dark shading make it a good fit. Fans of Planescape will definitely feel at home here. Layout is fairly standard, and there's nothing wrong with that.

One of the rules for the endgame is "It's not about the inciting incident." Whatever pushed you into Underspace was a side-effect, the straw, or a total coincidence. You can't fix your depression and return to Superspace just by fixing or reversing that event.

Falling is ultimately a hopeful game, but not an easy one to play. You're going to get pulled in emotionally, and there will absolutely be serious setbacks that erase a whole session of progress. I wouldn't say you need to be a masochist to play, but you do have to want to do something emotionally challenging.

20xx Games isn't in existence any more. Falling didn't sell particularly well in PDF, never made it to print, and their other big project ran into unspecified legal issues involving Capcom, so the whole company tanked in 2017. I'm not sure what Falling's copyright status is these days. Hopefully one of the company's partners still has the rights to publish it - I think it deserves to be out in the world.

[weneverlearn]

Candy Darling - Dreamer, Icon, Superstar by Cynthia Carr

Review by Eric Davidson

It's a boon time for biographies of underground characters from across the end-of-20th Century New York City. Hell, there's even a Ned Hayden autobiography out there.

For me personally, I ingest these books as proof or dissolution of myths of which I've always been suspicious. I've never been one to say "Don't meet your heroes," because I dispensed with the notion of heroes by the time I turned teen.

I have a vivid memory of watching the "Disco Demolition Night" at Comiskey Park on the TV news when I was 12 and knew right away that even supposed lovers of rock'n'roll could do stupid-ass shit that completely missed the point of rock'n'roll. Or there were the rumors of the beloved Jimmy Carter and Jesse Jackson wanting to shut down punk rock. Most of the Bolshevik's were extremely sexist. Ditto Jackson Pollack and many of my fave modernist painters.

I knew from an early age that unassailable humans are extremely rare. So the term "hero" went out of my vocabulary quickly. I usually keep it to "People I admire for their work." Like any good leftie, I am tied to detailed and busy terminology that probably invites distraction instead of quickie comradery, but c'est la fuckin' vie.

To wit, this excellent new biography of Warhol superstar and drag icon, Candy Darling. Well, not so new -- I've been meaning to post a review of this since it came out last summer, and hey, today, November 24, is Candy Darling's birthday!

This is a wonderfully written book that gives an honest, well-researched biographical picture of Candy, a solid surrounding milieu description, and more reasons to chip away at whatever positive opinions you had left about Andy Warhol.

Don't get me wrong, I am one of those who do believe that the art someone makes survives long past us feeble humans; no artist creates alone in a vacuum; and hence it is possible to appreciate the art while noting the foibles or downright shitty things about an artist. They lived when they did; 7 outta 10 times had crap parents; usually could not foresee future societal changes; and they never worked completely alone, so why toss out the hard work of co-creators with the bathwater of the possibly shitty main name artiste?

Who could realistically argue that Warhol is not one of the four or five most important visual artists of the 20th century -- for debatably good and bad reasons and outcomes (debate being something else good art inspires). In this book, Warhol comes across variously as cheap as hell and/or a monied aesthetic savior to the coterie of kooks he kept around him (until he grew tired of them). Discussing the malleable moralities of Pop Art and its creation is another topic for another day, and not the main one of this book.

That topic is Candy Darling as one of the most famous drag queens, and all that entails and supposes. Like, she didn't really consider herself a drag queen, or did she? This book takes a late '60s Long Island misfit and zooms her right into our evolving 21st Century conceptions of gender, while allowing for the fact that Candy is no longer around to enter the debate, and most likely wouldn't want to.

With this bio you get to learn that, like a lot of the Warhol crew, Candy was a relatively conservative person -- though you can't blame that on a rich family that raised her conservatively, like most of the Warhol crew. She grew up middle class, which seemed yet another thing that set her askance from the Factory scene.

