#beyond reanimator 2003

[friendcrumbs]

re-animator (1985) and beyond reanimator (2003) posters but if they were made by polska szkoła plakatu

[periwinklefemur]

[fanofspooky]

Horror movies of 2003

[nemeyuko]

Hi, this is totally random, but you reblogged one of my posts with a link to the first reanimator film on Google Drive, and I was wondering if you'd happen to have the other reanimator films? Or know where I can download them? :]

Bride of Re-Animator

Beyond Re-Animator

Here you go.

[oldwomanyuri123]

First blog + rant

I personally believe that danbert Is not canon in any way, shape, or form. I don't ship it but I see why others would, but the thing is, Herbert wasn't even a true ‘friend’ to Dan and Dan has/had a female lover(s) and I HATE seeing people ship characters who are already in another healthy relationship.

Another thing is, that Dan willingly turned Herbert in to the police in Beyond the Reanimator (2003?) I feel like if those two were in love or even friends that most likely wouldn't have happened in the movie. Also, Herbert Is a selfish man, he doesn't truly care for people as much, I mean he does but not in a way a good person should. This is seen at the Beyond The Reanimator.

ONE MORE THING, like I said before I have nothing against this ship other than the twinkification of Herbert, I find it adorable but I just really can't see it. I just felt like I had to get this out of my system

[agentdammers]

DID YOU KNOW ❓ MOVIE TRIVIA:

The "reanimate your feet" line in Dr Reanimator's evergreen classic 'Move Your Dead Bones' from the Beyond Reanimator (2003) soundtrack is a reference to main character Dr Herbert West' foot fetish !

[purrtyhatemachine]

I finally watched re-animator and I love it......... ⁱᵗ'ˢ ˢᵒ ᵍᵃʸ

YAY!!! It rlly is SO gay, one of my favorites for sure- you should watch Bride of Reanimator too when u get the chance, it’s also very gay and very campy :] i think i may like it more than the original tbh but idk, it’s close. I’d also recommend From Beyond (1986), which has some of the same actors and production ppl, and from what i’ve seen has some very cool practical effects, but i havent watched it yet 🫣 Whatever you do tho, do NOT watch Beyond Reanimator (2003); it’s rlly bad, and not in like a “so bad it’s good” way…it’s just rlly bad.

(I mean obviously I can’t stop you but i just rlly don’t recommend wasting 2 hours of your life on that bc it probably won’t be enjoyable)

[dr--herbert-west]

Beyond Re-Animator (2003)💉

[maddaddy316]

[corefragments]

[periwinklefemur]

[wehavesuchsightstoshowyou]

Beyond Re-Animator / 2003 / US / d. Brian Yuzna

[ispyspookymansion]

@ beyond reanimator (2003)

[gagosiangallery]

John Currin at Gagosian 541 West 24th Street, New York

August 16, 2021

JOHN CURRIN Memorial

September 14–October 30, 2021 541 West 24th Street, New York __________ There’s the passing moment, and then there’s eternity. Two different kinds of time in one painting. —John Currin Gagosian is pleased to present Memorial, an exhibition of new paintings by John Currin. This is his first solo exhibition at the gallery in New York since 2010. Sophisticated in technique and perverse in subject matter, Currin’s portraits conflate high and low culture in a teasing blend of satire and homage. His figures—predominantly female and often wildly exaggerated—have diverse sources, from pornographic pinups to old master paintings. In their extreme mannerism, they combine the beautiful and the grotesque, the sacred and the profane. A series of startling new paintings begun in 2020 finds Currin bringing his musings on intimacy, eroticism, and feminine and masculine identities into a fresh context that expands his repertoire of art historical references while returning to the explicitly sexual imagery of his earlier work. In these so-called “memorials,” statuary figures are rendered in alabaster tones; warm flesh is replaced with cold trompe l’oeil stone in a confrontation between the sordid and the stately that diverts the traditional medium of public art to unexpected ends. Currin uses grisaille, a monochrome technique identified with Jan van Eyck and other artists, to evoke the texture of marble. He has spoken of the method as imparting to figures a funerary aspect, suggesting a meditation on death—or the demise of eroticism—and a look back at his own earlier work.

