#big litlle lies

[kaiswifeblog]

HUENING KAI X FEM!READER

p.s thanks to my friend for helping!!

summary: You were just studying at a cat cafe but didn't expect to end the day getting the number of the cute manager of the cafè.

genre: fluff, nonidol au!

p.s 2: english is not my first language

also on AO3

You were studying in the same cat cafè you've been studying at since you started college for two reasons:

The quiet and tranquility of the cafè and the surrounding noises.

The cats and their adorable faces.

The cafè itself was also kinda cute with it's little decorated with flower vases and some cat toys.

And there you were on one of those cute tables with at least a dozen cats roaming round you, a still full plate of strawberry shortcake and a empty pink milkshake.

You were distracted by your essay for English class you didn't notice a cat approaching, seemingly hungry.

He climbed on your lap and looked up at you with big doe eyes and occasionally meowing.

You stood there looking back at him not knowing what to do.

"Oh-" a smooth voice said behind you. You jumped in your seat and looked behind you "That's Chuck, don't worry he's harmless, maybe he's just a litlle bit hungry!" The voice said. You looked at him he was tall with a very sharp jawline, long hair in a little low ponytail, bangs nearly covering his beatiful brown-ish eyes, which reminded you of coffee, and was wearing the cafè uniform.

"Thanks..." you mumbled while the cute guy was sitting on the chair in front of you "sorry, what's your name?"

"I'm Huening Kai, but you can call me Kai, I'm the manager of the cafè" he said while giving some snacks to Chuck, who was now sitting on the table.

"Sorry if he scared you he's always like this" he apologized for the cats behaviour "No, it's okay don't worry" you said as the cat walked back to you and cuddling himself next to you.

"Looks like he took a liking to you" "yeah..." you responded to his statement before standing up and putting away your stuff.

You walked up to the cash register seeing Kai already waiting for you there, you took out a 20 dollar bill and gave it to him.

"Hey..." he started "can I perhaps... have your number?" he asked. You looked up at him face flushed and eyes wide.

"Sure" you handed him your phone and saw him typing something.

"Here" he gave you your phone back "see you tomorrow" he said as you exited the cafè and looking down at your phone you saw a tomorrows date with a message 'get ready for tomorrows date, all right? (/▽＼*)｡o○♡'

*the next day*

After Kai went home a few hours later he sent you a message sending you the location for the date he asked you out through message the other day.

He asked you out to a penguin exhibition since they were his favourite animals as he told you yesterday since you two started chatting.

So here you were waiting for your knight in shining armor in front of the exhibition entrance.

"Hey!" you heard as you saw Kai waving and smiling while running towards you. "Sorry if I'm late!" he apologized as he crouched down while putting his hands on his knees to catch some of his lost breath.

"Don't worry. I just got here too." you lied not wanting to make him sad, you actually waited for half an hour as you were to nervous to stay home and wair there. "Shall we enter?" he asked extending his hand for you to take , which you did (blushing of course).

He held your hand as you two travelled the exhibition while he was telling you facts about penguins.

you two stopped by the little souvenir shop of the exhibition and he bought something, he said it was a surprise but you were still curious.

After he accompanied you home he instructed you to close your eyes and open you palm, you felt something heavy and opening your eyes you saw...

A rock?

"What? Why did you give me a rock?" You asked in disbelief "you want me to collect rocks?"

"We've just been to a penguin exhibition..." He said you started thinking that he didn't remember anything that just happened.

"yeah?" You said "well penguins give the prettiest rock they find rock they find to the penguin they like" you understood and started blushing.

"would you like to be my penguin?" He asked while looking away.

You blushed and nodded your head and he asked

"Can I kiss you?" You nodded then you felt his hands cupping your cheeks and his incredibly soft lips on yours.

After what felt like hours he stopped and said his goodbye before walking away.

After that the next morning he sent you a message.

'hope to see you at the cafe today (//ω//)' and then sent you a photo of him and Chuck

'we miss you(╥ω╥)'

Let's just say you should thank Chuck once you see him.

[droidcrawler]

"BLL" Finale

[bettyjugg]

Answer 30 Questions and Tag 20 People

I was tagged by @harlowgold & @riverbabes - thanks so so much :)

nickname: my nan calls me Elle, but literally everyone else calls me by my full name - Ellie

gender: female

star sign: gemini

height: 5′1 (imma shortie)

birthday: 27th May

favourite bands: one direction (lol), little mix.. i’m more of a song person, like i’ll love a certain song but won’t know the artist

favourite solo artists: Harry Styles, Pink, Bruno Mars, Lady Gaga, Dua Lipa, Charlie Puth (literally i don’t know any artists haha)

song stuck in my head: Lollipop (thanks RD), Big Girl (you are beautiful) by Mika

last movie I watched: flightplan

last show I watched: offspring

when did I start this blog: 2012

what do I post: on this account, riverdale, bughead, sprousehart, litlle but of harry styles, and a little bit of anything else i find funny or relatable

other blogs: nope

do I get asks: not at all, but i got one today which was random

followers: 3968

following: 207

average sleep: 6-8 hours

lucky number: 11

dream job: well i’m studying to be a teacher and that’s been my dream forever, but i’d also love to be a physiotherapist, a AFL statistician, or a full-time high level swimming coach

food: PASTA and bread

last book I read: Big Little Lies by Liane Moriarty

what I’m wearing: an oversized men’s t-shirt and underwear haha

favourite fandoms: riverdale (bughead/sprousehart), literally not in any others. I used to be in the glee, 1D and British Youtuber fandoms but all of them were so toxic...

I tag: @stilinsk1 @amab1060 @wistfulbetty @freetimefase @cooperbettycooper @sopaloma @colesmoles @festivebetty @twillightshadows @cole-lili-sprousehart @ruverdale @hotsforbughead  

sorry if you’ve already been tagged, i’d love to get to know you guys better xx

[impossibleleaf]

The Final Problem Giga Meta 4/4: from Musgrave to the end

Part 3

From Sherlock falling into black goo, we now have a Sherlock lying as if he’s just fallen and crashed.

There’s something quite strange in the pictures on the wall too: we see little Sherlock and little Mycroft, but we never see pictures of Eurus.

But now that Sherlock has won Eurus’ tests, he can now freely talk to Little Eurus. His puzzles made the plane advance, each time closer to the ground and the fall or landing of the plane.

Now, Eurus reaches the front of the plane and she can see where exactly she is going and can give us actual relevant informations.

Finally, we know and Sherlock says as much: this city is definitively her home.

YOUNG EURUS: I can see a river. And there’s a big wheel. (…) SHERLOCK: Does the river look like it’s getting closer? (…) That means you’re nearly home.

A city with lot of lights, it is night which means that while she stays in the dark during the whole episode, she is now roughly in the same timezone than where Sherlock is. A big city near the sea but with a river leading to it. And a big wheel, don’t forget the big wheel she can see.

That was totally London.

This is the capital of England, it is a monument in itself. But to Eurus who spent her whole life in Sherrinford? That means absolutely nothing and was never home.

And when Sherlock finally faces Musgrave, right after Sherlock told Little Eurus she was nearly home, we get the beginning of an answer.

SHERLOCK: I’m home. Musgrave Hall. EURUS : Me and Jim Moriarty, we got on like a house on fire, which reminded me of home. SHERLOCK: Yeah, it’s just an old building. I don’t care.

Musgrave was home for Eurus, not London. If we think Eurus actually is real, that doesn’t make any sense. It was also home for Sherlock, but not anymore, it’s just stones, an old building and he doesn’t care anymore.

SHERLOCK: Just put me back in London. I need to get to know the place again. Breathe it in, feel every quiver of its beating heart.

SHERLOCK: I will keep you safe. But it has to be in London. It’s my city; I know the turf.

But London? London is his turf. This is the city that Mycroft has sworn to protect even if there is bound to be collateral damage.  This is where Baker Street is, where he does The Work and more importantly where all the people he loves are.

To Sherlock, London is everything because that’s where his heart and everyone he loves are.

It’s only normal that Eurus, his emotions, was going to land there. That’s home, where his heart is.

And finally the metaphor is complete. Sherlock is dying, everything seems hopeless, he is lost and can’t see where he is supposed to go to survive. Eurus is torturing him to let him actually use his sentiments, his heart, and integrate them in his deductions. Add emotional context, it’s all about emotions.

But no matter how painful that was for him to do so, there is now light at the end of the road, and that light leads him to the one place where his heart, where the people he loves are.

SHERLOCK We just need to get in touch with some people on the ground. Now, um, can you see anything that looks like a radio?

And what is a radio except one big complicated phone? What is a phone in Sherlock if not a heart? Sherlock doesn’t know how to land the plane, but someone on the ground does. All they have to do is use the radio and phone London to get contact with the people in it. All he has to do is to open his heart and to ask for their help. Even, if right now, she can’t find the radio.

SHERLOCK: Are you there yet?

JOHN: Yeah I’m here!

Now John is chained at the bottom of a well and we’ve got a three-way conversation. John is answering questions aimed to Little Eurus. It’s not that John is Eurus, it’s that Little Eurus and John are connected. Emotions and the Heart.

LITTLE EURUS: The whole plane’s shaking. SHERLOCK: It’s just turbulence. It’s nothing to worry about. LITTLE EURUS: My ears hurt. SHERLOCK: Does the river look like it’s getting closer? LITTLE EURUS: A-a little bit. SHERLOCK: All right, then. That means you’re nearly home. JOHN: Sherlock? I’m in a well. That’s where I am; I’m in the bottom of a well.

John survival depends on Eurus and Sherlock managing to land the plane and Sherlock solving the puzzle, and vice versa. Because water represents dying in EMP and John is chained and about to drown, while Little Eurus' ears start hurting, meaning that the plane is starting to go down and crash.

Anyway, back with Big Eurus.

EURUS: Sweet Jim. He was never very interested in being alive, especially if he could make more trouble being dead. SHERLOCK: Yeah, still not interested. The plane! EURUS: You knew he’d take his revenge. His revenge apparently is me. SHERLOCK: Eurus, let me speak to the little girl on the plane and I’ll play any game you like. EURUS: First find Redbeard. (...) At long last, Sherlock Holmes, it’s time to solve the Musgrave ritual. Your very first case!

Now, he must solve the Musgrave ritual, because that’s what is ultimately going to save Sherlock, Litlle Eurus and John. Finding out the answer to this puzzle.

JOHN: Yeah, it’s flooding. The well is flooding. SHERLOCK: Try as long as possible not to drown. JOHN: What? SHERLOCK: I’m going to find you. I am finding you! JOHN: Well, hurry up, please, because I don’t have long! LITTLE EURUS: It’s leaning over, the whole plane!

Because it’s now urgent for Sherlock to solve the Musgrave ritual.

The correct answer to the Musgrave ritual isn’t the song is a cipher, it is ‘Eurus created that song in a way to explain the wrong dates’. The song isn’t a puzzle, it’s the solution needed because the graves are the puzzle that fascinated Sherlock as a child.

A fake gravestone where Nemo Holmes was ‘buried’. But really, Nemo was no one. Or nobody. There was no body.

You can’t really face your own grave, can you? Unless you have a TARDIS, all you can do is have a gravestone with your name on it and no date of death. You’re still not dead so the dates will be necessarily wrong.

Basically, if you want to survive, you need to figure out the contradiction your gravestone is telling you. Show the inconsistencies and reveal it as a fake.

Here starts the puzzle. Now that the inconsistencies are laid bare, you need to find how that can tell you how to survive.

SHERLOCK: The wrong dates, she used the wrong dates on the gravestones as the key to the cipher and the cipher was the song.

Here, Stupid Sherlock strikes again.

The reverse is what happened.

Do you know what an Ottendorf code is? Better, do you remember The Blind Banker? You have a set of numbers and they refers to a word of a page of a very specific book. This is what we’re facing.

The cipher is the graveyard, the key is the song.

The graves represent the number of the stanza and the numbers the words used in said stanza in ascending order. If you start with a number like 28 and then use 1, that just means you need to use the last stanza above (word 28).

Grave 1 (Stanza 1): 134-1719 -> 1 3 4 17 19   I AM LOST HELP ME

Here we can’t do 13 because we have 4 after, nor 34, so 1 3 4, now we are in the two digits 17 and 19

Grave 2 (Stanza 2): 28.9.1520 -> 28 9 15 20 BROTHER SAVE MY LIFE

We could have 2, 8, 9, 15 and 20 but then you get NOT SHADE SAVE MY LIFE, so 28 it is.

Grave 3 (Stanza 3): 1818 24 26 -> 1 8 18 24 26 BEFORE MY DOOM I AM

No choice is there? You can use the last like of the last stanza but that’s is so no 18.  1 8 and 18

Grave 4 (Stanza 4): Nemo Holmes:  1617-1822 32  -> 16 17 18 22 32         MY SOUL SEEK MY ROOM

If it’s 1, 6 and 17, It’s WITHOUT BEFORE SOUL, so 16 and the rest follows

You’ll notice that there is a part of the final message missing, so there is a grave missing.

GRAVE 4.0.0: LOST WITHOUT YOUR LOVE SAVE

So grave 4.0.0 should be : 28 1 2 3 8 in any combination.

What can we have then?

2/8/1238? 28/12/38? 2812 age 38? Age 28 1238? 2812-38? 28.1.238?

The grave stones aren’t real, the numbers are wrong, but at minimum they give for a second an illusion of reality. Yes, there are two centuries of difference, but you won’t have many graves stones starting in the 29th century. Also we can’t start with the age of the dead Holmes, this comes only at the end.

You can have 2/8/1238, or even something like 28/12/38 or 28/1/238 but there is another option I want to point out.

2/8/12, Age 38.

Here lies Mr. Sherlock Holmes, born on the 6th of January 1974 who died the 2nd of August 2012 at 38.

I admit, I’m not using John’s blog to estimate Sherlock’s “deathday” because, mainly, Watson was always shit at keeping track of dates.

But we need another Holmes grave, one that is the fakest fake to have ever faked the word. Also, it’s the only things that makes sense. Why wouldn’t they show the final grave needed if the numbers used were so pointless?

They gave us a solution that is missing a fifth of the answer, and not the least important because this is where we get the answer ‘LOST WITHOUT YOUR LOVE SAVE’.