For the most part, Candy relished the 1940s Hollywood concepts of female empowerment, not the burgeoning Women's Lib concepts. In fact overall, author Cynthia Carr's extrapolation of Candy's life shows people like her didn't just struggle to fit into the straight world, they didn't have much luck with the burgeoning women or gay liberation movements either.

Incredible amount and quality of images throughout the book too!

I'm a straight white guy who thinks he's listened to a lot of Jobriath and saw The Queen on a big screen (with a Q&A after, no less!), but it was a revelation to me to find out from this book how gay bars of NYC in the 1960s would kick out drag queens because their presence invited vice cops and their truncheons. And in fact, some in gay liberation groups considered drag queens a, uh, drag on the movement by supporting gender stereotypes; and some in the women's movement thought they were making fun of women.

To help navigate such travails -- and her fraught attempts to become a movie star via her connections in the new underground film world -- Candy continually searched for a belief system that primarily focused around Christianity, though she delved into Scientology and other vague, hippie interpretations of spirituality too. I have always been of the mind of why would anyone of fluid gender want to join any well-known established religion in America, since they all seem to start with a complete disrespect for that idea? Candy Darling is another example of how it took brave souls like her to investigate this stuff so us later questioning types could argue from a more solid, smug foundation.

Candy cooking; swiped from a Tumblr

In the face of that morality search, Candy was a constant, inventive filcher of money and goods from pals, re-user of used clothing, and generally comes across as much a glamorous version of a crusty punk as a wannabe Marilyn Monroe. Her fractious friendship with Holly Woodlawn and Jackie Curtis -- the triumvirate of Lou Reed's legendary song -- was a kind of metaphor for that whole NYC underground arts era: one (Woodlawn), an updated vaudevillian; one (Candy), a near cartoon of classic Hollywood; and a one (Jackie Curtis), the future of the shakeout of gender identity. And if my reading here is correct, Curtis might've invented punk rock's fashion and contrarian attitude.

And like Curtis, this book created for me possible reasons to revive the word hero in my vocabulary. To imagine the amount of energy Candy Darling must've had actually makes you more energetic as you read this. Her story is oddly inspiring, considering the poverty, self-defeat, and slow death that followed Candy like a Greek chorus.

No matter the fucked up family she had, the broke existence, the often thin "friendships," and the defiantly fringe arts community her high hopes were tied to, Candy Darling continued to walk in high heels through the most garbage-strewn era of NYC, all the while looking up at the stars with a hope and strength most of us couldn't muster. I admire her work.

[kittenninja14]

So like I was reading your fanfics on ff.net and this dude, cloudstorm10, seems to be really pissed off with you in the reviews for two of your Ninjago fanfics, lol.

I don't really have anything else to say beyond this but I just find it funny because he had sent me a pm asking for a request and when I politely declined it he blocked me lol.

So yeah just a warning against the toxic guy if you don't want spam reviews. Sorry if I bothered you if you already knew!

yeah loll i know XD

that dude asked for a request and i politely declined and bro just did a big hissy fit XD

dude was not happy lol

he started posting spam comments on my fics even fics that weren't even related to ninjago XD i blocked him tho lolll

honestly i find it funny how non-writers seem to think that writing is easy. its not lol. its quite a challenge at time XD

to everyone out there i recomend being very wary of people who request on ff.net especially lol.

also i find it funny how in the dude's bio it says he's 27(?) and i find it funny how he doesn't even act like he has a conscience bc dude was just harassing a freaking minor (me btw) loll

but yeah i know lol. i blocked him lol. don't want that dude showing up again lol.

Also to all of you ff.net writers, I recommend blocking @cloudstorm10 on fanfiction.net that dude is seriously not nice lol.

anyways yeah thanks anon for stopping bye lol!!

have a great day bud!! <33

https://kittenninja14.tumblr.com/post/731916269075480576/hey-yall-i-just-found-this-incredible-video-and

[lean-mean-demon-genevieve]

Hi! I’m not sure if this has been asked before but is there a reason she moved her bookclub to Charlie’s platform? Also, does she get paid for these talks with the authors? I’ve always wondered that. Thanks!

