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welcometothejianghu · 4 months ago

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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 沙海/Tomb of the Sea/Sand Sea.

Sand Sea is the 2018 installment of the DMBJ/Lost Tomb franchise, which tells the story of the search for an ancient desert city, a fight against a secretive assassin family, the raiding of more than a couple tombs, and a whole bunch of other action-packed bullshit.

Have you ever watched an anime adaptation that outran the as-yet-incomplete manga it was adapting, necessitating it throw together a largely befuddling ending based on the available clues? That's Sand Sea. At time of production, only ~75% of the Sand Sea novel had been written. As I am making this post, that's still all of the Sand Sea novel that has been written. I finished watching the show and had a lot of questions about its loose ends. I read the book. It didn't help.

So, I'm not going to try and summarize the story, much less try to sell you on the show on the strength of the plot. What I am going to try and do is convince you it's a good time anyway.

As I mentioned earlier, it's part of a larger franchise, but you shouldn't let that stop you from diving in here. Most of the DMBJ shows and books are narrated by Wu Xie, the series' special little birthday boy. Sand Sea takes a different tack -- your main POV characters are completely new to the world of the tombs, meaning that the show explains things to you while it's explaining things to them. Wu Xie's still a major character, but you're seeing him through the eyes of a befuddled teenager who wasn't even supposed to be here today.

I'm going to give you five reasons to watch this series, and all five of them are relationships. I'm pitching it to you this way because, as was the case in my rec for Reunion (one of the other tomb-raiding dramas), I'm assuming you have zero familiarity with DMBJ, which means that any appeals to the larger franchise or its twists and turns will have no impact. Instead, I am here to sell this to you on the strength of character interactions. If you're interested in what the characters are doing, the plot will come.

1. Dudes Rock

The aforementioned teenager narrator is Li Cu, a too-cool-for-school underachiever who lives with his abusive father and has no direction in life. He comes with his two best (and only) friends: earnest pushover Su Wan and neighborhood bully Yang Hao.

They're a trio of problem children who cannot succeed by the metrics of society at large: Li Cu and Yang Hao are both from family circumstances that have hampered their ability to perform academically, while Su Wan, bless his heart, is just not that bright. They do, however, all do well when put in situations that play to their strengths and given appropriate mentorship. (Alas that all of their mentors are terrible people; see point 4.)

They're set up as an intentional next-generation parallel to the Iron Triangle, which is the term DMBJ uses for Wu Xie and his two closest people. Normally, the Iron Triangle would be the core of a DMBJ story -- but since that threesome is broken by Circumstances at the moment, these boys become the substitute triad whose friendship is one of the main bonds holding the narrative together.

They have such teenage boy dynamics, it's great. They're stupid about girls and alcohol and money and homework and all the other things teen boys are stupid about, while also being stupid enough to get themselves entangled in shadowy international conspiracies. Huge parts of the plot are fueled entirely by their dumbass decisions. But they also barely have any competent adult supervision in their lives, so you know, when you're seventeen and basically feral, renting a warehouse so you can beat a bunch of frozen snakes to death actually sounds like a good solution to the problem at the time.

It's not all comedy, though. Li Cu and Yang Hao in particular are deeply traumatized young men even before the story starts, and events of the series make it worse. They're definitely the "feelings are for girls!" type of young men, and they need Su Wan there as their eternally bippy buffer. When he's not, they can get mean.

What's also charming about this trio is that they're all pretty darn straight. In a franchise chock full of (unintentional?) homoeroticism, these three manage to keep their platonic dude dynamics pretty platonic. I mean, I myself come at most things with slash-colored glasses on, and even I'm of the opinon that they're befuddled heterosexuals struggling with how the entire tomb-raiding industry's gay. And even if you assume everyone in this entire show is straight, these boys are still going to get a bunch of real-time lessons in how to love other people, whether they like it or not!

So if you like a Teen Boy Squad of goobers who don't want to admit they're close or have emotions or anything like that, right up until they're all each other have, this may be just the thing for you.

2. The Only Good Het in the Tombs

DMBJ is not known for its high-quality heterosexual romance, to put it mildly. Most of the time, it makes the smart decision to not even try. When it does, you mostly wish it hadn't.

Therefore, you cannot imagine how shocked I was to find myself falling head-over-heels for the incredibly weird canonical love story between horny hot mess Dr. Liang Wan and emotionally constipated 80-year-old virgin and arsonist Zhang Rishan.

Their relationship goes a little something like this: He needs something from her, so he contrives a plan to ask her out. She declares him her boyfriend. He continues the relationship in order to continue getting things from her. She thinks he's hot, so she's fine with that. He warns her that continuing their relationship will involve messing with some very bad members of the Tomb-Raiding Industrial Complex. She's like, again, you're incredibly hot, so that's not a problem. He makes her memorize maps and sends her to a desert. She dresses up like him and pepper-sprays him. And somewhere in the midst of all that, he falls for her and she gets sick of his shit, and they wind up for-real dating as equals.

Part of what's so delightful about their relationship is how awful they are to one another. It'd be bad if that awfulness were one-sided, but man, they each give as good as they get. He's heartless and exploitative, and she's neurotic and insecure. She makes constant demands of him that he's almost too confused by to refuse, and he keeps putting her in situations no sane person should want to be part of. He comes from a cutthroat world of complete bastards, while she wears her heart on her sleeve whether she wants to or not. They're extremely good for one another, because he trusts her competencies and is going to make her demonstrate every one of them, while one of her chief skills is calling him on his bullshit.

It is at this point I need to sing the praises of Liang Wan, hottest of the hot messes. She's one of the principal POV characters for the novel, where she's just as boy-crazy (though for a different boy, because Zhang Rishan's not in this book) and just as far in over her head. The adaptation has absolutely done her character justice. What makes Liang Wan so charming to me is how much she absolutely refuses to let herself be stopped by being completely out of her depth. She doesn't know what the hell is going on most of the time, but fuck it, she's rolling with it. She's just also going to be applying moisturizer and anti-aging serum the entire time, because you know what, sometimes when your whole world is falling apart around you, the one thing you can count on is your skincare routine.

Zhang Rishan is surrounded by people so cool, butter doesn't melt in their mouths. He can be balls-out naked in front of them without batting an eyelash. It is her thirsty disaster charms alone that have set fire to his frozen heart. I love them to bits.

3. Enemies to ... ???

This is Sand Sea's Wu Xie. You're not going to like him at first, because he spends the first several episodes tormenting a teen who only mildly seems to deserve it. What you find out as the show goes on is that Wu Xie is having a bad time -- more than that, he's having a straight-up bad decade. He has taken a lot of psychic damage and decided to cope with it by being absolutely insane. He's a bitch with no sense of self-preservation living in constant gremlin mode. He is no longer under the active supervision of his husbands, and he's going to make that everyone else's problem.

The show chooses to start out by inflicting Wu Xie on a bunch of strangers through an arc that's bizarre, lengthy, and mostly completely unrelated to the larger plot. It does introduce a few elements that will matter, though, and one of them is Su Nan.

