#big sis Leo ideas/fics like this are my favorites
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Quick drawing of an idea that popped up on discord of Leo taking care of her brothers, particularly after difficult missions, by helping them clean up and tend to injuries
#big sis Leo ideas/fics like this are my favorites#tmnt leo#teenage mutant ninja turtles#tmnt#tmnt fanart#transfem 2012 leo#transfem leo#trans leo#agender 2012 raph#agender raph#2012 tmnt#tmnt 2k12#tmnt 2012#tmnt raphael#tmnt raph#tmnt leonardo#2012 tmnt leo#2012 teenage mutant ninja turtles#2012 tmnt raph#art#digital art#doodle#fanart
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I’m gonna take a *wild* shot in the dark here and guess that April’s upcoming birthday is gonna go a liiittle different than it did in the show. Maybe with all the sour luck the family’s had so far, it might become uncursed and everyone can take a day to appreciate their favorite big sis?
I will be real with you, anon... I have no plans to include April’s birthday in the fanfic LOL. I don’t like rewriting things in the show normally, I like having full freedom to go in whatever direction I want to go. It is rare that I will match my writing up to certain episodes.
Also... I have no idea what the actual date on the calendar for where LFLS takes place. It’s not super important to the show, so it’s not super important to my fic, I suppose.
But yeah! I would say April has a quiet party in the Lair with the boys to watch TV and everyone chip in to make pasta or something. They don’t want to over stimulate Leo, and that’s good enough for them.
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3, 4, 8, 11, 12, 13, 15, 18, 22, 23, 24, and 25 for the get to know your author ask?
Ahhhh! An ask! Thank you, anon. :) Anyways, let’s do this!
3.) What order do you write in? Front of book to back? Chronological? Favorite scenes first? Something else?
Considering my working on both Civilian Pianist and The Sea and Stars, I’ll have to say it depends. For CP, I tend to write from front of book to back in terms of the order, with chronological stuff coming with it, but with interludes and so on, I’ve had to delve into the timeline for the sake of consistency. I usually collaborate with Josh and Leo in that regard when it comes to keeping things on track.
For S&S though? I try to do the same, just with sprinkles of many conversations with Lang and by extension, Beta, on keeping the CYB elements true to some extent (big ones being Kei and a lot of the CYB characters). Sometimes, this leads to me writing favorite scenes first, but then they go into storage for me to figure out for later. Most of the time, it’s still chronological first.
4.) Favorite character you’ve written
I’m actually going to exclude Tomoko from this question considering she is me to an extent. But for actual original characters barring influence like that, Hisako and Judai have been my favorites, with Hisako basically being able to say a lot of things that Tomoko just doesn’t say or won’t, and Judai being that funny, protective-yet-lenient dad I thought he might’ve been had Canon GX gone that way. A runner-up for this category is actually CP Kakashi though, since writing his floundering throughout the entire process of figuring out his feelings for Tomoko have been amusing. :d
8) Favorite genre to write
Emotional fluff. That’s all I can use to describe it. There’s a reason why a lot of early CP had so much hug-inducing fluff, and aside from me getting used to writing for Naruto in general, I enjoy writing those moments of lighthearted joy that Tomoko has when seeing friends (which in a way has shown up again and again in S&S whenever she hugs Kei). It’s only with CP going into arcs such as the Chunin Exams and everything leading up to Kannabi that adding in the emotion really got me going because of how emotionally open I myself can be.
11) What aspect of your writing do you think has most improved since you started writing?
Hm… that’s hard to say since there are still moments where I go to early CP and think, “Holy crap, I wrote that?!” in an incredulous voice before rereading again and realizing, “Hey, this is kinda cute.” But for the aspect I’ve improved in the most, I would like to think I did a lot in the fight scene and rising-action/tension categories. Early CP had so much fluff, it was easy to accidentally lose people in it. But when getting into the hard-hitters, well, they hit hard with my most recent work, so I’m proud to look back at those chapters and pat myself on the back for making them.
12) Your weaknesses as an author
Ah. This question. Well, I can only think of two:
Falling back on others a little too often when my writing muse comes to a screeching halt (I mean, Lang’s seen a lot of my stuff when I’ve floundered to the point where I’m surprised she still likes reading my stuff, and there have been many moments where I held myself back from calling Josh and Leo for the sake of trying to figure something out on my own)
Missing commas and em dashes (basically “—”). This is yet another reason why early CP is kinda on the love-hate category for me, because past me missed so many commas. Argh.
13) Your strengths as an author
Just one I can think of:
Delving into the emotions of the character I’m writing in. Even if I struggle with understanding the character in some way (e.g. Kei since she is Lang’s OC, not mine, so she’s harder to write for), getting into their minds and showing the emotion that can come from them is my specialty somehow. Whether it’s because I’m so emotionally open in real life, or just me trying to understand the motivations of the people around me, it shows in CP and S&S really well to where I’m proud (and also kinda mortified) when reviewers comment saying that they’ve cried. Definitely have come a long way from last year, even if I still flounder from embarrassment at seeing my early stuff.