The answer is ALWAYS money.

My guess is that it’s some sort of a circle-jerk type of deal where she moves her thing to his platform and in turn he does some sort of work for her/Jared like managing their social media.

Remember that Momentus was charging for attending her bookclubs live with the ability to chat and ask questions. Momentus then reportedly gave an undisclosed percent of that fee to charity of choice. Gen probably pockets a portion of the remaining profit, but I don’t know that for sure.

Not that long ago, you could also buy her bookclub picks through the Momentus website, but I don’t see that anymore. Instead, if you click her “link in bio” link on IG, Gen now has her own affiliate link with a site called Bookshop.org. This site has marketed itself as an alternative to Amazon and as an advocate for independent bookstores. Which all sounds great until you do a little bit of research.

Bookshop.org basically acts as a middle man between a wholesale warehouse (named Ingram) and indie bookstores. Bookshop doesn’t even take from the indie bookstore’s inventory. Shops can set up an account, customers order books, they are shipped from an Ingram warehouse, and the site gives the indie seller a 30% cut of the profit…but indie bookstores are concerned because they would make more by cutting out the middle man. Duh!

(Read more here and here)

And when individuals like Gen can become an affiliate and earn 10% on sales, indie bookstores lose out even more.

“Publications that review books can earn much-needed financial support”…nope, that’s not Gen. “Book clubs can earn sustaining funds on each pick”…that doesn’t feel like it fits either. “Instagram influencers can earn revenue”…theeeeere it is!

You see that running total at the top of that website? Gen didn’t contribute to that. Her 10% goes right in her pocket. Remember a couple weeks ago when Gen posted a reel about her favorite local Austin indie bookstores? And how important it is to support them?

She cares about her own bottom line even more.

But I bet she would love for you to believe that this was yet another altruistic, pious choice in the name of small businesses and sustainability. Most fans won’t look this deeply into her connection to this site and company itself. They just see that giant number at the top and their heart eyes for Gen dilate that much farther.

Amazon is an evil organization. I use it too, but it is evil. It just is. Amazon has put a lot of small businesses in the ground with their ability to charge less. I appreciate alternatives, and Bookshop is that, but Bookshop isn’t innocent. Even though they’re up-charging for books, remember how many extra people have to get their cut. This company boomed as it launched in 2020 and much profit has been made. And any time major profits are made…someone is getting exploited.

(It should also be noted that Gen’s link in bio also has her Amazon affiliate link. She doesn’t care which shifty brand is paying her, as long as she’s getting your money.)

I wonder what the people at the distribution warehouse get paid? How do authors make money? How much is the creator of Bookshop worth at this point in comparison?

Hey Gen, can you answer any of that?

Gen, wait!!

…I don’t think she wants to talk.

[sweetdreamsjeff]

Amazing 'Grace': How Australia Gave Jeff Buckley His Biggest Hit

23 August 2024 | 12:00 pm | Jeff Jenkins

“In that moment, Jeff Buckley became a superstar in Australia.”

“I’ve got something I’d like to play you,” the woman from the overseas label announced.

It’s the start of 1994, and I’m at a Sony sales conference on the Gold Coast. We’ve been running through the major priorities for the year – Celine Dion, Mariah Carey, Pearl Jam and C+C Music Factory – when the representative from the company’s New York office mentions a new signing.

“I’ll play it during morning tea,” she says.

As she pressed play on the CD, you could hear a Mojo Pin drop. The Sony staff – music fans, grizzled music veterans and cynical indie types – were all united. No one had to say a word. The look on everyone’s face said it all: “This guy is special.”

In that moment, Jeff Buckley became a superstar in Australia.