When Su Nan appeared as the badass head of a mercenary outfit, I was braced for one (or both) of two things to happen. Thing one, I figured she'd die or otherwise leave the narrative after the first arc, which made me not want to get attached to her, if she wasn't going to stick around. Thing two, I was all but certain the show was going to try and make her Wu Xie's love interest, which made me make such a face, because [see last point].

Neither happens. Su Nan is still around in the final episode, and what she becomes to Wu Xie is much, much more interesting.

They're not friends. They're never friends. They can't be friends, because they absolutely can't trust one another. Except sometimes they have to trust one another, and in return they have to allow themselves to be trustworthy.

In the last relevant chapter or so of the novel, Wu Xie gets his throat cut and shoved off a cliff ... and because the novel isn't finished, we have no idea why that happened or who did it. The drama decides that when he goes over that cliff this time, throat unslit, Su Nan needs to go with him. This means they spend much of the later part of the series depending on one another for survival, getting real vulnerable, sharing trauma, and occasionally fucking one another over anyway, because they are both bad and untrustworthy people.

And they're ... kinda into one another? But because it's not textual, it winds up being great. If the show had tried to write their romance, I would have hated it. Instead, it chooses to leave things fraught and unspecified, with the two of them obviously having a lot of feelings but not even knowing themselves what all those feelings are, much less how to react appropriately to them. That is delicious. Pour that right into my mouth.

I also choose to interpret Su Nan as being transfemme (complimentary), if only because that's the most charitable explanation for her dedication to keeping her tits out and her lipstick game sharp even in wilderness conditions.

4. This Man Should Not Be Trusted With Children

As I mentioned before, all members of the Teen Boy Squad wind up paired with adult men who act as their mentors. Li Cu and Wu Xie are the main duo, since they're the main character of this show and the main character of the entire franchise, respectively. Yang Hao winds up in an even more abusive dynamic with a bitch of a man who takes advantage of Yang Hao's capacity for rage. But precious baby Su Wan is lucky enough to be adopted by, well...

If you read my rec for Reunion, you will recognize him as the guy I called "this giant fucking loser" with all the affection in the world. Hei Xiazi is both the worst and the best, which makes him the perfect man to take care of the tender soul that is Su Wan.

Su Wan's a poor little rich boy who is happy to be bullied by his friends, because it means he has friends! He's a dipshit because he's sheltered by his family wealth, and he's also a dipshit because he'd be a dipshit no matter how much money he had. He needs someone to kick his ass in a way that builds him back up again and helps him make the transition from doormat to functional adult.

The circumstances that bring these two together are so batshit, they're not worth recounting here. Suffice it to say that as one adventure arc ends, Hei Xiazi is tasked with taking Su Wan home. Su Wan expresses interest in whatever Hei Xiazi's whole deal is, and Hei Xiazi responds by offering (in a roundabout way) lessons in what exactly his whole deal is.

Hei Xiazi is a terrible teacher, but he's a perfect teacher for Su Wan, who is the kind of boy who would go find the nearest dictionary if you told him the word "gullible" wasn't there. They're preciously weird at one another. The work so well together because Su Wan believes the best of everything, which leads him to see right past the parts of Hei Xiazi that other people (correctly) find inscrutable and offputting. With Hei Xiazi's questionable guidance, Su Wan finds for the first time in his naive, privileged life a goal for himself that is both achievable and worth the effort.

Later books give evidence that all three of the boys eventually go to work for Hei Xiazi, which I think is great, especially since he is somehow the least toxic and terrible of all the mentor characters. ...Man, though, that bar is low. It's a miracle anyone in DMBJ survives into adulthood.

It's also cute to think about how the boys are no doubt context-appropriately homophobic, because it's so easy to picture their respective reactions to finding out that their strong, terrible male role models are queer. Cue Li Ci and Yang Hao's respective no-homo freakouts, while Su Wan just has a million slightly offensive but ultimately well-meaning questions about how bisexuality works.

And I'm just going to say, if you watched the Untamed and loved Xue Yang? You owe it to yourself to see that actor suddenly become the sweetest little butterscotch muffin ever. ...Yes, if you didn't recognize him earlier, that's Wang Haoxuan, and he turns in an incredible comic performance here. Su Wan is consistently one of the funniest characters onscreen. The bit with the saxaphone kills me dead.

Anyway, unlike the first three relationships I've talked about here, this is one you have to wait a good long while for. Su Wan shows up in the first episode, Hei Xiazi appears about a dozen or so episodes later, but it takes their storylines much longer to cross. It's worth the wait, though, knowing that eventually you'll get to see these two weirdos bounce merrily off one another.

5. Everybody Loves Pangzi

This is the Iron Triangle I mentioned earlier. Obviously there's Wu Xie in the middle. The perfect boy in the hoodie is Xiao Ge, who is at the time of this series slightly stuck in what's basically a giant time-lock safe, so you're only ever going to see him in flashbacks. (Xiao Ge is trapped, so you can't have Xiao Ge.) And then, over there on the left is the man whose nickname translates to "fatty," Wang Pangzi.

Hold on to your butts, because I am now going to wax poetic about how much I love this fictional man.

Pangzi is the best. The best. He's funny. He's kind. He's got terrible taste in men and only slightly less terrible taste in women. He's a gentleman. He's the party shock absorber. He's prone to making things explode. He's impeccably dressed. He's charmingly superstitious. He's not subtle. He's got an excitable little stammer and an atrocious Beijing accent. He's a flexible fat man. He's the most fuckable person onscreen no matter who's onscreen with him.

He's also usually the DMBJ everyman character, except Sand Sea has a ton of everyman characters for a change, so he winds up filling the role of a badass insider instead. His job is basically to hold down the fort while Xiao Ge's indisposed and Wu Xie's off being insane. In the absence of both his beloveds, Pangzi's going to do what needs to be done, and he's going to be incredibly hot while he's doing it.

Usually, DMBJ shows serve up a huge amount of Pangzi and Wu Xie interaction. Sand Sea only puts them in the same room near the very end -- but they're collaborating throughout. In fact, the only way the whole story works is if they're basically so much in each other's back pockets that they can function as a single unit even across great distances. The record will show that I read them as husbands -- but more importantly, they're good friends who understand and trust one another completely. As much as it pains me that they're apart for basically the entire thing, they're never really apart, you know?

However, because Wu Xie is physically elsewhere for so much of the show, Sand Sea provides a unique chance to see Pangzi interacting on his own with other characters. Wu Xie is the special little boy who always takes up all the oxygen in the room -- and of course Pangzi doesn't begrudge him this, because Pangzi loves him. Without Wu Xie around, though, we get to watch all the other relationships Pangzi has cultivated over the years.

One of the best is with Xie Yuchen, a.k.a. Xiao Hua. In other series, we see the two interact, but only in the context of having Wu Xie around. Sand Sea presents us with a little window into what is clearly a longstanding friendship. From the tiny bit we get of their interactions, it's obvious they hang out on a pretty regular basis. They're chilling and having spa dates while their husbands are out there getting sandy and fighting snakes, proving that these two urbanites are absolutely the brains of their respective marriages.

...Hold up a second,

I hear you say,

IS this show actually gay? Because you keep using words like "husbands" and talking like it's intentionally, onscreen, boys-kissing-boys gay.

On the one hand, no.

