#beyond this point

[skyeoak]

Forgot how gut wrenching the King of Diamonds game in alice in borderland issssss

I am experiencing the emotion about it

Chishiya and Aguni are my favorite character arcs in the show but really I’m spoiled for choice. It’s so solid. This has been such a fun rewatch because knowing the conceit/reveal just strengthens the show’s themes ♠️♦️♣️♥️

[cicada-days-of-summer]

mello yello

(my jack + @charliesinfern0​ ‘s page!! / go read homestuck=citrus)

//transparent under the cut ig

[queenburd]

in the span of hours tumblr has banned an out trans woman who was outspoken about her harrassment and the unfairness of the website's system and MULTIPLE out trans women who commented on the absurdity of the situation--has even banned them for posting pictures of hammers and cars.

if staff thought this was going to make the situation go away, all staff's gotten is a class action lawsuit. good job, hellsite "moderators." you showed your whole ass and you're going to go to court. again.

[kanjichris]

[yeehawpim]

[brian-kinney-apologist]

I'M SEATED. THE THEATER EMPLOYEES ARE SCARED AND ASKING ME TO LEAVE BECAUSE IT HASN'T EVEN STARTED FILMING YET BUT I'M SIMPLY TOO SEATED

[paunchsalazar]

in my opinion

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[squidpedia]

Frisk POV vs. Clover POV

(Please ask for permission before reposting onto other sites or dubbing, thank you!)

[quiddie]

This one. Hoo boy, y'all.

[catmask]

for me at least, theres always been a really stark divide in the 'child character is the main antagonist' sort of stories.

on one hand. theres stories that rely on the shock factor of a child being evil, because we're supposed to believe that kids arent capable of that sort of thing. i guess its supposed to be frightening but the novelty always wears off really quickly for me.

i think 'a child is the villain' always lands most successfully for me when a kid is given power beyond their years (either by adults around them or otherwise supernatural/societal forces) and then everyone is floored when they arent exactly responsible with that power. and sometimes theyre even selfish! not because that kid is evil, but because theyre a kid.. acting like a kid would in their situation.

it means that any sort of story that follows requires a protagonist to reason with someone who may not even understand the harm theyre doing, or worse - not have the life lived to understand why they should care in the first place. and also, i think watching what happens when u have an destructive force seeking comforts that any child deserves doing whatever they can to have those things is (to me) much more interesting than 'child who is fucked up and evil for no reason but being born that way actually'

[sailor-arashi]

"A potion that dissolves clothing! My master told me men enjoy receiving this kind of gift!"

[biggest-bara-tiddies]

I feel like one of the themes the writers of Kevin Can F Himself are going for is that sitcom-style presentation softens clear abuse to the point that it becomes hard to notice. Like as long as there is a laugh track, most people would struggle to clock Kevin as being abusive. But honestly I could tell from the first episode just by how he treated the coffee table in the living room. Allison got that coffee table on major discount from pottery barn and she is proud of it. Getting a table that nice for cheap is an achievement and it's clearly the nicest thing she owns, but none of this matters to Kevin, in fact, the very reason of her valuing the table is openly mocked by Kevin. He goes on to put drinks without coasters on it, puts his feet up on it, and stands on it eventually breaking it only crudely fixing it with duct tape to restore it's basic function as a coffee table and to lower it to his level. Kevin treats it with such disdain and abandon it's honestly instantly clear that nothing Allison values matters to him and that it's essentially open season on everything that makes Allison herself and not just Mrs. McRoberts or Mrs. Worcester Wild Dude. I love that you can analyze something as mundane as a coffee table in this show and see it as a microcosm of Allison and Kevin's marriage and a representation of Kevin's abusive treatment of Allison

[cloudabserk]

if you feed naruto. then he’ll know you love him

[thekingofspin]

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful