#bharat club

[sikkimgaming]

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[bharatgamingclub]

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[bharatclubone]

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[bharatclubapp]

Bharat Club: Color Prediction Game Gift Code

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[bharatclubb]

BHARATCLUB

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[townpostin]

NHES Celebrates Independence Day with Focus on 'Viksit Bharat'

School continues literacy program for staff, distributes educational supplies Narbheram Hansraj English School commemorated India’s 78th Independence Day, highlighting national progress and educational initiatives. JAMSHEDPUR – Narbheram Hansraj English School (NHES) observed the 78th Independence Day with a flag hoisting ceremony and a showcase of India’s achievements under the theme ‘Viksit…

[bharat-club1]

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[anarfact]

Modi, Hindu organization are work for ..

[samissobsessed]

10 FAVOURITE CHARACTERS FROM 10 FANDOMS:

Thank you for tagging me @somin-yin, and I present to all of you my favourite characters from different fandoms.

1. Selena from Arcanum in Romance Club.

2. Draupadi from Mahabharata.

(Pooja Sharma as Draupadi in Star Bharat's Mahabharat adaption).

3. Kang Sae byeok from Squid Game.

4. Ahkmenrah from Night at the Museum trilogy.

5. Kirari Momobami from Kakegurui.

6. Choi Nam-ra from All of us are dead.

7. Joe March from Little women (movie).

8. Jennifer Check from Jennifer's body.

9. Elliot Alderson from Mr. Robot.

10. Eugene 'Sledgehammer' Sledge from The Pacific.

And that's it for my post. Honestly i have so many favourite characters from different fandoms and i can talk about them for HOURS.

Tagging: @reykalot @hinsaa-paramo-dharma @arachneofthoughts @vijayasena @radio-silencepdf and anyone who wants to join <3.

[shehzadi]

akhand bharat is so funny to me as a concept because i know the hindutva club want it so they can #MakeTheIndianSubcontinentHinduAgain and kill all the muslims christians etc who don’t convert or whatever but if it wasn’t for the supremacism of it all i wouldn’t be opposed to indian subcontinent being one big piece of land again i.e. never partitioned where there’s no constant fighting about borders

[daycourtofficial]

gf, in a mood: get me the spiciest book they have, shoo

eris: *returns with a cookbook from bharat*

gf: …

gf: i can’t even be mad

You just know gf is in the Valkyrie book club

[sikkimgaming]

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[bharatgamingclub]

Bharat Game login Playes after registration can assess all posible to win it. The rules are straightforward, and the betting rounds are typically quick, giving immediate results. The game presents a set of colors, often two (like Red and Green) or three (Red, Green, and Violet). Bharat Club Invitation Code – 157111101317 .For more information visit our website https://bharat-game.club

[bharatclubone]

Multi Gaming Platform

If the player’s prediction is correct, they earn a certain return based on their bet. Winnings can vary depending on the platform’s payout policy. Once players accumulate winnings, they can often withdraw the funds, though this process varies by platform and may have minimum withdrawal requirements. "Bharat Club Invitation Code – 78518795474 " . For more information visit our website https://bharatclub.one

[salmankhanholics]

★ Bollywood’s 100 crore streak in India: Akshay Kumar plus Shah Rukh Khan plus Ajay Devgn is equal to Salman Khan!

May 2, 2023 

On Sunday, Salman Khan’s Eid 2023 release, Kisi Ka Bhai Kisi Ki Jaan, entered the Rs. 100 crore club at the box office in India. The film has proved to be the 16th film of Salman Khan to enter the Rs. 100 crore club at the domestic box office, making it the highest ever for an actor in India. What makes this feat even bigger is the fact that Kisi Ka Bhai Kisi Ki Jaan is the 16th consecutive Rs. 100 crore film for megastar Salman Khan.

Salman’s affair with the Rs. 100 crore club started way back in 2010 with Dabanggand since then it has been no looking back. Dabangg was followed by Ready, Bodyguard, Ek Tha Tiger, Jai Ho, Kick, Bajrangi Bhaijaan, Prem Ratan Dhan Payo, Sultan, Tubelight, Tiger Zinda Hai, Race 3, Bharat, Dabangg 3 and now, Kisi Ka Bhai Kisi Ki Jaan. The historic streak will continue with Tiger 3 on Diwali making it 17 in a row for Salman Khan. A person’s stardom is often judged by what his bad films do at the box office and for Salman Khan, the number starts from Rs. 100 crore, speaking volumes about his unparalleled stardom and reach among the masses. There's a struggle for others to reach Rs. 100 crores with good films and here is Salman, whose rejected films have also done Rs. 100 crores at the domestic box office (though we hope, he doesn't take his stardom for granted and does films with better and able directors)

All his contemporaries have had the streak of 100 crore films broken last decade, but Salman Khan is standing tall like a Tiger and ready to roar with more films in the 100-crore club. With 16 back-to-back 100 crore films already, this record will stay unchallenged for years to come by, or who knows, it may just be one of those rare records to stay unchallenged for the coming few decades. None of the contemporaries from today’s time are even close to hitting 16 back-to-back 100 crore films at this point in time, in fact, everyone except for Salman has their streak of 100 crore films broken. And given the way films are being made in today’s time as also actors taking their time to do 1 film a year, this streak will remain unchallenged for at-least 20 more years, and that too subject to someone from the younger lot showing this level of consistency.