On the other hand: Is Butch Cassidy and the Sundance Kid gay? Textually, taking it at face value, and especially considering the context in which it was made, no, it is absolutely not gay, nor was it meant to be gay. But when you step back and realize everything it's doing, you kind of can't avoid the really romantic implications. Maybe Butch and Sundance never smooch, maybe they don't even want to, but they're each other's other halves. We would instantly recognize what they are if one of them were a lady. In a narrative setting where gayness is unthinkable, nothing they can do can be gay, which loops around to making everything kinda gay, and ... look, I'm just saying, if Pangzi were a woman, we'd know immediately what she is to Wu Xie (and holy fuck she would be so hot). If Xiao Hua were as female as the opera characters he plays, we'd have no questions about her relationship to Hei Xiazi. Keep everything beat for beat, line for line the same, and there'd be no missing it.

This is something you get a lot with stories about men written by men, this unintentional homoeroticism from male authors who don't realize their misogyny has actually poisoned them against heterosexuality. Remember what I said earlier about DMBJ's regrettable het? So much of it stems from the assumption that getting a girl and a boy together will inevitably to romantic feelings from at least one of them, so there's no reason to bother spending time giving either of the participants any actual reasons to like one another. (Sand Sea does this too! Just with a character I haven't mentioned here, because I'm trying to talk about the good dynamics.) This kind of thinking treats women not as people, but as as basically interchangeable desirable objects. But men are people, which means the male characters' feelings are worth discussing in the narrative! So what you get is these well-developed, intimate relationships between men described in loving detail, sat right next to perfunctory heterosexual couplings -- and we're supposed to believe that one is romantic and one is not based solely on the genders of the participants? Yeah, no, I call bullshit.

And -- if you'll permit me to loop back to the boys for a minute -- we now have a model for how a straight Iron Triangle would behave, and it is not the way the actual Iron Triangle members are about one another. Those teens love one another in a way that is fierce and strong and not what Wu Xie, Pangzi, and Xiao Ge have going. Maybe it could become that, but it's not now. It's not better or worse now for being what it is, but it is different, and it makes by contrast some things very clear (and very queer).

So that is why I feel justified in referring to them as husbands and will continue to do so despite the lack of explicit textual support.

Anyway, back to Pangzi!

Where were we? Right, Xiuxiu!

Pangzi's always at his best when he gets to be a knight for someone he cares about. This time around, that's Huo Xiuxiu, who who only shows up after you've met several of her matriarchal family's other members, all of whom would be at home in a Tank Full Of Dangerous Ladies. Xiuxiu is not a fighter like they are, but she does have an object that means everyone's out to get her, and as such she relies on her Pangzi to keep her safe while she's trying to survive the fucked-up games her family is playing.

And Pangzi clearly loves it. He absolutely thrives on being the big brother/bruiser figure for her. He loves how cool it makes him look to her. He doesn't have Wu Xie around to be a tank for, so he's going to tank for her. In fact, he's even going to bring in reinforcements to help him do it. (What's the deal with the cute Tibetan boy? Look, shh, just appreciate that you've got a cute Tibetan boy.)

Then there's his dealings with the rest of the Tomb-Raiding Industrial Complex, who are a bunch of shady dudes with impressive family pedigrees and expensive suits, all of whom are trying to play twelve-dimensional chess with one another. There's going to be lots of names dropped, of families and of individuals, and the show is going to act like you're supposed to be impressed. And if you're familiar with DMBJ canon, yeah, you could be impressed! Or you could be like Pangzhi, who rolls up in his amazing Holstein shirt, not giving a single fuck what any of these rich bastards think about him.

This is actually some character development for Pangzi, who has in the past been cowed (pun unintended) by the wealthy, mostly due to his own financial situation. That stage of his life is over now. Honey badger has ceased to care. The cool, pretty people are going to try and give him shit, and he is impervious to it. You better believe the Iron Triangle trashed this fancy restaurant the last time they were in here, and if you give Pangzi half the chance, he'll fucking do it again.

No wonder Zhang Rishan likes him. A pair of little firestarters.

Don't let me oversell you on how much Pangzi is in Sand Sea, because he's not. There's maybe a dozen of the 52 episodes that have any Pangzi content, and he's only in small parts of those episodes. Pangzi is a rare and precious event, like an eclipse. Cherish the Pangzi moments and all the wonderful interactions contained within.

caveat: You call that an ending?

Buddy, if you'd seen how most other DMBJ series end, you wouldn't be asking me that. But because I'm assuming you haven't: Yes, I call that an ending, because it actually attempts to do a winddown and conclusion, instead of just wandering off on a cliffhanger. The ending isn't wholly satisfying, but it is an ending. There is a narrative, and that narrative concludes. Does the conclusion make sense and tie up all the loose ends? Absolutely not! But it does follow basic story structure and resolve the action semi-competently.

As I said about the sweet disaster that is Psych Hunter (which was also directed by the guy who did Sand Sea!), I think knowing in advance that an ending sucks makes the ending suck less. It removes the disappointment factor and lets you enjoy what is there, instead of making you grumpy about what isn't. No, you're never going to understand a lot of things. That means whatever you want to be true can be true. The book is unfinished. The series is nonsense. Canon has no hold on you. You are free.

As compensation, here's a picture of Xiao Ge without his shirt on.

Are you feeling like it's Tomb Time?

There are a couple places you can get this one! Try Viki, WeTV, this YouTube playlist (which is missing the first episode for some reason), or this YouTube playlist (which has the whole thing). Note that subtitles vary in quality from place to place. The YouTube versions also have the bizarre, amazing in-character commercials, and it's up to you if that's a plus or a minus for your viewing experience.

I love this bonkers show. It is balls-to-the-wall weird, to a point that will make you question the translation. I got to the part where Zhang Rishan explains that ancient people worshipped fish with snakes in their eyebrows, caught the fish, took out the snakes, and implanted the snakes in their own human eyebrows -- and I thought, surely that's not what he's actually saying. Nope! The subtitles are accurate. It's the show that's off its rocker.

Anyway, once you've watched Sand Sea, scroll down to the bottom of my rec post for Reunion and find out how you can get even deeper into said tombs! Trust me, there's a lot down here.

As those other posts would indicate, this would not be my first choice for how to get into DMBJ. It is, however, how a fair number of people have gotten into DMBJ, so what the hell do I know! Or maybe this post has convinced you that Sand Sea is worth watching, but you'd rather build up to it than go into it raw. That works too! Whenever you get to it, it'll be here: under a bunch of sand, tattooed and inexplicable, and extremely gay whether it knows it or not.

Go to the desert, they said. Find Gutongjing, they said. Solve the mystery, they said. Fuck it, we nap.

#sand sea #sha hai #tomb of the sea #沙海 #dmbj #rec post #i made this

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writingquestionsanswered · 8 months ago

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How many words is too many? I have written over 80,000 words already and don't have a computer to edit properly. I've already decided to split the story among multiple books. But how many should each be? I am aiming for a basic novel to a little bit longer, but as a first-time author, I don't want to write something too long and not get anyone to read it.

Finding Your Story's Target Word Count

"How many words is too many" depends on what you're writing. Every type of story and every genre has a different word count range, and the specific ranges vary depending on who you ask. Here are some general ranges you can target...