So, the secret behind Sherlock’s grave, the one thing that turned his own grave into a pure architectural joke and not a genuine thing, the one thing that made sure that Sherlock is still alive is Love.

By solving these fake deaths, Sherlock found the answer to save the plane before it crashes and creates a far more genuine grave.

SHERLOCK: Help me, brother, save my life, before my doom. I am lost without your love, save my soul, seek my room.

Without Sherlock’s love, Eurus won’t be able to find her way home, back to London and the ground.

Twice already Sherlock tricked death in two finale, twice love is what gave Sherlok the means to survive. He just needs to do it again.

Now he knows what he needs to do. He needs to find Eurus and accept her. Go to the top of the tower where she’s been locked up in her room, like some faitytale priness.

SHERLOCK: Look how brilliant you are. Your mind has created the perfect metaphor. You’re high above us, all alone in the sky, and you understand everything except how to land. Now, I’m just an idiot, but I’m on the ground. I can bring you home. EURUS: No. No, no. It’s too late now. SHERLOCK : No it’s not. It’s not too late.

EURUS: Every time I close my eyes, I’m on the plane. I’m lost, lost in the sky and... no one can hear me. SHERLOCK: Open your eyes. I’m here. You’re not lost any more. SHERLOCK: Now, you-you just went the wrong way last time, that’s all. This time, get it right. Tell me how to save my friend. Eurus, help me save John Watson.

Sherlock has created the perfect metaphor of the situation by using Little Eurus and the plane about to crash. Unconsciously, he understand everything except how to land. And he doesn’t know what to do, but he knows that there are people on the ground. And these people on the ground are probably idiots, not as clever as he is, but among them one knows what to do when someone is dying. Caring is Sherlock’s greatest advantage because he has them. Even though it seems like it’s too late, they are on the ground and they will definitely bring him home.

And if there is a reason for him to survive, it’s this: John Watson needs to be saved.

LESTRADE: I just spoke to your brother. SHERLOCK: How is he? LESTRADE: He’s a bit shaken up, that’s all. She didn’t hurt him; she just locked him in her old cell. JOHN: What goes around comes around. LESTRADE: Yeah. Give me a moment, boys. SHERLOCK: Oh, um. Mycroft. Make sure he’s looked after. He’s not as strong as he thinks he is. LESTRADE: Yeah, I’ll take care of it.

Now that everything is more or less over, it’s time to figure out what to do with Mycroft. He did go to the doghouse, but finally after years thinking he was perfect, Sherlock finally understands that he’s not as strong as he looks. He’s human too.

POLICE OFFICER: Is that him, sir? Sherlock Holmes? LESTRADE: Fan, are you? POLICE OFFICER: Well, he’s a great man, sir. LESTRADE: No, he’s better than that. He’s a good one.

At the end of the road, Sherlock has integrated sentiments and got huge character development. He’s a good man now.

SHERLOCK: I said I’d bring her home. I can’t, can I?

JOHN: Well, you gave her what she was looking for: context.

SHERLOCK: Is that good?

JOHN: It’s not good, it’s not bad. It’s... It is what it is.

But Eurus isn’t quite ready to leave, not yet. But she gained context. It’s not good it’s not bad, it just is.

MRS. HOLMES: Alive?! For all these years? How is that even possible?! MYCROFT: What Uncle Rudy began.. I thought it best to continue. MRS HOLMES: I’m not asking how you did it, idiot boy, I’m asking how could you? MYCROFT: I was trying to be kind. MRS. HOLMES: Kind?! Kind? You told us that our daughter was dead.

Remember how the Holmes were in the known when Sherlock faked his death? It’s them who are betrayed this time, because, while they could be worried Sherlock wouldn’t survive his two years mission, Eurus was never supposed to ever come back. Mycroft, we are told, didn’t lie because he didn’t want their influence, he wanted to spare them pain. He was trying in his own way to be kind.

MYCROFT: Better that than tell you what she had become. I’m sorry. MR. HOLMES: Whatever she became, whatever she is now, Mycroft, she remains our daughter. MYCROFT: And my sister. MRS HOLMES: Then you should have done better. SHERLOCK: He did his best.

It’s not that Mycroft wanted to be cruel, he wanted to shoulder the burden on his own, protect his family by lying about the horrible truth. He’s got a big heart, our Mycroft. He just doesn’t know how to use it correctly.

And Sherlock gets that now. He’s grown up now even if Mummy believes he always was this way.

MR. HOLMES: When can we see her? MYCROFT: There’s no point. (...) She won’t talk. She won’t communicate with anyone in any way. She has passed beyond our view. There are no words that can reach her now. MRS HOLMES: Sherlock. Well? You were always the grown-up. What do we do now?

Now, Eurus has decided to remove herself from the text. She has passed beying everyone’s view. She won’t talk, but that doesn’t mean she refuses to communicate. Sherlock and Eurus don’t need to use words after all. And the subtext is always more honest than the text.

Now, Sherlock and Eurus are working together again.

‘Play you’, Eurus has asked him, and he hadn’t managed before to do it, even though Eurus was already playing ‘Who You Really Are’ before his coming. But now he can.

Because, ‘Who You Really Are’ was always a duet. Sherlock Holmes is the detective and Eurus, two sides of the same coin needed to have a whole.

And even if the text via Mary is telling us that who you are doesn’t matter, their music is screaming the exact opposite.

MARY: Would you listen to me, who you are, it doesn’t matter.

DUMBLEDORE: It is our choices, that show what we truly are, far more than our abilities.

It’s not who you are inside that truly matters, it’s what you’ve decided to do with what you’ve been given.

A junkie who solves crime to get high, and the doctor who never came home from the war.

That’s where you get divided because Mary is implying that they’re fucked up (which, okay, is true) but that this is a state they can’t escape, something inheritantly bad.

Fortunately, being a good man isn’t only something you are, it is an action, a constant choice.

In other words, it could have been an incredibly positive message, hadn’t Mary slightly shifted it.

MARY: There is a last refuge for the desperate, the unloved, the persecuted. There is a final court of appeal for everyone. When life gets too strange, too impossible,  too frightening, there is always one last hope.

Because, apparently, Sherlock and John have decided to be the last refuge for unfortunate people, to help others. It doesn’t matter if they’re a bit broken, they’ll keep fighting the good fight. That’s why they’re good people.

Problem is, the line below destroys the positive message and shows us this isn’t what she’s selling:

MARY: It’s all about the legend, the stories, the adventures.

So, no. It’s not what’s they’re doing that matters. It is what they’re pretending to be. This line turns everything on its head. This is just the front they show to the public. And suddenly, what comes after seems to be just that.

A nice story. But it’s not something real.

And also, the reason we didn’t see this message is because Mary presents herself as the cause for this, as the alpha and omega.

MOFFAT: [Mary] changed and illuminated the path of the show.

But we know that this isn’t true. They were doing this before Mary and keep doing it after her. They’re not doing this because of her, they’re not even solving cases in her memory, it never was a question of stopping.

They’re doing it because this is 'Who they really are.’

And the music is honest.

[marianaazq]

Big Little Lies o la Sororidad

Comencé a ver Big Litlle Lies (basada en la novela homónima de Liane Moriarty) por el casting, honestamente ver a Nicole “Cómo-puede-ser-tan-perfecta” Kidman y a Reese Whiterspoon en una serie de HBO me inquietó. Además fue una sorpresa agradable ver a Shailene Woodley como una mujer y no como una adolescente con cáncer ni como una heroína salvando un mundo distópico.

La serie se narra a través de interrogatorios policiacos a los padres de familia de una escuela pública de California, acerca del asesinato que ha sido cometido durante la noche de recaudación de fondos escolar.

Las protagonistas (Kidman, Whiterspoon y Woodley) se acercan cuando el hijo de una de ellas es acusado de agredir a una niña. Este problema solo representa la versión infantil del verdadero motivo de la trama de la serie.

El intento de arreglar este el problema nos muestra la dinámica y el estilo de vida de estas clásicas familias adineradas californianas. De este conflicto surgirán enemistades que nos mostrarán como lidian con los problemas cada uno de los personajes.

No sólo esto, también a través del intento de solución de este enfrentamiento se ejemplifica claramente la formas que toma la agresión dependiendo del género del que provenga. En la versión femenina es indirecta, se ejerce a través de manipulación y estrategias que pueden o no surgir de forma impulsiva para aislar o destruir la reputación de aquella quien será la víctima. A diferencia de la agresión masculina, que tiende a ser más directa, impulsiva y basada en la agresión física o la amenaza de ésta. En ambas, los hijos de los agresores terminan afectados.

No hay mejor demostración de sororidad que la ocurre en los últimos minutos del capítulo final: las personajes se unen en contra del abusador de una de ellas.

A pesar de todos los conflictos, asperezas y accidentes que han ocurrido en sus relaciones, ellas son capaces de reunir sus fuerzas y hacer a un lado cualquier motivo que las distanció para luchar en contra del hombre que las ha agredido.

Ellas comprenden que el problema que las unía no es responsabilidad de ninguna, depende de él, su victimario. Esta revelación les permite perdonarse e iniciar entre ellas una amistad que las trascenderá hasta la siguiente generación.

Me parece que ese es el verdadero mensaje de la serie, las mujeres nos debemos unir en contra del enemigo que hemos tenido desde hace siglos. Sólo nuestra unión puede salvarnos y salvar a los (niños y niñas) que nos sucederán.

[universomovie]

Reese Witherspoon: 'Eu sei que sou boa nas coisas. E cansei de ser tímida sobre isso'

Reese Witherspoon: ‘Eu sei que sou boa nas coisas. E cansei de ser tímida sobre isso’

Estrela de ‘Big Little Lies’ ainda revela o que faria se não fosse atriz Reese Witherspoon, que tem feito sucesso principalmente com a série Big Litlle Lies, resolveu ser direta sobre seu talento. “Eu sei que sou boa nas coisas. E cansei de ser tímida sobre isso”, disse ao Wall Street Journal. Caso a carreira diante das câmeras não tivesse decolado, Reese afirma que teria sido bem-sucedida em um…

[laliofficial]

Lali Espósito: "Trato de confiar en mi impronta espiritual"

Nuestra poderosa bestia pop baja por un rato sus decibeles para hablar con total franqueza del backstage de su vida. Lecturas, feminismo, amor, mandatos ajenos y propios en la voz de una estrella que, afirma, no piensa trocar éxito por profundidad.

Qué es de la vida de Lali cuando se apaga el ruido de todo? De su voz, de las turbinas de avión, de los parlantes, de los gritos y aplausos…  Preguntárselo es intentar espiar un poco ese mundo que pocos conocen y que ella cuida con cada vez mayor esmero.

Porque además son sus momentos menos recurrentes. el mes pasado, por caso, la encontró por completo en vuelo para su primera gira norteamericana, parando en ciudades híper familiares para el público latino como Miami y Nueva York y otras que no lo son tanto como Nashville, Chicago y Washington.

En todas sacó su mejor versión, su “Lali de un metro noventa” como dirá luego a la hora de explicar su “mood escenario”.

“Ahí arriba me la recontra creo, me siento realmente distinta y especial. Creo que no podría ser de otra manera. ¿Cómo banco si no un show súper arriba, con tanta gente, con un equipo enrome detrás…? Ahora, una vez que terminó el recital, listo, se acabó. Si bajo y sigo creyendo que mido un metro noventa, estoy perdida. Porque además yo necesito que todo ese proceso sea con placer para mí y para todos los que me rodean. No quiero que los músicos digan por lo bajo ‘estoy tocando para una diva insoportable’. Que el placer sea el motor de todos para mí es algo esencial”, sentencia la ahora blonda Lali, que sorprendió a todos con ese cambio de look tras convertirse en la embajadora de los nuevos tonos Rubissimos de Garnier Nutrisse…

¿Más novedades? Acaba de arrancar las grabaciones de de Sky Rojo, la nueva serie para Netflix de Álex Pina, el creador de La casa de papel, y prepara además su primera ficción como actriz y productora, basada en el libro de Tamara Tenenbaum, El fin del amor…

-En el medio de todo ese vendaval de trabajo, festejaste tus 28 años.. ¿Te gusta cumplir o ya no tanto?

-Yo soy fiestera. ¡dejame eso de título por favor!... (ríe). Fuera de broma, todos en mi familia somos así, extendemos cada festejo de cumpleaños todo lo que se pueda: el día propiamente dicho, el sábado siguiente a la noche, el domingo, el asado… somos muy de celebrar la vida, y yo lo tengo eso a full. Creo que además este año fue muy especial por varias razones.

No s�� si es que estoy más grande, pero siento que ya no me da lo mismo nada. Cuando era más pendeja tendía a ser más diplomática, y a tratar de caer bien siempre. Pero hoy ya sé perfectamente con quién festejar, donde están mis amistades y mis afectos de verdad. No es que estoy cerrada a conocer gente nueva, pero ya no me va la de atravesar situaciones indeseadas porque “lo tengo que hacer”.

-¿Tus amistades fueron cambiando mucho en este tiempo? ¿Te costó discernir las que son “de verdad”?

-Quizá antes me costaba más pero ya no. Me parece que los últimos “veinti” y los primeros “treinti” son muy decisivos en cuanto a los entornos. Y no lo vivo como algo negativo, eh, para nada.

Me gusta esta cosa de sentir que me estoy definiendo en muchos aspectos. ¿Te acordás de la película Ghost? Yo me siento como el jarrón de esa famosa escena, me estoy terminando de moldear, estoy encontrando mi forma definitiva.

-¿Es un proceso sencillo?

-Nunca es sencillo. Pero te repito, lo disfruto. Trato de escucharme más, de confiar en mi impronta espiritual, en mis pausas… Es una tarea lograr eso y es a fuerza de conciencia. Este año, por ejemplo, fue muy claro en relación a eso, me pasaron cosas muy copadas y expansivas a nivel laboral pero de repente me dije: “¿voy a poder elegir algo de todo esto o simplemente las cosas me pasarán por encima?”.

Siento que por ahora va ganando cierta pausa y meditación en lo que hago. De hecho para el afuera este año fue un poco lento pero yo siento que avancé un montón y que por primera vez preparé la base de lo que quiero hacer de acá a, por lo menos, tres años. Nunca había pensado tan a largo plazo. Y no es sencillo, siempre te corre la vorágine de todo, del celular, de Instagram, de lo que hacen los demás músicos…

-¿Quién te ayuda a lograr esas pausas?