This is god-level domination at the box office by Salman Khan as he is competing with no one but himself. There’s no one even close to Salman in the list of consecutive 100 crore films. The second best on the list of consecutive films in the Rs. 100 crore club is Akshay Kumar, with 6 films in a row – Gold, 2.0, Kesari, Mission Mangal, Housefull 4, and Good Newwz. The streak however stands broken now and he will have to start the count from 0 again. It’s a neck-to-neck battle between Akshay Kumar and Ajay Devgn, who have a streak of delivering 5 back-to-back Rs. 100 crore films – Golmaal Again, Raid, Total Dhamaal, De De Pyaar De, and Tanhaji. However, much like Akshay, even Ajay’s streak is broken and he will have to start it from zero at this point in time to get back and challenge the consecutive 100 crore films. Shah Rukh Khan has 6 consecutive Rs. 100 crore films – Ra One, Don 2, Jab Tak Hai Jaan, Chennai Express, Happy New Year and Dilwale. His streak is also broken and he is now standing at with his first Rs. 100 crore film with Pathaan, which is poised to hit 3 by the end of this year. Same for Ranveer Singh who once upon a time delivered 4 back-to-back Rs 100 crore films but now stands at zero.

Aamir Khan has a streak of 4 consecutive Rs. 100 crore films – Dhoom 3, PK, Dangal, and Thugs of Hindostan, which is now broken by Laal Singh Chaddha, followed by Hrithik Roshan, with 3 in a row for Rs. 100 crore films. Which of the aforementioned actors will break Salman Khan’s historic streak? Or will it remain an unchallenged record in the years to come by. Do let us know.

[shilpams]

Haven't been on fb much, but RIP Ustad Zakir Hussain. The first concert I remember was him and his dad Ustad Alla Rakha at Carnegie Hall, when I was 3 years old. It was snowing outside, and such a classic New York moment.

When we were growing up in the US, and studying European and Indian classical music or dance, the Suzuki Method, Bach, and bharat natyam, there were less than a handful of artists invited from India to those elite stages. Zubin Mehta conducted European music at the Philharmonic Orchestra. Ravi Shankar was famous with the hippies and stoners. Zakir Hussain, and of course, his father - maybe I should reverse the order, since his father came first. It was over the decades that American tastes opened up, the World Music Institute sponsored artists, and our own parents' generation started hosting artists here in the US. Now Lincoln Center has a whole week dedicated to South Asian artists, and Times Square has the biggest Diwali outside of India.

The story started a little bit earlier in the 1950's, when my mom's great-aunt Mrs. Byramjee would invite all the artists and influential people to her house in Nagpur. So it was there that my mom first saw Ustad Alla Rakha play, and Zakir Ji was 9 years old. My mom was 13. They were later invited to his apartment in Mumbai, when some other musicians were visiting. Ustad Alla Rakha later traveled the world with Ravi Shankar, and Zakir Ji grew up back stage at Woodstock, the Monterey Pop Festival, and the night markets of Mumbai, where the street drummers would get the crowd going crazy during festivals. They were rock stars.

In the late 90's, Asian Underground music started, and classical music started crossing over into club nights and electronic music, as our generation started making their own music professionally. I had just graduated from music-heavy Oberlin and moved to the East Village, when I saw an unforgettable concert of Zakir Ji with Tito Puente, the Puerto Rican drummer from Harlem, at Symphony Space. At one point, they made the audience clap along and it sounded like the rain forest. Tito Puente died later that year. Suphala, one of this students, scoured New York clubs playing tabla with alien electronic, or country, collaborations. Rimpa Shiva, another student, came up in India on the more classical side. But some purists would consider Zakir Ji to be the tops, and none of these "youngsters" on his level. They were too rock, or too clubby, or too "what is this?"

One day I was taking the bus from West Orange to Manhattan, a New Jersey commuter bus, and @Talvin Singh got on. They were recording Tabla Beat Science at Bill Laswell's studio on Main Street and Llewellyn Park. What a small world. My sister had taken drum lessons in the studio above where they recorded. Some other friends like Karsh Kale and The Midival Punditz, were also on this album.