Story Type:

Short Stories - 1,000 - 5,000 words Novellas - 20,000 to 50,000 words Novels - 50,000 - 110,000 words Epic Novel - 110,000 words and up (though these are rare)

Age Category:

Middle Grade novels - 25,000 - 40,000 words Young Adult novels - 45,000 - 80,000 words New Adult novels - 60,000 - 85,000 words Adult novels - 65,000 - 110,000

Genre:

Literary novels - 80,000 to 110,000 words Romance novels - 50,000 to 80,000 words Fantasy novels - 90,000 to 110,000 words Mystery novels - 70,000 to 90,000 words

It's important to remember that a book series isn't one long novel chopped up into smaller books. Each book in a series needs to have its own story arc. In other words, a beginning/inciting incident, middle/rising action, and end/climax and denouement. That said, you will need to look at the completed story and identify the natural story arcs that exist within it to figure out where each book should end and the next book should begin.

Something else to consider is your publishing goal. If you plan on pursuing traditional publishing, you might look into writing an in-depth summary of the entire story and working with a developmental editor or book coach to figure out how to best divvy up the story between books. That way, you'll ensure that book one is as strong as it can be, which will increase the likelihood of getting a book deal. After that, if your book sells well enough to warrant the publishing of the next book, you will have some guidance on where to go from there.

If you're planning to self-publish, you can still look into working with an editor or book coach, or even a critique partner, or you can just make the best decision you're able to about how to divide each book. Again, what matters is that each part of the story centers on its own individual story arc.

Something else to consider: if you have a really long story that you want to chop up into pieces rather than individual books, you might look into posting it as a serial on a site like Wattpad, Kindle Vella, Ream, or similar services. Serialization allows you to take a long story and chop it up into sizeable pieces, such as "episodes," and then you don't have to worry so much about dividing it up into books with their own individual story arcs.

One final consideration: Not having the ability to edit properly is not an excuse to publish an unedited work of fiction. No one wants to read an unedited story, even if it's chopped up into pieces. If you want to publish this story, whether online, traditionally, or self-published, you need to find a way to edit it properly and make sure you're putting a tight and polished version of the story out into the world.

Here are some additional links:

Self-Editing Tips Editing Tips Ten Ways to Cut Your Word Count

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colferpics · 4 months ago

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Chris Colfer’s “Roswell Johnson Saves The World” Shines!

by Kent Burns | Jul 19, 2024

Recently, the Los Angeles Inquisitor was given exclusive access to Chris Colfer’s book launch for his 20th publication, Roswell Johnson Saves The World!

Golden Globe winning actor and #1 New York Times Best Selling author, Chris Colfer, embarks on a new adventure after selling over 13 million copies of his series, The Land of Stories, and turns to a sci-fi young adult series centered around 11 year-old Roswell Johnson. After a hard day at school, he wishes to be taken away from Earth – and to his surprise, he is! Whisked away by a quirky crew of extra terrestrials, Roswell and his newfound friends must save the human race from an evil invasion. But can Roswell restore his own faith in humanity in time to save the world?

Taking over the entire second floor of the California Science Center in Downtown Los Angeles, the book launch welcomed guests of all ages to celebrate this momentous publication in the Air & Space Exhibit Galleries. A perfect backdrop with space themed pinball machines, arcade cabinets, custom cocktails, photo opportunities, and nothing but joy in the air! There was even a Glee reunion as Emmy nominated actor Mike O’Malley, who played Colfer’s father on the show, celebrated Colfer’s success with open arms.

Colfer was kind enough to take time out of the festivities to give us an exclusive interview about his process, the story, and what he hopes readers come away with.

[READ THE REST AT LOSANGELESINQUISITOR.COM]

#chris colfer #los angeles inquisitor #roswell johnson saves the world #book launch party #california science center

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iamnmbr3 · 2 months ago

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Cursed Child rant? as a treat? 👉👈

Oh god. Where to even start. Listen, I know some people enjoy CC and I say more power to you. I'm not here to be the fun police and say what people can and can't like or write fic about or derive meaning from or whatever. But for me, personally, Cursed Child is an absolute mess of the worst kind that irritates me on a profound level.

First off, it's completely inconsistent with the canon characterizations and established rules of world building (and JKR didn't even do that much world building so there wasn't that much to keep track of and yet, they couldn't even bother to do that). I mean, Cedric, who tried to give the Triwizard Cup to Harry doesn't win and that somehow causes him to become a Death Eater??? Huh? It's not just ooc. It's bad storytelling. I mean, even if he was a hugely sore loser why would losing a tournament cause him to join an extremist blood purist paramilitary group? That has nothing to do with him losing. It's stupid and childish and nonsensical and SO bad.

And really? That's the best you can come up with? If the point of that whole thing was the tired trope of 'time travel goes wrong and makes things worse' they could've just had the gang expose Crouch earlier but instead of Voldemort not returning he just ends up returning but not using Harry's blood which allows him to do his original plan of growing his power in secret. And idk. Maybe then he takes over and he kills Harry and Harry doesn't come back. I didn't even put any effort into that. It's a bit dumb and inelegant but it gets the job done without wild character assassination and a lack of logic so profound it would insult the reasoning abilities of a fungus.

But ok, let's judge it as its own vaguely Harry Potter inspired thing rather than as an actual sequel to the canon series. You know what the result is? IT'S STILL BAD. It's just. SO BAD. I don't understand how it's a real thing.

It's like a parody of a bad play. It can't possibly be real. Harry suddenly has a phobia of pigeons? Why??? It's so...stupid. And I'm supposed to take that seriously? What? And the dialogue. The dialogue. "Bad" doesn't even cover it. The fact that "Wow. Squeak. My geekness is a-quivering" is a real actual line in the actual play causes me physical pain. WHO WRITES THAT?! AND THEN LEAVES IT IN THE FINAL DRAFT?!?!?

And Delphi. WHAT EVEN?! She's literally like a parody of a bad fanfic Mary Sue. Down to the blue streak in her hair. But we're supposed to take her seriously? As a villain? Tf? She's like a bad Ebony Dark'ness Dementia Raven Way knockoff. The whole play is like an unfunny parody of bad writing. But it's not supposed to be. It actually pretends to be a genuine drama. Which is so much worse. I truly think My Immortal is better. And way funnier.

No effort at all went into the story construction. Characters act incredibly childishly and unrealistically and simplistically. The story doesn't feel like it was written by adults. There's no feeling or depth or emotion. It's all plot contrivances and nauseatingly simplistic writing. It isn't a story. It's just some stuff that happens. Because the writers were just like 'eh it's Harry Potter it'll sell.' And that's not art. That's just churned out content. And it bothers me on such a profound level that they did it and got away with it.

I would be embarrassed to write that for myself, let alone to turn that in as a professional writer. It's so inconsistent with the original story that I legitimately think the 2 guys who wrote it didn't even read the books. They just glanced at the wiki and decided they were good to go. Despite being PAID to do this. How sloppy is that? Not to mention Harry Potter meant so much to so many people who were ecstatic to get more content yet the two clowns who wrote this just skimmed the wiki and then vomited out some of the worst lines ever penned in history and called it a day.

#asks #Cursed Child #anti cursed child #Harry Potter

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victusinveritas · 3 months ago

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Writing advice from Nick Mamatas.