-La gente que me rodea, pero en general, hay mucha introspección. Ojo, no es que ahora soy Osho ni el Ravi Shankar. Nada que ver, pero sí estoy en un camino de búsqueda mayor, de auto escucha… Este año también fue muy movilizador, sobre todo en lo personal.

-¿Por qué?

-Por muchas razones. Hace unos meses se murió de cáncer mi prima Virgi, que tenía 30 años. Un palazo tremendo. Y ahí también empecé a pensar con más fuerza: “tengo que vivir”. Que no me coma tiempo la gilada, el Instagram, la fotito…

Y me cuesta, siempre fui muy soldadito, por mi formación, por la escuela de Cris (Morena) y de repente me di cuenta, todo bien con eso pero también tengo que vivir. Por más que te quite tiempo laboral, esa cena con mis amigas vale, ese momento a solas en mi casa en pijama, vale. este fue un año de pensar mucho en eso.

-La vida en pareja supongo que también vale y este fue un año especial, pasaste mucho tiempo fuera del país…

-Así es, y si bien muchas veces él me acompañó, la mayoría de los viajes los hice sola. De hecho en un momento pensé, “este chico se va a olvidar de mi cara si sigo así…” Fuera de joda, nunca viajé tanto. Y por más que suene frase hecha, empezás a comprender que la calidad del tiempo es vital.

Sobre todo si no vas a tener cantidad, invertí en estar bien, con los que realmente querés estar. Y Santi es una persona fundamental para mí.

-Él pasa mucho tiempo en el campo, ¿puede ser?

-Sí, ama esa vida. Pero a su vez disfruta también de la vida de ciudad. Esa es una de las cosas que más me gustan de él: es un equilibrado total. Durante años, de hecho, se dedicó a la industria de la música, trabajó en Pop Art y estuvo detrás de los nueve shows de Roger Waters en River… Se quemó del stress y se fue al campo, donde por suerte no hay conflictos, mucho menos en este país… (ríe).

Lo bueno es que si le cuento algo de mi mundo lo entiende al toque, sabe mucho del showbiz. Lo cierto es que vivimos muy ocupados los dos y por momentos hay que ponerle mucha onda a eso. Y esto va a sonar muy cursi pero es la verdad: cuando hay amor verdadero todo se acomoda.

-Volviendo a esos viajes, ¿cómo atravesás los numerosos momentos de soledad?

-Y… depende del día, del momento del año… en los estudios de grabación, por ejemplo, me pasaba que me encontraba con gente nueva todos los días. De todas partes del mundo. Ya tenía hasta un speech de memoria con el que me presentaba y les contaba quién era, de dónde venía, que quería hacer… Al mes número seis de esa rutina, terminé bastante abrumada.

Volvía cada noche al hotel con una necesidad tremenda de prender el Facetime y hablar con mi gente.

-¿Te quebraste en alg��n momento?

-Sí, claro. Hoy en día te lloro sin parar. Es loco porque hace unos años yo aseguraba todo lo contrario: “jamás lloro”. Repetía esa idea sin parar, pero porque se me había hecho costumbre. Y de repente me di cuenta que ya no era más así. Hoy lloro con muchísima facilidad en mis viajes y no está mal admitirlo.

-¿Hacés terapia?

-Nunca fui a un psicólogo y son muchísimos los que me dicen “deberías ir…” (ríe). Coincido con ellos, en serio, creo que me sumaría tener ese espacio pero aún no di el paso definitivo. no tengo tiempo, aunque también es cierto que el tiempo uno se lo termina encontrando si verdaderamente desea algo…

-Tan mal no te ves entonces…

-Es que en el fondo siento que todo el tiempo estoy sacando mis cosas para afuera, me la paso hablando de lo que me pasa y siento. De hecho son las charlas que más me gustan, para mí un vino con una amiga no es una boludez, hablamos de nuestros viejos, nuestras parejas, el laburo, las crisis, el amor, vamos a fondo con todo… Realmente disfruto mucho de eso.

-Quizá por eso te gustó tanto el libro El fin de amor de Tamara Tenenbaum…

-Totalmente. Recuerdo que me lo mandó mi amiga Érika (Halvorsen) de regalo y me dijo, “leelo que hay que hacer algo con esto”. A los días le devolví el llamado muy embalada: “todavía no lo terminé pero ya te digo que estoy adentro del proyecto a full”. Finalmente craneamos con ella y Tamara un proyecto de serie que nos tiene fascinadas.

Y a toda la gente que se lo presentamos también. “No se lo muestren a nadie más”, nos decían. Y así llegamos a MGM (Metro Goldwyn Mayer), que es algo como histórico. Nunca antes ese estudio se había comprometido de esta manera con un proyecto tan argentino como éste.

-¿Cómo definirías a la serie?

-Como una comedia, o mejor dicho dramedy como dicen ahora, sobre una chica que sale del universo judío ortodoxo del barrio del Once y comienza a desarrollar una visión feminista del mundo. es un relato profundo sobre lo que nos pasa a las mujeres de hoy, sobre todo a nivel vincular.

Y lo que más me gusta de la serie es que la idea es no perder nunca la luminosidad que tiene el libro. Tamara es una persona híper graciosa, a mí por lo menos me encanta su humor negro y ácido.

-Vos sería la protagonista y también productora, ¿es así?

-Sí, y ese doble rol no es algo tan común acá pero afuera se recontra usa. Como en Girls o Big Litlle Lies… me encantaría que podamos lograr algo así. O incluso como Euphoria, serie que también me encantó. A Zendaya directamente le propondría casamiento, la amo de verdad.

Bueno, mi deseo es hacer algo así de profundo. Por eso lo que te decía antes de tomarme el tiempo para poder hacerlo como corresponde. En esta industria ser mina, joven y exitosa enseguida te pone en un lugar de figurita fácil, donde todo se vuelve volátil y hasta un poco boludo. Yo no quiero perder mi profundidad, me niego a ser una figurita vacía.

-El fin del amor habla, entre otras cosas, del ocaso del clásico cuento de hadas y las narrativas “románticas” a la hora de pensar una relación de pareja. ¿Cuánto te interpeló eso?

-Muchísimo. Y por momentos me identifiqué al ciento por ciento con su mirada, sobre todo cuando discute que ese “aguantar todo” de nuestras abuelas era el verdadero amor y que el de hoy no lo es.

Yo siento que hoy hablamos mucho más de los que nos pasa. Y de lo que nos puede pasar. Yo no practico el poliamor, por ejemplo, pero celebro que sea tema de conversación. Antes se tapaba todo en pos de un único ideal y modelo de pareja. Otro libro que me encantó para pensar estos temas fue Teoría King Kong, de Virginie Despentes.

-¿Hay algo que te asuste de esta época?

-Mmm, como te decía antes, no soy de idealizar el pasado pero sí me asusta un poco esta cosa del mandato de la felicidad, esta idea de que si no tenés una vida un poco parecida a las imágenes que se venden por acá (muestra su Instagram en el celular) estás en problemas. Hay una excesiva presión para ser feliz, todo el tiempo.