Pinup (2021) depicts a solitary female nude draped in rags and with her arms raised provocatively behind her head. Her gaunt contours, however, undermine the curvaceous archetype suggested by the painting’s title; and rather than being tantalizingly available, she is contained within a boxlike niche. Sunflower (2021) also isolates its female subject within the contained space of an alcove, with only the large red flower that she holds beginning to escape its painted confines. In Mantis (2020), one woman perches atop another in an awkward pyramidal pose borrowed from an erotic comic book that also suggests the angular form of the titular insect. The work takes further cues from van Eyck’s Annunciation Diptych (ca. 1433–35) by depicting a knee and a foot that project beyond the frame. Mantis, like many of these new works, engages with Northern European Mannerism, a movement known for its juxtaposition of dramatic, stylized poses with architectonic solidity. Reanimating the aesthetic of Lucas Cranach the Elder and Cornelis Engebrechtz, Currin brings dynamic, historicized figures into contact with a distinctly modern view of sexuality and the human body. He further complicates his graphic subject matter by giving many of the central figures the facial features of his wife, the artist Rachel Feinstein, a perpetual muse throughout his career. Through this visual invocation of his most enduring subject and model, Currin’s paintings prompt a complex entanglement of personal, societal, and historical narratives. In conjunction with Memorial, an interview with the artist by Natasha Stagg will appear in the Fall 2021 issue of the Gagosian Quarterly. John Currin was born in Boulder, Colorado, and lives and works in New York. Collections include the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Hirshhorn Museum and Sculpture Garden, Washington, DC; Art Institute of Chicago; Des Moines Art Center, IA; Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Tate, London; and Centre Pompidou, Paris. Exhibitions include Works on Paper, Des Moines Art Center, IA (2003, traveled to Aspen Art Museum, CO); Museum of Contemporary Art, Chicago (2003–04, traveled to Serpentine Gallery, London; and Whitney Museum of American Art, New York); DHC/ART, Montreal (2011); John Currin meets Cornelis van Haarlem, Frans Hals Museum, Haarlem, Netherlands (2011–12); Paintings, Museo Stefano Bardini, Florence, Italy (2016); and My Life as a Man, Dallas Contemporary (2019). _____ John Currin, Mantis, 2020 (detail), oil on canvas, 68 × 36 inches (172.7 × 91.4 cm) © John Currin. Photo: Rob McKeever

[miskatonique]

HERBERT WEST CHEAT SHEET !

since my muses are not super well known in the contemporary rpc ( and i’m too lazy to do a full about page at this very moment ) i decided to put together little posts for them that give their general backgrounds, vibes, and plot possibilities !

this is a mix of canon and headcanon, and these are subject to change / adapt as i get more used to writing the characters

BACKGROUND:

Films: Re-Animator 1985, Bride of Re-Animator 1990, Beyond Re-Animator 2003

We don’t talk about Beyond Re-Animator......

Dr. Herbert West, 24 in the first movie, 27 in the second movie, idk like 40 in the third movie. Mad scientist to the MAX. In the novelization Herbert is an orphan who gets passed around in foster homes before eventually going to undergrad at NYU and pursuing his theory about the re-animation of dead tissue. Mostly people think he’s sort of crazy until one of his articles catches the eye of Dr. Hans Gruber at a university in Switzerland, and he invites Herbert to come work alongside him. Herbert eventually grows to respect Gruber as both a mentor and father-figure.

Herbert and Gruber develop a reagent that affects re-animation in dead animal tissue but they know that for their results to be taken seriously they need to do a human trial. Dr. Gruber volunteers but the dosage of the reagent is too large, and though it brings Gruber back to life it quickly overwhelms his system and he dies again. Herbert is taken into psychiatric custody in Switzerland but is eventually released.

Herbert returns to America and specifically sets his sights on Miskatonic Medical School in Arkham, Massachusetts because one of the staff, Dr. Carl Hill, used to work with Gruber years ago, and even went on to plagiarize some of Gruber’s work and publish it in America. Herbert makes it his secondary goal to absolutely terrorize Dr. Hill, and because he’s a chaotic gremlin in human form he’s very good at it.

Herbert continues working on perfecting the reagent, rooming with Dan Cain and eventually pulling Dan into the experiments as well when Dan’s cat dies and Herbert is able to prove his research by reanimating it. Herbert isn’t perturbed when Dan’s talk with Dean Halsey goes south, and just digs his heels in and insists that the only way to truly prove that the reagent works is to reanimate a human cadaver.

Results are just as bad as you’d expect. Sure, the cadaver reanimates but it also wrecks the morgue and kills Dean Halsey. RIP. Herbert insists that they reanimate him and the dean comes back less like himself and more animalistic, trying to kill both Herbert and Dan before his daughter Meg shows up and stops him. Despite it all, Herbert manages to wriggle his and Dan out of any suspicion from the police but Dr. Hill takes an interest in Herbert’s work once he does exploratory surgery of Dean Halsey and finds out he’s technically dead.

Dr. Hill confronts Herbert in his laboratory and threatens to steal Herbert’s work and take it for his own, offering Herbert the meager honour of being his assistant. Herbert promptly murders Hill via decapitation but decides not to let his fresh corpse go to waste and reanimates both Hill’s head and his body, which come back to life and knock Herbert out and steal all of his work.

Yada yada, Herbert gets Dan to help him go after Hill, the big climax happens. Herbert is able to prove his theory about overdose by shooting up Dr. Hill’s headless body with a bunch of reagent, which backfires and Herbert is left for dead all tangled up in Hill’s intestines, but not after he ensures that his research is safe with Dan.

They never explain how Herbert survives the first movie but he sure is alive in the second movie! It’s roughly 3ish years after the first film, so he’s got his doctorate now and he’s drug Dan all the way to Peru so they can be volunteer medics in a civil war. This obviously gives Herbert an unprecedented access to fresh bodies for his experiments.