Some science fiction/fantasy creative writing students I have encountered, a field guide

1. World-Savers: these are generally older students, have no real interest in SF/F, are writing a book to express political or metaphysical ideas they consider to be radical and necessary for the future of life on Earth. In reality, they're writing long Platonic dialogues about their ideas, and authority from various culture and pop culture tropes (aliens, noble savages, fairies, resurrected presidents)–to the extent that their work has a plot at all, it involves a Christ figure transforming the world via a sacrifice. The ideas aren't very radical either: "pollute less" and "love your neighbor, unless they're a dick" are common. Occasionally the message for the world has to do with something more prosaic: reverse budgeting, the evils of Affirmative Action, the importance of installing solar panels, how dare Eileen divorce me and fuck like three guys in the six months after she moved out, etc. These students are utterly confused by actually existing SF/F stories they read, and often interpret them in bizarrely sexual ways. They don't believe in numbering the pages of their manuscripts, and often attempt to submit work in PDF so it won't be stolen.

2. Children with Money: recent college grads, or drop-outs, these people have read Harry Potter, Twilight, and perhaps three or four other best-selling young adult series and nothing else. They are easily upset, especially when someone suggests reading more. Their main interests are YouTube personalities, video games, and a sort of Puritanical pansexuality that actually makes smut boring. They often "forget" to read the work of other students, and have no idea how to use a printer. They warn the other students that their story might be "too intense" because it contains, for example, a depiction of a car accident. Their stories are routinely awful, and always contain a character named "Aidan." Sometimes their parents come to class to make sure I am "not a serial killer", as though they could possibly tell from looking at me. (Oh, "Mamatas" IS a white person name...I guess?)

3. Anointed Ones: They contact me, or the people running the workshop, beforehand, to make sure that "the class is right" for them. They have file cabinets full of their stuff, and after many decades of toil, they are ready to reveal their work to the world. They just need a mentor, and an ally—could I be the one they've been searching for lo these many years? Prior workshops were full of callow teachers and jealous students. Why they were only allowed to submit ten pages a week! Some of them have actually read fairly widely, but you wouldn't know it from their work: three adjectives per noun, a fetish for speech tags other than the word "said" or no tags at all. Often these stories include as characters philosophical prostitutes with very sensitive nipples. They never miss a class and often show up more than thirty minutes early. One time, I had to hide in a closet to avoid an extensive pre-class conversation with one.

4. Frightened Proles: These have read Stephen King and Dean Koontz and sometimes even horror writers from this century. They generally have working-class jobs and write about working people who encounter the supernatural on the late shift. They really hope they can sell their novel soon, but they know it'll take a lot of work. (Ten more drafts oughta do it!) They wear baseball hats to class and look like enormous eight-year-olds. They get very excited when I mention professional wrestling or do a taiji move in class. Their significant others are often nameless—"my girlfriend" "my wife." They buy my books and bring them to class for autographs. Some of them get published after, especially flash fiction.

5. Repairables: decent writers, often involved in the SFF "scene", who need to be fixed after a bad experience with Clarion or another workshop or an overeager editor at a semipro magazine who told them some idiot nonsense they decided to believe because they were told it was "unprofessional" not to consider editorial feedback. These either get published...or lost to MFA programs, video game jobs, fandom, podcasts, or other writing-shaped pursuits. Most of them are ferocious name-droppers; the ones who heard of me beforehand know to keep quiet though.

#writing advice #sci fi writing #sci fi #fantasy #writing workshop

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scottprattfiction · 2 years ago

Link

#best-selling book series for adults

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redbreastedbird · 2 months ago

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Do all authors have to blitz through writing in the way that you do once they have a series? I really want to be an author but that part terrifies me!

Two answers to this one!

The first version is no, absolutely not. I got myself into a complete mess with my schedule because the puzzle book took much longer to write than I thought I would. What was supposed to be six months to write the first draft became four, then three, then two. Ideally I’d take about five months to write a first draft, researching as I go. That’s a much easier schedule, and slightly more normal.

The second answer is: despite best efforts it often turns out that way. I love writing, but writing to publish is hard. If you’re traditionally published you should probably be thinking about publishing one book a year. You can maybe push it a bit if you write for adults, but if you write for kids or teens this is fairly non-negotiable, because your readership will grow up!

So imagine you do take that five months for the first draft. Your editor will take about a month to edit it, then send it back to you for a second draft revision stage that takes maybe 2 months. Then you go again, maybe 2 weeks for your editor to look at it and a month for you to edit. Then you’re on to the copyedit and proofread stages - and you need to leave 2 months minimum between the time you print the book and the time it appears in stores. You will notice here that this is pretty much exactly a year. So if anything goes wrong - if the book needs another draft, or if you get sick, or if you take a long holiday, you’re going to have to be working on the end of one book while you plan and start to write the next book. And then maybe you get an idea for another book that you want to sell to another publisher so you’re writing that too, during the editing process for your first book … you can see how the schedule can get crunched and how you might end up tearing your hair out and trying to write a book in two months.

It’s hard! It’s really hard!! It’s particularly hard if you’re neurodivergent, which most authors are. It’s also hard because a lot of authors don’t know the world of publishing well. I do, because I used to be an editor, so I’m able to push back on some things that other authors wouldn’t know to. Sometimes I can’t, obviously, hence this schedule, but …

All of this to say, I don’t want this to put you off. I think writing is a vocation, in that if you need to do it you really need to do it, and doing anything else just isn’t the same. But I think it’s worth being honest that it is a grind, and it’s wise to know that going in, so you can think about ways to take care of yourself through that. The one thing that I think is absolutely CRUCIAL to remember is that your brain is where you create from, and if you burn out your brain you won’t be able to write a single word.

Which is why I am taking a small break after MUA 3 to work on some other projects without the stress of a deadline!

#robin stevens #writing life #author life #writing advice

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obstinaterixatrix · 3 months ago

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Molly Bauer's first year of college is not the picture-perfect piece of art she'd always envisioned. On day one at PICA, Molly discovers that--through some horrible twist of fate--her full-ride scholarship has vanished! But the ancient texts (PICA's dusty financial aid documents) reveal a loophole. If Molly and 9 other art students win a single game of softball, they'll receive a massive athletic scholarship. Can Molly's crew of ragtag artists succeed in softball without dropping the ball?

The author of the New York Times best-selling Check, Please series, Ngozi Ukazu, returns with debut artist Madeline Rupert to bring an energetic young adult story about authenticity, old vs. new, and college failure. It also poses the question: "Is art school worth it?"

I’ve been a huge fan of sakana since forever, and I like self-contained sports stories (the heated drama is peak, but I can’t stick with something super long) so I knew I’d love this graphic novel. and I was right.