Y con modelos de felicidad estandarizados, que quizá no son los de uno. Me parece que hay que dejar de mirarse tanto en el afuera y mirarnos un poco hacia dentro. Hay que relajar, todos estamos haciendo lo que podemos, no nos matemos tanto, che…

https://marieclaire.perfil.com/noticias/personajes/lali-esposito-laligera-feminismo-sky-rojo-netflix-fin-del-amor.phtml

[welcometoavery]

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Al habla la oveja negra del pueblo, el chivo expiatorio, y ese tipo de familias que tienen una etiqueta tan grande sobre sus frentes que nadie puede, ni siquiera, mirarles a los ojos. Sí, hablo de “Astilla”. Lejos de ser capaz de tener un empleo estable y algo digno para un futuro que su apellido jamás sería capaz de llevar, especialmente porque nunca ha sido un chico de demasiados esfuerzos y la cruz de los prejuicios es demasiado pesada en un pueblo como Avery, ha preferido el dinero rápido. El problema de una solución así es que los problemas siempre le alcanzarían, logrando que su nombre fuera más conocido en la comisaría que en el instituto que dejó varios años atrás. Un tipo cuyo único futuro puede estar escribo bajo la señal de peligro y que, justamente por eso, llamó SU atención.

Os presento a X. Ama de casa, madre de niños pequeños y con un futuro tan prometedor que su marido decidió ocultarla bajo su propia sombra. Si habeis visto Litlle Big Lies, ese es el estilo de mujer de la que hablo. Con un prestigio tan alto como sus tacones de 15 centímetros, pero que se ahoga en una vida que jamás consideró para ella. Ahí fue donde vio en “Astilla” esa salida, esa vía para volver a sentirse en control de su vida y sentirse libre, joven y deseada. Efectivamente, Astilla sería esa aventura que la ayudaría a seguir respirando oculta entre habitaciones de hoteles y alejada del pueblo. ¿Y para Astilla? Ya hemos dejado claro que no es ningún Gandhi; dinero. Dinero para pagar las facturas y todo lo que necesite. De nuevo, dinero sencillo.

La relación es muy simple, llena de intereses mutuos que solo buscan algo muy claro, sacar beneficios del contrario; nada más. Ambos le interesa que la relación esté oculta, a ella por el escandalo que sería en el pueblo, además de romper su familia, y él… vamos, si se descubre se cortó el grifo de oro y no le interesa. Si esta situación se mantendría o terminara, ya fuera porque ella se sintiera culpable, él decidiera que no le merece la pena, o se descubra, me gustaría verlo on-rol

Si te interesa la trama, buscame en el Discord del foro. En el canal general podrás encontrarme como Peer.

¡Gracias por leer!

[ealderet]

Emmys 2017: Lista completa de ganadores.

La 69 edición de los Premios Emmy que se ha celebrado anoche en Los Angeles nos ha dejado una larga lista de ganadores. Aunque Westworld partía con una ventaja de cinco premios en las categorías creativas, finalmente la serie creada por Jonathan Nolan y Lisa Joy de HBO no ha sido la gran ganadora de la noche. En su lugar, The Handmaid's Tale se ha convertido en la gran triunfadora de la noche, no sólo como Mejor serie dramática, galardón más prestigioso de la gala, sino que su protagonista Elisabeth Moss se ha llevado el Emmy a Mejor actriz por su papel protagonista en la serie.

Otra triunfadora indiscutible esta madrugada ha sido Big Little Lies, la serie limitada basada en la novela homónima de Liane Moriarty, que ha hecho pleno en las categorías de "serie limitada, tv movie o especial", llevándose Mejor actriz, Mejor actriz de reparto y Mejor actor de reparto. Tanto Big Little Lies como The Hansmaid's Tale empatan con 8 premios, los cinco recibidos en la gala de esta noche y los tres que ya portaba desde la entrega de las categorías creativas el pasado fin de semana.

Veep ha vuelto a hacerse con el premio a Mejor serie de comedia y Julia Louis-Dreyfuss con el galardón que la reconoce como Mejor actriz en la misma categoría. El premio a Mejor actor en comedia ha sido para Donald Glover por Atlanta, comedia que también ha sido objeto de diversos reconocimientos a lo largo de la gala.

Asimismo, la aclamada Black Mirror se ha hecho con los dos premios a los que optaba, y Sterling K. Brown ha dado la sorpresa como Mejor actor de drama por This is Us.

Puedes ver la LISTA COMPLETA DE GANADORES a continuación:

Mejor serie de comedia

Atlanta Black-ish Master of None Modern Family Sillicon Valley Unbreakable Kimmy Schmidt Veep --- GANADORA

Mejor serie de drama

Better Call Saul The Crown The Handmaid's Tale --- GANADORA House of Cards Stranger Things This is Us Westworld

Mejor miniserie

Big Little Lies --- GANADORA Fargo FEUD: Bette and Joan Genius The Night Of Mejor TV Movie Black Mirror: San Junipero --- GANADORA Dolly Parton's Christmas Of Many Colors: Circle Of Love Sherlock: The Lying Detective (Masterpiece) The Immortal Life Of Henrietta Lacks The Wizard Of Lies

Mejor actor de comedia

Anthony Anderson (Black-ish) Aziz Ansari (Master of None) Zach Galifianakis (Baskets) Donald Glover (Atlanta) --- GANADOR William H. Macy (Shameless) Jeffrey Tambor (Transparent)

Mejor actriz de comedia

Pamela Adlon (Better Things) Jane Fonda (Grace and Frankie) Allison Janney (Mom) Ellie Kemper (Unbreakable Kimmy Schmidt) Julia Louis-Dreyfus (Veep) -- GANADORA Lily Tomlin (Grace and Frankie) Tracee Ellis Ross (Black-ish)

Mejor actor de drama

Sterling K. Brown (This Is Us) --- GANADOR Liev Schreiber (Ray Donovan) Bob Odenkirk (Better Call Saul) Kevin Spacey (House of Cards) Matthew Rhys (The Americans) Milo Ventimiglia (This Is Us) Anthony Hopkins (Westworld)

Mejor actriz de drama

Viola Davis (Cómo defender a un asesino) Claire Foy (The Crown) Elisabeth Moss (The Handmaid's Tale) --- GANADORA Keri Russell (The Americans) Evan Rachel Wood (Westworld) Robin Wright (House of Cards)

Mejor actor secundario de comedia

Louie Anderson (Baskets) Ty Burrell (Modern Family) Alec Baldwin (Saturday Night Live) -- GANADOR Tituss Burgess (Unbreakable Kimmy Schmidt) Tony Hale (Veep) Matt Walsh (Veep)

Mejor actriz secundaria de comedia

Leslie Jones (Saturday Night Live) Kate McKinnon (Saturday Night Live) --- GANADORA Vanessa Bayer (Saturday Night Live) Kathryn Hahn (Transparent) Judith Light (Transparent) Anna Chlumsky (Veep)

Mejor actor secundario de drama

Jonathan Banks (Better Call Saul) Mandy Patinkin (Homeland) Michael Kelly (House of Cards) David Harbour (Stranger Things) John Lithgow (The Crown) --- GANADOR Ron Cephas Jones (This Is Us) Jeffrey Wright (Westworld)