15) Why did you start writing?
I can only really think of a few reasons. Hope you don’t mind the long text post. *scratches head* Then again, you’ve come this far, and I’m grateful. :)
To convey an idea I really wanted to write that no one had really done so far. I’ve said before that CP started with the question of “What if Kakashi had a best friend?”, and that still stands. Adding in how there are very few Civilian OCs that I’ve seen in the Naruto fandom, along with the low coverage of civilians in Naruto in general, that was one factor.
Lang inspired me. Simple as that. Catch Your Breath literally caught my heart when I discovered it in the summer of 2015 (at least, I think it was 2015, I can’t fully remember), and when seeing Kei, I wanted to try writing something along the lines of that too. Not to mention, it’s because of Lang that I got back into Naruto, and I can’t thank her enough.
Silver Queen’s Dreaming of Sunshine made me see beyond fanfiction again. Shikako caught my heart just as much as Kei.
I wanted to reflect on the growth I’ve done so far as a person. There’s a reason aside from angst as to why I had Vy die at age 18 to the point of it affecting Tomoko in her new life, since so much has happened since then. I’m still attending college, figuring things out little by little, but Tomoko is essentially that self-reflection that I never got to do until now. And seeing how I could’ve been while also exploring the current me in writing has been very much worth it.
I wanted to see what it was like. Posting on Fanfiction and all. Cross-posting on other sites (including AO3) was never really my thing, and my old FFN profile was just sitting on the website, dusty and all after a few select reviews for an old fanfic a friend was doing, so I just dusted it off and got to work.
18) Were there any works you read that affected you so much that it influenced your writing style? What were they?
Yes, there were. No doubt about that. For fanfic stuff…
Catch Your Breath. Still my main inspiration to this day.
Dreaming of Sunshine, especially since it started the whole SI-OC genre in general.
Deja vu no Jutsu, for the worldbuilding and the limits that a writer can surpass (since Vixen Tail wrote a lot to take in, and it’s hard when your brain’s not hardwired for binging), and
Inoue Shiori by Hermionechan90. This was actually the first ever Civilian OC fic for Naruto I ever read, and after seeing Shiori’s accomplishments and her realm in the shinobi world, it got me thinking.
As for books…
Dan Brown’s Robert Langdon series. For the mystery and attention to historical detail.
Robert Galbraith/JK Rowling’s The Cuckoo’s Calling and following books in the Cormoran Strike series, for being a mystery series that I found myself loving.
22) Are there any subjects that make you uncomfortable to write?
Sex scenes or anything related to smut, period. First, because I’m a demisexual person and the idea of Tomoko doing that kind of stuff equals “WHAT.”
(Not helped by how Hisako is my spiritual avatar in the sense of protecting the girl, just because she’s so precious to me and the idea of her doing that equals O^O).
And secondly… well, those CP fans who have seen Chapter 21 and my later “Announcement” chapter will easily understand why. For others, let’s just say I’m not as protected from society’s stuff as it might seem. I’ve seen some uncomfy stuff too, and it’s hard.
23) Any obscure life experiences that you feel have helped your writing?
I feel like this is a weird answer, but strangely, my interactions with the older members of my family factor into this. The reason why I personally feel Judai and Hikari are so powerful in CP’s narrative (and not just because they’re honoring my original fanfiction roots in trying to write for Yugioh GX or their being our main heroine’s parents) is because my real Mom and Dad are personally involved in my life. I try to keep them updated every day I can, they help me whenever they can, and it’s been a mutually beneficial and loving relationship. I’ve seen my parents falter and worry, as Judai and Hikari have in-story, while also having a first-hand idea of how even adults in a child’s life can make mistakes (considering how things in life can be - my parents coming from Vietnam more so). So, having them in my life really helped in fleshing out the adult figures in Tomoko’s life, Judai and Hikari included.
24) Have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story?
I would like to say ‘yes’ to this, but for once, I don’t think I can. I’ve had to research things to the point of knowing the subject matter better (e.g. wartimes in Naruto, looks into the psychological state that Tomoko might have, etc), but I still had outside help in the form of Josh, Leo, and by extension, Lang, Beta, and Abalisk. So I can’t call myself an expert. But considering how a lot of my stories have been rooted in emotion, I think I’m in fair territory.
25) Copy/paste a few sentences or a short paragraph that you’re particularly proud of.