I like the ensemble! The focus is primarily on the main character, but you get the sense they’re doing their own stuff in the periphery. wrangling a bunch of art students is a really funny concept and allows for a lot of personality contrasts.

it’s not a romance, but it does have romantic elements, and the love interest-type character is SO funny. there were several scenes with her that legit got a laugh out of me

super worth it, 100% recommended for a fun time. might give ex-art school students psychic damage

#recs #gen recs #ff recs #not a romance but confirmed romances #I have only two crits #1) there’s a lot of close time jumps forward and backwards in the first few pages which makes it a little jarring to follow #2) I do wish we got a *little* more hints to the ensemble’s peripheral development; the twins show up at the end post-arc #but we don’t really get to see even hints of their arc yknow #I’d still consider it 100% knocked out of the park tho #plus there’s a side f/f ship I really like too. they’re so funny #I love when there are gals who are all just some guy #AND I LOOOOVE HOW THE COOL GAL’S DEFINING CHARACTER QUIRK JS SAYING PHRASES HYSTERICALLY WRONG #it’s so funny

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physalian · 5 months ago

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What No One Tells You About Writing 8— “Anyone can write a book”

Yes. But actually no. I say “writing is easy” in that it doesn’t take a degree and textbook learning to understand. You can get an English or lit degree if you want, but writing is incredibly subjective. It’s not even like an art degree that has you study different mediums and historical styles. “Writing is easy” in that it’s about feeling, and instinct, and a little bit of common sense. Anyone can do it in that it doesn’t take financial investment to start. Steal a tchotchke pen and paper from a hotel room—you’ve got all the tools you need. I have a communications degree and 9 years of experience, and I'm about to publish my first supernatural fantasy novel.

Writing is not easy, however, if any of the following applies to you:

You want to make enough money to do this full time

You want to appeal to mass audiences

You want to be a NYT bestseller**** or get an adaptation

You want to be regarded as the best of your generation and fill bookstore shelves

1. It takes a healthy dose of self-awareness and a reality check

I beta’d for an author who thought that he was comparable to GRRM, the author of A Song of Ice and Fire, because both have adult themes in their book and if GRRM can do it, why can’t he? The sheer vastness of the divide between ASOIAF and this awful, awful manuscript wasn’t worth putting into words for the amount I was being paid, though I tried.

Yes, you can write whatever you want. Yes, you can write to please yourself and stroke your ego. You can write the hammiest wish-fulfillment author insert that you desire. But you can’t expect anyone else to want to read or pay money for it. It’s great to have confidence as an author and envision your success, but starting right off the bat with “everyone will love this book because I’m really smart and I love this book” is only going to leave you bitter and penniless.

2. You might be an expert in your given field, doesn’t automatically make you an expert at storycrafting

I really, truly want the above godawful toe wart of a human (who tried to justify pedophilia in his book with the Israel-Palestine conflict) to stop featuring in my writing advice, but I know he’s not the only person out there who thinks like this. You might have a doctorate in engineering, medicine, political science, chemistry, physics, history, paleontology—any field you want. That does not mean you can successfully translate your expertise into a well-crafted and compelling narrative. It means you can write a college textbook lecturing your readers for 300 pages. Heck, if you can't explain what you do like I'm 5 years old, then you're not an expert in your field.

Elements of good storytelling include well-rounded characters, solid pacing, compelling themes and motifs, an engaging main conflict and character arcs and edge-of-your-seat action, romance, debates, and arguments. It’s so much more than “I’m going to write a textbook, but have my character tell it to you, and everyone will love it”.

They won’t.

3. “I’m gonna be a millionaire like JKR”

The frustrating thing about making money writing is that at the end of the day, you are still selling a product. Which means that it doesn’t matter how amazing you think it is, if it’s not what sells. The Fifty Shades series is hardly a poetic epic with deep, meaningful characters and themes, but it sold. It got adaptations. Why? Because it was a product people wanted and its writing style appeals to mass audiences who aren’t entertained by fluffy, antiquated prose. I hated the Divergent books. They soullessly and shamelessly fed off the success of Hunger Games. But they sold because “teen dystopia HP houses” was what audiences craved and what Hollywood was pushing to make movies out of.

Personally I don’t have any nostalgia for Harry Potter and I both wish I did so I could have one more beloved series and fandom to participate in, but also am glad I don’t because of JKR. HP is chock full of plot holes and “fuck it we’ll do it live” worldbuilding and so many concepts that look cool on paper until you really start thinking about it.

JKR didn’t make a million dollars because she wrote the greatest fantasy series. JKR made a million dollars because she wrote a book that sells every goddamn piece of lore for $15.99 or more and collects on all those sweet, sweet royalties. She understood that she’s selling a product, not just a story, selling everything from Slytherin ties and wizarding robes to golden snitches, sorting hats, wands, chocolate frogs, and every other prop seen in the movies.

You sure can chase trends and I’m sure Divergent is somebody’s favorite book and you can hock chocolate frogs. Everyone’s writing goals are different.

4. “But GRRM did it” (or, adhering to genre expectations)

Circling back to this one. Once again, you can write whatever you want, no one is stopping you. However, books are products and if what’s in the summary and on the cover isn’t what’s on the pages, you’re going to upset and annoy your readers. For example, if I slap a chiseled six-pack of man meat on my book cover with flowy calligraphy for the title that reads something like Sex and Pink Champagne and my summary is all about how protagonist girl gets the adonis of her dreams, you’re not going to be happy if, 200 pages in, the plot detours and Mr. Sexy fucks off to sell NFTs.

It doesn’t meet genre expectations.

GoT kicks off with incest and child defenestration. It tells you *exactly* what you’re getting into immediately. You can subvert plot expectations all you want. You can subvert tropes and archetypes and throw in all kinds of twists and turns. But if you’re writing a YA novel and 100 pages in after campfire songs and the power of friendship, Protagonist gets assaulted in a 7-11 parking lot because you wanted to be ~edgy~ you’re going to piss off your readers.

Take Mulan for example. It has a dramatic tonal shift so powerful, the musical stops being a musical because it’s traumatized. Mulan doesn’t drop in the grizzled and horrifying wasteland of a battlefield with thousands of dead soldiers in an episode of Mickey Mouse Clubhouse. It’s already a war movie, the possibility is already there.

If you want to write adult content, then write a book for audiences who are prepared for and want to read adult content. Otherwise you’re setting yourself up for failure.

5. “Okay but it’s not entertaining”

Your first job as an author is to entertain (your second is to do it responsibly imo). There’s millions of books out there—why should someone read yours? Whether that’s entertainment through a feel-good romance or a gut-wrenching tragedy, you need to keep convincing your readers to stay invested in the story, otherwise they can and will put it down to read something else. No one is obligated to read your book to the end.

So, yeah your protagonist might have all the elements of your own personal tragedies and it sure is meaningful to you, but the way you wrote it is incredibly boring and no one will care. It might be the most brilliant heist plot ever conceived, but you focused on all the wrong elements, the pacing is whack, and your protagonist is annoying, so no one will read it.

Very few individual elements can be good enough to carry the entire manuscript and the likelihood of an author being really good at one thing and awful at the rest is slim. Readers can quit a book over the most arbitrary reasons. Do you want to die on a hill of “I’m not changing my annoying protagonist, I’m right and they will see”? They won’t. The arguments authors get into with me over how I hated their protagonist or I told them which parts were boring and dragged because I “didn’t understand the story” are pointless. If it’s boring or confusing or annoying, no one will read it.

6. First Drafts are drafts for a reason

Actually writing is less than half the time and effort spent on getting a book to publication. Probably less than a quarter. The rest of that time is spent editing and rewriting. Some first drafts will be better than others, not arguing that, but your first run through your story has a non-zero chance of needing revisions, even for something as small as typos and punctuation.