Mejor actriz secundaria de drama

Uzo Aduba (Orange Is The New Black) Millie Bobby Brown (Stranger Things) Ann Dowd (The Handmaid's Tale) --- GANADORA Samira Wiley (The Handmaid's Tale) Chrissy Metz (This Is Us) Thandie Newton (Westworld)

Mejor actriz de miniserie o TV Movie

Felicity Huffman (American Crime) Nicole Kidman (Big Little Lies) --- GANADORA Reese Witherspoon (Big Little Lies) Carrie Coon (Fargo) Jessica Lange (FEUD: Bette And Joan) Susan Sarandon (FEUD: Bette And Joan)

Mejor actor de miniserie o TV Movie

Riz Ahmed (The Night Of) --- GANADOR Benedict Cumnberbatch (Sherlock: The Lying Detective) Robert De Niro (The Wizard of Lies) Ewan McGregor (Fargo) Geoffrey Rush (Genius) John Turturro (The Night Of)

Mejor actriz secundaria de miniserie o TV Movie

Regina King (American Crime) Shailene Woodley (Big Little Lies) Laura Dern (Big Litlle Lies) --- GANADORA Judy Davis (FEUD: Bette And Joan) Jackie Hoffman (FEUD: Bette And Joan) Michelle Pfeiffer (The Wizard Of Lies)

Mejor actor secundario de miniserie o TV Movie

Alexander Skarsgård (Big Little Lies) --- GANADOR David Thewlis (Fargo) Alfred Molina (FEUD: Bette And Joan) Stanley Tucci (FEUD: Bette And Joan) Bill Camp (The Night Of) Michael Kenneth Williams (The Night Of)

Mejor dirección (comedia)

Donald Glover (Atlanta) --- GANADOR Jamie Babbit (Silicon Valley) Mike Judge (Silicon Valley) Morgan Sackett (Veep) David Mandel (Veep) Dale Stern (Veep)

Mejor dirección (drama)

Vince Gilligan (Better Call Saul) Lesli Linka Glatter (Homeland) Matt y Ross Duffer (Stranger Things) Stephen Daldry (The Crown) Kate Dennis (The Handmaid's Tale) Reed Morano (The Handmaid's Tale) --- GANADORA Jonathan Nolan (Westworld)

Mejor dirección (Miniserie o TV Movie)

Jean-Marc Vallée (Big Little Lies) --- GANADOR Noah Hawley (Fargo) Ryan Murphy (FEUD: Bette and Joan) Ron Howard (Genius) James Marsh (The Night Of) Steven Zaillian (The Night Of)

Mejor guion (drama)

Joel Fields y Joe Weisberg (The Americans) Gordon Smith (Better Call Saul) Peter Morgan (The Crown) Bruce Miller (The Handmaid's Tale) --- GANADOR Matt y Ross Duffer (Stranger Things) Lisa Joy y Jonathan Nolan(Westworld)

Mejor guion (comedia)

Donald Glover (Atlanta) Stephen Glover (Atlanta) Aziz Ansari y Lena Waithe (Master of None) --- GANADOR Alec Berg (Silicon Valley) Billy Kimball (Veep) David Mandel (Veep)

Mejor guion (Serie limitada, TV Movie)

David E. Kelley (Big Little Lies) Charlie Brooker (Black Mirror: San Junipero) --- GANADOR Noah Fawley (Fargo) Ryan Murphy (FEUD: Bette and Joan) Jaffe Cohen, Michael Zam, Ryan Murphy (FEUD: Bette and Joan) Richard Price y Steven Zaillian (The Night Of)

[theadrianobusolin]

Emmy Awards: trionfo di The Handmaid’s Tale e Big Litlle Lies The Handmaid's Tale eredita lo scettro di Game of Thrones e trionfa come miglior serie drammatica, aggiudicandosi sette Emmy.

[mondomoda]

Prestes a completar 50 anos, Nicole Kidman é um ícone de estilo de Hollywood. Nascida em 20 de junho de 1967, no Havaí (EUA), Nicole foi se mudou para Sydney (Austrália) com a família quanto tinha três anos. Ela tem dupla cidadania. Estudou Balé desde muito cedo e rapidamente começou a mostrar seu interesse pela atuação em peças do Ensino Fundamental e Médio. Fez curso de interpretação no Phillip Street Theatre (tendo Naomi Watts como colega) e no Australian Theatre for Young People. Com 1,80m, a ruiva de 16 anos fez sua estreia no filme ‘Bush Christmans’. Em seguida, ganhou um papel na série de TV ‘Five Mile Creek’. Na sequência, fez uma série de filmes, séries e minisséries e participou de programas da TV australiana. Em 1988, foi premiada como melhor atriz coadjuvante pelo Australian Film Institute pelo papel em ‘Emerald City’. No ano seguinte, estrelou ao lado de Sam Neil o terror psicológico ‘Terror à Bordo’, que ganhou reconhecimento internacional. Depois de participar da minissérie ‘Bangkok Hilton’, conheceu Tom Cruise durante as filmagens de ‘Dias de Trovão’, em 1990. Ficaram casados por 11 anos. Sua carreira ganhou impulso com o filme ‘Um Sonho Sem Limites’, que rendeu um Globo de Ouro de Melhor Atriz em Comédia/Musical) e chamou atenção em ‘De Olhos Bem Fechados’, de Stanley Kublick, ao lado do marido. Mas o casamento terminou em 2001. Na sequência, ela estrelou o elogiado ‘Moulin Rouge’, que rendeu outro Globo de Ouro e sua primeira indicação ao Oscar. Também atuou no excelente ‘Os Outros’, que levou mais de U$ 210 milhões nas bilheterias. No final desse ano, foi eleita a Mulher Mais Bonita do Mundo pela Revista People.

Oscar 2003 Nicole Kidman (As Horas) veste Jean Paul Gaultier @ Getty

Em 2002, ela estrelou ‘As Horas’, ao lado de Meryl Streep e Julianne Moore. Levou o Oscar, Globo de Ouro, BAFTA e Berlin. A partir desse momento, Nicole se tornou uma estrela internacional. Foi o rosto da campanha do perfume Chanel No. 5 em 2004, 2005, 2006 e 2008. O primeiro filme da campanha – dirigido por Baz Luhrmann e co-estrelado por Rodrigo Santoro – a transformou na atriz mais bem paga da história com um cachê de U$ 12 milhões por um trabalho de três minutos. Em 2005, a revista Forbes a colocou em 45º lugar entre as 100 Celebridades Mais Bem Pagas e segundo (perdeu para Julia Roberts) como a atriz mais bem paga de Hollywood – valendo entre U$ 16 a 17 milhões por filme. Em 2007, a Nintendo a contratou para ser o rosto do game More Brain Training no mercado europeu. Na vida pessoal, depois do divórcio, a coisa também foi animada. Namorou os atores Marcus Graham, Adrien Brody, Jude Law, o rapper Q-Tip e os cantores Lenny Kravitz e Robbie Williams. Em 2007, contou numa entrevista na Vanity Fair que estava casada com o cantor country Keith Urban desde junho de 2006. Da união, tiveram duas filhas.