Eventually he and Dan head back to Miskatonic Hospital, where they’re able to get jobs and a creepy cute little house that used to be a mortuary so they can continue the work. Herbert is now obsessed with the reanimation of separate parts and convinces Dan to help him build an entirely new life from parts. Dan’s not on board until Herbert shows him Megan Halsey’s heart and promises that they’ll build the body around it.

Dr. Hill’s head also somehow survived the first movie and it tries to terrorize Herbert, along with a cop who’s investigating Herbert for stealing corpses. Herbert eventually kills and reanimates the cop, and then gets into even more trouble when all of the other strange creatures he’s been reanimating start coming after him because they’re being mind controlled by Dr. Hill’s nasty head ( don’t ask me okay, this script was written in literally 6 weeks it makes no sense )

Anyway Herbert and Dan successfully bring their creation to life right before getting attacked by Dr. Hill and his army of weirdos, all while Dan is having a mental breakdown because he thinks the creation is his dead girlfriend Meg. In the chaos Dan and the creation escape separately while Herbert and Hill and co. get trapped under buried rubble and are left for dead ( AGAIN ).

But surprise! Herbert isn’t dead! We don’t know how he survived but we do know that at some point in time Dan turned over evidence to the authorities that led to Herbert’s arrest and imprisonment. The third movie picks up with Herbert who’s been in prison for 13 years and the dumbass new hospital doctor is a fanboy of Herbert and brings in some of his reagent. Herbert basically starts a prison riot, chaos ensues, this movie is Not Good, but the important thing is that Herbert escapes prison with his work and gets to walk off free and definitely alive into the night <3

VIBES / PERSONALITY:

His work is EVERYTHING to him -- there have been multiple times where Herbert has put his work above his own bodily safety or chance of survival, and I guarantee he would do it again, too. Herbert is mostly focused on being able to do the impossible simply because it’s “impossible.” He’s able to convince Dan to help him because he reasons the practical applications of his reagent, like saving lives by aiding in surgeries or helping with amputations, but at the end of the day Herbert is only concerned with discovery, acclaim, and giving classical science a big ‘ole middle finger.

He can be incredibly manipulative when looking for a specific action or behavior in the people close to him. This mostly is seen in how he treats Dan, often reeling him back in with promise of how much good their work will do in the world when Dan starts to get squeamish. Herbert is also really good at finding the sorest spots in someone and pressing on them, but usually only does this when he wants to prove a point or if he really hates someone.

He gains a lot of power by seeming like the more “level-headed” person in an altercation, but he can get extremely excitable or aggressive, especially when something goes well with his research or if it’s being threatened.

He’s genuinely a good doctor, doesn’t freak out under pressure, has neutral-good bedside manner, is very decisive and isn’t afraid to make difficult decisions when it comes to a patient’s life. However, Herbert considers himself a scientist first and a doctor second. The work on reanimation will always come before anything else.

He’s a HUGE fucking nerd, he loves making puns or little zingers whenever he can fit them into a conversation. He also likes playing practical jokes, though he doesn’t do it often. He’s got a great evil giggle.

Oh he’s terrible at taking care of himself. There’s a deleted scene from the first movie where Herbert is shown to be injecting himself with a weakened version of the reanimating reagent because it helps keep his brain sharp and makes it to where he doesn’t have to sleep. What a NUT. I think he probably weans off this habit, by force or choice. His sleeping and eating habits are still pretty bad, though. Definitely the kind of person who doesn’t eat/sleep/rest unless he’s genuinely about to collapse because of it.

Oh he’s also sooooooooooo gay. gay gay gay homo sexual.

There are very few people he outright respects or enjoys spending time around, and with everyone else he is absolutely so bitchy and rude. He doesn’t give a single shit about being polite. Also ACAB.

PLOT POSSIBILITIES:

Got any canonically dead muses? Want them to be alive again? Herbert can help with that! He’ll definitely want to make sure they stick around and observe them to see why the reagent worked so well, maybe do some extra tests, so he can also double as a really annoying, creepy roommate. Score!

Med student muses? I have a new classmate for you

Ever wondered what your muse would do if they saw someone graverobbing, or smuggling body parts into their house in the middle of the night? Do they stop him? Ask questions? Offer to help? Now’s the chance to find out!

He could always use a new assistant since Dan keeps abandoning him after every movie, jfc, loyalty is so hard to find these days

Meet-cute where one of his reanimated creations tries to murder you and he saves you from it <3

[the0verboss]

Chapter 2/2 Is Up

Fandom: Herbert West - Reanimator - H. P. Lovecraft, Re-Animator (Movies) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Daniel Cain/Herbert West Characters: Daniel Cain, Herbert West (Re-Animator) Additional Tags: Post-Movie: Beyond Re-Animator (2003), Mad Science, Breaking Up & Making Up, Dan explain yourself, Jealousy, To the Max, the ghost of Howard Phillips, Kissing, Cuddling & Snuggling Summary:

Post Beyond Re-Animator, Daniel Cain is back and ready to work. He's even brought a little peace offering for a newly escaped Herbert West.

Now if only he could get over Howard Fucking Phillips, taking what has always been his place.

Watch it Dan your jealousy is showing.