Hearing him sing Hallelujah for the first time was a revelation. Nothing needed to be said. It was as if Sony’s Australian staff made a pact: we’re going to make this record a hit.

Jeff Buckley’s debut album, Grace, was released in the US 30 years ago today. The album’s Australian release came the following month, when Inpress editor Andrew Watt put Buckley on the cover and eloquently explained the album’s appeal. “Every now and then a new artist comes along whose sheer quality and artistic vision is so obvious that you just know you’re going to be listening to him for a long, long time.

“Grace is an album that seems so complete and so vivid in its expression that it’s almost an insult to try and deconstruct it and examine it to try and find out what makes it work.

“Probably the highest compliment that can be paid to Grace is that it’s timeless. It’s a brilliant album now, it would have been 10 years ago, and it will be in 10 years’ time.”

The record company bio that accompanied Grace had a section where the label listed what format it fitted. Grace ticked most of the boxes – alternative, AOR, easy listening, heavy metal, jazz, jazz/rock and “all other”. But Buckley responded: “That’s all just useless typing … everything it’s not, it is.

“What is it?” he added. “It’s just American music.”

And yet, Grace didn’t connect with American audiences. It peaked at number 149 in the US. Australia was the only country where it landed in the Top 10.

The American critics were initially unsure of what to make of the album. “Jeff Buckley sounds like a man who doesn’t yet know what he wants to be,” stated the three-star review in Rolling Stone.

John Encarnacao had no such reservations in his four-and-a-half-star review in Juice. “What kind of person wouldn’t like this disc?” he asked. “Maybe someone afraid of involvement. Or someone unprepared for music to penetrate their outer layers. Or anyone who rolls their eyes at the names Joni Mitchell, Neil Young or Sinead O’Connor. Grace is one of those sacred recordings.”

Grace received some play on US college radio but was shunned by the mainstream stations. “The songs were too long, and they didn’t have any hooks,” Buckley explained, relaying the complaints of the American radio programmers.

“It’s all a question of taste. I have no idea. I don’t know how their minds work, and if I ever do find out, I’ll hang myself from the nearest tree. I’m not really bitter about it at all.

“It’s a total crapshoot dealing with radio, so it doesn’t matter. Just so long as people come to the shows and enjoy it and get what they want, I can’t ask for more.”

And that’s exactly what Australians did – they embraced Buckley live. That first Jeff Buckley tour in 1995 is referred to in the same hushed, reverential tones as The Beatles’ 1964 visit and Nirvana’s shows in 1992.

You had to be there.

In Melbourne, Buckley did three shows at small venues – the Lounge, the Prince Patrick Hotel and the Athenaeum Theatre, as well as a set live to air on Triple R’s rooftop.

Lainey Wilson Has Never Been In It For The Awards: ‘I Want To Feel Something & I Want People To Feel Something’

Amazing 'Grace': How Australia Gave Jeff Buckley His Biggest Hit

23 August 2024 | 12:00 pm | Jeff Jenkins

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“In that moment, Jeff Buckley became a superstar in Australia.”

Jeff BuckleyJeff Buckley (Source: Supplied/'You And I' album cover)

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“I’ve got something I’d like to play you,” the woman from the overseas label announced.

It’s the start of 1994, and I’m at a Sony sales conference on the Gold Coast. We’ve been running through the major priorities for the year – Celine Dion, Mariah Carey, Pearl Jam and C+C Music Factory – when the representative from the company’s New York office mentions a new signing.

“I’ll play it during morning tea,” she says.

As she pressed play on the CD, you could hear a Mojo Pin drop. The Sony staff – music fans, grizzled music veterans and cynical indie types – were all united. No one had to say a word. The look on everyone’s face said it all: “This guy is special.”

In that moment, Jeff Buckley became a superstar in Australia.

Hearing him sing Hallelujah for the first time was a revelation. Nothing needed to be said. It was as if Sony’s Australian staff made a pact: we’re going to make this record a hit.