You have to edit for pacing and tonal shifts, erroneous details and entire scenes, character inconsistencies and goals. You have to make sure your conversations flow believably, that you hit every talking point that scene requires. You have to make sure your character’s motivations don’t create plot holes and that they’re always on track like a real person and not a creation of your imagination. You have to make sure your action scenes and sex scenes are legible and as thrilling for a reader as they are for you. You have to make sure your worldbuilding is consistent and logical and easy to understand.

Some people outline heavily before starting page one. Some people have a sticky note of “beginning middle end” and run off that. Some have whole folders of different documents to keep track of all their elements. Everyone’s writing process is different, but it is a process, not a one-and-done. It requires revisions, seeking feedback, implementing that feedback, and more revisions until it’s as good as it can be.

Yes, you need to edit. No, you’re not the writing god who penned perfection on your first try. Maybe a piece of your story is perfect on the first draft, but not the whole thing from start to finish. It’s okay that your story isn’t what you thought it would be when you started, and it’s no failing of you as a writer to need edits or even massive changes. It happens to everyone.

7. “Writing is easy, thus it’s not a real job”

Really the notion that creatives are lesser than corporate business people solving problems that their business created. But specifically for writing, the idea that it’s just putting words on a page, thus it’s easy and anyone can do it, so it’s not impressive or deserving of praise and you really need a real job (you probably will because writing doesn’t make much money for most people, but that’s just how it shakes out).

I know ENNS won’t appeal to everyone. I know there will be people who hate my characters, who don’t understand them or don’t agree with their philosophies or find my writing trite and too lean and not ~immersive~. I know there’ll be homophobes out there who won’t even read it but hear about it and make assumptions and will leave me crap reviews. I know it’s not the greatest supernatural fantasy novel ever written.

I’m not in it to make money or get a movie deal and see my merch all over the shelves and get my own theme park. I write so that even one reader might see themselves in my characters and know they’re not alone. So that even one reader has one of my characters as their favorite and that character motivates them to do the Thing or keep moving forward or be brave enough to finally do whatever they’ve been too afraid to attempt before. I want to help people, even if at the end of the day, my writing only helps myself.

Yes I need supplemental income (who doesn’t these days). It’s the way of the world. But I’m doing what I love in my free time and it is a real job because it takes work, and it might not have monetary value but its value to me is priceless.

#writing #writing advice #writing resources #writing a book #writing tips #writing tools #writeblr #what no one tells you about writing #the writing process #long post

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fenimores-book-nook · 22 days ago

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Books (again) and other things

10.22.24 ~ Tuesday

Welcome back to the Book Nook! First things first: HAPPY ASEXUAL AWARENESS WEEK! I want to do something special for every day of Ace week (I have yet to decide what) and today it's going to be a drawing of a frog with an Ace flag that I found on Pinterest. Maybe that's what will happen every day, I guess you'll have to tune to find out this week. ;) I'm also aware that Asexuality Awareness week started two days ago, on the twentieth and it is in fact, October 22nd. Tuesdays usually feel like the "actual" start of the week to me since it's the first day of work for me. So...it makes sense to me.

I will also be going on a trip to Arizona on Thursday, so you best believe Imma be rocking some Ace and Aro pride while I'm there. ;) I wanted to try to wear something Ace or AroAce every day but I might've forgotten today. BUT I have made AroAce bracelets to sell in the shop I work at, so we got one of those on. Plus, I got my nails done recently and they've got purple ombre, so I think that counts as well.

Something I did for Aromantic Awareness week is make a bunch of Aro colored bracelets and had them out for free, so I want to do that again for Ace week! But I am low on those bracelets, so I'm gonna be a bracelet making machine when I get home today. Besides, better late than never. ;)

One of the main things I wanted today's blog post to be about is a book series that I really love. The Baby-Sitters Club (the graphic novels) books based on the original BSC books by Ann M. Martin. The illustrators/authors have changed as more books have come out but I love looking at all the different art and writing styles.

This is probably the main book series that I will always get new releases for, no matter how old I get, no matter what age the books are for. (Quick side note on that topic: it literally does not matter how old the books you read are intended for and it does not matter how old you are. Heck, I'm twenty and I regularly read middle grade books. Because I like them. And that's all that matters. I'm someone who has had a bit of trouble with not feeling embarrassed with reading some of the books I read but I shouldn't feel embarrassed! No one should. READ WHAT YOU WANT TO READ, WHO CARES WHAT OTHER PEOPLE THINK.) Okay. Side note over.

I never really got into the original Baby-Sitters Club books, though I've read a few of them. I love the graphic novels a lot, I feel like the art adds so much more to the story. So far, there's 16 of the graphic novel adaptations out. (And yes, I have all of them, hehe.) I know they've skipped some of the original books, probably because they felt they didn't add enough to the Baby-Sitters Club universe. (Or not, I don't know.) But the ones they have made, I love. And of course, we're going to talk about my favorites.

These are three of my favorites out of the BSC! I'm sure if I re-read all of them, I'd include a few others, but we'll talk about these for now.

Good-bye Stacey, Good-bye is book number 11 in the series. Lemme just preface by saying, Stacey is probably my favorite BSC character's point of view to read from. She and Claudia are probably my favorite BSC members, honestly.

I love this one because it's Stacey moving back to New York City and while her leaving Stoneybrook is sad, the way she looks at moving back, I really like. Also, I've always wanted to go to New York City and explore, so I'm gonna love any of the books that have to do with it. As well with Stacey and Claudia's friendship, I love it so much. In this one it's shown quite a bit, their dedication and care for each other. The art style in this is one of my favorites. It was a bit of a change to get used to when Raina Telgemeier stopped illustrating them (I love her own books as well), but I think I kind of prefer this style more. I love them all, but this one just scratches my brain right.

Jessi's Secret Language, book 12. As a CODA (Child Of Deaf Adults), I really, really love when authors include deaf representation. There needs to be more representation, but over the last few years I've really noticed deaf characters being more included in books. As well as deaf representation, I'd love to see more normalized LGBTQIA+ representation. Seriously! But we're getting on a tangent now.

I love book 12 because of the things I've already stated, but also it's such a sweet book too. Jessi's love for dancing and how the kids and other BSC members show their support; I love it all.

And the last Baby-Sitters Club book we'll talk about today: Stacey's Mistake, book 14. Like I said about Good-bye Stacey, Good-bye, I love all the New York City vibes in this one too. But I'm also drawn to it because of the friend issues that happen. I haven't read this one in a bit, but I remember something in my brain going, "oh wow, I feel seen." I love books that make you feel like that. The way everything ends up okay-like every BSC book but that's partly why I love them so much-makes my heart smile.

I love all of the Baby-Sitters Club books and I will probably revisit talking about them in the future. They just give me this comfort and peak my interest every time I read them. And I'll also add: this is probably the only series that I've felt a real interest in writing fanfic and/or creating fanart for. But fanfic in the sense that I cast some of the characters as AroAce in my head. Honestly, it's kinda a lot of fun; I can see why people like creating an alternate story line to original stories in this way. :)

That is all for now, have the best day ever, and never stop reading what makes you happy.