Oooh. Well, I don’t want to say too much, but an entire snippet for you, anon! This is all thanks to you~ :D
The following scene was actually something I wrote while I was on my summer road trip, thinking it would be for the aftermath of S&S Chapter 13 (where the Drunk Guy incident happened, just with a better ending in the final version), but after some convos with Lang, Beta, and Leo, this specific scene ended up being scrapped (especially since Tomoko was saved much earlier than in CP, with the culprit not even being able to touch her). That doesn’t mean I still don’t like it - no - I just feel bad that I wasn’t able to include this!
Being set up to rest in my room for most of the day felt almost suffocating. Even if I knew it was for my own good.
Apparently trying to cook pancakes on my own after a long night seemed to not be the best idea I had in mind. Even if it sounded good at the time.
I gave everyone I knew such a bad scare last night, I had thought making them breakfast would be a good way to cheer them up. Instead, everyone was clamoring towards me, bustling me back into bed without even letting me finish cooking.
If I wasn’t physically a child already, this said more than enough.
Trying to sleep was difficult though. I wasn’t sure whether it was because of the endless stream of thoughts going through my head about what had happened and what I should be doing now or the state of my throat (which Kei did try to tend to again this morning before putting me back into my futon), but my eyes just couldn’t close. Sure, I could blink, but actually falling asleep didn’t seem like an option.
So instead, I was left staring up at the ceiling, counting the number of tiles up there while occasionally testing my voice with some light singing. Needless to say, it didn’t go so well.
“Haaa… haagh.”
I could’ve been a wheezing teapot if I didn’t know any better.
At least a notebook and pencil was left in reaching distance for me to use if I wanted to talk. My throat seemed to not be happy with me if I tried anyways.
I was already reaching 30 tiles when the door opened. Without even sitting up, I knew it was Kei from the casual sleepwear and messy black bedhead alone, walking in with a tray of food.
“You doing alright there, Tomo?” she said, voice quiet but still recognizable.
With my voice gone, I could only really nod and put on the best smile I could offer.
It was a broken smile, but a smile nonetheless.
But judging by Kei’s face, she didn’t believe the smile or me. Instead, she locked the door behind her, walked over to set the food to my right side and then hung her head. She wasn’t looking at me, but I could tell she was disturbed about something.
Then, she looked up at me with resolute eyes. “… I think I’ll ask Minato-sensei if I can take a break from missions.”
My heart froze.
Whether or not my panic showed on my face, Kei seemed to notice it enough and shook her head. “I know what you’re thinking, Tomo. This is the time of the Third Shinobi World War, and I should get some more experience out there before Kannabi happens.”
I nodded my head as fast as I could, not even caring that my hair was slapping my face while doing so.
“But Tomo, you didn’t see it.” Kei took a breath, and I didn’t miss how her hands clenched the sides of my blanket. “You didn’t feel your own chakra when it happened.”
Now I was feeling confused. In my funk, I sat up and reached over to grab the notebook, flipping to the first blank page to scribble. It took a few moments, but by the time I looked up at her again, Kei was inclining her head at me in confusion once I turned the notebook over in her direction.
What do you mean, Kei? What does my chakra have to do with this?
“Tomo…” Kei then sighed, reaching over to poke my head. “Tomo, Tomo, Tomo.” With each repetition of my new nickname, she poked my forehead, and I found myself getting a bit irritated. “I’m a sensor, remember? And even if you’re okay now, you didn’t feel your chakra when you got attacked yesterday. You… You didn’t know how close you were to… well.” She paused, looking up at me again and I couldn’t miss the amount of emotion rolling through her eyes. “I almost lost you yesterday, Tomo.”
Oh. I opened my mouth, then closed it. The throbbing in my throat was becoming more obvious.
What am I supposed to say right now?
“I-I can’t…” Kei clenched her fists again as she looked down. “That can’t happen again. Until everything boils down, I want to be there for you if any bastards target you again.”
I could only find myself mouthing Kei’s name before closing my mouth again.
What was I supposed to say?
I glanced down at my own hands before the lightbulb went off. Then, I turned to another page in the notebook, scribbling again. Near me, I could hear Kei’s confused grunt at my actions. I was honestly hoping what I was writing was enough to reassure her.
Kei needed to hear my opinion at least. Even if I couldn’t physically voice it.
When I finally turned the page over in her direction, I tried to hide my own gulp.
I’ll be okay. I’m not fully alright now, but I’ll be okay. You don’t have to worry about me, Kei. You should focus on your training and your work so that this doesn’t happen again.
I’ll be alright.
Once Kei finished scanning my message, she looked up at me with softened eyes before reaching over. The last thing I was expecting was for her to push my notebook down into my lap before pulling me into a hug. “Tomo, you’re not fine at all. And it’s okay for you to rely on friends sometimes, y’know.”
I opened my mouth again, only to close it.
A hand started to run through my hair. “You’re my friend, Tomo, so let me be here for you. Please.”
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