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Jeff Buckley’s debut album, Grace, was released in the US 30 years ago today. The album’s Australian release came the following month, when Inpress editor Andrew Watt put Buckley on the cover and eloquently explained the album’s appeal. “Every now and then a new artist comes along whose sheer quality and artistic vision is so obvious that you just know you’re going to be listening to him for a long, long time.

“Grace is an album that seems so complete and so vivid in its expression that it’s almost an insult to try and deconstruct it and examine it to try and find out what makes it work.

“Probably the highest compliment that can be paid to Grace is that it’s timeless. It’s a brilliant album now, it would have been 10 years ago, and it will be in 10 years’ time.”

The record company bio that accompanied Grace had a section where the label listed what format it fitted. Grace ticked most of the boxes – alternative, AOR, easy listening, heavy metal, jazz, jazz/rock and “all other”. But Buckley responded: “That’s all just useless typing … everything it’s not, it is.

“What is it?” he added. “It’s just American music.”

And yet, Grace didn’t connect with American audiences. It peaked at number 149 in the US. Australia was the only country where it landed in the Top 10.

The American critics were initially unsure of what to make of the album. “Jeff Buckley sounds like a man who doesn’t yet know what he wants to be,” stated the three-star review in Rolling Stone.

John Encarnacao had no such reservations in his four-and-a-half-star review in Juice. “What kind of person wouldn’t like this disc?” he asked. “Maybe someone afraid of involvement. Or someone unprepared for music to penetrate their outer layers. Or anyone who rolls their eyes at the names Joni Mitchell, Neil Young or Sinead O’Connor. Grace is one of those sacred recordings.”

Grace received some play on US college radio but was shunned by the mainstream stations. “The songs were too long, and they didn’t have any hooks,” Buckley explained, relaying the complaints of the American radio programmers.

“It’s all a question of taste. I have no idea. I don’t know how their minds work, and if I ever do find out, I’ll hang myself from the nearest tree. I’m not really bitter about it at all.

“It’s a total crapshoot dealing with radio, so it doesn’t matter. Just so long as people come to the shows and enjoy it and get what they want, I can’t ask for more.”

And that’s exactly what Australians did – they embraced Buckley live. That first Jeff Buckley tour in 1995 is referred to in the same hushed, reverential tones as The Beatles’ 1964 visit and Nirvana’s shows in 1992.

You had to be there.

In Melbourne, Buckley did three shows at small venues – the Lounge, the Prince Patrick Hotel and the Athenaeum Theatre, as well as a set live to air on Triple R’s rooftop.

“His shows caused the biggest buzz in town since the Stones were here in March,” I wrote in Inpress.

I took my friend Nova Weetman to the Athenaeum show. She wrote about it in her recent book, Love, Death & Other Scenes. “I was down the front,” she recalled, “weeping as the strains of Hallelujah lifted us up.”

Buckley was a potent mix of Jackson Browne and Jimmy Page. He had the heart of a poet. And he could rock like a god. As one Rolling Stone live review said, “The punchline is, Jeff Buckley can get away with anything.”

Interviewing Buckley was no easy task. He seemed troubled, knowing that the interviewer would inevitably ask about his father.

Jeff’s mother, Mary, had been briefly married to a then-unknown Tim Buckley. When he was eight, Jeff spent a week with his dad; apart from that, he never knew him. Two months after that meeting, Tim Buckley died of a heroin overdose.

The young Buckley loved record stores. “They’re a really emotional place,” he said. “All my life, I tried to work in one, but they never accepted me, and now I’m in them. I go to Tower Records and see all these lives in the bins.”

He noted the sad irony of his record being filed next to his father’s catalogue. “Separated all our lives, and now I’m right there in the bin next to him.”

David Browne, the author of Dream Brother, the biography of Jeff and Tim Buckley, noted that the younger Buckley “was painfully aware of the mistakes Tim had made in his life, and struggled to avoid them”, though “the weight of acclaim helped undo them both”.