All my love,

Thalia <3

#blog #books #the baby-sitters club #aroace #asexual #asexual awareness week

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smgoetter · 8 months ago

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I know you and Natalie probably get the question that if there will be a sequel to dungeon critters, and I also know that in the current situation (or at least I think) you two aren’t planning on writing one. But, that left me wondering; did you guys ever think about writing a sequel, or even the plot of a sequel? Did you write the Dungeon Critters thinking it would be a series? Or- maybe what I’m trying to say is: Do YOU think there will be a sequel to Dungeon Critters in the future?

(Natalie helped with writing this, but we both talked about it a lot)

Thanks for writing in! Dungeon Critters is really, really special to us, and we’re both really happy that it continues to find its audience. In a perfect world, we’d be diligently working away on volume 4, and designing the Baron’s minivan that he would use in the climactic fight (I’m serious).

I don’t know how much inside baseball I’m allowed to give about the inner workings of publishing, but basically: we signed a contract to do the one Dungeon Critters book, with the hope that it would sell well and we would get to continue making more Dungeon Critters books. Once we wrapped up the first book we immediately wrote and pitched a sequel that we were really excited about, with lots of ideas for more. However, while our publisher did support Dungeon Critters, they weren’t interested in any sequels. But they did still want to work with us, at least!

Which is where The Bawk-Ness Monster comes in! While we were understandably crushed we couldn’t work on Dungeon Critters, a lot of heart and hard work went into pivoting to a new series. And I’m proud of the work we’ve done on it.

Working full-time, we don’t have the time or resources to draw and self-publish a graphic novel by ourselves, and even if we did, having a publisher gives it better reach, especially ones for kids and young adults. We think there’s hope that eventually :01 might be interested in a sequel for Dungeon Critters, which is why we haven’t posted the old summary and concept art online yet. We’re currently reworking it a bit as well, along with some other ideas…we just have to wait and hope for the best.

All that being said, selfishly, hearing from people who read and liked Dungeon Critters helps us keep that hope. It’s niche and weird and doesn’t explain itself and the most purely self-indulgent and fun thing we could have made. Even if we never get to make another one, knowing someone found it and it spoke to them is really precious to us. Thank you again for asking.

Please know that no one are bigger fans of Dungeon Critters than we are, and we are keeping these characters close to our hearts.

(Also, (in response to the other message) thank you for the game recommendation! We enjoyed Hades very much when it came out a few years ago hehe. Our current gaming update is that Sara is a normal amount of hours into Balatro and Natalie is looking forward to the new Stardew update.)

#dungeon critters #asks

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this-ag-doll-is-a-butch · 9 months ago

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Clara Montoya: Autistic???

I've been getting back into AG for almost a year now. Josefina has always, always been my fave, since we were both nine years old.

I've been thinking about how I want her to have a counterpart in her time and location to actually interact with in period-appropriate ways. She never received a Best Friend doll, though :(

But really, her whole story is centered around her family anyway, and I've seen people talk about how 2005 GOTY Marisol Luna has been used to create Clara dolls. And yep, the resemblance is real.

So I have plans to get a Marisol and make her Clara. Although they may take a some months to come to fruition, considering all my other doll and fandom and plushie collection goals and IRL expenses 😔

But it's free to think about Clara's character and plan for what I want her collection to encompas.

The thing that strikes me most, looking at her now with the adult knowledge of being autistic myself- she REALLY seems like a character that one can headcanon as autistic with ease.

She's logical and practical and literal to a fault. She hates change and getting dirty and wants to keep everything organized. Sewing and embroidery are her special interests! She bonds with Tía Dolores through those interests! She clashes hard with Francisca, who just does not want to make the effort to understand her.

She has strong attachment to objects, to the extent that it becomes a huge part of the plot in "Josefina's Surprise." (The altar cloth, Niña.)

Niña is her comfort object, for fuck's sake!!!!! She manages to relinquish primary custody of Niña to Josefina, but ONLY after Tía Dolores managed to give her a new comfort object (Mamá's silver thimble.)

I mean, I think I need to closely reread all Josefina's series and acquire all short stories and the mysteries. What else is going on with dear Clara and her autism? Does she have sensory issues???

It goes without saying that Clara was never deliberately written as autistic, and of course in 1824 New Mexico, a word didn't exist for autism. But we autistics have always existed.

In terms of a potential collection- obviously Josefina's nightgown straight-up seems to be Clara's camisa and IDK how to feel about that. How can Josefina not have her nightgown??? 😭

One potential solution I've been thinking about is a similar nightgown for her but with a different neck ribbon. I can't sew, but it seems Etsy seller Magnoliawillows makes a similar nightgown with a blue ribbon which could be Josefina's new nightgown.

https://www.etsy.com/listing/1325115163/josefina-montoya-style-night-shift

Also, I know her BeForever nightgown exists too. But I'm not as emotionally bonded to it, since it came after "my time" lmao. Maybe it would be nice if Clara and Josefina had summer and winter nightgowns 🤔

And I could get Josefina's BeForever bed for Clara! That's another reason why I want a Clara- to have a way to use more of Josefina's collection as I acquire it, especially the BeForever items.

And if AG could just get off their asses and GIVE JOSEFINA LITERALLY ANY COLLECTION AT ALL AGAIN, it would be great to buy whatever is (re-)released new and use it mostly for Clara, because that way I could have the beloved Pleasant Company versions of my memory yet also support Josefina's collection today.

Meet Accessories/Outfit ideas- Josefina's PC red-ribbon nightgown as camisa, different rebozo, moccasins, extra pair of Josefina bloomers, indigo skirt (although it would be interesting to try and see if someone sells/would make a skirt closer to book illustrations... however, 1820s New Mexican sisters, even in a well-to-do family like Josefina's, definitely shared clothes. So it would make sense from that perspective).

She'd need a doll-size pair of scissors, which Tía Dolores gave her, of course. And I'd want her to have some kind of necklace, because all AG historicals did/do. I'd need to know more about necklaces from then, though... perhaps some kind of mílagro, or Saint Clara symbol/medal? I'd want her to have a little sewing & embroidery kit to hang on her belt, too.

One thing that would take a lot more work, yet would make an amazing story, would be to somehow find another little doll's-doll like Niña. I have a whole story idea where some kind of secret room somehow gets found (maybe at Abuelito and Abuelita's house in Santa Fe) and a long-forgotten doll from Mamá and Tía Dolores' childhood gets given to Clara 🥺

Another idea would be to assemble stuff to create a little shrine for Clara and Josefina to pray at (yes I got the idea from the Mini World image). Especially because it would have Mamá's colcha-embroidered altar cloth! And just in general, part of why I connected with Josefina so much growing up was that her family is Catholic, just like mine.

These days, obviously, I'm a grown up monbinary gay ex-TradCath (similar to ExVangelical) with religious trauma, but maybe making a doll Catholic shrine would be a way to deal with that in a more healthy manner...

Anyway I would love to talk about Clara and Josefina!!!! Josefina-lovers please interact!!!!

#josefina montoya #clara montoya #american girl #agblr #autistic headcanon #best friend dolls #doll ideas #montoya family #religion cw #religious trauma mention

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