Big Litlle Lies @ divulgação

Desde então, sua carreira teve altos e baixos numa sucessão de filmes com pouca expressão. A coisa mudou em 2016, quanto voltou com sua ótima atuação em ‘Lion’, papel que rendeu indicações ao Oscar (quarta), Globo de Ouro (11ª), BAFTA e SAG Awards. Em 2017, estrelou e co-produziu a excelente minissérie ‘Big Little Lies’ da HBO. Num papel ousadíssimo, ela ganhou elogios da crítica. Sucesso de público garantiu uma segunda temporada para 2018. Em agosto, ela voltará às telas no filme de Sofia Coppola ‘O Estranho que nos Amamos’, ao lado de Kirsten Dunst e Elle Fanning. Atualmente, ela está filmando ‘Aquaman’, no papel de Rainha Atlanna, mãe do personagem principal do filme da Marvel, com estreia prevista para dezembro de 2018.

Aos 50 anos, Nicole Kidman é um ícone de estilo de Hollywood Prestes a completar 50 anos, Nicole Kidman é um ícone de estilo de Hollywood. Nascida em 20 de junho de 1967, no Havaí (EUA), Nicole foi se mudou para Sydney (Austrália) com a família quanto tinha três anos.

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Lista completa de nominados a los Premios Emmy 2017. Los Premios Emmy han revelado hoy a los nominados en las diferentes categorías de su 69ª edición. Anna Chlumsky (Veep) y Shemar Moore (Mentes Criminales) han sido los actores elegidos, junto al CEO de la Academia de la Televisión Hayma Washington, para revelar a los actores, actrices y proyectos televisivos que competirán el 17 de septiembre en la ceremonia de entrega de estos galardones en el Microsoft Theater de Los Ángeles. Puedes consultar la lista completa de nominados a continuación: Mejor serie de comedia AtlantaBlack-ishMaster of NoneModern FamilySillicon ValleyUnbreakable Kimmy SchmidtVeep Mejor serie de drama Better Call SaulThe CrownThe Handmaid's TaleHouse of CardsStranger ThingsThis is UsWestworld Mejor miniserie Big Little LiesFargoFEUD: Bette and JoanGeniusThe Night Of Mejor TV Movie Black Mirror: San JuniperoDolly Parton's Christmas Of Many Colors: Circle Of LoveSherlock: The Lying Detective (Masterpiece)The Immortal Life Of Henrietta LacksThe Wizard Of Lies Mejor actor de comedia Anthony Anderson (Black-ish)Aziz Ansari (Master of None)Zach Galifianakis (Baskets)Donald Glover (Atlanta)William H. Macy (Shameless)Jeffrey Tambor (Transparent) Mejor actriz de comedia Pamela Adlon (Better Things)Jane Fonda (Grace and Frankie)Allison Janney (Mom)Ellie Kemper (Unbreakable Kimmy Schmidt)Julia Louis-Dreyfus (Veep) Mejor actor de drama Sterling K. Brown (This Is Us)Liev Schreiber (Ray Donovan)Bob Odenkirk (Better Call Saul)Kevin Spacey (House of Cards)Matthew Rhys (The Americans)Milo Ventimiglia (This Is Us)Anthony Hopkins (Westworld) Mejor actriz de drama Viola Davis (Cómo defender a un asesino)Claire Foy (The Crown)Elisabeth Moss (The Handmaid's Tale)Keri Russell (The Americans)Evan Rachel Wood (Westworld)Robin Wright (House of Cards) Mejor actor secundario de comedia Louie Anderson (Baskets)Ty Burrell (Modern Family)Alec Baldwin (Saturday Night Live)Tituss Burgess (Unbreakable Kimmy Schmidt)Tony Hale (Veep)Matt Walsh (Veep) Mejor actriz secundaria de comedia Leslie Jones (Saturday Night Live)Kate McKinnon (Saturday Night Live)Vanessa Bayer (Saturday Night Live)Kathryn Hahn (Transparent)Judith Light (Transparent)Anna Chlumsky (Veep) Mejor actor secundario de drama Jonathan Banks (Better Call Saul)Mandy Patinkin (Homeland)Michael Kelly (Homeland)David Harbour (Stranger Things)John Lithgow (The Crown)Ron Cephas Jones (This Is Us)Jeffrey Wright (Westworld) Mejor actriz secundaria de drama Uzo Aduba (Orange Is The New Black)Millie Bobby Brown (Stranger Things)Ann Dowd (The Handmaid's Tale) Samira Wiley (The Handmaid's Tale) Chrissy Metz (This Is Us)Thandie Newton (Westworld) Mejor actriz de miniserie o TV Movie Felicity Huffman (American Crime)Nicole Kidman (Big Little Lies)Reese Witherspoon (Big Little Lies)Carrie Coon (Fargo)Jessica Lange (FEUD: Bette And Joan)Susan Sarandon (FEUD: Bette And Joan) Mejor actor de miniserie o TV Movie Riz Ahmed (The Night Of)Benedict Cumnberbatch (Sherlock: The Lying Detective)Robert De Niro (The Wizard of Lies)Ewan McGregor (Fargo)Geoffrey Rush (Genius)John Turturro (The Night Of) Mejor actriz secundaria de miniserie o TV Movie Regina King (American Crime)Shailene Woodley (Big Little Lies)Laura Dern (Big Litlle Lies)Judy Davis (FEUD: Bette And Joan)Jackie Hoffman (FEUD: Bette And Joan)Michelle Pfeiffer (The Wizard Of Lies) Mejor actor secundario de miniserie o TV Movie Alexander Skarsgård (Big Litlle Lies)David Thewlis (Fargo)Alfred Molina (FEUD: Bette And Joan)Stanley Tucci (FEUD: Bette And Joan)Bill Camp (The Night Of)Michael Kenneth Williams (The Night Of) Mejor actriz invitada en drama Cicely Tyson (Cómo defender a un asesino)Laverne Cox (Orange Is The New Black)Shannon Purser (Stranger Things)Alison Wright (The Americans)Alexis Bledel (The Handmaid's Tale)Ann Dowd (The Leftovers) Mejor actor invitado en drama Ben Mendelsohn (Bloodline)BD Wong (Mr. Robot)Hank Azaria (Ray Donovan)Brian Tyree Henry (This Is Us)Gerald McRaney (This Is Us)Denis O'Hare (This Is Us) Mejor actriz invitada en comedia Wanda Sykes (Black-ish)Carrie Fisher (Catastrophe)Becky Ann Baker (Girls)Angela Bassett (Master Of None)Melissa McCarthy (Saturday Night Live)Kristen Wiig (Saturday Night Live) Mejor actor invitado en comedia Matthew Rhys (Girls)Riz Ahmed (Girls)Lin-Manuel Miranda (Saturday Night Live)Dave Chappelle (Saturday Night Live)Tom Hanks (Saturday Night Live)Hugh Laurie (Veep)

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Crítica: HBO surpreende com a minissérie Big Little Lies

Crítica: HBO surpreende com a minissérie Big Little Lies

Sabe quando você se interessa por um filme, série ou minissérie unicamente pelo nome dos atores envolvidos? Pois bem. A primeira vista, Big Little Lies foi assim. Nicole Kidman, Reese Whiterspoon, Shailene Woodley, Laura Dern e Alexander Skarsgard reunidos numa estória baseada num livro de sucesso, descrito como “dramédia”, numa versão atualizada da série ‘Desperate Housewives’.

Big Litlle Lies @…