That first Australian tour sent Grace into the Top 10. I remember a backstage scene when a Sony rep informed Buckley that the album had gone gold and was headed for platinum. “But do I really want that?” the artist responded.

In Sydney, he visited Bondi Beach at sunrise. “I tried to swim, but the water was too cold,” he smiled. “My nuts totally contracted into my body.”

Thirty years after it was released, Grace has gone eight-times platinum in Australia, and it remains a consistent seller.

Buckley returned in February 1996 for bigger shows, forging a rare connection with Australian audiences.

On the morning show on ABC radio in Melbourne, Raf Epstein has a popular segment called Changing Tracks, where a listener talks about a song that was playing at a pivotal moment in their life.

Recently, Julie recounted her memories of driving down Puckle Street in Moonee Ponds in September 1995. “I was listening to triple j,” she wrote. “I had just given birth to my only daughter … and I was in a loveless marriage. I was feeling extremely emotional and desperate. My husband had not wanted to be a father and was reluctant to involve himself in parenting.”

Like Tim Buckley decades before, Julie’s husband said, “I don’t want this.”

She realised she would be better off on her own.

“Listening to the radio that morning, I heard Jeff Buckley for the first time,” Julie continued. “Singing with a lilting, powerful, emotionally charged voice, he seemed to soothe my pain, and it lifted me out of the hole I had found myself in. I bought the CD that day, and his music supported me through probably the worst 12 months of my life.

“Every time I hear Jeff singing, he reminds me of the strength I found in the most vulnerable time in my life. For that, I am grateful.”

In that first interview with Inpress, Buckley revealed his desire to write a new American national anthem. “I hate the national anthem,” he declared. “The song itself is about having kicked somebody’s arse in war with bombs and stuff. Someday, there will be a [new] song, and hopefully, if I live into old age, I’ll make a stab at it.

“That will be my crowning achievement if I can replace that awful thing called the national anthem.”

He also said he hoped that Grace would be timeless. “If I make it into old age, I’d like to be able to visit it and have it still be true. The things I love the best are very timeless.”

Buckley highlighted Bob Dylan, Patti Smith, Duke Ellington and Allen Ginsberg. His favourite Ginsberg poem was Kaddish, which includes the line:

And how Death is that remedy all singers dream of.

Sadly, Jeff Buckley didn’t make it to old age. On May 29, 1997, while in Memphis working on the follow-up to Grace, he went for a swim in the Wolf River. His body was found on June 4.

Jeff Buckley never got to write that new national anthem. But one of his wishes came true: Grace is timeless.

In that first Australian interview, Buckley mused about his second album. “I’ll make an album that’s so not me,” he predicted. “But it will be me.” He even revealed he had a title for the record: My Sweetheart The Drunk.

The posthumous album Sketches for My Sweetheart The Drunk was released the year after Buckley’s passing.

“The songs that would have been My Sweetheart The Drunk (as well as all the other recorded material he left behind) are the true ‘remains’ of Jeff Buckley, not the speck of dust that was pulled out of the Wolf River,” his mother Mary Guibert said.

The Sketches album entered the Australian charts at number one. It was Buckley’s first number-one anywhere in the world.

Guibert also compiled the 2000 live album Mystery White Boy, which included five songs from the Palais Theatre in St Kilda, as well as Buckley’s cover of Big Star’s Kanga-Roo, recorded at Sydney’s Phoenician Club.

The great tragedy of Jeff Buckley and the modern music business is that Grace was his only completed album.

In the liner notes for Sketches, Bill Flanagan wrote: “If the music business ran in the ’90s as it did in the ’60s, Jeff would have had five albums out … But Jeff loved searching more than arriving.”

By the time Tim Buckley died, aged 28, he had released nine studio albums. Jeff, who died at 30, released just one.

But then, we were blessed to have experienced Jeff Buckley’s genius. One perfect album and some magical live shows.

Hallelujah.