A couple of years later, in 2001, I had moved to San Francisco, and my first music documentary was interviewing Zakir ji and the Tabla Beat Science Crew at Stern Grove. It was a sold out show in a park, and people had climbed the trees in true San Francisco hippie style, to watch the concert. I have that interview somewhere. Zakir Ji was actually nicer and friendlier than some of the younger and less established artists. This was summer before 9/11.

We started 3rd I South Asian Films a few months before that. We had a safe space post-9/11 when all the anti-South Asian hate crimes backlash was happening. In September 2003, we hosted the US Premiere of the Speaking Hand, which was Zakir Hussain's biography. I had met the director when he was making ads in Mumbai. There was some internal conflict, as some people in our collective didn't think it was "political" or "activist" enough, and kind of a bougie fundraiser...but I could say that music unites, we sold out, and our fundraiser was successful. It was a conflicted and Islamophobic time of war, and he could talk eloquently about music uniting people on a spiritual and international level. Also his own practice of the classical and ancient tradition - combined different beats as representing different goddesses or different spiritual and religious practices from Ganesh to Sufi saints. As many of the classical musicians are spiritual, and music is a higher power.

We had a live Q&A, and people never hear him talk in person, especially for so long. I also met his wife & manager Antonia Minnecola at this point, who was a dancer.

As the screening wrapped up, the audience of 500 aunties and uncles, went crazy, bum rushed the stage to meet Zakir Ji, as you see the old movies of the Beatles. One of these people was - my Dad! Acting like a teenage girl. So as the organizer, I scolded him under my breath in Marathi, "Why are you acting so crazy? Act cool." Zakir Ji, having grown up in Mumbai, spoke Marathi. So he saw this interaction and started speaking in Marathi and Gujarati to calm people down, "Calm down, what's the big deal?" Still it was funny to see an Indian classical musician get such a maniac fan response in New York. He was truly an icon. From that experience, I also learned to plan for celebrities and security on sets. Later I was asked to do a commercial with Shah Rukh Khan, and I remembered - the fan base that can show up suddenly.

Over the years, we would try to say Hi after the shows. Initially it was pretty informal. Later the venue unions and post-covid made it more strict. They would kick everyone out of Madison Square Garden. He always remembered me, considering how many people he met over the year. I met his daughters. The younger one was starting college. Anisa Angelica Qureshi later turned out to have a lot of mutual friends.

For an Indian from IST (Indian Standard Time), he liked to shame people for being late. Once I came half way through a show, because I had an evening grad school class. I thought I snuck in the back and sat discreetly in a black kurta, in the shadows. But afterwards, he reprimanded me, "You were 34 minutes late! I saw the clock when you walked in." If someone was late to his show and sat in front, he would play slow music until they finally sat down, drawing attention of the whole audience to that late person.

He had a sense of humor, and after a serious, classical show, would play the Pink Panther in the last set.

I started working in India, and caught him playing at the small Prithvi Theater in Juhu, where Bollywood legend Shabana Azmi attended. Another show was a huge, outdoor, public festival at the Asiatic Library Steps. The stage was set up between road closures. Street People were lined up outside the ropes to listen. Here you really felt India, in the ancient music and the crowds of Mumbai, and the smells of the streets, and the colonial library, mixed with something ancient mixed with modern cars and sweat and heat, and the sea breeze. It was really outside an A/C classical music hall in a cold, snowy country. Here you had a performer, who could still capture everyone's attention, with all these distractions of the Mumbai streets. Blue Frog and other venues were opening up in Mumbai. His brother Taufiq Qureshi played with some beatboxers...an idea I had pitched ten years before that.

Many years later, I saw him in Sacramento. DIWAL'OWEEN had won 13 awards, and he was really proud of me. Although I was aware of all the mistakes I had made. He had scored so many films, and I always wanted to collaborate on something...one day, when I had the budget.

I always made an effort to see Masters of Percussion once a year, when he would bring different percussionists from India. At one show at Town Hall, in New York, a mridangam player was 90 years old and had never left Rajasthan before. He shouted during his set, and the lights blacked out. The "show went on," to the next set. We thought it was some experimental, jazz type thing. Later we found out an ambulance had come back stage, and the performer had died on stage, doing what he loved! But that's how pro the Broadway stage managers were - to just move on with it. Another time, at a qawwali show at Town Hall, someone fell off the balcony while dancing ecstatically, and the crowd caught him.

After the lock down year, Masters of Percussion was the first concert I went back to, wearing a mask. He had just won another Grammy, and was touring the remembrance of Shivkumar Sharma.

Thanks for bringing so much joy and music to us, Zakir Hussain.